***The
Roots Is The Toots- The Music That Got Them Through The Great Depression And
World War II- From Deep In The Songbook-The Inkspots – We’ll Meet Again …
**********
Peter Paul Markin comment on this series:
…
okay, we know it did not always start for them with sighs and meanings, start
with golden age thoughts, with forever, not by a longshot. It in Doc’s
Drugstore in old time North Adamsville (or name your drugstore, Rexall’s ,
Smitty’s, People’s the setting is not what counts here, okay), started with her
playing a dreamy record on the jukebox at the soda fountain. (Why else would
otherwise healthy teenagers be at a damn drugstore, of all places.) And him,
him a nothing but love them and leave them Jimmy kind of swaying to the tune,
waiting to play his latest be-bop crazed song, you know, something one could
dance to, hell, not some waltz fox-trot thing but something one could jitter-bug to. And as his
song came up on the turntable he asked her to dance. At first she refused,
refused flat out knowing he was a “fast” guy, a what did I call him, oh yeah, a
love them and leave them guy. Then he whispered something in her ear for a
couple of minutes, something that she would not divulge even fifty years later.
And they danced, and danced in sync, danced with meaning.
So
it started, started with that jitter-buggery, started with whatever he
whispered in her ear at Doc’s. And
everybody noticed, especially his corner boys, the boys who put their feet up
against the night wall at Harry’s Market, that he was thereafter always seen
with her, and with nobody else, no other girl. But those were not times to
reform one’s personal habits, those were not times to spent much time on such
things, not with a world being haunted by the night of the long knives and he,
he and those corner boys, he and those North Adamsville youth, and those of a
million North Adamsvilles, when their number was called, had to put such things
on hold. But get this, get this if you can, as she saw him off at the North
Adamsville train station on his way to some foul, dank, sweaty troop ship, half
the guys getting seasick and not just Kansas no ocean guys either, to go lay
down his head in some watery grave if necessary, he swore, he swore that if he
made it back, he would finish what he started, would finish what he whispered
in her ear right Doc’s Drugstore that fateful afternoon.
And
a few weeks later as he sat in a woe-begotten, made-in-a-day troop transport,
made right down the road from his house at the Adamsville River Shipyard he
suspected, on its way to some European
landing area for that last big push against the monsters, against the
night-takers, he fretted, there was no other word for it, away his time
thinking about what would happen to her, to her and the baby that was coming,
their love baby, if he had to lay his head down in some watery grave, in some
trampled field, by some stony bridge that had to be taken at all costs, and he
did not get a chance to make good on his promise, that something that he
whispered in her ear at Doc’s (and that he too would refuse to divulge fifty
years later). He banished such thought though, thoughts that only made his
seasickness worse, and began to write her his daily upbeat letter telling her
that this stint was a piece of cake, and that he damn well would be back…
**********
Peter Paul Markin comment on this series:
Whether we liked it or not, whether we even knew what it
meant to our parents or not, knew what sacred place it held in their youthful
hearts, Benny Goodman with and without Miss (Ms.) Peggy Lee, Harry James with
or without the orchestra, Duke Ellington with or without Mr. Johnny Hodges,
Tommy Dorsey, Jimmy Dorsey with or without fanfare, Glenn Miller with or
without glasses, Miss (Ms.) Billie Holiday with or without the blues, personal
blues, Miss Lena Horne with or without stormy weather, Miss (Ms.) Margaret Whiting,
Mr. Vaughn Monroe with or without goalposts, Mr. Billy Eckstine, Mr. Frank
Sinatra with or without bobbysoxers, The Inkspots with, always with, that
spoken refrain, the Andrews Sisters with or without rum in their Coca-Cola, The
Dewdrops with or without whatever they were with or without, Mr. Cole Porter
with or without the boys, Mr. Irving Berlin with or without the flag, and Mr.
George Gershwin with or without his brother, is the music that went wafting
through the house of many of those of us who constitute the generation of ‘68.
