This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind
By Lance Lawrence
[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Allan Jackson (aka Peter Paul Markin in the blogosphere) was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]
[Although I am a much younger writer I today stand in agreement with Bart Webber and Si Lannon, older writers who I admire and whom I have learned a lot from about how to keep it short and sweet but in any case short on these on-line sites. Originally I had agreed with both men as far as Phil Larkin’s, what did Si call them, yes, rantings about heads rolling, about purges and would have what seems like something out of Stalin’s Russia from what I have read about that regime were dubious at best. Now I am not sure as I have heard other younger writers rather gleefully speaking around the shop water cooler about moving certain unnamed writers out to pasture-“finally” in the words of one of them.
In any case the gripe the former two writers had about the appropriateness of this disclaimer above or whatever it purports to be by the "victorious" new regime headed by Greg Green and his so- called Editorial Board is what I support. As Bart first mentioned, I think, if nothing else this disclaimer has once again pointed told one and all, interested or not, that he, they have been “demoted.” That I too, as Si pointed out, chafed as an Associate Book Critic and didn’t like it am now just another Everyman and don’t like it. This is the second time I have had the disclaimer above my article so I plead again once should be enough, more than enough.
In the interest of transparency I was among the leaders, among the most vociferous leaders, of what has now started to come down in the shop as urban legend “Young Turks” who fought tooth and nail both while Alan Jackson (aka Peter Paul Markin as blog moniker for reasons never made clear, at least to me) was in charge and essentially stopping young writers from developing their talents and when we decided that Allan had to go, had to “retire.” (I am sure Phil Larkin will take those innocent quotation marks as definite proof that Allan was purged although maybe I should reevaluate everything he has said in a new light.) But I agree with Bart and Si’s sentiment that those on the “losing” end in the fierce no-holds barred internal struggle had taken their "beating" and have moved on as far as I can tell. That fact should signal the end of these embarrassing and rather provocative disclaimers. Done. Lance Lawrence]
“The Unknown Soldier”
Wait until the war is over And we're both a little older The unknown soldier
Breakfast where the news is read Television children fed Unborn living, living, dead Bullet strikes the helmet's head And it's all over For the unknown soldier It's all over For the unknown soldier Hut, hut, hut ho hee up Hut, hut, hut ho hee up Hut, hut, hut ho hee up Comp'nee, halt Present, arms Make a grave for the unknown soldier Nestled in your hollow shoulder The unknown soldier Breakfast where the news is read Television children fed Bullet strikes the helmet's head And, it's all over The war is over It's all over War is over
Well, all over, baby All over, baby Oh, over, yeah All over, baby
Ooh, ha, ha, all over All over, baby Oh, woah, yeah, all over All over, heh Songwriters Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek From The Pen of Frank Jackman
There was no seamless thread that wrapped the 1960s up tightly. A thousand things, or it seemed like a thousand things, came together in pretty rapid succession to draw down in flames, for a while anyway although none of us though it would on be for only a while just as we thought that we would live forever, or at least fast, the dread red scare Cold War freezes of our childhood. But you could traces things a little, make your own “live free” categories of the events that chipped away the ice of those dark nights.
Start in with the mid-1950s if you like with the heat of the black struggle for some semblance of civil liberties down south (and some sense for equality up north), the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly mixed all stirred up), the “discovery” of teen alienation and angst exemplified by movie star James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. An odd-ball mix right there. Then start to throw in the struggles against the old authority, the old certitudes that had calmed our parents’ lives in places like Frisco town where they practically ran the red-baiters in the HUAC out of town, but of course the biggest event that opened the doors for liberals, radicals, hell even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy.
That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the dead penalty, nuclear proliferation, the unevenness of life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of the generation. There were more things, cultural things and experimentations with new lifestyles that all got a fair workout during this period as well.
Plenty of us in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of us have our specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that we still live with for not taking the omens more seriously.
And then we have the photograph that graces this short screed. This photograph is almost impossible to imagine without some combination of that hell broth mix stirred up in the 1960s. Three self-assured women comfortable with the loose and individualistic fashion statements of the day from floppy hats to bare legs, bare legs that would have shocked a mother. Uncomfortable about the damn Vietnam war that was eating up boyfriends, brothers, just friends at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times when one group of women demanded that their men come home on their shields if they had to rather than speak of defeat and others providing a distant echo for these three women pictured here who refused their soldier boys any favors if they went off to war. More, much more of the latter, please.
Elegy Upon Hearing Of The Death Of Superman-“With Batman vs. Superman: Dawn Of Justice” (2016) In Mind
By Seth Garth
[Perhaps only a person, a man in this case, like Seth Garth who can trace his forebears gaggle of poets, bandits, stone-cold junkies, whores, whoremongers, whoremongers’ wives, midwives, witches, odd-ball aficionados, troubadours, minstrel singers, blackguards going back to medieval times in ancient France, going back on his mother’s side it is said and which explains a lot of things to the bandit/troubadour/poet exiled in his own land François Villon. Back to France when it was all cut up into pieces with little castles and moats and the world too. Only a guy like that could write a prosaic elegy without tears for a legendary figure like Superman, a super-hero whose time had passed. Site manager Greg Green]
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Signpost: December 7, 1941 for those who squeaked by the Great Depression hunger and cold that provoked and pervaded the land and who still charged forward slogging through the muddy beaches and forests of World War II, or waited breathlessly at home. Signpost: November 22, 1963 where every schoolboy and schoolgirl knew exactly where he or she was when the news came through the PA systems of a million schools portending I have a dream Martin death and seek a newer world Robert one too to end Camelot children dreams and Summer of Love drugs, sex and rock and roll. Signpost: 9/11 no year needed yet when everybody learned that in this wicked old world that there were people, there were unchecked forces who sought end time, sought the garden without regard. Signpost: March 26, 2016 the day when a candid world first heard that super-hero for the ages, an other-worldly guy, an alien of a different sort, Superman, had finally cashed his check.
Who knows how it happened, how it could possibly happen when all the world figured he was invincible, was always to be with us. The world became far shorter than by a head when he laid down that beautiful head of his. (Now laid out in white cross National Cemetery to be wreathed at Christmas time, flagged on Memorial Day and Armistice Day after boom-boom salutes).
Man of steel, man of steel, man of steel, man of maximum steel.
Not born of woman, a stranger in our midst, churning cornfields into flapjacks, odd duckling in a hero-less world in desperate need of heroes. Nameless except silly earthling name horn-rimmed glasses wimpy goof Clark Kent, a dweeb, nerd, and every other foul name tyrant editor Perry White could lay on him when he came up with some of the lamest stories in newspaper history to cover his tracks, running ruses around who he was and who had deposited him pod-like in Middle America corn-fed fields of dreams.
