Click on the headline to link to a "Wikipedia" entry for black abolitionist Sojourner Truth.
Markin comment:
The following is an article from the Spring 1989 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
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Black Freedom, Women's Rights
and the Civil War
This article is based on a talk given by W&R associate editor Amy Rath at a public forum held 5 April 1988 at Howard University. For additional historical material on women in the anti-slavery struggle, see "The Grimke Sisters: Pioneers for Abolition and Women's Rights" (W&R No. 29, Spring 1985) and "Harriet Tubman: Fighter for Black Freedom" (W&R No. 32, Winter 1986).
The talk discusses the movement for women's rights in the U.S. prior to the Civil War, its link through the radical abolition movement with the fight against black slavery, and the destruction of that link to produce the antecedents of the present "feminists." It centers on the ideology of the antebellum abolitionists, the most far-sighted of whom saw that all democratic struggles were vitally linked and that deeply revolutionary changes would be required to establish equality. These men and women were not Marxists but bourgeois radicals of their time; for many, the primary political motivation was religion.
Northern anti-slavery activists espoused "free labor" and accepted the idea that if legal barriers to equality were removed, the American dream would be possible for anyone, given talent and hard work. In antebellum America, in the context of steady immigration and an expanding frontier, a propertyless farmhand could perhaps acquire land of his own, while a (white) laborer might look to becoming a small-scale employer of labor in a generation. But if the "free labor" ideology imagined a democratic political system of economic equals based on a society of skilled artisans and yeoman farmers, this model rapidly became a fiction. A capitalist class of Northern industrial, finance and railroad capitalists had the ascendancy. Though still a predominantly agricultural country, America was the fastest-growing industrial power (with the second-highest industrial output, after Britain). America was already the world's technological leader, very much feared as a competitor by Britain, birthplace of the Industrial Revolution.
The slave society of the South existed in the framework of a powerful Northern industrial sector which purchased staple crops from the South, first of all cotton. The rich plantations which possessed the South's best land and dominated the region politically were built on a pre-capitalist class relationship of black chattel slavery; at the same time they were part of a money economy in the world's most dynamic capitalist country. The conflict of social systems between the ever more powerful North and the backward South was a profound contradiction heading for collision, exacerbated by America's undemocratic "states' rights" political system which had given the South disproportionate control of the national government (especially the presidency and Supreme Court) since Independence.
The Progressive Bourgeoisie and the Limits of Reconstruction
The "irrepressible conflict" exploded in the Civil War, in the course of which Lincoln, the Northern bourgeoisie's ablest political leader, found himself obliged to go much further than he had intended in the direction of adopting the emancipation program of the abolitionists. Fifteen years before, abolitionists had been viewed as an isolated, if noisy, crew of radical fanatics.
The Civil War smashed slavery and left behind in the South a chaotic situation and four million ex-slaves who had been promised "freedom." But the war and its aftermath underlined that a truly egalitarian radical vision of social reconstruction already could not be promoted by a capitalist ruling class.
In her talk, comrade Rath emphasized the birth of a "feminist" women's movement as a rightward split at a crucial moment in American history: the era of "Reconstruction." Reconstruction posed a possibility of socially revolutionary transformations in the South: the regional ruling class, based on the ownership of land and slaves, had been militarily defeated; under the occupying Northern power, political rights were exercised by the former slaves and those willing to be allied with them.
Reconstruction brought not only black enfranchisement but significant democratic reforms: the 1868 South Carolina constitutional convention drafted the state's first divorce law, while Reconstruction legislatures established the South's first public schools and went to work on liberalizing the South's draconian penal codes and reforming the planters' property tax system (which had taxed the farmer's mule and the workman's tools while all but exempting the real wealth—land). But the Northern capitalists betrayed the promise of Reconstruction, allowing it to be physically smashed by forces such as the Ku Klux Klan, even though that meant the destruction of the Republican Party in the South.
Replacing slavery, a new system of racial subordination took shape: a refurbished system of labor discipline through such measures as one-year labor contracts and "vagrancy" laws to bind ex-slaves to the plantations, and a rigid system of Jim Crow segregation. The defeat of Reconstruction shaped the postwar South into modern times: the sharecropping, the poll taxes, convict labor (the chain gang), the "separate but equal" unequal facilities.
While the woman suffrage leaders described in comrade Rath's talk took a stand against the great democratic gains that hung in the balance, many women mobilized by the anti-slavery movement served honorably in Reconstruction, for example as freedmen's schoolteachers who risked their lives to participate in freeing black people from the chains of bondage.
During Reconstruction, debate raged over the agrarian question: the radical demand raised by the freed-men and destitute white Unionist Southerners that the secessionists' estates be confiscated and distributed to them. Some abolitionists saw that racial democracy could not be achieved if a class of whites continued to own the land where a class of blacks were laborers. They argued for justice to those who had been slaves (who created the wealth of the plantations, beginning by clearing the wilderness).
But the tide had turned: the triumphant Northern rulers would not permit such an attack on "property rights" (especially as Northerners directly and Northern banks were coming to own a good deal of Southern property). Fundamentally, the federal power reinvested political power in the hands of the former "best people" of the old Confederacy. In the sequel, intensive exploitation of black agricultural labor, rather than industrial development or capital investment in the modernization of agriculture, remained the basis of the Southern economy.
What was the alternative? Working-class power was shown by the 1848 and 1871 upheavals in Europe to be the alternative to bourgeois rule, as Marx and Engels explained from the Communist Manifesto onward, but conditions were not mature even in Europe for the small proletariat to seize and wield state power. In mid-19th century America, the Northern bourgeoisie under the pressure of a revolutionary Civil War possessed a genuinely progressive side, the basis for the abolitionists' support for the Republican Party. The abolitionists' great debates revolved around how far out in front of the progressive bourgeoisie they should be. There were "radicals" and those with a more "realistic" appraisal of what the Republican Party would support. Today, more than a century after Reconstruction, that debate is transcended. The ruling class long since passed firmly over to the side of reaction; the federal government is no defender of the oppressed. Those who look to find support for an egalitarian program in any wing of the ruling class are doomed to disappointment. To complete the unfinished democratic tasks of the bourgeois revolution is a responsibility of the modern working class.
When the post-Civil War suffragettes chose to focus on the narrowest political rights for middle-class women and turn their backs on the rights and survival of the most desperately oppressed, they prefigured all of today's "constituency" and "reform" politics which refuse to attack the profound class inequalities ingrained in capitalist society. Sojourner Truth's classic "Ain't I a Woman" speech (see below) today stands as a powerful indictment of these ladies as much as of the outright sexists she was debating. Those who renounce the revolutionary content of the demand for women's liberation so as to advance their schemes for election of female politicians or advancement of women in academia are direct descendants of those first "feminists" who refused to challenge the power structure of their time on behalf of justice for two million of their sisters who were freed slaves.
But there is another women's movement: the women who have joined in the front ranks of every revolutionary struggle on this planet, from the 19th-century radical abolitionists to the women workers who sparked the Russian Revolution to the communist women of today. When the October Revolution of 1917 smashed the old tsarist society in Russia, militant women were among the first recruits to communism in dozens of countries where women were oppressed by semi-feudal conditions and "customs." Young women radicalized around questions like women's education, the veil, wife-beating, religious obscurantism, arranged marriages, etc., recognized a road forward to uprooting social reaction and building a society freed from sexual, racial and class inequality. Our heroes are the revolutionary women who have shared in making all of revolutionary history, from the first moment that slaves rose up against the Roman Empire to the great struggles of today.
It was 1863, and the bloodiest war ever fought by the U.S. was raging. Abraham Lincoln had finally realized he must pronounce the destruction of slavery as the North's goal in this civil war. On 22 September 1862, his preliminary Emancipation Proclamation declared that on the first of January, 1863, all slaves in the Confederacy "shall be then, thenceforward, and forever free." Although the Emancipation Proclamation did not free the slaves in the border states loyal to the Union, it turned the tide of battle. The war was now indisputably a war to end slavery, not simply to repair the Union. Soon thereafter, the government began to enlist blacks into the army; these ex-slaves and sons of ex-slaves tipped the military balance in favor of the Union. It was a matter of time until black soldiers singing "John Brown's Body" marched into Charleston, South Carolina—the "soul of secession," as Karl Marx called it-after Sherman's march through Georgia to the sea.
In May of the revolutionary year 1863, the first convention of the Women's Loyal National League met in New York City. Its most eminent speaker was a woman whose name is little known today: Angelina Grimke" Weld. As part of her address she gave a keen analysis of the war:
"This war is not, as the South falsely pretends, a war of races, nor of sections, nor of political parties, but a war of Principles; a war upon the working classes, whether
white or black; a war against Man, the world over. In this war, the black man was the first victim, the workingman of whatever color the next; and now all who contend for the rights of labor, for free speech, free schools, free suffrage, and a free government...are
driven to do battle in defense of these or to fall with them, victims of the same violence that for two centuries has held the black man a prisoner of war "The nation is in a death-struggle. It must either become one vast slaveocracy of petty tyrants, or wholly the land of the free."
—Gerda Lerner, The Grimke Sisters from South Carolina
A resolution was presented: "There can never be a true peace in this Republic until the civil and political rights of all citizens of African descent and all women are practically established." Angelina Grimke' defended it against those who thought it too radical:
"I rejoice exceedingly that that resolution would combine us with the negro. I feel that we have been with him— True, we have not felt the slaveholder's lash; true, we have not had our hands manacled, but our hearts have been crushed I want to be identified with the negro; until he gets his rights, we shall never have ours."
It was only after the Civil War that an ideology arose which was later named "feminism": the idea that the main division in society is sex. In response to the debate over the role of the newly freed slaves in U.S. society, the leaders of the woman suffrage movement—Elizabeth Cady Stanton and Susan B. Anthony—sided with the counterrevolutionary assault on Reconstruction. The birth of bourgeois feminism was part of a right-wing process which shattered the vision of the left wing of the revolutionary democracy into separate, feeble bourgeois reform movements.
The Second American Revolution
The Civil War was one of the great social revolutions in the history of the world, destroying the slaveholding class in the South and freeing the black slaves. Not only Marxists saw that. The best fighters of the day—the Grimke sisters, the great black abolitionist Frederick Douglass, the Radical Republican Congressman Thaddeus Stevens—knew that the war would have to become a revolution against slavery before the North could win. They hated the feudalistic society of the South, with its degraded slaves, its cruelty, its arrogant, leisurely gentlemen planters, its impoverished rural whites, its lack of education, industry and general culture. The radical abolitionists wanted to wipe away that society, and also saw much wrong in the North, such as the subservience of women, and legal and social discrimination against blacks. Their ideology was to create a new order based on free labor and "equality before the law," a concept brought to the U.S. by the Radical Republican Charles Sumner out of his study of the 1789 French Revolution.
In Europe after the French Revolution the status of women was the most visible expression of the contradiction between capitalist society and its own ideals. But in the U.S. that was not so true, because of chattel slavery. The United States—the first country to proclaim itself a democratic republic—was the largest slaveholding country in the world, a huge historical contradiction which had to be resolved.
The Industrial Revolution
It was the Industrial Revolution, fundamentally, that generated what William Seward called the "Irrepressible Conflict." In broad historical terms the Industrial Revolution had created the material conditions for the elimination of slavery in society. Technological and social advances made possible a much more productive capitalist agriculture and industry. In 1854 the abolitionist clergyman Theodore Parker described slavery as "the foe to Northern Industry—to our mines, our manufactures, and our commerce...to our democratic politics in the State, our democratic culture in the school, our democratic work in the community" (quoted in James M. McPherson, Battle Cry of Freedom).
The Industrial Revolution had a contradictory effect on the condition of women. Production of goods had been primarily through cottage industry, but with the invention of the spinning jenny, the power loom and the steam engine, cottage industry was ended. The men left home to go to the factory, while women stayed home to do the housework, raise the children and to buy at the local store what once they had made at home.
Women's labor ceased to be productive labor in the strict Marxist sense. This is the material basis for the 19th-century ideology of the "women's sphere." While the material advances of the Industrial Revolution made life easier for women, it also locked them into the stifling confines of domesticity in the isolated nuclear family. Women also worked in factories, but even in the industries in which they were concentrated (in textile production they made up two-thirds of the labor force) generally they worked only for a few years before getting married.
The Fight for Women's Legal Rights
Slaves were a class, but women are a specially oppressed group dispersed through all social classes. Although all women were oppressed to some extent because of their position in the family, the class differences were fundamental between the black slave woman and the slave plantation mistress, or the Northern German-speaking laundress and the wife of the owner of the Pennsylvania iron mill. "Sisterhood" was as much a myth then as it is now. Women identified first with the class to which they belonged, determined by who their husbands or fathers were.
Before the Civil War, women were basically without any civil rights. They couldn't sue or be sued, they couldn't be on juries, all their property and earnings went to their husband or father. Although women did have the vote for a few years in New Jersey and Virginia after the American Revolution, this advance was quickly eliminated. (This was part of a general right-wing turn after the Revolution, when suffrage was restricted gradually through property qualifications. In New York State, for example, with some restrictions blacks could vote up to about 1821.) For the wealthy upper-class woman, this lack of legal rights loomed as a terrible injustice because it prevented her from functioning as a full member of the ruling class (Elizabeth Cady Stanton, the mother of American feminism and the daughter of a judge, felt this keenly). For the working-class or slave woman, if her property legally belonged to her husband it didn't seem a problem— she didn't have any property.
Though the legal question was a small matter for poor and slave women, nevertheless legal injustice is not insignificant for Marxists, and it is bound up with multi-layered social oppression. This was true for the position of women in pre-Civil War society. Until the 1850s wife-beating was legal in most states. Divorce was almost impossible, and when it was obtained children went with the husband. The accepted attitude toward women was assumption of their "inferiority," and the Bible was considered an authority. When anesthesia was discovered in the 1840s, doctors opposed its use for childbirth, because that suffering was women's punishment for Eve's sin.
The Anti-Slavery Struggle and Democratic Rights
But how were women to fight for equal rights in this society divided between slave and free? Angelina Grimke' was precisely correct when she said, "until the negro gets his rights, we will never have ours." It was necessary to destroy chattel slavery, which was retarding the development of the whole society. The movement for women's rights developed in the North out of the struggle to abolish slavery. It could hardly have developed in the South. In the decades before the war, in response to the growing Northern anti-slavery agitation, the South was becoming more reactionary than ever: more fanatical in defense of the ideology of slavery and more openly repressive. There were wholesale assaults on basic democratic rights, from attacks on the rights of the small layer of free blacks, who were seen as a source of agitation and insurrection, to a ban on the distribution of abolitionist literature.
In the South, there were no public schools. It was illegal to teach slaves to read, and almost half of the entire Southern population was illiterate. But in the North over 90 percent of the residents could read and write. Girls and boys went to school in about the same proportions, the only country in the world where this was true. So while in the North women teachers were paid less than men, and women factory hands received one-quarter the wage of men, in the South there were few teachers at all, and few industrial workers.
