Click on the headline to link to a Wikipedia entry for the early Stanley Kubrick crime noir, Killer’s Kiss.
DVD Review
Killer’s Kiss, directed by (and just about everything else except maybe janitor) Stanley Kubrick, United Artists, 1955
I have at this point run through many crime noir films, some good, some bad, some with sweet femme fatales, others with very dangerous, watch out femme fatales, and you really better take my advise on that. Some, as here in one of Stanley Kubrick’s early film, Killer’s Kiss, feature just an ordinary woman (although here with a somewhat exotic past). And the young woman (played by Irene Kane), a dime-a-dance worker in a shady Times Square seen better days walk-up dance hall run by a very, very shady gangster-ish older guy (played by Frank Silvera), is central to the plot line here. Seems said gangster is smitten, very smitten by this blonde fluff, although for my money I would just let her go. There are a million others around. Such though are the effects that some women have on guys, even tough gangster guys. But see she has turned cold on him, especially when one been-on-the-ring-floor-just-one-too-many-times boxer (and convenient next door neighbor in their walk-up cold water flat New York tenement world, played by Jamie Smith), pays some attention to her after a rough night of being pawed at by the gangster. Needless to say the world is not big enough for a small-time gangster, a small-time smitten very possessive gangster, and an ex-pug with eyes on the same woman. That “tension” drives the plot unto the final battles on the lonely warehouse back streets of black and white 1950s New York.
Ya, I know, not much of a plot, not something to throw in the crime noir classics archives. Agreed. Not like fall guy Robert Mitchum and gangster Kirk Douglas fighting it out over Jane Greer, who has them both looking over their shoulders, in the classic Out Of The Past. But hear me out. This is an early Stanley Kubrick film, almost a cinema school effort in fact, where he does all the heavy conceptual lifting (writer, director, editor, etc, and just maybe the janitor too). What is missing in plot line, dialogue, and that kind of thing that makes other films noir classics is made up for here by the feel of it. The feel of 1950s black and white New York with its all-night eateries, its trashy back alleys, and its seedy apartment buildings. This is not be-bop Greenwich Village/Soho New York, this is not Big Apple fixed-up, up-scale million/billion dollar New York, but the heart of corner boy New York, where things flare up just like that. And that is how Stanley Kubrick learned his craft, used to great effect later-on the mean streets of New York.
Showing posts with label corner boys. Show all posts
Showing posts with label corner boys. Show all posts
Sunday, October 16, 2011
Friday, September 30, 2011
The Face (book) Photo That Launched A Thousand Clicks- Or “Foul-Mouth” Phil Hits Pay-Dirt-Finally
Click on the headline to link to a Wikipedia entry for Facebook for those three or four people who have not gotten the word about this new form of "social-networking" yet.
Peter Paul Markin comment:
Yes, I know. I know damn well that I should not indulge my seemingly endlessly sex-haunted old-time corner boys. After all this space is nothing but a high-tone “high communist” propaganda outlet on most days- the good days. I should, moreover, not indulge a “mere” part-timer at our old North Adamsville Salducci’s Pizza Parlor hang-out be-bop night “up the Downs” like one “Foul-Mouth” Phil Larkin. (For those who do not know what that reference refers to don’t worry you all had your own “up the Downs” and your own corner boys, or mall rats as the case may be, who hung out there.) Despite his well-known, almost automatic, foul mouth in the old days Phil had his fair share, more than his fair share given that mouth, of luck with the young women (girls, in the old days, okay). I am still mad at him for “stealing” my old-time neighborhood heartthrob, Millie Callahan, right from under my nose. (And right in the Sacred Heart Roman Catholic Church after Mass to boot. If he is still a believer he stands condemned. No mercy. As for me, an old heathen, I was just glad that I stared at her ass during Mass. I stand condemned anyway, if things work out that way).
Well, that was then and now is now and if you read about “poor” Phil Larkin’s trials and tribulations with the ladies recently in a post here entitled -“Sexless” sex sites” you know that his old Irish blarney ( I am being kind to the old geezer here) had finally given out and that he was scoreless lately. That is he was scoreless as of that writing. As Phil pointed out to me personally as part of our conversations while I was editing his story he felt that he would have had better luck with finding a woman companion (for whatever purpose) by just randomly calling up names in the telephone directory than from that “hot” sex site that he found himself embroiled in. And, in an earlier time, he might have been right.
But we are now in the age of so-called “social networking” (of which this space, as an Internet-driven format is a part) and so, by hook or by crook, someone placed his story (or rather, more correctly, my post from this blog) on his Facebook wall. As a result of that “click” Phil is now “talking” to a young (twenty-something) woman graduate student from Penn State (that is why just a few minutes ago he was yelling “Go, Nittany Lions” in my ear over the cell phone) and is preparing to head to the rolling Appalachian hills of Pennsylvania for a “date” with said twenty-something. Go figure, right? So my placement of this saga, or rather part two of the saga (mercifully here will be no more), is really being done in the interest of my obscure sense of completeness rather than “mere” indulgence of an old-time corner boy. As always I disclaim, and disclaim loudly for the world to hear, that while I have helped edit this story this is the work of one “Foul-Mouth” Phil Larkin, formerly of North Adamsville and now on some twisted, windy road heading to central Pennsylvania.
Phil Larkin comment:
Jesus, that Peter Paul Markin is a piece of work. Always rubbing in that “foul-mouth” thing. But I guess I did get the better of him on that Millie Callahan thing back in the day and he did provide me a “life-line” just now with his posting of my story on his damn communist-addled blog. It is a good thing we go back to “up the Downs” time and that I am not a “snitch” because some of the stuff I have read from him here should, by rights, be reported directly to J. Edgar Hoover, or whoever is running the F.B.I., if anybody is. We can discuss that another time because I don’t have time to be bothered by any such small stuff. Not today. Not since I hit “pay-dirt” with my little Heloise. Yes, an old-fashioned name, at least I haven’t heard the name used much lately for girls, but very new-fashioned in her ideas. She is a twenty-five graduate student from Penn State and I am, as I speak, getting ready to roll out down the highway for our first “in person” meet.
You all know, or should be presumed to know to use a Markinism (Christ, we still call his silly little terms that name even forty years later), that I was having a little temporary trouble finding my life’s companion through sex sites. I told that story before and it is not worth going into here. [Markin: Fifty years Phil, and every other guy (or gal) from the Class of 1964. Do the math. I hope you didn’t try to con Heloise with that “youthful” fifty-something gag-christ, right back to you, Phil.] Let me tell you this one though because it had done nothing but restore my faith in modern technology.
Little communist propaganda front or not, Peter Paul’s blog goes out into the wilds of cyberspace almost daily (and it really should be reported to the proper authorities now that I have read his recent screeds on a Russian Bolshevik guy named Trotsky who is some kind of messiah to Markin and his crowd). So a few weeks ago somebody, somehow ( I am foggy, just like Markin, on the mechanics of the thing, although I know it wasn’t some internet god making “good” cyberspace vibes or anything like that) picked it up and place it (linked it) on his Facebook wall ( I think that is the proper word). Let’s call him Bill Riley (not his real name and that is not important anyway) Now I don’t know if you know how this Facebook thing works, although if you don’t then you are among the three, maybe four, people over the age of five that doesn’t.
Here’s what I have gathered. Bill Riley set up an account with his e-mail address, provided some information about himself and his interests and waited for the deluge of fan responses and “social-connectedness” (Markin’s word). Well, not exactly wait. Every day in every way you are inundated with photos of people you may know, may not know, or may or may not want to know and you can add them to your “friends” pile (assuming they ‘confirm” you request for friendship). Easy, right?
Well, yes easy is right because many people will, as I subsequently found out, confirm you as a friend for no other reason than that you “asked” them to include you. Click- confirm. Boom. This, apparently, is what happened when Bill “saw” Heloise’s photo. (I found out later, after “talking” to Heloise for a while, that she did not know Bill Riley or much about him except that he has a wall on Facebook. So the weird part is that Bill “introduced” us, although neither Heloise nor I know Bill. This has something Greek comedic, or maybe a Shakespeare idea, about it, for sure.). In any case Heloise, as a sociology graduate student at Penn State, took an interest in the “sexless” sex site angle for some study she was doing around her thesis and, by the fates, got hooked into the idea that she wanted to interview me about my experiences, and other related matters.
Without going into all the details that you probably know already I “joined” Bill Riley’s Facebook friends cabal and through him his “friend” Helosie contacted me about an interview. Well, we “chatted” for a while one day and she asked some questions and I asked others in my most civilized manner. What I didn’t know, and call me stupid for not knowing, was that Heloise not only was a “friend” of Bill’s but, unlike me (or so I thought), had her own Facebook page with photos. Now her photo on Bill’s wall was okay but, frankly, she looked just like about ten thousand other earnest female twenty-something graduate students. You know, from hunger. But not quite because daddy or mommy or somebody is paying the freight to let their son or daughter not face reality for a couple more years in some graduate program where they can “discover” themselves. Of course, naturally old cavalier that I am said, while we were chatting, that she was attractive, and looked energetic and smart and all that stuff. You know the embedded male thing with any woman, young or old, that looks the least bit “hit-worthy.” (Embedded is Markin’s word, sorry.)That photo still is on Bill’s wall and if I had only seen that one I would still be sitting in some lounge whiskey sipping my life away.
Heloise’s “real”photos, taken at some Florida beach during Spring break, showed a very fetching (look it up in the dictionary if you don’t know that old-time word means) young woman that in her bikini had me going. Let’s put it this way I wrote her the following little “note” after I got an eyeful:
Hi Heloise - Recently I made a comment, after I first glanced at your photo wall, that you looked fetching (read, attractive, enchanting, hot, and so on). On that first glance I, like any red-blooded male under the age of one hundred, and maybe over that for all I know, got a little heated up. Now I have had a change to cool down, well a little anyway, and on second peek I would have to say you are kind of, sort of, in a way, well, okay looking. Now that I can be an objective observer I noticed that one of your right side eyelashes is one mm, or maybe two, off-balance from the left side. Fortunately I have the “medicine” to cure you. If you don’t mind living your hideous asymmetrical deformation that is up to you. I will still be your friend. But if you were wondering, deep in the night, the sleepless night, why you have so few male Facebook friends or why guys in droves are passing your page by there you have it. Later-Phil.
The famous old reverse play that has been around for a million years, right? Strictly the blarney, right? [Markin: right, Phil, right as ever]. That little literary gem however started something in her, some need for an older man to tell her troubles to or something. And from there we started to “talk” more personally and more seriously. See I had it all wrong about her being sheltered out there in the mountains by mom and dad keeping her out of harm’s way until she “found” herself. No, Heloise was working, and working hard, to make ends meet and work on her doctorate. Her story, really, without the North Adamsville corner boy thing, would be something any of us Salducci’s guys would understand without question.( I was not a part-time corner boy by the way, except by Frankie Riley’s 24/7/365 standards and The Scribe’s). [Markin: Watch it, Phil. I told you not to use that nickname anymore.] I’ll tell you her story sometime depending on how things work but right now I am getting ready to go get a tank full of gas and think a little about the photos that launched a thousand clicks.
Markin comment:
Phil, like I said to Johnny Silver about what people might say about his little teeny-bopper love. Go for it. Don’t watch out. And like I said before we had better get to that communist future we all need pretty damn quick if for no other reason that to get some sexual breathes of fresh air that such a society promises.
Peter Paul Markin comment:
Yes, I know. I know damn well that I should not indulge my seemingly endlessly sex-haunted old-time corner boys. After all this space is nothing but a high-tone “high communist” propaganda outlet on most days- the good days. I should, moreover, not indulge a “mere” part-timer at our old North Adamsville Salducci’s Pizza Parlor hang-out be-bop night “up the Downs” like one “Foul-Mouth” Phil Larkin. (For those who do not know what that reference refers to don’t worry you all had your own “up the Downs” and your own corner boys, or mall rats as the case may be, who hung out there.) Despite his well-known, almost automatic, foul mouth in the old days Phil had his fair share, more than his fair share given that mouth, of luck with the young women (girls, in the old days, okay). I am still mad at him for “stealing” my old-time neighborhood heartthrob, Millie Callahan, right from under my nose. (And right in the Sacred Heart Roman Catholic Church after Mass to boot. If he is still a believer he stands condemned. No mercy. As for me, an old heathen, I was just glad that I stared at her ass during Mass. I stand condemned anyway, if things work out that way).
Well, that was then and now is now and if you read about “poor” Phil Larkin’s trials and tribulations with the ladies recently in a post here entitled -“Sexless” sex sites” you know that his old Irish blarney ( I am being kind to the old geezer here) had finally given out and that he was scoreless lately. That is he was scoreless as of that writing. As Phil pointed out to me personally as part of our conversations while I was editing his story he felt that he would have had better luck with finding a woman companion (for whatever purpose) by just randomly calling up names in the telephone directory than from that “hot” sex site that he found himself embroiled in. And, in an earlier time, he might have been right.
But we are now in the age of so-called “social networking” (of which this space, as an Internet-driven format is a part) and so, by hook or by crook, someone placed his story (or rather, more correctly, my post from this blog) on his Facebook wall. As a result of that “click” Phil is now “talking” to a young (twenty-something) woman graduate student from Penn State (that is why just a few minutes ago he was yelling “Go, Nittany Lions” in my ear over the cell phone) and is preparing to head to the rolling Appalachian hills of Pennsylvania for a “date” with said twenty-something. Go figure, right? So my placement of this saga, or rather part two of the saga (mercifully here will be no more), is really being done in the interest of my obscure sense of completeness rather than “mere” indulgence of an old-time corner boy. As always I disclaim, and disclaim loudly for the world to hear, that while I have helped edit this story this is the work of one “Foul-Mouth” Phil Larkin, formerly of North Adamsville and now on some twisted, windy road heading to central Pennsylvania.
Phil Larkin comment:
Jesus, that Peter Paul Markin is a piece of work. Always rubbing in that “foul-mouth” thing. But I guess I did get the better of him on that Millie Callahan thing back in the day and he did provide me a “life-line” just now with his posting of my story on his damn communist-addled blog. It is a good thing we go back to “up the Downs” time and that I am not a “snitch” because some of the stuff I have read from him here should, by rights, be reported directly to J. Edgar Hoover, or whoever is running the F.B.I., if anybody is. We can discuss that another time because I don’t have time to be bothered by any such small stuff. Not today. Not since I hit “pay-dirt” with my little Heloise. Yes, an old-fashioned name, at least I haven’t heard the name used much lately for girls, but very new-fashioned in her ideas. She is a twenty-five graduate student from Penn State and I am, as I speak, getting ready to roll out down the highway for our first “in person” meet.
You all know, or should be presumed to know to use a Markinism (Christ, we still call his silly little terms that name even forty years later), that I was having a little temporary trouble finding my life’s companion through sex sites. I told that story before and it is not worth going into here. [Markin: Fifty years Phil, and every other guy (or gal) from the Class of 1964. Do the math. I hope you didn’t try to con Heloise with that “youthful” fifty-something gag-christ, right back to you, Phil.] Let me tell you this one though because it had done nothing but restore my faith in modern technology.
Little communist propaganda front or not, Peter Paul’s blog goes out into the wilds of cyberspace almost daily (and it really should be reported to the proper authorities now that I have read his recent screeds on a Russian Bolshevik guy named Trotsky who is some kind of messiah to Markin and his crowd). So a few weeks ago somebody, somehow ( I am foggy, just like Markin, on the mechanics of the thing, although I know it wasn’t some internet god making “good” cyberspace vibes or anything like that) picked it up and place it (linked it) on his Facebook wall ( I think that is the proper word). Let’s call him Bill Riley (not his real name and that is not important anyway) Now I don’t know if you know how this Facebook thing works, although if you don’t then you are among the three, maybe four, people over the age of five that doesn’t.
Here’s what I have gathered. Bill Riley set up an account with his e-mail address, provided some information about himself and his interests and waited for the deluge of fan responses and “social-connectedness” (Markin’s word). Well, not exactly wait. Every day in every way you are inundated with photos of people you may know, may not know, or may or may not want to know and you can add them to your “friends” pile (assuming they ‘confirm” you request for friendship). Easy, right?
Well, yes easy is right because many people will, as I subsequently found out, confirm you as a friend for no other reason than that you “asked” them to include you. Click- confirm. Boom. This, apparently, is what happened when Bill “saw” Heloise’s photo. (I found out later, after “talking” to Heloise for a while, that she did not know Bill Riley or much about him except that he has a wall on Facebook. So the weird part is that Bill “introduced” us, although neither Heloise nor I know Bill. This has something Greek comedic, or maybe a Shakespeare idea, about it, for sure.). In any case Heloise, as a sociology graduate student at Penn State, took an interest in the “sexless” sex site angle for some study she was doing around her thesis and, by the fates, got hooked into the idea that she wanted to interview me about my experiences, and other related matters.
Without going into all the details that you probably know already I “joined” Bill Riley’s Facebook friends cabal and through him his “friend” Helosie contacted me about an interview. Well, we “chatted” for a while one day and she asked some questions and I asked others in my most civilized manner. What I didn’t know, and call me stupid for not knowing, was that Heloise not only was a “friend” of Bill’s but, unlike me (or so I thought), had her own Facebook page with photos. Now her photo on Bill’s wall was okay but, frankly, she looked just like about ten thousand other earnest female twenty-something graduate students. You know, from hunger. But not quite because daddy or mommy or somebody is paying the freight to let their son or daughter not face reality for a couple more years in some graduate program where they can “discover” themselves. Of course, naturally old cavalier that I am said, while we were chatting, that she was attractive, and looked energetic and smart and all that stuff. You know the embedded male thing with any woman, young or old, that looks the least bit “hit-worthy.” (Embedded is Markin’s word, sorry.)That photo still is on Bill’s wall and if I had only seen that one I would still be sitting in some lounge whiskey sipping my life away.
Heloise’s “real”photos, taken at some Florida beach during Spring break, showed a very fetching (look it up in the dictionary if you don’t know that old-time word means) young woman that in her bikini had me going. Let’s put it this way I wrote her the following little “note” after I got an eyeful:
Hi Heloise - Recently I made a comment, after I first glanced at your photo wall, that you looked fetching (read, attractive, enchanting, hot, and so on). On that first glance I, like any red-blooded male under the age of one hundred, and maybe over that for all I know, got a little heated up. Now I have had a change to cool down, well a little anyway, and on second peek I would have to say you are kind of, sort of, in a way, well, okay looking. Now that I can be an objective observer I noticed that one of your right side eyelashes is one mm, or maybe two, off-balance from the left side. Fortunately I have the “medicine” to cure you. If you don’t mind living your hideous asymmetrical deformation that is up to you. I will still be your friend. But if you were wondering, deep in the night, the sleepless night, why you have so few male Facebook friends or why guys in droves are passing your page by there you have it. Later-Phil.
The famous old reverse play that has been around for a million years, right? Strictly the blarney, right? [Markin: right, Phil, right as ever]. That little literary gem however started something in her, some need for an older man to tell her troubles to or something. And from there we started to “talk” more personally and more seriously. See I had it all wrong about her being sheltered out there in the mountains by mom and dad keeping her out of harm’s way until she “found” herself. No, Heloise was working, and working hard, to make ends meet and work on her doctorate. Her story, really, without the North Adamsville corner boy thing, would be something any of us Salducci’s guys would understand without question.( I was not a part-time corner boy by the way, except by Frankie Riley’s 24/7/365 standards and The Scribe’s). [Markin: Watch it, Phil. I told you not to use that nickname anymore.] I’ll tell you her story sometime depending on how things work but right now I am getting ready to go get a tank full of gas and think a little about the photos that launched a thousand clicks.
