Click on the title to link a "YouTube" film clip of Bob Dylan performing "Masters Of War".
February Is Black History Month
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.
Masters Of War
Come you masters of war
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks
You that never done nothin'
But build to destroy
You play with my world
Like it's your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain
You fasten the triggers
For the others to fire
Then you set back and watch
When the death count gets higher
You hide in your mansion
As young people's blood
Flows out of their bodies
And is buried in the mud
You've thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain't worth the blood
That runs in your veins
How much do I know
To talk out of turn
You might say that I'm young
You might say I'm unlearned
But there's one thing I know
Though I'm younger than you
Even Jesus would never
Forgive what you do
Let me ask you one question
Is your money that good
Will it buy you forgiveness
Do you think that it could
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul
And I hope that you die
And your death'll come soon
I will follow your casket
In the pale afternoon
And I'll watch while you're lowered
Down to your deathbed
And I'll stand o'er your grave
'Til I'm sure that you're dead
Copyright ©1963; renewed 1991 Special Rider Music
Monday, February 15, 2010
*Songs To While Away The Class Struggle By-Bob Dylan's "Oxford Town"
Click on the title to link a "YouTube" film clip of Bob Dylan performing "Oxford Town".
February Is Black History Month
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.
Oxford Town
Oxford Town, Oxford Town
Ev'rybody's got their heads bowed down
The sun don't shine above the ground
Ain't a-goin' down to Oxford Town
He went down to Oxford Town
Guns and clubs followed him down
All because his face was brown
Better get away from Oxford Town
Oxford Town around the bend
He come in to the door, he couldn't get in
All because of the color of his skin
What do you think about that, my frien'?
Me and my gal, my gal's son
We got met with a tear gas bomb
I don't even know why we come
Goin' back where we come from
Oxford Town in the afternoon
Ev'rybody singin' a sorrowful tune
Two men died 'neath the Mississippi moon
Somebody better investigate soon
Oxford Town, Oxford Town
Ev'rybody's got their heads bowed down
The sun don't shine above the ground
Ain't a-goin' down to Oxford Town
Copyright ©1963; renewed 1991 Special Rider Music
February Is Black History Month
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.
Oxford Town
Oxford Town, Oxford Town
Ev'rybody's got their heads bowed down
The sun don't shine above the ground
Ain't a-goin' down to Oxford Town
He went down to Oxford Town
Guns and clubs followed him down
All because his face was brown
Better get away from Oxford Town
Oxford Town around the bend
He come in to the door, he couldn't get in
All because of the color of his skin
What do you think about that, my frien'?
Me and my gal, my gal's son
We got met with a tear gas bomb
I don't even know why we come
Goin' back where we come from
Oxford Town in the afternoon
Ev'rybody singin' a sorrowful tune
Two men died 'neath the Mississippi moon
Somebody better investigate soon
Oxford Town, Oxford Town
Ev'rybody's got their heads bowed down
The sun don't shine above the ground
Ain't a-goin' down to Oxford Town
Copyright ©1963; renewed 1991 Special Rider Music
Saturday, February 13, 2010
*From "The Rag Blog"-So Long American Dream- A Guest Book Review
Click on the headline to link to a "The Rag Blog" book review, "The New Class Society"
Thursday, February 11, 2010
*Are You Now, Or Have You Ever In The Past Knowingly Been A.......Bolshevik?
Click on the title to link to an "American Left History" blog entry "*Barack Obama Ain't No Bolshevik, He Ain't Even A Menshevik", dated January 31, 2010.
Markin comment:
The English political writer and satirist, George Orwell, who in the final analysis was more than willing to “outsource” the struggle for our communist future to the democratic imperialists like dear old Mother England, nevertheless once wrote a key essay on the need for precision and clarity in political language. "Politics and the English language". For that essay, and of course his early heroic soldiering in a POUM militia in the Spanish Civil War of the 1930s, every labor militant today should take as required reading, and act on it. (Advice this writer tries to adhere to, although not always successfully, as some of the entries in this space attest to). What brings Orwell’s essay to mind is the recent flare-up between American President Democrat Barack Obama and his erstwhile adversaries in the Congressional Republican Caucus. The specific charge that Obama was defending himself against was some benighted predilection for “bolshevism”, highlighted by his dogged determination to get some form of national health coverage (watered down, of course). For my commentary on this mini-flare-up see my entry “*Barack Obama Ain’t No Bolshevik, He Ain’t Even a Menshevik”, dated January 31, 2009.
