From The A Dimmed Elegy For The Late Peter Paul Markin Series-

From The A Dimmed Elegy For The Late Peter Paul Markin Series-

 

From The Pen Of Sam Lowell

 

A while back, a few months ago although the project had been percolating in his brain for the previous year or so after some incident reminded him how much he missed his old corner boy from the 1960s North Adamsville night, the late Peter Paul Markin, Bart Webber wrote up what he called, and rightly so I think, an elegy for him, A Dimmed Elegy For The Late Peter Paul Markin. Bart had approached me about doing the chore since we now live in the same town, Carver about thirty miles south of our growing- up town. He figured that since he had retired from the day to day operations of his print shop which was now being run by his oldest son, Jeff, and I was winding down my part in the law practice I had established long ago I would have plenty of time to write and he to “edit” and give suggestions. He said he was not a writer although he had plenty of ideas to contribute but that I who had spent a life-time writing as part of my job would have an easy time of it. Bart under the illusion that writing dry as dust legal briefs for some equally dry as dust judge to read is the same as nailing down a righteous piece about an old time corner boy mad man. I turned him down flat which I will explain in a moment.

The way Bart presented that proposal deserves a little mention since he did it one night when the remnant of Markin’s old comrades still alive who still reside in the area, Frankie, Josh, Jack Callahan, Jimmy Jenkins, Bart and me were drinking now affordable high-shelf liquors at “Jack’s” in Cambridge near where Jimmy lives. During the conversation, not for the first time, Bart mentioned that he was still haunted by the thought  he had the year before about the time that Markin had us in thrall one night out in Joshua Tree in 1972 when we were all high as kites on various drugs of choices and he, at first alone, and then with Josh began some strange Apache-like dance and they began to feel (at least according to Josh’s recollection) like those ancient warriors who tried to avenge their loses when white settlers had come to take their lands and we all for one moment were able to sense what it was like to be warrior-avengers. Markin had that effect on the rest of us, was always tweaking us on some idea from small scale larcenies to drug-induced flame-outs. Yeah, that miserable, beautiful, so crooked he could not get his legs in his pants, son of a bitch, sainted bastard still is missed, still has guys from the old days moaning to high heaven about that lost. Bart insisted there was a story there, a story if only for us and someone (all eyes on me) should write it up.             

I can say all of that and say at the same time that I can say I couldn’t write the piece. See while at times Markin was like a brother to me and we treated each other as such he also could have his “pure evil” moments which the other corner boys either didn’t see, or didn’t want to see. These may be small things now on reflection but he was the guy who almost got me locked up one night, one summer night in 1966 before our senior year when Frankie who usually was the “on-site” manager of our small larcenies was out of town with his girlfriend. Markin figured since he was the “brains” behind the various capers that he could do one on his own but he needed a look-out, me. The caper involved a small heist of a home in the Mayfair swells part of North Adamsville whose owners were “summering” somewhere in the Caribbean. Markin had “cased” or thought he had cased the place fully except he didn’t factor in that the owners had a house sitter during that time. Markin startled her as he entered a side door, she screamed, Markin panicked, as she headed for the telephone to call the police and he fled out the door. But see Markin came running out that door toward me just when the cops were coming down the street where we met in their squad car directly toward us. They stopped us, told to get in the car and headed to that Mayfair house. As it turned out the house-sitter couldn’t identify either of us, couldn’t identify Markin and the cops had to let us go. No question Markin panicked and no question he made a serious mistake by heading my way knowing what he knew. I had, and have always had, the sneaking suspicion that he might have rolled me over as the B&E guy if it had been possible. I have a few other stories like that as well but that gives you a better insight into what Markin could turn into when cornered.

A couple of other incidents involved women, one my sister, the other an old flame or rather someone I wanted to be my flame. One of the reasons that I, unlike Markin who did serve in Vietnam which I think kind of turned him over the edge to the “dark side” once his dream about a “newer world” as he called it started to evaporate in the early 1970s, did not do military duty since I was the sole support, working almost full time after school during high school, of my mother and four very younger sisters after my father died of a massive heart attack in 1965. My oldest sister, Clara, was smitten by Markin from early on and I could see that he was willing to take advantage of her naiveté as well although I warned him off more than once since she was only thirteen when we were in high school. Now I could never prove it, and Clara would not say word one about it to me, but I believe he took her virginity from her. I do know during that period I found a carton of Trojans in her bureau drawer when I was looking for something I thought she had of mine and she was not around to ask. I didn’t confront him directly since among corner boys such things would have been “square” to discuss even about sisters but I continued to keep warning him off like I didn’t know anything had happened and before long I saw Clara had taken up with a boy her own age so I let it drop. The flame thing involved Laura Perkins who I was “hot” for from the ninth grade on and who I had several dates with in the tenth grade and it looked like things were going well when she threw me over for Markin. Now that situation has happened eight million times in life but corner boys were supposed to keep “hands off” of other corner boys’ girls although I was not naïve enough to not believe that was honored more in the breech than the observance having done a couple of end-around maneuvers myself but this Laura thing strained our relationship for a while. Here is the funny part though after a few weeks she threw Markin over for the captain of the football team (she was a cheerleader as well as bright student, school newspaper writer, on the dance committee and a bunch of other resume-building things) who we all hated. Funnier still at our fortieth reunion a few years back Laura and I got back together (after her two marriages and my two marriages had flamed out something we laughed about at the time) and we have been an “item” ever since. But you can see where I would, unlike say Bart, have a hard time not letting those things I just mentioned get in my way of writing something objective about that bastard saint.                   