Markin comment:
Phil, like I said to Johnny Silver about what people might say about his little teeny-bopper love. Go for it. Don’t watch out. And like I said before we had better get to that communist future we all need pretty damn quick if for no other reason that to get some sexual breathes of fresh air that such a society promises.
Monday, September 05, 2011
Out In The 1940s Crime Noir Night-From Rags To Riches- John Garfield’s Blues- “Force Of Evil”-A Film Review
Click on the headline to link to a Wikipedia entry for the crime noir film, Force Of Evil.
DVD Review
Force Of Evil, starring John Garfield, Thomas Gomez, M-G-M, 1948
No question I am a film noir, especially a crime noir, aficionado. Recently I have been on a tear reviewing various crime noir efforts and drawing comparisons between the ones that “speak” to me and those that, perhaps, should have been better left on the cutting room floor. The classics are easy and need no additional comment from me their plot lines stand on their own merits, although I will make some comment here. Others, because they have a fetching, or wicked, for that matter, femme fatale to muddy the waters also get a pass. Some, such as the film under review from the late 1940s starring John Garfield, Force of Evil, offers very little of either. It is not for lack of trying but rather that the stilted dialogue of the main characters, relentlessly hammering us with clear cut choices between good and evil when a lot of life is very gray, very gray indeed, gets in the way. And it is certainly not that John Garfield can not carry off a crime noir film. Hell, he and femme fatale Lana Turner burned up the screen in the film adaptation of James M. Cain’s crime novel The Postman Always Rings Twice, a film that I will review in the near future in this series. The plot line and dialogue just got in the way here. It is as simple as that.
Here is the scoop. John Garfield, through his brother’s Great Depression-era sacrifice went to law school and became a high-priced lawyer (silly brother, right?), made the New York City big time. A Wall Street lawyer big time. Well, almost big time, because the way he got there was through a very lucrative association with a crime boss who was looking to control the numbers racket in 1940s New York City (the numbers racket, now called the lottery, is now respectably controlled by the state, whatever state) and make it a legal business like any other self-respecting capitalist adventure. The trouble is said sacrificing brother is running a numbers “bank” slated for the dustbin as part of the crime boss’s consolidation plan. Capitalism 101, okay. This makes Brother Garfield queasy and filled with self-doubts and regrets (in between bouts of greed fueled by the dough to be made by a poor boy New York City slum corner boy). The tension between those two forces (ah, good and evil, got it) aided by a “girl next store-type (good force, right?) gnawing at his innards forces dear John to come clean at the end. Especially when said crime boss, through another criminal associate, offs his brother. Like I said, a little thin in the story line.
What is not thin though, and as is usually the case when New York City is the locale, is the black and white cinematography that gives some very interesting footage to the dramatic tension here- the good versus evil thing mentioned above. Additionally “the girl next store” character almost breaks out and becomes something of a human we can recognize when money, wealth and fame enter the picture. Although she never quite does break out of the good angel stuff. Still it is always good to hear John Garfield struggling with some cosmic message in his corner boy heart. But wait and see him in Postman if you want really gritty, attention-getting performance. This one is just very, very average.
DVD Review
Force Of Evil, starring John Garfield, Thomas Gomez, M-G-M, 1948
No question I am a film noir, especially a crime noir, aficionado. Recently I have been on a tear reviewing various crime noir efforts and drawing comparisons between the ones that “speak” to me and those that, perhaps, should have been better left on the cutting room floor. The classics are easy and need no additional comment from me their plot lines stand on their own merits, although I will make some comment here. Others, because they have a fetching, or wicked, for that matter, femme fatale to muddy the waters also get a pass. Some, such as the film under review from the late 1940s starring John Garfield, Force of Evil, offers very little of either. It is not for lack of trying but rather that the stilted dialogue of the main characters, relentlessly hammering us with clear cut choices between good and evil when a lot of life is very gray, very gray indeed, gets in the way. And it is certainly not that John Garfield can not carry off a crime noir film. Hell, he and femme fatale Lana Turner burned up the screen in the film adaptation of James M. Cain’s crime novel The Postman Always Rings Twice, a film that I will review in the near future in this series. The plot line and dialogue just got in the way here. It is as simple as that.
Here is the scoop. John Garfield, through his brother’s Great Depression-era sacrifice went to law school and became a high-priced lawyer (silly brother, right?), made the New York City big time. A Wall Street lawyer big time. Well, almost big time, because the way he got there was through a very lucrative association with a crime boss who was looking to control the numbers racket in 1940s New York City (the numbers racket, now called the lottery, is now respectably controlled by the state, whatever state) and make it a legal business like any other self-respecting capitalist adventure. The trouble is said sacrificing brother is running a numbers “bank” slated for the dustbin as part of the crime boss’s consolidation plan. Capitalism 101, okay. This makes Brother Garfield queasy and filled with self-doubts and regrets (in between bouts of greed fueled by the dough to be made by a poor boy New York City slum corner boy). The tension between those two forces (ah, good and evil, got it) aided by a “girl next store-type (good force, right?) gnawing at his innards forces dear John to come clean at the end. Especially when said crime boss, through another criminal associate, offs his brother. Like I said, a little thin in the story line.
What is not thin though, and as is usually the case when New York City is the locale, is the black and white cinematography that gives some very interesting footage to the dramatic tension here- the good versus evil thing mentioned above. Additionally “the girl next store” character almost breaks out and becomes something of a human we can recognize when money, wealth and fame enter the picture. Although she never quite does break out of the good angel stuff. Still it is always good to hear John Garfield struggling with some cosmic message in his corner boy heart. But wait and see him in Postman if you want really gritty, attention-getting performance. This one is just very, very average.
Wednesday, August 24, 2011
***The Road To…., The Corner Boys Of The 1930s-Tom Hanks’ “Road to Perdition”- A Film Review
Click on the headline to link to a Wikipedia entry for the film The Road To Perdition.
DVD Review
The Road To Perdition, starring Tom Hanks, Paul Newman, Jude Law, based on the graphic novel by Max Allan Collins, Dreamworks, 2002
I have spent a lot of time in this space writing about my corner boy experiences growing up in my old Irish and Italian working class neighborhood in the late 1950s and early 1960s. I have also spent some time talking about the corner boys who just immediately preceded us in the early 1950s. Pretty tame really although if you were on the receiving end of a vicious beating, got your money stolen in some back alley, or had your personal household possessions ransacked or stolen by some midnight shifter your perspective might not be so romantic. The “corner boys,” Irish and Italian mainly, of 1930s Great Depression Chicago though, as portrayed in the film under review, The Road to Perdition, make all that other stuff seem “punk” by comparison.
Of course the motives to join a gang of lumpenproletarians in all cases were the same then, and today. That is “where the money was” to paraphrase the old-time famous bank robber, Willy Sutton. No question all those guys in the 1930s and later were (and are) from hunger. But also looking for the quick dollar and the “no heavy lifting” life not associated with steady working class factory every day values. Equally true is the fact that there are always more “hungry” guys than the market can bear which leads to two things-external “turf wars” between gangs and internal turf wars over who controls what within gangs. And that is the heart of this story.
The problem for Tom Hanks, a trusted, very trusted, enforcer (read: “hit man”) for Irish mob boss Paul Newman (he of many such corner boy roles going back to Cool Hand Luke and before) is that Newman's psychotic son wants his share of the goodies as befits a son and heir apparent. Needless to say that things get dicey, very dicey as they maneuver to the top, including the gangland-style execution of Hanks’ family that was suppose to include a son, the narrator of the film, who is forced to help Hanks’ seek the inevitable revenge required by the situation. In the end though Tom Waits is right in the opening line from Jersey Girl- “Ain’t got no time for the corner boys, down in the streets making all that noise.” A nice cinematically-pleasing 1930s period piece and what turned out to be a great farewell performance by the late Paul Newman.
DVD Review
The Road To Perdition, starring Tom Hanks, Paul Newman, Jude Law, based on the graphic novel by Max Allan Collins, Dreamworks, 2002
I have spent a lot of time in this space writing about my corner boy experiences growing up in my old Irish and Italian working class neighborhood in the late 1950s and early 1960s. I have also spent some time talking about the corner boys who just immediately preceded us in the early 1950s. Pretty tame really although if you were on the receiving end of a vicious beating, got your money stolen in some back alley, or had your personal household possessions ransacked or stolen by some midnight shifter your perspective might not be so romantic. The “corner boys,” Irish and Italian mainly, of 1930s Great Depression Chicago though, as portrayed in the film under review, The Road to Perdition, make all that other stuff seem “punk” by comparison.
Of course the motives to join a gang of lumpenproletarians in all cases were the same then, and today. That is “where the money was” to paraphrase the old-time famous bank robber, Willy Sutton. No question all those guys in the 1930s and later were (and are) from hunger. But also looking for the quick dollar and the “no heavy lifting” life not associated with steady working class factory every day values. Equally true is the fact that there are always more “hungry” guys than the market can bear which leads to two things-external “turf wars” between gangs and internal turf wars over who controls what within gangs. And that is the heart of this story.
The problem for Tom Hanks, a trusted, very trusted, enforcer (read: “hit man”) for Irish mob boss Paul Newman (he of many such corner boy roles going back to Cool Hand Luke and before) is that Newman's psychotic son wants his share of the goodies as befits a son and heir apparent. Needless to say that things get dicey, very dicey as they maneuver to the top, including the gangland-style execution of Hanks’ family that was suppose to include a son, the narrator of the film, who is forced to help Hanks’ seek the inevitable revenge required by the situation. In the end though Tom Waits is right in the opening line from Jersey Girl- “Ain’t got no time for the corner boys, down in the streets making all that noise.” A nice cinematically-pleasing 1930s period piece and what turned out to be a great farewell performance by the late Paul Newman.
Tuesday, August 09, 2011
Entering North, 1960-For The North Adamsville Junior High School (Middle School) Class Of 1960- An Encore For The Adamsville Central Junior High School Class of 1961.
Click on the headline to link to a YouTube film clip of Mark Dinning performing his teen tear-jerker, Teen Angel to set an "appropriate" mood for this post.
Markin, Class Of 1964, comment:
Every once in a while I am reminded that it has been more than 45 years since we, the Class of 1964, went though the hallowed halls of the old school. Now, in 2010, those of us that went to North Adamsville Junior High School (now Middle School) are facing our 50th anniversary since graduation. Those who went to Central get a year's reprieve, but your day is coming. We will meet up to form the hearty Class of 1964. To mark the occasion I have written a little something. The following tale, although maybe not as light-hearted as some of my earlier entries, I believe, makes a point we all can appreciate.
*******
Funny, here I am, finally, finally after what seemed like an endless heat-waved, eternal August dog day’d, book-devoured, summer, standing, nervously standing, waiting with one foot on the sturdy granite-chiseled steps, ready at a moment’s notice from any teacher’s beck and call, to climb up to the second floor main entrance of old North, an entrance flanked by huge concrete spheres on each side, that are made to order for me to think that I too have the weight of the world on my shoulders this sunny day. And those doors, by the way, as if the spheres are not portentous enough, are also flanked by two scroll-worked concrete columns, or maybe they are gargoyle-faced, my eyes are a little bleary right now, who give the place a more fearsome look than is really necessary but today, today of all days, every little omen has its evil meaning, evil for me that is.
Here I am anyway, pensive (giving myself the best of it, okay, nice wrap-around-your soul word too, okay), head hanging down, deep in thought, deep in scared, get the nurse fast, if necessary, nausea-provoking thought, standing around, a little impatiently surly as is my “style” (that “style” I picked up a few years back in elementary school down in the Germantown “projects”, after seeing James Dean or someone like that strike the pose, and it stuck). Anyway its now about 7:00 AM, maybe a little after, and like I say my eyes have been playing tricks on me all morning and I can’t seem to focus, as I wait for the first school bell to sound on this first Wednesday after Labor Day in the year of our lord, 1960.
No big deal right, we have all done it many times by now, it should be easy. Year after year, old August dog days turn into shorter, cooler September come hither young wanna-be learner days. Nothing to get nervous about, nothing to it.(Did I say that already?)Especially the first day, a half day, a “gimme” day, really, one of the few out of one hundred and eighty, count ‘em, and mainly used for filling out the one thousand and one pieces of paper about who you are, where you live, who you live with, and who to call in case you take some nasty fall in gym trying to do a double twist-something on the gym mat or a wrestled double-hammer lock grip on some poor, equally benighted fellow student that goes awry like actually happened to me last year in eighth grade. Hey, they were still talking about that one in the Atlantic locker rooms at the end of the year, I hear. Or, more ominously, they want that information so that if you cross-up one, or more, of your mean-spirited, ill-disposed, never-could have-been-young-and-troubled, ancient, Plato or Socrates ancient from the look of some of them, teachers and your parents (embarrassed, steaming, vengeful Ma really, in our neighborhoods) need to be called in to confer about “your problem,” your problem that you will grow out of with a few days of after school “help.” Please.
Or this “gimme” day (let’s just call it that okay, it will help settle me down) will be spent reading off, battered, monotone home room teacher-reading off, the also one thousand and one rules; no lateness to school under penalty of being placed in the stocks, Pilgrim-style, no illness absences short of the plague, if you have it, not a family member, and then only if you have a (presumably sanitized) doctor’s note, no cutting classes to explore the great American day streets at some nearby corner variety store, or mercy, Norfolk Downs, one-horse Norfolk Downs also under severe penalty, no (unauthorized) talking in class (but they will mark it down if you don't authorize talk, jesus), no giving guff (ya, no guff, right) to your teachers, fellow students, staff, the resident mouse or your kid brother, if you have a kid brother, no writing on walls, in books, and only on occasion on an (authorized) writing pad, no(get this one, I couldn’t believe this one over at Atlantic) cutting in line for the school lunch (the school lunch, Christ, as poor as we are in our family we at least have the dignity not to pine, much less cut in line for, those beauties: the American chop suey done several different ways to cover the week, including a stint as baloney and cheese sandwiches, I swear), no off-hand rough-necking (or just plain, ordinary necking, either), no excessive use of the “lav” (you know what that is, enough said), and certainly no smoking, drinking or using any other illegal (for kids) substances. Oh, ya, and don’t forget to follow, unquestioningly, those mean-spirited, ill-disposed teachers that I spoke of before, if there is a fire emergency. And here’s a better one, in case of an off-hand atomic bomb attack go, quickly and quietly, to the nearest fall-out shelter down in the bowels of the old school. That’s what we practiced over at Atlantic. At least, I hope they don’t try that old gag and have us practice getting under our desks in such an emergency like in elementary school. Christ, I would rather take my chances, above desk, thank you. And… need I go on, you can listen to the rest when you get to homeroom I am just giving you the highlights, the year after year, memory highlights.
And if that isn’t enough, the reading of the rules and the gathering of more intelligence about you than the FBI or the CIA would need we then proceed to the ritualistic passing out of your books, large and small. (placing book covers on each, naturally, name, year, subject and book number safety placed in insert). All of them covered against the elements, your own sloth, and the battlefield school lunch room, that humongous science book that has every known idea from the ancient four furies of the air to nuclear fission, that math book that has some Pythagorean properties of its own, the social studies books to chart out human progress (and back-sliding) from stone-cave times on up, and, precious, precious English book (I hope we do Shakespeare this year, I heard we do, that guy knew how to write a good story, same with that Salinger book I read during the summer). Still easy stuff though, for the first day.
Ya, but this will put a different spin on it for you, well, a little different spin anyway. Today I start in the “bigs”, at least the bigs of the handful-countable big events of my short, sweet life. Today I am starting my freshman year at hallowed old North and I am as nervous as a kitten. Don’t tell me you weren’t just a little, little, tiny bit scared when you went from the cocoon-like warmth (or so it seemed compared to the “bigs”) of junior high over to the high school, whatever high school it was. Come on now, I’m going to call you out on it. Particularly those Atlantics who, after all, have been here before, unlike me who came out of the "projects" and moved back to North Quincy after the "long march" move to Atlantic in 1958 so I don't know the ropes here at all. They, especially those sweet girl Atlantics, including a certain she that I am severely "crushed up" on, in their cashmere sweaters and jumpers or whatever you call them, are nevertheless standing on these same steps, as we exchange nods of recognition, and are here just as early as I am, fretting their own frets, fighting their own inner demons, and just hoping and praying or whatever kids do when they are “on the ropes” to survive the day, or just to not get rolled over on day one.
And see, here is what you also don’t know, know yet anyway. I’ve caught Frank’s disease. You never heard of it, probably, and don’t bother to go look it up in some medical dictionary at the Thomas Crane Public Library, or some other library, it’s not there. What it amount to is the old time high school, any high school, version of the anxiety-driven cold sweats. Now I know some of you know Frank, and some of you don’t, but I told his story to you before, the story about his big, hot, “dog day” August mission to get picnic fixings, including special stuff, like Kennedy’s potato salad, for his grandmother. That’s the Frank I’m talking about, my best junior high friend, Frank.
Part of that story, for those who don’t know it, mentioned what Frank was thinking when he got near battle-worn North on his journey to Norfolk Downs back in August. I’m repeating; repeating at least the important parts here, for those who are clueless:
“Frank (and I) had, just a couple of months before, graduated from Atlantic Junior High School and so along with the sweat on his brow from the heat a little bit of anxiety was starting to form in Frank’s head about being a “little fish in a big pond” freshman come September as he passed by. Especially, a proto-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it “style” over there at Atlantic. That "style" involved a total disdain for everything, everything except trying to impress girls with his long chino-panted, plaid flannel-shirted, thick book-carrying knowledge of every arcane fact known to mankind. Like that really was the way to impress teenage girls. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading…”
And that is why, when the deal went down and I knew I was going to the “bigs” I spent the summer this year, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at Atlantic called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you that was my pose, what do you want, I just wanted to see what he was talking about. In any case, I ain’t no commie, although I don’t know what the big deal is, I ain't turning anybody in, and the stuff is hard reading anyway. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knows Jack Kennedy, and is crazy for old-time guys like Jackson),and Catcher In The Rye (Holden is me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out, test me on it, I am ready. Here's why. I intend, and I swear I intend to even on this first nothing (what did I call it before?-"gimme", ya) day of this new school year in this new school in this new decade to beat old Frankie, old book-toting, girl-chasing Frankie, who knows every arcane fact that mankind has produced and has told it to every girl who will listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Frankie, my buddy of buddies, mad monk, prince among men (well, boys, anyhow) who navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. Now I want to try out my new “style”
See, that’s why on this Wednesday after Labor Day in the year of our lord, 1960, this 7:00 AM, or a little after, Wednesday after Labor Day, I have Frank’s disease. He harped on it so much before opening of school that I woke up about 5:00 AM this morning, maybe earlier, but I know it was still dark, with the cold sweats. I tossed and turned for a while about what my “style”, what my place in the sun was going to be, and I just had to get up. I’ll tell you about the opening day getting up ritual stuff later, some other time, but right now I am worried, worried as hell, about my “style”, or should I say lack of style over at Atlantic. That will tell you a lot about why I woke up this morning before the birds.
...Suddenly, a bell rings, a real bell, students, like lemmings to the sea, are on the move, especially those Atlantics that I had nodded to before as I take those steps, two at a time. Too late to worry about style, or anything else, now. We are off to the wars; I will make my place in the sun as I go along, on the fly.
********
....and a trip down memory lane.
