I Hear Mother Africa Calling-With
Odetta In Mind
They say that the blues, you know, the
quintessential black musical contribution to the American songbook along with
first cousin jazz that breaks you out of your depression about whatever ails
you or the world, was formed down in the Mississippi muds, down in some
sweat-drenched bayou, down in some woody hollow all near Mister’s plantation,
mill, or store. Well they might be right in a way about how it all started in
America as a coded response to Mister’s, Master’s, Captain’s wicked perverse
ways back in slavery times, later back in Mister James Crow times. I do believe
however they are off by several maybe more generations and off by a few
thousand miles from its origins in hell-bent Africa, hell-bent when Mister’s
forbears took what he thought was the measure of some poor grimy “natives” and
shipped them in death slave boats and brought them to the Mississippi muds,
bayous and hollows. Took peoples, proud Nubians who had created very sharp
civilizations when Mister’s forbears were wondering what the hell a spoon was
when placed in their dirty clenched fingers seemed, still wondered later how
the heck to use the damn thing, and why and uprooted them whole.
Uprooted you hear but somehow that
beat, that tah, tat, tah, tah, tat, tah played on some stretched string
tightened against some cabin post by young black boys kept Africa home alive.
Kept it alive while women, mothers, grandmothers and once in a while despite
the hard conditions some great-grandmother who nursed and taught the little
ones the old home beat, made them keep the thing alive. Kept alive too Mister’s
forced on them religion strange as it was, kept the low branch spirituals that
mixed with blues alive in plain wood churches but kept it alive. So a few
generations back black men took all that sweat, anger, angst, humiliation, and
among themselves “spoke” blues on juke joint no electricity Saturday nights and
sang high collar blues come Sunday morning plain wood church time. Son
House, Charley Patton, Skip James, Sleepy John Estes, Mississippi John Hurt and
a lot of guy who went to their graves undiscovered in the sweat sultry Delta
night carried on, and some sisters too, some younger sisters who heard the beat
and heard the high collar Sunday spirituals. Some sisters like Odetta, big-voiced,
who made lots of funny duck searching for roots white college students mainly
marvel that they had heard some ancient Nubian Queen, some deep-voiced Mother
Africa calling them back to the cradle of civilization.
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