In The Days When Parlor Pink Private Detectives Ruled The Roost- The Film Adaptation Of Crime Novelist Agatha Christie’s “The Pale Horse” (1997)- A Review

In The Days When Parlor Pink Private Detectives Ruled The Roost- The Film Adaptation Of Crime Novelist Agatha Christie’s “The Pale Horse” (1997)- A Review     

DVD Review

By Sam Lowell

The Pale Horse, starring Colin Buchanan, based on the crime novel of the same name by Agatha Christie, 1997  

[In the interest of continuity although this review was written well after a previous one by Sarah Lemoyne reviewing Dick Powell’s Varsity Show I have placed it here today with hers since the pair are still in the throes of their “dispute.” Greg Green, site manager]   

This is no pun I am on my high horse, pale or otherwise, today. No, not about this so-called dispute between my old friend from high school day Seth Garth’s young protégé or whatever else they have decided to call her relationship with him Sarah Lemoyne. Mentor is the word I think they have been using to try to cover up whatever is going on there. When Seth Garth is involved, as in the interest of transparency I will admit was true of me as well when I was younger, when it comes to women younger or older don’t believe a word of “just friends” noise, a word of denial. That is when you double down on a guy like Seth as I have learned from bitter experience in the days when he would think nothing of sweeping up some woman I was interested in with no moral qualms whatsoever. Would laugh at an expression like “moral qualms” a term unknown to hard corner boys from the old Acre neighborhood of North Adamsville and by extension in the cutthroat world of film reviewers where if you don’t cut somebody’s idea, some witty insight, some weird take on a film then you are not long for the profession. Why else would anybody put up with such doings when you are only giving your subjective opinion for the world to feast on (and now on the downside of the Internet experience have to put up with all kinds of dingbat thoughts from average citizens who know think that based on having seen a film that gives them the right, the god-given right to read some of the stuff to bore the rest of us with their ill-considered “takes” on the spot).    

In any case that is not what I am after today although I continue to steam, mighty puffs of steam, over the now almost libelous comments Ms. Lemoyne has made about who has, or hasn’t, written my reviews for me other than myself once I moved up the film review food chain many years ago. Totally libelous and subject to legal action if I was that kind of guy but I am not a snitch is the false accusation that long ago I used the studio press releases as my reviews with just the top snipped off and mailed in to whatever publication I was writing for at the time. I have just mentioned the cutthroat nature of our profession, so I am inured to such misinformation about my career. I will admit Ms. Lemoyne writes good reviews and had enough sense to go to Seth as a mentor or whatever he is to her at the office or elsewhere, but I can handle these young and hungry types since that is exactly where I started out trashing the legendary film critic Walt Wilson when he was riding high and now nobody remembers his name. What has me burning up today is one Greg Green’s lame attempt to bring back parlor pink private detectives with this review of the film adaptation of one of Agatha Christie’s crime novels The Pale Rider. (Pale rider a reference from the Bible meaning death a not unimportant part of the plot line in both the novel and the film which diverts from the novel in several ways but is on point about the death part, plenty of it and who the hell the pale rider is when the deal, the final deal, goes down)

Everybody knows, everybody seriously interested film noir which hinges in many cases on the plots of crime novels, knows that I have written what many, except apparently the totally ignorant Ms. Lemoyne who was not even born when I made my big splash and whom Seth should have wised up, call the definitive book on film noir. I like to think that the reason for that status was my ground-breaking work on the private detective novel on film with its moody, dark scenarios and hang-by the fingernails twists and turns before the crummy felons get some quick and rough justice from our mere mortal no superhero bombast gumshoes.  Moreover that noir explosion and the work of crime novel writers like Jim Jenson, Jack Cullen, and above all Raymond Chandler and Dashiell Hammett had put paid to the old-fashioned amateur detective sitting around waiting for the villain to out of shame or something throw up his or her hands and come clean, come to justice without so much as by your leave. Take a warming cell or the big step-off for their errors in judgment while the crafty amateur goes off to lunch or on holiday after such strenuous work.