MARK DINNING lyrics - Teen Angel
(Jean Surrey & Red Surrey)
Teen angel, teen angel, teen angel, ooh, ooh
That fateful night the car was stalled
upon the railroad track
I pulled you out and we were safe
but you went running back
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
What was it you were looking for
that took your life that night
They said they found my high school ring
clutched in your fingers tight
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Just sweet sixteen, and now you're gone
They've taken you away.
I'll never kiss your lips again
They buried you today
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Teen angel, teen angel, answer me, please
Markin, Class Of 1964, comment:
Every once in a while I am reminded that it has been more than 45 years since we, the Class of 1964, went though the hallowed halls of the old school. Now, in 2010, those of us that went to North Adamsville Junior High School (now Middle School) are facing our 50th anniversary since graduation. Those who went to Central get a year's reprieve, but your day is coming. We will meet up to form the hearty Class of 1964. To mark the occasion I have written a little something. The following tale, although maybe not as light-hearted as some of my earlier entries, I believe, makes a point we all can appreciate.
*******
Funny, here I am, finally, finally after what seemed like an endless heat-waved, eternal August dog day’d, book-devoured, summer, standing, nervously standing, waiting with one foot on the sturdy granite-chiseled steps, ready at a moment’s notice from any teacher’s beck and call, to climb up to the second floor main entrance of old North, an entrance flanked by huge concrete spheres on each side, that are made to order for me to think that I too have the weight of the world on my shoulders this sunny day. And those doors, by the way, as if the spheres are not portentous enough, are also flanked by two scroll-worked concrete columns, or maybe they are gargoyle-faced, my eyes are a little bleary right now, who give the place a more fearsome look than is really necessary but today, today of all days, every little omen has its evil meaning, evil for me that is.
Here I am anyway, pensive (giving myself the best of it, okay, nice wrap-around-your soul word too, okay), head hanging down, deep in thought, deep in scared, get the nurse fast, if necessary, nausea-provoking thought, standing around, a little impatiently surly as is my “style” (that “style” I picked up a few years back in elementary school down in the Germantown “projects”, after seeing James Dean or someone like that strike the pose, and it stuck). Anyway its now about 7:00 AM, maybe a little after, and like I say my eyes have been playing tricks on me all morning and I can’t seem to focus, as I wait for the first school bell to sound on this first Wednesday after Labor Day in the year of our lord, 1960.
No big deal right, we have all done it many times by now, it should be easy. Year after year, old August dog days turn into shorter, cooler September come hither young wanna-be learner days. Nothing to get nervous about, nothing to it.(Did I say that already?)Especially the first day, a half day, a “gimme” day, really, one of the few out of one hundred and eighty, count ‘em, and mainly used for filling out the one thousand and one pieces of paper about who you are, where you live, who you live with, and who to call in case you take some nasty fall in gym trying to do a double twist-something on the gym mat or a wrestled double-hammer lock grip on some poor, equally benighted fellow student that goes awry like actually happened to me last year in eighth grade. Hey, they were still talking about that one in the Atlantic locker rooms at the end of the year, I hear. Or, more ominously, they want that information so that if you cross-up one, or more, of your mean-spirited, ill-disposed, never-could have-been-young-and-troubled, ancient, Plato or Socrates ancient from the look of some of them, teachers and your parents (embarrassed, steaming, vengeful Ma really, in our neighborhoods) need to be called in to confer about “your problem,” your problem that you will grow out of with a few days of after school “help.” Please.
Or this “gimme” day (let’s just call it that okay, it will help settle me down) will be spent reading off, battered, monotone home room teacher-reading off, the also one thousand and one rules; no lateness to school under penalty of being placed in the stocks, Pilgrim-style, no illness absences short of the plague, if you have it, not a family member, and then only if you have a (presumably sanitized) doctor’s note, no cutting classes to explore the great American day streets at some nearby corner variety store, or mercy, Norfolk Downs, one-horse Norfolk Downs also under severe penalty, no (unauthorized) talking in class (but they will mark it down if you don't authorize talk, jesus), no giving guff (ya, no guff, right) to your teachers, fellow students, staff, the resident mouse or your kid brother, if you have a kid brother, no writing on walls, in books, and only on occasion on an (authorized) writing pad, no(get this one, I couldn’t believe this one over at Atlantic) cutting in line for the school lunch (the school lunch, Christ, as poor as we are in our family we at least have the dignity not to pine, much less cut in line for, those beauties: the American chop suey done several different ways to cover the week, including a stint as baloney and cheese sandwiches, I swear), no off-hand rough-necking (or just plain, ordinary necking, either), no excessive use of the “lav” (you know what that is, enough said), and certainly no smoking, drinking or using any other illegal (for kids) substances. Oh, ya, and don’t forget to follow, unquestioningly, those mean-spirited, ill-disposed teachers that I spoke of before, if there is a fire emergency. And here’s a better one, in case of an off-hand atomic bomb attack go, quickly and quietly, to the nearest fall-out shelter down in the bowels of the old school. That’s what we practiced over at Atlantic. At least, I hope they don’t try that old gag and have us practice getting under our desks in such an emergency like in elementary school. Christ, I would rather take my chances, above desk, thank you. And… need I go on, you can listen to the rest when you get to homeroom I am just giving you the highlights, the year after year, memory highlights.
And if that isn’t enough, the reading of the rules and the gathering of more intelligence about you than the FBI or the CIA would need we then proceed to the ritualistic passing out of your books, large and small. (placing book covers on each, naturally, name, year, subject and book number safety placed in insert). All of them covered against the elements, your own sloth, and the battlefield school lunch room, that humongous science book that has every known idea from the ancient four furies of the air to nuclear fission, that math book that has some Pythagorean properties of its own, the social studies books to chart out human progress (and back-sliding) from stone-cave times on up, and, precious, precious English book (I hope we do Shakespeare this year, I heard we do, that guy knew how to write a good story, same with that Salinger book I read during the summer). Still easy stuff though, for the first day.
Ya, but this will put a different spin on it for you, well, a little different spin anyway. Today I start in the “bigs”, at least the bigs of the handful-countable big events of my short, sweet life. Today I am starting my freshman year at hallowed old North and I am as nervous as a kitten. Don’t tell me you weren’t just a little, little, tiny bit scared when you went from the cocoon-like warmth (or so it seemed compared to the “bigs”) of junior high over to the high school, whatever high school it was. Come on now, I’m going to call you out on it. Particularly those Atlantics who, after all, have been here before, unlike me who came out of the "projects" and moved back to North Quincy after the "long march" move to Atlantic in 1958 so I don't know the ropes here at all. They, especially those sweet girl Atlantics, including a certain she that I am severely "crushed up" on, in their cashmere sweaters and jumpers or whatever you call them, are nevertheless standing on these same steps, as we exchange nods of recognition, and are here just as early as I am, fretting their own frets, fighting their own inner demons, and just hoping and praying or whatever kids do when they are “on the ropes” to survive the day, or just to not get rolled over on day one.
And see, here is what you also don’t know, know yet anyway. I’ve caught Frank’s disease. You never heard of it, probably, and don’t bother to go look it up in some medical dictionary at the Thomas Crane Public Library, or some other library, it’s not there. What it amount to is the old time high school, any high school, version of the anxiety-driven cold sweats. Now I know some of you know Frank, and some of you don’t, but I told his story to you before, the story about his big, hot, “dog day” August mission to get picnic fixings, including special stuff, like Kennedy’s potato salad, for his grandmother. That’s the Frank I’m talking about, my best junior high friend, Frank.
Part of that story, for those who don’t know it, mentioned what Frank was thinking when he got near battle-worn North on his journey to Norfolk Downs back in August. I’m repeating; repeating at least the important parts here, for those who are clueless:
“Frank (and I) had, just a couple of months before, graduated from Atlantic Junior High School and so along with the sweat on his brow from the heat a little bit of anxiety was starting to form in Frank’s head about being a “little fish in a big pond” freshman come September as he passed by. Especially, a proto-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it “style” over there at Atlantic. That "style" involved a total disdain for everything, everything except trying to impress girls with his long chino-panted, plaid flannel-shirted, thick book-carrying knowledge of every arcane fact known to mankind. Like that really was the way to impress teenage girls. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading…”
And that is why, when the deal went down and I knew I was going to the “bigs” I spent the summer this year, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at Atlantic called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you that was my pose, what do you want, I just wanted to see what he was talking about. In any case, I ain’t no commie, although I don’t know what the big deal is, I ain't turning anybody in, and the stuff is hard reading anyway. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knows Jack Kennedy, and is crazy for old-time guys like Jackson),and Catcher In The Rye (Holden is me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out, test me on it, I am ready. Here's why. I intend, and I swear I intend to even on this first nothing (what did I call it before?-"gimme", ya) day of this new school year in this new school in this new decade to beat old Frankie, old book-toting, girl-chasing Frankie, who knows every arcane fact that mankind has produced and has told it to every girl who will listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Frankie, my buddy of buddies, mad monk, prince among men (well, boys, anyhow) who navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. Now I want to try out my new “style”
See, that’s why on this Wednesday after Labor Day in the year of our lord, 1960, this 7:00 AM, or a little after, Wednesday after Labor Day, I have Frank’s disease. He harped on it so much before opening of school that I woke up about 5:00 AM this morning, maybe earlier, but I know it was still dark, with the cold sweats. I tossed and turned for a while about what my “style”, what my place in the sun was going to be, and I just had to get up. I’ll tell you about the opening day getting up ritual stuff later, some other time, but right now I am worried, worried as hell, about my “style”, or should I say lack of style over at Atlantic. That will tell you a lot about why I woke up this morning before the birds.
...Suddenly, a bell rings, a real bell, students, like lemmings to the sea, are on the move, especially those Atlantics that I had nodded to before as I take those steps, two at a time. Too late to worry about style, or anything else, now. We are off to the wars; I will make my place in the sun as I go along, on the fly.
********
....and a trip down memory lane.
MARK DINNING lyrics - Teen Angel
(Jean Surrey & Red Surrey)
Teen angel, teen angel, teen angel, ooh, ooh
That fateful night the car was stalled
upon the railroad track
I pulled you out and we were safe
but you went running back
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
What was it you were looking for
that took your life that night
They said they found my high school ring
clutched in your fingers tight
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Just sweet sixteen, and now you're gone
They've taken you away.
I'll never kiss your lips again
They buried you today
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Teen angel, teen angel, answer me, please
Monday, August 08, 2011
The Ghost Classmate-For P., North Adamsville Class Of 1964
Click on the headline to link to a YouTube film clip of Arlo Guthrie singing a song made famous by his father, Woody, Hobo's Lullaby.
Peter Paul Markin comment:
Every once in a while I am reminded that it has been more than 45 years since we, the Class of 1964, went though the hallowed halls of the old school, old North Adamsville High School. In 2010, when this is written, those of us that went to North Adamsville Junior High School (now Middle School) are facing our 50th anniversary since graduation. Those who went to Adamsville Central get a year's reprieve since your junior high school days extended into ninth grade for some reason, but your day is coming.
Next year will mark 50 years since we all merged together, or those of us on the river side of the Waterview Street border line that separated us from the unspeakable, unfathomable, unlamented, savages of Adamsville High School unlike the genteel intellectuals and their hangers-on who were privileged to go to North, to form the Class of 1964. To mark the occasion I have written a little something.
Or rather Frankie Riley (Francis Xavier Riley, officially), you remember Frankie, the king hell king of the North Adamsville school boy be-bop night and resident king corner boy at Salducci’s Pizza Parlor “up the Downs” (no further explanation necessary on the phrase, I hope.) has told me a story that I have written down here. I wrote it but it is strictly Frankie’s take on the thing, just like in the old days when I was his unpaid, unappreciated “scribe” and “go-for.” Christ that mad man owes me big time, big time indeed, for “creating” his legend almost out of whole cloth and he has been soaking up the glory ever since. Some day if there is any justice in this sorry old world the real Frankie story will be told, no fiction, and no holds barred.
If you don’t, don’t remember Frankie that is, I have written a few stories that you can peruse at your leisure. Frankie, just to give a quick "thumbnail" sketch of his doing after high school did not wind up in Walpole State Correctional Institution (now Cedar Junction if you have been out of town for a while) as everybody in North Adamsville, except his corner boys, well except me anyway, expected, graduated from college, went to law school and became a successful lawyer and leading behind-the-scene bigwig in state Democratic Party politics. Go figure, right. There were a few “bumps” along the way but overall he came out of things, as per Frankie usual, without a scratch. That last part, that part about his politics, is important because as a good “politico,” a good bourgeois politico as I would call him (holding my nose while saying it but he knows my position so it’s okay to say that) Frankie always kept his ear to the ground about the doings in North Adamsville, and about his fellow 1964 classmates. The following tale, although not as light-heartedly written as some of my earlier screeds, my earlier Frankie-influenced tales, I believe, makes a point that is worth thinking about.
****
Not everyone who went through our old high school, our beloved, misbegotten North Adamsville High School, survived to tell the tale, or at least the way the tale was suppose to be told, or how they wanted it told. Moreover, we, as a class, after over 45 years, are long enough in the tooth to have accumulated a growing list of causalities, of the wounded and broken, of the beaten down and disheveled. This story, short note really, is going to be about one of our classmates who got lost in the shuffle somehow and it is only here, and only by me [meaning Frankie-PPM] that he will get his epochal struggles voiced. I will not mention his name for you may have sat across from him in class, or given him what passed for "the nod" in the hallway back in the day, or had something of a 'crush' on him because from pictures of him taken back then he certainly had that 'something' physically all the girls were swooning over. Let's just call him, as the title suggests- the ghost classmate (and in the interest of saving precious space in order to tell his story, shorten it to “GC”).
Now I will surprise you, I think. I did not know GC in our school days; at least I have no recollection of him from that time. And you know I knew, as a class officer and as resident king hell king of the Salducci’s Pizza parlor corner boy be-bop night as goofy Markin likes to describe me (and not half-badly at that, come to think of it) I met him, or rather he met me, when we were in our early twenties in front one of the skid row run-down "hotels" (okay flophouse) that dotted the low-rent (then) streets of the waterfront of San Francisco. My reason for being there is a tale for another day, after all this is GC's story, but rest assured I was not in that locale on vacation, nor was he. [Frankie, as he will freely admit now had a drinking/drug problem, a 12-step-sized problem-PPM] Ironically, at our first meeting we were both in the process of pan-handling the same area when the light of recognition hit him. After the usual exchange of personal information, and assorted other lies we spent some weeks together doing, as they say, “the best we could.” Then, one night, he split taking all his, and my, worldly possessions.
Fast forward. A few years later, when I was in significantly better circumstances, if not exactly in the clover, I was walking down Beacon Street in Boston when someone across the street on the Common started to yell my name. Yelled it out, to be honest, in a way that I would usually look down at my shoes, or elsewhere, to avoid having to make any sign of recognition. Well, the long and short of it, was that it was old GC, looking even more disheveled than when I had last seen him. After an exchange of personal data and other details, including a fair representation of lies on both sides, I bought him some dinner. At my starting to be “old haunt”, the Parker House, just to show the swells and ward-heelers I was still a “man of the people.” [PPM, don’t say a word- FXR] The important thing to know, however, is that from that day until very recently I have always been in touch with the man as he has descended further and further into the depths of the skid row ethos. But enough of the rough out-line, let me get to the heart of the matter.
I have left GC's circumstances deliberated vague until now. The reader might assume, given the circumstances of our first meeting, GC to be a man driven to the edge by alcohol, or drugs or any of the other common maladies that break a man's body, or his spirit. Those we can relate to, if not fully understand. No, GC was broken by his own almost psychotically-driven need to succeed, and in the process constantly failing. He had been, a number of times, diagnosed as clinically depressed. I am not sure I can convey, this side of a psychiatrist's couch, that condition in language the reader could comprehend. All that I can say is this man was so inside himself with the need to do the right thing, the honorable thing, and the 'not bad' thing, that he never could do any of those. What a terrible rock to have to keep rolling up the mountain.
Here, however, to my mind is the real tragic part of this story, and the one point that I hope you will take away from this narration. GC and I talked many times about our youthful dreams, about how we were going to conquer this or that "mountain" and go on to the next one, how we would right this or that grievous wrong in the world, and about the need, to borrow the English revolutionary and poet John Milton's words, to discover the "paradise within, happier far". [This last part is strictly PPM, I would not be caught dead reading poetry, not damn English poetry-FXR.] Over the years though GC's dreams got measurably smaller and smaller, and then smaller still until there were no more dreams, only existence. That, my friends, is the stuff of tragedy, not conjured up Shakespearean (blasted Englishman) tragedy, but real tragedy.
Hobo's Lullaby
by Goebel Reeves
Go to sleep you weary hobo
Let the towns drift slowly by
Can't you hear the steel rail humming
That's a hobo's lullaby
Do not think about tomorrow
Let tomorrow come and go
Tonight you're in a nice warm boxcar
Safe from all the wind and snow
I know the police cause you trouble
They cause trouble everywhere
But when you die and go to heaven
You won't find no policemen there
I know your clothes are torn and ragged
And your hair is turning grey
Lift your head and smile at trouble
You'll find happiness some day
So go to sleep you weary hobo
Let the towns drift slowly by
Don't you feel the steel rail humming
That's a hobo's lullaby
©1961,1962 (Renewed) Fall River Music, Inc. (BMI)
All Rights Reserved.
Peter Paul Markin comment:
Every once in a while I am reminded that it has been more than 45 years since we, the Class of 1964, went though the hallowed halls of the old school, old North Adamsville High School. In 2010, when this is written, those of us that went to North Adamsville Junior High School (now Middle School) are facing our 50th anniversary since graduation. Those who went to Adamsville Central get a year's reprieve since your junior high school days extended into ninth grade for some reason, but your day is coming.
Next year will mark 50 years since we all merged together, or those of us on the river side of the Waterview Street border line that separated us from the unspeakable, unfathomable, unlamented, savages of Adamsville High School unlike the genteel intellectuals and their hangers-on who were privileged to go to North, to form the Class of 1964. To mark the occasion I have written a little something.
Or rather Frankie Riley (Francis Xavier Riley, officially), you remember Frankie, the king hell king of the North Adamsville school boy be-bop night and resident king corner boy at Salducci’s Pizza Parlor “up the Downs” (no further explanation necessary on the phrase, I hope.) has told me a story that I have written down here. I wrote it but it is strictly Frankie’s take on the thing, just like in the old days when I was his unpaid, unappreciated “scribe” and “go-for.” Christ that mad man owes me big time, big time indeed, for “creating” his legend almost out of whole cloth and he has been soaking up the glory ever since. Some day if there is any justice in this sorry old world the real Frankie story will be told, no fiction, and no holds barred.
If you don’t, don’t remember Frankie that is, I have written a few stories that you can peruse at your leisure. Frankie, just to give a quick "thumbnail" sketch of his doing after high school did not wind up in Walpole State Correctional Institution (now Cedar Junction if you have been out of town for a while) as everybody in North Adamsville, except his corner boys, well except me anyway, expected, graduated from college, went to law school and became a successful lawyer and leading behind-the-scene bigwig in state Democratic Party politics. Go figure, right. There were a few “bumps” along the way but overall he came out of things, as per Frankie usual, without a scratch. That last part, that part about his politics, is important because as a good “politico,” a good bourgeois politico as I would call him (holding my nose while saying it but he knows my position so it’s okay to say that) Frankie always kept his ear to the ground about the doings in North Adamsville, and about his fellow 1964 classmates. The following tale, although not as light-heartedly written as some of my earlier screeds, my earlier Frankie-influenced tales, I believe, makes a point that is worth thinking about.
