Click on title to link to "The New York Times Review" Of "Broken Rainbow".
DVD Review
Broken Rainbow, various commentators and Native American interviewees, Docurama Productions, 1985
Frankly, I have, other than a tribute to Native American folk singer Buffy Sainte-Marie and many, many entries calling for the freedom of unjustly imprisoned long time Native American activist Leonard Peltier, not had occasion in this space to deal with the centuries long question of the injustices and horrors done to the Native Americans on this continent. This review of the film documentary, “Broken Rainbow”, acts as one attempt to spend more time on this issue. And in a sense this film fits neatly in with the other aims of the entries in this space; here to try and draw together the threads of the struggle for Native American rights with the other struggles of the labor movement.
In that sense this film is tailor-made for that connection. Why? Well, among other things, one of the key points made in this film is the trampling of Native American rights (and destruction of their cultural traditions) by the American government in the interests of the energy companies who exploit the minerals and other treasure on Native American lands in the West, focusing here on the ravishing of the Hopi and Navajo lands in the Southwest. And the prime example of acting in those interests as noted in the film was the relation between the Reagan Administration in the 1980s and the Peabody Coal Company. For those who know about the ‘exploits’ of this company in the eastern U.S. coal fields this connection is self-explanatory. For those who don’t viewing this footage will give a rather graphic picture of what the Kentucky and West Virginia miners workers went though in an earlier, more militant time.
That footage is the main political message to be taken from the film, at least that is how I took it. There are also other points made concerning the historic abuses of the rights and cultural expressions of the Hopi and Navajo tribes in the Southwest that are also in the center of the controversy here(destruction of burial and ceremonial sites, forced assimilation, etc.). Some time is also spent on the sorry history of attempts by whites, then (particularly in the 19th century) and now to, there is no lesser word to be used, decimate, the traditions and to “assimilate”, forcibly or not, the remaining Native American population. Or worst. The main importance of this film, however, and the reason that it was worthy of a film documentary Oscar back in the 1980s, is that it provides in capsule form and in a little over an hour all of the historic issues that are still unresolved if we are ever to make headway in order to bring some measure of justice to the original inhabitants of this continent. Oh, and by the way, just not lose sight of an important task still before us. Free Native American leader Leonard Peltier. That is always on the agenda. He must not die in jail.
To show, musically at least, the connection between the Native American struggle against the coal companies, , notably the Peabody Coal Company, here are the lyrics to John Prine's "Paradise". Sound familiar?
John Prine, Paradise Lyrics
When I was a child my family would travel
Down to Western Kentucky where my parents were born
And there's a backwards old town that's often remembered
So many times that my memories are worn.
Chorus:
And daddy won't you take me back to Muhlenberg County
Down by the Green River where Paradise lay
Well, I'm sorry my son, but you're too late in asking
Mister Peabody's coal train has hauled it away
Well, sometimes we'd travel right down the Green River
To the abandoned old prison down by Adrie Hill
Where the air smelled like snakes and we'd shoot with our pistols
But empty pop bottles was all we would kill.
Repeat Chorus:
Then the coal company came with the world's largest shovel
And they tortured the timber and stripped all the land
Well, they dug for their coal till the land was forsaken
Then they wrote it all down as the progress of man.
Repeat Chorus:
When I die let my ashes float down the Green River
Let my soul roll on up to the Rochester dam
I'll be halfway to Heaven with Paradise waitin'
Just five miles away from wherever I am.
Repeat Chorus:
DVD Review
Broken Rainbow, various commentators and Native American interviewees, Docurama Productions, 1985
Frankly, I have, other than a tribute to Native American folk singer Buffy Sainte-Marie and many, many entries calling for the freedom of unjustly imprisoned long time Native American activist Leonard Peltier, not had occasion in this space to deal with the centuries long question of the injustices and horrors done to the Native Americans on this continent. This review of the film documentary, “Broken Rainbow”, acts as one attempt to spend more time on this issue. And in a sense this film fits neatly in with the other aims of the entries in this space; here to try and draw together the threads of the struggle for Native American rights with the other struggles of the labor movement.
In that sense this film is tailor-made for that connection. Why? Well, among other things, one of the key points made in this film is the trampling of Native American rights (and destruction of their cultural traditions) by the American government in the interests of the energy companies who exploit the minerals and other treasure on Native American lands in the West, focusing here on the ravishing of the Hopi and Navajo lands in the Southwest. And the prime example of acting in those interests as noted in the film was the relation between the Reagan Administration in the 1980s and the Peabody Coal Company. For those who know about the ‘exploits’ of this company in the eastern U.S. coal fields this connection is self-explanatory. For those who don’t viewing this footage will give a rather graphic picture of what the Kentucky and West Virginia miners workers went though in an earlier, more militant time.
That footage is the main political message to be taken from the film, at least that is how I took it. There are also other points made concerning the historic abuses of the rights and cultural expressions of the Hopi and Navajo tribes in the Southwest that are also in the center of the controversy here(destruction of burial and ceremonial sites, forced assimilation, etc.). Some time is also spent on the sorry history of attempts by whites, then (particularly in the 19th century) and now to, there is no lesser word to be used, decimate, the traditions and to “assimilate”, forcibly or not, the remaining Native American population. Or worst. The main importance of this film, however, and the reason that it was worthy of a film documentary Oscar back in the 1980s, is that it provides in capsule form and in a little over an hour all of the historic issues that are still unresolved if we are ever to make headway in order to bring some measure of justice to the original inhabitants of this continent. Oh, and by the way, just not lose sight of an important task still before us. Free Native American leader Leonard Peltier. That is always on the agenda. He must not die in jail.
To show, musically at least, the connection between the Native American struggle against the coal companies, , notably the Peabody Coal Company, here are the lyrics to John Prine's "Paradise". Sound familiar?
John Prine, Paradise Lyrics
When I was a child my family would travel
Down to Western Kentucky where my parents were born
And there's a backwards old town that's often remembered
So many times that my memories are worn.
Chorus:
And daddy won't you take me back to Muhlenberg County
Down by the Green River where Paradise lay
Well, I'm sorry my son, but you're too late in asking
Mister Peabody's coal train has hauled it away
Well, sometimes we'd travel right down the Green River
To the abandoned old prison down by Adrie Hill
Where the air smelled like snakes and we'd shoot with our pistols
But empty pop bottles was all we would kill.
Repeat Chorus:
Then the coal company came with the world's largest shovel
And they tortured the timber and stripped all the land
Well, they dug for their coal till the land was forsaken
Then they wrote it all down as the progress of man.
Repeat Chorus:
When I die let my ashes float down the Green River
Let my soul roll on up to the Rochester dam
I'll be halfway to Heaven with Paradise waitin'
Just five miles away from wherever I am.
Repeat Chorus:
