From The 1930s-1940s Golden Age Of Screwball Comedy-Rosalind Russell’s My Sister Eileen” (1942)- A Film Review

From The 1930s-1940s Golden Age Of Screwball Comedy-Rosalind Russell’s My Sister Eileen” (1942)- A Film Review

DVD Review

By Laura Perkins

My Sister Eileen, starring Rosalind Russell, Janet Blair, 1942

I like to listen to my own drummer when I am thinking through “the hook” for any film review I do (probably with any piece of public writing come to think of it). But once in a while some advice my long-time companion and now occasional writer since his retirement in this publication Sam Lowell filters through. Sam who over a long career made something of a specialty out of reviewing black and white films from the 1930s and 1940s (as a result of a youth spent watching this fare in a local retrospective theater in his hometown on angry Saturday afternoons) has always worked under the principal that even the flimsiest production from this era can produce at least a “slice of life” highlighting the times angle when all else fails. Good advice even for the better productions as here with this film under review directed by Alexander Hall and starring Rosalind Russell as Ruth one of the two leading characters in this classic golden age screwball comedy My Sister Eileen.     

So here’s the slice of life of the times angle. Two sisters, the aforementioned Ruth and the Eileen of the title, played by Janet Blair, are for their own reasons ready to break out of some Podunk small town a too small for big dreams town out in the heartland, out in Ohio. The first “hook” is that we are dealing with two women seeking professional careers the former as a writer the later as stage actress. That in itself is worthy of comment in marriage and little white house with picket fence women big dreams times (and maybe a fair part of the female audiences which Sam told me one time made up the majority of the movie population especially during World War II).

The more interesting part though is a look at the dynamics between the two sisters, especially how they will navigate in the world. Ruth, although hardly an ugly duckling is the serious intellectual type (if ironically funny as befits a screwball comedy) is not the kind of gal a whole bunch of guys then, maybe now too, would do a double take over. Eileen is the flirtatious, naïve, beauty of the family who guys will trip over themselves to check out and give it a shot. My wonder is off of this form beyond the entertainment value of the screwball comedy aspect whether such a film could be produced with that stark contrast and feminine competition in mind.

The two sisters in any case see eye to eye that they need to blow that small town and head well where else would budding writers and actresses head but New York City then and still the cultural heart and soul of America. While Ruth may be a step-up over Sis in the naïveté contest and more of a pure go-getting on the merits of her skills she has plenty of hayseed around the edges. The whole caper depends on the place in the big city given their cash flow where they land an apartment, which turns out to be a basement apartment which today might be seen as a golden dream but then was strictly from nowhere which a holy goof of a landlord cons them into renting (“holy goof” Frank Jackman’s term via Jack Kerouac which I feel free to steal every once in a while where it applies). The place winds up being a waystation for a rogue’s gallery of guys and other strays (the guys mostly courtesy of Eileen and her beauty/gullibility) with a whole rafter of slapstick some of it still funny but the rest a relic of the period.

Not to worry, remember this is a comedy, a slightly romantic comedy where even Ruth catches a guy, a magazine editor to boot, as the pair of sisters go through their paces adjusting to New York and working their ways up their respective food chains. But the whole caper was a close thing since their father rushing to the city to save his woe begotten daughters almost forces them to go back to small dream Ohio. The saving grace is that Ruth gets her short stories published in that magazine the editor works for and Eileen well she will work her charms with the publisher of that magazine who has a ton of contacts on old Broadway. Yeah, now that I think about it they couldn’t make one like this now but that’s my “hook” anyway.