From The A Dimmed Elegy For The Late Peter Paul Markin Series-

From The A Dimmed Elegy For The Late Peter Paul Markin Series-

 

From The Pen Of Sam Lowell

 

A while back, a few months ago although the project had been percolating in his brain for the previous year or so after some incident reminded him how much he missed his old corner boy from the 1960s North Adamsville night, the late Peter Paul Markin, Bart Webber wrote up what he called, and rightly so I think, an elegy for him, A Dimmed Elegy For The Late Peter Paul Markin. Bart had approached me about doing the chore since we now live in the same town, Carver about thirty miles south of our growing- up town. He figured that since he had retired from the day to day operations of his print shop which was now being run by his oldest son, Jeff, and I was winding down my part in the law practice I had established long ago I would have plenty of time to write and he to “edit” and give suggestions. He said he was not a writer although he had plenty of ideas to contribute but that I who had spent a life-time writing as part of my job would have an easy time of it. Bart under the illusion that writing dry as dust legal briefs for some equally dry as dust judge to read is the same as nailing down a righteous piece about an old time corner boy mad man. I turned him down flat which I will explain in a moment.

The way Bart presented that proposal deserves a little mention since he did it one night when the remnant of Markin’s old comrades still alive who still reside in the area, Frankie, Josh, Jack Callahan, Jimmy Jenkins, Bart and me were drinking now affordable high-shelf liquors at “Jack’s” in Cambridge near where Jimmy lives. During the conversation, not for the first time, Bart mentioned that he was still haunted by the thought  he had the year before about the time that Markin had us in thrall one night out in Joshua Tree in 1972 when we were all high as kites on various drugs of choices and he, at first alone, and then with Josh began some strange Apache-like dance and they began to feel (at least according to Josh’s recollection) like those ancient warriors who tried to avenge their loses when white settlers had come to take their lands and we all for one moment were able to sense what it was like to be warrior-avengers. Markin had that effect on the rest of us, was always tweaking us on some idea from small scale larcenies to drug-induced flame-outs. Yeah, that miserable, beautiful, so crooked he could not get his legs in his pants, son of a bitch, sainted bastard still is missed, still has guys from the old days moaning to high heaven about that lost. Bart insisted there was a story there, a story if only for us and someone (all eyes on me) should write it up.             

I can say all of that and say at the same time that I can say I couldn’t write the piece. See while at times Markin was like a brother to me and we treated each other as such he also could have his “pure evil” moments which the other corner boys either didn’t see, or didn’t want to see. These may be small things now on reflection but he was the guy who almost got me locked up one night, one summer night in 1966 before our senior year when Frankie who usually was the “on-site” manager of our small larcenies was out of town with his girlfriend. Markin figured since he was the “brains” behind the various capers that he could do one on his own but he needed a look-out, me. The caper involved a small heist of a home in the Mayfair swells part of North Adamsville whose owners were “summering” somewhere in the Caribbean. Markin had “cased” or thought he had cased the place fully except he didn’t factor in that the owners had a house sitter during that time. Markin startled her as he entered a side door, she screamed, Markin panicked, as she headed for the telephone to call the police and he fled out the door. But see Markin came running out that door toward me just when the cops were coming down the street where we met in their squad car directly toward us. They stopped us, told to get in the car and headed to that Mayfair house. As it turned out the house-sitter couldn’t identify either of us, couldn’t identify Markin and the cops had to let us go. No question Markin panicked and no question he made a serious mistake by heading my way knowing what he knew. I had, and have always had, the sneaking suspicion that he might have rolled me over as the B&E guy if it had been possible. I have a few other stories like that as well but that gives you a better insight into what Markin could turn into when cornered.