Yes, the generation of ’68, baby-boomers, decidedly not what
Tom Brokaw dubbed rightly or wrongly “ the greatest generation,” decidedly not your parents’ or grandparents’ (please, please do not say
great-grandparents’ even if it is true) generation. Those of us who came of
age, biological, political and social age kicking, screaming and full of the
post-war new age teenage angst and alienation in the age of Jack Kennedy’s
Camelot. Who were, some of us any way and I like to think the best of us,
driven by some makeshift dream, who, in the words of brother Bobby quoting from Alfred Lord Tennyson, were “seeking a
new world.” Those who took up the call
to action and slogged through that decade whether it was in civil rights/black
liberation struggle, the anti-Vietnam War struggle or the struggle to find
one’s own identity in the counter-culture swirl before the hammer came down.
And that hammer came down quickly as the decade ended and the high white note
that we searched for, desperately searched, drifted out into the ebbing tide.
Gone. But enough about us this series is about our immediate forbears (but
please, please not great grandparents) their uphill struggles to make their
vision of the newer world, to satisfy their hunger a little, to stop that
gnawing want, and the music that in their youth
dreamed by on cold winter nights or hot summer days.
This is emphatically the music of the generation that
survived the dust bowl all farms blown away, all land worthless, the bankers
taking whatever was left and the dusted crowd heading west with whatever was
movable, survived empty bowls wondering where the next meal would come from,
survived no sugar bowl street urchin hard times of the 1930s Great Depression,
the time of the madness, the time of the night-takers, the time of the long
knives. Building up those wants, name them, named those hungers on cold nights
against riverside fires, down in dusty arroyos, under forsaken bridges.
Survived god knows how by taking the nearest freight, some smoke and dreams
freight, Southern Pacific, Union Pacific, B&O, Illinois Central, Penn
Central, Empire State, Boston and Maine, or one of a million trunk lines to go
out and search for, well, search for…
Searching for something that was not triple- decker bodies,
three to a room sharing some scraggly blanket, an old worn out pillow for rest,
the faint smell of oatmeal, twenty days in a row oatmeal, oatmeal with.., being
cooked in the next room meaning no Pa work, meaning one jump, maybe not even
that ahead of the rent collector (the landlords do not dare come in person so
they hire the task out), meaning the sheriff and the streets are closing in.
Bodies, brothers and sisters, enough to lose count, piled high cold-water flat
high, that damn cold water splash signifying how low things have gotten, with a
common commode for the whole floor and brown-stained sink. Later moving down
the scale a rooming house room for the same number of bodies, window looking
out onto the air shaft, dark, dark with despair, the very, very faint odor of
oatmeal, who knows how many days in a row, from Ma’s make-shift hot plate on
its last legs. Hell, call it what it was
flop house stinking of perspiration and low-shelf whiskeys and wines. Others
had it worse, tumbled down shack, window pane-less, tarpaper siding, roof tiles
falling, a lean-to ready to fall to the first wind, the first red wind coming
out of the mountains and swooping down the hills and hollows, ready to fall to
the first downpour rain, washed away. Yes, get out on the open road and search
for the great promised American night that had been tattered by world events,
and greed.
Survived the Hoovervilles, the great cardboard, tin can
roof, slap-dash jerry-built camp explosions along rivers, down in ravines and
under railroad trestles. Tossed, hither and yon, about six million different
ways but it all came down to when the banks, yeah, the banks, the usual
suspects, robbed people of their shacks, their cottages, their farm houses.
Robbed them as an old-time balladeer, a free-wheeling, song-writing red, a
commie, in the days when in some quarters sailing under that banner was a badge
of honor, said at the time not with a gun but with a fountain pen, but still
robbed them.