Mild-mannered, mild mannered, maximum mild-mannered
Caped crusader in a world filling up with vermin, with the dregs, with oceans full of flotsam and jetsam robbers and robber-barons. Filling up too with a crowd of would-bes, would be super-heroes like they could come off the assembly line ready for action. Ready to fight the creeps, the crooks, the fixer men, the gay guys who worshipped him in silent vigil rooms. Junkie-fixer men crying hero, hero worship me unto the end days, unto the return to the garden. Every sullen batman, ironman, wonder woman, black widow, hulk, thor, and a million other hucksters and hustlers, con artists claiming king or queen-ship. Looking for the man chance.
Able to leap tall buildings, able to leap tall buildings, able to leap maximum tall buildings.
Made young boys weep for their inadequacies, cowering in corners waiting to be saved, to be born again. Made grown women wet with his bulging muscles and his devilish ways. Little did they know that timeless he was winding down, had lost a step or two, told that he was losing some of his brain power by respected John Hopkins doctors and Walter Reed medics like many aliens do when they hit the American shore and try to turn to vanilla.
Faster than a speeding bullet, faster than a speeding bullet, faster than a speeding maximum bullet.
I, I who hear the great world moan death attendant, I who speak for the unwashed masses, I who sing the great Whitman America we are your sons song, got caught off guard, didn’t know that he had had more than a few run-ins with the law, was selling high grade ammo to nefarious parties, was getting a few more people angry every time he took to the cape for a caper. Worried and angry since the collateral damage, a new term unfamiliar to him that he told Lois Lane one pillowy night, he didn’t give a damn about as long as he got one bad guy less to the notched world wasn’t over-shadowing the ratio. Was getting so people were calling for his arrest and exile back to Pluto or wherever they thought he was from (so hungry for a savior in a Daily Planet survey inspired by that brute Perry White only one in ten could name his planet of origin-sad)
Kryptonite, kryptonite, maximum kryptonite.
Had missed in my plainsong that Superman had turned junkie and was selling himself to the highest bidder, toying with a holy goof named Lux Luthor who had more than one screw loose, who had a stable of poor boy super-heroes to unload on an unsuspecting world. Had a guy named batman wound up so tight that he was ready to take the caped crusader on one on one for cheap money and a shot at Lois Lane if Wonder Woman was already spoken for. Beat the bejesus out of Superman on the quiet one night and Clark Kent was AWOL for days around the Daily Planet nobody thinking it odd.
More powerful than a locomotive, more powerful than a locomotive, more powerful than a maximum locomotive.
The way the story went around, went after the coppers fucked around with the truth and the media bought the damn thing hook, line and sinker, was he was an orphan bastard of some Krypton mutant seeking revenge, seeking his death, since his mother shipped him off to joyride Earth. Ceremonial bitch father had a kryptonite-edged blade and rammed the thing straight through the kid, gone in a minute, done, cooked shamrock green from what they told on the 6 o’clock news.
It’s a bird, it’s a plane, its Superman, it’s a bird, it’s a plane, it’s Superman, it’s a bird, it’s a plane, it’s maximum Superman.
Yeah, it was a sad world day the day that guy laid down his head, the day we heard Superman had finally cashed his check.
Upon The 50th Anniversary Of The "King OF
The Beats" Jack Kerouac
“Advertisements for Myself”-Introduction by
Allan Jackson, a founding member of the American Left History publication back in 1974 when it was a hard
copy journal and until 2017 site manager of the on-line
edition.
[He’s back. Jack Kerouac, as described in
the headline, “the king of the beats” and maybe the last true beat standing.
That is the basis of this introduction by me as we commemorate the 50th anniversary
of his untimely death at 47. But before we go down and dirty with the legendary
writer I stand before you, the regular reader, and those who have not been
around for a while to know that I was relieved of my site manage duties in 2017
in what amounted to a coup by the younger writers who resented the direction I
was taking the publication in and replaced me with Greg Green who I had brought
on board from American Film Gazette to run the day to day operations while I oversaw the whole
operation and planned my retirement. Over the past year or so a million rumors
have, had mostly now, swirled around this publication and the industry in
general about what had happened and I will get to that in a minute before
dealing with Jack Kerouac’s role in the whole mess.
What you need to know first, if you don’t
know already is that Greg Green took me back to do the introductions to an
encore presentation of a long-term history of rock and roll series that I
edited and essentially created after an unnamed older writer who had not been part
of the project balled it all up, got catch flat-footed talking bullshit and
other assorted nonsense since he knew nada, nada nunca and, about the subject
having been apparently asleep when the late Peter Markin “took us to school”
that history. Since then Greg and I have had an “armed truce,” meaning I could
contribute as here to introductions of some encore and some origin material as
long as I didn’t go crazy, his term, for what he called so-called nostalgia
stuff from the 1950s and 1960s and meaning as well that Greg will not go crazy,
my term, and will refrain from his ill-advised attempt to reach a younger
audience by “dumbing down” the publication with odd-ball comic book character
reviews of films, graphic novels and strange musical interludes. Fair is fair.
What I need to mention, alluded to above,
is those rumors that ran amok while I was on the ropes, when I had lost that
decisive vote of no confidence by one sullen vote. People here, and my enemies
in the industry as well, seeing a wounded Allan Jackson went for the kill, went
for the jugular that the seedy always thrive on and began a raggedy-ass trail
on noise you would not believe. In the interest of elementary hygiene, and to
frankly clear the air, a little, since there will always be those who have
evil, and worse in their hearts when “the mighty have fallen.” Kick
when somebody is down their main interest in life.
I won’t go through the horrible rumors like I was panhandling down in
Washington, D.C., I was homeless in Olde Saco, Maine (how could that be when
old friend and writer here Josh Breslin lives there and would have provided
alms to me so at least get an approximation of the facts before spinning the
wild woolly tale), I had become a male prostitute in New York City (presumably
after forces here and in that city hostile to me put in the fatal “hard to work
with” tag on me ruining any chances on the East Coast of getting work, getting
enough dough to keep the wolves from my door, my three ex-wives and that bevy
of kids, nice kids, who nevertheless were sucking me dry with alimony and
college tuitions), writing press releases under the name Leonard Bloom for
a Madison Avenue ad agency. On a lesser scale of disbelief I had taken a job as
a ticket-taker in a multi-plex in Nashua, New Hampshire, had been a line
dishwasher at the Ritz in Philadelphia when they needed day labor for parties
and convention banquets, had been kicking kids out of their newspaper routes
and taking that task on myself, and to finish off although I have not given a
complete rundown rummaging through trash barrels looking for bottles with
deposits. Christ.