So Bart wrote the piece himself, wrote the “dimmed” elegy (the “dimmed” being something I suggested as part of the title) and did a great job for a guy who said he couldn’t write. Frankly any other kind of elegy but dimmed would fail to truly honor that bastard saint madman who kept us going in that big night called the early 1960s and drove us mad at the same time with his larcenous schemes and over-the-top half-baked brain storm ideas and endless recital of the eight billion facts he kept in his twisted brain (estimates vary on the exact number but I am using the big bang number to cover my ass, as he would). I need not go into all of the particulars of that piece except to say that the consensus among the still surviving corner boys was that Bart was spot on, caught all of Markin’s terrible contradictions pretty well. Contradiction that led him from the bright but brittle star of the Jack Slack’s bowling alleys corner boy back then to a bad end, a mucho mal end murdered down in Sonora, Mexico in 1976 or 1977 when some drug deal (kilos of cocaine) he was brokering to help feed what Josh said was a serious “nose candy” habit went sour for reasons despite some investigation by Frankie Riley, myself and a private detective Frankie hired were never made clear. What was clear was that he was found face down on some dusty back road of that town with two slugs in his head and is buried in the town’s forlorn potter’s field in some unmarked grave. That is about all we know for sure about his fate and that is all that is needed to be mentioned here.

That foul end might have been the end of it, might have been the end of the small legend of Markin. Even he would in his candid moments accept that “small” designation. Yes, been the end of the legend except the moaning to high heaven still every time his name comes up. Except this too. Part of Bart’s elegy referenced the fact that in Markin’s sunnier days before the nose candy got the best of him, brought out those formerly under control outrageous “wanting habits,” in the early 1970s when he was still holding onto that “newer world” dream that he (and many others, including me and Bart for a varying periods) did a series of articles about the old days and his old corner boys in North Adamsville. Markin before we lost contact, or rather I lost contact with him since Josh Breslin his friend from Maine (and eventually our friend as well whom we consider an honorary Jack Slack’s corner boy) met out in San Francisco in the Summer of Love, 1967 knew his whereabouts outside of San Francisco in Daly City until about 1974 wrote some pretty good stuff, stuff up for awards, and short-listed for the Globe.

Pushed on by Bart’s desire to tell Markin’s story as best he could who must have been driven by some fierce ghost of Markin over his shoulder to do such yeoman’s work, he, Frankie (our corner boy leader back then who had Markin as his scribe and now is a big time lawyer in Boston), Josh, and I agreed that a few of the articles were worth publishing if only for ourselves and the small circle of people whom Markin wrote for and about. (Markin’s oldest friend from back in third grade, Allan Johnson, who would have had plenty to say about the early days had passed away  after a long-term losing fight with cancer before this plan was hatched, RIP, brother.) So that is exactly what we did. We had a commemorative small book of articles and any old time photographs we could gather put together and had it printed up in the print shop that Bart’s oldest son, Jeff, is now running for him since his retirement from the day to day operations last year.

Since not all of us had everything that Markin wrote, as Bart said, what the hell they were newspaper or magazine articles to be used to wrap up the fish in or something after we were done reading them, we decided to print what was available. Bart was able to find copies of a bunch of sketches up in the attic of his parents’ home which he was cleaning up for them when they were putting their house up for sale since they were in the process of downsizing. Josh, apparently not using his copies for wrapping fish purposes, had plenty of the later magazine pieces. I had a few things, later things from when we went on the quest for the blue-pink Great American West hitchhike road night as Markin called it. Unfortunately, we could not find any copies of the long defunct East Bay Eye and so could not include anything from the important Going To The Jungle series about some of his fellow Vietnam veterans who could not adjust to the “real” world coming back from ‘Nam and wound up in the arroyos, canyons, railroad sidings and under the bridges of Southern California. He was their voice on that one then, if silence now who those aging vets desperately a voice.  So Markin can speak to us still. Yeah, like Bart said, that’s about right for that sorry ass blessed bastard saint with his eight billion words.  

Below is the short introduction that I wrote for that book which we all agreed should be put in here trying to put what Markin was about in content from a guy who knew him about as well as anybody from the old neighborhood, knew his dark side then and when that came out later too:  

“The late Peter Paul Markin, also known as “the Scribe, ” so anointed by Frankie Riley the unchallenged self-designated king hell king of the schoolboy night among the corner boys who hung around the pizza parlors, pool halls, and bowling alleys of the town, in telling somebody else’s story in his own voice about life in the old days in the working class neighborhoods of North Adamsville where he grew up, or when others, threating murder and mayhem,  wanted him to tell their stories usually gave each and every one of that crew enough rope to hang themselves without additional comment. He would take down, just like he would do later with the hard-pressed Vietnam veterans trying to do the best they could out in the arroyos, crevices, railroad sidings and under the bridges when they couldn’t deal with the “real” world after Vietnam in the Going To The Jungle series that won a couple of awards and was short-listed for the Globe award, what they wanted the world to hear, spilled their guts out as he one time uncharitably termed their actions (not the veterans, not his fellows who had their troubles down in L.A. and needed to righteously get it out and he was the conduit, their voice, but the zanies from our old town), and then lightly, very lightly if the guy was bigger, stronger than him, or in the case of girls if they were foxy, and mainly just clean up the language for a candid world to read.

Yeah Markin would bring out what they, we, couldn’t say, maybe didn’t want to say. That talent was what had made the stories he wrote about the now very old days in growing up in North Adamsville in the 1960s when “the rose was on the bloom” as my fellow lawyer Frankie Riley used to say when Markin was ready to spout his stuff so interesting. Ready to make us laugh, cringe, get red in the face or head toward him to slap him down if he got too righteous. Here is the funny part though. In all the stories he mainly gave his “boys” the best of it. Yes, Bart is still belly-aching about a few slights about his lack of social graces that old Markin threw his way, and maybe he was a little off on the reasons why I gave up the hitchhike highway blue-pink Great American West night quest that he was pursuing (what he called sneeringly my getting “off the bus” which even he admitted was not for everyone) but mainly that crazy maniac with the heart of gold, the heart of lead, the heart that should have had a stake placed in its center long ago, that, ah, that’s enough I have said enough except I like Bart still miss and mourn the bastard.”