****
Not everyone who went through our old high school, our beloved, misbegotten North Adamsville High School, survived to tell the tale, or at least the way the tale was suppose to be told, or how they wanted it told. Moreover, we, as a class, after over 45 years, are long enough in the tooth to have accumulated a growing list of causalities, of the wounded and broken, of the beaten down and disheveled. This story, short note really, is going to be about one of our classmates who got lost in the shuffle somehow and it is only here, and only by me [meaning Frankie-PPM] that he will get his epochal struggles voiced. I will not mention his name for you may have sat across from him in class, or given him what passed for "the nod" in the hallway back in the day, or had something of a 'crush' on him because from pictures of him taken back then he certainly had that 'something' physically all the girls were swooning over. Let's just call him, as the title suggests- the ghost classmate (and in the interest of saving precious space in order to tell his story, shorten it to “GC”).
Now I will surprise you, I think. I did not know GC in our school days; at least I have no recollection of him from that time. And you know I knew, as a class officer and as resident king hell king of the Salducci’s Pizza parlor corner boy be-bop night as goofy Markin likes to describe me (and not half-badly at that, come to think of it) I met him, or rather he met me, when we were in our early twenties in front one of the skid row run-down "hotels" (okay flophouse) that dotted the low-rent (then) streets of the waterfront of San Francisco. My reason for being there is a tale for another day, after all this is GC's story, but rest assured I was not in that locale on vacation, nor was he. [Frankie, as he will freely admit now had a drinking/drug problem, a 12-step-sized problem-PPM] Ironically, at our first meeting we were both in the process of pan-handling the same area when the light of recognition hit him. After the usual exchange of personal information, and assorted other lies we spent some weeks together doing, as they say, “the best we could.” Then, one night, he split taking all his, and my, worldly possessions.
Fast forward. A few years later, when I was in significantly better circumstances, if not exactly in the clover, I was walking down Beacon Street in Boston when someone across the street on the Common started to yell my name. Yelled it out, to be honest, in a way that I would usually look down at my shoes, or elsewhere, to avoid having to make any sign of recognition. Well, the long and short of it, was that it was old GC, looking even more disheveled than when I had last seen him. After an exchange of personal data and other details, including a fair representation of lies on both sides, I bought him some dinner. At my starting to be “old haunt”, the Parker House, just to show the swells and ward-heelers I was still a “man of the people.” [PPM, don’t say a word- FXR] The important thing to know, however, is that from that day until very recently I have always been in touch with the man as he has descended further and further into the depths of the skid row ethos. But enough of the rough out-line, let me get to the heart of the matter.
I have left GC's circumstances deliberated vague until now. The reader might assume, given the circumstances of our first meeting, GC to be a man driven to the edge by alcohol, or drugs or any of the other common maladies that break a man's body, or his spirit. Those we can relate to, if not fully understand. No, GC was broken by his own almost psychotically-driven need to succeed, and in the process constantly failing. He had been, a number of times, diagnosed as clinically depressed. I am not sure I can convey, this side of a psychiatrist's couch, that condition in language the reader could comprehend. All that I can say is this man was so inside himself with the need to do the right thing, the honorable thing, and the 'not bad' thing, that he never could do any of those. What a terrible rock to have to keep rolling up the mountain.
Here, however, to my mind is the real tragic part of this story, and the one point that I hope you will take away from this narration. GC and I talked many times about our youthful dreams, about how we were going to conquer this or that "mountain" and go on to the next one, how we would right this or that grievous wrong in the world, and about the need, to borrow the English revolutionary and poet John Milton's words, to discover the "paradise within, happier far". [This last part is strictly PPM, I would not be caught dead reading poetry, not damn English poetry-FXR.] Over the years though GC's dreams got measurably smaller and smaller, and then smaller still until there were no more dreams, only existence. That, my friends, is the stuff of tragedy, not conjured up Shakespearean (blasted Englishman) tragedy, but real tragedy.
Hobo's Lullaby
by Goebel Reeves
Go to sleep you weary hobo
Let the towns drift slowly by
Can't you hear the steel rail humming
That's a hobo's lullaby
Do not think about tomorrow
Let tomorrow come and go
Tonight you're in a nice warm boxcar
Safe from all the wind and snow
I know the police cause you trouble
They cause trouble everywhere
But when you die and go to heaven
You won't find no policemen there
I know your clothes are torn and ragged
And your hair is turning grey
Lift your head and smile at trouble
You'll find happiness some day
So go to sleep you weary hobo
Let the towns drift slowly by
Don't you feel the steel rail humming
That's a hobo's lullaby
©1961,1962 (Renewed) Fall River Music, Inc. (BMI)
All Rights Reserved.
Monday, July 11, 2011
Where Hip-Hop Nation Corner Boys Meet The Be-Bop Night Corner Boys- A Nod To J. Cole's "Dolla And A Dream"
Click on the headline to link to a YouTube film clip of J. Cole performing Dolla and a Dream.
Dolla and a Dream lyrics- j. cole
For all my ville niggas man,
All my Carolina niggas man, (lights off and shit)
All my real niggas, no matter where you come from
A dolla and a dream, thats all a nigga got
So if its about that c.r.e.a.m., then I'm all up in the spot.
I was raised in the F-A-
Why a nigga never gave me nothing?
Pops left me, I ain't never cry, baby, fuck him, that's life.
And trust me I'm living,
Look what a nigga made out,
The shit that I was given,
Look what a nigga came out
The shit that I was given,
Look what a nigga came out
Momma sewing patches on my holes,
Man, our hoes couldn't put this flame out.
Straight up, I got my back against the brick wall,
I'm from a world where niggas never pop no Cristal, it was pistols.
You pass through, you better pray them bullets missed y'all,
I thank the Lord He let a nigga make it this far,
A lot niggas don't, a lot of moms weep.
I gotta carry on, all the weight is on me.
You never know when a nigga might try to harm me.
Rest In Peace that nigga John Lee,
I pour liquor, homie.
It's foul, but yo the world keeps spinning,
Gotta keep winning, get up off this cheap linen,
Nigga Imma eat, even if it means sinning,
Niggas want beef, Imma sink my teeth in 'em.
Pause, I go harder, I am all about a dollar.
You niggas street smart? I'm a motherfucking scholar.
So trust me, I ain't stopping 'til my money is long,
So much dough, them hoes will think I'm rocking money cologne.
Have a model at the crib waiting, "Honey, I'm home."
Cooking greens for a nigga, give 'em plenty, a dome.
It's funny, we dream about money so much its like we almost got it,
Until we reach up in our pockets, its time to face reality,
The ville is a trap nigga now,
And if you ain't focused you gonna be here for awhile, yeah.
*******
Markin comment:
On the face of the matter it would seem improbable, very improbable, that a leading voice of the hip-hop nation today, j. cole, and an old reprobate communist mired in be-bop 1950s youthful memories would have any points of intersection. And if it hadn’t been for happenstance that I ran into a young woman, Kelly, at a political event and mentioned to her that I was somewhat bewildered by the lack of political focus in today’s music and she mentioned some of j. cole’s stuff that she was crazy about it still would have been so. Naturally, since I am also in the midst of a craze of my own in trying to present archival material from the 1960s and 1970s concerning youth work among the leftist groups of the time, I checked out some of his lyrics.
| BOSTON IWW’S TO GCI: F U! | |
| by Boston IWW | 04 Oct 2014 |
| Reposted from the Boston IWW blog. Today Wobblies from Boston took to the street to support Portland OR canvassers, employed by Grassroots Campaigns Inc (GCI), who formed the United Campaign Workers* union in response to poverty pay, impossible quotas, meager training, and blatant disrespect. Canvassers’ demands included $15/hr, overtime pay, and sick leave. The company retaliated by shutting down its Portland operation, laying off employees with no notice and just two days’ wages! | |
Click on image for a larger version
 | |
| GCI has its headquarters here in Boston at 186 Lincoln Street. Today local IWW’s leafleted to expose GCI’s union-busting and exploitation. We sent the message to GCI and the neighborhood: there is nothing progressive about terminating canvassers for not meeting unreachable quotas, or for banding together to negotiate better terms and conditions. GCI apparently heard we were coming, and had to arrange for special security goons, who however were camera-shy and hid demurely inside the building when we attempted to preserve their images for posterity. It was a great time & we’ll be back! | |
Click on image for a larger version
 | |
Click on image for a larger version
 | |
The distance between a young black man growing up in the ‘hood of Fayetteville, North Carolina in the recent past, post-civil rights marches time, “post-racial” time and a 1950s be-bop rock white kid growing up in “the projects” turns out not to be so far after all. The connection: a simple lyric taken from j. cole’s Dolla and a Dream about how his mother, blessed mother of course, had to sew patches on his pants “to make do” when he was young. No heavy message needed there. I remember, and have written about, my own hand-me-down patched non-fashionista childhood. Now this lyric may no represent the “high” communist theory that we communist propagandists thrive on but if we can’t get to those kids, those ‘hood, barrio, projects kids who are also basically living on hand-me-downs, then we are going to have a very hard time trying to fight for our communist future, and theirs.
Sunday, July 10, 2011
"Ain't Got No Time For The Corner Boys Down In The Street Making All That Noise"- The World Of Whitey Bulger And The Early Boston Corner Boys
Click on the headline to link to a Boston Sunday Globe article, dated July 10, 2011 concerning the old time corner boy life in Boston, the time of the now media-saturated Whitey Bulger and his cohorts.
Markin comment:
I have spent much time in this space detailing my own corner boy experiences in North Adamsville, a town very close to Whitey Bulger's South Boston haunts, in the 1950s. This article explores that same world, just a generation before. More importantly, if you look closely at the picture accompanying this article that could have been a picture of Markin, his pal Billy Bradley and his other pal Frankie Riley growing up. Fortunately for Frankie and me (although it was a close thing)we followed the Tom Waits lyrics- "ain't got no time for corner boys down in the streets making all that noise." Billy (and my two brothers), unfortunately didn't listen so well.
Markin comment:
I have spent much time in this space detailing my own corner boy experiences in North Adamsville, a town very close to Whitey Bulger's South Boston haunts, in the 1950s. This article explores that same world, just a generation before. More importantly, if you look closely at the picture accompanying this article that could have been a picture of Markin, his pal Billy Bradley and his other pal Frankie Riley growing up. Fortunately for Frankie and me (although it was a close thing)we followed the Tom Waits lyrics- "ain't got no time for corner boys down in the streets making all that noise." Billy (and my two brothers), unfortunately didn't listen so well.
Saturday, June 11, 2011
Out In The Be-Bop 1960s Night- Ain’t Got No Time For Corner Boys Down In The Street Making All That Noise-The Complete Corner Boy Stories
Click on the headline to link to a YouTube film clip of Tom Waits performing his song Jersey Girl that formed part of the inspiration for this post.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise, producing all their hopeless hubris, swirling all around just to stay in one place. Yes, now fifty years later it is easy to dismiss those guys, write them off as losers, wannabe somethings, and guys to turn your back to but there was a time, a time day and night, when they, the corner boys, ruled, ruled my imagination, and, and almost caught me in their fix. Oh, for those who are clueless on the great stream corner boy night that probably no longer exists except in wayward urban ghetto/barrio corners, or some mall-less hick small town this was the mode of existence for guys, working class guys, with no dough, no hopes of getting dough (getting dough legally anyway), or maybe, just plain not wanting to work for dough like drudge fathers, uncles and older brothers and hang out in the mom and pop variety store, drugstore, pizza parlor, bowling alley corner waiting,… ya, mainly waiting.
You will get it all wrong if you think though it was all waiting, sipping Coke waiting, smoking some endless cigarette smoke waiting, white tee-shirt, (a leather jacket against the wind on colder nights), jeans, engineer boots, wide black-buckled belts, maybe a chain handing down. The uniform, or else.
You will get it all wrong because you will have missed the patter, the constant patter, the dream patter that animated those sidewalk nights, those dreams, pipe-dreams maybe, of jail-break out working class life, of moving “uptown” one way or another. You would have heard such talk if you walked by Harry’s Variety on any given night, some guy taking a pinball wizard break to tell how his luck is going to change any day now. Or leader Red, Red Hickey, mapping out the night’s midnight creep work, shortcut to the good life work, at least to keep the heap running and honey in clover. Of cars, stolen or refinished, mainly stolen. Ya, and talk of sex, of what this girl would do and that one wouldn’t, and why to go with those cars. A rough crowd not to be trifled with for certain, but from the edges fascinating to watch, and learn about some stuff, some stuff never mentioned at home.
Or, on other corners, the gang around Doc’s Drugstore, a place where all the neighborhood boys, all the sixteen year old boys, and maybe some girls too, all the plaid-shirted, black-chinoed, “cool”, max daddies came of drinking age, for medicinal purposes of course. They could tell of magic elixirs from rums and raw whiskies, and confess, yes, confess that that whisky taste was nasty.
Or, on earlier, easier corners, really not corners, but the back of old Adamsville South Elementary School, when Billie Bradley would wind us up, a few wayward boys with dreams, musical dreams, Elvis riches dreams, and begin to sing in a low voice, then a little higher and we would back him up, drawing, drawing like lemmings from the sea, girls, stick girls and shapes, but girls and that was dream enough for twelve year old boys with wanderlust, or maybe just lust in their hearts
Or, even holy of holies, Salducci’s Pizza Parlor up the Downs when Frankie, Francis Xavier Riley, was king of the night (and a few days too) and I was his lord chamberlain. Maybe he'd tell us of some pizza dough secrets, or how to snag a girl with just the right jukebox combination. But no, no one has come forth to spew their whitewashed stories almost a half a century later so I must tell the tales. Probably, on some of the stuff, some of the kiddish schoolboy night stuff, those old corner boys don’t realize that the statue of limitations ran out, and ran out long ago. But that’s not my problem.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise. Ah.
*********
Harry's Variety Store
Riding down the old neighborhood streets a while back, the old North Adamsville working class streets, streets dotted with triple-deckers housing multiple families along with close-quarter, small cottage-sized single family houses like the one of my own growing to manhood time. Houses, moreover, that reflected, no exclaimed right to their tiny rooftops, that seemingly eternal overweening desire to have, small or not, worth the trouble or not, something of one’s own against the otherwise endless servitude of days. Suddenly, coming to an intersection, I was startled, no, more than that I was forced into a double-take, by the sight of some guys, some teenage guys hanging, hanging hard, one foot on the ground the other bent holding up the infernal brick wall that spoke of practice and marking one’s territory, against the oncoming night in front of an old time variety store, a mom and pop variety from some extinct times before the 7/11 chain store, fast shop, no room for corner boys, police take notice, dark night. Memory called it Kelly’s, today Kim’s. From the look of them, baggy-panted, latest fashion footwear name sneakered, baseball cap-headed, all items marked, marked with the insignia (secretly, and with no hope of outside decoding) signifying their "homeboy" associations (I would say gang, but that word is charged these days and this is not exactly what it looked like, at least to the public eye, my public eye) they could be the grandsons, probably not biological because these kids were almost all Asians speckled with a couple of Irish-lookers, shanty Irish-lookers, of the ghost be-bop night guys that held me in thrall in those misty early 1960s times.
Ya, that tableau, that time-etched scene, got me to thinking of some long lost comrades of the schoolboy night like the hang-around guys in front of Harry’s Variety, although comrades might not be the right word because I was just some punk young kid trying to be a wannabe, or half-wannabe, corner boy and they had no time for punk kids and later when I came of age I had no time for corner boys. Ya, that scene got me to thinking of the old time corner boys who ruled the whole wide North Adamsville night (and day for those who didn’t work or go to school, which was quite a few on certain days, becasue most of theses guys were between sixteen and their early twenties with very jittery school and work histroies better left unspoken, or else). Ya, got me thinking about where the white tee-shirted, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, naturally, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to.
Ya, I got to thinking too about Harry’s, old Harry’s Variety over there near my grandmother’s house, over there in that block on Sagamore Street where the Irish workingman’s whiskey-drinking (with a beer chaser), fist-fighting, sports-betting after a hard day’s work Dublin Grille was. Harry’s was on the corner of that block. Now if you have some image, some quirky, sentimental image, of Harry’s as being run by an up-and-coming just arrived immigrant guy, maybe with a big family, trying to make this neighborhood store thing work so he can take in, take in vicariously anyway, the American dream like you see running such places now forget it. Harry’s was nothing but a “front.” Old Harry, Harry O’Toole, now long gone, was nothing but the neighborhood “bookie” known far and wide to one and all as such. Even the cops would pull up in their squad cars to place their bets, laughingly, with Harry in the days before state became the bookie-of-choice for most bettors. And he had his “book”, his precious penciled-notation book right out on the counter. But see punk kid me, even then just a little too book-unworldly didn’t pick up on that fact until, old grandmother, jesus, grandmother “hipped” me to it.
Until then I didn’t think anything of the fact that Harry had about three dust-laden cans of soup, two dust-laden cans of beans, a couple of loaves of bread (Wonder Bread, if you want to know) on his dust-laden shelves, a few old quarts of milk and an ice chest full of tonic (now called soda, even by New Englanders) and a few other odds and ends that did not, under any theory of economics, capitalist or Marxist, add up to a thriving business ethos. Unless, of course, something else was going on. But what drew me to Harry’s was not that stuff anyway. What drew me to Harry’s was, one, his pin ball machine complete with corner boy players and their corner boy ways, and, two, his huge Coca Cola ice chest (now sold as antique curiosities for much money at big-time flea markets and other venues) filled with ice cold, cold tonics (see above), especially the local Robb’s Root Beer that I was practically addicted to in those days (and that Harry, kind-hearted Harry, stocked for me).
Many an afternoon, a summer’s afternoon for sure, or an occasional early night, I would sip, sip hard on my Robb’s and watch the corner boys play, no sway, sway just right, with that sweet pinball machine, that pin ball machine with the bosomy, lusty-looking, cleavage-showing women pictured on the top glass frame of the machine practically inviting you, and only you the player, on to some secret place if you just put in enough coins. Of course, like many dream-things what those lusty dames really gave you, only you the player, was maybe a few free games. Teasers, right. But I had to just watch at first because I was too young (you had to be sixteen to play) , however, every once in a while, one of the corner boys who didn’t want to just gouge out my eyes for not being a corner boy, would let me cadge a game while Harry was not looking. When you think about it though, now anyway, Harry was so “connected” (and you know what I mean by that) what the hell did he care if some underage kid, punk kid, cadged a few games and looked at those bosomy babes in the frame.
Ya, and thinking about Harry’s automatically got me thinking about Daniel (nobody ever called him that, ever) “Red” Hickey, the boss king of my schoolboy night at Harry’s. Red, the guy who set the rules, set the style, hell, set the breathing, allowed or not and when, of the place. I don’t know if he went to some corner boy school to learn his trade but he was the be-bop daddy (at least all the girls, all the hanging all over him girls, called him that) because he, except for one incident that I will relate below, ruled unchallenged with an iron fist. At least I never saw his regular corner boys Spike, Lenny, Shawn, Ward, Goof (yes, that was his name the only name I knew him by, and he liked it), Bop (real name William) or the Clipper (real name Kenny, the arch-petty Woolworth’s thief of the group hence the name) challenge him, or want to.
Ya, Red, old red-headed Red was tough alright, and has a pretty good-sized built but that was not what kept the others in line. It was a certain look he had, a certain look that if I went into describing it now I would get way overboard into describing it as some stone-cold killer look, some psycho-killer look but that would be wrong because it didn’t show that way. But that was what it was. Maybe I had better put it this way. Tommy Thunder, older brother of my middle school and high school best friend and a corner boy king in his own right, Frankie, Francis Xavier Riley, a big bruiser of a legendary North Adamsville football player and human wrecking machine who lived a few doors up from Harry’s went out of his way not to go near the place. Ya, Red was that tough.