What this all brings to mind is the need for some precision in our political language, especially in these days of debased political rhetoric and the rise of “shorthand” English through the dramatic increase in Internet use as a way to communicate to both attract attention and to “dumb down” political discourse. Of course, other than as a foil for my above-mentioned earlier commentary American President Barack Obama is not now, and has never been, a Bolshevik. Moreover, even a marginally politically aware person should know that the American ruling class circles are not in the habit of turning over the reins of their imperial state to Bolsheviks, knowing or unknowing ones. Certainly the Republican know that, the only question is why the tern “Bolshevik” would come up in mainstream American political discourse in the year 2010. And I confess, that is a mystery to me, as well. They are on much more “solid ground”, if they want to muddy the waters, with whether Barack Obama is actually, as required by the U.S. Constitution, a citizen.
This catch phrase “Bolshevik” , has a long pedigree, although it has been a long time since I have heard it used seriously back in the 1960s when, at the height of the Cold War with the Soviet Union, it had a semblance of reasonable usage in political discourse. Or, even earlier, in the aftermath of the Russian revolution when the American government was rounding up every known radical that it could get its hands on. Better still for our side, in the 1930s when militant trade unionists were on the picket lines to get better contracts or to get their unions the expression, “We have to talk Bolshevik” to the bosses would come up. And so on.
Let me finish up with this little anecdote from my youthful past. When I was in high school, in the 10th grade I believe, during the heart of the Cold War in the 1960s I took a European History course from old Mr. Kelly. Now in those days Mr. Kelly was the well known and beloved, I think, head football coach for the school team and a veteran of World War I. Like I said, he was old. He was moreover one of those old-school type teachers prevalent then who latched onto a teaching job through political influence and got to teach History because there was no “heavy lifting” to it. I, of course, devoured history by the gallons.
One day when I was called upon by Mr. Kelly to give an answer I did so but in an off-hand, rather surly way, which was my style, my statement of individuality if you will, in those days. Old school Mr. Kelly took umbrage and the long and short of it was that I had to stay after school for him. When I showed up and we “talked” suddenly the old man stunned me with this remark. “What are you, some kind of Bolshevik? I defiantly answered no. And truthfully as well. In those days I was nothing but a folk music and blues-loving, card carrying young member of the Americans for Democratic Action (ADA), an anti-communist, liberal organization trying to push the New Deal back onto center stage in American political life. So you see the point, I hope. I was no Bolshevik then. Obama is no Bolshevik now. And old Orwell is right, get the language of political discourse back on track, at all costs.
Markin comment:
The English political writer and satirist, George Orwell, who in the final analysis was more than willing to “outsource” the struggle for our communist future to the democratic imperialists like dear old Mother England, nevertheless once wrote a key essay on the need for precision and clarity in political language. "Politics and the English language". For that essay, and of course his early heroic soldiering in a POUM militia in the Spanish Civil War of the 1930s, every labor militant today should take as required reading, and act on it. (Advice this writer tries to adhere to, although not always successfully, as some of the entries in this space attest to). What brings Orwell’s essay to mind is the recent flare-up between American President Democrat Barack Obama and his erstwhile adversaries in the Congressional Republican Caucus. The specific charge that Obama was defending himself against was some benighted predilection for “bolshevism”, highlighted by his dogged determination to get some form of national health coverage (watered down, of course). For my commentary on this mini-flare-up see my entry “*Barack Obama Ain’t No Bolshevik, He Ain’t Even a Menshevik”, dated January 31, 2009.
What this all brings to mind is the need for some precision in our political language, especially in these days of debased political rhetoric and the rise of “shorthand” English through the dramatic increase in Internet use as a way to communicate to both attract attention and to “dumb down” political discourse. Of course, other than as a foil for my above-mentioned earlier commentary American President Barack Obama is not now, and has never been, a Bolshevik. Moreover, even a marginally politically aware person should know that the American ruling class circles are not in the habit of turning over the reins of their imperial state to Bolsheviks, knowing or unknowing ones. Certainly the Republican know that, the only question is why the tern “Bolshevik” would come up in mainstream American political discourse in the year 2010. And I confess, that is a mystery to me, as well. They are on much more “solid ground”, if they want to muddy the waters, with whether Barack Obama is actually, as required by the U.S. Constitution, a citizen.
This catch phrase “Bolshevik” , has a long pedigree, although it has been a long time since I have heard it used seriously back in the 1960s when, at the height of the Cold War with the Soviet Union, it had a semblance of reasonable usage in political discourse. Or, even earlier, in the aftermath of the Russian revolution when the American government was rounding up every known radical that it could get its hands on. Better still for our side, in the 1930s when militant trade unionists were on the picket lines to get better contracts or to get their unions the expression, “We have to talk Bolshevik” to the bosses would come up. And so on.