As a young slave in Maryland, and later while he was trying to earn a living as a refugee in New Bedford, Massachusetts, Frederick Douglass came to understand the common interests of all working people in the South, slaves and free blacks and whites. He learned a trade on the docks, where he experienced racist treatment from white workmen, who saw black labor as a threat to their jobs. But Douglass realized that the position of the workmen, too, against their boss was eroded and weakened by slavery and racism. As Marx said, "Labor cannot emancipate itself in the white skin where in the black it is branded." And indeed, the working-class movement met with little success in the antebellum U.S., whereas after the war there was an upsurge in unionism and labor struggle.
The vanguard of the abolitionist movement—the radical insurrectionist wing—believed in the identity of the interests of all the oppressed. John Brown, Frederick Douglass, Harriet Tubman, the great activist of the Underground Railroad, and the Grimke sisters were all inspired by a vision of human equality based in revolutionary democracy. Although their egalitarian principle was based on a religious view and ours is based on a Marxist understanding of society, we honor their essential work in leading the anti-slavery struggle. The abolition of slavery did profoundly alter the United States, it did open the road to liberation by making possible the development of the proletariat and its revolutionary vanguard, which will establish justice by abolishing the exploitation of man by man.
The Grimke Sisters of South Carolina
Penetrating insights into the situation of women in pre-Civil War America came from women who were committed abolitionists. Sarah and Angelina Grimke are examples, as is Sojourner Truth who is better known today. The Grimke sisters were unusual members of the ruling class who defected to the other side. As daughters of one of South Carolina's most powerful slave-holding families, they had grown up in luxury, but left the South because of their revulsion for slavery. The Grimke sisters became famous in 1837-1838 as agents of the American Anti-Slavery Society. The power of their personal witness of the atrocities of the slave system drew huge audiences. The sisters were quick to point out that as upper-class white women, they had seen only the "better" treatment of the house and city slaves, and not the more brutal treatment of plantation hands in the fields. But one of the things they did know about was the sexual exploitation of women slaves and the brutal breakup of black families through the slave trade.
Because the sisters addressed the issues of sexual exploitation frankly and often, it was one of the issues the opposition used to try to shut them up. The clergy complained that the Grimke's brought up a subject "which ought not to be named"—how dare these delicate .blossoms of Southern womanhood talk about sex! The very idea of women speaking publicly represented an attack on the proper relationship between the sexes and would upset "women's place" in the home. Contemporary observers were shocked by the sight of women participating actively in the debates of the anti-slavery movement, as they did especially in New England, the birthplace of radical abolitionism. The Grimkes replied by pointing out that the same argument was used against abolition itself: it would upset the established order of social relations. They effectively linked up women's rights and emancipation of the slaves.
Sojourner Truth: "Ain't I a Woman?"
Black women got it from both sides, as the life of Sojourner Truth shows. She was born a slave around 1797 in New York State and was not freed until 1827, under the "gradual emancipation" provisions of the state law. As a slave she was prevented from marrying the man she loved, who was brutally beaten for daring to visit her (they were owned by different masters). They were both forcibly married to other slaves. Her son was sold South as a small child, away from her. After she was freed, she lived a backbreaking existence in New York City, one of the more racist cities in the North and a center for the slave trade.
Sojourner Truth went to all the women's rights conventions. The famous story about her dates from 1853. The usual crowd of male hecklers had almost shut down the proceedings. The women were unable to answer their sneers of how delicate and weak women were. Sojourner Truth asked for the floor and got it, despite the opposition of a lot of the delegates to the presence of a black abolitionist. You have to keep in mind what this woman looked like in this gathering of ladies: she was six feet tall, nearly 60 years old, very tough and work-worn. She said:
"The man over there says women need to be helped into carriages and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages or over puddles, or gives me the best place—and ain't I a woman?
"Look at my arm! I have ploughed and planted and gathered into barns, and no man could head me—and ain't I a woman? I could work as much and eat as much as a man—when I could get it—and bear the lash as well! And ain't I a woman? I have born...children, and seen most of 'em sold into slavery, and when I cried out with my mother's grief, none but Jesus heard me—and ain't I a woman?"
—Eleanor Flexner, Century of Struggle
Sojourner Truth put her finger on the heart of the contradiction between the stifling idealization of women and their oppression as housewives and mothers and exploitation as slaves and workers.
Women's Rights and the Abolitionist Movement
Support for women's rights was tenuous within the politically diverse anti-slavery movement. Many free-soilers were not anti-racist; some opposed slavery because they didn't want blacks around. Even some of the most dedicated abolitionists argued that "women's rights" could harm the anti-slavery cause, and in 1840 a split in the American Anti-Slavery Society was precipitated by the election of a woman to the leading body.
That same year at an international anti-slavery meeting in London, women members of the American delegation were denied their seats. In the audience was the young Elizabeth Cady Stanton. Out of this experience she decided to begin organizing for women's rights. Eight years later, in 1848, at Seneca Falls, New York the first women's rights convention in the world was held. At first Stanton wasn't going to put forward the vote as a demand—she was afraid it was too extreme. She had to be argued into it by Frederick Douglass. It was the only demand that didn't get unanimous support at the meeting; it was considered too radical.
The role of Douglass was not an accident. The best fighters for women's rights were not the Elizabeth Cady Stantons and the Susan B. Anthonys—the ones who "put women first"—but the left-wing abolitionists. The most militant advocates of black equality, the insurrectionist wing, the prophets of the Civil War, were also the most consistent fighters for women's rights, because they saw no division of interest between blacks and women. Frederick Douglass not only attended all the women's meetings, arguing effectively for full equality for women, but he brought the message elsewhere. He put forward resolutions for women's rights at black conventions, and they were passed. He used to advertise the meetings in his paper and print reports on the proceedings. His paper's motto was, "Right is of no Sex—Truth is of no Color—God is the Father of us all, and we are all Brethren."
The Fight Over the 14th Amendment
Stanton and Anthony had suspended their woman suffrage campaign for the duration of the war. They circulated petitions for a constitutional amendment abolishing slavery, which became the 13th Amendment. After the war Stanton and Anthony set up an Equal Rights Association to agitate for the vote for both blacks and women. They thought because of the broad social upheaval the time was ripe for woman suffrage. But this proved not to be the case.
The question here was citizenship rights under capitalist law, specifically voting. Compare it with how voting rights and citizenship were looked at in another revolution at the same time: the 1871 Paris Commune, the first proletarian revolution (whose example dramatically reinforced ideological conservatism among the American bourgeoisie). The Commune subsumed nationality and citizenship to class considerations. Anybody who got elected from the working class, whatever country they were born in, sat on the legislative body of the Commune, while the industrialists and the bourgeois parliamentarians fled the city and were "disenfranchised" as their property was expropriated.
This was not on the agenda in the United States in the 1860s. The historical tasks of the Civil War and Reconstruction were to complete the unfinished bourgeois revolution, to resolve questions like slave versus free, national sovereignty and democratic rights. In his novel Gore Vidal calls Lincoln the Bismarck of his country, and this is justified. For example, before the Civil War, each state printed its own money. Greenbacks were first made by the Union to finance the war. The Supreme Court regularly said, "the United States are." Only after the war did this country's name become a singular noun—one national government.
But the big question was what to do with the newly emancipated slaves, and this question focused on two things: land and the vote. The debate over the vote represented, in legal terms, a struggle to determine what "citizenship" meant in relation to the state. Many Northern states did not allow blacks to vote, either. The 14th Amendment, which was passed to answer this question, says that all persons born or naturalized in the U.S. are citizens of the nation and of the state in which they live, and that states can't abridge their "privileges and immunities" or deprive them of life, liberty, or property without "due process of law" or deny them "equal protection of the laws."
The Republican Party, which was founded as an anti-slavery party, contained within it many shades of political opinion. It has been argued that the only reason the Republicans gave the vote to blacks was to maintain political control over the states in the conquered Confederacy. This was true of some Republicans, but the men who politically dominated Congress during the period of Radical Reconstruction were committed revolutionary democrats, as observers of the time said of Thaddeus Stevens, who was called the "Robespierre, Danton, and Marat of America." There were good reasons for Douglass' loyalty to the Republicans, given after much early hesitation and sometimes combined with scathing criticism.
But there were a lot of contradictions. The party that was trying to implement black rights was also the party that was massacring the Indians in the West, breaking workers' strikes in the North, presiding over a new scale of graft and corruption, and trying to annex Santo Domingo. In the fight to replace slavery with something other than a peonage system which mimicked bondage, the land question was key. And the robber barons—the moneylords, the triumphant ruling class-rapidly got pretty nervous about the campaign to confiscate the plantations and give them to the blacks. It was an assault on property rights, in line with what those uppity workers in the North were demanding: the eight-hour day, unions, higher wages. The ruling class was quite conscious about this; an 1867 New York Times editorial stated:
"If Congress is to take cognizance of the claims of labor against capital...there can be no decent pretense for confining the task to the slave-holder of the South. It is a question, not of humanity, not of loyalty, but of the fundamental relation of industry to capital; and sooner or later, if begun at the South, it will find its way into the cities of the North.... An attempt to justify the confiscation of Southern land under the pretense of doing justice to the freedmen, strikes at the root of all property rights in both sections. It concerns Massachusetts quite as much as Mississippi."
—Eric Foner, Politics and Ideology in the Age of the Civil War
This question was not resolved quickly, but over a couple of decades. But to collapse a lot of complex history, the revolutionary tide receded under the weight of triumphant capitalism. In 1877 Union troops were withdrawn from Southern occupation as part of the compromise making Rutherford B. Hayes president. The Civil War did not establish black equality, and the 14th and 15th Amendments which codified in law the war's revolutionary gains were turned into virtual dead letters. Nor did the Civil War liberate women, not even in a limited, legalistic sense. They continued to be denied even the simple right to vote (although in some districts in South Carolina in 1870, under the encouragement of black election officials, black women exercised the franchise for a brief time).
From the defeat of Reconstruction was spawned the kind of society we have now. On top of the fundamental class divisions in the U.S. is pervasive and institutionalized racial oppression. The black slaves were liberated from bondage only to become an oppressed race/color caste, segregated at the bottom of society— although today, unlike the immediate aftermath of Reconstruction, blacks also constitute a key component of the American proletariat.
The Birth of American Feminism
Many Radical Republicans were critical of the 14th Amendment, which was a true child of compromise. Sumner called it "uncertain, loose, cracked, and rickety." Opposition centered on a loophole that allowed a state to opt for losing some representation in Congress if it chose to restrict black suffrage—and Southern states exploited this concession. But what Elizabeth Cady Stanton didn't like about it was that for the first time, the word "male" appeared in the Constitution. And this fight was the birth of American feminism.
Of course the 14th Amendment should have given women the vote, and the importance of suffrage for black women was not inconsiderable. But a Civil War had just been fought on the question of black freedom, and it was indeed the "Negro's Hour," as many abolitionists argued. The biggest benefit for women's rights would have been to struggle for the biggest expansion possible in black freedom—to campaign for the land, for black participation in government on the state and federal level, to crush racism in the North, to integrate blacks in housing, education, jobs—to push to the limit the revolutionary possibilities of the period. But Stanton and Anthony sided with the right-wing
assault on the revolutionary opening that existed. They wrote:
"Think of Patrick and Sambo and Hans and Ung Tung who do not know the difference between a Monarchy and a Republic, who never read the Declaration of Independence or Webster's spelling book, making laws for [white abolitionists] Lydia Maria Child, Lucretia Mott, or Fanny Kemble."
Stanton and Anthony embraced race-hatred and anti-immigrant bigotry against the Irish, blacks, Germans and Asians, grounded in class hostility.
They took this position at a time when blacks in the South faced escalating race-terror. The Ku Klux Klan was founded in 1866 to terrorize Southern blacks; hundreds were murdered. Republicans of both colors were targeted, and a special object of Klan hatred was the schoolhouse and the schoolteacher (many of them Northern women). In the North as well there was a struggle over the vote, over integrated schools. There was a fight to end Jim Crow in the Washington, D.C. trolley system (after the law desegregating streetcars was passed there in 1865, Sojourner Truth herself went around the capital boarding the cars of companies that were refusing to seat blacks). The freedmen's struggles for a fundamental transformation of race relations triggered in the North what some historians have called the first racist backlash. Frederick Douglass' home in Rochester, New York was burned to the ground; Republican and abolitionist leaders routinely received death threats.
So in this period of violent struggle over the race question, the feminists joined forces with the Democrats, the political party of the Klan and the Confederacy, who hoped to exploit the women's issue against blacks. Henry Blackwell (Lucy Stone's husband) argued that white women voting in the South would cancel out the black vote. Stanton and Anthony teamed up with George Train, a notorious racist, who financed their newspaper, Revolution. They adopted the slogan "educated suffrage"—that is, a literacy test for voters—which was deliberately formulated against non-English-speaking immigrants and ex-slaves.
Frederick Douglass made a valiant attempt to win the feminists over to support for the amendments at a meeting of the Equal Rights Association in 1869, where he argued for the urgency of the vote for blacks:
"When women, because they are women, are dragged from their homes and hung upon lamp-posts; when their children are torn from their arms and their brains dashed to the pavement; when they are objects of insult and outrage at every turn; when they are in danger of having their homes burnt down over their heads; when their children are not allowed to enter schools; then they will have an urgency to obtain the ballot."
—Eleanor Flexner, Century of Struggle
At this convention Douglass proposed a resolution which called the 15th Amendment the "culmination of one-half of our demands" while imploring a redoubling of "our energy to secure the further amendment guaranteeing the same sacred rights without limitation to sex." But by this point, a split was inevitable. The feminists blamed the Republican Party and the abolitionists for the defeat in Kansas of an 1867 referendum on woman suffrage. They decided that "men" could not be trusted, and for the first time argued that women must organize separately for their own rights. They even flirted with male exclusionism. The movement split in two, one maintaining a formally decent posture on the race question as a cover for doing nothing. The main wing led by Stanton and Anthony wanted to address broad issues, but their capitulation to racist reaction defined them.
They claimed the ballot would solve everything. Their paper was printed in a "rat" office (below union scale). Anthony urged women to be scabs to "better" their condition, then whined when the National Labor Congress refused to admit her as a delegate! Stanton said it proved the worst enemy of women's rights was the working man.
After Reconstruction went down to defeat, the first "feminists" dedicated themselves to the reactionary attempt to prove woman suffrage wouldn't rock the Jim Crow boat. But in the South, the restabilization of a system of overt racist injustice set the context for all social questions. In the South, any extension of the franchise was feared as a threat to "white supremacy" stability. By 1920, when woman suffrage was passed nationally— largely because of World War I which brought women into industry and social life—not a single Southern state had passed the vote for women, although almost every other state had some form of it.
Today, the bourgeois feminists like to hark back to the struggle over the 14th Amendment as proof there must be a separatist women's movement. They claim Stanton and Anthony as their political mothers. Let them have them! We stand in a different tradition: the heritage of Frederick Douglass, John Brown, Harriet Tubman, the Grimke sisters, of revolutionary insurrectionism against the class enemy. Today, to complete the unfinished tasks of the Civil War and emancipate women and blacks from social slavery requires a communist women's movement, part of a multiracial vanguard party fighting for workers power in the interests of all the oppressed.
