Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Saturday, December 12, 2009
*In Folklorist Harry Smith’s House-"Shine On Me" — Ernest Phipps and His Holiness Singers (1930)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Little Moses" — The Carter Family (1932)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
LITTLE MOSES
(trad./A. P. Carter)
--------------------------------------------------------------------------------
Any copyrighted material on these pages is used in "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s).
Audio files are DELIBERATELY encoded "low-fi" to enable faster streaming and are intended as "illustrations" and "appetizers" only.
Official and "hi-fi" recordings can (and should) be purchased at your local record dealer or through a number of web-based companies, like CDNow.
--------------------------------------------------------------------------------
--------------------------------------------------------------------------------
Covered by Dylan
during Mar 5, 1970 "Self Portrait" sessions (credited to Bert A. Williams/Earle C. Jones),
during 1975 Rolling Thunder Revue tour
(a fragment with Dylan on piano, probably dating from Nov 1975 is part of the "Renaldo and Clara" soundtrack),
performed live in 1992 and 1993.
DOWNLOAD & LISTEN to a Bob Dylan live performance
(San José, CA, May 9, 1992) (Real Audio, 444 KB)
Dylan's most likely source is The Carter Family's recording (RCA Studios, Camden, NJ, Feb 14, 1929, included in Harry Smith's Anthology of American Folk Music (track 53) on Folkways, (possibly through Joan Baez's rendition).
--------------------------------------------------------------------------------
ALAN LOMAX:
Little Moses... belongs to the category of the religious ballad. Such songs were common in the Middle Ages....
Liner notes for "White Spirituals," Atlantic SD-1349.
--------------------------------------------------------------------------------
LYRICS FROM ORIGINAL CARTER FAMILY RECORDING,
transcribed by Manfred Helfert.
--------------------------------------------------------------------------------
Away by the river so clear,
The ladies were winding their way,
And Pharaoh's little daughter stepped down in the water
To bathe in the cool of the day.
Before it was dark she opened the ark
And found the sweet infant was there.
And away by the waters so blue,
The infant was lonely and sad.
She took him in pity and thought him so pretty
And it made little Moses so glad.
She called him her own, her beautiful son
And sent for a nurse that was near.
And away by the river so clear,
They carried the beautiful child,
To his own tender mother, his sister and brother,
Little Moses looked happy and smiled.
His mother so good done all that she could
To rear him and teach him with care.
And away by the sea that was red,
Little Moses the servant of God,
While in him confided, the sea was divided,
As upward he lifted his rod.
The Jews safely crossed while Pharaoh's host
Was drownded in the waters and lost.
And away on the mountain so high,
The last one that ever might see,
While in his victorious, his hope was most glorious
He'd soon o'er the Jordan be free.
When his labor did cease, he departed in peace
And rested in the Heavens above.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
LITTLE MOSES
(trad./A. P. Carter)
--------------------------------------------------------------------------------
Any copyrighted material on these pages is used in "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s).
Audio files are DELIBERATELY encoded "low-fi" to enable faster streaming and are intended as "illustrations" and "appetizers" only.
Official and "hi-fi" recordings can (and should) be purchased at your local record dealer or through a number of web-based companies, like CDNow.
--------------------------------------------------------------------------------
--------------------------------------------------------------------------------
Covered by Dylan
during Mar 5, 1970 "Self Portrait" sessions (credited to Bert A. Williams/Earle C. Jones),
during 1975 Rolling Thunder Revue tour
(a fragment with Dylan on piano, probably dating from Nov 1975 is part of the "Renaldo and Clara" soundtrack),
performed live in 1992 and 1993.
DOWNLOAD & LISTEN to a Bob Dylan live performance
(San José, CA, May 9, 1992) (Real Audio, 444 KB)
Dylan's most likely source is The Carter Family's recording (RCA Studios, Camden, NJ, Feb 14, 1929, included in Harry Smith's Anthology of American Folk Music (track 53) on Folkways, (possibly through Joan Baez's rendition).