Needless to say, how does one actually
answer such idiocies, and why. A couple of others stick out about me and some
surfer girl out in Carlsbad in California who I was pimping while getting my
sack time with her and this one hurt because it hurt a dear friend
and former “hippie girl” lover of mine, Madame La Rue, back in the day that I
was running a whorehouse with her in Luna Bay for rich Asian businessmen with a
taste for kinky stuff. I did stop off there and Madame does run a high-end
brothel in Luna Bay but I had nothing to do with it. The reason Madame was hurt
was because I had lent her the money to buy the place when it was a rundown
hotel and built it up from there with periodic additional funds from me so she
could not understand why my act of kindness would create such degenerate noise
from my enemies who were clueless about the relationship between us.
I will, must deal with two big lies which also
center of my reluctant journey west (caused remember by that smear campaign
which ruined by job opportunities in the East, particularly New York City. The
first which is really unbelievable on its face is that I hightailed it directly
to Utah, to Salt Lake City, when I busted out in NYC looking for one Mitt
Romney, “Mr. Flip-Flop,” former Governor of Massachusetts, Presidential
candidate against Barack Obama then planning on running for U.S. Senator from
Utah (now successful ready to take office in January) to “get well.” The
premise for this big lie was supposedly that since I have skewered the guy
while he was governor and running for president with stuff like the Mormon
fetish for white underwear and the old time polygamy of his great-grand-father
who had five wives (and who showed great executive skill I think in keeping the
peace in that extended family situation. The unbelievable part is that those
Mormon folk, who have long memories and have pitchforks at the ready to rumble
with the damned, would let a sinner like me, a non-Mormon for one thing
anywhere the Romney press operation. Christ, I must be some part latter day
saint since I barely got out of that damn state alive if the real truth were
known after I applied for a job with the Salt Lake Sentinel not knowing the
rag was totally linked to the Mormons. Pitchforks,
indeed.
The biggest lie though is the one that had
me as the M.C. in complete “drag” as Elsa Maxwell at the “notorious” KitKat
Club in San Francisco which has been run for about the past thirty years or so
by Miss Judy Garland, at one time and maybe still is in some quarters the “drag
queen” Queen of that city. This will show you how ignorant, or blinded by hate,
some people are. Miss Judy Garland is none other that one of our old corner
boys from the Acre section of North Adamsville, Timmy Riley. Timmy who like the
rest of us on the corner used to “fag bait” and beat up anybody, any guy who
seemed effeminate, at what cost to Timmy’s real feelings we will never really
know although he was always the leader in the gay-bashing orgy. Finally between
his own feeling and Stonewall in New York in 1969 which did a great deal to
make gays, with or with the drag queen orientation, a little less timid Timmy
fled the Acre (and his hateful family and friends) to go to friendlier Frisco.
He was in deep personal financial trouble before I was able to arrange some
loans from myself and some of his other old corner boys (a few still hate Timmy
for what he has become, his true self) to buy the El Lobo Club, his first drag
queen club, and when that went under, the now thriving tourist trap KitKat
Club. So yes, yes, indeed, I stayed with my old friend at his place and that
was that. Nothing more than I had done many times before while I ran the
publication.
But enough of this tiresome business
because I want to introduce this series dedicated to the memory of Jack Kerouac
who had a lot of influence on me for a long time, mostly after he died in
1969
******
All roads about Jack Kerouac, about who was the
king of the beats, about what were the “beats” lead back to the late Pete
Markin who, one way or another, taught the working poor Acre neighborhood of
North Adamsville corner boys what was up with that movement. Funny, because we
young guys were a serious generation removed from that scene, really our
fathers’ contemporaries and you know how far removed fathers were from kids in
those days especially among the working poor trying to avoid
going “under water” and not just about mortgages but food on tables
and clothing on backs, were children of rock and roll, not jazz, the beat
musical medium, and later the core of the “Generation of ‘68” which took off,
at least partially, with the “hippie” scene, where the dying embers of the beat
scene left off. Those dying embers exactly the way to put it since most of our
knowledge or interest came from the stereotypes-beards before beards were cool
and before grandfather times -for guys, okay, berets, black and beaten down
looks. Ditto on black for the gals, including black nylons which no Acre girl
would have dreamed of wearing, not in the early 1960s anyway. Our “model”
beatnik really came, as we were also children of television, from sitcom
stories like Dobie Gillis with stick character Maynard G. Krebs
standing in for all be-bop-dom.
So it is easy to see where except to ostracize, meaning harass, maybe beat up
if that was our wont that day, we would have passed by the “beat” scene, passed
by Jack Kerouac too without the good offices, not a term we would have used
then, if not for nerdish, goof, wild and woolly in the idea world
Markin (always called Scribe for obvious reasons but we will keep with Markin
here). He was the guy who always looked for some secret meaning to the
universe, that certain breezes, winds, metaphorical breezes and winds, were
going to turn things around, were going to make the world a place where Markin
could thrive. Markin was the one who first read Kerouac’s breakthrough
travelogue of a different sort novel On The Road.
Now Markin was the kind of guy, and sometimes we
let him go on and sometimes stopped him in his tracks, who when he was on to
something would bear down on us to pay attention. Christ some weekend nights he
would read passages from the book like it was the Bible (which it turned out to
be in a way later) when all we basically cared about is which girls were going
to show up at our hang-out spot, the well-known Tonio’s Pizza Parlor and play
the jukebox and we would go from there. Most of us, including me, kind of
yawned at the whole thing even when Markin made a big deal that Kerouac was a
working-class guy like us from up in Lowell cut right along the Merrimac River.
The whole thing seemed way too exotic and moreover there was too much
homosexual stuff implied which in our strict Irish-Italian Catholic
neighborhood did not go down well at all -made us dismiss the whole thing and
want to if I recall correctly “beat up” that Allan Ginsberg character. Even
Dean Moriarty, the Neal Cassidy character, didn’t move us since although we
were as larcenous and “clip” crazy as any character in that book we kind of
took Dean as a tough car crazy guide like Sonny Jones from our neighborhood who
was nothing but a hood in Red Riley’s bad ass motorcycle gang which hung out at
Harry’s Variety Store. We avoided him and more so Red like the plague. Both
wound up dead, very dead, in separate attempted armed robberies in broad
daylight if you can believe that.
Our first run through of our experiences
with Kerouac and through him the beat movement was therefore kind of
marginal-even as Markin touted for a while that whole scene he agreed with us
that jazz-be-bop jazz always associated with the beat-ness was not our music,
was grating to our rock and roll-refined and defined ears. Here is where Markin
was always on to something though, always had some idea percolating in his
head. There was a point where he, we as well I think, got tired of rock and
roll, a time when it had run out of steam for a while and along with his crazy
home life which really was bad drove him to go to Harvard Square and check out
what he had heard was a lot of stuff going on. Harvard Square was, is still to
the extent that any have survived like Club Passim, the home of the
coffeehouse. A place that kind of went with the times first as the extension of
the beat generation hang-out where poetry and jazz would be read and played.