Friday, March 05, 2010
Thursday, March 04, 2010
From The Archives Of "Women And Revolution"-Art And The Bolshevik Revolution
Click on the headline to link to a “Wikipedia” entry for the Russian Constructivists.
March Is Women’s History Month
Markin comment:
The following is an article from the Spring 1982 issue of "Women and Revolution" that has some historical interest- for old "new leftists", perhaps. I will be posting more such articles from the back issues of "Women and Revolution" during this Women's History Month.
The Russian Avant-Garde:
Art and the Bolshevik Revolution
by Vladimir Zelinski
Two recent American exhibitions—"The Avant-Garde in Russia, 1910-1930—New Perspectives" 1980 national tour, and this winter's Guggenheim Museum show in New York City, part of the George Costakis collection—reveal an incredibly vital and heterogeneous movement. In the period from roughly 1916-17 to 1924, the paintings, constructions and industrial designs of a host of talented artists placed Russian art, before (and thereafter) a derivative and provincial backwater, at the leading edge of 20th century creativity in the arts. The whole Bauhaus school, in particular, is incomprehensible without the influence of the Russian Constructivists and "production artists," transmitted by such figures as Kandinsky and El Lissitzky.
This movement was largely ignored in the West for almost half a century until its first major Western exhibit in London in 1971. Today such exhibits are promoted and armed with a mendacious anti-Communist "message": the bourgeois media disappear the social relation of this art to the October Revolution and pretend that it was repressed in revolutionary Russia under Lenin and Trotsky. In fact the avant-garde was literally disappeared—but only under triumphant Stalinism. During the consolidation of Stalinist bureaucratic rule, the revolutionary artists were transformed into non-persons and then plucked from obscurity and subjected to frenzied attacks on their supposed degenerate "bourgeois formalism" by Stalin's culture boss Zhdanov.
The reason is simple: though art is not "political" in a direct sense, this art in its own way is political dynamite. It gives the lie to the equation of Leninism with Stalinism, connived at by capitalist ideologues and Stalinist hacks alike ever since the Bolshevik Party of Lenin and Trotsky was smashed. Time has not defused the political impact of these fine works. Their exhibition in the USSR today would reveal the stunning mediocrity of "official art" (as well as the sorry state of "dissident" and "non-conformist" artistic production). It would also inevitably raise deeply embarrassing and (for the usurping bureaucrats) unanswerable questions. What happened to these artists? Why was genuinely great art possible in Russia in the early '20s, in the midst of incredible backwardness and massive poverty, but not now, under conditions of relative material plenty and technological progress?
Art and Society
Since bourgeois patrons were obviously lacking, clearly the government and cultural institutions of the infant Soviet workers state had to play a central role in supporting this art, an art whose abstractness and aura of airiness and radiant optimism place it at far remove from the dogmas and products of Stalinist "socialist realism."
Russian " revolutionary" art did not, of course, spring from the head of Lenin. The bourgeois media would like to suggest that there is little if any relationship between the Bolsheviks' successful October Revolution and the cultural explosion of 1917-25. But there are in fact numerous ties, going back all the way to the 1850s artistic revolt against the hitherto dominant neo¬classical tradition. This is not to say that Russian painters and writers were necessarily Marxist. Rather they inevitably mirrored the travail of a society groaning beneath the yoke of a tsarist autocracy incapable of effecting Russia's passage into the mainstream of bourgeois economic, political and cultural development.
The author of the main work leading to the founding of the Russian realist school, The Aesthetic Relation of An to Reality, was Nikolai Chernyshevsky, better known among revolutionaries for his seminal novel What Is To Be Done?, which so profoundly moved and influenced a generation of Russian revolutionaries, Lenin among them. Chernyshevsky's belief that it was necessary to forestall "the accusation that art is an empty diversion" through imbuing it with social content was characteristic of the radical intelligentsia.
Thus the "Wanderers" grouping of artists founded under Chernyshevsky's influence in 1870grew along lines strikingly similar to those of overtly political groupings. Many of its members, like the Populists, "went to the people" and elevated the Russian peasant, mired in his immemorial priest-ridden backwardness, as hero of the new art. Wealthy Slavophile merchants supported artistic colonies (Abramtsevo and Talashkino) whose residents sought inspiration in a William Morris-ish arts-and-craftsy revival of moribund Byzantine tradition or the primitive folk art of lubok (chapbook) woodcuts.
Around the turn of the century a symbolist school arose influenced by the fin-du-siecle "decadents" of the West. Although reflecting the increasing cultural sophistication of their patrons, such artists as Viktor Borrisov-Mussatov succeeded only in producing yet paler copies of the already effete Puvis de Chavannes, elegiac paintings of abandoned country mansions and empty-gazed demoiselles—works which with hindsight one is tempted to assert expressed (like much of Chekhov) the consciousness of a merchant/ landholding gentry lacking an historic future. And art-for-art's-sake withdrawal from social concerns also arose, partly reflecting Russian artists' sense of futility at the intelligentsia's failure to transform society by literary means.
This "World of Art," centered around the multi-talented Aleksandr Benois, nonetheless laid the foundations for future developments, mounting a series of exhibitions that introduced contemporary European art to Russian painters and young Russian artists to a wider public.
The Great Experiment
The first expressions of the coming breakthrough appeared between 1905-1917, with the rise of a gifted and innovative younger generation of painters. Their openness to experimentation, derived partly from the German expressionists and French cubists, arose also from the sudden sense of release generated even in defeat by the great proletarian upsurge of the 1905 Revolution. (See "Before 'Socialist Realism' in the Soviet Union," W&R No. 13, Winter 1976-77, for a discussion of this burst of creativity in other artistic areas, notably dance and theater.)
This feeling that the whole anachronistic edifice of tsarism was crumbling inspired in these artists a will to radically reshape art and its relation to society. Seeking through scientific inquiry into the interaction of planes, volumes, color, overall structuring of the canvas and their effects on the viewer to discover laws inherent to art, they rejected the naturalistic tradition (in which even cubism remained based). This was the program that, despite factional differences, united the Russian avant-garde right down to their repression by the Stalinist bureaucracy. Hence the rationalism of this art, its tendency toward a radical geometricizing simplification.
The art of the Russian avant-garde thus to an extent anticipated the revolution to whose ideals it lent expression: a fundamental faith in man's capacity to rationally reshape society, doing away with the material and intellectual compulsion springing from the anarchy and inequality of capitalist class rule. Nor is this so strange as it might seem: tsarism had only gotten away by the skin of its teeth. And successful revolutions, just because they are so deeply rooted in the needs of
society, tend to cast their shadow before them. Thus that severe archetype of French revolutionary art, David's Oath of the Horatii with its celebration of stoic bourgeois civic morality, was painted in 1784-85, a period in which a whole crop of masterpieces in fact appeared.
New York Times art critic Hilton Kramer commented on the Guggenheim show (New York Times Magazine, 11 October 1981):
"In Popova's oeuve, as in that of many other members of the Russian avant-garde, we first encounter a Cubist vocabulary that looks more or less familiar But then
something happens. A vision—mystical or political or, as was more often the case, some combination of the two—intervenes to alter the inherited vocabulary and set it on a new course, and we are suddenly confronted with forms, textures, ideas that owe little or nothing to the styles that set them on their way."
Unlike the anti-communist Kramer, whose puzzlement results from ideological blinders, we Trotskyists know what the "something" was that seemingly just "happened." It was the October Revolution. Kramer cannot admit its profoundly liberating effect upon society from top to bottom, because to do so would dispel the assiduously cultivated bourgeois myth that the proletarian triumph of 1917 was a Bolshevik putsch from above. But indeed this cultural explosion affected not just Popova but a host of young artists, all of whom just "happened" to make their creative breakthroughs in the crucial years 1917-18. One must look to the great bourgeois upheavals—the Italian Renaissance, the French Revolution—for a parallel to this sort of artistic and societal self-confidence.
The Guggenheim Exhibition
One came away from the powerful Guggenheim exhibit convinced of the viability of modernist "abstract" art. What is it about these paintings that produces so marked an effect? First there is the overwhelming vitality. This was a cultural explosion in the making, with an incredible variety of styles and techniques. Times critic Kramer has difficulty reining in his incredulity in the face of these artists' prescience: "Her" [Olga Rozanova's]untitled abstract painting of a vertical green stripe, dating from 1917, was produced more than 30 years before the American painter Barnett Newman began work on the paintings of a very similar design that won him a place of renown— Ivan Kliun
.vividly anticipated more recent developments—in this case, the kind of Minimal Art...that enjoyed a great vogue in the 1960s."
The problems being confronted here are those which non-objectivist painters have faced right up to the present, while the solutions advanced by the Russians are both elegant and convincing. These paintings really work. They convey a sense of life and vitality, the result of a concern for painterly texture and the most subtle color gradations. Virtually all these artists cultivated a bright palette that, along with the sheer elegance of their works, their clarity and subtlety of structure, the sense of artistic problems being met and solved, makes them the tangible conveyors across 60 years of the vigor, hope and optimism of revolutionary Russia.
The large number of women artists in the Guggenheim exhibit is itself a powerful index. Kramer comments:
"The Russian avant-garde was the only art movement of its kind in which the achievements of women were unquestionably equal to those of their male colleagues, a circumstance that appears to owe more to the enlightened attitudes of the pre-Revolutionary liberal intelligentsia than to any measures initiated by the Soviet regime after the Revolution."
Kramer's liberal banalities beg the question. But the fact remains: the only artistic movement in which women were, in Kramer's words, "unquestionably equal" was associated with the only proletarian revolution in history. In the atmosphere of the triumphant Revolution women, many of whom might have remained Sunday painters, their art an ornament on their role as dutiful mothers, had the confidence to devote themselves wholly to art. For every Natalia Goncharova, well-known before the Revolution, there are a half dozen who were unknown at its outset and who would, without its liberating effect, in all likelihood have remained so.
The Bolsheviks and Art
What the Bolsheviks did after 1917 was basically to provide the material/organizational framework and then leave artists and writers to work out artistic problems on their own. In the face of decades of bourgeois propaganda to the contrary, it cannot be sufficiently stressed that this was the standpoint of literally all authoritative Party leaders. Trotsky's "Communist Policy Toward Art" thus simply voices the standard attitude:
"Art must make its own way and by its own means. The Marxian methods are not the same as the artistic. The party leads the proletariat but not the historic processes of history. There are domains in which the party leads, directly and imperatively. There are domains in which it only cooperates. There are, finally, domains in which it only orients itself. The domain of art is not one in which the party is called upon to command. It can and must protect and help it, but it can lead it only indirectly...."
Anatoly Lunacharsky, head of Narkompros, the People's Commissariat for Enlightenment, and thus directly in charge of cultural affairs, held identical views: "Of course the state does not have the intention of imposing revolutionary ideas and tastes upon artists. Such compulsion could result only in fake-revolutionary art, since the prime requisite of genuine art is the honesty/sincerity of the artist" ("Revolution and Art," October 1920).
Lunacharsky sought to prevent the dominance of any one artistic clique, which meant above all in post-1919 Russia combatting the influence of the "Proletkult," led by one-time God-seeker and now arch-workerist Bogdanov. Against the Proletkult insistence that art be immediately relevant and comprehensible to Russia's incredibly backward masses (a movement which fed straight into Stalinist "socialist realism"), Lunacharsky insisted "... we cannot adapt our literature to the low cultural level of the broad masses of peasants or even to that of the workers themselves. This would be a mammoth error." Like Trotsky, he refused to accede to the workerists' obscurantist rejection of all past art as simply "bourgeois' insisting that "new proletarian and socialist art can be built only on the foundation of all our acquisitions from the past." This debate mirrored the crucial battle being waged by Lenin and Trotsky, in war-ravaged and starving Russia, for the need to learn to develop and wield the techniques of advanced capitalist production, as against the primitive and Utopian sloganeering of groups like the "Workers Opposition."
Of course, for many members of the Russian avant-garde, such was the attractive power of the Bolshevik-led transformation of society that pure art was not enough. Many became Agitprop artists, creators of revolutionary posters and decorators of the brightly-painted propaganda trains that brought the message of liberation to the farthest reaches of the Soviet Union. Essentially these artists' task was political propaganda, attempting first of all to raise the political, and not primarily the artistic, consciousness of their viewers. Another group of artists, at the Institute of Artistic Culture founded by Kandinsky sought to create an overall environment in which the most everyday objects (the ubiquitous Russian tea service, textiles, chairs, clothing, Popova's elegant designs for cigar and cigarette cases) would have worked along with a new architecture and constructivist theater to educate and raise the taste and perceptiveness of Russia's culturally deprived masses. The intention was not a debased "proletarian" art a la Proletkult, but to create the conditions for a classless art, as the workers overcame their decades of material and cultural want, and the achievement of plenty allowed the attainment of socialism.Still many avant-garde artists in post-Revolution
Russia eschewed any effort at direct political relevance. In the scant decade from the October Revolution to the consolidation of Stalinist bureaucratic rule in the late '20s, many Russian artists felt themselves, for the only time in their history, free to devote themselves to art pure and simple, without the imperative need to voice an overt social message. Yet in the manner that great art captures the social matrix from which it springs/ the works of these artists are imbued with optimism and are animated by the hopes of an entire society.
Stalinist Degeneration
What happened instead was the bitter disappointment of those hopes: Stalinist degeneration, the result of the conjuncture of Russian backwardness with the devastation first of World War I and then the civil war, plus—critically—the failure to extend the revolution to advanced Europe, as in Germany in 1923. The work of the avant-garde artists began to disappear from public view, just as the Bolshevik opposition to Stalin disappeared from view. The artists were fortunate even to survive.
That supreme genius of abstraction, Kasimir Malevich, was reduced in the '30s to painting sacchar¬ine landscapes and insipid portraits of smiling village maidens. One can imagine the despair and self-loathing with which this artist must have had to contend. Such surviving members of the Russian avant-garde as Costakis was able to meet in the late '40s and '50s were then either bitter or demoralized. This is not the least of the crimes of the Stalinists: the deliberate destruction of a whole generation of outstanding painters and writers, the transformation of "socialist" (as in "socialist realism") into a term of opprobrium among artists. Under tsarism Russian art and literature had suffered profoundly from the compulsion to make social, not artistic, concerns central. Today, in the deformed and degenerated workers states under the rule of a parasitic bureaucratic caste, any work of art or literature that does not confront this central problem—the need to oust the usurping bureaucracy— is felt to be inherently mendacious. It lies by omission, the artist knows this, and it shows in his work. For literature this has meant that virtually the sole genre open to serious Soviet writers is satire, for which the opportunities certainly are legion. But even here the works, with a few exceptions like Voinovich, tend to be heavy-handed and obvious, like Aleksandr Zinoviev's aptly named The Yawning Heights. They too are massively deformed, presenting a black-and-white view of society profoundly at odds with the multivalent complexity of great art: socialist realism with the plus and minus signs reversed.