A couple of other incidents involved women, one my sister, the other an old flame or rather someone I wanted to be my flame. One of the reasons that I, unlike Markin who did serve in Vietnam which I think kind of turned him over the edge to the “dark side” once his dream about a “newer world” as he called it started to evaporate in the early 1970s, did not do military duty since I was the sole support, working almost full time after school during high school, of my mother and four very younger sisters after my father died of a massive heart attack in 1965. My oldest sister, Clara, was smitten by Markin from early on and I could see that he was willing to take advantage of her naiveté as well although I warned him off more than once since she was only thirteen when we were in high school. Now I could never prove it, and Clara would not say word one about it to me, but I believe he took her virginity from her. I do know during that period I found a carton of Trojans in her bureau drawer when I was looking for something I thought she had of mine and she was not around to ask. I didn’t confront him directly since among corner boys such things would have been “square” to discuss even about sisters but I continued to keep warning him off like I didn’t know anything had happened and before long I saw Clara had taken up with a boy her own age so I let it drop. The flame thing involved Laura Perkins who I was “hot” for from the ninth grade on and who I had several dates with in the tenth grade and it looked like things were going well when she threw me over for Markin. Now that situation has happened eight million times in life but corner boys were supposed to keep “hands off” of other corner boys’ girls although I was not naïve enough to not believe that was honored more in the breech than the observance having done a couple of end-around maneuvers myself but this Laura thing strained our relationship for a while. Here is the funny part though after a few weeks she threw Markin over for the captain of the football team (she was a cheerleader as well as bright student, school newspaper writer, on the dance committee and a bunch of other resume-building things) who we all hated. Funnier still at our fortieth reunion a few years back Laura and I got back together (after her two marriages and my two marriages had flamed out something we laughed about at the time) and we have been an “item” ever since. But you can see where I would, unlike say Bart, have a hard time not letting those things I just mentioned get in my way of writing something objective about that bastard saint.                   

So Bart wrote the piece himself, wrote the “dimmed” elegy (the “dimmed” being something I suggested as part of the title) and did a great job for a guy who said he couldn’t write. Frankly any other kind of elegy but dimmed would fail to truly honor that bastard saint madman who kept us going in that big night called the early 1960s and drove us mad at the same time with his larcenous schemes and over-the-top half-baked brain storm ideas and endless recital of the eight billion facts he kept in his twisted brain (estimates vary on the exact number but I am using the big bang number to cover my ass, as he would). I need not go into all of the particulars of that piece except to say that the consensus among the still surviving corner boys was that Bart was spot on, caught all of Markin’s terrible contradictions pretty well. Contradiction that led him from the bright but brittle star of the Jack Slack’s bowling alleys corner boy back then to a bad end, a mucho mal end murdered down in Sonora, Mexico in 1976 or 1977 when some drug deal (kilos of cocaine) he was brokering to help feed what Josh said was a serious “nose candy” habit went sour for reasons despite some investigation by Frankie Riley, myself and a private detective Frankie hired were never made clear. What was clear was that he was found face down on some dusty back road of that town with two slugs in his head and is buried in the town’s forlorn potter’s field in some unmarked grave. That is about all we know for sure about his fate and that is all that is needed to be mentioned here.

That foul end might have been the end of it, might have been the end of the small legend of Markin. Even he would in his candid moments accept that “small” designation. Yes, been the end of the legend except the moaning to high heaven still every time his name comes up. Except this too. Part of Bart’s elegy referenced the fact that in Markin’s sunnier days before the nose candy got the best of him, brought out those formerly under control outrageous “wanting habits,” in the early 1970s when he was still holding onto that “newer world” dream that he (and many others, including me and Bart for a varying periods) did a series of articles about the old days and his old corner boys in North Adamsville. Markin before we lost contact, or rather I lost contact with him since Josh Breslin his friend from Maine (and eventually our friend as well whom we consider an honorary Jack Slack’s corner boy) met out in San Francisco in the Summer of Love, 1967 knew his whereabouts outside of San Francisco in Daly City until about 1974 wrote some pretty good stuff, stuff up for awards, and short-listed for the Globe.

Pushed on by Bart’s desire to tell Markin’s story as best he could who must have been driven by some fierce ghost of Markin over his shoulder to do such yeoman’s work, he, Frankie (our corner boy leader back then who had Markin as his scribe and now is a big time lawyer in Boston), Josh, and I agreed that a few of the articles were worth publishing if only for ourselves and the small circle of people whom Markin wrote for and about. (Markin’s oldest friend from back in third grade, Allan Johnson, who would have had plenty to say about the early days had passed away  after a long-term losing fight with cancer before this plan was hatched, RIP, brother.) So that is exactly what we did. We had a commemorative small book of articles and any old time photographs we could gather put together and had it printed up in the print shop that Bart’s oldest son, Jeff, is now running for him since his retirement from the day to day operations last year.