But in Markin’s time, our time there was the beginnings of a switch because
when he went to the old long gone Café Nana he heard folk music and not jazz,
although some poetry was still being read. I remember Markin telling me how he
figured the change when I think it was the late Dave Von Ronk performed at some
club and mentioned that when he started out in the mid-1950s in the heat of beat
time folk singers were hired at the coffeehouses in Greenwich Village to “clear
the house” for the next set of poetry performers but that now folk-singing
eclipsed poetry in the clubs. Markin loved it, loved the whole scene of which
he was an early devotee. Me, well, strangely considering where I wound up and
what I did as a career, I always, still do, hated the music. Thought it was too
whinny and boring. Enough said
though.
Let’s fast forward to see where Kerouac
really affected us in a way that when Markin was spouting forth early on we
could not appreciate. As Markin sensed in his own otherworldly way a new breeze
was coming down the cultural highway, a breeze push forward by the beats I will
confess, by the folk music scene, by the search for roots which the previous
generation, our parents’ generation, spent their adulthoods attempting to
banish and become part of the great American vanilla melt, and by a struggling
desire to question everything that had come before, had been part of what we
had had no say in creating, weren’t even asked about. Heady stuff and Markin
before he made a very bad decision to quit college in his sophomore years and
“find himself,” my expression not his, spent many of his waking hours figuring
out how to make his world a place where he could thrive.
That is when one night, this is when we
were well out of high school, some of us corner boys had gone our separate ways
and those who remained in contact with the brethren spent less time hanging out
at Tonio’s, Markin once again pulled out On The Road, pulled out Jack’s exotic
travelogue. The difference is we were all ears then and some of us after that
night brought our own copies or went to the Thomas Murphy Public Library and
took out the book. This was the spring of the historic year 1967 when the first
buds of the Summer of Love which wracked San Francisco and the Bay Area to its
core and once Markin started working on us, started to make us see his vision
of what he would later called, culling from Tennyson if I am not mistaken a
“newer world.” Pulling us all in his train, even as with Bart Webber and if I
recall Si Lannon a little, he had to pull out all the stops to have them, us,
join him in the Summer of Love experience. Maybe the whole thing with Jack
Kerouac was a pipe dream I remember reading about him in the Literary
Gazette when he was down in
Florida living with his ancient mother and he was seriously critical of the
“hippies,” kind of banged on his own beat roots explaining that he was talking
about something almost Catholic beatitude spiritual and not personal freedom,
of the road or anything else. A lot of guys and not just writing junkies
looking for some way to alleviate their inner pains have repudiated their pasts
but all I know is that when Jack was king of the hill, when he spoke to us
those were the days all roads to Kerouac were led by Markin. Got it. Allan
Jackson
************
On The 60th Anniversary Of Jack Kerouac's "On The Road"- Out In The Be-Bop Night- Fragments On Working Class Culture- Scenes From The Search For The Blue-Pink Great American West Night-Highway 1969
By Book Critic Zack James
To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes, I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner diners’ coffees and cigarette stubs when the Bull Durham ran out).
I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when they acolytes came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands). Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back).
Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned. Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid any attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.
But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.
Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.
What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.
The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)
Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.
******* The scene below stands(or falls) as a moment in support of that eternal search mentioned in the headline. Scene Three: A First Misstep In The Search For The Blue-Pink Great American West Night Let me tell this story, okay, this story about a couple of guys that I picked up hitch-hiking out on the 1960s highway. I’ll get to what highway it was later because it could have been any highway, any American or European, or maybe even African or Asian highway, if those locales had such highways, at least highways for cars back in those days. Anyway it’s their story, these two guys, really, and maybe around the edges my story, and if you are of a certain age, your story, just a little anyway. Some of it though just doesn’t sound right now, or read right, at least the way they told it to me but we will let that pass ‘cause it has been a while and memories, mine in this case, sometimes seize up even among the best of us. Ya, but this part I do remember so let’s just subtitle this one a segment on that search for the blue-pink great American West night and that makes this thing a lot of people’s story. Let’s get to it right now by picking up where they and I intersect on the great American 1960s road: Two young men were standing pretty close together, talking, up ahead at the side of a brisk, chilly, early spring morning 1969 road, a highway really, a white-lined, four-laned, high-speed highway if you want to know, thumbs out, as I came driving down the line alone in my Volkswagen Beetle (or bug, hey, that’s what they were called in those days, you still see some old restored or well-preserved ones around, especially out on the left coast), see them, and begin to slow down to pick them up. I would no more think not to pick them up than not to breathe. A few years earlier and I would have perhaps been afraid to pick up such an unlikely pair, a few years later and they would not have been on that road. But the thumbs out linked them, and not them alone on this day or in this time, with the old time hitchhike road, the vagabond road that your mother, if she was wise or nervous, told you never ever, ever to take (and it was always Ma who told you this, your father was either held in reserve for the big want-to-do battles, or else was bemused by sonny boy wanting to spread his wings, or better yet, was secretly passing along his own long ago laid aside blue-pink highway dreams). This pair in any case, as you shall see, were clearly brothers, no, not brothers in the biological sense, although that sometimes was the case, but brothers on that restless, tireless, endless, hitchhike road. My hitchhike road yesterday, and maybe tomorrow, but today I have wheels and they don’t and that was that. No further explanation needed. I stopped. From the first close-up look at them these guys were young, although not too young, not high school or college young but more mid-twenties maybe graduate student young. I’ll describe in more detail how they looked in a minute but for those who desperately need to know where I picked them up, the exact locale that is, let me put your anxieties to rest and tell you that it was heading south on the Connecticut side of the Massachusetts-Connecticut border of U.S. Interstate 84, one of the main roads to New York City from Boston. Are you happy now? Not as sexy as some of those old-time Kerouac-Cassady late 1940s “beat” roads, but I believe their ghosts were nevertheless hovering in the environs. Hell, now that I think about it, would it have mattered if I said it was Route 6, or Route 66, or Route 666 where I picked them up. I picked them up, that was the way it was done in those halcyon days, and that’s the facts, man, nothing but the facts. Hey, by the way, while we are talking about facts, just the hard-headed fact of this pair standing on the side of a highway road should have been enough to alert the reader that this is no current episode but rather a tale out of the mist of another American time. Who in their right mind today would be standing on such a road, thumb out, or not, expecting some faded Dennis Hopper-like flower child, or Ken Kesey-like Merry Prankster hold-out to stop. No this was the time of their time, the 1960s (or at the latest, the very latest, about 1973). You have all seen the bell-bottomed jeans, the fringed-deerskin jackets, the long hair and beards and all other manner of baubles in those exotic pre-digital photos so that one really need not bother to describe their appearances. But I will, if only to tempt the fates, or the imaginations of the young. One, the slightly older one, wispy-bearded, like this was maybe his first attempt at growing the then de rigueur