Here is something Markin wrote about the place of doo wop in rock history back in 1972, I think. That rock history was one of his serious interests, one that he wrote about like a lot of his work for the small circulation “idea” journals and off-beat magazines meaning no dough publications. He had written in that article about his youthful controversy with his corner boy leader, Billie Bradley (this is before I came to North Adamsville and before Markin moved across town when he and his family lived in the town “projects”in Adamsville proper), on those hot summer doldrums nights just after he had moved across town and he was still ill-adjusted and would ride his bike back to the projects to see what Billie had to say about anything involving music.

 

***Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- Billie’s Back- The Crests’ “Step By Step”

 

 

From The Pen Of The Late Peter Paul Markin (written in 1972,written in sunnier Markin times)  

 

This is the back story, the teen listener back story if you like, going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Yah, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own. [Strangely prophetic about Billie who took many wrong turns and the last I had heard when I checked via an Internet service he was up in Maine at Shawshank doing a nickel for a small armed robbery of some White Hen store but that was maybe fifteen years ago, maybe more. More prophetic though considering the similar bad end fate of Markin himself when he “wanting habits” got the best of him. JB]

 

Billie and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley, Chuck Berry, somewhat later Jerry Lee Lewis, and of every new teen heartthrob singer around, heartthrob to the girls that is. And on his night table every new record Billie could get his hands on, by hook or by crook (meaning for the clueless or unknowing the “clip” which involved me on occasion as the look-out since Billie said I was too nervous to do the clip itself which required you to go into a store, say a department and grab some records, put them under your shirt or sweater depending on the season and cool as a cucumber walk out the door like nothing happened. Billie never tumbled to anything then since he looked like some angel child and if you took that the right way he was, was an angel child), and neatly folded piles of clothing, also gathered by that same hook or by crook (see the records “clip,”) appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of finding-out-about-girls worthiness.

 

Although in early 1959 my family had started the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I still would wander back there until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer, junior division, at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words spoken during those conversations (somewhat edited, of course). That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.

********

Billie, William James Bradley, comment:

 

What the hell’s going on? It is almost like I can’t even listen to my transistor radio these days without wanting to throw up. Yes, that’s right throw up. And Markin, Peter Paul Markin, my best friend over at Adamsville South Elementary a couple of years back will back me up on this if he even comes back around the old neighborhood to breathe some real air, some fresh sea air, and get the low-down on what is good in music these days. Except I won’t have much to tell him right now. Like I said I feel like throwing up most of the time when I listen to the radio. Nothing righteous. Nothing like Elvis when he was righteous, hungry and righteous, a few years back. Or Jerry Lee before he got into cousin-marrying trouble or Chuck Berry when he got into no-no white girl trouble (I had my own troubles with that black race thing when I innocently attempted to do a cover of Bo Diddley’s Bo Diddley not knowing his was black since I had only heard him on the radio and got “n----r” crap from Jimmy Smith and one of my cousins for a long time thereafter even though I switch back to Elvis covers pretty quickly. Fabian, Conway Twitty, Duane Eddy, Ricky Nelson, jesus, even Ricky Nelson, the Everly Brothers and on and on with twaddle, yes, twaddle about this and that oddball thing about teen life. And girls, girls with money to buy the records, who seem to just want dreamy stuff about sad movies, some sad-sack boyfriends, johnny, jimmy, joey angels, following guys to the end of the earth, and all that. No more be-bop-a-lula.  I tell you we are in the dumps and it ain’t getting better, if anything worst.

 

Here is what I am up to these days, and maybe you should be too. I am starting to listen and listen hard to doo wop stuff. The stuff that came out of the street corners of New York City and other big town places where you had guys (and chicks too) singing, no instruments, or maybe some low-down, low-key piano, just doing harmonies, and doo wop background responses. Cool. Yah, I know I got in trouble, musically anyway, trying to cover righteous Bo Diddley down here in the white projects playing off “colored” music that really, really I say, drove early rock. Just ask Elvis, if he is in a truthful mood.

 

But this stuff, this doo wop stuff, if it gets around more, can break the pretty boys and their dreamy girl thing up. So here is what I am doing now that it is summer, school is out, it’s hot, and we haven’t got a damn thing to do, and no money to do it with if we had that damn thing to do. I have been listening to doo wop records like crazy, right now I am concentrating on the Crests and their great harmonies on Step by Step. Here is what I want to do just like we tried last summer when Markin was around more. A few guys, a few of my guys, my hanging-around-waiting-to-do-this-and-that-but-just-now-waiting-fire-guys, will get together around dusk in back of the old school around the playground area and start practicing harmonies. Markin scoffed at the idea at the time, as usual. But then, just as the sun started going down, a couple of girls would come by to listen and not “dogs” either, or sticks. Then a couple more, and a couple more, and there you have it.

 

Of course after that Markin wanted to do it every day, all day, even in the afternoon heat, and Markin hates the heat. So I figure that we can try it again this year and maybe we can break out of the Bobby Vee mold. But see here is where I am on the hook. If you can believe this I need Markin, need him bad. Last summer when he was around more I tried to keep him in the background as his voice was starting to change. Yah, I tried to ship him and his voice to Chicago if you want to know the truth, best friend and all. But lately I have been having trouble on the call and response side of Step by Step and now that Markin has a more bassy voice I sure could use him otherwise I will never break out into my proper place in the doo wop world. Got it, Markin.

