Murder Anyway You Cut It-
With The French Film Tell No One In Mind
By Zack James
Phil Larkin, the locally
well-known private investigator from Gloversville about sixty miles west of
Boston, loved to go to the National Private Investigators Association (NPIA)
annual conventions not so much to inspect the inevitable new technological
gizmos which were touted as the P.I.’s next best friend by their producers but
to gather up old acquaintances and over a few whiskies to find out about some new
interesting case one of them was working on (they are not all interesting by any
means whatever the individual P.I. might be hyping about by virtue of his or
her prowess in solving the riddle of the age –usually some missing husband who
was ready to go home after a couple of months with some floozie who took all
his dough and blew for places unknown). Or about a case they might have heard
about. That is how he heard from his old friend Artie Shaw about the Beck case,
the case that had half the public coppers, gendarmes they call them there, in
France baffled and Artie too until things fell into place by virtue of that
over-rated prowess that every P.I. hung out like a shingle in front of his or
her shabby sixth floor office in some seen its day office building filled with
failed dentists, cheapjack insurance agents, seedy repo men and discount wholesale
jewelers.
(By the way for those who
are confused, or only know of the more famous American Forensic Investigators
Organization (AFIO), the one the famous detectives Jack Dolan, Robert Parker,
and Shane Chandler, the latter a distant relative of the crime writer Raymond
who practically invented the hard-boiled detective genre that has misled
several generations of readers and average citizens about the real lives of
P.I.s, belong to, the NPIA and AFIO work two very different tracks. The AFIO
had split, an acrimonious split, from the NPIA over the issue of working with
the public coppers. The NPIA historically had deferred, meaning “butted out on,”
once a case went onto the police blotter. The AFIO made up of a bunch of
“hot-doggers” who spit on the public coppers and their half-ass work went on
the premise that all cases were better done through private hands. Phil an old-time
public cop himself would have been railroaded out of business in Gloversville
if he had made step one to mess with the open police cases in that town. Every
NPIA member in attendance could hardly wait for the banquet that closed each
convention to hear the words, to hear the deep dark secret of the profession
that the difference between the actual numbers of cases between the two
organizations was minuscule or NPIA’s were better. The reality was that despite
the few headline cases like the Galton kidnaping and ransom case which some guy
named Ross MacDonald solved after Lew Archer practically rolled out the red
carpet for him there was as much co-operation between AFIO and public coppers as
the NPIA.)
Artie, originally from
Boston, had worked with Phil when he had started out on a couple of cases, key-hole
peeping cases which in the 1950s was bread and butter work for most private
detectives in the days when getting a divorce was heavy lifting without an army
of reasons adultery being the primo reason a court would accept. Phil
eventually moved on from that work saying to anybody who would listen that he would
rather try to solve mass murder cases, solve serial murder stuff than have to
swallow the lies associated with guys and gals shacking up. Less strain on the
nerves. Artie, knowing his limitations, always stuck with key-hole peeping which
is how in a roundabout way he got the Beck case. The wife of a big Boston
international banker had hired him to get the goods on her husband and his
French mistress whom said banker had established in a Paris apartment for when
he travelled there on business. Artie, really a pro then at getting the dope,
getting the photos necessary to close a divorce case in court, rapped that one
up tight, no problem. What Artie had found out in Paris as the 1950s turned
into the 1960s was that there was still much key-hole peeping work to found
there through the still pretty much intact cumbersome French Napoleonic civil code
and so he stayed around there to pick up the pieces, especially when that
Boston banker’s divorcee wife set up herself in Montmatre.
That banker’s ex-wife connection
got him the Beck case, got it to him at least indirectly through her lawyer in
Paris who was also the lawyer that this Doctor Beck had retained once he got
into serious trouble, or rather his sister, Anne, a devotee of the horsey
set, but loaded with dough from her husband’s fortune had retained. The case
would have seemed to be on the face of it way over Artie’s head as it involved
a “cold case,” a case that the French gendarmes had closed up tight. But the
ex-banker’s wife and Beck’s lawyer both agreed that a non-French P.I. would
have less hurdles to cross than some Parisian private dick who was bound by law
to turn everything over to the coppers under penalty of losing his or her
license. (Artie was working off his U.S. permit courtesy of influence with the Paris
public coppers by a friend of that banker’s ex-wife).
