Click on title to link to Wikipedia's sentry for French writer and politician Andre Malraux.
Markin comment:
Leon Trotsky, early on, praised Malraux's literary talents. He was, and would have been, less enamored of Malraux's later career as Stalin admirer and subsequently in the post World II era a minister of culture under France's strongman Charles DeGaulle. Oh, well, everyone familiar with the biographic sketches of past literary figures knows that that milieu is replete with writers who cannot resist being in the circles of power-no matter the political cost. Still, in his prime Malraux could write thoughtful novels and write circles around most of his contemporaries. Trotsky was not wrong on that score, although he also seemed to be aware of certain moral flabbiness in Malraux. He was not wrong there either.
BOOK REVIEW
MAN'S FATE, ANDRE MALRAUX, VINTAGE BOOKS, NEW YORK, 1990
As a young man many held out high hopes that the French writer Andre Malraux would become an accomplished revolutionary writer, or at least an extraordinary writer of revolutionary sagas. No less a communist literary critic than Leon Trotsky, the consummate man of action and letters, praised his early work. "Man’s Fate" is a prime example of the reason that leftist critics praised his work. Although later events would destroy his reputation as a writer and as a man of action on the left this novel takes its place in the pantheon of well-written expressions of the dilemma of modern humankind confronted as it is with one half of itself mired in the mundane bourgeois,and as is the case in this book also the feudal,world and the other half striving toward a more just and equitable society.
The action of the novel takes place in the throes of the Second Chinese revolution at a point where the alliance between Chiang Kai-Shek’s Kuomintang and the Chinese Communist Party had broken down and Chiang was ready to butcher the Communists in order to take undisputed control of the Chinese state. Like Russia before it, everyone had known that a second Chinese Revolution was coming. The only question at that point was whether it was to be a bourgeois revolution in the classic Western sense or a socialist revolution that would go a long way to helping the Soviet Union of the 1920’s break out of its isolation after various unsuccessful revolutionary attempts in the West had failed. As it turned out neither event occurred at that time. This tension, and especially the tension of the Communists who were under orders from the Communist International, and hence Moscow, to subordinate themselves to Chiang unconditionally, is what drives the action.
The novel is also a snapshot of what the Communist International's ‘high policy’ of collaboration with Chiang looked like as it was implemented on the ground among the secondary cadre and rank and filers of the Chinese Communist Party, their allies, semi-allies, adversaries and the merely indifferent. In that context, it is additionally an early literary expose of the relationship between those who carry out, even if in small ways, Western imperialist policy in their separate and exclusive colonial enclaves and those ‘natives’ who do the ‘coolie’ work. That tension exists today, as can readily be seen in places like Iraq, so one should pay particular attention to that dynamic. Read on.
Markin comment:
Leon Trotsky, early on, praised Malraux's literary talents. He was, and would have been, less enamored of Malraux's later career as Stalin admirer and subsequently in the post World II era a minister of culture under France's strongman Charles DeGaulle. Oh, well, everyone familiar with the biographic sketches of past literary figures knows that that milieu is replete with writers who cannot resist being in the circles of power-no matter the political cost. Still, in his prime Malraux could write thoughtful novels and write circles around most of his contemporaries. Trotsky was not wrong on that score, although he also seemed to be aware of certain moral flabbiness in Malraux. He was not wrong there either.
BOOK REVIEW
MAN'S FATE, ANDRE MALRAUX, VINTAGE BOOKS, NEW YORK, 1990
As a young man many held out high hopes that the French writer Andre Malraux would become an accomplished revolutionary writer, or at least an extraordinary writer of revolutionary sagas. No less a communist literary critic than Leon Trotsky, the consummate man of action and letters, praised his early work. "Man’s Fate" is a prime example of the reason that leftist critics praised his work. Although later events would destroy his reputation as a writer and as a man of action on the left this novel takes its place in the pantheon of well-written expressions of the dilemma of modern humankind confronted as it is with one half of itself mired in the mundane bourgeois,and as is the case in this book also the feudal,world and the other half striving toward a more just and equitable society.
The action of the novel takes place in the throes of the Second Chinese revolution at a point where the alliance between Chiang Kai-Shek’s Kuomintang and the Chinese Communist Party had broken down and Chiang was ready to butcher the Communists in order to take undisputed control of the Chinese state. Like Russia before it, everyone had known that a second Chinese Revolution was coming. The only question at that point was whether it was to be a bourgeois revolution in the classic Western sense or a socialist revolution that would go a long way to helping the Soviet Union of the 1920’s break out of its isolation after various unsuccessful revolutionary attempts in the West had failed. As it turned out neither event occurred at that time. This tension, and especially the tension of the Communists who were under orders from the Communist International, and hence Moscow, to subordinate themselves to Chiang unconditionally, is what drives the action.
The novel is also a snapshot of what the Communist International's ‘high policy’ of collaboration with Chiang looked like as it was implemented on the ground among the secondary cadre and rank and filers of the Chinese Communist Party, their allies, semi-allies, adversaries and the merely indifferent. In that context, it is additionally an early literary expose of the relationship between those who carry out, even if in small ways, Western imperialist policy in their separate and exclusive colonial enclaves and those ‘natives’ who do the ‘coolie’ work. That tension exists today, as can readily be seen in places like Iraq, so one should pay particular attention to that dynamic. Read on.
