Out In The 1940s Crime Noir Night- Humphrey Bogart and Ida Lupino’s “High Sierra”- A Film Review
DVD Review
High Sierra, starring Humphrey Bogart, Ida Lupino, directed by Raoul Walsh, Warner Brothers, 1941
Okay, okay one more time- and this is for you, Roy “Mad Dog” Earle the “hero” of the film under review, High Sierra, crime does not pay. Some guys, some guys like brother Earle wind up learning that “hard knocks” lesson the hard way- lying face down at the bottom of some foreboding sierra canyon and no one , well, not no one, but hardly anyone to weep over their bones. And that, my friends, is the rough sketch lesson behind this classic Bogie gangster portrayal (and classic down-at-the heels dime-a-dance portrayal as faithful Marie, played by, well, an amazingly fetching Ida Lupino).
A little plot line is in order to show why, why, naw, skip that, we already have had our noses rubbed since childhood in the whys and why nots of crime doesn’t pay but why Brother Earle in the end took a bullet rather than be captured alive (even with his doll moll, Marie, ready to visit him every Sunday at some off the road prison locale).
See Earle is a three-time loser (or at least more than once) having been sprung from a full-book (okay, okay life) prison sentence (via an Indiana pardon) by an old-time gangster boss on his last legs. Apparently the talent pool of hard boys has dried up and an old pro that is not afraid to take heat and give some (without losing his head) is required for the caper the old don has in mind. A big jewelry heist in the Sierras (that’s in non-seaside California for the geography-challenged) at a watering hole for the well off. Easy stuff for Earle, as long as he keeps his head and the hired help don’t panic.
Now strictly as filler Roy, having had enough of the inside, and is planning to retire after he gets his cut from the heist. And for a while the film moves along with a little off-hand, oddball romance (no not Ida, not Ida yet). He befriends, on his road west, an old has-been farmer down on his uppers with a pretty crippled (oops, disabled) young granddaughter who he has ideas of marrying. Ya, I know, old Roy had been away for a while so maybe he is secretly skirt crazy, but this combination is strictly no go, no go on about seven counts, including that said granddaughter has enough sense to brush Roy the Boy off. Although not before Roy had sprung for a leg fixing operation. Roy, believe me, it never would have worked out. She would have run off with some Hollywood soda jerk or fast-talking garage mechanic and then where would you have been?
What works, and works like magic, is drop dead foxy, been around the block, been knocked around but is still taking the eight count, Marie. She had blew into town with a couple of what passed for hard boys in the hills of California night ( as boss man Big Mac said the talent ain’t like it used to be) and while they waste their time fighting over her favors she lights on our boy Roy. And after the granddaughter flame-out and some soft-soap sparring Marie wins the prize.
Naturally, yawn, the heist goes awry when some well-heeled dame screams and the bullets start to fly. And as the cops bear down through of series of narrower and narrower possibilities Roy is headed to that high sierra canyon, and death. No, Marie had it right. Like she had a lot of things right. He crashed out and was free, free as a three-time loser was ever going be.
DVD Review
High Sierra, starring Humphrey Bogart, Ida Lupino, directed by Raoul Walsh, Warner Brothers, 1941
Okay, okay one more time- and this is for you, Roy “Mad Dog” Earle the “hero” of the film under review, High Sierra, crime does not pay. Some guys, some guys like brother Earle wind up learning that “hard knocks” lesson the hard way- lying face down at the bottom of some foreboding sierra canyon and no one , well, not no one, but hardly anyone to weep over their bones. And that, my friends, is the rough sketch lesson behind this classic Bogie gangster portrayal (and classic down-at-the heels dime-a-dance portrayal as faithful Marie, played by, well, an amazingly fetching Ida Lupino).
A little plot line is in order to show why, why, naw, skip that, we already have had our noses rubbed since childhood in the whys and why nots of crime doesn’t pay but why Brother Earle in the end took a bullet rather than be captured alive (even with his doll moll, Marie, ready to visit him every Sunday at some off the road prison locale).
See Earle is a three-time loser (or at least more than once) having been sprung from a full-book (okay, okay life) prison sentence (via an Indiana pardon) by an old-time gangster boss on his last legs. Apparently the talent pool of hard boys has dried up and an old pro that is not afraid to take heat and give some (without losing his head) is required for the caper the old don has in mind. A big jewelry heist in the Sierras (that’s in non-seaside California for the geography-challenged) at a watering hole for the well off. Easy stuff for Earle, as long as he keeps his head and the hired help don’t panic.
Now strictly as filler Roy, having had enough of the inside, and is planning to retire after he gets his cut from the heist. And for a while the film moves along with a little off-hand, oddball romance (no not Ida, not Ida yet). He befriends, on his road west, an old has-been farmer down on his uppers with a pretty crippled (oops, disabled) young granddaughter who he has ideas of marrying. Ya, I know, old Roy had been away for a while so maybe he is secretly skirt crazy, but this combination is strictly no go, no go on about seven counts, including that said granddaughter has enough sense to brush Roy the Boy off. Although not before Roy had sprung for a leg fixing operation. Roy, believe me, it never would have worked out. She would have run off with some Hollywood soda jerk or fast-talking garage mechanic and then where would you have been?
What works, and works like magic, is drop dead foxy, been around the block, been knocked around but is still taking the eight count, Marie. She had blew into town with a couple of what passed for hard boys in the hills of California night ( as boss man Big Mac said the talent ain’t like it used to be) and while they waste their time fighting over her favors she lights on our boy Roy. And after the granddaughter flame-out and some soft-soap sparring Marie wins the prize.
Naturally, yawn, the heist goes awry when some well-heeled dame screams and the bullets start to fly. And as the cops bear down through of series of narrower and narrower possibilities Roy is headed to that high sierra canyon, and death. No, Marie had it right. Like she had a lot of things right. He crashed out and was free, free as a three-time loser was ever going be.