As Zack James, my and Seth’s old friend Alex’s youngest brother, has made clear in a number of astounding crime short stories about real private detectives this is no business for amateurs. I heartily agree since that profession is mainly about “repo” work the professional repo men can’t handle, bogus insurance claims, missing husbands or wives, looking for lost animals, dogs and cats mainly, and in the old days, peeping Toms on divorce cases involving sultry adultery (and which saved many a struggle P.I. before no fault divorce and just living together destroyed that part of the market leaving some guys, mostly guys, with nothing but hanging around a beaten down desk taking generous slugs from the low-shelf whiskey bottle in that bottom desk drawer). But on the screen, and in crime novels, those gumshoes, those peepers get the royal treatment, get the royal treatment if they are hard-nosed, tough, wind-mill chasers, skirt-chasers, heavy smokers and drinkers, and not afraid to take a slug or two, a roughing up for the good of the cause. Lenny Larkin was the epitome of the type who was also not afraid to whiplash a guy for looking at him the wrong way. Naturally when you mention Raymond Chandler’s Phillip Marlowe chasing a million wind-mills for some old general, or looking for some lady in the lake, or looking for big Moose’s lady friend comes to mind. Sam Spade of course from the Dashiell Hammett stable not only chased skirts, took a few punches for her, but when it was him or her he sent her over, sent her to the big step-off and the fuck with the stuff of dreams trying to own some freaking fake bird.

Which brings us to this little film. What we have here, a guy named Eric somebody does the last name matter since he is not going into the annals of private detection, no way. A damn sculptor, not even an amateur detective but a guy who makes art, modern art and not bad from the quick looks we get when he is around his art gallery, a guy who is trying to keep the noose from around his pretty head when he is accidently involved in a murder when he looked too much like the real felon and the coppers, the public coppers, as they will grabbed him and were ready to call it a day on the case. Sent him off with a smile claiming he wasn’t much of a sculptor anyway. Case closed.

They set this film in 1960s London so you get a modish crowd as background including two young women, one very rich and proper taking a ride down in class to give our Eric a run for his money but whom he spurns and another, Rhonda something does it matter her last name since she will not go down in the annals of private detection, no way. The latter he met at a funeral after her friend had died from what appeared to be some natural cause disease. The connection. The priest who was supposed to bring a message to a third party as the deathbed wish of another women who also appears to have died of natural causes is the guy whom Eric is supposed of have murdered and Rhonda friend’s name was on that message. Rhonda is not buying natural causes and so she is on board as an assistant sleuth. No femme fatale not at all but another freaking amateur detective to gum up the works. 

Later naturally as well there will be a love interest between these two and I can’t blame Eric on that score since she is one of those fetching types, yes, the ones who are not ice cold beautiful with personalities to match but the ones who an hour later you wonder what they are doing and are willing to do it with you. But just as naturally in these parlor pink private detection novels there is a red flag, although I hesitate to use that expression now that it is a catch word among the world’s growing population of conspiracy theorists. A prime suspect for this gumshoe pair centered on an eccentric wealthy art collector who had been chair-ridden since youth with polio. That was a ruse though, a cover for a very successful bank robbery in which the plotline involved taking the robbery proceeds and investing in art. Investing in a time when the art market was exploding, and he actually when “outed” as prime suspect for a while got to keep his ill-gotten gains. No, the real villain, the guy who in his psychopathic mind went over the edge was the attending physician of a number of patients who had been involved in what turned out to be an insurance fraud scheme with a few modern-day witches a la Macbeth and a bookie covering the insurance angle and the good doctor subtlety poisoning them using ordinary consumer goods like toothpaste as the murder weapons. 

Nice play, nice racket which any old Acre corner boy would appreciate but when Rhonda became the subject of the scheme and nobody knew how to cure her you know that mad monk doctor was doomed. It was the toothpaste, stupid. Get the freaking antidote asap. In the end Eric and Rhonda go off in the sunset their amateur private detection minute over. Not a minute too soon either.