On the 16th Anniversary Of The Iraq War-From The Archives- For Bob Dylan- The Voice of The Generation Of '68?- Bob Dylan Unplugged

Click on title to link to YouTube's film clip of Bob Dylan performing "Masters Of War".

CD REVIEW

The Freewheelin’ Bob Dylan, Bob Dylan, Columbia, 1962

In reviewing Bob Dylan’s 1965 classic album “Bringing All Back Home” (you know, the one where he went electric) I mentioned that it seemed hard to believe now that both as to the performer as well as to what was being attempted that anyone would take umbrage at a performer using an electric guitar to tell a folk story (or any story for that matter). I further pointed out that it is not necessary to go into all the details of what or what did not happen with Pete Seeger at the Newport Folk Festival in 1965 to know that one should be glad, glad as hell, that Bob Dylan continued to listen to his own drummer and carry on a career based on electronic music.

Others have, endlessly, gone on about Bob Dylan’s role as the voice of his generation (and mine), his lyrics and what they do or do not mean and his place in the rock or folk pantheons, or both. Here we are going back to the early days when there was no dispute that he had earned a place in the folk pantheon. The only real difference between the early stuff and the later electric stuff though is- the electricity. Dylan’s extraordinary sense of words, language and word play has been a constant throughout his career. If much later ( in the 1990’s) he gets a bit repetitious and a little gimmicky in order to stay “relevant” that is only much later after he had done more than his share to add to the language of music.

In this selection we have some outright folk classics that will endure for the ages like those of his early hero Woody Guthrie have endured. Blowing in the Wind still sounds good and makes sense as an anthem of change - especially today when some serious social tasks remain to be accomplished. Yes, the answer my friend is blowing in the wind (and in other locales, as well). Also here showing Dylan’s, sometimes disavowed, country roots is a very nice although Johnny Cash-less "Girl From the North Country". No anti-war song is more powerful than "Masters of War"- none. Anyone can write the easy peace songs about "Where Have All The Flowers Gone?" and "Give Peace a Chance" but to really understand and really get mad about what we are up against you need to listen to this song. Pearl Jam covered it later for a reason- we still need to drive the warmongers from their marketplaces.

"Hard Rain’s A-Gonna Fall" hits right where you live, the lyrics could have come out of out of the front pages of today’s newspaper (or Internet updates). The cover of the old blues classic "Corrina, Corrina' is fine. Another Dylan classic "Don’t Think Twice, It’s All Right", about the never-ending subject of lost love and longing is as well. There are a few topical songs from that time that might not make sense today- but topicals by footloose troubadours have always been a part of the folk tradition-as it is safe to say is Mr. Dylan.

Once Again Haunted By The Question Of Questions-Who Represented The “Voice” Of The Generation Of ’68 When The Deal Went Down-And No It Was Not One Richard Millstone, Oops, Milhous Nixon

By Seth Garth

I have been haunted recently by various references to events in the early 1960s brought to mind by either seeing or hearing those references. First came one out of the blue when I was in Washington, D.C. on other business and I popped in as is my wont to the National Gallery of Art to get an “art bump” after fighting the dearies at the tail-end of the conference that I was attending. I usually enter on the 7^th Street entrance to see what they have new on display on the Ground Floor exhibition areas. This time there was a small exhibit concerning the victims of Birmingham Sunday, 1963 the murder by bombing of a well-known black freedom church in that town and the death of four innocent young black girls and injuries to others. The show itself was a “what if” by a photographer who presented photos of what those young people might have looked like had they not had their precious lives stolen from them by some racist KKK-drenched bastards who never really did get the justice they deserved. The catch here, the impact on me, was these murders and another very disturbing viewing on television at the time, in black and white, of the Birmingham police unleashing dogs, firing water hoses and using the ubiquitous police billy-clubs to beat down on peaceful mostly black youth protesting against the pervasive Mister James Crow system which deprived them of their civil rights.

Those events galvanized me into action from seemingly out of nowhere. At the time I was in high school, in an all-white high school in my growing up town of North Adamsville south of Boston. (That “all white” no mistake despite the nearness to urban Boston since a recent look at the yearbook for my class showed exactly zero blacks out of a class of 515. The nearest we got to a black person was a young immigrant from Lebanon who was a Christian though and was not particularly dark. She, to my surprise, had been a cheer-leader and well-liked). I should also confess, for those who don’t know not having read about a dozen articles  I have done over the past few years in this space, that my “corner boys,” the Irish mostly with a sprinkling of Italians reflecting the two major ethic groups in the town I hung around with then never could figure out why I was so concerned about black people down South when we were living hand to mouth up North. (The vagaries of time have softened some things among them for example nobody uses the “n” word which needs no explanation which was the “term of art” in reference to black people then to not prettify what this crowd was about.)

