The Good Heist-With “The
Bank Job” (2008) In Mind
DVD Review
By Zack James
The Bank Job, starring
Jason Statham, Saffron Burrows, 2008
Recently I did a short
review of the film adaptation of writer con-artist’s Clifford Irving’s The Hoax about his take (remember he was
a con artist and so his fast-talking-writing should be taken for what it is
worth) on his con of a major publishing company over an “autobiography” of the
reclusive eccentric billionaire Howard Hughes back in the early 1970s and
mentioned that everybody loves a con. Everybody except the person con of
course. That notion can be extended, was extended in my old working-class
growing up Acre section of North Adamsville, to include high profile bank
robberies. In those days the big deal was the then never solved great Brink
armored car robbery of the early 1950s where it turned out one of the
participants had lived in the neighborhood at one time. So when Pete Markin
tagged me to do a short piece on the
film under review The Bank Job about
an equally famous bank robbery in London in the early 1970 I was all in.
Usually the genesis of a
bank robbery (aside from the famous bank robber Willie Sutton’s response to the
question of why he robbed banks for a living- because that was where the money
was) is to grab some quick dough and split. Average stuff. In this film, based
on a true story, although it is hard to separate fact from fiction according to
the historical record, the motives are a little bit trickier. Oh sure the guys
who are touched for the job have that motivation-have that wanting habits
hunger but this one has a catch to it. See the robbery is just supposed to be a
front for getting some very juicy photographs of a member of the royal family,
a royal princess acting the slut. (According to my sources that part is
make-believe courtesy of the thriller-crazed producers and not a bad motive at
that if you hold any republican sympathies. In any case given the batch of
whores, whore-mongers, homos and lesbians when that was not cool, dope fiends,
junkies, sex addicts, lunatics, mad men, philanders and the like who have made
up the royal family and nobility that would not be so far-fetched. And those
are from the good side of the families the others’ depravity starts from there.)
Maybe nowadays with 24/7/365 celebrity exposure that would be nothing for
royals to bother with but back then it was enough to get certain secretive
governmental agencies on the move to cover the damn thing up-to bury it deep.
That was the story then anyway make of it what you will.
The whole play came
about because one neighborhood working class woman, Martine, played by Saffron Burrows,
who took a turn at modeling had been stopped with a hell-broth of drugs in her
suitcase at the airport. So she needed
to get out from under any way she could since female prison life would quickly
turn her into somebody’s honey and she would not have looked good in prison garb
anyway. Fortunately she had a lover-boyfriend from MI5 who was in need of a
favor. Seems that a sneaky fiery black nationalist leader, Michael X, had the
vaunted photographs in question in a safety deposit box for further use-blackmail,
trade for freedom, you know the rest. Also in need of a favor was Terry, played
by Jason Statham, a hard-pressed auto body shop owner and small time hood. The
man, men, he needed a few confederates for this caper, and the moment meet. Martine
cons Terry into this fantastical notion of robbing a bank (naturally the Baker
Street branch bank where the safety deposit box is located) to get out from
under-to get him and his family on easy street. At first he balks but then facing
a blank wall future he bites.
In a funny way the bank
job is actually not only clever planned but despite a couple of glitches and close-calls
a relatively easy job done by creating a tunnel from an adjoining shop to the
vaults. Beautiful. Then all hell breaks loose once the job is done and the photographs
secured. See everybody and there aunt
and uncle has something to hide from all that hidden cash and jewels to a listing
of all the crooked cops on a local mobsters pay-roll. Between the governmental agents,
the mobsters, the cops and who knows who else Terry and his comrades are led a
merry chase. But in the end the resourceful Terry works his way out of danger
and is allowed to keep the ill-gotten goods and seek a new life somewhere out
of fetid London. Martine blows town with her cut. The royals dodge yet another
scandal and the mobster and the crooked cops take a fall, a hard fall. But the
hard criminal life is not for everybody and not everybody made the grade. One
gang member got wasted for not giving up his comrades. That’s the way it is
down on the edge. Whatever its closeness to what really happened before, during
and after this caper on Baker Street (Sherlock Holmes’ street-right) the movie
was well-done
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