Since not all of us had everything that Markin wrote, as Bart said, what the hell they were newspaper or magazine articles to be used to wrap up the fish in or something after we were done reading them, we decided to print what was available. Bart was able to find copies of a bunch of sketches up in the attic of his parents’ home which he was cleaning up for them when they were putting their house up for sale since they were in the process of downsizing. Josh, apparently not using his copies for wrapping fish purposes, had plenty of the later magazine pieces. I had a few things, later things from when we went on the quest for the blue-pink Great American West hitchhike road night as Markin called it. Unfortunately, we could not find any copies of the long defunct East Bay Eye and so could not include anything from the important Going To The Jungle series about some of his fellow Vietnam veterans who could not adjust to the “real” world coming back from ‘Nam and wound up in the arroyos, canyons, railroad sidings and under the bridges of Southern California. He was their voice on that one then, if silence now who those aging vets desperately a voice.  So Markin can speak to us still. Yeah, like Bart said, that’s about right for that sorry ass blessed bastard saint with his eight billion words.  

Below is the short introduction that I wrote for that book which we all agreed should be put in here trying to put what Markin was about in content from a guy who knew him about as well as anybody from the old neighborhood, knew his dark side then and when that came out later too:  

“The late Peter Paul Markin, also known as “the Scribe, ” so anointed by Frankie Riley the unchallenged self-designated king hell king of the schoolboy night among the corner boys who hung around the pizza parlors, pool halls, and bowling alleys of the town, in telling somebody else’s story in his own voice about life in the old days in the working class neighborhoods of North Adamsville where he grew up, or when others, threating murder and mayhem,  wanted him to tell their stories usually gave each and every one of that crew enough rope to hang themselves without additional comment. He would take down, just like he would do later with the hard-pressed Vietnam veterans trying to do the best they could out in the arroyos, crevices, railroad sidings and under the bridges when they couldn’t deal with the “real” world after Vietnam in the Going To The Jungle series that won a couple of awards and was short-listed for the Globe award, what they wanted the world to hear, spilled their guts out as he one time uncharitably termed their actions (not the veterans, not his fellows who had their troubles down in L.A. and needed to righteously get it out and he was the conduit, their voice, but the zanies from our old town), and then lightly, very lightly if the guy was bigger, stronger than him, or in the case of girls if they were foxy, and mainly just clean up the language for a candid world to read.

Yeah Markin would bring out what they, we, couldn’t say, maybe didn’t want to say. That talent was what had made the stories he wrote about the now very old days in growing up in North Adamsville in the 1960s when “the rose was on the bloom” as my fellow lawyer Frankie Riley used to say when Markin was ready to spout his stuff so interesting. Ready to make us laugh, cringe, get red in the face or head toward him to slap him down if he got too righteous. Here is the funny part though. In all the stories he mainly gave his “boys” the best of it. Yes, Bart is still belly-aching about a few slights about his lack of social graces that old Markin threw his way, and maybe he was a little off on the reasons why I gave up the hitchhike highway blue-pink Great American West night quest that he was pursuing (what he called sneeringly my getting “off the bus” which even he admitted was not for everyone) but mainly that crazy maniac with the heart of gold, the heart of lead, the heart that should have had a stake placed in its center long ago, that, ah, that’s enough I have said enough except I like Bart still miss and mourn the bastard.”

Here is something Markin wrote about the place of doo wop in rock history back in 1972, I think. That rock history was one of his serious interests, one that he wrote about like a lot of his work for the small circulation “idea” journals and off-beat magazines meaning no dough publications. He had written in that article about his youthful controversy with his corner boy leader, Billie Bradley (this is before I came to North Adamsville and before Markin moved across town when he and his family lived in the town “projects”in Adamsville proper), on those hot summer doldrums nights just after he had moved across town and he was still ill-adjusted and would ride his bike back to the projects to see what Billie had to say about anything involving music.

 

***Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- Billie’s Back- The Crests’ “Step By Step”

 

 

From The Pen Of The Late Peter Paul Markin (written in 1972,written in sunnier Markin times)  

 

This is the back story, the teen listener back story if you like, going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Yah, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own. [Strangely prophetic about Billie who took many wrong turns and the last I had heard when I checked via an Internet service he was up in Maine at Shawshank doing a nickel for a small armed robbery of some White Hen store but that was maybe fifteen years ago, maybe more. More prophetic though considering the similar bad end fate of Markin himself when he “wanting habits” got the best of him. JB]

 

Billie and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley, Chuck Berry, somewhat later Jerry Lee Lewis, and of every new teen heartthrob singer around, heartthrob to the girls that is. And on his night table every new record Billie could get his hands on, by hook or by crook (meaning for the clueless or unknowing the “clip” which involved me on occasion as the look-out since Billie said I was too nervous to do the clip itself which required you to go into a store, say a department and grab some records, put them under your shirt or sweater depending on the season and cool as a cucumber walk out the door like nothing happened. Billie never tumbled to anything then since he looked like some angel child and if you took that the right way he was, was an angel child), and neatly folded piles of clothing, also gathered by that same hook or by crook (see the records “clip,”) appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of finding-out-about-girls worthiness.