Survived the soup kitchens hungers, the gnawing can’t wait
in the endless waiting line for scrapes, dreaming of some by-gone steak or dish
of ice cream, and always that hunger, not the stomach hunger although that was
ever present, but the hunger that hurts a man, hurts his pride when he has to
stick his hand out, stick it out and not know why. Planning the fruitless day,
fruitless since he was born to work, took pride in work, planning around Sally
breakfasts don’t be late, six to nine, but with sermon and song attached,
mission stuff in heat-soaked rooms, men smelling of unwashed men, and drink.
Planning around city hall lunches, peanut butter sandwiches, slapped slap-dash
together with an apple, maybe. Worse, worse by far the Saint Vincent DePaul
suppers, soup, bread, some canned vegetable, something they called meat but was
in dispute, lukewarm coffee, had only, only if you could prove you were truly
destitute with a letter from some churchman and, in addition, under some
terrible penalty, that you had searched for work that day. A hard dollar, hard
dollar indeed.
Jesus, out of work for another day, and with three hungry
growing kids to feed, and a wife sickly, sick unto death of the not having he
thought, little work waiting for anybody that day, that day when all hell broke
loose and the economy tanked, at least that is what it said in the Globe (ditto New York Times, Washington Post, Chicago Tribune, Los Angeles Times,
San Francisco Examiner if anybody was asking), said that there was too much
around, too much and he with nothing for those kids, nothing and he was too
proud to ask for some damn letter to give to those Vincent DePaul
hard-hearts. And that day not him, not
him yet, others, others who read more that the Globe (and the dittos) were
dreaming of that full head of steam day to come in places like big auto Flint,
waterfront Frisco town, rubber Akron, hog butcher to the world prairie Chicago,
hell, even in boondock trucker Minneapolis, a day when the score would get
evened, evened a little, and a man could hold his head up a little, could at
least bring bread to those three hungry growing kids who didn’t understand the
finer point of world economics just hunger. Until then though he is left
shifting the scroungings of the trash piles of the urban glut, the discard of
the haves, the have nots throw nothing away, and on other horizons the brethren
curse the rural fallow fields, curse the banks, and curse the weather, but
curse most of all having to pack up and head, head anyway, anywhere but the
here, and search, search like that brother on that urban glut pile for a way to
curb that gnawing hungry that cried out in the night-want, want
that is all.
Survived too the look, the look of those, the what did FDR
(Franklin Delano Roosevelt for the young, or forgetful) call them, oh yeah, the
economic royalists, today’s 1%, the rack-renters, the coupon-clippers, the
guys, as one of their number said, who hired one half of the working class to
fight the other, who in their fortified towers, their Xanadus, their Dearborns,
their Beacon Hills, their Upper East Sides, their Nob Hills, and a few other
spots, tittered that not everybody was built to survive to be the fittest. That
crowd, and let’s name names, a few anyway, Ford, General Motors, Firestone,
U.S. Steel, fought tooth and nail against the little guy trying to break bread.
Fought that brother too out pounding the mean streets to proud to ask for a
letter, Jesus, a letter for some leftover food, before he got “religion” about
what was what in the land of “milk and honey.”
Wreaked havoc on that farmer out in the dust bowl not travelling some
road, some road west knowing that the East was barred up, egging him on to some
hot dusty bracero labor filed picking, maybe “hire” him on as a scab against
those uppity city boys. Yes, fought every guy trying to get out from under that
cardboard, tar paper, windowless soup kitchen world along with a hell of a lot
of comrades, yes, comrades, not Russkie comrades although reds were thick in
those battles, took their lumps in Frisco, Flint, Akron and Minneapolis, hell,
any place where a righteous people were rising, kindred in the struggle to put
that survival of the fittest on the back-burner of human history. To stand up
and take collective action to put things
right, hell, made the bosses cry bloody murder when they shut down their
factories, shut them down cold until some puny penny justice was eked out. And
maybe just maybe make that poor unknowingly mean-street walking city brother
and that sweated farm boy thing twice about helping those Mayfair swells.