Polish film director Andrzej Wajda's Man of Iron, currently being shown in the U.S., is a striking case in point. As a piece of hack propaganda for the clerical-reactionary Solidarnos'c', Man of Iron necessarily lies at its heart. It falsely portrays the movement which led to Solidarnos': as the continuation of previous working-class struggles against the Stalinist regime and celebrates the marriage of the workers and intellectuals as presided over by the Catholic church. Unlike the talented director's Man of Marble, a serious work of art probing the contradictions of post-war Polish society, Man of Iron expresses simply the anti-Communist lies of Solidarnos"— and not surprisingly, this has also severely hurt Wajda's art. As we said in Workers Vanguard: "Wajda rejected what Stalinism has done to truth and art, but Man of Iron embraces the lies of anti-Communism and of the church. Of Polish youth, he has said, 'People who are 20 today need to know, and to understand, why their parents are lying.' That is so. They also need to know why one of their leading artists cannot tell the truth" ("Man of Iron: The Gospel According to Solidarnos's"," WV No. 297, 22 January).
The Struggle for Socialism
It is essential to understand that something precious remains of the social gains, the great inspiring goals, which made the explosive, if brief, flowering of art in the Soviet Union possible. Despite its Stalinist degeneration and the line drawn in blood of revolutionaries and workers that separates it from the Soviet Union of Lenin, the USSR today still rests on the foundations of socialized property established by the working class when it took state power. That these foundations are in every sphere massively undermined by the Stalinist usurpers only heightens the urgency of the international working class taking up the defense and extension of this historic victory. To truly defend the socialized property forms of the USSR, and to drive the liberating force of authentic communism forward, it, is necessary to forge an international vanguard party of the proletariat to overthrow capitalism worldwide through socialist revolution and oust the Stalinist bureaucracies of the deformed workers states through political revolution.
It is of course impossible to say what forms art would take in a genuinely socialist society, one freed of bureaucratic misrule and building on the foundations of technological plenty, not the generalized want of Russia in the '20s—and not in a few countries surrounded by hostile imperialism, but in a world socialist order. Nonetheless it seems safe to predict that whatever its form, the art of a triumphant socialism will partake of the radiance and optimism so triumphantly captured by the Russian avant-garde in the short time granted it."
March Is Women’s History Month
Markin comment:
The following is an article from the Spring 1982 issue of "Women and Revolution" that has some historical interest- for old "new leftists", perhaps. I will be posting more such articles from the back issues of "Women and Revolution" during this Women's History Month.
The Russian Avant-Garde:
Art and the Bolshevik Revolution
by Vladimir Zelinski
Two recent American exhibitions—"The Avant-Garde in Russia, 1910-1930—New Perspectives" 1980 national tour, and this winter's Guggenheim Museum show in New York City, part of the George Costakis collection—reveal an incredibly vital and heterogeneous movement. In the period from roughly 1916-17 to 1924, the paintings, constructions and industrial designs of a host of talented artists placed Russian art, before (and thereafter) a derivative and provincial backwater, at the leading edge of 20th century creativity in the arts. The whole Bauhaus school, in particular, is incomprehensible without the influence of the Russian Constructivists and "production artists," transmitted by such figures as Kandinsky and El Lissitzky.
This movement was largely ignored in the West for almost half a century until its first major Western exhibit in London in 1971. Today such exhibits are promoted and armed with a mendacious anti-Communist "message": the bourgeois media disappear the social relation of this art to the October Revolution and pretend that it was repressed in revolutionary Russia under Lenin and Trotsky. In fact the avant-garde was literally disappeared—but only under triumphant Stalinism. During the consolidation of Stalinist bureaucratic rule, the revolutionary artists were transformed into non-persons and then plucked from obscurity and subjected to frenzied attacks on their supposed degenerate "bourgeois formalism" by Stalin's culture boss Zhdanov.
The reason is simple: though art is not "political" in a direct sense, this art in its own way is political dynamite. It gives the lie to the equation of Leninism with Stalinism, connived at by capitalist ideologues and Stalinist hacks alike ever since the Bolshevik Party of Lenin and Trotsky was smashed. Time has not defused the political impact of these fine works. Their exhibition in the USSR today would reveal the stunning mediocrity of "official art" (as well as the sorry state of "dissident" and "non-conformist" artistic production). It would also inevitably raise deeply embarrassing and (for the usurping bureaucrats) unanswerable questions. What happened to these artists? Why was genuinely great art possible in Russia in the early '20s, in the midst of incredible backwardness and massive poverty, but not now, under conditions of relative material plenty and technological progress?
Art and Society
Since bourgeois patrons were obviously lacking, clearly the government and cultural institutions of the infant Soviet workers state had to play a central role in supporting this art, an art whose abstractness and aura of airiness and radiant optimism place it at far remove from the dogmas and products of Stalinist "socialist realism."
Russian " revolutionary" art did not, of course, spring from the head of Lenin. The bourgeois media would like to suggest that there is little if any relationship between the Bolsheviks' successful October Revolution and the cultural explosion of 1917-25. But there are in fact numerous ties, going back all the way to the 1850s artistic revolt against the hitherto dominant neo¬classical tradition. This is not to say that Russian painters and writers were necessarily Marxist. Rather they inevitably mirrored the travail of a society groaning beneath the yoke of a tsarist autocracy incapable of effecting Russia's passage into the mainstream of bourgeois economic, political and cultural development.
The author of the main work leading to the founding of the Russian realist school, The Aesthetic Relation of An to Reality, was Nikolai Chernyshevsky, better known among revolutionaries for his seminal novel What Is To Be Done?, which so profoundly moved and influenced a generation of Russian revolutionaries, Lenin among them. Chernyshevsky's belief that it was necessary to forestall "the accusation that art is an empty diversion" through imbuing it with social content was characteristic of the radical intelligentsia.
Thus the "Wanderers" grouping of artists founded under Chernyshevsky's influence in 1870grew along lines strikingly similar to those of overtly political groupings. Many of its members, like the Populists, "went to the people" and elevated the Russian peasant, mired in his immemorial priest-ridden backwardness, as hero of the new art. Wealthy Slavophile merchants supported artistic colonies (Abramtsevo and Talashkino) whose residents sought inspiration in a William Morris-ish arts-and-craftsy revival of moribund Byzantine tradition or the primitive folk art of lubok (chapbook) woodcuts.
Around the turn of the century a symbolist school arose influenced by the fin-du-siecle "decadents" of the West. Although reflecting the increasing cultural sophistication of their patrons, such artists as Viktor Borrisov-Mussatov succeeded only in producing yet paler copies of the already effete Puvis de Chavannes, elegiac paintings of abandoned country mansions and empty-gazed demoiselles—works which with hindsight one is tempted to assert expressed (like much of Chekhov) the consciousness of a merchant/ landholding gentry lacking an historic future. And art-for-art's-sake withdrawal from social concerns also arose, partly reflecting Russian artists' sense of futility at the intelligentsia's failure to transform society by literary means.
This "World of Art," centered around the multi-talented Aleksandr Benois, nonetheless laid the foundations for future developments, mounting a series of exhibitions that introduced contemporary European art to Russian painters and young Russian artists to a wider public.
The Great Experiment
The first expressions of the coming breakthrough appeared between 1905-1917, with the rise of a gifted and innovative younger generation of painters. Their openness to experimentation, derived partly from the German expressionists and French cubists, arose also from the sudden sense of release generated even in defeat by the great proletarian upsurge of the 1905 Revolution. (See "Before 'Socialist Realism' in the Soviet Union," W&R No. 13, Winter 1976-77, for a discussion of this burst of creativity in other artistic areas, notably dance and theater.)
This feeling that the whole anachronistic edifice of tsarism was crumbling inspired in these artists a will to radically reshape art and its relation to society. Seeking through scientific inquiry into the interaction of planes, volumes, color, overall structuring of the canvas and their effects on the viewer to discover laws inherent to art, they rejected the naturalistic tradition (in which even cubism remained based). This was the program that, despite factional differences, united the Russian avant-garde right down to their repression by the Stalinist bureaucracy. Hence the rationalism of this art, its tendency toward a radical geometricizing simplification.
The art of the Russian avant-garde thus to an extent anticipated the revolution to whose ideals it lent expression: a fundamental faith in man's capacity to rationally reshape society, doing away with the material and intellectual compulsion springing from the anarchy and inequality of capitalist class rule. Nor is this so strange as it might seem: tsarism had only gotten away by the skin of its teeth. And successful revolutions, just because they are so deeply rooted in the needs of
society, tend to cast their shadow before them. Thus that severe archetype of French revolutionary art, David's Oath of the Horatii with its celebration of stoic bourgeois civic morality, was painted in 1784-85, a period in which a whole crop of masterpieces in fact appeared.
New York Times art critic Hilton Kramer commented on the Guggenheim show (New York Times Magazine, 11 October 1981):
"In Popova's oeuve, as in that of many other members of the Russian avant-garde, we first encounter a Cubist vocabulary that looks more or less familiar But then
something happens. A vision—mystical or political or, as was more often the case, some combination of the two—intervenes to alter the inherited vocabulary and set it on a new course, and we are suddenly confronted with forms, textures, ideas that owe little or nothing to the styles that set them on their way."
Unlike the anti-communist Kramer, whose puzzlement results from ideological blinders, we Trotskyists know what the "something" was that seemingly just "happened." It was the October Revolution. Kramer cannot admit its profoundly liberating effect upon society from top to bottom, because to do so would dispel the assiduously cultivated bourgeois myth that the proletarian triumph of 1917 was a Bolshevik putsch from above. But indeed this cultural explosion affected not just Popova but a host of young artists, all of whom just "happened" to make their creative breakthroughs in the crucial years 1917-18. One must look to the great bourgeois upheavals—the Italian Renaissance, the French Revolution—for a parallel to this sort of artistic and societal self-confidence.
The Guggenheim Exhibition
One came away from the powerful Guggenheim exhibit convinced of the viability of modernist "abstract" art. What is it about these paintings that produces so marked an effect? First there is the overwhelming vitality. This was a cultural explosion in the making, with an incredible variety of styles and techniques. Times critic Kramer has difficulty reining in his incredulity in the face of these artists' prescience: "Her" [Olga Rozanova's]untitled abstract painting of a vertical green stripe, dating from 1917, was produced more than 30 years before the American painter Barnett Newman began work on the paintings of a very similar design that won him a place of renown— Ivan Kliun
.vividly anticipated more recent developments—in this case, the kind of Minimal Art...that enjoyed a great vogue in the 1960s."
The problems being confronted here are those which non-objectivist painters have faced right up to the present, while the solutions advanced by the Russians are both elegant and convincing. These paintings really work. They convey a sense of life and vitality, the result of a concern for painterly texture and the most subtle color gradations. Virtually all these artists cultivated a bright palette that, along with the sheer elegance of their works, their clarity and subtlety of structure, the sense of artistic problems being met and solved, makes them the tangible conveyors across 60 years of the vigor, hope and optimism of revolutionary Russia.
The large number of women artists in the Guggenheim exhibit is itself a powerful index. Kramer comments:
"The Russian avant-garde was the only art movement of its kind in which the achievements of women were unquestionably equal to those of their male colleagues, a circumstance that appears to owe more to the enlightened attitudes of the pre-Revolutionary liberal intelligentsia than to any measures initiated by the Soviet regime after the Revolution."
Kramer's liberal banalities beg the question. But the fact remains: the only artistic movement in which women were, in Kramer's words, "unquestionably equal" was associated with the only proletarian revolution in history. In the atmosphere of the triumphant Revolution women, many of whom might have remained Sunday painters, their art an ornament on their role as dutiful mothers, had the confidence to devote themselves wholly to art. For every Natalia Goncharova, well-known before the Revolution, there are a half dozen who were unknown at its outset and who would, without its liberating effect, in all likelihood have remained so.
The Bolsheviks and Art
What the Bolsheviks did after 1917 was basically to provide the material/organizational framework and then leave artists and writers to work out artistic problems on their own. In the face of decades of bourgeois propaganda to the contrary, it cannot be sufficiently stressed that this was the standpoint of literally all authoritative Party leaders. Trotsky's "Communist Policy Toward Art" thus simply voices the standard attitude:
"Art must make its own way and by its own means. The Marxian methods are not the same as the artistic. The party leads the proletariat but not the historic processes of history. There are domains in which the party leads, directly and imperatively. There are domains in which it only cooperates. There are, finally, domains in which it only orients itself. The domain of art is not one in which the party is called upon to command. It can and must protect and help it, but it can lead it only indirectly...."
Anatoly Lunacharsky, head of Narkompros, the People's Commissariat for Enlightenment, and thus directly in charge of cultural affairs, held identical views: "Of course the state does not have the intention of imposing revolutionary ideas and tastes upon artists. Such compulsion could result only in fake-revolutionary art, since the prime requisite of genuine art is the honesty/sincerity of the artist" ("Revolution and Art," October 1920).
Lunacharsky sought to prevent the dominance of any one artistic clique, which meant above all in post-1919 Russia combatting the influence of the "Proletkult," led by one-time God-seeker and now arch-workerist Bogdanov. Against the Proletkult insistence that art be immediately relevant and comprehensible to Russia's incredibly backward masses (a movement which fed straight into Stalinist "socialist realism"), Lunacharsky insisted "... we cannot adapt our literature to the low cultural level of the broad masses of peasants or even to that of the workers themselves. This would be a mammoth error." Like Trotsky, he refused to accede to the workerists' obscurantist rejection of all past art as simply "bourgeois' insisting that "new proletarian and socialist art can be built only on the foundation of all our acquisitions from the past." This debate mirrored the crucial battle being waged by Lenin and Trotsky, in war-ravaged and starving Russia, for the need to learn to develop and wield the techniques of advanced capitalist production, as against the primitive and Utopian sloganeering of groups like the "Workers Opposition."
Of course, for many members of the Russian avant-garde, such was the attractive power of the Bolshevik-led transformation of society that pure art was not enough. Many became Agitprop artists, creators of revolutionary posters and decorators of the brightly-painted propaganda trains that brought the message of liberation to the farthest reaches of the Soviet Union. Essentially these artists' task was political propaganda, attempting first of all to raise the political, and not primarily the artistic, consciousness of their viewers. Another group of artists, at the Institute of Artistic Culture founded by Kandinsky sought to create an overall environment in which the most everyday objects (the ubiquitous Russian tea service, textiles, chairs, clothing, Popova's elegant designs for cigar and cigarette cases) would have worked along with a new architecture and constructivist theater to educate and raise the taste and perceptiveness of Russia's culturally deprived masses. The intention was not a debased "proletarian" art a la Proletkult, but to create the conditions for a classless art, as the workers overcame their decades of material and cultural want, and the achievement of plenty allowed the attainment of socialism.Still many avant-garde artists in post-Revolution
Russia eschewed any effort at direct political relevance. In the scant decade from the October Revolution to the consolidation of Stalinist bureaucratic rule in the late '20s, many Russian artists felt themselves, for the only time in their history, free to devote themselves to art pure and simple, without the imperative need to voice an overt social message. Yet in the manner that great art captures the social matrix from which it springs/ the works of these artists are imbued with optimism and are animated by the hopes of an entire society.