 

Although in early 1959 my family had started the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I still would wander back there until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer, junior division, at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words spoken during those conversations (somewhat edited, of course). That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.

********

Billie, William James Bradley, comment:

 

What the hell’s going on? It is almost like I can’t even listen to my transistor radio these days without wanting to throw up. Yes, that’s right throw up. And Markin, Peter Paul Markin, my best friend over at Adamsville South Elementary a couple of years back will back me up on this if he even comes back around the old neighborhood to breathe some real air, some fresh sea air, and get the low-down on what is good in music these days. Except I won’t have much to tell him right now. Like I said I feel like throwing up most of the time when I listen to the radio. Nothing righteous. Nothing like Elvis when he was righteous, hungry and righteous, a few years back. Or Jerry Lee before he got into cousin-marrying trouble or Chuck Berry when he got into no-no white girl trouble (I had my own troubles with that black race thing when I innocently attempted to do a cover of Bo Diddley’s Bo Diddley not knowing his was black since I had only heard him on the radio and got “n----r” crap from Jimmy Smith and one of my cousins for a long time thereafter even though I switch back to Elvis covers pretty quickly. Fabian, Conway Twitty, Duane Eddy, Ricky Nelson, jesus, even Ricky Nelson, the Everly Brothers and on and on with twaddle, yes, twaddle about this and that oddball thing about teen life. And girls, girls with money to buy the records, who seem to just want dreamy stuff about sad movies, some sad-sack boyfriends, johnny, jimmy, joey angels, following guys to the end of the earth, and all that. No more be-bop-a-lula.  I tell you we are in the dumps and it ain’t getting better, if anything worst.

 

Here is what I am up to these days, and maybe you should be too. I am starting to listen and listen hard to doo wop stuff. The stuff that came out of the street corners of New York City and other big town places where you had guys (and chicks too) singing, no instruments, or maybe some low-down, low-key piano, just doing harmonies, and doo wop background responses. Cool. Yah, I know I got in trouble, musically anyway, trying to cover righteous Bo Diddley down here in the white projects playing off “colored” music that really, really I say, drove early rock. Just ask Elvis, if he is in a truthful mood.

 

But this stuff, this doo wop stuff, if it gets around more, can break the pretty boys and their dreamy girl thing up. So here is what I am doing now that it is summer, school is out, it’s hot, and we haven’t got a damn thing to do, and no money to do it with if we had that damn thing to do. I have been listening to doo wop records like crazy, right now I am concentrating on the Crests and their great harmonies on Step by Step. Here is what I want to do just like we tried last summer when Markin was around more. A few guys, a few of my guys, my hanging-around-waiting-to-do-this-and-that-but-just-now-waiting-fire-guys, will get together around dusk in back of the old school around the playground area and start practicing harmonies. Markin scoffed at the idea at the time, as usual. But then, just as the sun started going down, a couple of girls would come by to listen and not “dogs” either, or sticks. Then a couple more, and a couple more, and there you have it.

 

Of course after that Markin wanted to do it every day, all day, even in the afternoon heat, and Markin hates the heat. So I figure that we can try it again this year and maybe we can break out of the Bobby Vee mold. But see here is where I am on the hook. If you can believe this I need Markin, need him bad. Last summer when he was around more I tried to keep him in the background as his voice was starting to change. Yah, I tried to ship him and his voice to Chicago if you want to know the truth, best friend and all. But lately I have been having trouble on the call and response side of Step by Step and now that Markin has a more bassy voice I sure could use him otherwise I will never break out into my proper place in the doo wop world. Got it, Markin.

 

The Crests

Step By Step lyrics

 

Step, step. Step, step. Step, step... Step, step

Step by step I fell in love with you

And step by step it wasn't hard to do

Kiss by kiss and hand in hand

That's the way it all began

Soon we found the perfect plan for love

Side by side we took a lovers walk

Word by word we had a lover's talk

One word led to another and then

Then in no time we're up to ten

My heart knew it was gonna end in love

1st step, a sweet hello

2nd step, my heart's aglow

3rd step, we had a date

4th step, we stayed up late

5th step, I walk you home

6th step, we're all alone

7th step, we took a chance

One kiss and true romance

Step by step we climbed to heaven's door

Step by step, each thrill invited more

Then you promised faithfully

All your love belonged to me

Now I know we'll always be in love

Step, step. Step, step. Step, step. Step step