youth nation-demanded male beard to set one apart from the them (and from the eternal Gillette, Bic, Shick razor cuts, rubbing alcohol at the ready, splash of English Leather, spanking clean date night routine, ah, ah, farewell to all that). Attired: Levi blue-jean’d with flared-out bottoms, not exactly bell-bottoms but denims that not self-respecting cowboy, or cowboy wanna-be would, or could, wear out in the grey-black , star-studded great plains night; plaid flannel shirt that one would find out there in that bronco-busting night (or in backwoodsman-heavy Maine and Oregon in the time of the old Wobblies or Ken Kesey’s Sometimes a Great Notion); skimpily-sneakered, Chuck Taylor blacks, from the look of them, hardly the wear for tackling the great American foot-sore hitchhike road which makes me think that these are guys have started on something like their maiden voyage on that old road; and over one shoulder the ubiquitous string-tied bedroll that speaks already of ravine sleep, apartment floor pick your space sleep, and other such vagabond sleep certainly not of Holiday Inn or even flea-bag motel sleeps; and over the other shoulder the also ubiquitous life’s gatherings in a knapsack (socks, a few utensils, maybe underwear, and the again maybe not, change of shirt, a few toilet articles, not much more but more than the kings (and queens) of the roads, 1930s ancestor forbears carried, for sure , ask any old Wobblie, or bum-hobo-tramp hierarch- take your pick-who took that hard-scrabble, living out of your emptied pocket road). And the other young man, a vision of heaven’s own high 1960s counter-cultural style: long-haired, not quite a pony tail if tied back and maybe not Easy Rider long but surely no advertisement for Gentleman’s Quarterly even in their earnest days of keeping up with the new tastes to corner the more couth segments of the hippie market; cowboy-hatted, no, not a Stetson, howdy, Tex, kind of thing but some Army-Navy store-bought broad brimmed, sun-bashing, working cowboy hat that spoke of hard-riding, branding, cattle night lowing, whiskey and women Saturday town bust-ups, just right for a soft-handed, soft-skinned city boy fearful of unlit places, or places that are not lit up like a Christmas tree; caped, long swirling cape, like someone’s idea of old-time film Zorro stepping out with the senoritas; guitar, an old Martin from the look of it, slung over one shoulder, not protective cased against the winds, rains, snows, or just the bang-ups of living, but protective in other ways when night falls and down in the hills and hollows, or maybe by a creek, heaven’s own strum comes forth. Woody Guthrie’s own child, or stepchild, or some damn relative. I swear. Welcome brothers, as I open up the passenger side door. “Where are you guys heading?” This line is more meaningful than you might think for those who know, as I know, and as these lads will know, as well, if they spent any time on the hitchhike road. Sometimes it was better, even on a high-speed highway, to not take any old ride that came along if, say, some kind–hearted local spirit was only going a few miles, or the place where a driver would let you out on the highway was a tough stop. Not to worry though these guys, Jack and Mattie, were hitchhiking to California. California really, I swear, although they are stopping off at a crisscross of places on their way. A pretty familiar routine by then, playing hopscotch, thumbs out, across the continent. These guys were, moreover, indeed brothers, because you see once we started comparing biographical notes, although they never put it that way, or really never could just because of the way they thought about things as I got to know them better on the ride, were out there searching, and searching hard, for my blue-pink night. Christ, there were heaven’s own blessed armies, brigades anyway, of us doing it, although like I said about Jack and Mattie most of the brothers and sisters did not get caught up in the colors of that night, like I did, and just “dug” the search. Jack and Mattie are in luck, in any case, because on this day I’m heading to Washington, D.C. and they have friends near there in Silver Springs, Maryland. The tides of the times are riding with us. And why, by the way, although it is not germane to the story or at least this part of it, am I heading to D.C.? D Well, the cover story is to do some anti-war organizing but, for your eyes only, I had just broken up, for the umpteenth time, with a women who drove me to distraction, sometimes pleasantly but on that occasion fitfully, who I could not, and did not, so I thought, want to get out of my system, but had to put a little distance away from. You know that story, boys and girls, in your own lives so I do not have to spend much time on the details here, although that theme might turn up again. Besides, if you really want to read that kind of story the romance novels section of any library or the DVD film section, for that matter, can tell the story with more heart-throbbing panache that you will find here. I’ve got a kind of weird story to tell you about why Jack and Mattie were on this desolate border stretch of the highway in a minute but let me tell a little about what they were trying to do out on that road, that west road. First, I was right, mostly, about their ages, but Jack and Mattie were no graduate students on a spring lark before grinding away at some master’s thesis on the meaning of meaning deconstuct’d (although this reference is really an anachronism since such literary theories were not then fashionably on display on the world’s campuses, but you get the drift) or some such worthy subject in desperate need of research in a time when this old world was falling apart and the bombs were (are) raining (literally) on many parts of the world. In one sense they were graduates though, graduates of the university of hard knocks, hard life, and hard war. They had just a few months before been discharged, a little early as the war, or the American ground troops part of it, was winding down, from the U.S. Army after a couple of tours of duty in ‘Nam (their usage, another of their privileged usages was “in-country”). I swear I didn’t believe them at first, no way, they looked like the poster boys for the San Francisco Summer of Love in 1967. Something, something big was going on here and my mind was trying to digest the sight of these two guys, “good, solid citizens” before the “man” turned them around in that overseas Vietnam quagmire who looked in attire, demeanor, and style just like the guy (me) who picked them up. Ya, but that is only part of it and not even the most important part, really, because this California thing was also no lark. This is their break-out, bust-out moment and they are going for it. As we rode along that old super highway they related stories about how they came back from “in-county”, were going to settle down, maybe get married (or move in with a girlfriend or seven), and look forward to social security when that distant time came. But something snapped inside of them, and this is where every old Jack London hobo, every old Wobblie, every old bummer on the 1930s rail highway, hell even every old beat denizen of some Greenwich Village walk-up was a kindred spirit. Like I said, and I am sitting right in the car listening to them with a little smirk on my face, the boys are searching that same search that I am searching for and that probably old Walt Whitman really should take the blame for, okay. I’ll tell you more, or rather; I’ll let them tell you more some other time but let me finish up here with that weird little story about why they were at that god forsaken point on the highway. Look, everybody knows, or should know, or at least knew back then that hitchhiking, especially hitchhiking on the big roads was illegal, and probably always was even when every tramp and tramp-ette in America had his or her thumb out in the 1930s. But usually the cops or upstanding citizenry either ignored it or, especially in small towns, got you on some vagrancy rap. Hey, if you had spent any time on the hitchhike road you had to have been stopped at least once if for no other reason than to harass you. Still some places were more notorious than others in hitchhike grapevine lore in those days, particularly noteworthy were Connecticut and Arizona (both places where I had more than my own fair share of “vagrancy” problems). So I was not too far off when I figured out that Jack and Mattie were on their maiden voyage. Thumbs out and talking, the pair missed the then ever-present Connecticut state police cruiser coming from nowhere, or it seemed like nowhere, as it came to a stop sharply about five feet away from them. The pair gulped and prepared for the worst; being taken to some state police barracks and harassed and then let go at some backwater locale as the road lore had it. Or getting “vagged”. Or worst, a nice little nasty trick in those days, have “illegal” drugs conveniently, very conveniently, found on their person.