--------------------------------------------------------------------------------
ALAN LOMAX:
Little Moses... belongs to the category of the religious ballad. Such songs were common in the Middle Ages....
Liner notes for "White Spirituals," Atlantic SD-1349.
--------------------------------------------------------------------------------
LYRICS FROM ORIGINAL CARTER FAMILY RECORDING,
transcribed by Manfred Helfert.
--------------------------------------------------------------------------------
Away by the river so clear,
The ladies were winding their way,
And Pharaoh's little daughter stepped down in the water
To bathe in the cool of the day.
Before it was dark she opened the ark
And found the sweet infant was there.
And away by the waters so blue,
The infant was lonely and sad.
She took him in pity and thought him so pretty
And it made little Moses so glad.
She called him her own, her beautiful son
And sent for a nurse that was near.
And away by the river so clear,
They carried the beautiful child,
To his own tender mother, his sister and brother,
Little Moses looked happy and smiled.
His mother so good done all that she could
To rear him and teach him with care.
And away by the sea that was red,
Little Moses the servant of God,
While in him confided, the sea was divided,
As upward he lifted his rod.
The Jews safely crossed while Pharaoh's host
Was drownded in the waters and lost.
And away on the mountain so high,
The last one that ever might see,
While in his victorious, his hope was most glorious
He'd soon o'er the Jordan be free.
When his labor did cease, he departed in peace
And rested in the Heavens above.
*In Folklorist Harry Smith’s House-"John the Revelator" — Blind Willie Johnson (1930)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Lyrics
The lyrics below are Blind Willie Johnson's version of "John the Revelator" as found in the Anthology of American Folk Music. Subsequent versions feature a variety of substituted verses and different interpretations of Johnson's lyrics, all quoting passages from the Bible, in the tradition of African American spirituals.
[call] Well who's that writin'? [response] John the Revelator[6]
Who's that writin'? John the Revelator
Who's that writin'? John the Revelator
A book of the seven seals[7]
[call] Tell me what's John writin'? [response] Ask the Revelator
What's John writin'? Ask the Revelator
What's John writin'? Ask the Revelator
A book of the seven seals
Well ooh ooh why me, thousands cried holy[8]
Bound for some, Son of our God[9]
Daughter of Zion, Judah the Lion[10]
He redeemeth, and bought us with his blood[11]
[Repeat verses 1 & 2]
John the Revelator, great advocator[12]
Get's 'em on the battle of Zion
Lord, tellin' the story, risin' in glory
Cried, "Lord, don't you love some I"
[Repeat verses 1 & 2]
Well Moses to Moses, watchin' the flock[13]
Saw the bush where they had to stop[14]
God told Moses, "Pull off your shoes"[15]
Out of the flock, well you I choose[16]
[Repeat verses 1 & 2]
These are the lyrics for Son House's 1965 recording version, which explicitly reference three theologically important events: the Fall of Man, the Passion of Christ, and the Resurrection. Roughly similar lyrics, with an additional verse, are used in the movie Blues Brothers 2000.
[call] Who's that writin'? [response] John the Revelator[6]
Tell me who's that writin'? John the Revelator
Tell me who's that writin'? John the Revelator
Wrote the book of the seven seals[7]
[call] Who's that writin'? [response] John the Revelator
Tell me who's that writin'? John the Revelator
Well who's that writin'? John the Revelator
Wrote the book of the seven seals
You know God walked down in the cool of the day[17]
Called Adam by his name[18]
But he refused to answer
Because he's naked and ashamed[19]
[Repeat verses 1 & 2]
You know Christ had twelve apostles[20]
And three he led away[21]
He said, "Watch with me one hour,[22]
'till I go yonder and pray."