Survived but took time out too, time out if young perhaps,
as if such things were embedded in some secret teen coda, to stretch those
legs, to flash those legs, to sway those hips, to flash the new moves not, I
repeat, not the ones learned at sixth grade Miss Prissy’s Saturday dance
classes but the ones that every mother, every girl mother warned her Susie
against, to a new sound coming out of the mist, coming to take the sting out of
the want years nights, and the brewing night of the long knives. Coming out of
New York, always New York then, Minton’s, Jimmy’s, some other uptown
clubs, Chicago, Chicago of the big
horns and that stream, that black stream heading north, following the northern
star, again, for jobs and to get the hell away from one Mister James Crow, from
Detroit, with blessed Detroit Slim and automobile sounds, and Kansas City, the
Missouri K.C. okay, the Bird land hatchery, the Prez’s big sexy sax blow home.
Jesus no wonder that madman Hitler banned it, along with dreams.
The sound of blessed swing, all big horns, big reeds, big,
well big band, replacing the dour Brother,
Can You Spare a Dime and its brethren ,
no banishing such thoughts, casting them out with soup lines (and that
awful Friday Saint Vincent DePaul fish stew that even Jesus would have turned
down in favor of bread, wine and a listen to Benny’s Buddha Swings) casting that kind of hunger out for a moment, a
magical realistic moment, casting out ill-fitting, out of fashion, threadbare
(nice, huh) second-hand clothes (passed down from out- the- door hobo brothers and sisters tramping this good
green earth looking for their place, or at least a job of work and money in
their newer threadbare [still nice] clothes), and casting aside from hunger
looks, that gaunt look of those who have their wanting habits on and no way to
do a thing about it. Banished, all such
things banished because after all it did not mean a thing, could not possibly
place you anywhere else but in squareville (my term, not theirs), if you did
not have that swing. To be as one with jitter-buggery if there was (is) such a
word (together, not buggery by itself, not in those days, not in the public
vocabulary anyway). And swing as it lost steam with all the boys, all the swing
boys, all oversea and the home fire girls tired of dancing two girl dancing, a
fade echo of the cool age be-bop that was a-borning, making everybody reach for
that high white note floating out of Minton’s, Big Bill’s Jimmie’s, hell, even
Olde Saco’s Starlight Ballroom before it breezed out in the ocean air night,
crashed into the tepid sea. Yeah.
Survived, as if there was no time to breathe in new fresh
airs, to slog through the time of the gun in World War II, a time when the
night-takers, those who craved the revenge night of the long knives took giant
steps in Europe and Asia trying to make that same little guy, Brit, Frenchie,
Chinaman, Filipino, God’s American, and half the races and nationalities on
this good green earth cry uncle and buckle under, take it, take their stuff
without a squawk. And so after Pearl, after that other shoe dropped on a candid
world Johnnie, Jimmie, Paulie, Benny too, all the guys from the old
neighborhood, the guys who hung around Doc’s hands in their pockets, guys from
the wheat fields fresh from some Saturday night dance, all shy and with
calloused and, guys from the coal slags, down in hill country, full of home
liquor, blackened fingernails and Saturday night front porch fiddlings wound up
carrying an M-I on the shoulder in Europe or the Pacific. Susie, Laura, Betty,
and dark-haired Rebecca too waiting at home hoping to high heaven that some
wayward gun had not carried off sweetheart Johnnie, Jimmy, Paulie, or young
Benny. Jesus not young Benny.
Survived the endless lines of boys heading off East and
West, some who could hardly wait to get to the recruiting office others, well,
other hanging back, hanging back just a little to think things over, and still
others head over heels they were exempt, 4-F, bad feet, you see. All, all
except that last crew who got to sit a home with Susie, Laura, Betty and even
odd-ball Rebecca waiting for the other shoe to drop, for the ships to sail or
planes to fly, hanging in some corner drugstore, Doc’s, Rexall, name your
drugstore name, sitting two by two at the soda fountain playing that newly
installed jukebox until the nickels ran out. Listened to funny banana songs,
rum and coca cola songs, siting under the apple tree songs to get a minute’s
reprieve from thoughts of the journey ahead.