Stalinist Degeneration
What happened instead was the bitter disappointment of those hopes: Stalinist degeneration, the result of the conjuncture of Russian backwardness with the devastation first of World War I and then the civil war, plus—critically—the failure to extend the revolution to advanced Europe, as in Germany in 1923. The work of the avant-garde artists began to disappear from public view, just as the Bolshevik opposition to Stalin disappeared from view. The artists were fortunate even to survive.
That supreme genius of abstraction, Kasimir Malevich, was reduced in the '30s to painting sacchar¬ine landscapes and insipid portraits of smiling village maidens. One can imagine the despair and self-loathing with which this artist must have had to contend. Such surviving members of the Russian avant-garde as Costakis was able to meet in the late '40s and '50s were then either bitter or demoralized. This is not the least of the crimes of the Stalinists: the deliberate destruction of a whole generation of outstanding painters and writers, the transformation of "socialist" (as in "socialist realism") into a term of opprobrium among artists. Under tsarism Russian art and literature had suffered profoundly from the compulsion to make social, not artistic, concerns central. Today, in the deformed and degenerated workers states under the rule of a parasitic bureaucratic caste, any work of art or literature that does not confront this central problem—the need to oust the usurping bureaucracy— is felt to be inherently mendacious. It lies by omission, the artist knows this, and it shows in his work. For literature this has meant that virtually the sole genre open to serious Soviet writers is satire, for which the opportunities certainly are legion. But even here the works, with a few exceptions like Voinovich, tend to be heavy-handed and obvious, like Aleksandr Zinoviev's aptly named The Yawning Heights. They too are massively deformed, presenting a black-and-white view of society profoundly at odds with the multivalent complexity of great art: socialist realism with the plus and minus signs reversed.
Polish film director Andrzej Wajda's Man of Iron, currently being shown in the U.S., is a striking case in point. As a piece of hack propaganda for the clerical-reactionary Solidarnos'c', Man of Iron necessarily lies at its heart. It falsely portrays the movement which led to Solidarnos': as the continuation of previous working-class struggles against the Stalinist regime and celebrates the marriage of the workers and intellectuals as presided over by the Catholic church. Unlike the talented director's Man of Marble, a serious work of art probing the contradictions of post-war Polish society, Man of Iron expresses simply the anti-Communist lies of Solidarnos"— and not surprisingly, this has also severely hurt Wajda's art. As we said in Workers Vanguard: "Wajda rejected what Stalinism has done to truth and art, but Man of Iron embraces the lies of anti-Communism and of the church. Of Polish youth, he has said, 'People who are 20 today need to know, and to understand, why their parents are lying.' That is so. They also need to know why one of their leading artists cannot tell the truth" ("Man of Iron: The Gospel According to Solidarnos's"," WV No. 297, 22 January).
The Struggle for Socialism
It is essential to understand that something precious remains of the social gains, the great inspiring goals, which made the explosive, if brief, flowering of art in the Soviet Union possible. Despite its Stalinist degeneration and the line drawn in blood of revolutionaries and workers that separates it from the Soviet Union of Lenin, the USSR today still rests on the foundations of socialized property established by the working class when it took state power. That these foundations are in every sphere massively undermined by the Stalinist usurpers only heightens the urgency of the international working class taking up the defense and extension of this historic victory. To truly defend the socialized property forms of the USSR, and to drive the liberating force of authentic communism forward, it, is necessary to forge an international vanguard party of the proletariat to overthrow capitalism worldwide through socialist revolution and oust the Stalinist bureaucracies of the deformed workers states through political revolution.
It is of course impossible to say what forms art would take in a genuinely socialist society, one freed of bureaucratic misrule and building on the foundations of technological plenty, not the generalized want of Russia in the '20s—and not in a few countries surrounded by hostile imperialism, but in a world socialist order. Nonetheless it seems safe to predict that whatever its form, the art of a triumphant socialism will partake of the radiance and optimism so triumphantly captured by the Russian avant-garde in the short time granted it."
From The UJP Website- Defend Public Education On March 4th - A Guest Commentary
Click on the headline to link to the United For Justice With Peace Website for an announcement about the March 4, 2010 national campaign to defend public education.
*The Latest From The Partisan Defense Committee- Free Mumia- Free All Class War Prisoners!
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Wednesday, March 03, 2010
In Honor Of The 91st Anniversary Of The Founding Of The Communist International-From The International Communist League's Marxist Bulletin Series-War, Revolution and the Split in the Second International:The Birth of the Comintern (1919)
War, Revolution and the Split in the Second International:
The Birth of the Comintern (1919)
by George Foster New York, 14 June 1998
This class series will attempt to take to heart comrade Lenin's injunction in "Left-Wing" Communism: rather than simply hailing soviet power and the October Revolution, the real point is to study the experience of the Bolshevik Party in order to assimilate the lessons and international significance of October. The Italian Marxist Antonio Gramsci observed that our capacity to understand the world— and he was referring to class society in particular—is in direct proportion to our ability to intervene in it. And as comrade Robertson recently observed, the lessons of the October Revolution and the Communist International have for us Marxists a very deep validity. They mark the high point of the workers movement, to be contrasted with the current valley in which we today find ourselves situated. This class will consider the First Congress of the Third International which took place in March 1919, in the midst of a civil war in which the October Revolution was fighting for its very life.
The story of the First Congress is mainly the story of the struggle to forge a new revolutionary international following the ignominious collapse of the socialist Second International on 4 August of 1914. It is above all the story of the struggle by Lenin's Bolsheviks to turn the battle against the first imperialist war into a civil war to abolish the capitalist system.
Younger comrades in particular have real difficulty grasping the enormous and traumatic impact of World War I on the bourgeois societies of the time and on the proletariat. From the end of the Franco-Prussian war [1870-1871] until the onset of the first imperialist war, a period of some 43 years elapsed in Europe without a major war. Most of the imperialist combatants who embarked on the First World War assumed it would be very short. The British bourgeoisie in particular was hoping that its rivals on the continent would mutually exhaust each other in a bout of bloodletting and, indeed, looked forward to the war. But it didn't turn out to be a short war.
The war dragged on for over four years. Millions upon millions of proletarians were slaughtered in a war to re-divide the world amongst the various contending imperialists, a war to see who would get how much loot and how much booty. To quote General Sherman: "war is hell." But, if war is
hell, World War I stood out in its grotesque brutality. WWI was fought mainly as a war of attrition, of trench warfare, of bankrupt strategies reflecting the complete bankruptcy of bourgeois society. It was a war in which the proletariat and even the scions of the bourgeoisie were cut down and slaughtered in enormous numbers. For example, the Prussian Junker class was, at the end of the war, a shadow of its former self. Likewise the war decimated the sons of the British ruling class.
To give you an example of the brutality of the situation, in 1916 there was a small salient of the German line projecting into the Entente lines in Belgium at a village called Ypres. The British general in the sector, Sir Douglas Haig, decided to straighten out this little pocket disturbing the geometrical regularity of his front. Over the space of three or four days he lost something like 600,000 men in this endeavor, which did not in any way alter the sanguinary stalemate.
At the beginning of the war there was only one significant republic in continental Europe and that was France. By the end of this war, the face of Europe had changed. Three empires—tsarist Russia, the Hapsburgs of Austria-Hungary and the Hohenzollern empire of Germany—disappeared from the political map to be replaced by various republics. So it was a very big change. I highly recommend to comrades two books. One is Carl Schorske's book, German Social Democracy, 1905-1917, and the other is a book by Richard Watt, a British chemist who wrote history in his spare time, called The Kings Depart.
The ignominious capitulation of the Second International to the imperialist bourgeoisie during the first imperialist war marks the point at which the struggle for the Third International began and it was a struggle from the onset taken up by the Bolsheviks. To understand the Third International and Bolshevism, which went through its final forging in its revolutionary struggle against the first imperial¬ist war, some remarks are in order about the Third International's predecessor, the Second International, about its origins and history and its collapse.
Going back over that history one is struck by an observation made by Jim Cannon about the early, pre-communist socialist movement in the U.S. In The First Ten Years of American Communism, Cannon observed that it took the Bolsheviks and the Communist International to clarify and settle a whole series of political and organizational questions that had bedeviled the movement—questions ranging from the counterposition between direct trade-union action versus parliamentarism to, in the case of the U.S., the black question. In a very real sense, Cannon's observation concerning the American socialists is more generally applicable to the Second International as a whole. That is, if you go back and you examine the history of the Second International, one gets a sense of participants who, in some sense, were sleepwalking.
It took the experience of the Bolsheviks, who had to deal with a wide spectrum of issues and conditions of work (such as the national question, trade-union struggle, legality versus illegality, work in parliament, Soviets, the 1905 mass strikes culminating in the Moscow insurrection), to really forge a new type of party that in its experiences had learned lessons that were valid for the entire workers movement in the imperialist epoch. And Bolshevism, it should be understood, was not born all at once but started as another party in the Second International and, indeed, a party which modeled itself after the preeminent party of the Second International, that is to say the German SPD.
Lenin makes the point that the Second International and the parties which constituted it were very much products of the pre-imperialist epoch, a period of protracted, organic capitalist growth and, as indicated, of peace among the major European powers. If the First International laid the foundation for an international organization of workers, for the preparation of the revolutionary attack on capital, the Second International was an organization, as Lenin remarked, whose growth proceeded in breadth at the cost of a temporary drop in revolutionary consciousness and a strengthening of opportunism in the party.
The SPD and Parliamentarism
The German Social Democracy itself underwent considerable change over these years. In February of 1881, in the period when the Social Democrats in Germany were outlawed by the Anti-Socialist Laws, Karl Kautsky wrote:
"The Social Democratic workers' party has always emphasized that it is a revolutionary party in a sense that it recognizes that it is impossible to resolve the social questions within the existing society.... Even today, we would prefer, if it were possible, to realize the social revolution through the peaceful road.... But if we still harbour this hope today, we have nonetheless ceased to emphasize it, for every one of us knows that it is a Utopia. The most perceptive of our comrades have never believed in the possibility of a peaceful revolution; they have teamed from history that violence is the midwife of every old society pregnant with a new one.... Today we all know that the popular socialist state can be erected only through a violent overthrow and that it is our duty to uphold consciousness of this among ever broader layers of the people." —quoted in Massimo Salvador!, Karl Kautsky and
the Socialist Revolution 1880-1938, p. 20 (Verso,
1979)
This was the young Karl Kautsky, at the beginning of his career as a Marxist. And by the way, both Kautsky and Bernstein, who were in a real sense the legates of Marx and Engels, were won to Marxism through Engels' work Anti-Duhring. It was the work which actually won key cadre of the Social Democracy to Marxism. Kautsky was to go on to become the editor of Die Neue Zeit, which was the theoretical paper of Social Democracy (and parenthetically, I would point out, he edited it longer than Norden edited WV) and became the preeminent German propagandist for Marxism for the whole period. In fact, he was known as the pope of Marxism and for a long time he was looked up to by Lenin and others as the embodiment of orthodox Marxism. Yet running through the orthodox Marxism of Kautsky was a strong parliamentarist thread which grew organically out of the conditions that the German party experienced.
As a consequence of the German Anti-Socialist Laws the SPD was outlawed from 1874 to 1886. Despite its illegality during this period, the Social Democracy managed to get about 9.1 percent of the votes in parliament. With the lifting of the Anti-Socialist Laws and the legalization of the party, the party began to grow. Notwithstanding some fits and starts the party began to experience a steady accretion of electoral support, both percentage-wise and in absolute numbers. This led the SPDers to think that German Social Democracy would simply grow organically. Some older comrades may remember that many years ago a comrade plotted three or four years of our growth and from that graph projected that by now we would probably have a billion members. Empirical reality rapidly shattered her illusion, but in the case of the SPD in that period, experience tended to confirm a steady pattern of growth.
A few scant years after the end of the Anti-Socialist Laws, Kautsky was putting forward a very different line from that of 1881. Very much influenced by Darwin and German biologists such as Haeckel, he postulated that socialism would be the natural evolutionary outcome of capitalism—that the working class would grow to be a larger and larger proportion of the populace, that through the votes of these workers, SPD representation would ineluctably grow in parliament and that inevitably Social Democracy would triumph. Kautsky, along with Bernstein, penned the Erfurt Program, a program that all comrades should take the time to read. It is the classic example of the minimum-maximum program of Social Democracy.
The Erfurt Program is also noteworthy for what it does not contain—it consciously avoided the whole issue of the state. Kautsky wrote the theoretical part of Erfurt and Bernstein the practical. By the way, in 1899, Lenin described the Erfurt Program as a Marxist document. But later, reconsidering it in The State and Revolution, and based on his experiences in the intervening period, he came to view it very differently.
Kautsky wrote a commentary on the Erfurt Program and in it he developed his central themes. One of them was the indispensability of parliament as an instrument of government in great states—for all classes—and, therefore, for the proletariat as well as the bourgeoisie and, secondly, for the need to win a majority of parliament, treating elections as the fundamental, strategic avenue to power for the labor movement.
Kautsky posed an indissoluble link between the conquest of state power and the conquest of a majority in parliament, between the defense of the technical importance of parliament and the impossibility of a Paris Commune-type state. He thought that the Social Democracy, its political and social struggles and use of parliamentary legislation for socialist purposes, constituted the very content of the dictatorship of the proletariat. As early as 1892 Kautsky writes:
"In a great modern state, [the proletariat, like the bourgeoisie, can] acquire influence in the administration of the state only through the vehicle of an elected parliament. Direct legislation, at least in a great modern state, cannot render parliament superfluous, [but can only represent a ramification of the administration. Hence the general thesis:] it is absolutely impossible to entrust the entire legislation of the state to it [direct legislation], and it is equally impossible to control or direct the state administration through it. So long as the great modern state exists..."
And notice there is no class character to this state:
"...the central point of political activity will always remain in its parliament. [Now:] the most consistent expression of parliament is the parliamentary republic."
—quoted in Massimo Salvador], ibid, pp. 35-36
And, therefore, the conquest of parliament was indispensable for Social Democracy. This was to be a signpost of German Social Democracy thenceforth, through the whole period up to the first imperialist war.
Now Wilhelm Liebknecht aptly termed the Kaiserine parliament a "fig leaf for absolutism." Germany at this time presented a strange combination of parliamentarism, with rather nominal powers, fronting for absolutist despotism ruling on behalf of German capital. This was reflected in the laws regarding suffrage. On a national level there was direct male suffrage. On the provincial level suffrage rights varied a lot, ranging from places like Prussia, which had a notorious three-class franchise system based on how much direct tax you paid, to some of the southern German states, which eventually had more or less direct suffrage, but were very short on proletarians and had large peasant populations.
It was clear that the German Social Democracy would have to contend on a parliamentary level if it were to be a political party in Germany, and it did so. During the years of the Anti-Socialist Laws, because the parliamentary fraction was granted immunity, it was relatively untouchable, and played a key role in leading the party. This early experience later played its part in reinforcing a tendency to fetishize parliament despite the fact that the Reichstag was impotent and could not compel the imperial government to answer to it. And on the provincial level it was downright bizarre to have parliamentary illusions, for example, if you look at the restricted suffrage in Prussia.