But get this, after a superficial search and the usual questions about destination, resources, and the law the pair instead were directed to walk the few hundred yards back across the border line to Massachusetts. Oh, I forgot this part; the state cop who stopped them was a Vietnam veteran himself. He had been an MP in ‘Nam. Go figure, right. So starts, the inauspicious start if you think about it, in one of the searches for the blue-pink great American West night. Nobody said it was going to be easy and, you know, they were right. Still every time I drive pass that spot (now close to an official Connecticut Welcomes You rest stop, whee!), especially on any moonless, starless, restless, hitchhiker-less road night I smile and give a little tip of the hat to those youthful, sanctified blue-pink dreams that almost got wrecked before they got started.
On The
100th Anniversary Of Newly-Fledged German Communist Leader Rosa
Luxemburg And Karl Liebknecht-Oh, What Might Have Been-Honor Lenin.
By
Frank Jackman
History
in the conditional, what might have happened if this or that thing, event,
person had swerved this much or that, is always a tricky proposition. Tricky as
reflected in this piece’s commemorative headline. Rosa Luxemburg the
acknowledged theoretical wizard of the German Social-Democratic Party, the
numero uno party of the Second, Socialist International, which was the logical
organization to initiate the socialist revolution before World War II and Karl
Liebknecht, the hellfire and brimstone propagandist and public speaker of that
same party were assassinated in separate locale on the orders of the then
ruling self-same Social-Democratic Party. The chasm between the
Social-Democratic leaders trying to save Germany for “Western Civilization” in
the wake of the “uncivilized” socialist revolution in Russia in 1917 had grown
that wide that it was as if they were on two different planets, and maybe they
were.
(By
the way I am almost embarrassed to mention the term “socialist revolution”
these days when people, especially young people, would be clueless as to what I
was talking about or would think that this concept was so hopelessly
old-fashioned that it would meet the same blank stares. Let me assure you that
back in the day, yes, that back in the day, many a youth had that very term on
the tips of their tongues. Could palpably feel it in the air. Hell, just ask
your parents, or grandparents.)
Okay
here is the conditional and maybe think about it before you dismiss the idea
out of hand if only because the whole scheme is very much in the conditional.
Rosa and Karl, among others made almost every mistake in the book before and
during the Spartacist uprising in some of the main German cities in late 1918
after the German defeat in the war. Their biggest mistake before the uprising
was sticking with the Social Democrats, as a left wing, when that party had
turned at best reformist and eminently not a vehicle for the socialist
revolution, or even a half-assed democratic “revolution” which is what they got
with the overthrow of the Kaiser. They broke too late, and subsequently too
late from a slightly more left-wing Independent Socialist Party which had split
from the S-D when that party became the leading war party in Germany for all
intents and purposes and the working class was raising its collective head and
asking why.
The
big mistake during the uprising was not taking enough protective cover, not
keeping the leadership safe, keeping out of sight like Lenin had in Finland
when things were dicey in 1917 Russia and fell easy prey to the Freikorps
assassins. Here is the conditional, and as always it can be expanded to some
nth degree if you let things get out of hand. What if, as in Russia, Rosa and
Karl had broken from that rotten (for socialism) S-D organization and had a
more firmly entrenched cadre with some experience in independent existence.
What if the Spartacists had protected their acknowledged leaders better. There
might have been a different trajectory for the aborted and failed German
left-wing revolutionary opportunities over the next several years, there
certainly would have been better leadership and perhaps, just perhaps the Nazi
onslaught might have been stillborn, might have left Munich 1923 as their
“heroic” and last moment.
Instead
we have a still sad 100th anniversary of the assassination of two
great international socialist fighters who headed to the danger not away always
worthy of a nod and me left having to face those blank stares who are looking
for way forward but might as well be on a different planet-from me.
**************** FROM THE ARCHIVES- EVERY JANUARY WE HONOR, LENIN OF RUSSIA, ROSA LUXEMBURG OF POLAND
AND KARL LIEBKNECHT OF GERMANY AS THREE LEADERS OF THE INTERNATIONAL WORKING
CLASS MOVEMENT. HERE’S WHY WE HONOR LIEBKNECHT. In honor of the 3 Ls . The authority
of Lenin, leader of the Bolshevik Revolution in Russia in 1917, and Luxemburg, the
Rose of the Revolution, need no special commendation. I would however like to comment
on Karl Liebknecht who has received less historical recognition and has had
less written about him. Nevertheless, Karl Liebknecht apparently had the capacity to
lead the German Revolution. A man whose actions inspired 50,000 Berlin workers, under penalty of being
drafted to the front, to strike against his imprisonment in the middle of a
World War is self- evidently a man with the authority to lead a revolution. His
tragic personal fate in the aftermath of the Spartacus uprising of 1919, being
killed by counterrevolutionaries aided by his former comrades in the German
Social Democratic Party, helped condition the later dismal fate of the German
revolution in1923. History has posed certain questions
concerning the establishment of socialism that remains unresolved primarily to
due the crisis of leadership of the international labor movement. Although
Liebknecht admittedly was not a theoretician I do not believe that someone of Lenin's
or Trotsky's theoretical level was necessary after the Russian experience. To these
eyes Trotsky’s Theory of Permanent Revolution and Lenin’s Bolshevik
organizational concepts hold up pretty well after all this time, even with all
the negative experiences.What was
necessary was a leadership that assimilated those lessons. Liebknecht, given
enough time to study those lessons, seems to have been capable of that. A
corollary to that view is that one must protect leading cadre when the state
starts bearing down. Especially small propaganda groups like the Spartacists with
fewer resources for protection of leadership. This was not done. If you do not
protect your leadership you wind up with a Levi, Brandler or Thalheimer
(successively leaders of the German Communist Party in the early 1920’s) who
seemed organically incapable of learning those lessons. One of the problems with being the son of a
famous politician is that as founder of the early German Social Democratic
Party Wilhelm Liebknecht's son much was expected of Karl, especially on the question
of leading the German working class against German militarism. Wilhelm had done
a prison term (with August Bebel) for opposition to the Franco-Prussian War. As
for Karl I have always admired that famous picture of him walking across the PotsdamPlaza in uniform, subject to
imprisonment after loss of his parliamentary immunity, with briefcase under arm
ready to go in and do battle with the parliamentary cretins of the
Social Democratic Party over support for the war budget.That is the kind of leadership cadre we
desperately need now. REMEMBER HIS FAMOUS SLOGANS- ‘THE MAIN ENEMY IS AT
HOME’-‘NOT ONE PENNY, NOT ONE PERSON (updated) FOR THE WAR’. Wilhelm would have
been proud.
