Showing posts with label double entendre. Show all posts
Showing posts with label double entendre. Show all posts

Thursday, August 15, 2019

Happy Birthday Jim Kweskin-The Max Daddy Of Jug- *"This Ain't Rock and Rock"- The Blues Of Mississippi Fred McDowell

Click on title to link to YouTube's film clip of Mississippi Fred McDowell performing' Going Down The River".

CD REVIEW

Here is a another of an old time blues artists. Mississippi Fred, as indicated in the headline, that did not perform rock 'n' roll. Okay?

The Best Of Mississippi Fred McDowell, Fred McDowell, Arhoolie records, 2002


Over the past year I have been doing a review of all the major country blues artists that I can get material on. High on that list would be the performer on this CD, the legendary Mississippi Fred McDowell. Before discussing this CD, however, let me put this blues man in context. I first heard Brother McDowell and his magnificent slide guitar riffs as a backup to some of “Big Mama” Thornton’s early blues numbers like "Little School Girl" and "The Red Rooster". I have note elsewhere that McDowell performed a very important service to the continuation of the country blues tradition when he provided mentorship to the great modern folk/country/blues singer songwriter Bonnie Raitt.

Ms. Raitt has profusely acknowledges his influence and just a peep her own work betrays that influence. Furthermore there is another place where McDowell demonstrated his vast influence. That is on The Rolling Stones. Their main blues influence might have been another Delta product, Muddy Waters, but The Stones did a cover of McDowell’s "You Got To Move" (and gave him the royalties for his cancer treatment) on their Stick Fingers album that has withstood the test of time. All these anecdotes are presented for one purpose- to show, if anyone needed showing that McDowell rightly takes his place with the likes of Bukka White, Skip James, Son House and Mississippi John Hurt as the legends of country blues.

For those not in the know theme of the country blues is about rural life, about picking cotton in the Delta (or hard scrabble farming elsewhere) and, most importantly, about those Saturday night bouts with booze, women and worked up passions that could go any which way, including jail. McDowell follows that tradition although on a number of cuts here, those accompanied by his wife’s singing along, he will also pay homage to the deeply religious roots of black existence at the turn of the 20th century South. The most famous exemplars of that tradition are of course Blind Willie Johnson and the Reverend Gary Davis but other, including McDowell have taken a turn at that end of the blues spectrum in order to sanctify “the devil’s music”. Needless to say you must listen to "You Got To Move", "61 Highway" and "Kokomo Blues" here.

Thursday, June 07, 2018

On Memphis Minnie's Birthday-***Her Castle's Rocking- The Blues Of Alberta Hunter

Click on title to link to YouTube's film clip of Alberta Hunter performing "Nobody Knows You When You're Down And Out". Ain't that the truth.

DVD REVIEW

February Is Black History Month

March Is Women’s History Month

Alberta Hunter, Alberta Hunter (Jazz Masters Series), Shanachie Productions, 20005

The ideas in the first couple of paragraphs have been used elsewhere in this space in reviewing the works of other women of the early blues period.


One of the interesting facts about the development of the blues is that in the early days the recorded music and the bulk of the live performances were done by women, at least they were the most popular exponents of the genre. That time, the early 1920's to the 1930's, was the classic age of women blues performers. Of course, when one thinks about that period the name that comes up is the legendary Bessie Smith. Beyond that, maybe some know Ethel Waters. And beyond that-a blank.

Yet the blues singer under review, Alberta Hunter, probably had almost as a productive career (with a long gap in between while pursuing a nursing career after the death of her mother) as either of the above-mentioned names. That ‘second’ career got a big boost by her performance in the Geraldine Chaplin film “Remember My Name”. And here is the kicker. If you were to ask today's leading women blues singers about influences they will, naturally, give the obligatory Bessie response, but perhaps more surprisingly will also praise Ms. Alberta, as well.

This nice little archival DVD compilation, while not technically the best, will explain the why of the above paragraph. Alberta worked the cabaret circuit with many back up players over the years, some good some bad, but her style and her energy carried most of the production. She, like Memphis Minnie and others, was the mistress of the double entendre so popular in old time blues- you know phrases like `put a little sugar in my bowl'. Here we have a late performance in 1982 by Alberta Hunter just a few years before her death. While she had lost a few steps her voice held up well, and more importantly, that little sparkle in here eyes and in her devil-may-care manner carry this effort.

So what sticks out here? Well, a nice interview with Alberta between sets for one. As for the songs how about the now appropriate “Nobody Knows You When You’re Down And Out”. Bessie’s “Down Hearted Blues” works. As does “My Castle’s Rocking” and the salacious “My Handy Man”. A nice hour for those who love the old women blues singers.



"Nobody Knows You When You're Down And Out"

(by Jimmie Cox)


Once I lived the life of a millionaire,
Spent all my money, I just did not care.
Took all my friends out for a good time,
Bought bootleg whisky, champagne and wine.

Then I began to fall so low,
Lost all my good friends, I did not have nowhere to go.
I get my hands on a dollar again,
I'm gonna hang on to it till that eagle grins.

'Cause no, no, nobody knows you
When you're down and out.
In your pocket, not one penny,
And as for friends, you don't have any.

When you finally get back up on your feet again,
Everybody wants to be your old long-lost friend.
Said it's mighty strange, without a doubt,
Nobody knows you when you're down and out.

When you finally get back upon your feet again,
Everybody wants to be your good old long-lost friend.
Said it's mighty strange,
Nobody knows you,
Nobody knows you,
Nobody knows you when you're down and out.

"My Handy Man"

Whoever said a good man was hard to find,
Postively, absolutely sure was blind;
I found the best that ever was,
Here's just some of the things he does:

He shakes my ashes, greases my griddle,
Churns my butter, strokes my fiddle;
My man is such a handy man!

He threads my needle, creams my wheat,
Heats my heater, chops my meat;
My man is such a handy man!

Don't care if you believe or not,
He sure is good to have around;
Why, when my furnace gets too hot,
He's right there to turn my damper down!

For everything he's got a scheme;
You ought to see his new starter that he uses on my machine;
My man is such a handy man!

He flaps my flapjacks, cleans off the table, He feeds the horses in my stable; My man is such a handy man!

He's God's gift!

Sometimes he's up long before dawn,
Busy trimming the rough edges off my lawn;
Oooh, you can't get away from it! He's such a handy man!

Never has a single thing to say,
While he's working hard;
I wish that you could see the way
He handles my front yard!

My ice don't get a chance to melt away,
He sees that I get that old fresh piece every day;
Lord, that man sure is such a handy man!