Let me finish up with this little anecdote from my youthful past. When I was in high school, in the 10th grade I believe, during the heart of the Cold War in the 1960s I took a European History course from old Mr. Kelly. Now in those days Mr. Kelly was the well known and beloved, I think, head football coach for the school team and a veteran of World War I. Like I said, he was old. He was moreover one of those old-school type teachers prevalent then who latched onto a teaching job through political influence and got to teach History because there was no “heavy lifting” to it. I, of course, devoured history by the gallons.
One day when I was called upon by Mr. Kelly to give an answer I did so but in an off-hand, rather surly way, which was my style, my statement of individuality if you will, in those days. Old school Mr. Kelly took umbrage and the long and short of it was that I had to stay after school for him. When I showed up and we “talked” suddenly the old man stunned me with this remark. “What are you, some kind of Bolshevik? I defiantly answered no. And truthfully as well. In those days I was nothing but a folk music and blues-loving, card carrying young member of the Americans for Democratic Action (ADA), an anti-communist, liberal organization trying to push the New Deal back onto center stage in American political life. So you see the point, I hope. I was no Bolshevik then. Obama is no Bolshevik now. And old Orwell is right, get the language of political discourse back on track, at all costs.
*From The Pen Of George Orwell- "Politics And The English Language"
Click on the title to link to a "Wikipedia" entry for George Orwell's well put "Politics And The English Language".
Markin comment:
Although we turned out to be political opponents of each other (if posthumously on his part) his essay "Politics and the English language" has always been a useful tool that I have tried to follow in my writing. Unfortunately, I have honored those six rules of wisdom more in the breech than the observance on too many occasions. Oh, well.
Markin comment:
Although we turned out to be political opponents of each other (if posthumously on his part) his essay "Politics and the English language" has always been a useful tool that I have tried to follow in my writing. Unfortunately, I have honored those six rules of wisdom more in the breech than the observance on too many occasions. Oh, well.
*From The Pages Of The "Revolutionary History" Journal- The Back Issue Index
Click on the headline to link to the journal "Revolutionary History" Website for an index of their online back issues.
Markin comment:
Whatever the current muddled politics of the editorial staff of this journal and whatever the tendency of the articles presented to apologize for backsliders,, reformists and the lot, like Andreas Nin and the POUM in the Spanish Civil War, this is a valuable source of neglected history, our history. A revolution, or two, will straighten out the politics.
Markin comment:
Whatever the current muddled politics of the editorial staff of this journal and whatever the tendency of the articles presented to apologize for backsliders,, reformists and the lot, like Andreas Nin and the POUM in the Spanish Civil War, this is a valuable source of neglected history, our history. A revolution, or two, will straighten out the politics.
Wednesday, February 10, 2010
*Films to While Away The Class Struggle By- The Halls Of Injustice 101- “Chicago 10”
Click on the title to link to a "YouTube" film clip of the movie trailer for"Chicago 10".
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
DVD Review
Chicago 10, animated and film footage, starring the Chicago 8 plus defense lawyers, government lawyers, presiding Judge Julius Hoffman, assorted rogue cops, and "youth nation", circa 1968, 2006
Okay, I have spilled plenty of ink over the past couple of years trying to look at some of the events in the key political year for my generation, 1968, and draw some conclusions, lessons if you will, from that period. And as fate would have it I am eminently qualified to do so here on this particular film, in an odd sort of way. The events of that decisive year are brought into focus by the central subject of this film, the debacle of the Democratic Party Convention in Chicago in August of that year. I know this one well.
And why am I a good witness to those events as portrayed here? In a certain sense I was on the other side of the barricades. Then. As I have explained elsewhere in more detail in 1968 I was knee-deep, no waist-deep, in the main task that I had set for my political life at the time, beating one Richard Milhous Nixon, without question the major political villain of my youth. Starting out that year totally devoted to the Robert Kennedy campaign (and actually earlier as I was part of the movement that tried to draft him to run for president in 1967), after his assassination in June I dusted off my pants and went to work for the campaign of one Hubert Horatio Humphrey. Therefore I was inside the “big tent” of the Democratic Party at that time and no one can accuse me of anything but the mildest bemused sympathy (on the Vietnam war question, if not the solution) with the doings outside the "tent".
Fast forward. Now, however, as this film footage of the events around the convention site amply demonstrates, and as the graphically captured brutal actions by the rogue Chicago police and other officials amply reveal this was a sickening display of governmental hubris (on all levels), and authority run amok. The verdict on those governmental actions at the time? No, not, as a rational person might expect, a skewering of police and their superiors but the bringing of charges against the leaders of the demonstrators, those who were maimed, gassed and otherwise abused by governmental actions.
And the harassment did not end there. Obviously the government thought it had a slam-dunk case to put before a Chicago jury with a cast of characters like Abbie Hoffman, Jerry Rubin and Bobby Seale, who to be kind, in those days, if you were respectable citizen you would not want living next door to you, particularly in Chicago. In the end, as has occurred on more than one occasion, the charges against the “conspirators” were, mostly, overturned. But there is a lesson to be learned about the price of such actions, those charges were not overturned before many financial and political resources were brought to bear for the defense. This is hardly an argument against such actions, but rather to point out that when you go after the “monster” you best be prepared for the blowback.
This film works on two tracks as it tries, I think, to reach a younger audience not familiar with the events that the rest of us have permanently etched in our brains. The producers have used the eminently respectable one of the actual film footage interspersed with the more experimental one of using animation to do the heavy duty work of portraying the antics on both sides, in the circus-war, oops, inside Judge Julius Hoffman’s courtroom. I believe that the jury is still out (no pun intended) on the effectiveness of that medium to bring out the drama of the events portrayed. Perhaps for a younger audience not familiar with the events this is an adequate teaching tool. However, the segueing between, let us say, defendant Yippie Abbie Hoffman in animation ridiculing his having the same last name as the judge presiding over the trial and then flipping to a "real time" pep talk to the gathered Yippie tribes was disconcerting, at least to this viewer. Still, all in all, any time that we get to look back at events which formed a decisive part of our youth we should grab it with both hands. And hope today’s youth now have it permanently etched in their brains as well.
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
DVD Review
Chicago 10, animated and film footage, starring the Chicago 8 plus defense lawyers, government lawyers, presiding Judge Julius Hoffman, assorted rogue cops, and "youth nation", circa 1968, 2006
Okay, I have spilled plenty of ink over the past couple of years trying to look at some of the events in the key political year for my generation, 1968, and draw some conclusions, lessons if you will, from that period. And as fate would have it I am eminently qualified to do so here on this particular film, in an odd sort of way. The events of that decisive year are brought into focus by the central subject of this film, the debacle of the Democratic Party Convention in Chicago in August of that year. I know this one well.
And why am I a good witness to those events as portrayed here? In a certain sense I was on the other side of the barricades. Then. As I have explained elsewhere in more detail in 1968 I was knee-deep, no waist-deep, in the main task that I had set for my political life at the time, beating one Richard Milhous Nixon, without question the major political villain of my youth. Starting out that year totally devoted to the Robert Kennedy campaign (and actually earlier as I was part of the movement that tried to draft him to run for president in 1967), after his assassination in June I dusted off my pants and went to work for the campaign of one Hubert Horatio Humphrey. Therefore I was inside the “big tent” of the Democratic Party at that time and no one can accuse me of anything but the mildest bemused sympathy (on the Vietnam war question, if not the solution) with the doings outside the "tent".
Fast forward. Now, however, as this film footage of the events around the convention site amply demonstrates, and as the graphically captured brutal actions by the rogue Chicago police and other officials amply reveal this was a sickening display of governmental hubris (on all levels), and authority run amok. The verdict on those governmental actions at the time? No, not, as a rational person might expect, a skewering of police and their superiors but the bringing of charges against the leaders of the demonstrators, those who were maimed, gassed and otherwise abused by governmental actions.
And the harassment did not end there. Obviously the government thought it had a slam-dunk case to put before a Chicago jury with a cast of characters like Abbie Hoffman, Jerry Rubin and Bobby Seale, who to be kind, in those days, if you were respectable citizen you would not want living next door to you, particularly in Chicago. In the end, as has occurred on more than one occasion, the charges against the “conspirators” were, mostly, overturned. But there is a lesson to be learned about the price of such actions, those charges were not overturned before many financial and political resources were brought to bear for the defense. This is hardly an argument against such actions, but rather to point out that when you go after the “monster” you best be prepared for the blowback.
This film works on two tracks as it tries, I think, to reach a younger audience not familiar with the events that the rest of us have permanently etched in our brains. The producers have used the eminently respectable one of the actual film footage interspersed with the more experimental one of using animation to do the heavy duty work of portraying the antics on both sides, in the circus-war, oops, inside Judge Julius Hoffman’s courtroom. I believe that the jury is still out (no pun intended) on the effectiveness of that medium to bring out the drama of the events portrayed. Perhaps for a younger audience not familiar with the events this is an adequate teaching tool. However, the segueing between, let us say, defendant Yippie Abbie Hoffman in animation ridiculing his having the same last name as the judge presiding over the trial and then flipping to a "real time" pep talk to the gathered Yippie tribes was disconcerting, at least to this viewer. Still, all in all, any time that we get to look back at events which formed a decisive part of our youth we should grab it with both hands. And hope today’s youth now have it permanently etched in their brains as well.