See, he was like some general, or colonel or something, an officer at least, and besides being tough, he would “inspect” his troops to see that all and sundry had their “uniform” right. White tee-shirt, full-necked, no vee-neck sissy stuff, no muscle shirt half-naked stuff, straight 100% cotton, American-cottoned, American-textiled, American-produced, ironed, mother-ironed I am sure, crisp. One time Goof (sorry that’s all I knew him by, really) had a wrinkled shirt on and Red marched him up the street to his triple-decker cold-water walk-up flat and berated, berated out loud for all to hear, Goof’s mother for letting him out of the house like that. And Red, old Red like all Irish guys sanctified mothers, at least in public, so you can see he meant business on the keeping the uniform right question.
And like some James Dean or Marlon Brando tough guy photo, some motorcycle disdainful, sneering guy photo, each white tee-shirt, or the right sleeve of each white tee-shirt anyway, was rolled up to provide a place, a safe haven, for the ubiquitous package of cigarettes, matches inserted inside its cellophane outer wrapping, Luckies, Chesterfields, Camels, Pall Malls, all unfiltered in defiance of the then beginning incessant cancer drumbeat warnings, for the day’s show of manliness smoking pleasures.
And blue jeans, tight fit, no this scrub-washed, fake-worn stuff, but worn and then discarded worn. No chinos, no punk kid, maybe faux "beatnik," black chinos, un-cuffed, or cuffed like I wore, and Frankie, Francis Xavier Riley, king of the faux beatnik middle school night, including among his devotees this little too bookish writer, who was as tough a general, colonel, or some officer anyway, as corner boy Red was with his guys. Frankie example: no cuffs on those black chinos, stay home, or go elsewhere, if you are cuffed. Same kingly manner, right? Corner boys blue-jeaned and wide black-belted, black always, black-belt used as a handy weapon for that off-hand street fight that might erupt out of nowhere, for no reason, or many. Maybe a heavy-duty watch chain, also war-worthy, dangly down from those jeans. Boots, engineer boots, black and buckled, worn summer or winter, heavy, heavy-heeled, spit-shined, another piece of the modern armor for street fight nights. Inspection completed the night’s work lies ahead.
And most nights work, seemingly glamorous to little too bookish eyes at the time, was holding up some corner of the brick wall in front or on the side of Harry’s Variety with those engineer boots, one firmly on the ground the other bent against the wall, small talk, small low-tone talk between comrades waiting, waiting for… Or just waiting for their turn at that Harry luscious ladies pictured pinball machine. Protocol, strictly observed, required “General Red” to have first coin in the machine. But see old Red was the master swayer with that damn machine and would rack up free games galore so, usually, he was on that thing for a while.
Hey, Red was so good, although this is not strictly part of the story, that he could have one of his several honeys right in front of him on the machine pressing some buttons and he behind pressing some other buttons Red swaying and his Capri-panted honey, usually some blond, real or imagined, swaying, and eyes glazing, but I better let off with that description right now, because like I said it was strictly speaking not part of the story. What is part of the story is that Red, when he was in the mood or just bored, or had some business, some girl business, maybe that blond, real or imagined, just mentioned business would after I had been hanging around a while, and he thought I was okay, give me his leftover free games.
Now that was the “innocent” part of Red, the swaying pinball wizard, girl-swaying, inspector general part. But see if you want to be king of the corner boy night you have to show your metal once in a while, if for no other reason than the corner boys, the old time North Adamsville corner boys might be just a little forgetful of who the king hell corner boy was, or as I will describe, some other corner boy king of some other variety store night might show up to see what was what. Now I must have watched the Harry’s corner boy scene for a couple of years, maybe three, the last part just off and on, but I only remember once when I saw Red show “his colors.” Some guy from Adamsville, some tough-looking guy who, no question, was a corner boy just stopped at Harry’s after tipping a couple, or twenty, at the Dublin Grille. He must have said something to Red, or maybe Red just knew instinctively that he had to show his colors, but all of a sudden these two are chain-whipping each other. No, that’s not quite right, Red is wailing, flailing, nailing, chain-whipping this other guy mercilessly, worst, if that is possible. The guy, after a few minutes, was left in a pool of blood on the street, ambulance ready. And Red just walked way, just kind of sauntering away.
Of course that is not the end of the Red story. Needless to say, no work, no wanna work Red had to have coin, dough, not just for the pinball machine, cigarettes, and soda, hell, that was nothing. But for the up-keep on his Chevy (Chevvies then being the “boss” car, and not just among corner boys either), and that stream of ever-loving blond honeys, real or imagined, he escorted into the seashore night. So said corner boys did their midnight creep around the area grabbing this and that to bring in a little dough. Eventually Red “graduated” to armed robberies when the overhead grew too much for little midnight creeps, and graduated to one of the branches of the state pen, more than once. Strangely, his end came, although I only heard about this second hand, after a shoot-out with the cops down South after he tried to rob some White Hen convenience store. There is some kind of moral there, although I will be damned if I can figure it out. Red, thanks for those free games though.
*************
Doc's Drugstore
It wasn’t all be-bop night, rock ‘n’ roll sock hop, midnight drifter, midnight sifter, low-rider, hard-boiled corner boy 1950s life in old down and out working class dregs North Adamsville. Not at all. But a lot of it was, a lot that bespoke of the early phases of American deindustrialization, although we would not have called that then, if we had been aware of it even, with the demise of the local mainstay ship building ad its associated industries, great world war warship shipbuilding and then later gigantic oil tankers and then, then nothing, maybe a sailboat, or a row boat for all I know, I just don’t know more, or why.
All I know, or at least all that I know from what I heard my father, and other fathers say, was that that industry was the life’s blood of getting ahead, ahead in the 1950s life in that beat down, beat up, beat thirteen ways to Sunday town (ya, I know it is only six but it sure did seem like thirteen on some hard father unemployed days). And so low-rider, hard-boiled corner boy, the easy life of pinball wizardry, dime store lurid magazines, slow-drinking Cokes (or Pepsis, but make mine local Robb’s Root Beer), draped around mascara-eyed, heavy form-filled girls, and the occasional armed robbery to break up the day, and bring in some much needed dough held a higher place that it might have, and almost certainly would in some new town West.
But what was a guy to do if to get out of the house, get away from ma’s nagging (and it was almost always ma, every ma house in those days), siblings heckling, and just breathe in some fresh air, some fresh be-bop rock corner boy air, if at all possible.
See, this is way before mall rat-dom came into fashion since the nearest mall was way too far away to drag yourself to, and it also meant traveling through other corner boy, other maybe not friendly corner boy lands. So if you didn’t want to tie yourself down to some heavy felony on some soft misty, foggy better, night by hanging around tough corner boy, Red Hickey-ruled Harry’s Variety, or your tastes did not run to trying to cadge some pinball games from those same toughs, or you were too young, too innocent, too poor, too car-less or too ragamuffiny for those form-filled, Capri-panted girls with their haunting black mascara eyes then you had to hang somewhere else, and Doc’s, ya, Doc’s Drugstore is where you hung out in the more innocent section of that be-bop 1950s night.
Wait a minute I just realized that I had better explain, and do it fast before you get the wrong idea, that I am not talking about some CVS, Rite-Aid, or Osco chain-linked, no soliciting, no trespassing, no loitering, police take notice, run in and run out with your fistful of drugs, legal drugs, places. Or run in for some notions or sundries, whatever they are. No way, no way in hell would you want to hang out where old-timers like your mothers and fathers and grandparents went to help them get well.
No this was Doc’s, Doc-owned (ya, Doc, Doc Adams, I think, or I think somebody told me once that he was part of some branch of that Adams crowd, the presidential Adams crowd that used to be big wheels in the town), Doc-operated, and Doc-ruled. And Doc let, unless it got too crazy, kids, ordinary kids, not hard-boiled white tee-shirted corner boys but plaid-shirted, chino pant-wearing (no I am not going to go on and on about the cuffs, no cuffs controversy, okay, so keep reading), maybe loafers (no, inserted pennies, please, and no, no, no, Thom McAn’s), a windbreaker against some ocean-blown windy night on such nights, put their mark on the side walls, the side brick walls of his establishment. And let the denizens of the Doc night (not too late night either) put as will every self-respecting corner boy, tee-shirted or plaid, make his mark by standing, one loafer-shod foot on the ground, and the other knee-bent against the brick wall holding Doc’s place together. True-corner boydom. Classic pose, classic memory pose.
And see, Doc, kindly, maybe slightly mad Doc, and now that I think about it slightly girl-crazy himself maybe, let girls, girls even hang against the wall. Old Harry’s Variety Red Hickey would have shot one of his girls in the foot if they ever tried that stunt. Girls were to be draped, preferably draped around Red not around Harry’s wall, brick or not. Now, after what I just described you know that you’re into a new age night because no way Harry, and definitely not Red (Daniel, don’t ever call him that though) Hickey, king hell king of the low-rider night that I told you about before, just a couple minutes ago would let some blond, real or imagined, Capri-panted, cashmere swearing wearing (tight, very tight cashmere sweater-wearing, if you didn’t know), boffed, bimbo (ouch, but that is what we called them, so be it) stand around his corner even. Dames (better, right) were for hot-rod Chevy, hard-driving, low-riding sitting on the seat next to, and other stuff. But plaid-shirted guys (loafer-shod) liked, do you hear me Red and Harry, liked having girls hanging with them to while away the be-bop hard night corner boy lands.
And before you even ask, Doc’s had not pinball machine and no pinball wizards (as far as I remember, although a couple of guys and a girl were crackerjack bowlers). But see, Doc’s had the things that mattered, mattered for plaid-shirted guys with a little dough (their allowances, no snickering please for any hard-boiled readers, or poor ones) in their pockets, and lust chaste lust maybe, in their hearts. Doc’s had a soda fountain, one,
and, two, a juke box. Where the heck do you think we heard a zillion times all those songs from back then that I keep telling you about? Come on now, smarten up.
And, of course if you have corner boys, even nice corner boys, you have to have a king hell king corner boy. Red, Red Hickey understood that instinctively, and acted on it, whip chain in hand. Other boys in other corners acted on it in that same spirit, although not that crudely. And corner boy king, Doc’s Drugstore corner boy king, Brian Pennington, plaid-shirted king of the soft-core corner boy night acted on that same Red premise. How Brian (“Bri” to most of us) came to be king corner boy is a good story, a good story about how a nowhere guy (a my characterization nowhere guy) used a little influence to get ahead in this wicked old world. Red did it by knocking heads around and was the last man standing, accepting his “crown” from his defeated cronies. Brian took a very different route.
Now I don’t know every detail of his conquest because I only touched the edges of his realm, and of his crowd, as I was moving out of the neighborhood thralldom on to other things, Frankie, Francis Xavier Riley, scribe things. Apparently Doc had a granddaughter, a nice but just then wild granddaughter whom Doc was very fond of as grandfathers will be. And of course he was concerned about the wildness, especially as she was coming of age, and nothing but catnip (and bait) for Red and his corner boys if Doc didn’t step in and bring Brian into the mix. Now, no question, Brian was a sharp dresser of the faux-collegiate type that was just starting to come into its own in that 1960s first minute. This time of the plaid shirts was a wave that spread, and spread quickly, among those kids from working class families that were still pushing forward on the American dream, and maybe encouraging their kids to take college courses at North Adamsville High, and maybe wind up in that burgeoning college scene that everybody kept talking about as the way out.
Brian was no scholar, christ he was no scholar, although he wasn’t a dunce either. At least he had enough sense to see which way things were going, for public consumption anyway and put on this serious schoolboy look. That sold Doc, who had been having conversations with Brian when he came into the drugstore with books in one arm, and a girl on the other. I’ll give you the real low-down sometime about how book-worthy, book-worshipping Brian really was. Let me just relate to you this tidbit for now. One day, one school vacation day, Brian purposefully knocked the books out of my hands that I had borrowed when I was coming out of the Thomas Crane Public Library branch over on Atlantic Avenue (before it moved to Norfolk Downs) and yelled at me, “bookworm.” Like I didn’t know that already. But enough about that because this is about Brian's rise, not mine. Somehow Brian and Lucy, Doc’s granddaughter came together, and without going into all the details that like I said I don’t really know anyway, they hit it off. And see, this is where Brian’s luck really held out, from that point on not only did Brian get to hang his loafer-ed shoe on Doc’s brick wall but he was officially, no questions asked, the king of that corner boy night. That’s how I heard the story and that seems about right because nobody ever challenged him on it, not that I heard.
Now like I mentioned before, Doc’s was a magnet for his juke box-filled soda fountain and that drew a big crowd at times, especially after school when any red-blooded kid, boy or girl, needed to unwind from the pressure-cooker of high school, especially we freshmen who not only had to put up with the carping teachers, but any upper classman who decided, he or she, to prank a frosh. That’s my big connection with Doc’s, that after school minute freshman year, but, and here I am getting my recollections second-hand, Doc’s was also a coming-of-age place for more than music, soft ice cream, and milk shakes. This is also the place where a whole generation of neighborhood boys, and through them, the girls as well had their first taste of alcohol.
How you say? Well, Brian, remember Brian, now no longer with Lucy (she went off to a private finishing school and drifted from the scene) but was still Doc’s boy, Doc’s savior boy, and somehow conned old Doc into giving him his first bottle of booze. Not straight up, after all Brian was underage but Bri said it was, wink, wink, for his grandmother. Now let me explain, in those days in the old neighborhood, and maybe all over, a druggist could, as medicine, sell small bottles of hard liquor out of his shop legally. The standard for getting the prescription wasn’t too high apparently, and it was a neighborhood drugstore and so you could (and this I know from personal experience) tell Doc it was for dear old grandma, and there you have it. Known grandma tee-totalers and their grand kids would be out of the loop on this one but every self-respecting grandma had a “script” with Doc. Now Doc knew, had to know, about this con, no question, because he always had a chuckle on him when this came up. And he had his own Doc standards- no one under sixteen (and he was sharp on that) and no girls. So many a night the corner boys around Doc’s were probably more liquored up that Red and his boys ever were. Nice, right?
********
When Billie Ruled The Roost- First Take
He was the first. A certified 1958 A-One prime custom model first. Yes, Billie was the first. Billie, William James Bradley that is if you did not know his full moniker, was the first. No question about it, no controversy, no alternate candidates, no hemming and hawing agonizing about this guy’s attributes or that guy’s style and how they lined up against Billie’s shine in order to pick a winner. No way, get it. Billie, first in what anyway? Billie, first, see, first in line of the then ever sprouting young schoolboy king corner boy wannabes. Wannabes because the weres, the corner boy weres, the already king corner boy weres, the older, mainly not schoolboys or, christ, not for long schoolboys, mainly not working, jesus, mainly not working, mainly just hanging around (laying about was a name for it, a fit name at that) were already playing, really hip-swaying, lazily hip-swaying if you wanted to win games, wizard pinball machines in the sacred corner boy small town mom and pop variety night or cueing up in some smoke-filled big town pool hall.
Or working on hot souped-up cars, a touch of grease pressed, seemingly decaled pressed, into their uniform white tee-shirts (no vee-necks need apply) and always showed, showed an oily speck anyway, on their knuckles. But the cars were to die for, sleek tail-finned, pray to god cherry red if you put the finish on right (no going to some hack paint shop, no way, not for this baby, not for that ’57 Chevy), dual exhaust, big cubic engine numbers that no amateur had a clue to but just knew when sighted that thing would fly (well, almost fly) into the boulevard night, that sea air, sex-charged boulevard night. Tuned-up just right for that cheap gas to make her run, ya, that cheap City Service gas that was even cheaper than the stuff over at the Merit gas station, by two cents.
Or talking some boffo, usually blonde, although not always, maybe a cute rosy red-lipped and haired number or, in a pinch, a soft, sultry, svelte brunette, tight cashmere sweater-wearing, all, Capri pant-wearing, all, honey out of her virtue (or maybe into her virtue) down by the seashore after some carnival-filled night. A night that had been filled with arcade pinball wizardry, cotton candy, salt-water taffy, roller coaster rides, and a few trips in the tunnel of love, maybe win a prize from the wheel of fortune game too. A night capped with a few illicit drinks from some old tom, or johnny, Johnny Walker that is, rotgut to make that talking easier, and that virtue more questionable, into or out of. All while the ocean waves slap innocently against the shore, drowning out the night’s heavy breathed, hard-voiced sighs.
Or, get this, because it tells a lot about the byways and highways of the high-style corner boy steamy black and white 1950s night, preparing, with his boys, his trusted unto death boys, his omerta-sworn boys, no less to do some midnight creep (waylaying some poor bedraggled sap, sidewalk drunk or wrong neighborhooded, with a sap to the head for dough, or going through some back door, and not gently, to grab somebody’s family heirlooms or fungibles, better yet cash on hand) in order to maintain that hot car, cheap gas or not, or hot honey, virtuous or not. Ya, things cost then, as now.
And, ya, in 1958, in hard look 1958, those king hell corner boy weres already sucked up the noteworthy, attention-getting black and white television, black and white newsprint night air. Still the lines were long with candidates and the mom and pop variety store-anchored, soda fountain drugstore-anchored, pizza parlor-anchored, pool hall-anchored corners, such as they were, were plentiful in those pre-dawn mall days. But see that is the point, the point of those long lines of candidates in every burg in the land or, at least became the point, because in 1948, or 1938, or maybe even 1928 nobody gave a rat’s ass, or a damn, about corner boys except to shuffle them out of town on the first Greyhound bus.
Hell, in 1948 they were still in hiding from the war, whatever war it was that they wanted no part of, which might ruin their style, or their dough prospects. They were just getting into those old Nash jalopies, revving them up in the "chicken run" night out in the exotic west coast ocean night. In 1938 you did not need a Greyhound bus coming through your town because these guys were already on the hitchhike road, or were bindled-up in some railroad jungle, or getting cracked over the head by some “bull”, in the great depression whirlwind heading west for adventure, or hard-scrabble work. And in 1928 these hard boys were slugging it out, guns at the ready, in fast, prohibition liquor-load filled cars, and had no time for corners and silly corner pinball wizard games (although maybe they had time for running the rack at Gus’s pool hall, if they lived long enough).
That rarified, formerly subterranean corner boy way of life, was getting inspected, dissected, rejected, everything but neglected once the teen angst, teen alienation wave hit 1950s America. You heard some of the names, or thought you heard some of the names that counted, but they were just showboat celebrities, celebrities inhabiting Cornerboy, Inc. complete with stainless tee-shirt, neatly pressed denim jeans, maybe a smart leather jacket against the weather’s winds, unsmoked, unfiltered cigarettes at the ready, and incurably photogenic faces that every girl mother could love/hate.
Forget that. Down in the trenches, ya, down in the trenches is where the real corner boys lived, and lived without publicity most days, thank you. Guys like Red Hickey, tee-shirted, sure, denim-jeaned, sure, leather-jacketed, sure, chain-smoking (Lucky Strikes, natch), sure, angelic-faced, sure, who waylaid a guy, put him in an ambulance waylaid, just because he was a corner boy king from another cross-town corner who Red thought was trying to move in, or something like that. Or guys like Bruce “The Goose” McNeil, ditto shirted, jeaned, jacketed, smoked (Camels), faced who sneak-thieved his way through half of the old Adamsville houses taking nothing but high-end stuff from the swells. Or No Name McGee, corner boy king of the liquor store clip. Ya, and a hundred other guys, a hundred no name guys, except maybe to the cops, and to their distressed mothers, mainly old-time Irish and Italian novena-praying Catholic mothers, praying against that publicity day, the police blotter publicity day.