 

The Crests

Step By Step lyrics

 

Step, step. Step, step. Step, step... Step, step

Step by step I fell in love with you

And step by step it wasn't hard to do

Kiss by kiss and hand in hand

That's the way it all began

Soon we found the perfect plan for love

Side by side we took a lovers walk

Word by word we had a lover's talk

One word led to another and then

Then in no time we're up to ten

My heart knew it was gonna end in love

1st step, a sweet hello

2nd step, my heart's aglow

3rd step, we had a date

4th step, we stayed up late

5th step, I walk you home

6th step, we're all alone

7th step, we took a chance

One kiss and true romance

Step by step we climbed to heaven's door

Step by step, each thrill invited more

Then you promised faithfully

All your love belonged to me

Now I know we'll always be in love

Step, step. Step, step. Step, step. Step step

 

From Veterans For Peace In Massachusetts-Stop The Damn Endless Wars

From Veterans For Peace In Massachusetts-Stop The Damn Endless Wars

The Reasons Why- 

Some Numbers To Consider 

 

Down At Duke’s Place-With Duke Ellington In Mind

Down At Duke’s Place-With Duke Ellington In Mind

 

 
 
 
 
 
 

 

 
 
No, this will not be a screed about how back in the day, back in the 1950s when be-bop jazz was the cat’s meow, when cool was listening to the Monk trip up a note and work it out from there or Dizzy burping then hitting the high white note all those guys were struggling against the limits of the instruments, high as hell, to get to. Frankly I was too, way too young to appreciate such work and I only got the tail end, you know when Hollywood or the popular prints messed the whole be-bop jazz “beat” thing up and we got spoon-fed Maynard G. Krebs and ten thousand guys hanging around the Village on Saturday night in full beret from the outreaches of Tenafly, New Jersey and another ten thousand gals, all in black from head to toe, maybe black underwear too so something to imagine at least from Norwalk, Connecticut milling around as well. Square, square cubed. No, this will not be some screed going back further in the hard times of the Great Depression and the slogging through World War II when “it did not mean a thing, if you ain’t got that swing” when our parents, the parents of the kids who caught the end of be-bop “swang,” did dips and twirls to counts, dukes, earls, princes, marquises even leading big band splashes to wash that generation clean. Come on now that was our parents and I wasn’t even born so no way I can “screed” about that. And, no, no, big time no, this will not be about some solitary figure in some dank, dusty, smoke-filled café, the booze flowing, the dope in the back alleys inflaming the night while some guy, probably a sexy sax player, blows some eternal high white note out against some bay, maybe Frisco Bay, and I was hooked, hooked for life on the be-bop jazz scene.

No, it never even came close to starting out like that, never even dreamed such scenes. Unlike rock and roll, the classic kind that was produced in my 1950s growing up time and which I have had a life-long devotion to or folk music which I came of age, political and social age to later in the early 1960s, jazz was a late, a very late acquisition to my understanding of the American songbook. Oh sure I would hear a phrase, a few bing, bang, bong  notes blowing out the window, out the door, sitting in some bar over drinks with some hot date, maybe hear it as backdrop in some Harvard Square bookstore when I went looking for books (and, once somebody hipped me to the scene, looking for bright young women who also were in the bookstore looking for books, and bright young men but that scene is best left for another time), or at some party when the host tired of playing old-time folk music and decided to kick out the jams and let the jazz boys wreak their havoc. But jazz was, and to a great extent still is, a side bar of my musical tastes.          

About a decade ago, a little more, I got seriously into jazz for a while. The reason: the centennial of the birth of Duke Ellington being celebrated when I was listening to some radio show which was commemorating that fact and I heard a few faint bars which required me to both turn up the volume and to listen to the rest of the one hour tribute. The show played a lot of Duke’s stuff from the early 1940s when he had Ben Webster, Harry Carney, and Johnny Hodges on board. The stuff blew me away and as is my wont when I get my enthusiasms up, when something blows me away, I grabbed everything by the Duke and his various groupings and marveled at how very good his work was, how his tonal poems reached deep, deep down and caught something in me that responded in kind. Especially when those sexy saxs, when Johnny or Cootie blew me away when they let it all hang out.

Funny though I thought at the time that I hadn’t picked up on this sound, this reaching for the soul, for the essence of the matter, before since there are very definitely elements of the blues in Brother Duke’s work. And I have been nothing but a stone blown blues freak since the early 1960s when I first heard Howlin’ Wolf hold forth practically eating that harmonica of his on Little Red Rooster and Smokestack Lightnin’. Moreover I had always been a Billie Holiday fan although I never drew the connection to the jazz in the background since it usually was muted to let her rip with that throaty sultry voice, the voice that chased the blues, my blues,  away.

So, yes, count me among the guys who are searching for the guys who are searching for the great big cloud puff high white note, guys who have been searching for a long time as the notes waft out into the deep blue sea night. Count me too among Duke’s boys, down at Duke’s place where he eternally searched for that elusive high white note.             

Songs To While The Time By- The Roots Is The Toots-Chuck Berry’s Roll Over Beethoven

Songs To While The Time By- The Roots Is The Toots-Chuck Berry’s Roll Over Beethoven

A YouTube clip to give some flavor to this subject.

Over the past several years I have been running an occasional series in this space of songs, mainly political protest songs, you know The Internationale (reflecting the necessarily international brother and sisterhood of the downtrodden and oppressed to get out from under the thumb of the now globalized economic royalists who run the show to their small benefit), Union Maid (reflecting the deep-seeded need to organize the unorganized and reorganize the previously organized sections of the labor movement in America), Which Side Are You On (reflecting, well, that is easy enough to figure out without further explanation, which side are you when the deal goes down), Viva La Quince Brigada (reflecting that at certain times and certain places we must take up arms like in the 1930s Spanish Civil War against the night-takers before they get out of their shells and wreak havoc on the world), Universal Soldier (reflecting the short-fall in the ability of humankind to step forward without going off the deep end of killing each other for no none reason), and such under the title Songs To While The Class Struggle By. And those songs have provided our movement with that combination entertainment/political message that is an art form that we use to draw the interested around us. Even though today those interested in struggling may be counted rather than among the countless that we need to take on the beasts and the class struggle to be “whiled away” is rather one-sidedly going against us at present. The bosses are using every means from firing militants to targeting and setting union organizing drives up for failure by every means possible to employing their paid propagandists to complain when the masses are not happy with having their plight groveled in their faces like they should be and are ready to do something about it while the rich, well, while away in luxury and comfort.  