Listened too to dreamy, sentimental songs, songs about
faraway places, about keeping lamp- lights burning, about making a better world
out of the fire and brimstone sacrifice before them, about Johnnie, Jimmie and
the gang actually returning, returning whole, and putting a big dent in their
dreams, hell, about maybe the damn wars would be over sooner rather than later.
Listened and as old Doc, or some woe-begotten soda jerk, some high school kid,
told them to leave he was closing up, they made for the beach, if near a beach,
the pond, the back forty, the hills, or whatever passed for a lovers’ lane in
their locale and with the echo of those songs as background, well, what do you
think they did, why do you think they call us baby-boomers.
The music, this survival music, wafted through the air
coming from a large console radio, the prized possession amid the squalor of
second-hand sofas and woe-begotten stuffed pillows smelling of mothballs,
centered in the small square living room of my growing up house. My broken
down, needs a new roof, random shingles on the ground as proof, cracked windows
stuffed with paper and held with masking tape, no proof needed, overgrown lawn
of a shack of a house too small, much too small, for four growing boys and two
parents house.
That shack of a house surrounded by other houses, shack
houses, too small to fit Irish Catholic- sized families with stony-eyed dreams
but which represented in some frankly weird form (but what knew I of such
weirdness then I just cried out in some fit of angst) the great good desire of
those warriors and their war brides to latch onto a piece of golden age
America. And take their struggle survival music with them as if to validate
their sweet memory dreams. That radio, as if a lifesaver, literally, tuned to local
station WDJA in North Adamsville, the memory station for those World War II
warriors and their war brides, those who made it back. Some wizard station
manager knowing his, probably his in those days, demographics, spinned those
1940s platters exclusively, as well as aimed the ubiquitous advertisement at
that crowd. Cars, sofas, beds, shaving gear, soap, department store sales, all
the basics of the growing families spawned (nice, huh) by those warriors and
brides.
My harried mother, harried by the prospects of the day with
four growing boys, maybe bewildered is a better expression, turning the radio
on to start her day, hoping that Paper
Dolls, I’ll Get By, or dreamy Tangerine,
their songs, their spring youth meeting at some USO dance songs and so
embedded, or so it seemed as she hummed away the day, used the music as background
on her appointed household rounds. The stuff, that piano/drum-driven stuff with
some torch-singer bleeding all over the floor with her loves, her hurts, and
her wanderings, her waitings, they should have called it the waiting
generation, drove me crazy then, mush stuff at a time when I was craving the
big break-out rock and roll sounds I kept hearing every time I went and played
the jukebox at Doc’s Drugstore over on Walker Street down near the beach. As
far as I know Doc, knowing his demographics as well, did not, I repeat, did
not, stock that stuff that, uh, mush for his rock-crazed after school soda
fountain crowd, probably stocked nothing, mercifully before about 1955. Funny
thing though while I am still a child of rock and roll (blues too) this so-called
mushy stuff sounds pretty good to these ears now long after my parents and
those who performed this music have passed on. Go figure.
********
Songwriters:
WILKINSON, ARTHUR/PARKER, ROSS/CHILDS, HUGH
We'll meet again, don't know where, don't know
when
But I'm know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Now, won't you please say "Hello" to the folks that I know
Tell 'em it won't be long
'Cause they'd be happy to know that when you saw me go
I was singing this song
We'll meet again, don't know where, don't know when
But I'm sure we'll meet again some sunny day
We'll meet again, don't know where, don't know when
But I know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
But I'm know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Now, won't you please say "Hello" to the folks that I know
Tell 'em it won't be long
'Cause they'd be happy to know that when you saw me go
I was singing this song
We'll meet again, don't know where, don't know when
But I'm sure we'll meet again some sunny day
We'll meet again, don't know where, don't know when
But I know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
No comments:
Post a Comment