But you did not, I say, you did not hear those Hickey, McNeil, No Name stories in the big town newspapers or in some university faculty room when those guys zeroed in on the corner boy game trying to explain, like it was not plain as the naked eye to see, and why, all that angst and alienation. And then tried to tell one and all that corner boy was a phase, a minute thing, that plentiful America had an edge, like every civilized world from time immemorial had, where those who could not adjust, who could not decode the new American night, the odorless American night, the pre-lapsarian American night shifted for themselves in the shadows. Not to worry though it was a phase, just a phase, and these guys too will soon be thinking about that ticky-tack little white house with the picket fence.
Ya, but see, see again, just the talk through the grapevine about such guys as Red, The Goose, No Name, the legendary jewelry store clip artist, Brother Johnson (who set himself apart because he made a point of the fact that he didn’t smoke, smoke cigarettes anyway), and a whole host of guys who made little big names for themselves on the corners was enough to get guys like Billie, and not just primo candidate Billie either, hopped-up on the corner boy game. Ya, the corner boys whose very name uttered, whose very idea of a name uttered, whose very idea of a name thought up in some think-tank academy brain-dust, and whose very existence made a splash later (after it was all over, at least the public, publicity all over, part), excited every project schoolboy, every wrong side of the tracks guy (and it was always guys, babes were just for tangle), every short-cut dreaming boy who could read the day’s newspaper or watch some distended television, or knew someone who did.
And Billie was the first. The star of the Adamsville elementary schoolboy corner boy galaxy. No first among equals, or any such combination like that either, if that is what you are thinking. Alone. Oh sure his right-hand man, Peter Paul Markin, weak-kneed, bookwormy, girl-confused but girl-addled, took a run at Billie but that was seen, except maybe by Peter Paul himself, as a joke. Something to have a warm chuckle over on dreary nights when a laugh could not be squeezed out any other way. See, Peter Paul, as usual, had it all wrong on his figuring stuff. He thought his two thousand facts knowledge about books, and history, and current events, and maybe an off-hand science thing or two entitled, get this, entitled him to the crown. Like merit, or heredity, or whatever drove him to those two thousand facts meant diddly squat against style, and will.
Billie tried to straighten him out, gently at first, with a short comment that a guy who had no denim blue jeans, had no possibility of getting denim blue jeans, and was in any case addicted to black chinos, black cuffed chinos, has no chance of leading anybody, at any time, in anything. Still Peter Paul argued some nonsense about his organizing abilities. Like being able to run a low-rent bake sale for some foolish school trip, or to refurbish the U.S.S. Constitution, counted when real dough, real heist dough, for real adventures was needed. Peter simmered in high-grade pre-teen anguish for a while over that one, more than a while.
Billie and Peter Paul, friends since the first days of first grade, improbably friends on the face of it although Billie’s take on it was that Peter Paul made him laugh with that basketful of facts that he held on to like a king’s ransom, protecting them like they were gold or something, finally had it out one night. No, not a fist fight, see that was not really Billie’s way, not then anyway or at least not in this case, and Peter Paul was useless at fighting, except maybe with feisty paper bags or those blessed facts. Billie, who not only was a king corner contender but a very decent budding singer, rock and roll singer, had just recently lost some local talent show competition to a trio of girls who were doing a doo wop thing. That part was okay, the losing part, such things happen in show biz and even Billie recognized, recognized later, that those girls had be-bopped him with their cover of Eddie, My Love fair and square. Billie, who for that contest was dressed up in a Bill Haley-style jacket made by his mother for the occasion, did the classic Bill Haley and the Comets Rock- Around-The-Clock as his number. About halfway through though one of the arms of his just made suit came flying off. A few seconds later the other arm came off. And the girls, the coterie of Adamsville girls in the audience especially, went crazy. See they thought it was part of the act.
After that, at school and elsewhere, Billie was besieged daily by girls, and not just stick-shaped girls either, who hung off all his arms, if you want to know. And sensitive soul Peter Paul didn’t like that. He didn’t care about the girl part, because as has already been noted, and can be safely placed on golden tablets Peter Paul was plenty girl-confused and girl-addled but girl-smitten in his funny way. What got him in a snit was that Billie was neglecting his corner boy king duty to be on hand with his boys at all available times. Well, this one night the words flew as Billie tired, easily tired, of Peter Paul’s ravings on the subject. And here is the beauty of the thing, the thing that made Billie the king corner boy contender. No fists, no fumings, no forget friendships. Not necessary. Billie just told Peter Paul this- “You can have my cast-offs.” Meaning, of course, the extra girls that Billie didn’t want, or were sticks, or just didn’t appeal to him. “Deal,” cried Peter Paul in a flash. Ya, that was corner boy magic. And you know what? After that Peter Paul became something like Johnson’s Boswell and really started building up Billie as the exemplar corner boy king. Nice work, Billie.
You know Freddie Jackson too took his shots but was strictly out of his league against the Billie. Here it was a question not of facts, or books, or some other cranky thing bought off, bought off easily, by dangling girls in front of a guy a la Peter Paul but of trying to out dance Billie. See Freddie, whatever else his shortcomings, mainly not being very bright and not being able to keep his hands out of his mother’s pocketbook when he needed dough so that he had to stay in many nights, worst many summer nights, could really dance. What Freddie didn’t know, and nobody was going to tell him, nobody, from Peter Paul on down if they wanted to hang with Billie was that Billie had some great dance moves along with that good and growing singing voice. See, Freddie never got to go to the school or church dances and only knew that Billie was an ace singer. But while Freddie was tied to the house he became addicted to American Bandstand and so through osmosis, maybe, got some pretty good moves too.
So at one after-school dance, at a time when Freddie had kept his hands out of his mother’s pocketbook long enough not to be house-bound, he made his big move challenge. He called Billie out. Not loud, not overbearing but everybody knew the score once they saw Freddie’s Eddie Cochran-style suit. The rest of the guys (except Billie, now wearing jeans and tee-shirt when not on stage in local talent contests where such attire got you no where) were in chinos (Peter Paul in black-cuffed chinos, as usual) and white shirts, or some combination like that, so Freddie definitely meant business. Freddie said, “If I beat you at dancing I’m running the gang, okay?” (See corner boys was what those professors and news hawks called them but every neighborhood guy, young or old, knew, knew without question, who led, and who was in, or not in, every, well, gang). Billie, always at the ready when backed up against the wall, said simply, “Deal.” Freddie came out with about five minutes of jitter buggery, Danny and the Juniors At The Hop kind of moves. He got plenty of applause and some moony-eyedness from the younger girls (the stick girls who were always moony-eyed until they were not stick girls any more).
Billie came sauntering out, tee-shirt rolled up, tight jeans staying tight and just started to do the stroll as the song of the same name, The Stroll, came on. Now the stroll is a line dance kind of thing but Billie is out there all by himself and making moves, sexual-ladened moves, although not everybody watching would have known to call them that. And those moves have all the girls, sticks and shapes, kind of glassy-eyed with that look like maybe Billie needed a partner, or something and why not me look. Even Freddie knew he was doomed and took his lost pretty well, although he still had that hankering for mom’s purse that kept him from being a real regular corner boy when Billie got the thing seriously organized.
Funny thing, Lefty Wright, who actually was on the dance floor the night of the Freddie-Billie dance-off, pushed Billie with the Freddie challenge. And Freddie was twenty times a better dancer than Lefty. Needless to say, join the ranks, Lefty. Canny Danny O’Toole (Cool Donna O’Toole’s, a stick flame of Billie’s, early Billie, brother) was a more serious matter but after a couple of actions (actions best left unspecified) he fell in line. Billie, kind of wiry, kind of quick-fisted as it turned out, and not a guy quick to take offense knew, like a lot of wiry guys, how to handle himself without lots of advertising of that fact. He was going to need that fist-skill when the most serious, more serious than the Canny Danny situation came up. And it did with Badass Bobby Riley, Badass was a known quality, but he was a year older than the others and everybody knew was a certified psychopath who eventually drifted out of sight. Although not before swearing his fealty to Billie. After taking a Billie, a wiry Billie, beating the details of which also need no going into now. And there were probably others who stepped up for a minute, or who didn’t stay long enough to test their metal. Loosey Goosey Hughes, Butternut Walsh, Jimmy Riley (no relation to Badass), Five Fingers Kelly, Kenny Ricco, Billy Bruno, and on and on.
But such was the way of Billie’s existence. He drew a fair share of breaks, for a project kid, got some notice for his singing although not enough to satisfy his huge hunger, his way out, he way out of the projects, projects that had his name written all over them(and the rest of his boys too). And then he didn’t draw some breaks after a while, got known as a hard boy, a hard corner boy when corner boy was going out of style and also his bluesy rockabilly singing style was getting crushed by clean-cut, no hassle, no hell-raising boy boys. And then he started drawing to an outside straight, first a couple frame juvenile clip busts, amid the dreaded publicity, the Roman Catholic mother novena dread publicity, police blottered. Then a couple of house break-ins, taking fall guy lumps for a couple of older, harder corner boys who could make him a fall guy then, as he would others when his turn came. All that was later, a couple of years later. But no question in 1958, especially the summer of 1958 when such things took on a decisive quality, Billie, and for one last time, that’s William James Bradley, in case anyone reading needs the name to look up for the historical record was Billie's time. Ya, 1958, Billie, ah, William James Bradley, and corner boy king.
Funny, as you know, or you should know, corner boys usually gain their fleeting fame from actually hanging around corners, corner mom and pop variety stores, corner pizza parlors, corner pool halls, corner bowling alleys, corner pinball wizard arcades, becoming fixtures at said corners and maybe passing on to old age and social security check collection at said corner. Or maybe not passing to old age but to memory, memory kid’s memory. But feature this, in Billie’s great domain, his great be-bop night kingship, and in his various defenses of his realm against smart guys and stups alike, he never saw so much as a corner corner to rest his laurels on. And not because he did not know that proper etiquette in such matters required some formal corner to hang at but for the sheer, unadulterated fact that no such corner existed in his old-fashioned housing project (now old-fashioned anyway because they make such places differently today), his home base.
See, the guys who made the projects “forgot” that, down and out or not, people need at least a mom and pop variety store to shop at, or nowadays maybe a strip mall, just like everybody else. But none was ever brought into the place and so the closest corner, mom and pop corner anyway, was a couple of miles away up the road. But that place was held by a crowd of older corner boys whose leader, from what was said, would have had Billie for lunch (and did in the end).
But see here is where a guy like Billie got his corner boy franchise anyway. In a place where there are no corners to be king of the corner boy night there needs to be a certain ingenuity and that is where “His Honor” held forth. Why not the back of the old schoolhouse? Well, not so old really because in that mad post-World War II boom night (no pun intended), schools, particularly convenient elementary schools even for projects
kids were outracing the boomers. So the school itself was not old but the height of 1950s high-style, functional public building brick and glass. Boxed, of course, building-boxed, classroom-boxed, gym-boxed, library-ditto boxed. No cafeteria-boxed, none necessary reflecting, oddly, walk to school, walk home for lunch, stay-at-home mom childhood culture even in public assistance housing world. And this for women who could have, if they could have stood the gaff from neighbor wives, family wives, society wives screamed to high heaven for work, money work. That was Billie world too, Billie day world. Billie September to June world.
But come dusk, summer dusk best of all, Billie ruled the back end of the school, the quiet unobserved end of the school, the part near the old sailors’ graveyard, placed there to handle the tired old sailors who had finished up residing at the nearby but then no longer used Old Sailors’ Rest Home built for those who roamed the seven seas, the inlet bays, and whatever other water allowed you to hang in the ancient sailors’ world. There Billie held forth, Peter Paul almost always at hand, seeking, always seeking refuge from his hellfire home thrashings. Canny Danny, regularly, same with Lefty and Freddie (when not grounded), and Bobby while he was around. And other guys, other unnamed, maybe unnamable guys who spent a minute in the Billie night. Doing? Ya, just doing some low murmur talking, most nights, mostly some listening to Billie dreams, Billie plans, Billie escape route. All sounding probable, all wistful once you heard about it later. All very easy, all very respectful, in back of that old school unless some old nag of a neighbor, fearful that the low murmur spoke of unknown, unknowable conspiracies against person, against the day, hell, even against the night. Then the cops were summoned. But mainly not.
And then as dusk turned to dark and maybe a moon, an earth moon (who knew then, without telescope, maybe a man-made moon), that soft talk, that soft night talk, turned to a low song throat sound as Billie revved up his voice to some tune his maddened brain caught on his transistor radio (bought fair and square up at the Radio Shack so don’t get all huffy about it). Say maybe Frankie Lymon and The Teenagers Why Do Fools Fall In Love? and then the other ragamuffins would do harmony. Ya, that was twelve, maybe thirteen year old night, most nights, the nights of no rough stuff, the nights of dreams, maybe. But like some ancient siren call that sound penetrated to the depths of the projects and soon a couple of girls, yes, girls, twelve and thirteen year old girls, what do you expect, stick girls and starting shape girls, would hover nearby, maybe fifty yards away but the electricity was in the air, and those hardly made out forms drove Billie and his choir corner boys on. Maybe Elvis’ One Night as a come on. Then a couple more girls, yes, twelve and thirteen year old girls, have you been paying attention, sticks and starting shapes, join those others quietly swaying to the tempo. A few more songs, a few more girls, girls coming closer. Break time. Girl meet boy. Boy meet girl. Hell, even Peter Paul got lucky this night with one of Billie’s stick rejects. And as that moon turned its shades out and the air was fragrance with nature’s marshlands sea air smells and girls’ fresh soap smells and boys’ anxiety smells the Billie corner boy wannabe world seemed not so bad. Ya, 1958 was Billie’s year. Got it.
********
When Frankie Was A Corner Boy King Of The North Adamsville Night
Pallid Peter Paul Markin, no way, two thousand facts bundled up and at hand or not. Nix "Fingers" Kelly (formerly known as "Five Fingers" Kelly but he gave that up and went respectable), "High Boy" McNamara (and no, not in the post-drug world that kind of high, the other older one), "Jumpin’ Johnny" O’Connor (and do not, please do not, ask what he was jumping, or trying to) as well. Hell, double nix no nickname Benny Brady, "Billy Bop" O’Brian (and do not, ditto Johnny O’Connor, ask what he bopped, or tried to), Ricardo Ricco, "Timid Timmy" McPartlin and a bunch of other, no name, guys who passed, passed fast, through the be-bop Salducci’s Pizza Parlor schoolboy night. No question, no question at all though that the king hell corner boy king of the early 1960s North Adamsville schoolboy night was one Frankie, Francis Xavier Riley, and no other. And here is why.
In a recent series of entries that formed of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, it was noted that there had been about a thousand truck stop diner stories left over from those old hitchhike road days. On reflection though, this writer realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).
Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.
More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.
And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh ya, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.
But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want, I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.
Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)
As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Some times people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.
Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.
So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.
But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).
And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn, and learn fast.
Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.
So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (its getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (ya, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.
Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.
We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy like a loon.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise, producing all their hopeless hubris, swirling all around just to stay in one place. Yes, now fifty years later it is easy to dismiss those guys, write them off as losers, wannabe somethings, and guys to turn your back to but there was a time, a time day and night, when they, the corner boys, ruled, ruled my imagination, and, and almost caught me in their fix. Oh, for those who are clueless on the great stream corner boy night that probably no longer exists except in wayward urban ghetto/barrio corners, or some mall-less hick small town this was the mode of existence for guys, working class guys, with no dough, no hopes of getting dough (getting dough legally anyway), or maybe, just plain not wanting to work for dough like drudge fathers, uncles and older brothers and hang out in the mom and pop variety store, drugstore, pizza parlor, bowling alley corner waiting,… ya, mainly waiting.
You will get it all wrong if you think though it was all waiting, sipping Coke waiting, smoking some endless cigarette smoke waiting, white tee-shirt, (a leather jacket against the wind on colder nights), jeans, engineer boots, wide black-buckled belts, maybe a chain handing down. The uniform, or else.
You will get it all wrong because you will have missed the patter, the constant patter, the dream patter that animated those sidewalk nights, those dreams, pipe-dreams maybe, of jail-break out working class life, of moving “uptown” one way or another. You would have heard such talk if you walked by Harry’s Variety on any given night, some guy taking a pinball wizard break to tell how his luck is going to change any day now. Or leader Red, Red Hickey, mapping out the night’s midnight creep work, shortcut to the good life work, at least to keep the heap running and honey in clover. Of cars, stolen or refinished, mainly stolen. Ya, and talk of sex, of what this girl would do and that one wouldn’t, and why to go with those cars. A rough crowd not to be trifled with for certain, but from the edges fascinating to watch, and learn about some stuff, some stuff never mentioned at home.
Or, on other corners, the gang around Doc’s Drugstore, a place where all the neighborhood boys, all the sixteen year old boys, and maybe some girls too, all the plaid-shirted, black-chinoed, “cool”, max daddies came of drinking age, for medicinal purposes of course. They could tell of magic elixirs from rums and raw whiskies, and confess, yes, confess that that whisky taste was nasty.
Or, on earlier, easier corners, really not corners, but the back of old Adamsville South Elementary School, when Billie Bradley would wind us up, a few wayward boys with dreams, musical dreams, Elvis riches dreams, and begin to sing in a low voice, then a little higher and we would back him up, drawing, drawing like lemmings from the sea, girls, stick girls and shapes, but girls and that was dream enough for twelve year old boys with wanderlust, or maybe just lust in their hearts
Or, even holy of holies, Salducci’s Pizza Parlor up the Downs when Frankie, Francis Xavier Riley, was king of the night (and a few days too) and I was his lord chamberlain. Maybe he'd tell us of some pizza dough secrets, or how to snag a girl with just the right jukebox combination. But no, no one has come forth to spew their whitewashed stories almost a half a century later so I must tell the tales. Probably, on some of the stuff, some of the kiddish schoolboy night stuff, those old corner boys don’t realize that the statue of limitations ran out, and ran out long ago. But that’s not my problem.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise. Ah.
*********
Harry's Variety Store
Riding down the old neighborhood streets a while back, the old North Adamsville working class streets, streets dotted with triple-deckers housing multiple families along with close-quarter, small cottage-sized single family houses like the one of my own growing to manhood time. Houses, moreover, that reflected, no exclaimed right to their tiny rooftops, that seemingly eternal overweening desire to have, small or not, worth the trouble or not, something of one’s own against the otherwise endless servitude of days. Suddenly, coming to an intersection, I was startled, no, more than that I was forced into a double-take, by the sight of some guys, some teenage guys hanging, hanging hard, one foot on the ground the other bent holding up the infernal brick wall that spoke of practice and marking one’s territory, against the oncoming night in front of an old time variety store, a mom and pop variety from some extinct times before the 7/11 chain store, fast shop, no room for corner boys, police take notice, dark night. Memory called it Kelly’s, today Kim’s. From the look of them, baggy-panted, latest fashion footwear name sneakered, baseball cap-headed, all items marked, marked with the insignia (secretly, and with no hope of outside decoding) signifying their "homeboy" associations (I would say gang, but that word is charged these days and this is not exactly what it looked like, at least to the public eye, my public eye) they could be the grandsons, probably not biological because these kids were almost all Asians speckled with a couple of Irish-lookers, shanty Irish-lookers, of the ghost be-bop night guys that held me in thrall in those misty early 1960s times.