From The "Rag Blog"- On The Opening Of The G.I. Coffeehouse At Fort Hood In 2008
Click on the title to link to a "The Rag Blog" entry for the of the "Under The Hood" Coffeehouse at Fort Hood at Killen, Texas in 2008.
Markin comment:
Note the picture of a smoking Jane Fonda in this blog entry. We were kinda fonda Jane in those days. And that ain't no lie.
Markin comment:
Note the picture of a smoking Jane Fonda in this blog entry. We were kinda fonda Jane in those days. And that ain't no lie.
*The Latest From The "Citizen-Soldier" Website
Click on the title to link to the "Citizen Soldier" G.I.-supportive Website linked here in the interest of helping G.I.'s find information to help them in their lives and struggles.
*The Latest From The Freedom Road Socialist Organization
Click on the headline to link to the "Freedom Road Socialist Organization" Website.
Markin comment:
I am not that familiar with this organization, although there appears to be some residual Maoist thought hanging over it. More later, as I learn more.
Markin comment:
I am not that familiar with this organization, although there appears to be some residual Maoist thought hanging over it. More later, as I learn more.
*The Latest From Socialist Alternative
Click on the headline to link to the "Socialist Alternative" Website.
*The Latest From The Pages Of The Journal-"Against The Current"- "The Road From Copenhagen"
Click on the headline to link to the journal "Against The Current" Website to read the named article.
Markin comment;
This is the theoretical and issue discussion journal of the "Solidarity-U.S."- organization.
Markin comment;
This is the theoretical and issue discussion journal of the "Solidarity-U.S."- organization.
*From The Marxist Archives- The Trotsky-Stalin Struggle Over Communist War Policy-"On The Seventh Congress Of The Comintern" (1935)
Click on the title to link to a "Leon Trotsky Internet Archive" 1935 article, "The Seventh Congress Of The Comintern (Communist International)".
Markin comment:
As I mentioned some time back in a commentary on the need to study the Trotsky-Stalin controversy as part of our communist and anti-imperialist education, we of the American ostensibly communist anti-war left are in desperate need of learning the lessons of previous communist work against imperialism. (See "On The Front Lines Of The Struggle Against The Afghan War...”, dated December 6, 2009.) That learning, of necessity, requires a look back at some of the historic struggles within the communist movement, primarily for our purposes today the struggle between Trotsky and Stalin in the aftermath of Lenin's death and the isolation of the Russian revolution in the early 1920s. The Trotsky polemic here is one of the early examples of the fight of the Russian Left Opposition, that he led, against the increasingly Stalinized Soviet state and Communist International apparatuses that were "trimming their sails" on the questions of peace and the proper communist attitude toward imperial states. Read on.
Markin comment:
As I mentioned some time back in a commentary on the need to study the Trotsky-Stalin controversy as part of our communist and anti-imperialist education, we of the American ostensibly communist anti-war left are in desperate need of learning the lessons of previous communist work against imperialism. (See "On The Front Lines Of The Struggle Against The Afghan War...”, dated December 6, 2009.) That learning, of necessity, requires a look back at some of the historic struggles within the communist movement, primarily for our purposes today the struggle between Trotsky and Stalin in the aftermath of Lenin's death and the isolation of the Russian revolution in the early 1920s. The Trotsky polemic here is one of the early examples of the fight of the Russian Left Opposition, that he led, against the increasingly Stalinized Soviet state and Communist International apparatuses that were "trimming their sails" on the questions of peace and the proper communist attitude toward imperial states. Read on.
Tuesday, February 09, 2010
*From The Marxist Archives- The Trotsky-Stalin Struggle Over Communist War Policy- "Against National Communism"-Germany In 1931
Click on the title to link to a "Leon Trotsky Internet Archive" 1931 article,"Against National Communism".
Markin comment:
As I mentioned some time back in a commentary on the need to study the Trotsky-Stalin controversy as part of our communist and anti-imperialist education, we of the American ostensibly communist anti-war left are in desperate need of learning the lessons of previous communist work against imperialism. (See "On The Front Lines Of The Struggle Against The Afghan War...”, dated December 6, 2009.) That learning, of necessity, requires a look back at some of the historic struggles within the communist movement, primarily for our purposes today the struggle between Trotsky and Stalin in the aftermath of Lenin's death and the isolation of the Russian revolution in the early 1920s. The Trotsky polemic here is one of the early examples of the fight of the Russian Left Opposition, that he led, against the increasingly Stalinized Soviet state and Communist International apparatuses that were "trimming their sails" on the questions of peace and the proper communist attitude toward imperial states. Read on.
Markin comment:
As I mentioned some time back in a commentary on the need to study the Trotsky-Stalin controversy as part of our communist and anti-imperialist education, we of the American ostensibly communist anti-war left are in desperate need of learning the lessons of previous communist work against imperialism. (See "On The Front Lines Of The Struggle Against The Afghan War...”, dated December 6, 2009.) That learning, of necessity, requires a look back at some of the historic struggles within the communist movement, primarily for our purposes today the struggle between Trotsky and Stalin in the aftermath of Lenin's death and the isolation of the Russian revolution in the early 1920s. The Trotsky polemic here is one of the early examples of the fight of the Russian Left Opposition, that he led, against the increasingly Stalinized Soviet state and Communist International apparatuses that were "trimming their sails" on the questions of peace and the proper communist attitude toward imperial states. Read on.
*From The Marxist Archives- The Trotsky-Stalin Struggle Over Communist War Policy-The Anglo-Russian Committee In The 1920s
Click on the title to link to a "Leon Trotsky Internet Archive" article, "The Struggle For Peace And The Anglo-Russian Committee".
Markin comment:
As I mentioned some time back in a commentary on the need to study the Trotsky-Stalin controversy as part of our communist and anti-imperialist education, we of the American ostensibly communist anti-war left are in desperate need of learning the lessons of previous communist work against imperialism. (See "On The Front Lines Of The Struggle Against The Afghan War...", dated December 6, 2009.) That learning, of necessity, requires a look back at some of the historic struggles within the communist movement, primarily for our purposes today the struggle between Trotsky and Stalin in the aftermath of Lenin's death and the isolation of the Russian revolution in the early 1920s. The Trotsky polemic here is one of the early examples of the fight of the Russian Left Opposition, that he led, against the increasingly Stalinized Soviet state and Communist International apparatuses that were "trimming their sails" on the questions of peace and the proper communist attitude toward imperial states. Read on.
Markin comment:
As I mentioned some time back in a commentary on the need to study the Trotsky-Stalin controversy as part of our communist and anti-imperialist education, we of the American ostensibly communist anti-war left are in desperate need of learning the lessons of previous communist work against imperialism. (See "On The Front Lines Of The Struggle Against The Afghan War...", dated December 6, 2009.) That learning, of necessity, requires a look back at some of the historic struggles within the communist movement, primarily for our purposes today the struggle between Trotsky and Stalin in the aftermath of Lenin's death and the isolation of the Russian revolution in the early 1920s. The Trotsky polemic here is one of the early examples of the fight of the Russian Left Opposition, that he led, against the increasingly Stalinized Soviet state and Communist International apparatuses that were "trimming their sails" on the questions of peace and the proper communist attitude toward imperial states. Read on.
*"Glory"-The Story Of The Heroic Massachusetts 54th In The American Civil War
Click on the title to link to a "Wikipedia" entry for the Massachusetts 54th Volunteer Infantry honored in this " American Left History entry today.
February Is Black History Month
Glory, starring Denzel Washington, Matthew Broderick, and Morgan Freeman,1989
Over the past several years that this space has existed I have touted the heroic experiences of the American Civil War pro-Union black volunteer regiment, the Massachusetts 54th Infantry, many times. Recently in preparing materials for this space to be posted in honor of Black History Month I noticed that I had not reviewed the subject of this entry, the Oscar-winning film “Glory”. I make amends here.
This fictionalized version of the creation of an all-black volunteer regiment (at least in the ranks) hews pretty closely to the actual events in that process, taking into account the inevitable dramatizations required by the “laws” of cinematic license. And that fact is important. In other commentary on the history of the 54th, and in previous recollections of my own personal history of “discovery” of the regiment, I have noted that in my high school years in the 1960s no mention was ever made of the exploits of this hardy band of soldiers fighting for their freedom and the preservation of the American union. None. And that, my friends, was here in Massachusetts the home of the regiment and of the famous, if then obscure, Saint-Gaudens memorial plague to the regiment that in front of the State House that, at one point in my life, I passed every day.
Lincoln and other Northern war leaders hesitated to create all black regiments for a number of reasons despite the need for man power on the battlefield as the war drew out inconclusively for a long period. Those reasons did not include the fact that the likes of the revolutionary black abolitionist Frederick were clamoring for black soldiers not only to preserve the union but to actively gain their own freedom, to prove their manhood and worth in the parlance of the time. This film details the struggle by hard abolitionist Massachusetts Governor Andrews and a significant portion of the white Boston citizenry, including the eventual leader of the regiment, Robert Gould Shaw and his parents, to create such a unit.