In many ways I think I only survived by the good graces of Scribe who everybody deferred to on social matters. Not for any heroic purpose but because Scribe was the key to intelligence about what girls were interested in what guys, who was “going” steady, etc. a human grapevine who nobody crossed without suffering exile. What was “heroic” if that can be used in this context was that as a result of those Birmingham images back then I travelled over to the NAACP office on Massachusetts Avenue in Boston to offer my meager services in the civil rights struggle and headed south to deadly North Carolina one summer on a voting drive. I was scared but that was that. My guys never knew that was where I went until many years later long after we had all gotten a better gripe via the U.S. Army and other situations on the question of race and were amazed that I had done that.         

The other recent occurrence that has added fuel to the fire was a segment on NPR’s Morning Edition where they deal with aspects of what amounts to the American Songbook. The segment dealt with the generational influence of folk-singer songwriter Bob Dylan’s The Times They Are A-Changin’ as an anthem for our generation (and its revival of late in newer social movements like the kids getting serious about gun control). No question for those who came of political age early in the 1960s before all hell broke loose this was a definitive summing up song for those of us who were seeking what Bobby Kennedy would later quoting a line of poetry from Alfred Lord Tennyson call “seeking a newer world.” In one song was summed up what we thought about obtuse indifferent authority figures, the status quo, our clueless parents, the social struggles that were defining us and a certain hurried-ness to get to wherever we thought we were going.

I mentioned in that previous commentary that given his subsequent trajectory while Bob Dylan may have wanted to be the reincarnation Plus of Woody Guthrie (which by his long life he can rightly claim) whether he wanted to be, could be, the voice of the Generation of ’68 was problematic. What drove me, is driving me a little crazy is who or what some fifty plus years after all the explosions represented the best of what we had started out to achieve (and were essentially militarily defeated by the ensuing reaction before we could achieve most of it) in those lonely high school halls and college dormitories staying up late at night worrying about the world and our place in the sun.

For a long time, probably far longer than was sensible I believed that it was somebody like Jim Morrison, shaman-like leader of the Doors, who came out of the West Coast winds and headed to our heads in the East. Not Dylan, although he was harbinger of what was to come later in the decade as rock reassembled itself in new garb after some vanilla music hiatus but somebody who embodied the new sensibility that Dylan had unleashed. The real nut though was that I, and not me alone, and not my communal brethren alone either, was the idea that we possessed again probably way past it use by date was that “music was the revolution” by that meaning nothing but the general lifestyle changes through the decade so that the combination of “dropping out” of nine to five society, dope in its many manifestations, kindnesses, good thought and the rapidly evolving music would carry us over the finish line. Guys like Josh Breslin and the late Pete Markin, hard political guys as well as rabid music lovers and dopers, used to laugh at me when I even mentioned that I was held in that sway especially when ebb tide of the counter-cultural movement hit in Nixon times and the bastinado was as likely to be our home as the new Garden. Still Jim Morrison as the “new man” (new human in today speak) made a lot of sense to me although when he fell down like many others to the lure of the dope I started reappraising some of my ideas -worried about that bastinado fate.  

So I’ll be damned right now if I could tell you that we had such a voice, and maybe that was the problem, or a problem which has left us some fifty years later without a good answer. Which only means for others to chime in with their thoughts on this matter.         

Peter Paul Markin’s War- Circa 1969-An Explained Interlude

Shaved-head, close anyway, too close to distinguish that head, mine, or rather private soldier government- issue mine on loan after drafted 1969 drafted purgatories and anguishes, go, not go, go, not go, not go, go, jail, not jail, go, from the ten-thousand, no one hundred-thousand other heads, all shave-headed. No way that close-cropped head, or those ten thousand, no, one hundred thousand others , would survive the Harvard Square (square is right), Village, burned-over Haight-Ashbury night as anything but soldier tourists looking at long-haired freaks smoking dope in some impromptu Kasbah or some vagrant common lawn.