[Repeat verses 1 & 2]
Christ came on Easter morning
Mary and Martha went down to see[23]
He said, "Go tell my disciples[24]
To meet me in Galilee."[25]
[Repeat verses 1 & 2]
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Lyrics
The lyrics below are Blind Willie Johnson's version of "John the Revelator" as found in the Anthology of American Folk Music. Subsequent versions feature a variety of substituted verses and different interpretations of Johnson's lyrics, all quoting passages from the Bible, in the tradition of African American spirituals.
[call] Well who's that writin'? [response] John the Revelator[6]
Who's that writin'? John the Revelator
Who's that writin'? John the Revelator
A book of the seven seals[7]
[call] Tell me what's John writin'? [response] Ask the Revelator
What's John writin'? Ask the Revelator
What's John writin'? Ask the Revelator
A book of the seven seals
Well ooh ooh why me, thousands cried holy[8]
Bound for some, Son of our God[9]
Daughter of Zion, Judah the Lion[10]
He redeemeth, and bought us with his blood[11]
[Repeat verses 1 & 2]
John the Revelator, great advocator[12]
Get's 'em on the battle of Zion
Lord, tellin' the story, risin' in glory
Cried, "Lord, don't you love some I"
[Repeat verses 1 & 2]
Well Moses to Moses, watchin' the flock[13]
Saw the bush where they had to stop[14]
God told Moses, "Pull off your shoes"[15]
Out of the flock, well you I choose[16]
[Repeat verses 1 & 2]
These are the lyrics for Son House's 1965 recording version, which explicitly reference three theologically important events: the Fall of Man, the Passion of Christ, and the Resurrection. Roughly similar lyrics, with an additional verse, are used in the movie Blues Brothers 2000.
[call] Who's that writin'? [response] John the Revelator[6]
Tell me who's that writin'? John the Revelator
Tell me who's that writin'? John the Revelator
Wrote the book of the seven seals[7]
[call] Who's that writin'? [response] John the Revelator
Tell me who's that writin'? John the Revelator
Well who's that writin'? John the Revelator
Wrote the book of the seven seals
You know God walked down in the cool of the day[17]
Called Adam by his name[18]
But he refused to answer
Because he's naked and ashamed[19]
[Repeat verses 1 & 2]
You know Christ had twelve apostles[20]
And three he led away[21]
He said, "Watch with me one hour,[22]
'till I go yonder and pray."
[Repeat verses 1 & 2]
Christ came on Easter morning
Mary and Martha went down to see[23]
He said, "Go tell my disciples[24]
To meet me in Galilee."[25]
[Repeat verses 1 & 2]
*In Folklorist Harry Smith’s House-"Dry Bones" — Bascom Lamar Lunsford (1929)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"John The Baptist" — Moses Mason (1928)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
"John Saw That Number"
Old John the baptist, old John divine
Leather harness round his line
His meat was locust and honey
Wild honey lord, wild honey
John saw that number
Way in the middle of the air
Cryin' holy, holy to the Lord
Old John the baptist, old John divine
Frogs and snakes are gonna get John this time
God told the angel "go see about John"
So he flew from the pit with the moon round his waist
Gathered wind in his fists so the stars round his wrists
Cryin' holy, holy to the lord
Read the revelations, you'll find him there
Third chapter, fourth verse where he said unto me
"There's a beast that rose out of the sea"
Ten crowns, ten crowns
On his horns write "blasphemy"
John couldn't read it (John couldn't read it)
Get on repeat it
John couldn't read it
Holy, holy to the Lord
There was a man, a pharisee
Who came by night to meet him
Said "I know thy teacher came from God cause no man can do such miracles
Without the lord to entreat him"
God told the angel "go see about John"
So he flew from the pit with the moon round his waist
Gathered wind in his fists and the stars round his wrists
Cryin' holy, holy to the Lord
Holy, holy to the Lord
Holy, holy to the Lord...
