Click on title to link to YouTube's film clip of Greg Brown performing "I Want My Country Back".
CD REVIEW
Greg Brown: In The Hills Of California- Live At The Kate Wolf Music Festival 1997-2003, Greg Brown, Red House Records, 2004
The last time that the name Greg Brown, singer/songwriter and free-wheeling homespun philosopher appeared in this space was just recently as I found myself publicly ‘flirting’, via cyberspace of course, with his wife the also accomplished singer/songwriter Iris Dement, my Arkie angel (See my review of her “Infamous Angel” CD). It is all Greg’s fault, in any case. I was ‘introduced’ to Iris on his tribute album “Driftless” where she did a cover of “Jimmie Rodgers Going Home” (complete with yodel at the end). So to be absolutely aboveboard and fair I find it necessary to review some of his work
Greg Brown is a particular kind of folk singer who before I listened to his “Greg Brown-The Live One ” album reviewed elsewhere in this space I had not really paid attention to since the days of my early youth when I listened intently to Woody Guthrie whose songs were seemingly forged from the very heart of Americana. As a child of the urban folk revival of the 1960’s I got caught up in listening to the more political message songs provided by the likes of Bob Dylan or Phil Ochs. As a poet/singer/songwriter Greg has come out of the heartland of America, like Woody, in a fury to write and sing his tales of love, remembrance, tragedy, desperation and, on occasion, just pure whimsy. He is thus in very good company, and belongs there.
His songs evoke, under more modern conditions to be sure, the days gone by when the community spirit of small town life meant something. A strong bass voice grainy with the trials and tribulations of life lend authenticity to his words, as does strong guitar playing when necessary. Needless to say the variety of topics covered in his songs speak for themselves from Grandma's food cellars to vanishing Iowa family farms to sweaty nights of lovemaking entwined with the up and down battles of love and, of course, the ubiquitous bouts of fishing that gain more than a nod in his albums.
In this CD collection we are treated to another look at many of those above-mentioned topics via Greg’s performances over several years (1997-2004) at the annual Kate Wolf Festival held in California since 1996. Thus, if one is unfamiliar with Greg Brown, one can get a full range of his work, some of his best work, as he pays honor by his performances to Kate Wolf, one of the post-1960’s most influential folk performers, whose work is still widely covered by contemporary folk singers. Moreover, the group of musicians that back him up on many of the tracks is superior, especially guitarist Nina Gerber.
So what is good here? “Wash My Eyes” and “Two Little Feet” work on Disc One, as does the controlled anger of “I Want My Country Back” and a rocking “I Shall Not Be Moved” to highlight his political perspective. On Disc Two the “Poet’s Game” is always a winner (especially that line about the strip malls and the one about that one night stand lady friend up in New Hampshire) as is “Where Is Maria?” and “Your Town Now”.
So much for the music review. Here is the real reason I wrote this frantic review though. I looked at the pictures on the liner notes and noticed that old Greg has been doing some weight lifting or something. He looks like he could play tight end for the Chicago Bears. Hey, Greg male folk singers are suppose to be scrawny and looking malnourished not healthy and ready to do bodily injury if you mess with their women. All this is by way of saying - all that stuff about ‘flirting’ with Iris in any way, shape or form was just fooling around. Okay?
"Greg Brown- Two Little Feet lyrics"
two little feet to get me 'cross the mountain
two little feet to carry me away into the woods
two little feet, big mountain, and a
cloud comin' down cloud comin' down cloud comin' down
I hear the voice of the ancient ones
chanting magic words from a different time
well there is no time there is only this rain
there is no time, that's why I missed my plane
John Muir walked away into the mountains
in his old overcoat a crust of bread in his pocket
we have no knowledge and so we have stuff and
stuff with no knowledge is never enough to get you there
it just won't get you there
a culture exploded into knickknacks and memories
Eagle and Bear trinkets I don't think it's good
old man what am I trying to say it's a
it's a messed up world but I love it anyway
two little feet to get me 'cross the city
my little hand to knock upon your door
my little thing for your little thing
and a big love to lift us up once more to the mountain
lift us up
tumble us like scree let us holler out our freedom like a
like a wolf across a valley like a kid lost in a game
no time no name gonna miss that plane again
and I'm gonna stay here with you baby and kiss you to a good dream
I'm goin' kiss you
kiss you like you like it
I got two little feet to get me across the mountain
two little feet to carry me away into the woods
two little feet big mountain and a
cloud comin' down cloud comin' down cloud comin' down
This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Showing posts with label Nina Ferber. Show all posts
Showing posts with label Nina Ferber. Show all posts
Monday, January 19, 2009
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