The film goes on to look at the actual creation of the unit , its training, the troubles over pay, the racial animosities on both sides of the class/race line that were then current in that American time, the deployment of the regiment South and the mauling that it took at Fort Wagner, including the deaths of Shaw and many brave black soldiers. I will tell you the best part though, although this is not brought up in the film. At war’s end what was left of the Massachusetts 54th marched through Charleston, South Carolina, in many ways the ideological and political center of the Confederacy, singing “John Brown’s Body”. That seems just about right. Hat’s off to the 54th.
Note: I have not mentioned the very good performances here by Denzel Washington as a testy recruit and Morgan Freeman as the wise "old man" of the regiment. Let me put it this way, if you had a choice these days, wouldn’t you have this pair in this type of film. No-brainer, right? Matthew Broderick also shines in an understated performance as Colonel Shaw.
February Is Black History Month
Glory, starring Denzel Washington, Matthew Broderick, and Morgan Freeman,1989
Over the past several years that this space has existed I have touted the heroic experiences of the American Civil War pro-Union black volunteer regiment, the Massachusetts 54th Infantry, many times. Recently in preparing materials for this space to be posted in honor of Black History Month I noticed that I had not reviewed the subject of this entry, the Oscar-winning film “Glory”. I make amends here.
This fictionalized version of the creation of an all-black volunteer regiment (at least in the ranks) hews pretty closely to the actual events in that process, taking into account the inevitable dramatizations required by the “laws” of cinematic license. And that fact is important. In other commentary on the history of the 54th, and in previous recollections of my own personal history of “discovery” of the regiment, I have noted that in my high school years in the 1960s no mention was ever made of the exploits of this hardy band of soldiers fighting for their freedom and the preservation of the American union. None. And that, my friends, was here in Massachusetts the home of the regiment and of the famous, if then obscure, Saint-Gaudens memorial plague to the regiment that in front of the State House that, at one point in my life, I passed every day.
Lincoln and other Northern war leaders hesitated to create all black regiments for a number of reasons despite the need for man power on the battlefield as the war drew out inconclusively for a long period. Those reasons did not include the fact that the likes of the revolutionary black abolitionist Frederick were clamoring for black soldiers not only to preserve the union but to actively gain their own freedom, to prove their manhood and worth in the parlance of the time. This film details the struggle by hard abolitionist Massachusetts Governor Andrews and a significant portion of the white Boston citizenry, including the eventual leader of the regiment, Robert Gould Shaw and his parents, to create such a unit.
The film goes on to look at the actual creation of the unit , its training, the troubles over pay, the racial animosities on both sides of the class/race line that were then current in that American time, the deployment of the regiment South and the mauling that it took at Fort Wagner, including the deaths of Shaw and many brave black soldiers. I will tell you the best part though, although this is not brought up in the film. At war’s end what was left of the Massachusetts 54th marched through Charleston, South Carolina, in many ways the ideological and political center of the Confederacy, singing “John Brown’s Body”. That seems just about right. Hat’s off to the 54th.
Note: I have not mentioned the very good performances here by Denzel Washington as a testy recruit and Morgan Freeman as the wise "old man" of the regiment. Let me put it this way, if you had a choice these days, wouldn’t you have this pair in this type of film. No-brainer, right? Matthew Broderick also shines in an understated performance as Colonel Shaw.
*The Latest From The "Green Left Global News" Blog- "The Fight Against The Right In American Politics"
Click on the title to link to the "Green Left Global News" blog for an entry on American bourgeois politics.
Markin comment:
Thanks "Green Left Global News" blog (and other such spaces) for providing coverage of the American bourgeois political scene. My hat is off to one and all who try to do such coverage. I tried to do so a couple of years ago and found it so boring, tedious, demoralizing, and essentially vacuous except to inside "pros" that I was happy to resume my real work of propagandizing for such little things as a workers party that fights for a workers government and the struggle for our communist future. Those propositions seem far less utopian (and more realizable) that the daily fare dished out by traditional bourgeois politics.
Markin comment:
Thanks "Green Left Global News" blog (and other such spaces) for providing coverage of the American bourgeois political scene. My hat is off to one and all who try to do such coverage. I tried to do so a couple of years ago and found it so boring, tedious, demoralizing, and essentially vacuous except to inside "pros" that I was happy to resume my real work of propagandizing for such little things as a workers party that fights for a workers government and the struggle for our communist future. Those propositions seem far less utopian (and more realizable) that the daily fare dished out by traditional bourgeois politics.