Ya, that tableau, that time-etched scene, got me to thinking of some long lost comrades of the schoolboy night like the hang-around guys in front of Harry’s Variety, although comrades might not be the right word because I was just some punk young kid trying to be a wannabe, or half-wannabe, corner boy and they had no time for punk kids and later when I came of age I had no time for corner boys. Ya, that scene got me to thinking of the old time corner boys who ruled the whole wide North Adamsville night (and day for those who didn’t work or go to school, which was quite a few on certain days, becasue most of theses guys were between sixteen and their early twenties with very jittery school and work histroies better left unspoken, or else). Ya, got me thinking about where the white tee-shirted, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, naturally, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to.
Ya, I got to thinking too about Harry’s, old Harry’s Variety over there near my grandmother’s house, over there in that block on Sagamore Street where the Irish workingman’s whiskey-drinking (with a beer chaser), fist-fighting, sports-betting after a hard day’s work Dublin Grille was. Harry’s was on the corner of that block. Now if you have some image, some quirky, sentimental image, of Harry’s as being run by an up-and-coming just arrived immigrant guy, maybe with a big family, trying to make this neighborhood store thing work so he can take in, take in vicariously anyway, the American dream like you see running such places now forget it. Harry’s was nothing but a “front.” Old Harry, Harry O’Toole, now long gone, was nothing but the neighborhood “bookie” known far and wide to one and all as such. Even the cops would pull up in their squad cars to place their bets, laughingly, with Harry in the days before state became the bookie-of-choice for most bettors. And he had his “book”, his precious penciled-notation book right out on the counter. But see punk kid me, even then just a little too book-unworldly didn’t pick up on that fact until, old grandmother, jesus, grandmother “hipped” me to it.
Until then I didn’t think anything of the fact that Harry had about three dust-laden cans of soup, two dust-laden cans of beans, a couple of loaves of bread (Wonder Bread, if you want to know) on his dust-laden shelves, a few old quarts of milk and an ice chest full of tonic (now called soda, even by New Englanders) and a few other odds and ends that did not, under any theory of economics, capitalist or Marxist, add up to a thriving business ethos. Unless, of course, something else was going on. But what drew me to Harry’s was not that stuff anyway. What drew me to Harry’s was, one, his pin ball machine complete with corner boy players and their corner boy ways, and, two, his huge Coca Cola ice chest (now sold as antique curiosities for much money at big-time flea markets and other venues) filled with ice cold, cold tonics (see above), especially the local Robb’s Root Beer that I was practically addicted to in those days (and that Harry, kind-hearted Harry, stocked for me).
Many an afternoon, a summer’s afternoon for sure, or an occasional early night, I would sip, sip hard on my Robb’s and watch the corner boys play, no sway, sway just right, with that sweet pinball machine, that pin ball machine with the bosomy, lusty-looking, cleavage-showing women pictured on the top glass frame of the machine practically inviting you, and only you the player, on to some secret place if you just put in enough coins. Of course, like many dream-things what those lusty dames really gave you, only you the player, was maybe a few free games. Teasers, right. But I had to just watch at first because I was too young (you had to be sixteen to play) , however, every once in a while, one of the corner boys who didn’t want to just gouge out my eyes for not being a corner boy, would let me cadge a game while Harry was not looking. When you think about it though, now anyway, Harry was so “connected” (and you know what I mean by that) what the hell did he care if some underage kid, punk kid, cadged a few games and looked at those bosomy babes in the frame.
Ya, and thinking about Harry’s automatically got me thinking about Daniel (nobody ever called him that, ever) “Red” Hickey, the boss king of my schoolboy night at Harry’s. Red, the guy who set the rules, set the style, hell, set the breathing, allowed or not and when, of the place. I don’t know if he went to some corner boy school to learn his trade but he was the be-bop daddy (at least all the girls, all the hanging all over him girls, called him that) because he, except for one incident that I will relate below, ruled unchallenged with an iron fist. At least I never saw his regular corner boys Spike, Lenny, Shawn, Ward, Goof (yes, that was his name the only name I knew him by, and he liked it), Bop (real name William) or the Clipper (real name Kenny, the arch-petty Woolworth’s thief of the group hence the name) challenge him, or want to.
Ya, Red, old red-headed Red was tough alright, and has a pretty good-sized built but that was not what kept the others in line. It was a certain look he had, a certain look that if I went into describing it now I would get way overboard into describing it as some stone-cold killer look, some psycho-killer look but that would be wrong because it didn’t show that way. But that was what it was. Maybe I had better put it this way. Tommy Thunder, older brother of my middle school and high school best friend and a corner boy king in his own right, Frankie, Francis Xavier Riley, a big bruiser of a legendary North Adamsville football player and human wrecking machine who lived a few doors up from Harry’s went out of his way not to go near the place. Ya, Red was that tough.
See, he was like some general, or colonel or something, an officer at least, and besides being tough, he would “inspect” his troops to see that all and sundry had their “uniform” right. White tee-shirt, full-necked, no vee-neck sissy stuff, no muscle shirt half-naked stuff, straight 100% cotton, American-cottoned, American-textiled, American-produced, ironed, mother-ironed I am sure, crisp. One time Goof (sorry that’s all I knew him by, really) had a wrinkled shirt on and Red marched him up the street to his triple-decker cold-water walk-up flat and berated, berated out loud for all to hear, Goof’s mother for letting him out of the house like that. And Red, old Red like all Irish guys sanctified mothers, at least in public, so you can see he meant business on the keeping the uniform right question.
And like some James Dean or Marlon Brando tough guy photo, some motorcycle disdainful, sneering guy photo, each white tee-shirt, or the right sleeve of each white tee-shirt anyway, was rolled up to provide a place, a safe haven, for the ubiquitous package of cigarettes, matches inserted inside its cellophane outer wrapping, Luckies, Chesterfields, Camels, Pall Malls, all unfiltered in defiance of the then beginning incessant cancer drumbeat warnings, for the day’s show of manliness smoking pleasures.
And blue jeans, tight fit, no this scrub-washed, fake-worn stuff, but worn and then discarded worn. No chinos, no punk kid, maybe faux "beatnik," black chinos, un-cuffed, or cuffed like I wore, and Frankie, Francis Xavier Riley, king of the faux beatnik middle school night, including among his devotees this little too bookish writer, who was as tough a general, colonel, or some officer anyway, as corner boy Red was with his guys. Frankie example: no cuffs on those black chinos, stay home, or go elsewhere, if you are cuffed. Same kingly manner, right? Corner boys blue-jeaned and wide black-belted, black always, black-belt used as a handy weapon for that off-hand street fight that might erupt out of nowhere, for no reason, or many. Maybe a heavy-duty watch chain, also war-worthy, dangly down from those jeans. Boots, engineer boots, black and buckled, worn summer or winter, heavy, heavy-heeled, spit-shined, another piece of the modern armor for street fight nights. Inspection completed the night’s work lies ahead.
And most nights work, seemingly glamorous to little too bookish eyes at the time, was holding up some corner of the brick wall in front or on the side of Harry’s Variety with those engineer boots, one firmly on the ground the other bent against the wall, small talk, small low-tone talk between comrades waiting, waiting for… Or just waiting for their turn at that Harry luscious ladies pictured pinball machine. Protocol, strictly observed, required “General Red” to have first coin in the machine. But see old Red was the master swayer with that damn machine and would rack up free games galore so, usually, he was on that thing for a while.
Hey, Red was so good, although this is not strictly part of the story, that he could have one of his several honeys right in front of him on the machine pressing some buttons and he behind pressing some other buttons Red swaying and his Capri-panted honey, usually some blond, real or imagined, swaying, and eyes glazing, but I better let off with that description right now, because like I said it was strictly speaking not part of the story. What is part of the story is that Red, when he was in the mood or just bored, or had some business, some girl business, maybe that blond, real or imagined, just mentioned business would after I had been hanging around a while, and he thought I was okay, give me his leftover free games.
Now that was the “innocent” part of Red, the swaying pinball wizard, girl-swaying, inspector general part. But see if you want to be king of the corner boy night you have to show your metal once in a while, if for no other reason than the corner boys, the old time North Adamsville corner boys might be just a little forgetful of who the king hell corner boy was, or as I will describe, some other corner boy king of some other variety store night might show up to see what was what. Now I must have watched the Harry’s corner boy scene for a couple of years, maybe three, the last part just off and on, but I only remember once when I saw Red show “his colors.” Some guy from Adamsville, some tough-looking guy who, no question, was a corner boy just stopped at Harry’s after tipping a couple, or twenty, at the Dublin Grille. He must have said something to Red, or maybe Red just knew instinctively that he had to show his colors, but all of a sudden these two are chain-whipping each other. No, that’s not quite right, Red is wailing, flailing, nailing, chain-whipping this other guy mercilessly, worst, if that is possible. The guy, after a few minutes, was left in a pool of blood on the street, ambulance ready. And Red just walked way, just kind of sauntering away.
Of course that is not the end of the Red story. Needless to say, no work, no wanna work Red had to have coin, dough, not just for the pinball machine, cigarettes, and soda, hell, that was nothing. But for the up-keep on his Chevy (Chevvies then being the “boss” car, and not just among corner boys either), and that stream of ever-loving blond honeys, real or imagined, he escorted into the seashore night. So said corner boys did their midnight creep around the area grabbing this and that to bring in a little dough. Eventually Red “graduated” to armed robberies when the overhead grew too much for little midnight creeps, and graduated to one of the branches of the state pen, more than once. Strangely, his end came, although I only heard about this second hand, after a shoot-out with the cops down South after he tried to rob some White Hen convenience store. There is some kind of moral there, although I will be damned if I can figure it out. Red, thanks for those free games though.
*************
Doc's Drugstore
It wasn’t all be-bop night, rock ‘n’ roll sock hop, midnight drifter, midnight sifter, low-rider, hard-boiled corner boy 1950s life in old down and out working class dregs North Adamsville. Not at all. But a lot of it was, a lot that bespoke of the early phases of American deindustrialization, although we would not have called that then, if we had been aware of it even, with the demise of the local mainstay ship building ad its associated industries, great world war warship shipbuilding and then later gigantic oil tankers and then, then nothing, maybe a sailboat, or a row boat for all I know, I just don’t know more, or why.
All I know, or at least all that I know from what I heard my father, and other fathers say, was that that industry was the life’s blood of getting ahead, ahead in the 1950s life in that beat down, beat up, beat thirteen ways to Sunday town (ya, I know it is only six but it sure did seem like thirteen on some hard father unemployed days). And so low-rider, hard-boiled corner boy, the easy life of pinball wizardry, dime store lurid magazines, slow-drinking Cokes (or Pepsis, but make mine local Robb’s Root Beer), draped around mascara-eyed, heavy form-filled girls, and the occasional armed robbery to break up the day, and bring in some much needed dough held a higher place that it might have, and almost certainly would in some new town West.
But what was a guy to do if to get out of the house, get away from ma’s nagging (and it was almost always ma, every ma house in those days), siblings heckling, and just breathe in some fresh air, some fresh be-bop rock corner boy air, if at all possible.
See, this is way before mall rat-dom came into fashion since the nearest mall was way too far away to drag yourself to, and it also meant traveling through other corner boy, other maybe not friendly corner boy lands. So if you didn’t want to tie yourself down to some heavy felony on some soft misty, foggy better, night by hanging around tough corner boy, Red Hickey-ruled Harry’s Variety, or your tastes did not run to trying to cadge some pinball games from those same toughs, or you were too young, too innocent, too poor, too car-less or too ragamuffiny for those form-filled, Capri-panted girls with their haunting black mascara eyes then you had to hang somewhere else, and Doc’s, ya, Doc’s Drugstore is where you hung out in the more innocent section of that be-bop 1950s night.
Wait a minute I just realized that I had better explain, and do it fast before you get the wrong idea, that I am not talking about some CVS, Rite-Aid, or Osco chain-linked, no soliciting, no trespassing, no loitering, police take notice, run in and run out with your fistful of drugs, legal drugs, places. Or run in for some notions or sundries, whatever they are. No way, no way in hell would you want to hang out where old-timers like your mothers and fathers and grandparents went to help them get well.
No this was Doc’s, Doc-owned (ya, Doc, Doc Adams, I think, or I think somebody told me once that he was part of some branch of that Adams crowd, the presidential Adams crowd that used to be big wheels in the town), Doc-operated, and Doc-ruled. And Doc let, unless it got too crazy, kids, ordinary kids, not hard-boiled white tee-shirted corner boys but plaid-shirted, chino pant-wearing (no I am not going to go on and on about the cuffs, no cuffs controversy, okay, so keep reading), maybe loafers (no, inserted pennies, please, and no, no, no, Thom McAn’s), a windbreaker against some ocean-blown windy night on such nights, put their mark on the side walls, the side brick walls of his establishment. And let the denizens of the Doc night (not too late night either) put as will every self-respecting corner boy, tee-shirted or plaid, make his mark by standing, one loafer-shod foot on the ground, and the other knee-bent against the brick wall holding Doc’s place together. True-corner boydom. Classic pose, classic memory pose.
And see, Doc, kindly, maybe slightly mad Doc, and now that I think about it slightly girl-crazy himself maybe, let girls, girls even hang against the wall. Old Harry’s Variety Red Hickey would have shot one of his girls in the foot if they ever tried that stunt. Girls were to be draped, preferably draped around Red not around Harry’s wall, brick or not. Now, after what I just described you know that you’re into a new age night because no way Harry, and definitely not Red (Daniel, don’t ever call him that though) Hickey, king hell king of the low-rider night that I told you about before, just a couple minutes ago would let some blond, real or imagined, Capri-panted, cashmere swearing wearing (tight, very tight cashmere sweater-wearing, if you didn’t know), boffed, bimbo (ouch, but that is what we called them, so be it) stand around his corner even. Dames (better, right) were for hot-rod Chevy, hard-driving, low-riding sitting on the seat next to, and other stuff. But plaid-shirted guys (loafer-shod) liked, do you hear me Red and Harry, liked having girls hanging with them to while away the be-bop hard night corner boy lands.
And before you even ask, Doc’s had not pinball machine and no pinball wizards (as far as I remember, although a couple of guys and a girl were crackerjack bowlers). But see, Doc’s had the things that mattered, mattered for plaid-shirted guys with a little dough (their allowances, no snickering please for any hard-boiled readers, or poor ones) in their pockets, and lust chaste lust maybe, in their hearts. Doc’s had a soda fountain, one,
and, two, a juke box. Where the heck do you think we heard a zillion times all those songs from back then that I keep telling you about? Come on now, smarten up.
And, of course if you have corner boys, even nice corner boys, you have to have a king hell king corner boy. Red, Red Hickey understood that instinctively, and acted on it, whip chain in hand. Other boys in other corners acted on it in that same spirit, although not that crudely. And corner boy king, Doc’s Drugstore corner boy king, Brian Pennington, plaid-shirted king of the soft-core corner boy night acted on that same Red premise. How Brian (“Bri” to most of us) came to be king corner boy is a good story, a good story about how a nowhere guy (a my characterization nowhere guy) used a little influence to get ahead in this wicked old world. Red did it by knocking heads around and was the last man standing, accepting his “crown” from his defeated cronies. Brian took a very different route.
Now I don’t know every detail of his conquest because I only touched the edges of his realm, and of his crowd, as I was moving out of the neighborhood thralldom on to other things, Frankie, Francis Xavier Riley, scribe things. Apparently Doc had a granddaughter, a nice but just then wild granddaughter whom Doc was very fond of as grandfathers will be. And of course he was concerned about the wildness, especially as she was coming of age, and nothing but catnip (and bait) for Red and his corner boys if Doc didn’t step in and bring Brian into the mix. Now, no question, Brian was a sharp dresser of the faux-collegiate type that was just starting to come into its own in that 1960s first minute. This time of the plaid shirts was a wave that spread, and spread quickly, among those kids from working class families that were still pushing forward on the American dream, and maybe encouraging their kids to take college courses at North Adamsville High, and maybe wind up in that burgeoning college scene that everybody kept talking about as the way out.
Brian was no scholar, christ he was no scholar, although he wasn’t a dunce either. At least he had enough sense to see which way things were going, for public consumption anyway and put on this serious schoolboy look. That sold Doc, who had been having conversations with Brian when he came into the drugstore with books in one arm, and a girl on the other. I’ll give you the real low-down sometime about how book-worthy, book-worshipping Brian really was. Let me just relate to you this tidbit for now. One day, one school vacation day, Brian purposefully knocked the books out of my hands that I had borrowed when I was coming out of the Thomas Crane Public Library branch over on Atlantic Avenue (before it moved to Norfolk Downs) and yelled at me, “bookworm.” Like I didn’t know that already. But enough about that because this is about Brian's rise, not mine. Somehow Brian and Lucy, Doc’s granddaughter came together, and without going into all the details that like I said I don’t really know anyway, they hit it off. And see, this is where Brian’s luck really held out, from that point on not only did Brian get to hang his loafer-ed shoe on Doc’s brick wall but he was officially, no questions asked, the king of that corner boy night. That’s how I heard the story and that seems about right because nobody ever challenged him on it, not that I heard.
Now like I mentioned before, Doc’s was a magnet for his juke box-filled soda fountain and that drew a big crowd at times, especially after school when any red-blooded kid, boy or girl, needed to unwind from the pressure-cooker of high school, especially we freshmen who not only had to put up with the carping teachers, but any upper classman who decided, he or she, to prank a frosh. That’s my big connection with Doc’s, that after school minute freshman year, but, and here I am getting my recollections second-hand, Doc’s was also a coming-of-age place for more than music, soft ice cream, and milk shakes. This is also the place where a whole generation of neighborhood boys, and through them, the girls as well had their first taste of alcohol.
How you say? Well, Brian, remember Brian, now no longer with Lucy (she went off to a private finishing school and drifted from the scene) but was still Doc’s boy, Doc’s savior boy, and somehow conned old Doc into giving him his first bottle of booze. Not straight up, after all Brian was underage but Bri said it was, wink, wink, for his grandmother. Now let me explain, in those days in the old neighborhood, and maybe all over, a druggist could, as medicine, sell small bottles of hard liquor out of his shop legally. The standard for getting the prescription wasn’t too high apparently, and it was a neighborhood drugstore and so you could (and this I know from personal experience) tell Doc it was for dear old grandma, and there you have it. Known grandma tee-totalers and their grand kids would be out of the loop on this one but every self-respecting grandma had a “script” with Doc. Now Doc knew, had to know, about this con, no question, because he always had a chuckle on him when this came up. And he had his own Doc standards- no one under sixteen (and he was sharp on that) and no girls. So many a night the corner boys around Doc’s were probably more liquored up that Red and his boys ever were. Nice, right?
********
When Billie Ruled The Roost- First Take
He was the first. A certified 1958 A-One prime custom model first. Yes, Billie was the first. Billie, William James Bradley that is if you did not know his full moniker, was the first. No question about it, no controversy, no alternate candidates, no hemming and hawing agonizing about this guy’s attributes or that guy’s style and how they lined up against Billie’s shine in order to pick a winner. No way, get it. Billie, first in what anyway? Billie, first, see, first in line of the then ever sprouting young schoolboy king corner boy wannabes. Wannabes because the weres, the corner boy weres, the already king corner boy weres, the older, mainly not schoolboys or, christ, not for long schoolboys, mainly not working, jesus, mainly not working, mainly just hanging around (laying about was a name for it, a fit name at that) were already playing, really hip-swaying, lazily hip-swaying if you wanted to win games, wizard pinball machines in the sacred corner boy small town mom and pop variety night or cueing up in some smoke-filled big town pool hall.
Or working on hot souped-up cars, a touch of grease pressed, seemingly decaled pressed, into their uniform white tee-shirts (no vee-necks need apply) and always showed, showed an oily speck anyway, on their knuckles. But the cars were to die for, sleek tail-finned, pray to god cherry red if you put the finish on right (no going to some hack paint shop, no way, not for this baby, not for that ’57 Chevy), dual exhaust, big cubic engine numbers that no amateur had a clue to but just knew when sighted that thing would fly (well, almost fly) into the boulevard night, that sea air, sex-charged boulevard night. Tuned-up just right for that cheap gas to make her run, ya, that cheap City Service gas that was even cheaper than the stuff over at the Merit gas station, by two cents.
Or talking some boffo, usually blonde, although not always, maybe a cute rosy red-lipped and haired number or, in a pinch, a soft, sultry, svelte brunette, tight cashmere sweater-wearing, all, Capri pant-wearing, all, honey out of her virtue (or maybe into her virtue) down by the seashore after some carnival-filled night. A night that had been filled with arcade pinball wizardry, cotton candy, salt-water taffy, roller coaster rides, and a few trips in the tunnel of love, maybe win a prize from the wheel of fortune game too. A night capped with a few illicit drinks from some old tom, or johnny, Johnny Walker that is, rotgut to make that talking easier, and that virtue more questionable, into or out of. All while the ocean waves slap innocently against the shore, drowning out the night’s heavy breathed, hard-voiced sighs.
Or, get this, because it tells a lot about the byways and highways of the high-style corner boy steamy black and white 1950s night, preparing, with his boys, his trusted unto death boys, his omerta-sworn boys, no less to do some midnight creep (waylaying some poor bedraggled sap, sidewalk drunk or wrong neighborhooded, with a sap to the head for dough, or going through some back door, and not gently, to grab somebody’s family heirlooms or fungibles, better yet cash on hand) in order to maintain that hot car, cheap gas or not, or hot honey, virtuous or not. Ya, things cost then, as now.
And, ya, in 1958, in hard look 1958, those king hell corner boy weres already sucked up the noteworthy, attention-getting black and white television, black and white newsprint night air. Still the lines were long with candidates and the mom and pop variety store-anchored, soda fountain drugstore-anchored, pizza parlor-anchored, pool hall-anchored corners, such as they were, were plentiful in those pre-dawn mall days. But see that is the point, the point of those long lines of candidates in every burg in the land or, at least became the point, because in 1948, or 1938, or maybe even 1928 nobody gave a rat’s ass, or a damn, about corner boys except to shuffle them out of town on the first Greyhound bus.
Hell, in 1948 they were still in hiding from the war, whatever war it was that they wanted no part of, which might ruin their style, or their dough prospects. They were just getting into those old Nash jalopies, revving them up in the "chicken run" night out in the exotic west coast ocean night. In 1938 you did not need a Greyhound bus coming through your town because these guys were already on the hitchhike road, or were bindled-up in some railroad jungle, or getting cracked over the head by some “bull”, in the great depression whirlwind heading west for adventure, or hard-scrabble work. And in 1928 these hard boys were slugging it out, guns at the ready, in fast, prohibition liquor-load filled cars, and had no time for corners and silly corner pinball wizard games (although maybe they had time for running the rack at Gus’s pool hall, if they lived long enough).
That rarified, formerly subterranean corner boy way of life, was getting inspected, dissected, rejected, everything but neglected once the teen angst, teen alienation wave hit 1950s America. You heard some of the names, or thought you heard some of the names that counted, but they were just showboat celebrities, celebrities inhabiting Cornerboy, Inc. complete with stainless tee-shirt, neatly pressed denim jeans, maybe a smart leather jacket against the weather’s winds, unsmoked, unfiltered cigarettes at the ready, and incurably photogenic faces that every girl mother could love/hate.
Forget that. Down in the trenches, ya, down in the trenches is where the real corner boys lived, and lived without publicity most days, thank you. Guys like Red Hickey, tee-shirted, sure, denim-jeaned, sure, leather-jacketed, sure, chain-smoking (Lucky Strikes, natch), sure, angelic-faced, sure, who waylaid a guy, put him in an ambulance waylaid, just because he was a corner boy king from another cross-town corner who Red thought was trying to move in, or something like that. Or guys like Bruce “The Goose” McNeil, ditto shirted, jeaned, jacketed, smoked (Camels), faced who sneak-thieved his way through half of the old Adamsville houses taking nothing but high-end stuff from the swells. Or No Name McGee, corner boy king of the liquor store clip. Ya, and a hundred other guys, a hundred no name guys, except maybe to the cops, and to their distressed mothers, mainly old-time Irish and Italian novena-praying Catholic mothers, praying against that publicity day, the police blotter publicity day.
But you did not, I say, you did not hear those Hickey, McNeil, No Name stories in the big town newspapers or in some university faculty room when those guys zeroed in on the corner boy game trying to explain, like it was not plain as the naked eye to see, and why, all that angst and alienation. And then tried to tell one and all that corner boy was a phase, a minute thing, that plentiful America had an edge, like every civilized world from time immemorial had, where those who could not adjust, who could not decode the new American night, the odorless American night, the pre-lapsarian American night shifted for themselves in the shadows. Not to worry though it was a phase, just a phase, and these guys too will soon be thinking about that ticky-tack little white house with the picket fence.
Ya, but see, see again, just the talk through the grapevine about such guys as Red, The Goose, No Name, the legendary jewelry store clip artist, Brother Johnson (who set himself apart because he made a point of the fact that he didn’t smoke, smoke cigarettes anyway), and a whole host of guys who made little big names for themselves on the corners was enough to get guys like Billie, and not just primo candidate Billie either, hopped-up on the corner boy game. Ya, the corner boys whose very name uttered, whose very idea of a name uttered, whose very idea of a name thought up in some think-tank academy brain-dust, and whose very existence made a splash later (after it was all over, at least the public, publicity all over, part), excited every project schoolboy, every wrong side of the tracks guy (and it was always guys, babes were just for tangle), every short-cut dreaming boy who could read the day’s newspaper or watch some distended television, or knew someone who did.
And Billie was the first. The star of the Adamsville elementary schoolboy corner boy galaxy. No first among equals, or any such combination like that either, if that is what you are thinking. Alone. Oh sure his right-hand man, Peter Paul Markin, weak-kneed, bookwormy, girl-confused but girl-addled, took a run at Billie but that was seen, except maybe by Peter Paul himself, as a joke. Something to have a warm chuckle over on dreary nights when a laugh could not be squeezed out any other way. See, Peter Paul, as usual, had it all wrong on his figuring stuff. He thought his two thousand facts knowledge about books, and history, and current events, and maybe an off-hand science thing or two entitled, get this, entitled him to the crown. Like merit, or heredity, or whatever drove him to those two thousand facts meant diddly squat against style, and will.
Billie tried to straighten him out, gently at first, with a short comment that a guy who had no denim blue jeans, had no possibility of getting denim blue jeans, and was in any case addicted to black chinos, black cuffed chinos, has no chance of leading anybody, at any time, in anything. Still Peter Paul argued some nonsense about his organizing abilities. Like being able to run a low-rent bake sale for some foolish school trip, or to refurbish the U.S.S. Constitution, counted when real dough, real heist dough, for real adventures was needed. Peter simmered in high-grade pre-teen anguish for a while over that one, more than a while.
Billie and Peter Paul, friends since the first days of first grade, improbably friends on the face of it although Billie’s take on it was that Peter Paul made him laugh with that basketful of facts that he held on to like a king’s ransom, protecting them like they were gold or something, finally had it out one night. No, not a fist fight, see that was not really Billie’s way, not then anyway or at least not in this case, and Peter Paul was useless at fighting, except maybe with feisty paper bags or those blessed facts. Billie, who not only was a king corner contender but a very decent budding singer, rock and roll singer, had just recently lost some local talent show competition to a trio of girls who were doing a doo wop thing. That part was okay, the losing part, such things happen in show biz and even Billie recognized, recognized later, that those girls had be-bopped him with their cover of Eddie, My Love fair and square. Billie, who for that contest was dressed up in a Bill Haley-style jacket made by his mother for the occasion, did the classic Bill Haley and the Comets Rock- Around-The-Clock as his number. About halfway through though one of the arms of his just made suit came flying off. A few seconds later the other arm came off. And the girls, the coterie of Adamsville girls in the audience especially, went crazy. See they thought it was part of the act.
After that, at school and elsewhere, Billie was besieged daily by girls, and not just stick-shaped girls either, who hung off all his arms, if you want to know. And sensitive soul Peter Paul didn’t like that. He didn’t care about the girl part, because as has already been noted, and can be safely placed on golden tablets Peter Paul was plenty girl-confused and girl-addled but girl-smitten in his funny way. What got him in a snit was that Billie was neglecting his corner boy king duty to be on hand with his boys at all available times. Well, this one night the words flew as Billie tired, easily tired, of Peter Paul’s ravings on the subject. And here is the beauty of the thing, the thing that made Billie the king corner boy contender. No fists, no fumings, no forget friendships. Not necessary. Billie just told Peter Paul this- “You can have my cast-offs.” Meaning, of course, the extra girls that Billie didn’t want, or were sticks, or just didn’t appeal to him. “Deal,” cried Peter Paul in a flash. Ya, that was corner boy magic. And you know what? After that Peter Paul became something like Johnson’s Boswell and really started building up Billie as the exemplar corner boy king. Nice work, Billie.
You know Freddie Jackson too took his shots but was strictly out of his league against the Billie. Here it was a question not of facts, or books, or some other cranky thing bought off, bought off easily, by dangling girls in front of a guy a la Peter Paul but of trying to out dance Billie. See Freddie, whatever else his shortcomings, mainly not being very bright and not being able to keep his hands out of his mother’s pocketbook when he needed dough so that he had to stay in many nights, worst many summer nights, could really dance. What Freddie didn’t know, and nobody was going to tell him, nobody, from Peter Paul on down if they wanted to hang with Billie was that Billie had some great dance moves along with that good and growing singing voice. See, Freddie never got to go to the school or church dances and only knew that Billie was an ace singer. But while Freddie was tied to the house he became addicted to American Bandstand and so through osmosis, maybe, got some pretty good moves too.
So at one after-school dance, at a time when Freddie had kept his hands out of his mother’s pocketbook long enough not to be house-bound, he made his big move challenge. He called Billie out. Not loud, not overbearing but everybody knew the score once they saw Freddie’s Eddie Cochran-style suit. The rest of the guys (except Billie, now wearing jeans and tee-shirt when not on stage in local talent contests where such attire got you no where) were in chinos (Peter Paul in black-cuffed chinos, as usual) and white shirts, or some combination like that, so Freddie definitely meant business. Freddie said, “If I beat you at dancing I’m running the gang, okay?” (See corner boys was what those professors and news hawks called them but every neighborhood guy, young or old, knew, knew without question, who led, and who was in, or not in, every, well, gang). Billie, always at the ready when backed up against the wall, said simply, “Deal.” Freddie came out with about five minutes of jitter buggery, Danny and the Juniors At The Hop kind of moves. He got plenty of applause and some moony-eyedness from the younger girls (the stick girls who were always moony-eyed until they were not stick girls any more).
Billie came sauntering out, tee-shirt rolled up, tight jeans staying tight and just started to do the stroll as the song of the same name, The Stroll, came on. Now the stroll is a line dance kind of thing but Billie is out there all by himself and making moves, sexual-ladened moves, although not everybody watching would have known to call them that. And those moves have all the girls, sticks and shapes, kind of glassy-eyed with that look like maybe Billie needed a partner, or something and why not me look. Even Freddie knew he was doomed and took his lost pretty well, although he still had that hankering for mom’s purse that kept him from being a real regular corner boy when Billie got the thing seriously organized.
Funny thing, Lefty Wright, who actually was on the dance floor the night of the Freddie-Billie dance-off, pushed Billie with the Freddie challenge. And Freddie was twenty times a better dancer than Lefty. Needless to say, join the ranks, Lefty. Canny Danny O’Toole (Cool Donna O’Toole’s, a stick flame of Billie’s, early Billie, brother) was a more serious matter but after a couple of actions (actions best left unspecified) he fell in line. Billie, kind of wiry, kind of quick-fisted as it turned out, and not a guy quick to take offense knew, like a lot of wiry guys, how to handle himself without lots of advertising of that fact. He was going to need that fist-skill when the most serious, more serious than the Canny Danny situation came up. And it did with Badass Bobby Riley, Badass was a known quality, but he was a year older than the others and everybody knew was a certified psychopath who eventually drifted out of sight. Although not before swearing his fealty to Billie. After taking a Billie, a wiry Billie, beating the details of which also need no going into now. And there were probably others who stepped up for a minute, or who didn’t stay long enough to test their metal. Loosey Goosey Hughes, Butternut Walsh, Jimmy Riley (no relation to Badass), Five Fingers Kelly, Kenny Ricco, Billy Bruno, and on and on.
But such was the way of Billie’s existence. He drew a fair share of breaks, for a project kid, got some notice for his singing although not enough to satisfy his huge hunger, his way out, he way out of the projects, projects that had his name written all over them(and the rest of his boys too). And then he didn’t draw some breaks after a while, got known as a hard boy, a hard corner boy when corner boy was going out of style and also his bluesy rockabilly singing style was getting crushed by clean-cut, no hassle, no hell-raising boy boys. And then he started drawing to an outside straight, first a couple frame juvenile clip busts, amid the dreaded publicity, the Roman Catholic mother novena dread publicity, police blottered. Then a couple of house break-ins, taking fall guy lumps for a couple of older, harder corner boys who could make him a fall guy then, as he would others when his turn came. All that was later, a couple of years later. But no question in 1958, especially the summer of 1958 when such things took on a decisive quality, Billie, and for one last time, that’s William James Bradley, in case anyone reading needs the name to look up for the historical record was Billie's time. Ya, 1958, Billie, ah, William James Bradley, and corner boy king.
Funny, as you know, or you should know, corner boys usually gain their fleeting fame from actually hanging around corners, corner mom and pop variety stores, corner pizza parlors, corner pool halls, corner bowling alleys, corner pinball wizard arcades, becoming fixtures at said corners and maybe passing on to old age and social security check collection at said corner. Or maybe not passing to old age but to memory, memory kid’s memory. But feature this, in Billie’s great domain, his great be-bop night kingship, and in his various defenses of his realm against smart guys and stups alike, he never saw so much as a corner corner to rest his laurels on. And not because he did not know that proper etiquette in such matters required some formal corner to hang at but for the sheer, unadulterated fact that no such corner existed in his old-fashioned housing project (now old-fashioned anyway because they make such places differently today), his home base.
See, the guys who made the projects “forgot” that, down and out or not, people need at least a mom and pop variety store to shop at, or nowadays maybe a strip mall, just like everybody else. But none was ever brought into the place and so the closest corner, mom and pop corner anyway, was a couple of miles away up the road. But that place was held by a crowd of older corner boys whose leader, from what was said, would have had Billie for lunch (and did in the end).
But see here is where a guy like Billie got his corner boy franchise anyway. In a place where there are no corners to be king of the corner boy night there needs to be a certain ingenuity and that is where “His Honor” held forth. Why not the back of the old schoolhouse? Well, not so old really because in that mad post-World War II boom night (no pun intended), schools, particularly convenient elementary schools even for projects
kids were outracing the boomers. So the school itself was not old but the height of 1950s high-style, functional public building brick and glass. Boxed, of course, building-boxed, classroom-boxed, gym-boxed, library-ditto boxed. No cafeteria-boxed, none necessary reflecting, oddly, walk to school, walk home for lunch, stay-at-home mom childhood culture even in public assistance housing world. And this for women who could have, if they could have stood the gaff from neighbor wives, family wives, society wives screamed to high heaven for work, money work. That was Billie world too, Billie day world. Billie September to June world.
But come dusk, summer dusk best of all, Billie ruled the back end of the school, the quiet unobserved end of the school, the part near the old sailors’ graveyard, placed there to handle the tired old sailors who had finished up residing at the nearby but then no longer used Old Sailors’ Rest Home built for those who roamed the seven seas, the inlet bays, and whatever other water allowed you to hang in the ancient sailors’ world. There Billie held forth, Peter Paul almost always at hand, seeking, always seeking refuge from his hellfire home thrashings. Canny Danny, regularly, same with Lefty and Freddie (when not grounded), and Bobby while he was around. And other guys, other unnamed, maybe unnamable guys who spent a minute in the Billie night. Doing? Ya, just doing some low murmur talking, most nights, mostly some listening to Billie dreams, Billie plans, Billie escape route. All sounding probable, all wistful once you heard about it later. All very easy, all very respectful, in back of that old school unless some old nag of a neighbor, fearful that the low murmur spoke of unknown, unknowable conspiracies against person, against the day, hell, even against the night. Then the cops were summoned. But mainly not.
And then as dusk turned to dark and maybe a moon, an earth moon (who knew then, without telescope, maybe a man-made moon), that soft talk, that soft night talk, turned to a low song throat sound as Billie revved up his voice to some tune his maddened brain caught on his transistor radio (bought fair and square up at the Radio Shack so don’t get all huffy about it). Say maybe Frankie Lymon and The Teenagers Why Do Fools Fall In Love? and then the other ragamuffins would do harmony. Ya, that was twelve, maybe thirteen year old night, most nights, the nights of no rough stuff, the nights of dreams, maybe. But like some ancient siren call that sound penetrated to the depths of the projects and soon a couple of girls, yes, girls, twelve and thirteen year old girls, what do you expect, stick girls and starting shape girls, would hover nearby, maybe fifty yards away but the electricity was in the air, and those hardly made out forms drove Billie and his choir corner boys on. Maybe Elvis’ One Night as a come on. Then a couple more girls, yes, twelve and thirteen year old girls, have you been paying attention, sticks and starting shapes, join those others quietly swaying to the tempo. A few more songs, a few more girls, girls coming closer. Break time. Girl meet boy. Boy meet girl. Hell, even Peter Paul got lucky this night with one of Billie’s stick rejects. And as that moon turned its shades out and the air was fragrance with nature’s marshlands sea air smells and girls’ fresh soap smells and boys’ anxiety smells the Billie corner boy wannabe world seemed not so bad. Ya, 1958 was Billie’s year. Got it.
********
When Frankie Was A Corner Boy King Of The North Adamsville Night
Pallid Peter Paul Markin, no way, two thousand facts bundled up and at hand or not. Nix "Fingers" Kelly (formerly known as "Five Fingers" Kelly but he gave that up and went respectable), "High Boy" McNamara (and no, not in the post-drug world that kind of high, the other older one), "Jumpin’ Johnny" O’Connor (and do not, please do not, ask what he was jumping, or trying to) as well. Hell, double nix no nickname Benny Brady, "Billy Bop" O’Brian (and do not, ditto Johnny O’Connor, ask what he bopped, or tried to), Ricardo Ricco, "Timid Timmy" McPartlin and a bunch of other, no name, guys who passed, passed fast, through the be-bop Salducci’s Pizza Parlor schoolboy night. No question, no question at all though that the king hell corner boy king of the early 1960s North Adamsville schoolboy night was one Frankie, Francis Xavier Riley, and no other. And here is why.
In a recent series of entries that formed of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, it was noted that there had been about a thousand truck stop diner stories left over from those old hitchhike road days. On reflection though, this writer realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).
Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.
More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.
And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh ya, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.
But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want, I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.
Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)
As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Some times people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.
Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.
So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.
But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).
And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn, and learn fast.
Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.
So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (its getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (ya, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.
Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.
We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy like a loon.
Subscribe to:
Posts (Atom)