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
"John Saw That Number"
Old John the baptist, old John divine
Leather harness round his line
His meat was locust and honey
Wild honey lord, wild honey
John saw that number
Way in the middle of the air
Cryin' holy, holy to the Lord
Old John the baptist, old John divine
Frogs and snakes are gonna get John this time
God told the angel "go see about John"
So he flew from the pit with the moon round his waist
Gathered wind in his fists so the stars round his wrists
Cryin' holy, holy to the lord
Read the revelations, you'll find him there
Third chapter, fourth verse where he said unto me
"There's a beast that rose out of the sea"
Ten crowns, ten crowns
On his horns write "blasphemy"
John couldn't read it (John couldn't read it)
Get on repeat it
John couldn't read it
Holy, holy to the Lord
There was a man, a pharisee
Who came by night to meet him
Said "I know thy teacher came from God cause no man can do such miracles
Without the lord to entreat him"
God told the angel "go see about John"
So he flew from the pit with the moon round his waist
Gathered wind in his fists and the stars round his wrists
Cryin' holy, holy to the Lord
Holy, holy to the Lord
Holy, holy to the Lord...
*In Folklorist Harry Smith’s House-"Since I Laid My Burden Down" — Elders McIntorsh and Edwards' Sanctified Singers (1929)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Since I Laid My Burden Down" — Elders McIntorsh and Edwards' Sanctified Singers (1929)
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Since I Laid My Burden Down" — Elders McIntorsh and Edwards' Sanctified Singers (1929)
*In Folklorist Harry Smith’s House-"He Got Better Things For You" — Memphis Sanctified Singers (1929)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Judgement" — Sister Mary Nelson (1927)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"This Song of Love" — Middle Georgia Singing Convention No. 1 (1932)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Sorry on this one.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Sorry on this one.
*In Folklorist Harry Smith’s House-"Present Joys" — Alabama Sacred Harp Singers (1928)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Rocky Road" — Alabama Sacred Harp Singers (1928)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Oh Death Where Is Thy Sting" — Rev. J. M. Gates (1927)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Song: Oh Death
A long time ago, Lazarus died
All hope seemed gone as his sisters cried
Jesus walked to where he laid
He called his name and he came out of the grave
Oh death, where is thy sting? Oh grave, where is thy victory?
you thought you had a hold on me but you were wrong, I’ve been set free
Oh, jesus hung on a rugged cross, he gave His life for a world once lost
He lay three days in a borrowed grave but when He came out I could hear Him say
Oh death, where thy sting? Oh grave, where is thy victory?
You thought you had a hold on me but you were wrong, I’ve been set free
One day I’ll lay this body down, they’ll dress me up and put me in the ground
But when Jesus comes in the sky, just listen close and you’ll hear me cry
Oh death, where is thy sting? Oh grave, where is thy victory?
You thought you had a hold on me but you were wrong, I’ve been set free
Oh death, where is thy sting? Oh grave, where is thy victory?
You thought you had a hold on me but you were wrong, I’ve been set free
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
Song: Oh Death
A long time ago, Lazarus died
All hope seemed gone as his sisters cried
Jesus walked to where he laid
He called his name and he came out of the grave
Oh death, where is thy sting? Oh grave, where is thy victory?
you thought you had a hold on me but you were wrong, I’ve been set free
Oh, jesus hung on a rugged cross, he gave His life for a world once lost
He lay three days in a borrowed grave but when He came out I could hear Him say
Oh death, where thy sting? Oh grave, where is thy victory?
You thought you had a hold on me but you were wrong, I’ve been set free
One day I’ll lay this body down, they’ll dress me up and put me in the ground
But when Jesus comes in the sky, just listen close and you’ll hear me cry
Oh death, where is thy sting? Oh grave, where is thy victory?
You thought you had a hold on me but you were wrong, I’ve been set free
Oh death, where is thy sting? Oh grave, where is thy victory?