Monday, February 08, 2010
*A Whistle-blower’s Whistle-blower- “The Most Dangerous Man In America: Daniel Ellsberg And The Pentagon Papers”- A Film Review
Click on the title to link to a "The Boston Sunday Globe" interview with Daniel Ellsberg concerning the documentary, "The Most Dangerous Man In America: Daniel Ellsberg and "The Pentagon Papers".
DVD Review
The Most Dangerous Man In America: Daniel Ellsberg And The Pentagon Papers”, Daniel Ellsberg and a rogue’s gallery of crooks, war criminals and their aiders and abettors, 2009
No government really likes a whistle-blower, especially when that person blows the facade off a seemingly until then justified war. There is something in the ethos of Western civilization that, whether the exposure is done for good and without expectations of remuneration or evil, that would rather not know the messy details of what goes on in the backrooms and is as likely to ‘shoot the messenger’ as those who created the vast illegality. The word “snitch” comes to mind. However here in this documentary, based on the life and times of one Daniel Ellsberg, and his brave, no heroic, efforts to get the truth out is well done, well thought out, and worthy of commemoration.
For a younger generation not familiar with the virtual civil war that was going on in American society in the latter stages of the Vietnam War this will serve as a primer, of sorts. Virtually every institution from the local PTA to the White House was subject to analysis and to questioning about the purposes of its existence. Although such intense scrutiny only lasted for a short while it provided enough political space for the previously, seemingly, non-heroic ex-Marine Daniel Ellsberg to do his expose. And for the mainstream mass media, like the “New York Times”, “Washington Post”, and “The Boston Globe” very connected to the governmental levers of power, to take a chance on publishing the whole of Ellsberg’s discoveries. Frankly, with the partial exception of Watergate, there have been very few subsequent efforts like this from inside the establishment.
Needless to say, most of this documentary is driven by the highlights in the case from initial attempts of Ellsberg to get the expose published, to going to the courts and, ultimately, the decision to dismiss the criminal charges against him brought by a rabid and vindictive Nixon administration. This film has none of the fawning over of its main figure that “Fog Of War” has, the so-called documentary of the late, if unlamented, former Defense Secretary, Robert Strange McNamara, who as fate would have it originally commissioned “The Pentagon Papers” giving his take on his handiwork. This production is like a breathe of fresh air in comparison. Whatever you may think of whistle-blowers in other contexts, here, hats off to Daniel Ellsberg. Thanks, brother.
DVD Review
The Most Dangerous Man In America: Daniel Ellsberg And The Pentagon Papers”, Daniel Ellsberg and a rogue’s gallery of crooks, war criminals and their aiders and abettors, 2009
No government really likes a whistle-blower, especially when that person blows the facade off a seemingly until then justified war. There is something in the ethos of Western civilization that, whether the exposure is done for good and without expectations of remuneration or evil, that would rather not know the messy details of what goes on in the backrooms and is as likely to ‘shoot the messenger’ as those who created the vast illegality. The word “snitch” comes to mind. However here in this documentary, based on the life and times of one Daniel Ellsberg, and his brave, no heroic, efforts to get the truth out is well done, well thought out, and worthy of commemoration.
For a younger generation not familiar with the virtual civil war that was going on in American society in the latter stages of the Vietnam War this will serve as a primer, of sorts. Virtually every institution from the local PTA to the White House was subject to analysis and to questioning about the purposes of its existence. Although such intense scrutiny only lasted for a short while it provided enough political space for the previously, seemingly, non-heroic ex-Marine Daniel Ellsberg to do his expose. And for the mainstream mass media, like the “New York Times”, “Washington Post”, and “The Boston Globe” very connected to the governmental levers of power, to take a chance on publishing the whole of Ellsberg’s discoveries. Frankly, with the partial exception of Watergate, there have been very few subsequent efforts like this from inside the establishment.
Needless to say, most of this documentary is driven by the highlights in the case from initial attempts of Ellsberg to get the expose published, to going to the courts and, ultimately, the decision to dismiss the criminal charges against him brought by a rabid and vindictive Nixon administration. This film has none of the fawning over of its main figure that “Fog Of War” has, the so-called documentary of the late, if unlamented, former Defense Secretary, Robert Strange McNamara, who as fate would have it originally commissioned “The Pentagon Papers” giving his take on his handiwork. This production is like a breathe of fresh air in comparison. Whatever you may think of whistle-blowers in other contexts, here, hats off to Daniel Ellsberg. Thanks, brother.
Subscribe to:
Posts (Atom)