Artie had moreover gotten
on the case after the thing had been dead for about seven, eight years. Years
after this Doctor Beck was cleared as far as could be of his wife’s murder out in
the country while they were out for a swim on the lake. The doctor’s story then
had been that he had been knocked unconscious by a party unknown and dumped in
the lake when he heard his wife’s screams. Except he was found on the dock. As
such things went the public coppers had to let it go when they couldn’t shake
his story and his wife’s father, a public copper himself, identified his
daughter’s body and vouched for his
son-in-law.
Then a couple of bodies
surfaced in that same area and a couple of cops from the old case started to
put two and two together and come up with the doctor. The frame was on but the
point was how was Artie to get enough evidence to get the doctor off the hook.
As it turned out a couple of pieces of evidence surfaced that got the ball
rolling. The doctor’s wife, who along with his sister were seriously into
steeplechase horse shows, had been beaten badly by someone a few weeks prior to
her death. The coppers figured that Doc Beck did the deed, a wife-beater not
uncommon among certain high- profile types. As it turned out the wife, Margot was
her name, had had his sister take photographs of the wounds but had also swore
her to secrecy that this horse set guy, this Phillip Neuville, the son of Baron
Neuville, a guy with a pile of money as well had done the beating when she
confronted him with evidence of child sexual abuse of a bunch of kids who
worked the stables as a part of program she was involved
with.
That confrontation as it
turned out resulted in the death of young Philipp. The photographs were taken after
the Doc’s wife had killed the bastard. Case closed. Artie in clover and more so
when they decided to make a film of the cold case turned hot and Artie was
taken on as technical adviser for the P.I. angle. Here is what I wrote when the
movie hit the screens in America:
Nowadays in order for a
thriller to pass muster there have to be many little twists and turns or else
the film get very tedious, get very boring, never gets, as a friend of my who
is into both written and cinematic thrillers has suggested, off the slow-moving
track which spells death to the film, makes one reach for the remote very
quickly. That is not the case with the thriller under review, the French
film, Tell No One, although frankly I thought that the film would
in its opening scenes succumb to that slow-moving death every thriller has to
dodge.
Here are the twists in this
“cold file” case. Doctor Beck’s wife, Margot, had been killed, senselessly
killed by a serial killer, several years earlier and he was just beginning to put
his life back together when a whole ton of hell started coming down on his
head. Reason: a couple of male bodies filled with bullets had been found out in
the country where his wife had been killed. Beck had just barely gotten out of
the clutches of the law back then since the law thought under the odd-ball
evidence in the case that he was the mastermind behind the deed. He had been
mysteriously found unconscious on the dock despite his allegations that he had
been hit and fallen into the water by the killer being a chief reason that he
had been suspected by the cops.
Lots of things begin to pop
up that have the cops interested in reopening the case, hoping to see the big
frame placed around his head. Unaccounted for bruises to his wife’s face on photos
that survived, a gun found in secret place in his house, the murder most foul
of his wife’s best friend are just some of the examples that dog him. Put those
together with Beck’s taking it on the lam to figure out what the hell was going
on and for the average cop never mind what country he or she works in and you
have and open and shut case of consciousness of guilt and an easy and early wrap-up
to the cases.
But hold on. This Doctor
Beck actually loved his wife, was not faking the trouble he had trying to put
his life back together. Something else was going on, some nefarious plot to get
him to take the big step-off and let him rot in prison forgotten after a while.
Not only was something going on in the frame department but the good doctor was
getting information via his e-mail that his wife was still alive. So two trails
of events were going on at the same time (always a good sign in a thriller):
the net tightening over his head by the coppers and his frenzy to find his wife
knowing now that she is not dead. That’s all I will tell you because I have
been asked to “tell no one” in order not to spoil the ending, okay. Except old
Doc Beck was not crazy, was not wrong in assuming that nefarious forces were
out to get him although it would take a while before he learned that it was
because of something that Margot had knowledge about shortly before her “death”
which had people in high places ready, willing and able to do her in. Watch this
award-winning film.
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