You thought you had a hold on me but you were wrong, I’ve been set free
*In Folklorist Harry Smith’s House-"Must Be Born Again" — Rev. J. M. Gates (1927)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
You Must Be Born Again Lyrics
Long ago, I didn't know nothing about Jesus and His love
I had heard about Him, but I had never felt
this manna which comes down from above
In this life of sin I could no longer stand
I asked my mother how do you get to know the man
She said you must be, don't you see you've got to be ....Born again
You must have that fire and Holy Ghost
that Burning churning keeps the prayer wheel turning
The kind of religion you cannot conceal
It makes you move, makes you shout,
Makes you cry when it's real
I've got my hand right in the windin' chain
My souls been anchored in my Jesus' name
I'm filled within, I've free from sin
You know I've been born again
I started to walk, I had a new walk
I started to talk, I had a new talk
I looked at my hands, my hands looked new
I looked at my feet and they did too
I've got my hand right in the windin' chain
My souls been anchored in my Jesus' name
I'm filled within, I've free from sin
You know I've been born again
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
You Must Be Born Again Lyrics
Long ago, I didn't know nothing about Jesus and His love
I had heard about Him, but I had never felt
this manna which comes down from above
In this life of sin I could no longer stand
I asked my mother how do you get to know the man
She said you must be, don't you see you've got to be ....Born again
You must have that fire and Holy Ghost
that Burning churning keeps the prayer wheel turning
The kind of religion you cannot conceal
It makes you move, makes you shout,
Makes you cry when it's real
I've got my hand right in the windin' chain
My souls been anchored in my Jesus' name
I'm filled within, I've free from sin
You know I've been born again
I started to walk, I had a new walk
I started to talk, I had a new talk
I looked at my hands, my hands looked new
I looked at my feet and they did too
I've got my hand right in the windin' chain
My souls been anchored in my Jesus' name
I'm filled within, I've free from sin
You know I've been born again
*In Folklorist Harry Smith’s House-"Moonshiner's Dance Part One" — Frank Cloutier and the Victoria Cafe Orchestra (1927)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Newport Blues" — Cincinnati Jug Band (1929)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Home Sweet Home" — The Breaux Freres (Clifford Breaux, Ophy Breaux, Amedee Breaux) (1933)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Acadian One Step" — Joseph Falcon (1929)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Saut Crapaud" — Columbus Fruge (1929)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
*In Folklorist Harry Smith’s House-"Old Dog Blue" — Jim Jackson (1928)
Click on the title to link to a presentation of the song listed in the headline.
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
"Old Dog Blue"
Had an old doggie and I called him Blue
Listen, I'm gonna' tell you what Blue could do
Well I grabbed my gun and I blowed my horn
I am goin' to catch a possum in the new ground corn
Old Blue's got a possum up in a tree
Well I look up at him, and he looks at me
Well I grabbed my gun and I shot him down
And Old Blue picks up possum and he brings him around
Now Old Blue he's a fine old doggie
And I'm proud as a peacock he belonged to me
But when Old Blue died he died so old, so hard
I dug him a cold grave in my door yard
Well I dug Blue's grave with a silver spade
And I lowered Old Blue down on a link of chain
Now when I get to heaven first thing I'll do
Gonna' grab my old bugle and call up Blue
Come on Blue, Come on boy... I'm home
The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.
"Old Dog Blue"
Had an old doggie and I called him Blue
Listen, I'm gonna' tell you what Blue could do
Well I grabbed my gun and I blowed my horn
I am goin' to catch a possum in the new ground corn
Old Blue's got a possum up in a tree
Well I look up at him, and he looks at me
Well I grabbed my gun and I shot him down
And Old Blue picks up possum and he brings him around
Now Old Blue he's a fine old doggie
And I'm proud as a peacock he belonged to me
But when Old Blue died he died so old, so hard
I dug him a cold grave in my door yard
Well I dug Blue's grave with a silver spade
And I lowered Old Blue down on a link of chain
Now when I get to heaven first thing I'll do
Gonna' grab my old bugle and call up Blue
Come on Blue, Come on boy... I'm home
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