As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Poets’ Corner  
 

In say 1912 in the time of the supposedly big deal Basle Socialist Conference which got reflected in more circles than just workingmen, small shopkeepers and small farmers, or 1913 for that matter when the big deal European powers were waging "proxy" war, making ominous moves, but most importantly working three shifts in the munitions plants, oh hell, even in the beginning of 1914 before the war clouds got a full head of steam that summer they all profusely professed their undying devotion to peace, to wage no war for any reason. Reasons: artists who saw the disjointedness of modern industrial society, freaked out at what humankind had produced, was producing to place everybody in an inescapable box and hence their cubic fascinations from which to run, put the pieces to paint; sculptors who put twisted pieces of scrape metal juxtaposed to each other  to get that same effect, an effect which would be replicated on all those foreboding trenched fronts; writers, not all of them socialists either, some were conservatives that saw empire, their particular empire, in grave danger once the blood started flowing  who saw the v   of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy; writers of not so serious novels drenched in platitudes and hidden gabezo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do to denigrate themselves by crying the warrior’s cry and for the sweet nothing maidens to spent their waking hours strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they with all their creative brethren would go to the hells, literary Dante's rings, before touching the hair of another human, that come the war drums they all would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist, world and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels.

And then the war drums intensified and they, they made of ordinary human clay as it turned out, they who could not resist the call, could not resist those maidens now busy all day strewing flowers on the bloodlust streets for their soldier boys, those poets, artists, sculptors, writers, serious and not, musicians went sheepishly to the trenches with the rest of the flower of European youth to die deathless deaths in their thousands for, well, for ….            

SONNETS I
I see across the chasm of flying years The pyre of Dido on the vacant shore; I see Medea's fury and hear the roar Of rushing flames, the new bride's burning tears; And ever as still another vision peers Thro' memory's mist to stir me more and more, I say that surely I have lived before And known this joy and trembled with these fears. The passion that they show me burns so high; Their love, in me who have not looked on love, So fiercely flames; so wildly comes the cry Of stricken women the warrior's call above, That I would gladly lay me down and die To wake again where Helen and Hector move. II The falling rain is music overhead, The dark night, lit by no Intruding star, Fit covering yields to thoughts that roam afar And turn again familiar paths to tread, Where many a laden hour too quickly sped In happier times, before the dawn of war, Before the spoiler had whet his sword to mar The faithful living and the mighty dead. It is not that my soul is weighed with woe, But rather wonder, seeing they do but sleep. As birds that in the sinking summer sweep Across the heaven to happier climes to go, So they are gone; and sometimes we must weep, And sometimes, smiling, murmur, "Be it so!" _Henry William Hutchinson_

 

THE MESSINES ROAD I The road that runs up to Messines Is double-locked with gates of fire, Barred with high ramparts, and between The unbridged river, and the wire. None ever goes up to Messines, For Death lurks all about the town, Death holds the vale as his demesne, And only Death moves up and down. II Choked with wild weeds, and overgrown With rank grass, all torn and rent By war's opposing engines, strewn With débris from each day's event! And in the dark the broken trees, Whose arching boughs were once its shade, Grim and distorted, ghostly ease In groans their souls vexed and afraid. Yet here the farmer drove his cart, Here friendly folk would meet and pass, Here bore the good wife eggs to mart And old and young walked up to Mass. Here schoolboys lingered in the way, Here the bent packman laboured by, And lovers at the end o' the day Whispered their secret blushingly. A goodly road for simple needs, An avenue to praise and paint, Kept by fair use from wreck and weeds, Blessed by the shrine of its own saint. III The road that runs up to Messines! Ah, how we guard it day and night! And how they guard it, who o'erween A stricken people, with their might! But we shall go up to Messines Even thro' that fire-defended gate. Over and thro' all else between And give the highway back its state. _J. E. Stewart_ THE CHALLENGE OF THE GUNS By day, by night, along the lines their dull boom rings, And that reverberating roar its challenge flings. Not only unto thee across the narrow sea, But from the loneliest vale in the last land's heart The sad-eyed watching mother sees her sons depart. And freighted full the tumbling waters of ocean are With aid for England from England's sons afar. The glass is dim; we see not wisely, far, nor well, But bred of English bone, and reared on Freedom's wine, All that we have and are we lay on England's shrine. A. N. Field