In the Prussian elections in 1913, the SPD got over 775,000 votes, some 28.3 percent of the total. But it only won ten seats in the Prussian parliament. In contrast the Deutsche Volkspartei, which received 6.7 percent of the votes, won 38 seats. The Free Conservative Party, with 2 percent, won 54 seats. The National Liberal Party, with 13 percent, won 73 seats. The Catholic Center Party, with 16 percent, won 103 seats and the German Conservative Party, with 14 percent, won 147 seats. How is this possible? The people who paid the top third in income tax got a third of the seats, etc. That was about 2 or 3 percent of the population. So, there is a certain level at which one's credulity is strained at the evident latching on very early to parliamentary cretinism.
The SPD and the State
Secondly, the SPD was clearly awed by the power of the German state and army. One gets the impression that the experience of the Anti-Socialist Laws resulted in an attitude of "Never again!" The party lived in real fear that it could be outlawed by a stroke of the Kaiser's pen. As the party accrued influence and organizational mass there was a corresponding reluctance to risk this organic growth by displeasing the powers that be. This sentiment went hand-in-hand with the conception of the SPD as the party of the whole class.
When, in 1875, the Marxian wing fused with the Lassalleans, the fusion was codified in the Gotha Program (basically a Lassallean program). When Marx penned his Critique of the Gotha Programmed, that critique was suppressed in Germany. It was suppressed by Rebel, Kautsky and Bernstein, because they were afraid it would provoke a split with the Lassalleans.
Likewise, when the Erfurt Program was penned, Engels wrote a very sharp criticism of it; you can read about it in The State and Revolution. Engels thought it was a very fine program, but the failure of the program to address the key issue of state power fundamentally compromised it. Engels opined that while it might be difficult to raise the demand for a democratic republic, that failure opened the door to politically disarming the party when it had to confront big revolutionary events. Engels' criticisms were suppressed to maintain unity with the opportunists and out of fear that their publication might expose the party to reprisals from the Kaiser's government.
During the life of the Second International, which was founded in Paris on the 100th anniversary of the French Revolution, 14 July 1889, the German Social Democrats were very hesitant to call any sort of May Day actions because they feared a strike in Germany on May Day would bring the government down on them. So, there was a very peculiar development of a sense of German exceptionalism, a feeling that things were going along swimmingly, the SPD was gaining in parliament, the organization was burgeoning. The mindset was that the party must at all costs avoid a premature confrontation with the bourgeoisie that could spell disaster. Tactical prudence was beginning to evolve into reformist adaptation.
Kautsky and others of the German Social Democrats were always concerned about a general strike because they thought it would be a one-shot proposition in the Kaiser's Germany. It would immediately lead to total confrontation with the bourgeoisie and either the proletariat would triumph or it would be smashed. And, since inevitably the SPD was gaining influence in parliament and expanding its press, trade-union organizations, and sporting groups and hundreds of other associations were growing, why wreck the inevitable march of progress toward socialism?
I have spent some time on the SPD's reformist adaptations because I would like to contrast it with the experience of the Bolsheviks. The Bolshevik experience was needless to say very different.
It's an old saw that "you learn something new every day." But sometimes what you learn is important. Gary Steenson in his book "Not One Man! Not One Penny!" German Social Democracy, 1863-1914 [University of Pittsburgh Press, 1981] reveals a little-known fact:
"One very unusual aspect of the socialist congresses in Germany was the presence at most of them of police officials. These men had the right to interrupt speakers who ventured into forbidden territory, and they could even cancel a session altogether if the discussion got too extreme. But the congressional participants themselves usually knew the allowable limits, and after the end of the antisocialist law, the police officials did not often intervene. Their presence was, nonetheless, a source of embarrassment for the SPD and should have been for the authorities also."
-p. 125
This submission to cop censorship is absolutely breathtaking, and accommodation to it reveals the deep reformist rot that infected the SPD. It should be contrasted with the comportment of the Bolsheviks who took their responsibility to revolutionary Marxism seriously. Commenting on what can be said and what must be said, in 1917 Lenin wrote:
"At times some try to defend Kautsky and Turati by arguing that, legally, they could no more than 'hint' at their opposition to the government, and that the pacifists of this stripe do make such 'hints'. The answer to that is, first, that the impossibility of legally speaking the truth is an argument not in favour of concealing the truth, but in favour of setting up an illegal organisation and press that would be free of police surveillance and censorship. Second, that moments occur in history when a socialist is called upon to break with all legality. Third, that even in the days of serfdom in Russia, Dobrolyubov and Chernyshevsky managed to speak the truth, for example, by their silence on the Manifesto of February 19, 1861, and their ridicule and castigation of the liberals, who made exactly the same kind of speeches as Turati and Kautsky." -Lenin, Collected Works [hereafter CW\ Vol. 23, p. 186
Clearly the SPD's many-years-long accommodation to police censorship played a significant role in its slide into social chauvinism when confronted by the revolutionary tasks imposed by the imperialist war.
The SPD's accommodation to bourgeois legality is all the more surprising given the very real repression the party experienced, particularly in its formative years. Liebknecht and Bebel, for example, opposed the Franco-Prussian war. For their efforts, they were thrown into prison for a couple of years. The party did face a situation of near illegality, even following the lifting of the Anti-Socialist Laws. Many, many people were arrested for crimes of lese majeste. SPDers were elected to parliament and when they got to Berlin found out their landlady had been told by the government not to rent them a place. Socialists were exiled, under old laws going back to 1850, to tiny provincial towns.
Kautsky summed up in 1888 what we have come to know as the social-democratic worldview when he wrote in A Social Democratic Catechism: "The Social Democracy is a revolutionary party, but it is not a party that makes revolutions...." The SPD's policy was one of revolutionary passivity, of waiting. Kautsky maintained that Social Democrats are not pacifists. The SPD would eventually prevail in parliament and if the bourgeoisie offers resist¬ance the Social Democratic workers would suppress them. But the question of the dictatorship of the proletariat was for Kautsky really a question for future generations
The rise of imperialism and the rise of opportunism go hand in hand. Early on, in the heavily peasant areas of south Germany, where the Social Democracy was weaker and where there were fewer proletarians, SPD representatives began to openly adapt to alien class pressures. These pressures reflected themselves nationally when, in 1895, Bebel and Liebknecht, over the vociferous objections of Kautsky, revised the Erfurt Program to "include a demand for democratization of all public institutions, to improve the situation in industry, agriculture and transport within the framework of the present social and state order."
Bernstein, who had lived for 20 years in exile in Britain, while there began to develop fundamental doubts on the possibility or necessity of proletarian revolution, doubts which he later systematized into a general revisionist assault on Marxism. Kautsky, since Bernstein was his good friend, temporized on launching a struggle against this revisionism.
However, eventually the battle was joined, with Kautsky, Luxemburg and Plekhanov weighing in very heavily against Bernstein (who was not handled in the party with kid gloves). Nonetheless, Bernstein and Kautsky both feared a split in the party. Kautsky hoped to ideologically defeat revisionism without a split, arguing that revisionism could be isolated and would cease to be dangerous. This generally was the approach of the Second International in the whole period leading up to the war.
I should mention, by the way, that Kautsky's deep but latent reformist streak found expression in the Second Congress of the Second International in Paris in 1890 when the issue of Millerandism came up. The French socialist politician Millerand had recently accepted a cabinet post in a bourgeois government. Kautsky led the charge against Millerand stating that it was absolutely impermissible to be a minister in a bourgeois government...except under "special circumstances." And the special circumstances were, for example, in the event of a war, where, say, the tsar invaded Germany. Only then, according to Kautsky, would a Social Democrat be compelled to join a government of the enemy class; only unity in defense of the nation made permissible that which in times of peace was impermissible!
Impact of the 1905 Russian Revolution
The 1905 Russian Revolution had an enormous impact on Germany, the class struggle in Germany, on the Social Democracy and on the trade unions. On the left of the party, Rosa Luxemburg saw 1905 through the lens of her experiences in Warsaw, where she went to participate in the revolution. For Luxemburg, the main lesson of the revolution was the efficacy of the mass strike as the road to revolution. She saw the mass strike as the chief instrument for realizing the revolutionary struggle of the proletariat. Through intervention in these struggles the socialists would win authority and lead the workers to victory. The assault on the capitalist power would not be through parliament, but through a series of convulsive strikes that would clean the party of revisionism and lead to the fall of capital. But while Luxemburg invested the mass strike and spontaneous action by the proletariat with great revolutionary import, she failed to grasp the significance of the Soviets and as well of the real rehearsal for October, the culmination of 1905, which was the Moscow insurrection.
Germany in 1905 experienced massive turmoil. There were thousands and thousands of strikes. There were numerous lockouts by employers. There were militant workers' demonstrations and street fighting between the workers and the police.
Under the impact of both Luxemburg and the events in 1905 in Germany and Russia, Kautsky was driven to the left. He certainly was among the most perceptive of the commentators on what was going on in 1905 in Russia from the outside. Both Lenin and Trotsky claimed Kautsky's analysis supported their views. Kautsky did, indeed, refer to what was going on in Russia as permanent revolution and stated that the unfolding of the revolutionary struggles in Russia turned out to be very different from what he had previously thought. Thus he wrote:
"The [Russian] liberals, can scream all they want about the need for a strong government and regard the growing chaos in Russia with anguished concern; but the revolutionary proletariat has every reason to greet it with the most fervent hopes. This 'chaos' is nothing other than permanent revolution. In the present circumstances it is under revolutionary conditions that the proletariat completes its own maturation most rapidly, develops its intellectual, moral, and economic strength most completely, imprints its own stamp on state and society most profoundly, and obtains the greatest concessions from them. Even though this dominance of the proletariat can only be transitory in a country as economically backward as Russia, it leaves effects that cannot be reversed, and the greater the dominance, the longer they will last.... Permanent revolution is thus exactly what the proletariat in Russia needs."
—quoted in Massimo Salvadori, op. cit., p. 102
Here he is speaking of permanent revolution in the sense of Marx's "Address to the Central Committee of the Communist League."
In January of 1906, Kautsky, basing himself on the experience of the Moscow insurrection, declared that it was now necessary to re-examine Engels' famous preface to Marx's Class Struggle in France, the text of which the German Social Democracy had so often used to justify its own legalism. The reformists had fixated on an observation by Engels that the epoch of barricades and street fighting was definitely over. But Kautsky said that the battle of Moscow, where a small group of insurgents managed to hold out for two weeks against superior forces, indicated that victorious armed struggle by the insurgents was possible because of the mass strike wave, of which he said too little was known in Engels' time. It was precisely the strike wave and struggles around it that had undermined the discipline of the army and those lessons were applicable, not only in Russia, but possibly throughout Europe.
Thus Kautsky swung quite far to the left. But he was still very nervous about a mass strike in Germany, which he thought could only be a one-shot affair—all or nothing. For its part, the German ruling class was also drawing its own class lessons from the events in Russia. The Kaiser thought that it might well be necessary to send an expeditionary force into Russia to rescue his fellow monarch, the tsar, and, as a corollary to that, the Kaiser certainly was planning to suppress the German Social Democracy.
The turmoil surrounding 1905 frightened many of Germany's SPD trade-union leaders. In the main they had a very clear position: "No mass strikes! Nothing out of the ordinary!" These bureaucrats feared that the street demonstrations and turmoil were pulling in unorganized workers who had low consciousness and would threaten the organized and above all orderly German trade-union movement. In May of 1905 in Cologne, the trade unions came out on record against the mass strike.
The stage was thus set for an open division between the party and its affiliated trade unions. At the Jena Congress, the party, under the impact of what was going on in Russia, adopted the mass strike as a political weapon in defense of suffrage rights and the right of association in particular. The mass strike was presented as a means of extending suffrage in places like Prussia and of defending the right of a Social Democratic party to exist and organize in the trade unions. This mass strike resolution carried overwhelmingly, by 287 to 14 votes.
One of those voting against the resolution was a man named Carl Legien who just happened to be the leader of the SPD's trade-union federation. He importuned the party leadership and on 16 February 1906, at a secret meeting of the party and trade unions, the party capitulated to the trade unions.
Basically, the trade unions said to the party: if there are to be mass strikes and the party can't prevent them, it is the party and not the trade unions who should lead them. The trade unions promised to sup¬
port the party to the extent they could, but the party was to bear the brunt not only of the responsibility for leading mass strikes, but also of paying for them.
The very next year in September of 1906, Bebel at the Mannheim Congress declared that without the support of the unions, mass strikes are unthinkable and Legien said "Ja! They are unthinkable!"
At Mannheim the party endorsed the deal cooked up at the earlier secret conference. Bebel, who wielded immense authority in the German movement, pushed the proposal through by a vote of 386 to 5. Among those voting for it were Kitschy, Rosa Luxemburg and Karl Liebknecht.
Following the events of 1905 there was a rise in German imperial ambitions. The German bourgeoisie reacted to 1905 with a great wave of chauvinist propaganda and in the 1907 elections the German Social Democracy got a really cold, wet rag smacked in its face. These were the so-called Hottentots elections and they were the first elections in which imperialist patriotism played a big role. In 1907, many of the petty bourgeois who had previously voted for the Social Democrats, didn't.
The percentage of the SPD votes didn't drop-very much in absolute numbers. It went from 31.7 to 29, but the number of SPD representatives in the Reichstag dropped from 81 to 43. At the time there were numerous political parties in Germany and thus provisions for runoffs if no party obtained a majority of the vote. The Social Democracy willy-nilly had been counting on a large number of petty-bourgeois votes.
In contesting for election in Germany, routinely the SPD had made blocs with the liberals. Where a Social Democrat didn't get in the runoff, SPDers were told to vote for the bourgeois progressive, and an appeal was made to the progressive voters to vote SPD if a socialist was in a runoff. Of course, Social Democrats, being disciplined, got many progressives elected. But following 1905, the progressives' bourgeois base would have nothing to do with these anti-patriotic reds and this bloc didn't work out so well from that standpoint.
The Social Democracy and Imperialist War
Turmoil growing out of events in Russia and the swell in imperialist and patriotic propaganda really drove the party leadership into frenzy. Thus the stage was set for erosion of the historic position of the SPD encapsulated in the slogan of Wilhelm Liebknecht of "not one man, not one penny."
Bebel started talking about being for national defense if Russia invaded Germany and, believe me, the Russian question was as big a bugaboo in Germany in this period as it was in America in the Cold War period. Bebel made a speech in the Reichstag explaining when he would be a defensist, at the same time sugar-coating it with a denunciation of Prussian discipline, mistreatment of soldiers and financial burdens. He was followed by a SPDer by the name of Noske, who contested the accusation that Social Democracy was anti-national or anti-patriotic. Noske said that there is no accusation more unjustified than the claim that the SPD wanted to undermine the discipline of the army. Where in Germany except in the army is there greater discipline than in the Social Democratic Party and the modern trade unions?