Not all life however is political, or rather not all music lends itself to some kind of explicit political meaning but yet spoke to, let’s say, the poor sharecropper or planation worker on Mister’s land at the juke joint on Saturday listening to the country blues, unplugged, kids in the early 1950s at the jukebox listening to high be-bop swing heralding a new breeze to break out of the tired music of their parents, other kids listening, maybe at that same jukebox later in the decade now worn with play and coins listening to some guys from some Memphis record company rocking and rolling (okay, okay not just some record company but Sam Phillip’s Sun Records and not just some guys from the cornfields but Warren Smith, Elvis, Carl Perkins, Chuck Berry and Jerry Lee Lewis), or adults spending some dough to hear the latest from Tin Pan Alley (some Cole Porter, Irvin Berlin, Gershwin Brothers summertime and the living is easy tune)or some enchanted evening Broadway musical. And so they too while away to the various aspects of the American songbook and that rich tradition is which in honored here.   

This series which could include some modern protest songs as well like Pete Seeger’s Where Have All The Flowers Gone or Bob Dylan’s Blowin’ In The Wind, is centered on roots music as it has come down the ages and formed the core of the American songbook. You will find the odd, the eccentric, the forebears of later musical trends, and the just plain amusing here. Listen up.

****************

And as if you needed more motivation to list up run through this sketch:

The Roots Is The Toots-The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Chuck Berry’s Roll Over Beethoven  

 

From The Pen Of Frank Jackman

 Sam Lowell thought it was funny how things worked out in such contrary fashion in this wicked old world, not his expression that “wicked old world” for he preferred of late the more elastic and ironic “sad old world” reflecting since we are in a reflecting mood the swift passage of time and of times not coming back but that of his old time North Adamsville corner boy Peter Markin, Markin, who seemingly was possessed by the demon fight in his brain against the night-takers whatever their guise and who will be more fully introduced in a moment. (Markin aka Peter Paul Markin although nobody ever called him that except his mother, as one would expect although he hated to be teased by every kid from elementary school on including girls, girls who liked him too as a result, and his first ill-advised wife, a scion of the Mayfair swells who tried, unsuccessfully, to impress her leafy suburban parents with the familiar waspy triple names inherited from the long ago Brahmin forbear stowaways on the good ship Mayflower.)

Neither of those expressions referred to above date back to their youth since neither Sam nor Markin back then, back in their 1960s youth, would have used such old-fashioned religious-drenched expressions to express their take on the world since as with all youth, or at least youth who expected to “turn the world upside down” (an expression that they both did use in very different contexts) they would have withheld such judgments or were too busy doing that “turning” business and they had no time for adjectives to express their worldly concerns. No that expression, that understanding about the wickedness of the world had been picked up by Sam from Markin when they had reconnected a number of years previously after they had not seen each other for decades to express the uphill battles of those who had expected humankind to exhibit the better angels of their nature on a more regular basis. Some might call this a nostalgic glancing back, especially by Markin since he had more at stake in a favorable result, on a world that did not turn upside down or did so in a way very different from those hazy days.   

The funny part (or ironic if you prefer) was that Sam had been in his youth the least political, the least culture-oriented, the least musically-oriented of those corner boys like Markin, Jack Dawson, Jimmy Jenkins and “max daddy” leader Fritz Fallon (that “max daddy” another expression coined by Markin so although he has not even been properly introduced we know plenty about his place in the corner boy life, his place as “flak,” for Fritz’s operation although Fritz always called him “the Scribe” when he wanted something written up about his latest exploit and needed to play on Markin’s vanity, Markin with his finger-tip two thousand arcane facts stored in that brain ready to be fired at a moment’s notice for his leader. His leader who kept the coins flowing into the jukebox at Phil’s House of Pizza (don’t ask how that “coins flowing” got going since Fritz like most of the corner boys came “from hunger” but just take on faith that they got there. That shop had been located down a couple of blocks from the choppy ocean waters of Adamsville Beach (and still is although under totally different management from the arch-Italian Rizzo family that ran the place for several generation to some immigrant Albanians named Hoxha).

That made it among other things a natural hang-out place for wayward but harmless poor teenage corner boys. (The serious “townie” professional corner boys, the rumblers, tumblers, drifters, grifters and midnight sifters hung around Harry’s Variety with leader Red Riley over on Sagamore far from beaches, daytime beaches although rumors had been of more than one nighttime orgy with “nice” girls looking for kicks with rough boys down among the briny rocks. Fritz and the boys would not have gone within three blocks of that place. Maybe more from fear, legitimate fear as Fritz’s older brother, Timmy, a serious tough guy himself, could testify to the one time he tried to wait outside Harry’s for some reason, a friend stopping to buy a soda on a hot summer day Fritz said, and got chain-whipped by Red for his indiscretion. Moreover Phil’s provided a beautiful vantage point for scanning the horizon for those wayward girls who also kept their coins flowing into Phil’s jukebox (or a stray “nice” girl passing by after Red and his corner boys threw her over).

