This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Showing posts with label intellectual property. Show all posts
Showing posts with label intellectual property. Show all posts
Sunday, October 04, 2009
*The Latest From "The New York Review Of Books" Corner- Keith Thomas On Early Modern England
Click on title to link to a "The New York Review Of Books" review of a book on early modern England by Keith Thomas. Ever since I read his treatise on witches long ago I have read whatever I can get my hands on by him. I an trying to see how I can put the whole article in this space. Later on this.
Thursday, November 08, 2007
VICTORY TO THE WRITERS GUILD!
COMMENTARY
The effects of ‘globalization’ of the international capitalist markets take many forms. We are all familiar with its industrial aspect-the runaway shops and outsourcing to locations where labor is cheaper, regulation skimpier and profits greater. The American Midwest ‘rust bowl’ pays sad homage to that fact. Globalization, however, has another track, as well. That is the dramatic increase in the means of communication, the way things are communicated and who does and does not have access to those communications. That is what underlies the current strike by the several thousand television screen writers who are looking for a fairer share of the revenues resulting from the multifarious uses of their intellectual property.
This is not the 'proletarian' battle we think of from reading Marx or labor history but it is part of the class struggle nevertheless. Nor does it matter on the cultural level whether one thinks well or ill of their commercial efforts. Despite a few well known and well paid exceptions, the bulk of the Guild lives hand to mouth and royalties are a way to protect against hard times of no or rejected work. These ‘grunt’ writers who produce a product that benefits the corporations they are writing for are looking for a little better pay day for their efforts and more security in the fast changing marketplace of the selling of ideas. And they deserve it. Respect the picket lines. Victory to the Writers Guild.
The effects of ‘globalization’ of the international capitalist markets take many forms. We are all familiar with its industrial aspect-the runaway shops and outsourcing to locations where labor is cheaper, regulation skimpier and profits greater. The American Midwest ‘rust bowl’ pays sad homage to that fact. Globalization, however, has another track, as well. That is the dramatic increase in the means of communication, the way things are communicated and who does and does not have access to those communications. That is what underlies the current strike by the several thousand television screen writers who are looking for a fairer share of the revenues resulting from the multifarious uses of their intellectual property.
This is not the 'proletarian' battle we think of from reading Marx or labor history but it is part of the class struggle nevertheless. Nor does it matter on the cultural level whether one thinks well or ill of their commercial efforts. Despite a few well known and well paid exceptions, the bulk of the Guild lives hand to mouth and royalties are a way to protect against hard times of no or rejected work. These ‘grunt’ writers who produce a product that benefits the corporations they are writing for are looking for a little better pay day for their efforts and more security in the fast changing marketplace of the selling of ideas. And they deserve it. Respect the picket lines. Victory to the Writers Guild.
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