But that wistful thought is so much ancient history, so much bad karma, ghost danced against ancient painted cavern-etched shamanic bad karmic night, as is the certitude, the absolute certitude, after only three, hell, one for truth, but three, on more, half-humid, half ground frozen (and I know, know from close observation just minutes ago after having “done ten” that half frozen) southern winter days (Georgia, hell-bent segregated Georgia places like Albany and Augusta, if not Atlanta) that go, no go, jail, not jail, Canada or wherever, was decided the wrong way and that life from here on in would get quirky (nice way to put it, right, put it just short of facing phantom firing squads).

Start. Four in the morning madness but this time not falling into too much to dream sweet good night but cursing some stoolie “orderlie” who has just kicked off my blanket cover and yelled, yelled if you can believe that, right in my ear that if I was not up before he turned his head to yell at some other shaved- head across from my bunk that I would be “doing ten (or was it one hundred, or one thousand)” in front of the whole company of fellow raw recruits on some sweet red clay Georgia earth, frozen okay, when the sun came up.

Naturally the trap was set for me, yankee abolitionist doughboy me, as he, some confederate of Stonewall Jackson or one of those lost johnnie reb greybeards, could turn his ugly government-issue head bunk away before I could even uncover that frizzy green blanket and so I was to be parlayed, relayed, surveyed and displayed before a motley of bleary eyed raws and done. An example, a horribly example of slovenliness that would get some rolling hills hayseed Ohio farm boy too scared to say yessir or no sir, some Kentucky un-shoed hills and hollows (ya, I know hollas) toothless illiterate dragged from mother womb coal veins, or some jet black ebony angel New York City street corner boy caught up in the court system, some petty larceny count to his credit, and warned, judge-warned, into the service, killed for lack of speed. Yes, that go, no go thing went the wrong way, way wrong, as I sensed those phantom firing squads closing in.

At peek of light, no food in stomach, no eyes, no open eyes, and in bare tee-shirt, white government-issued and two sizes two big just then, I fall down to the earth, spitting mud-flecked red clay, spitting dust, spitting, spitting out the stars over Alabama (oops Georgia, all these southern red clays seem so very much the same, or would on further inspection) that portent no good, no earthy good. Cold, cold cold as only a day time hot winter place can be night cold.

And I do “ten.” And then that ten, or the cold red clay doing of that ten, started a mental civil war between one government-issued private soldier and one warring government. Of such incidents great wars, and great struggles against war, swarm the earth, although the latter less frequently than one would suspect. Or hope.

Then those DNA-etched righteous furies kick-assed with my brain, those old time grandmother Catholic Worker stop the goddam wars and stop them now (exactly quoting Irish “shawlie” grandma wisdom, or else) reared their pug ugly (ur-government-issued ugly) head. And that shave-headed (as if shave-headed-ness had exposed on its surface for all the world to see as if written out longhand all the quaint, if shadow, last night I had the strangest dream, stop the war madness covered up by long-haired no thoughts and no risks ancient thoughts) red clay foam-flecked private soldier dreamed of crusades and leading great crusades, and marching men back into barracks and locking doors against the killing fields.

And arguing with sneer-snickering (remembering only no sir or yes sir) Ohio farm boys, Kentucky rednecks hell-bent on tunnel-rat-dom like some great cosmic chain held them together, and black as night New York City street-wise (well, half-wise)corner boys this-if this is not murder, if this is not to slay, then what is? Come and face the phantom firing squads too, come cry out to high heaven against the madness, the madness of men, and madnesses stopped by men, by little no “no siring” men.

The die is cast, not as usual truthfully cast, not pure warrior in the frozen ground red clay night, not massive warrior-king leading home swords turned into plowshare armies, solitary avenging angel cast, but cast. Dreams of running away to elysian fields (or mudded Woodstock farm mires), dreams of lost love (of girls left behind and of secret betrayals), dreams of not doing this or that youth-desired thing keep rearing back and certain character flaws, certain wise guy, small town corner boy (unknown to black knight New York City corner boys all wide-eyed) know-it-all cut corners character flaws stream in the hot, humid, footsore march.
But in the end the drumbeat tattoo beats his beat, and fate.

Wild dreams, senseless wild dreams follow, follow in succession, day and night. Time has no measure, no measure at all and calendars only form fear for burning red eyes. Angels rage at hell’s door to no avail. Rant, mere rant against the barb wired fix. Sweats, real human sweats, ever present sweats in small airless rooms. Rooms not picked by man, or fit. The days of rage, rage against the light, and then the glimmer of the light. Fame, maybe unearned nickel and dime fame, as poster boy for break-out soldiers crying against the high hellish anguished night and murders, murders called by their right name. Then, that exact moment , those phantom firing squads turn to dust, ashes really, and free.