The Fire This Time-In Honor Of James Baldwin Whose Time Has Come Again-From The Archives - Books To While Away The Class Struggle By- The Works Of James Baldwin-Blues For Mr. Charlie
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin
Book/Play Review
Blues For Mr.Charlie, James Baldwin, Dell Publishing Co., New York, 1964
I have written a number of commentaries in this space on the subject of the heinous murder by “white trash”, allegedly for whistling while black at a white woman, of black teenager Emmett Till down in small town Mississippi in 1955. The firestorm raised over the horrible deed, including the not guilty verdict by an all white jury, by his mother and others in the wake of the verdict did much to galvanize Northern opinion, black and white, for the then brewing black civil rights struggle that would dominate the first half of the 1960s. Mississippi put the world on notice that not only adult black men were subject to the “white is right, blacks get back” free-fire zone but black children as well.
Working such an inflammatory subject into literary form would seem to be right up the alley for one of the premier black writers of the period, James Baldwin. Moreover, unlike some of the more exclusively literary types who hibernated in New York during the Eisenhower 1950s, Baldwin was a committed and articulate advocate of black rights. And a voice for righteous black rage, although not necessarily of a revolutionary bent. Thus, when prodded by the subsequently slain Mississippi civil rights leader, Medgar Evers, to do a treatment on the Till case, Baldwin had to step up to the plate and throw some fire into the flames.
Rather than attempt a novelistic treatment which could, on reflection, diffuse the emotional impact of the subject behind much eloquent verbiage Baldwin created a three act play which, as his stage directions indicate, would do more than a novel to bring home the intense racial animosities that centuries of racial tension had engendered. Although some of the characters seem like stock figures now: the black "Uncle Toms" who smoothed the way for the white power structure; the “white trash” who had no stake in the society except not to be, mercifully, black; the uppity black “agitator” who had been to the North and learned Northern de facto segregation ways there which provided just a little more elbow room if no less danger; the black clergy preaching, ever preaching, forbearance; the thoughtful black woman who knows that the life expectancy of a black man, and hence part of her happiness can sometimes be counted in days; and, the sympathetic "liberal" white Southern who also held the system together by not going beyond well defined bounds that would upset his fellow whites, in high place and low.
Hey, we all know what the jury verdict was in the Till case. We also know even before turning the first page of this play what the verdict will be in the death of the black man by a white in this case , modeled as it is on the Till case. We also know this, that over fifty years after the event been no real justice in the Till case. We know as well that James Baldwin, if he were alive today, might very well still be able to write about some current Till case. And, finally, we know this anytime the racial question in Mississippi in the 1950s and 1960s, or later, came up- Nina Simone may have said it more lyrically than Baldwin, perhaps, but they both make the same point. Mississippi goddam.
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin
Book/Play Review
Blues For Mr.Charlie, James Baldwin, Dell Publishing Co., New York, 1964
I have written a number of commentaries in this space on the subject of the heinous murder by “white trash”, allegedly for whistling while black at a white woman, of black teenager Emmett Till down in small town Mississippi in 1955. The firestorm raised over the horrible deed, including the not guilty verdict by an all white jury, by his mother and others in the wake of the verdict did much to galvanize Northern opinion, black and white, for the then brewing black civil rights struggle that would dominate the first half of the 1960s. Mississippi put the world on notice that not only adult black men were subject to the “white is right, blacks get back” free-fire zone but black children as well.
Working such an inflammatory subject into literary form would seem to be right up the alley for one of the premier black writers of the period, James Baldwin. Moreover, unlike some of the more exclusively literary types who hibernated in New York during the Eisenhower 1950s, Baldwin was a committed and articulate advocate of black rights. And a voice for righteous black rage, although not necessarily of a revolutionary bent. Thus, when prodded by the subsequently slain Mississippi civil rights leader, Medgar Evers, to do a treatment on the Till case, Baldwin had to step up to the plate and throw some fire into the flames.
Rather than attempt a novelistic treatment which could, on reflection, diffuse the emotional impact of the subject behind much eloquent verbiage Baldwin created a three act play which, as his stage directions indicate, would do more than a novel to bring home the intense racial animosities that centuries of racial tension had engendered. Although some of the characters seem like stock figures now: the black "Uncle Toms" who smoothed the way for the white power structure; the “white trash” who had no stake in the society except not to be, mercifully, black; the uppity black “agitator” who had been to the North and learned Northern de facto segregation ways there which provided just a little more elbow room if no less danger; the black clergy preaching, ever preaching, forbearance; the thoughtful black woman who knows that the life expectancy of a black man, and hence part of her happiness can sometimes be counted in days; and, the sympathetic "liberal" white Southern who also held the system together by not going beyond well defined bounds that would upset his fellow whites, in high place and low.
Hey, we all know what the jury verdict was in the Till case. We also know even before turning the first page of this play what the verdict will be in the death of the black man by a white in this case , modeled as it is on the Till case. We also know this, that over fifty years after the event been no real justice in the Till case. We know as well that James Baldwin, if he were alive today, might very well still be able to write about some current Till case. And, finally, we know this anytime the racial question in Mississippi in the 1950s and 1960s, or later, came up- Nina Simone may have said it more lyrically than Baldwin, perhaps, but they both make the same point. Mississippi goddam.
