Murder, Murder Most Foul-Maybe-Otto Preminger’s “Anatomy Of A Murder” (1959)-A Film Review

Murder, Murder Most Foul-Maybe-Otto Preminger’s “Anatomy Of A Murder” (1959)-A Film Review

DVD Review

By Film Critic Sam Lowell

[Will the “finds” never end?  As I noted in an introduction to a film review of It Happened One Night, the 1930s Gable-Colbert vehicle, which the now retired, somewhat retired it appears, film critic in this space Sam Lowell (and in the American Film Gazette) had “found” when he was cleaning out his desk that perhaps he was playing me the fool. In any case I posted the review and was happy to do so. Then a couple of days ago another “desk” draft review of All The Pretty Horse appeared on my desk under his name. I posted that one as well including a mention that for the past decade or so of our relationship I have been happy to post most of his material here. Now comes another “desk” draft which he found in what must be an abyss of a drawer. I post this review as well. My question is whether Sam has “accidently” found enough reviews to keep his name in lights until he goes to the great beyond. Just asking, Sam. Peter Markin, site moderator]      

Anatomy of a Murder, starring James Stewart, Lee Remick, Ben Gazzara, George C. Scott, directed by Otto Preminger, 1959

Having been in a few court rooms in my time (I won’t say in what capacity although not as a defendant) where the main motion is “hurry up and wait” it was rather refreshing to see a drama based on a real live case that despite knowing who had committed the crime, murder murder one, murder most foul, held me in its grip for most of the long film, although the non-courtroom scenes were mainly filler. That was the effect that the 1959 black and white film under review Anatomy of a Murder had on me and I am sure as well the audiences at the time.

Here’s why. So-called good old boy country lawyer Paul Biegler, played by James Stewart, had been approached by the wife, Laura played by Lee Remick, of the alleged murderer Army Officer Fred Manion played by Ben Gazzara, to defend him in a UP Michigan court on the charge of murder. After some preliminaries Biegler decided to take the case figuring that there might be a basis of temporary insanity to get the soldier off. The reason for that possibility is that Fred had reacted in a frenzy when Laura had come home to their trailer late one night claiming that she had been raped by the owner of an inn in town, Bernard Quill, where she had gone alone after Fred had fallen asleep after supper. Fred, something of a known hothead and jealous of his wife’s good looks and flirty ways reacted to that charge by going to the inn and shooting Quill and asking questions later.

The legal play in this one was a rather unusual one-temporary insanity based on an “irresistible impulse,” a defense recognized under Michigan law but not used in a long time as a defense. Of course the prosecution in the inevitable “battle of shrinks” claimed that Fred was a cold calculated murderer whatever he might have felt about his wife’s rape charges. The long film goes back and forth between the clever Biegler and the equally clever Assistant AG Dancer played by George C. Scott, brought in from Lansing to bolster the county DA’s case. Frankly, and I can give a wide leeway for cinematic dramatic license since even the proceedings of a real life murder trial are rather pedestrian, the conduct of the prosecution would seem to warrant an appealable issue of prosecutorial misconduct and if Fred had been convicted he could have justly charged that Biegler had provided  ineffective assistance of counsel. Not to worry though our Paul got the soldier off although by all measures, except legal ones, Fred was not one of nature’s noblemen-no way but that “irresistible impulse” defense worked. Worked too when Fred with Laura in tow took off when it came time to pay the lawyers. Although it is long and slow in places watch this one.