The Young Women With Long-Ironed Hair- With Joan Baez, Mimi Farina, And Judy Collins In Mind

The Young Women With Long-Ironed Hair- With Joan Baez, Mimi Farina, And Judy Collins In Mind

By Lenny Lancaster

Funny how trends get started, how one person, or a few start something and it seems like the whole world follows, or the part of the world that hears about the new dispensation anyway, the part you want to connect with. That new dispensation for my generation began back in the late 1950s, early 1960s so maybe it was when older guys started to lock-step in gray flannel suits (Mad Men, retro-cool today, okay) and before Jack and Bobby Kennedy put the whammy on the fashion and broke many a haberdasher’s heart topped off by a soft felt hat. It would be deep into the 1960s before open-necks and colors other than white for shirts worked in but by then a lot of us were strictly denims and flannel shirts or some such non-suit combination. Maybe it was when one kid goofing off threw a hard plastic circle thing around his or her waist and every kid from Portland, Maine to Portland, Oregon had to have one, to be tossed aside in some dank corner of the garage after a few weeks when everybody got into yo-yos or Davey Crockett coonskin caps. Or maybe, and this might be closer to the herd instinct truth, it was after Elvis exploded onto the scene and every guy from twelve to two hundred in the world had to, whether they looked right with it or not, wear their sideburns just a little longer, even if they were kind of wispy and girls laughed at you for trying to out-king the “king” who they were waiting for not you.  

But maybe it was, and this is a truth which I can testify to, noting the photograph above, when some girls, probably college girls (now called young women but then still girls no matter how old except mothers or grandmothers, go figure) having seen Joan Baez on the cover of Time (or perhaps her sister Mimi on some Mimi and Richard Farina folk album cover)got out the ironing board at home or in her dorm and tried to iron their own hair whatever condition it was in, curly, twisty, flippy, whatever  don’t hold me to hairstyles to long and straight strands. (Surely as strong as the folk minute was just then say 1962, 63, 64, they did not see the photo of Joan on some grainy Arise and Sing folk magazine cover the folk scene was too young and small then to cause such a sea-change).

Looking at that photograph now, culled from a calendar put out by the New England Folk Archive Society, made me think back to the time when I believe that I would not go out with a girl (young woman, okay) if she did not have the appropriate “hair,” in other words no bee-hive or flip thing that was the high school rage among the not folk set, actually the social butterfly, cheerleader, motorcycle mama cliques. Which may now explain why I had so few dates in high school and none from Carver High (located about thirty miles south of Boston). But no question you could almost smell the singed hair at times, and every guy I knew liked the style, liked the style if they liked Joan Baez, maybe had some dreamy desire, and that was that.                   

My old friend Sam Lowell, a high school friend who I re-connected with via the “magic” of the Internet a few years ago, told me a funny story when we met at the Sunnyville Grille in Boston one time about our friend Julie Peters who shared our love of folk music back then (and later too as we joined a few others in the folk aficionado world after the heyday of the folk minute got lost in the storm of the British invasion). He had first met her in Harvard Square one night at the Café Blanc when they had their folk night (before every night was folk night at the place when Eric Von Schmidt put the place on the map by writing Joshua Gone Barbados which he sang and which Tom Rush went big with) and they had a coffee together, That night she had her hair kind of, oh he didn’t know what they called it but he thought something like beehive or flip or something which highlighted and enhanced her long face. Sam thought she looked fine. Sam (like myself) was not then hip to the long straight hair thing and so he kind of let it pass without any comment. 

Then one night many weeks later after they had had a couple of dates she startled him when he picked her up at her dorm at Boston University to go over the Club Blue in the Square to see Dave Van Ronk hold forth in his folk historian gravelly-voiced way. She met Sam at the door with the mandatory long-stranded hair which frankly made her face even longer. When Sam asked her why the change Julie declared that she could not possibly go to Harvard Square looking like somebody from some suburban high school not after seeing her idol Joan Baez (and later Judy Collins too) with that great long hair which seemed very exotic, very Spanish. 

Of course he compounded his troubles by making the  serious mistake of asking if she had it done at the beauty parlor or something and she looked at him with burning hate eyes since no self-respecting folkie college girl would go to such a place where her mother would go, So she joined the crowd, Sam got used to it and after a while she did begin to look like a folkie girl (and started wearing the inevitable peasant blouses instead of those cashmere sweaters or starched shirt things she used to wear).     

By the way let’s be clear on that Julie thing with Sam back the early 1960s. She and Sam went “dutch treat” to see Dave Van Ronk at the Club Blue. Sam and Julie were thus by definition not on a heavy date, neither had been intrigued by the other enough to be more than very good friends after the first few dates but folk music was their bond. Despite persistent Julie BU dorm roommate rumors what with Sam hanging around all the time listening to her albums on the record player they had never been lovers. A few years later she mentioned that Club Blue night to Sam as they waited to see Pete Seeger and Arlo Guthrie with me and my companion, Laura Talbot, to see if he remembered Van Ronk’s performance and while he thought he remembered he was not sure. 

He asked Julie, “Was that the night he played that haunting version of Fair and Tender Ladies with Eric Von Schmidt backing him up on the banjo?” Julie had replied yes and that she too had never forgotten that song and how the house which usually had a certain amount of chatter going on even when someone was performing had been dead silent once he started singing.

As for the long-ironed haired women in the photograph their work in that folk minute and later speaks for itself. Joan Baez worked the Bob Dylan anointed “king and queen” of the folkies routine for a while for the time the folk minute lasted. Mimi (now passed on) teamed up with her husband, Richard Farina, who was tragically killed in a motorcycle crash in the mid-1960s, to write and sing some of the most haunting ballads of those new folk time (think Birmingham Sunday). Julie Collins, now coiffured like that mother Julie was beauty parlor running away from and that is okay, still produces beautiful sounds on her concert tours. But everyone should remember, every woman from that time anyway, should remember that burnt hair, and other sorrows, and know exactly who to blame. Yeah, we have the photo.