"'As a Social Democrat I agree with the honorable Minister of War when he declares that German soldiers must have the best arms.' Finally, he [Kautsky] proclaimed that the Social Democrats would repel any aggression against their country 'with greater determination' than any bourgeois party, that the SPD wanted Germany to be 'armed as well as possible,' and that 'the entire German people' had an 'interest in the military institutions necessary for the defence' of the 'fatherland'."
The quote is from Massimo Salvadori's Karl Kautsky and the Socialist Revolution, 1880-1938, p. 119 (1938). Salvadori comments: "There could have been no more public funeral for the anti-militarist propaganda preached by [Karl] Liebknecht."
The party had begun to polarize into an incipient center, a left wing and a very insidious right wing. Karl Liebknecht had become the bete noire not only of the right wing but also of some of the center of the party with the publication of his book Militarism and Anti-Militarism, and for his efforts to organize an anti-militarist youth organization. In fact, Liebknecht's book earned him almost two years in prison—apropos the point about the reality of life in the Kaiser's Germany.
By the way, one must say that aside from Die Neue Zeit, which received a lot of criticism because it contained articles having nothing to do with Germany, German Social Democracy was very provincial in its views. It tended to concern itself mainly with domestic issues.
By 1910, the German Social Democracy panicked before the bourgeoisie's patriotic propaganda offensive. Some SPDers began to entertain the proposition that since they had always been for an income tax, the SPD should therefore support the direct tax, even though the purpose of the direct tax was to raise money for the war budget. The party pulled back from that position, but by 1912, when the party was really in a panic about regaining what it had lost in the elections, operationally it had moved very, very far to the right.
When the issue of the direct tax came up again in 1913 the Kautsky center gave critical support to the social-chauvinists on this issue. Rosa Luxemburg said that if Kautsky urged his followers to vote the direct tax, in a year they would be voting war credits. She was absolutely prophetic in that. When war came on 4 August 1914, the German party, which was the biggest party of the international, capitulated and voted war credits, betraying socialism. Nearly all parties of the Second International from the various belligerent countries followed suit with the honorable exceptions of the Russians, the Italians, the Serbs and, ultimately, a few Germans.
The Second International, to which the SPD was affiliated, was not an international in the Leninist sense. The war revealed it to be an international in little but name, more akin to a bunch of socialist pen pals.
That political rot which precipitated out on 4 August 1914 did not fall from the sky but grew, organically if you will, within the SPD. And there were premonitions of the problems which manifested themselves at earlier Second International congresses.
Thus, the Stuttgart Congress of 1907 actually debated whether there could be a socialist colonial policy. There was a commission in which the majority called for exactly that. That proposal by that commission was only narrowly defeated, by a vote of 128 against 108, with 10 abstentions. It was a near thing. Commenting on it, Lenin said that vote had tremendous significance. First, socialist opportunism, which capitulated before bourgeois charm, had unmasked itself plainly, and, secondly, there became manifest a negative feature of the European labor movement, which is capable of causing great harm to the proletariat.
Half of the SPD delegation at Stuttgart was made up of trade unionists and maintained the position of trade-union independence. And, then, of course, the war question also came up. If you read the Stuttgart resolution on the war, and the subsequent ones culminating in the Basel Manifesto, they all speak about how, to combat war amongst the capitalist powers, the proletariat should use whatever means are at its disposal when necessary.
Lenin objected to the slogan of a mass strike against war. How the proletariat is to conduct the struggle against war depends upon the particular conditions it confronts. Answering a war, he says, depends on the character of the crisis which a war provokes—the choice of means of struggle is made on the basis of these conditions. But the Germans really wanted any reference to any strike action against war deleted, because they opposed anything that would commit them, even on paper, to such a course.
Lenin in contrast stressed that the key thing about the resolution on war and peace was that the struggle must consist in substituting not merely peace for war, but socialism for capitalism. "It is not a matter of preventing the outbreak of war, but a matter of utilizing the crisis resulting from the war to hasten the overthrow of the bourgeoisie." And he, Rosa Luxemburg and, I believe, Martov blocked to amend a resolution by Bebel (which was a very orthodox resolution) because it was possible to read the orthodox postulates of Bebel through opportunist glasses. So Lenin and Luxemburg amended the resolution to say that militarism was the chief weapon of class suppression, to say that agitation among the youth was necessary and indicated, and, third, that the task of the Social Democrats was not only struggle against the outbreak of war, or for an early termination of war which had already broken out, but also to utilize the crisis caused by the war to hasten the downfall of the bourgeoisie.
When war broke out in Europe in August 1914, it found Lenin in Galicia. He couldn't believe the SPD had voted for war credits, thinking it must be police propaganda.
After he managed to make his way back to Switzerland, Lenin's course was set. He and his comrades embarked on an implacable struggle for a new revolutionary international to replace the Second International, now fatally compromised by social chauvinism. The central issue was that the world war was an imperialist war, and that the answer to this war was not "peace," or "no annexations," or "the right of self determination of all nations," but, in fact, to turn this imperialist war into a revolutionary civil war against the bourgeoisie, for socialism.
The war disrupted the Second International for a while, but shortly various national parties, each aligned with its own bourgeoisie, held "antiwar" congresses. First the Entente "socialists," then the central powers "socialists" met. This was followed by the Copenhagen Congress of neutral "socialists." The Bolsheviks at first were not inclined to participate in the Copenhagen Congress because of its demands: peace, no annexations, courts of arbitration and disarmament. But on reconsideration, the Bolsheviks attended Copenhagen to raise five points: socialists out of bourgeois cabinets, no vote for war credits, fraternization of troops, for civil war against the imperialist war, and for illegal organizations that organize for revolutionary propaganda and actions among the proletariat in the struggle for the Third International.
Forging the Third International
It was in the struggle against the social chauvinists and centrists that the Bolsheviks finally hammered out the key points of their international and political and organizational program. To do so it was necessary to swim against a raging stream of social chauvinism. Zinoviev says:
"It was in a manifesto on the arrested Bolshevik Duma fraction that we first advanced the slogan of turning the imperialist war into civil war. At that time, in the camp of the Second International, we were regarded literally as lepers. When we stated that this war had to be turned into a civil war, a war against the bourgeoisie, they seriously began to suggest that we were not quite right in the head."
The first international conference that pulled together socialists from various belligerent countries was, in fact, an international women's conference organized in Switzerland by Clara Zetkin. The Bolsheviks intervened and were voted down. That conference was followed by an international youth conference which also voted down the Bolshevik proposals.
It was only at the Zimmerwald Conference that the Bolsheviks were able to come forward as a weak minority—but a minority which was to become the nucleus of a new Communist Third International. At that conference Ledebour (who was one of the German center) confronted Lenin: "Civil war to end the imperialist war? Well, Lenin, go to Russia and try it there. It's pretty easy to say this in Switzerland." In the Second International all these centrists and chauvinist wiseacres proclaimed that all the Russian workers supported the war and that no one supported the Bolsheviks. During the period of 1915-1916 the Bolsheviks remained an insignificant minority. It was only in 1916 that they began to reestablish real and significant links in Russia.
Lenin was absolutely implacable in hammering on the issue of the imperialist nature of the war and the revolutionary task it demanded. His key point was that the greatest danger to the proletariat and to the chance of revolution were the centrists, with their flowery conceits and illusions.
Take Kautsky, for example. Kautsky had not been a member of the German parliamentary fraction, but he was such a doyen of the party that he was invited to the meeting where they voted war credits. Kautsky had planned to suggest abstention, but when it became clear there was going to be no abstention, he said, fine, let's vote for the war credits and state that our condition is no annexations, blah, blah, blah. Well, the German chancellor Bethmann-Hollweg said, that's a good resolution. Let's just take this part out about no annexations. And that was what happened.
Liebknecht originally went along, as a disciplined member of the party, with the vote, but broke immediately thereafter. Once the war began in earnest Kautsky argued it was a war of defense for Germany. In an incredible exercise in muddle-headed obfuscation he argued it was, as well, a war of defense for the French, the Belgians and the British. After all, Social Democrats are not anti-national and can't present themselves to the nation as anti-national. His conclusion—the International is really a peacetime organization! After the war, everyone would get back together! So, to justify his support to voting for war credits, he supported the votes of all Social Democrats for "self-defense."
As the war progressed it became more hideous. And the fighting lasted far longer than anyone had imagined. Social tensions began to rise and the bourgeoisie and the centrists began to get nervous. By 1917 a turn occurred. The war had run its course. Germany had grabbed a fair chunk of territory. None of the combatants had the capacity to squeeze much more blood or sweat out of the proletariat. The Germans were beginning to think they had a chance to split Russia off from Britain and France and do a separate deal.
Kautsky began to worry about the news from the front—that everybody in the trenches supports Liebknecht. Liebknecht had made a famous speech against the war. For his troubles he had been drafted into the army out of parliament and then imprisoned. Luxemburg was arrested soon after Liebknecht. The centrists began to calculate that they were losing their influence. Thus, Kautsky and company began to redouble their offensive for "peace" and broke off from the official Social Democracy to form an independent party.
Lenin's struggle against the war meant not simply struggle against the centrists outside the party, but inside as well. Some Bolsheviks, exemplified by Bukharin's Bogy group, were seduced by the siren peace songs of the centrists. Bukharin and his co-thinkers also had a position against the right of self-determination for nations during the war, because, according to them, the imperialist war had rendered all such questions irrelevant. Lenin characterized this position as a caricature of imperialist economism.
It is very interesting to consider Trotsky's role in the struggle against the social chauvinists. He of course had a solidly internationalist position of opposition to the war. But until quite late in the war Trotsky rather quixotically conciliated various centrists. At times he sought out political blocs with the Mensheviks and for a brief period even hoped to obtain Kautsky's collaboration in the struggle against the war. For these reasons Lenin subjected him to some very harsh criticisms.
Forging the Bolshevik Party
The programmatic intransigence of Lenin laid the foundation for the struggle for October. In this regard let's examine the period of the Bolshevik Party from 1912 to 1914, and contrast it to the evolution of the German Social Democracy. There are three key periods of struggle in the development of Bolshevism: 1895 to 1903 against economism, from 1903 to 1908 against the Mensheviks, and from 1908 to 1914 against the liquidators. The liquidators were the Mensheviks of various stripes and origins who wanted a legal labor party in Russia. Given the conditions in Russia, Lenin made the point that such a party could not be a Marxist revolutionary party.
Certainly Lenin's experience with the German Social Democracy in the Second International in this period was not exactly positive. The SPD-dominated International tried a number of times to foist unity on the Russian Marxists and it was fairly clear from the get-go that Kautsky in particular, like most of the SPD leadership, viewed Lenin as an incurable sectarian enrage.
The Germans were really pro-Martov; they wanted to enforce unity. The last effort at unity was in 1913-14, when the International demanded that all the Russian Marxists get into one room in front of a commission of the International and take steps to unite into one big party. And, by the way, the German Social Democracy also had its fingers on the purse strings of a lot of the money that the Russian Bolsheviks and Mensheviks had.
I really enjoyed reading about this conference. Lenin chose Inessa Armand as the Bolshevik representative. Armand was a very elegant and cosmopolitan woman, who spoke several languages, was intelligent, politically hard, and diplomatic. Following Lenin's instructions she told the conference that the Bolsheviks were in favor of unity, however, that unity had conditions attached to it.
"1. All-party resolutions of December 1908 and January 1910 on liquidationism are confirmed in a very resolute and unreserved manner precisely in their application to liquidationism. It is recognized that anyone who writes (especially in the legal press) against 'commending the illegal press' deserves condemnation and cannot be tolerated in the ranks of the illegal party. Only one who sincerely and with all his strength helps the development of the illegal press, of illegal proclamations and so forth, can become a member of the illegal party."
It goes on:
"3. It is recognized that the entry of any group of the Russian Social Democratic Labor party into a bloc or union with another party is absolutely not permissible and incompatible with party membership." —Ganken and Fisher, The Bolsheviks and the World
War, pp. 120-121 (Stanford University Press,
1940)
Bundism is to be condemned; it is incompatible with membership; national and cultural autonomy, this again, contradicts the party program; and the failure to recognize the resolutions of the party on that is incompatible with party membership. When Inessa Armand presented these conditions, her presentation was considered the worst of manners from the standpoint of all these Second International Social Democrats. How could the Bolsheviks act like this?
In fact, the reality on the ground in Russia was that there was one Russian Social Democratic Workers Party that mattered, and it was the illegal party of Lenin and the Bolsheviks. By the time that the international was trying to engineer unity among the Russian factions the Bolsheviks had about 80 percent of the active proletariat, in terms of their support, and correspondingly in press circulation.
The influence of the Bolsheviks amongst the Russian proletariat was initially undercut by the outbreak of the war, and indeed the war sharply undercut a rising tide of worker militancy in a number of countries, including Germany and Britain. One of the subsidiary reasons why the various bourgeoisies were not averse to embarking on imperialist war was that they thought it would quench class struggle at home.
The road of development of Bolshevism spans nearly a decade and a half. The fundamental point of this talk is that the October Revolution would not have been possible without the program and the tactics elaborated by the Bolsheviks in the struggle for the Third International and against imperialist war. For it was on the rock of the war that Menshevism, tying itself to the bourgeoisie, broke its neck. Because of the war, once the revolution broke out in Russia there was no room for a formulation akin to the "democratic dictatorship of the proletariat and the peasantry." In fact, the task that had been set in motion by the outbreak of World War I was that of civil war of the proletariat for socialist revolution.
Lenin's key three works of this period, Imperialism, The State and Revolution, and The Proletarian Revolution and the Renegade Kautsky, were polemics against the center, internationally, in Social Democracy. In the heat of battle, in Russia and across Europe, when the founding of the Third International took place, it was not easy to get delegates to Moscow, and most of those who turned up were people who either were lucky and made it through or happened to already be there. The delegates to the First Congress were thus necessarily a somewhat eclectic collection of parties and individuals. But it was an historic affirmation of the years of previous struggle and above all of the actual creation of the dictatorship of the proletariat embodied in Soviets. The key resolution at that Congress was, indeed, an upholding of the dictatorship of the proletariat.
Kautsky spent the last 20 years of his life as an embittered, anti-Soviet Social Democrat, an apostle of bourgeois democracy, blaming all ills, including German fascism, on Bolshevism. Lenin, for his part, recognized the real issue which the Third International had to turn its attention to and that was the spreading of the October Revolution to other places. I wanted to quote something that he wrote in October of 1918, which I think kind of gives a measure of him as a revolutionist. If you look in the volume that has The Proletarian Revolution and the Renegade Kautsky, there is, earlier on, a very short piece by the same name and in it Lenin notes:
"Europe's greatest misfortune and danger is that it has no revolutionary party. It has parties of traitors like -the Scheidemanns, Renaudels, Henderson’s, Webbs and Co., and of servile souls like Kautsky. But it has no revolutionary party.
"Of course* a mighty, popular revolutionary movement may rectify this deficiency, but it is nevertheless a serious misfortune and a grave danger.