Sam had recently thought about that funny story that Markin had told the crowd once on a hot night in the summer of 1965 when nobody had any money and were just holding up the wall at Phil’s about Johnny Callahan, the flashy and unstoppable halfback from the high school team (and a guy even Red respected having made plenty of money off of “sports” who bet with him on Johnny’s prowess any given Saturday although Johnny once confessed that he too, rightly, avoided Harry’s after what had happened to Timmy). See Johnny was pretty poor in those days even by the median working poor standard of the old neighborhoods (although now, courtesy of his incessant radio and television advertising which continues to make everyone within fifty miles of North Adamsville who knew Johnny back in the day aware of his new profession, he is a prosperous Toyota car dealer down across from the mall in Hull about twenty miles from North Adamsville, the town where their mutual friend Josh Breslin soon to be introduced came from). Johnny, a real music maniac who would do his football weight-lifting exercises to Jerry Lee’s Great Balls of Fire, Gene Vincent’s Be-Bop-A-Lula and stuff like that to get him hyped up, had this routine in order to get to hear songs that he was dying to hear, stuff he would hear late at night coming from a rock station out of Detroit and which would show up a few weeks later on Phil’s jukebox just waiting for Johnny and the kids to fill the coffers, with the girls who had some dough, enough dough anyway to put coins into that jukebox.

Johnny would go up all flirty to some young thing (a Fritz expression coped from Jerry Lee and not an invention of Markin as he would later try to claim to some “young thing” that he was trying to “score”) or depending on whatever intelligent he had on the girl, maybe she had just had a fight with her boyfriend or had broken up with him so Johnny would be all sympathy, maybe she was just down in the dumps for no articulable reason like every teen goes through every chance they get, whatever it took. Johnny, by the way, would have gotten that intelligence via Markin who whatever else anybody had to say about him, good or bad, was wired into, no, made himself consciously privy to, all kinds of boy-girl information almost like he had a hook into that Monday morning before school girls’ locker room talkfest (everybody already knew that he was hooked into the boys’ Monday morning version and had started more rumors and other unsavory deeds than any ten other guys).

Now here is what Johnny “knew” about almost every girl if they had the quarter which allowed them to play three selections. He would let them pick that first one on their own, maybe something to express interest in his flirtation, maybe her name, say Donna, was also being used as the title of a latest hit, or if broken up some boy sorrow thing. Brenda Lee’s I Want To Be Wanted, stuff like that. The second one he would “suggest” something everybody wanted to listen to no matter what but which was starting to get old. Maybe an Elvis, Roy Orbison, Chuck Berry, Jerry Lee thing still on the jukebox playlist but getting wearisome. Then he would go in for the kill and “suggest” they play this new platter, you know, something like Martha and the Vandelas Dancing in the Streets or Roy’s Blue Bayou both of which he had heard on the midnight radio airwaves out of Detroit one night and were just getting play on the jukeboxes. And bingo before you know it she was playing the thing again, and again. Beautiful. And Johnny said that sometimes he would wind up with a date, especially if he had just scored about three touchdowns for the school, a date that is in the days before he and Kitty Kelly became an “item.” An item, although it is not germane to the story, who still is Johnny’s girl, wife, known as Mrs. Toyota now.

But enough of this downstream stuff Sam thought. The hell with Johnny and his cheapjack tricks (although not to those three beautiful touchdowns days, okay) this thing gnawing at him was about old age angst and not the corner boy glory days at Phil’s, although it was about old time corners boys and their current doings, some of them anyway. So yeah he had other things he wanted to think about (and besides he had already, with a good trade-in gotten his latest car from Mr. Toyota so enough there), to tell a candid world about how over the past few years with the country, the world, the universe had been going to hell in a hand-basket. In the old days, like he kept going back to he was not the least bit interested in anything in the big world outside of sports, and girls, of course. And endlessly working on plans to own his own business, a print shop, before he was twenty-five. Well, he did get that small business, although not until thirty and had prospered when he made connections to do printing for several big high-tech companies, notably IBM when they began outsourcing their work. He had prospered, had married (twice, and divorced twice), had the requisite tolerated children and adored grandchildren, and in his old age a woman companion to ease his time.

But there had been for a long time, through those failed marriages, through that business success something gnawing at him, something that Sam felt he had missed out on, or felt he had do something about. Then a few years ago when it was getting time for a high school class reunion he had Googled “North Adamsville Class of 1966” and came upon a class website for that year, his year, that had been set up by the reunion committee, and decided to join the site to keep up with what was going on, keep up with developments there (he would wind up not going to that reunion as he had planned to although that too is not germane to the story here except as one more thing that gnawed at him because in the end he could not face going home, believed in the end after a painful episode, a feud with a female fellow classmate that left bitter ashes in his mouth (hers too from what he had heard later) what Thomas Wolfe said in the title of one of his novels, you can’t go home again).

After he had registered on the site giving a brief resume of his interests and what he had been up to these past forty years or so years Sam looked at the class list, the entire list of class members alive and deceased (a rose beside their name signifying their passing, some seventy or so madding to his sad old world view) of who had joined and found the names of Peter Paul Markin and Jimmy Jenkins among those who had done so. (Sam had to laugh, listed as Peter Paul Markin since everybody was listed by their full names, revenge from the grave by his poor mother, and that leafy suburban first wife who tried to give him Mayflower credentials, he thought.) Jack Dawson had passed away a few years before, a broken man, broken after his son who had served in Iraq and Afghanistan had committed suicide, according to Markin, as had their corner boy leader, Fritz Fallon, homeless after going through a couple of fortunes, his own and a third wife’s.

Through the mechanism established on the site which allowed each class member who joined to have a private e-mail slot Sam contacted both men and the three of them started a rather vigorous on-line chat line for several weeks going through the alphabet of their experiences, good and bad, the time for sugar-coating was over unlike in their youth when all three would lie like crazy, especially about sex and with whom in order to keep their place in the pecking order, and in order to keep up with Fritz whom lied more than the three of them combined. Markin knew that, knew Fritz’s lying about his scorecard with under the satin sheets women, knew it better than anybody else but to keep his place as “scribe” in that crazy quill pecking order went along with such silly teenage stuff, stuff that in his other pursuits he would have laughed at but that is what made being a teenager back then, now too, from what Sam saw of his grandchildren’s trials and tribulation.