The
Trials And Tribulations Of Legendary Artist Jasper Johns-The Double Yoke Of
Being A Closeted Gay Man And Growing Up In Bible- Belt Southern America-It Was A
Close Thing.
By Ronan
Saint James
Ordinarily
I would not put the relationship between an artist and where he or she grew up
and under what conditions under too strong a microscope letting happenstance
and innate ability run its course as more determinative. But a recent trip to
the South, close to where the artist under discussion, legendary Jasper Johns he
of the Amerikkka flags, figures symbols, maps and other stuff hanging out of
his artwork like the inevitably spending a life measured by coffee spoons and
hence the need for coffee cans, grew up made me realize how close a thing it
was that he escaped from the desperate ghost town he grew up in down in
Allendale, South Carolina.
The
first thing you notice, no, that I noticed in one town, Travelers Rest, I
passed through was how many Baptist churches there were in a few mile area. I
counted something like fifteen along one short stretch which seemed impossible
given the size of the town and the actual population. Without knowing whether this
number of churches represented a church for each person in the town or reflected
various arcane theological differences it seemed frankly weird.
Living
in a Northeastern secular cultural enclave, a bubble if you like, this bears
more observation and study. All I know is that it goes a long way in describing
why we are as Frank Jackman of this publication has described on many occasions
a cold civil-these are partisans on the other side. Unless we can bridge some
unbridgeable gap the die seems to be cast-and not our way necessarily so we had
better dig in and organize like our lives depended on it.
Of
course when you talk about the South, about this South that a gay man like
Tennessee Williams wrote plays about and the general attitude of Baptists and other
evangelical toward gays then you have to address the long-term lovers’
relationship between Johns and fellow artist Ricard Rauschenberg and can
totally understand why Johns had to flee that berg for his life in the closeted
gay life 1950s. As a post-Stonewall, almost post-gay marriage man I feel though
I have very little understanding how hard it must have been to thrive under
those South Carolina circumstances. So hats off brother, hats off to your art
too which has given me many an enjoyable and thoughtful moment.
Click on title to link to YouTube's film clip of our international working class anthem ,"The Internationale".
As is always appropriate on international working class holidays and days of remembrance here is the song most closely associated with that movement “The Internationale” in English, French and German. I will not vouch for the closeness of the translations but certainly of the spirit. Workers Of The World Unite!
The Internationale [variant words in square brackets]
Arise ye workers [starvelings] from your slumbers
Arise ye prisoners of want
For reason in revolt now thunders
And at last ends the age of cant.
Away with all your superstitions
Servile masses arise, arise
We'll change henceforth [forthwith] the old tradition [conditions]
And spurn the dust to win the prize.
So comrades, come rally
And the last fight let us face
The Internationale unites the human race.
So comrades, come rally
And the last fight let us face
The Internationale unites the human race.
No more deluded by reaction
On tyrants only we'll make war
The soldiers too will take strike action
They'll break ranks and fight no more
And if those cannibals keep trying
To sacrifice us to their pride
They soon shall hear the bullets flying
We'll shoot the generals on our own side.
No saviour from on high delivers
No faith have we in prince or peer
Our own right hand the chains must shiver
Chains of hatred, greed and fear
E'er the thieves will out with their booty [give up their booty]
And give to all a happier lot.
Each [those] at the forge must do their duty
And we'll strike while the iron is hot.
________________________________________
L'Internationale
Debout les damnés de la terre
Debout les forçats de la faim
La raison tonne en son cratère
C'est l'éruption de la fin
Du passe faisons table rase
Foules, esclaves, debout, debout
Le monde va changer de base
Nous ne sommes rien, soyons tout
C'est la lutte finale
Groupons-nous, et demain (bis)
L'Internationale
Sera le genre humain
Il n'est pas de sauveurs suprêmes
Ni Dieu, ni César, ni tribun
Producteurs, sauvons-nous nous-mêmes
Décrétons le salut commun
Pour que le voleur rende gorge
Pour tirer l'esprit du cachot
Soufflons nous-mêmes notre forge
Battons le fer quand il est chaud
L'état comprime et la loi triche
L'impôt saigne le malheureux
Nul devoir ne s'impose au riche
Le droit du pauvre est un mot creux
C'est assez, languir en tutelle
L'égalité veut d'autres lois
Pas de droits sans devoirs dit-elle
Egaux, pas de devoirs sans droits
Hideux dans leur apothéose
Les rois de la mine et du rail
Ont-ils jamais fait autre chose
Que dévaliser le travail
Dans les coffres-forts de la bande
Ce qu'il a crée s'est fondu
En décrétant qu'on le lui rende
Le peuple ne veut que son dû.
Les rois nous saoulaient de fumées
Paix entre nous, guerre aux tyrans
Appliquons la grève aux armées
Crosse en l'air, et rompons les rangs
S'ils s'obstinent, ces cannibales
A faire de nous des héros
Ils sauront bientôt que nos balles
Sont pour nos propres généraux
Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien, de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.
________________________________________
Die Internationale
Wacht auf, Verdammte dieser Erde,
die stets man noch zum Hungern zwingt!
Das Recht wie Glut im Kraterherde
nun mit Macht zum Durchbruch dringt.
Reinen Tisch macht mit dem Bedranger!
Heer der Sklaven, wache auf!
Ein nichts zu sein, tragt es nicht langer
Alles zu werden, stromt zuhauf!
Volker, hort die Signale!
Auf, zum letzten Gefecht!
Die Internationale
Erkampft das Menschenrecht
Es rettet uns kein hoh'res Wesen
kein Gott, kein Kaiser, noch Tribun
Uns aus dem Elend zu erlosen
konnen wir nur selber tun!
Leeres Wort: des armen Rechte,
Leeres Wort: des Reichen Pflicht!
Unmundigt nennt man uns Knechte,
duldet die Schmach langer nicht!
In Stadt und Land, ihr Arbeitsleute,
wir sind die starkste Partei'n
Die Mussigganger schiebt beiseite!
Diese Welt muss unser sein;
Unser Blut sei nicht mehr der Raben
und der machtigen Geier Frass!
Erst wenn wir sie vertrieben haben
dann scheint die Sonn' ohn' Unterlass!
Click on title to link to YouTube's film clip of our international working class anthem ,"The Internationale".
As is always appropriate on international working class holidays and days of remembrance here is the song most closely associated with that movement “The Internationale” in English, French and German. I will not vouch for the closeness of the translations but certainly of the spirit. Workers Of The World Unite!
