Showing posts with label Connie Stevens. Show all posts
Showing posts with label Connie Stevens. Show all posts

Monday, December 08, 2008

Waiting To Exhale- Pop Music in 1960

CD REVIEW

The Heart of Rock ‘n’ Roll-1960, various artists, Time-Life Music, 1995


In the late 1960’s a number of my friends from the Generation of ’68 who considered themselves part of the counter-cultural movement argued, sincerely I believe, that music, by which they meant rock or maybe folk/rock music was the revolution. According to this political logic the various summers of love, be-ins, Woodstocks, etc., if sustained, would create the atmosphere for social change without the need for either a political overthrow of the current capitalist system or doing any heavy political lifting to overturn society’s values and create the ‘new man and woman’. Probably the most articulate expression of that concept was expounded by the likes of John and Yoko Lennon. Well, life has demonstrated once and for all the fantastic nature of that assertion. Which is just a roundabout way for me to argue my point here that while music may not be the revolution some music may be ‘counter-revolutionary’. Let me explain that further.

Whatever the roots of rock and roll- country, rockabilly, blues, rhythm and blues, etc. the sound produced was clearly a dramatic departure from the likes of Ms. Patti Page and her "How Much Is That Doggie In The Window?" and songs of that ilk that clogged up the airwaves in the early 1950’s. Rock got people, and by this I mean young ‘impressionable’ people like myself, moving. Moving much more than our parents liked. In short, getting caught up in the ‘sexual’ sensual beat of things like "Shake, Rattle and Roll" or "Good Rockin’ Tonight". And there was a palpable backlash from adults and other authorities to this. While teens might have then begun to have more disposable dollars to spend that money came from parents, for the most part. The record companies and other responded, at least in part, to that reality. Hence this truly scary compilation of tunes from 1960 that, frankly, put my hair on ends when I listened to it recently.

Don’t get me wrong. I listened, like millions of other teenagers, to this music and liked some of it but in listening to it in combination back-to-back with Carl Perkins' "Classic Hits" for Sun Records I want my money back. No, not from Time-Life but from whoever imposed this stuff on us in 1960. Okay, compare the rock classics of 1955 like Perkins’ "Blue Suede Shoes" or "Everyone Wants To Be My Baby" and The Theme From “A Summer Place” by Percy Faith and the band, Connie Steven’s "Sixteen Reasons" or Bobby Vee’s "Devil or Angel". Need I go on or say more. Unless you are a nostalgically-inclined modern popular music historian then pass this by and wait for The Rolling Stones or the Beatles to come by in a few years. Enough said