After a while, once the e-mail questions had worked their course, all three men met in Boston at the Sunnyvale Grille, a place where Markin had begun to hang out in after he had moved back to Boston from the West Coast (read “hang out”: did his daytime drinking) over by the waterfront, and spent a few hours discussing not so much old times per se but what was going on in the world now, and how the world had changed some much in the meantime. And since Markin, the political maniac of the tribe, was involved in the conversations maybe do something about it at least that is what Sam had hoped since he knew that is where he thought he needed to head in order to cut into that gnawing feeling at him. Sam was elated, and unlike in his youth he did not shut his ears down, when those two guys would talk politics, about the arts or about music. He had not listened back then since he was so strictly into girls and sports, not always in that order (which caused many problems later including one of the grounds for his one of his divorces, not the sports but the girls).

This is probably the place for Sam to introduce Peter Paul Markin although he had already given an earful (and what goes for Markin goes to a lesser extent for Jimmy who tended to follow in Pete’s wake on the issues back then, and still does). Markin as Sam already noted provided that noteworthy, national security agency-worthy service, that “intelligence” he provided all the guys (and not just his corner boys, although they had first dibs) about girls, who was “taken,” a very important factor if some frail (a Fritz term from watching too many 1940s gangster and detective movies and reading Dashiell Hammett too closely, especially The Maltese Falcon),was involved with some bruiser football player, some college joe who belonged to a fraternity and the brothers were sworn to avenge any brother’s indignities, or worse, worse of all, if she was involved with some outlaw biker who hung out in Adamsville and who if he hadn’t his monthly quota of  college boy wannabes red meat hanging out at Phil’s would not think twice about chain-whipping you just for the fuck of it (“for the fuck of it” a  term Jimmy constantly used so it was not always Markin or Fritz who led the verbal life around the corner), who was “unapproachable,”  probably more important than that social blunder of ‘hitting on” a taken woman since that snub by Miss Perfect-Turned-Up-Nose would make the rounds of that now legendary seminar, Monday morning before school girls’ locker room (and eventually work its way through Markin to the boys’ Monday morning version ruining whatever social standing the guy had spent since junior high trying to perfect in order to avoid the fatal nerd-dweeb-wallflower-square name your term).

Strangely Markin had made a serious mistake with Melinda Loring who blasted her freeze deep on him and he survived to tell the tale, or at least that is what he had the boys believe. Make of this what you will though he never after that Melinda Loring sting had a high school girlfriend from North Adamsville High, who, well, liked to “do the do” as they called it back then, that last part not always correct since everybody, girls and boys alike, were lying like crazy about whether they were “doing the do” or not, including Markin.

But beyond, well beyond, that schoolboy silliness Markin was made of sterner stuff (although Sam would not have bothered to use such a positive attribute about Markin back then) was super-political, super into art and what he called culture, you know going to poetry readings at coffeehouses, going over to Cambridge to watch foreign films with subtitles and themes that he would try to talk about and even Jimmy would turn his head, especially those French films by Jean Renoir, and super into music, fortunately he was not crazy for classical music (unlike some nerds in school then who were in the band and after practice you would hear Beethoven or somebody wafting through the halls after they had finished their sport’s practice)but serious about what is now called classic rock and roll and then in turn, the blues, and folk music (Sam still shuttered at that hillbilly stuff Markin tried to interest him in when he thought about it). That was how Markin had first met Josh Breslin, still a friend, whom he introduced to Sam at one of their meetings over at the Sunnyvale Grille.

Josh told the gathering that Markin had met him after high school, after he had graduated from Hull High (the same town where Johnny Callahan was burning up the Toyota sales records for New England) down at the Surf Ballroom (Sam had his own memories of the place, some good, some bad including one affair that almost wound up in marriage). Apparently Josh and Peter had had their wanting habits on the same girl at one Friday night dance when the great local cover band, the Rockin’ Ramrods held sway there, and had been successively her boyfriend for short periods both to be dumped for some stockbroker from New York. But their friendship remained and they had gone west together, gone on that Jack Kerouac On The Road trail for a number of years when they were trying their own version of turning the world upside down on. Josh also dabbled (his word) in the turning upside down politics of the time.

And that was the remarkable thing about Markin, not so much later in the 1960s in cahoots with Josh because half of youth nation, half the generation of ’68 was knee-deep in some movement, but in staid old North Adamsville High days, days when to just be conventionally political, wanting to run for office or something, was seen as kind of strange. See Peter was into the civil rights movement, nuclear disarmament, and social justice stuff that everybody thought he was crazy to be into, everybody from Ma to Fritz (and a few anonymous midnight phone-callers yelling n----r-lover and commie into the Markin home phone).  He had actually gone into Boston when he was a freshman and joined the picket-line in front of Woolworths’ protesting the fact that they would not let black people eat in their lunchrooms down south (and maybe Markin would say when he mentioned what he was up to Woolworth’s, or North Adamsville residents, were not that happy to have blacks in their northern lunchrooms either ), had joined a bunch of Quakers and little old ladies in tennis sneakers (a term then in use for airhead blue-haired lady do-gooders with nothing but time on their hands) calling on the government to stop building atomic bombs (not popular in the red scare Cold War “we were fighting against the Russians” North Adamsville, or most other American places either), running over to the art museum to check out the exhibits (including some funny stories about him and Jimmy busting up the place looking at the old Pharaoh times slave building Pyramids stuff uncovered by some Harvard guys way back), and going to coffeehouses in Harvard Square and listening to hokey folk music that was a drag. (Sam’s take on that subject then, and now.) So Markin was a walking contradiction, although that was probably not as strange now as it seemed back then when every new thing was looked at with suspicion and when kids like Peter were twisted in the wind between being corner boys and trying to figure out what that new wind was that was blowing though the land, when Sam and the other corner boys, except Jimmy and sometimes Jack would try to talk him out of stuff that would only upset everybody in town.

