When The Bad Guys Danced (And The Dance Was No Foxtrot, Brother) -James Cagney’s “Lady Killer” (1933)-A Film Review

When The Bad Guys Danced (And The Dance Was No Foxtrot, Brother) -James Cagney’s “Lady Killer” (1933)-A Film Review

DVD Review

By Alex Radley

Lady Killer, starring James Cagney, 1933 

Everybody in the old neighborhood, the Atlantic section of Carville, the used to be “capital” of the cranberry world now pushed west to Wisconsin and places like that, knew a guy like Dan Quigley, the role that legendary actor James Cagney plays in the film under review Lady Killer. Well, maybe not everyone, but close, a guy who knows, or thinks he knows all the angles, has the angels on his side too no matter what. A Teflon-type guy who might be put in a spot but comes up smelling like roses.

I’ll get to Dana’s moves, good and bad, in a moment but the character of Dana Quigley, including the lady’s man, aspect reminded very much of Lenny Logan from down in that Atlantic section of Carville where I grew up and who was if not my closest friend, or me his, then we never crossed each other, and I was never directly the butt of one of his scams, cons, brainstorms. Lenny, good-looking Lenny, also a lady’s man was as much from what other older guys who write for this site have called “from hunger” in declining market seasonal cranberry country. But he always had dough from early on when he would con guys out of their milk money by flipping “fixed” baseball cards against the schoolyard wall (until some parents complained to the teachers and it stopped-or rather he stopped on those particular kids). That deeply larcenous scheming heart would parlay that kind of scam all through school including plenty of serious housebreaks which he would plan-and others would carry out. He would, for lack of a better word, be the “finger” man with plausible deniability in case things did not work out. Sent more than one young woman off to “Aunt Emma” as writer Sam Lowell would have called it in any earlier time and we said rolling our eyes “in the family way.” Lenny, wouldn’t you know, eventually broke that bad streak by becoming a very successful local lawyer (including being mine on a couple of occasions) but it was, as always with guys like Lenny, a close thing.

With that kind of character in mind let’s see what made Dana Quigley tick, how he passed his time. Part of the problem with this particular film is that the producers or somebody wasn’t sure which James Cagney they wanted to use. The notorious 1930s headliner gangster from films like White Heat in the classic age of that genre of which audiences in Great Depression ate up like crazy or the dandy song and dance Yankee Doodle Dandy man. As usual they went for the great test audience muddle. So they kind of put them together and added in that street wise kick. Yeah Dana was always hustling, nickel and dime stuff mostly until he almost drew a sucker punch when he got conned by a dame, by a moll, twist, frail whatever you want to call a girl ringer playing the old lost pocketbook gag luring guys in and set them up for a beating of their worldly goods at the poker table.

But our boy Dana got wised up quick, and despite a roomful of thugs against his small stature he made those low-rung gangsters cry uncle-and make them plenty of dough. Of course guys like Dana are always thinking about the next best thing which is to make a big score-here doing cagey burglaries in Mayfair swell houses. Made a nice racket as the pretty boy finger-man until the beef went too far and conked too many heads, too many deaths and the future looking like the big step for everybody unless they blow town.

That blowing town begins the shift to the pretty boy part, to Dana’s rise as an actor out in Tinseltown, out in Ed Rushca’s big Hollywood sign hills. While there he takes up with a different kind of frill, a big- time movie actress. Wouldn’t you know it though that old gang of his from back east wound up in LA, including that former love interest moll he had been running around with and who left him high and dry when the deal went down. The old gang figured to work that high- end burglary scam of old with Dana in the lead. Problem: the gang, now the gang that couldn’t shoot straight if you ask me robbed his movie star honey. Bad move. Maybe bad move both ways. The gang sensing Dana was the weak link wanted to waste him, put him out in the Pacific deep heading to the China seas maybe.  Dana in turn, turned copper –a no-no in our old neighborhood and by general consensus a “fink,” “rat,” “stoolie” better left six feet under. Even Lenny understood that, maybe Lenny better than anybody since he knew he could do whatever he wanted, whatever larceny, sex acts, etc. he wanted and the Omerta oath of the corner boy neighborhood would protect his young. But this is Dana remember, shades of Lenny, and so he lands on his feet. I don’t know what to make of this film but one thing I do know I kept thinking about Lenny all the way through the film.  You probably have your own Lenny and will too. 

Visions of Cody- James Cagney’s “White Heat”- A Film Review

Click on the headline to link to a Wikipedia entry for the film noir White Heat.

DVD Review

White Heat, starring James Cagney, Virginia Mayo, Edmond O’Brien, Warner Brothers, 1949

Every parent, every mother in particular, wishes nothing but the best for his or her son or daughter and will do everything within their power to help out. Now usually those best wishes revolve around going to college, starting a legit business, or learning a legit craft but not as the film under review the classic gangster film, White Heat, amply demonstrates aiding and abetting run-of-the-mill criminal activities like murder, mayhem and armed robbery . See in this film noir mother dear is part of the problem, part of sonny boy’s problem, and drives some of the psychological aspects of the film (psycho aspects, really)

The usual run of the mill gangster is just a guy up from nowhere and through striving, striving hard, in the underworld thicket works his way to the top, or dies in the attempt. Usually that race to the top is done solo but here gangster Cody Jarrett’s (played by James Cagney to a tee) Mom is right there to egg her boy on. And that is not without consequences because in the long drawn out process of becoming king of the hill Cody has become nothing but a stone cold psycho-killer as part of his resume.

However even stone cold killers with “heartbreaking” back stories need kale, dough and so this film is, of necessary, is about a few heists to keep him and his boys in clover (and of course his split cut 50-50 with Ma). And because the theme of crime noir, in the end, is always about how crime doesn’t pay about how the good guys (the fed T-men in this case) foil his plans poor boy Cody has got to fall. Along the way we get to see the way that the G-men bring old Cody down (have a man, played by Edmond O’Brien, infiltrate the gang), about his marital problems keeping his two-timing wife (played by fetching Virginia Mayo) focused and about how he gets even with dissidents in his organization (bang-bang, okay). But this one really is about, as always, how the parents always get blamed for the errors of the kids. Oh, and about why James Cagney was the king hell king of the gangster films back in the day.