The Internationale [variant words in square brackets]
Arise ye workers [starvelings] from your slumbers
Arise ye prisoners of want
For reason in revolt now thunders
And at last ends the age of cant.
Away with all your superstitions
Servile masses arise, arise
We'll change henceforth [forthwith] the old tradition [conditions]
And spurn the dust to win the prize.
So comrades, come rally
And the last fight let us face
The Internationale unites the human race.
So comrades, come rally
And the last fight let us face
The Internationale unites the human race.
No more deluded by reaction
On tyrants only we'll make war
The soldiers too will take strike action
They'll break ranks and fight no more
And if those cannibals keep trying
To sacrifice us to their pride
They soon shall hear the bullets flying
We'll shoot the generals on our own side.
No saviour from on high delivers
No faith have we in prince or peer
Our own right hand the chains must shiver
Chains of hatred, greed and fear
E'er the thieves will out with their booty [give up their booty]
And give to all a happier lot.
Each [those] at the forge must do their duty
And we'll strike while the iron is hot.
________________________________________
L'Internationale
Debout les damnés de la terre
Debout les forçats de la faim
La raison tonne en son cratère
C'est l'éruption de la fin
Du passe faisons table rase
Foules, esclaves, debout, debout
Le monde va changer de base
Nous ne sommes rien, soyons tout
C'est la lutte finale
Groupons-nous, et demain (bis)
L'Internationale
Sera le genre humain
Il n'est pas de sauveurs suprêmes
Ni Dieu, ni César, ni tribun
Producteurs, sauvons-nous nous-mêmes
Décrétons le salut commun
Pour que le voleur rende gorge
Pour tirer l'esprit du cachot
Soufflons nous-mêmes notre forge
Battons le fer quand il est chaud
L'état comprime et la loi triche
L'impôt saigne le malheureux
Nul devoir ne s'impose au riche
Le droit du pauvre est un mot creux
C'est assez, languir en tutelle
L'égalité veut d'autres lois
Pas de droits sans devoirs dit-elle
Egaux, pas de devoirs sans droits
Hideux dans leur apothéose
Les rois de la mine et du rail
Ont-ils jamais fait autre chose
Que dévaliser le travail
Dans les coffres-forts de la bande
Ce qu'il a crée s'est fondu
En décrétant qu'on le lui rende
Le peuple ne veut que son dû.
Les rois nous saoulaient de fumées
Paix entre nous, guerre aux tyrans
Appliquons la grève aux armées
Crosse en l'air, et rompons les rangs
S'ils s'obstinent, ces cannibales
A faire de nous des héros
Ils sauront bientôt que nos balles
Sont pour nos propres généraux
Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien, de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.
________________________________________
Die Internationale
Wacht auf, Verdammte dieser Erde,
die stets man noch zum Hungern zwingt!
Das Recht wie Glut im Kraterherde
nun mit Macht zum Durchbruch dringt.
Reinen Tisch macht mit dem Bedranger!
Heer der Sklaven, wache auf!
Ein nichts zu sein, tragt es nicht langer
Alles zu werden, stromt zuhauf!
Volker, hort die Signale!
Auf, zum letzten Gefecht!
Die Internationale
Erkampft das Menschenrecht
Es rettet uns kein hoh'res Wesen
kein Gott, kein Kaiser, noch Tribun
Uns aus dem Elend zu erlosen
konnen wir nur selber tun!
Leeres Wort: des armen Rechte,
Leeres Wort: des Reichen Pflicht!
Unmundigt nennt man uns Knechte,
duldet die Schmach langer nicht!
In Stadt und Land, ihr Arbeitsleute,
wir sind die starkste Partei'n
Die Mussigganger schiebt beiseite!
Diese Welt muss unser sein;
Unser Blut sei nicht mehr der Raben
und der machtigen Geier Frass!
Erst wenn wir sie vertrieben haben
dann scheint die Sonn' ohn' Unterlass!
Click on title to link to the John Reed Internet Archive's 1919 "The Revolutionary Age" article by John Reed about his remembrances of the martyred great German communist leader, Karl Liebknecht.
EVERY JANUARY WE HONOR LENIN OF RUSSIA, ROSA LUXEMBURG OF POLAND, AND KARL LIEBKNECHT OF GERMANY AS THREE LEADERS OF THE INTERNATIONAL WORKING CLASS MOVEMENT. HERE’S WHY WE HONOR KARL LIEBKNECHT
In honor of the 3 L's. The authority of Lenin, leader of the Bolshevik Revolution of 1917 in Russia, and Luxemburg, the Rose of the Revolution, need no special commendation. I would however like to comment on Karl Liebknecht who has received less historical recognition and has had less written about him. Nevertheless, Karl Liebknecht apparently had the capacity to lead the German Revolution. A man whose actions inspired 50,000 Berlin workers, under penalty of being drafted to the front, to strike against his imprisonment in the middle of a World War is self- evidently a man with the authority to lead a revolution. His tragic personal fate in the aftermath of the Spartacus uprising, killed by counterrevolutionaries, helped condition the later dismal fate of the German revolution, especially in 1923.
History has posed certain questions concerning the establishment of socialism that remains unresolved today primarily to due the crisis of leadership of the international labor movement. Although Liebknecht admittedly was not a theoretician I do not believe that someone of Lenin's or Trotsky's theoretical level of achievement was necessary after the Russian experience. To these eyes the Trotsky's theory of Permanent Revolution and Lenin's Bolshevik organizational concepts have stood the test of time, if mainly by negative experience.
What was necessary was a leadership that assimilated those lessons. Liebknecht, given enough time to study those lessons, seems to have been capable of that. A corollary to that view is that one must protect leading cadre when the state starts bearing down. Especially small propaganda groups like the Spartacists with fewer resources for protection of leadership. This was not done. If you do not protect your leadership you wind up with a Levi, Brandler or Thalheimer (successively leaders of the German Communist Party) who seemed organically incapable of learning those lessons.
One of the problems with being the son of a famous politician is that, as founder of the early German Social Democratic Party Wilhelm Liebknecht's son, much was expected of Karl, especially on the question of leading the German working class against German militarism. Wilhelm had done a prison term (with August Bebel) for opposition to the Franco-Prussian War. As for Karl I have always admired that famous picture of him walking across the Potsdam Plaza in uniform, subject to imprisonment after lost of his parliamentary immunity, with briefcase under arm ready to go in and do battle with the parliamentary cretins of the Social Democratic Party over support for the war budget. That is the kind of leadership cadre we desperately need now. REMEMBER HIS FAMOUS SLOGANS- ‘THE MAIN ENEMY IS AT HOME’-‘ NOT ONE PENNY, NOT ONE PERSON (updated) FOR THE WAR’.