But here is the beauty, beauty for Sam now that he was all ears about what Peter had to say, he had kept at it, had kept the faith, while everybody else from their generation, or almost everybody, who protested war, protested around the social issues, had hung around coffeehouses and who had listened to folk music had long before given it up. Markin had, after his  Army time, spent a lot of time working with GIs around the war issues, protested the incessantly aggressive American foreign policy dipped internally into wars and coups at the drop of a hat and frequented off-beat coffeehouses set up in the basements of churches in order to hear the dwindling number of folk artists around. He had gotten and kept his “religion,” kept the faith in a sullen world. And like in the old days a new generation (added to that older North Adamsville generation which still, from the class website e-mail traffic had not gotten that much less hostile to what Markin had to say about this “wicked old world,” you already know the genesis of that term, right, was ready to curse him out, ready to curse the darkness against his small voice).

One night when Peter and Sam were alone at the Sunnyvale Grille, maybe both had had a few too many high-shelf scotches (now able to afford such liquor unlike in the old days when they both in their respective poverties, drank low-shelf Johnny Walker whiskey with a beer chaser when they had the dough, if not some cheapjack wine), Peter told Sam the story of how he had wanted to go to Alabama in high school, go to Selma, but his mother threatened to disown him if he did, threatened to disown him not for his desire to go but because she would not have been able to hold her head up in public if he had, and so although it ate at him not to go, go when his girlfriend, Helen Jackson, who lived in Gloversville, did go, he “took a dive” (Markin’s words).

Told Sam redemptive story too about his anti-war fight in the Army when he refused to go to Vietnam and wound up in an Army stockade for a couple of years altogether. (Sam thought that was a high price to pay for redemption but it may have been the scotch at work.) Told a number of stories about working with various veterans’ groups, throwing medals over Supreme Court barricades, chainings to the White House fence, sitting down in hostile honked traffic streets, blocking freeways complete with those same hostile honkings, a million walks for this and that, and some plain old ordinary handing out leaflets, working the polls and button-holing reluctant politicians to vote against the endless war budgets (this last the hardest task, harder than all the jailings, honkings, marches put together and seemingly the most fruitless).

Told too stories about the small coffeehouse places seeing retread folkies who had gone on to other things and then in a fit of anguish, or hubris, decided to go back on the trail. Told of many things that night not in feast of pride but to let Sam know that sometimes it was easier to act than to let that gnawing win the day. Told Sam that he too always had the “gnaw,” probably always would in this wicked old world. Sam was delighted by the whole talk, even if Markin was on his soapbox. 

That night too Peter mentioned in passing that he contributed to a number of blogs, a couple of political ones, including an anti-war veterans’ group, a couple of old time left-wing cultural sites and a folk music-oriented one. Sam confessed to Markin that although he had heard the word blog he did not know what a blog was. Peter told him that one of the virtues of the Internet was that it provided space (cyberspace, a term Sam had heard of and knew what it meant) for the average citizen to speak his or her mind via setting up a website or a blog. Blogs were simply a way to put your opinions and comments out there just like newspaper Op/Ed writers or news reporters and commentators although among professional reporters the average blog and blog writers were seen as too filled with opinions and sometimes rather loose with the facts. Peter said he was perfectly willing to allow the so-called “objective” reporters state the facts but he would be damned if the blog system was not a great way to get together with others interested in your areas of interest, yeah, stuff that interested you and that other like-minded spirits might respond to. Yeah that was worth the effort.

The actual process of blog creation (as opposed to the more complex website-creation which still takes a fair amount of expertise to create) had been made fairly simple over time, just follow a few simple prompts and you are in business. Also over time what was possible to do has been updated for ease, for example linking to other platforms to your site and be able to present multi-media works lashing up say your blog with YouTube or downloading photographs to add something to your presentation. Peter one afternoon after Sam had asked about his blog links showed him the most political one that he belonged to, one he had recently begun to share space with Josh Breslin, Frank Jackman and a couple of other guys that he had known since the 1960s on and who were familiar with the various social, political and cultural trends that floated out from that period. 

Sam was amazed at the various topics that those guys tackled, stuff that he vaguely remembered hearing about but which kind of passed him by as he had delved into the struggle to build his printing shop after high school and the marriage, first marriage, house, kids and dog bit.  He told Markin that as he scrolled through the site he got dizzy looking at the various titles from reviews of old time black and white movies that he remembered watching at the old Strand second run theater uptown, poetry from the “beat” generation, various political pieces on current stuff like the Middle East, the fight against war, political prisoners most of whom he had never heard of except the ones who had been Black Panther or guys like that who were on the news after they were killed or carted off to jail, all kinds of reviews of rock and roll complete with the songs via YouTube, too many reviews of folk music that he never really cared for, books that he knew Peter read like crazy but that Sam could not remember the titles of. The guys really had put a lot of stuff together, even stuff from other sites and announcements for every conceivable left-wing oriented event in Boston or the East Coast. He decided that he would become a Follower which was nothing sinister like some cult but just that you would receive notice when something was put on the blog.

Markin had also encouraged him to write some pieces about what interested him, maybe start out about the old days in North Adamsville since all the guys mined that vein for sketches (that is what Peter liked to call most of the material on site since they were usually too short to be considered short stories but too long to be human interest snapshots). Sam said he would think about the matter, think about it seriously once he read the caption below which was on a sidebar of the blog homepage:

“This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of our interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hardworking, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn our attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archaeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.”

Sam could relate to that, had something to say about some of those songs. Josh Breslin laughed when he heard that Sam was interested in doing old time rock and roll sketches. He then added, “If we can only get him to move off his butt and come out and do some street politics with us we would be getting somewhere.” Peter just replied, “one step at a time.” Yeah, that’s the ticket.