"That is why we must do our utmost to expose renegades like Kautsky, thereby supporting the revolutionary groups of genuine internationalist workers, who are to be found in all countries." -CW, Vol. 28, p. 113
It was that task that the founding of the Third International took up.
The German delegation of the newly fledged Communist Party arrived in Moscow with a mandate (adopted before the Spartacus uprising) to oppose the launching of a Third International, because the German Communists could not yet break themselves from the conception of the party of the whole class. They still were mesmerized by the possibility of some sort of unity with various centrists and thought the formation of a new international premature. The German delegation was actually talked out of this position while in Moscow.
That was crucial. It had been a long and difficult struggle, but the banner of international proletarian revolution, besmirched by Social Democracy in 1914, was planted at this founding conference. Its key programmatic element, the dictatorship of the proletariat based on soviet power, was asserted. The struggle to forge new revolutionary parties was launched.
The new parties which adhered to the banner of October reflected a generational split. It was the young workers who had gone through the war who were to become the base of the new International. It was the older workers who tended to stay behind with the Social Democracy. Certainly our tasks today have obvious parallels. The sine qua non is to build parties of a Bolshevik type, to forge an international, and to contest for proletarian power and that really is the only road to new October Revolutions, which is what this class is all about.
Summary following discussion
Markin comment- I have not republished the summary here as there is no context for the statements made during the course of the discussion.
The Birth of the Comintern (1919)
by George Foster New York, 14 June 1998
This class series will attempt to take to heart comrade Lenin's injunction in "Left-Wing" Communism: rather than simply hailing soviet power and the October Revolution, the real point is to study the experience of the Bolshevik Party in order to assimilate the lessons and international significance of October. The Italian Marxist Antonio Gramsci observed that our capacity to understand the world— and he was referring to class society in particular—is in direct proportion to our ability to intervene in it. And as comrade Robertson recently observed, the lessons of the October Revolution and the Communist International have for us Marxists a very deep validity. They mark the high point of the workers movement, to be contrasted with the current valley in which we today find ourselves situated. This class will consider the First Congress of the Third International which took place in March 1919, in the midst of a civil war in which the October Revolution was fighting for its very life.
The story of the First Congress is mainly the story of the struggle to forge a new revolutionary international following the ignominious collapse of the socialist Second International on 4 August of 1914. It is above all the story of the struggle by Lenin's Bolsheviks to turn the battle against the first imperialist war into a civil war to abolish the capitalist system.
Younger comrades in particular have real difficulty grasping the enormous and traumatic impact of World War I on the bourgeois societies of the time and on the proletariat. From the end of the Franco-Prussian war [1870-1871] until the onset of the first imperialist war, a period of some 43 years elapsed in Europe without a major war. Most of the imperialist combatants who embarked on the First World War assumed it would be very short. The British bourgeoisie in particular was hoping that its rivals on the continent would mutually exhaust each other in a bout of bloodletting and, indeed, looked forward to the war. But it didn't turn out to be a short war.
The war dragged on for over four years. Millions upon millions of proletarians were slaughtered in a war to re-divide the world amongst the various contending imperialists, a war to see who would get how much loot and how much booty. To quote General Sherman: "war is hell." But, if war is
hell, World War I stood out in its grotesque brutality. WWI was fought mainly as a war of attrition, of trench warfare, of bankrupt strategies reflecting the complete bankruptcy of bourgeois society. It was a war in which the proletariat and even the scions of the bourgeoisie were cut down and slaughtered in enormous numbers. For example, the Prussian Junker class was, at the end of the war, a shadow of its former self. Likewise the war decimated the sons of the British ruling class.
To give you an example of the brutality of the situation, in 1916 there was a small salient of the German line projecting into the Entente lines in Belgium at a village called Ypres. The British general in the sector, Sir Douglas Haig, decided to straighten out this little pocket disturbing the geometrical regularity of his front. Over the space of three or four days he lost something like 600,000 men in this endeavor, which did not in any way alter the sanguinary stalemate.
At the beginning of the war there was only one significant republic in continental Europe and that was France. By the end of this war, the face of Europe had changed. Three empires—tsarist Russia, the Hapsburgs of Austria-Hungary and the Hohenzollern empire of Germany—disappeared from the political map to be replaced by various republics. So it was a very big change. I highly recommend to comrades two books. One is Carl Schorske's book, German Social Democracy, 1905-1917, and the other is a book by Richard Watt, a British chemist who wrote history in his spare time, called The Kings Depart.
The ignominious capitulation of the Second International to the imperialist bourgeoisie during the first imperialist war marks the point at which the struggle for the Third International began and it was a struggle from the onset taken up by the Bolsheviks. To understand the Third International and Bolshevism, which went through its final forging in its revolutionary struggle against the first imperial¬ist war, some remarks are in order about the Third International's predecessor, the Second International, about its origins and history and its collapse.
Going back over that history one is struck by an observation made by Jim Cannon about the early, pre-communist socialist movement in the U.S. In The First Ten Years of American Communism, Cannon observed that it took the Bolsheviks and the Communist International to clarify and settle a whole series of political and organizational questions that had bedeviled the movement—questions ranging from the counterposition between direct trade-union action versus parliamentarism to, in the case of the U.S., the black question. In a very real sense, Cannon's observation concerning the American socialists is more generally applicable to the Second International as a whole. That is, if you go back and you examine the history of the Second International, one gets a sense of participants who, in some sense, were sleepwalking.
It took the experience of the Bolsheviks, who had to deal with a wide spectrum of issues and conditions of work (such as the national question, trade-union struggle, legality versus illegality, work in parliament, Soviets, the 1905 mass strikes culminating in the Moscow insurrection), to really forge a new type of party that in its experiences had learned lessons that were valid for the entire workers movement in the imperialist epoch. And Bolshevism, it should be understood, was not born all at once but started as another party in the Second International and, indeed, a party which modeled itself after the preeminent party of the Second International, that is to say the German SPD.
Lenin makes the point that the Second International and the parties which constituted it were very much products of the pre-imperialist epoch, a period of protracted, organic capitalist growth and, as indicated, of peace among the major European powers. If the First International laid the foundation for an international organization of workers, for the preparation of the revolutionary attack on capital, the Second International was an organization, as Lenin remarked, whose growth proceeded in breadth at the cost of a temporary drop in revolutionary consciousness and a strengthening of opportunism in the party.
The SPD and Parliamentarism
The German Social Democracy itself underwent considerable change over these years. In February of 1881, in the period when the Social Democrats in Germany were outlawed by the Anti-Socialist Laws, Karl Kautsky wrote:
"The Social Democratic workers' party has always emphasized that it is a revolutionary party in a sense that it recognizes that it is impossible to resolve the social questions within the existing society.... Even today, we would prefer, if it were possible, to realize the social revolution through the peaceful road.... But if we still harbour this hope today, we have nonetheless ceased to emphasize it, for every one of us knows that it is a Utopia. The most perceptive of our comrades have never believed in the possibility of a peaceful revolution; they have teamed from history that violence is the midwife of every old society pregnant with a new one.... Today we all know that the popular socialist state can be erected only through a violent overthrow and that it is our duty to uphold consciousness of this among ever broader layers of the people." —quoted in Massimo Salvador!, Karl Kautsky and
the Socialist Revolution 1880-1938, p. 20 (Verso,
1979)
This was the young Karl Kautsky, at the beginning of his career as a Marxist. And by the way, both Kautsky and Bernstein, who were in a real sense the legates of Marx and Engels, were won to Marxism through Engels' work Anti-Duhring. It was the work which actually won key cadre of the Social Democracy to Marxism. Kautsky was to go on to become the editor of Die Neue Zeit, which was the theoretical paper of Social Democracy (and parenthetically, I would point out, he edited it longer than Norden edited WV) and became the preeminent German propagandist for Marxism for the whole period. In fact, he was known as the pope of Marxism and for a long time he was looked up to by Lenin and others as the embodiment of orthodox Marxism. Yet running through the orthodox Marxism of Kautsky was a strong parliamentarist thread which grew organically out of the conditions that the German party experienced.
As a consequence of the German Anti-Socialist Laws the SPD was outlawed from 1874 to 1886. Despite its illegality during this period, the Social Democracy managed to get about 9.1 percent of the votes in parliament. With the lifting of the Anti-Socialist Laws and the legalization of the party, the party began to grow. Notwithstanding some fits and starts the party began to experience a steady accretion of electoral support, both percentage-wise and in absolute numbers. This led the SPDers to think that German Social Democracy would simply grow organically. Some older comrades may remember that many years ago a comrade plotted three or four years of our growth and from that graph projected that by now we would probably have a billion members. Empirical reality rapidly shattered her illusion, but in the case of the SPD in that period, experience tended to confirm a steady pattern of growth.
A few scant years after the end of the Anti-Socialist Laws, Kautsky was putting forward a very different line from that of 1881. Very much influenced by Darwin and German biologists such as Haeckel, he postulated that socialism would be the natural evolutionary outcome of capitalism—that the working class would grow to be a larger and larger proportion of the populace, that through the votes of these workers, SPD representation would ineluctably grow in parliament and that inevitably Social Democracy would triumph. Kautsky, along with Bernstein, penned the Erfurt Program, a program that all comrades should take the time to read. It is the classic example of the minimum-maximum program of Social Democracy.
The Erfurt Program is also noteworthy for what it does not contain—it consciously avoided the whole issue of the state. Kautsky wrote the theoretical part of Erfurt and Bernstein the practical. By the way, in 1899, Lenin described the Erfurt Program as a Marxist document. But later, reconsidering it in The State and Revolution, and based on his experiences in the intervening period, he came to view it very differently.
Kautsky wrote a commentary on the Erfurt Program and in it he developed his central themes. One of them was the indispensability of parliament as an instrument of government in great states—for all classes—and, therefore, for the proletariat as well as the bourgeoisie and, secondly, for the need to win a majority of parliament, treating elections as the fundamental, strategic avenue to power for the labor movement.
Kautsky posed an indissoluble link between the conquest of state power and the conquest of a majority in parliament, between the defense of the technical importance of parliament and the impossibility of a Paris Commune-type state. He thought that the Social Democracy, its political and social struggles and use of parliamentary legislation for socialist purposes, constituted the very content of the dictatorship of the proletariat. As early as 1892 Kautsky writes:
"In a great modern state, [the proletariat, like the bourgeoisie, can] acquire influence in the administration of the state only through the vehicle of an elected parliament. Direct legislation, at least in a great modern state, cannot render parliament superfluous, [but can only represent a ramification of the administration. Hence the general thesis:] it is absolutely impossible to entrust the entire legislation of the state to it [direct legislation], and it is equally impossible to control or direct the state administration through it. So long as the great modern state exists..."
And notice there is no class character to this state:
"...the central point of political activity will always remain in its parliament. [Now:] the most consistent expression of parliament is the parliamentary republic."
—quoted in Massimo Salvador], ibid, pp. 35-36
And, therefore, the conquest of parliament was indispensable for Social Democracy. This was to be a signpost of German Social Democracy thenceforth, through the whole period up to the first imperialist war.
Now Wilhelm Liebknecht aptly termed the Kaiserine parliament a "fig leaf for absolutism." Germany at this time presented a strange combination of parliamentarism, with rather nominal powers, fronting for absolutist despotism ruling on behalf of German capital. This was reflected in the laws regarding suffrage. On a national level there was direct male suffrage. On the provincial level suffrage rights varied a lot, ranging from places like Prussia, which had a notorious three-class franchise system based on how much direct tax you paid, to some of the southern German states, which eventually had more or less direct suffrage, but were very short on proletarians and had large peasant populations.
It was clear that the German Social Democracy would have to contend on a parliamentary level if it were to be a political party in Germany, and it did so. During the years of the Anti-Socialist Laws, because the parliamentary fraction was granted immunity, it was relatively untouchable, and played a key role in leading the party. This early experience later played its part in reinforcing a tendency to fetishize parliament despite the fact that the Reichstag was impotent and could not compel the imperial government to answer to it. And on the provincial level it was downright bizarre to have parliamentary illusions, for example, if you look at the restricted suffrage in Prussia.
In the Prussian elections in 1913, the SPD got over 775,000 votes, some 28.3 percent of the total. But it only won ten seats in the Prussian parliament. In contrast the Deutsche Volkspartei, which received 6.7 percent of the votes, won 38 seats. The Free Conservative Party, with 2 percent, won 54 seats. The National Liberal Party, with 13 percent, won 73 seats. The Catholic Center Party, with 16 percent, won 103 seats and the German Conservative Party, with 14 percent, won 147 seats. How is this possible? The people who paid the top third in income tax got a third of the seats, etc. That was about 2 or 3 percent of the population. So, there is a certain level at which one's credulity is strained at the evident latching on very early to parliamentary cretinism.
The SPD and the State
Secondly, the SPD was clearly awed by the power of the German state and army. One gets the impression that the experience of the Anti-Socialist Laws resulted in an attitude of "Never again!" The party lived in real fear that it could be outlawed by a stroke of the Kaiser's pen. As the party accrued influence and organizational mass there was a corresponding reluctance to risk this organic growth by displeasing the powers that be. This sentiment went hand-in-hand with the conception of the SPD as the party of the whole class.
When, in 1875, the Marxian wing fused with the Lassalleans, the fusion was codified in the Gotha Program (basically a Lassallean program). When Marx penned his Critique of the Gotha Programmed, that critique was suppressed in Germany. It was suppressed by Rebel, Kautsky and Bernstein, because they were afraid it would provoke a split with the Lassalleans.
Likewise, when the Erfurt Program was penned, Engels wrote a very sharp criticism of it; you can read about it in The State and Revolution. Engels thought it was a very fine program, but the failure of the program to address the key issue of state power fundamentally compromised it. Engels opined that while it might be difficult to raise the demand for a democratic republic, that failure opened the door to politically disarming the party when it had to confront big revolutionary events. Engels' criticisms were suppressed to maintain unity with the opportunists and out of fear that their publication might expose the party to reprisals from the Kaiser's government.
During the life of the Second International, which was founded in Paris on the 100th anniversary of the French Revolution, 14 July 1889, the German Social Democrats were very hesitant to call any sort of May Day actions because they feared a strike in Germany on May Day would bring the government down on them. So, there was a very peculiar development of a sense of German exceptionalism, a feeling that things were going along swimmingly, the SPD was gaining in parliament, the organization was burgeoning. The mindset was that the party must at all costs avoid a premature confrontation with the bourgeoisie that could spell disaster. Tactical prudence was beginning to evolve into reformist adaptation.
Kautsky and others of the German Social Democrats were always concerned about a general strike because they thought it would be a one-shot proposition in the Kaiser's Germany. It would immediately lead to total confrontation with the bourgeoisie and either the proletariat would triumph or it would be smashed. And, since inevitably the SPD was gaining influence in parliament and expanding its press, trade-union organizations, and sporting groups and hundreds of other associations were growing, why wreck the inevitable march of progress toward socialism?
I have spent some time on the SPD's reformist adaptations because I would like to contrast it with the experience of the Bolsheviks. The Bolshevik experience was needless to say very different.
It's an old saw that "you learn something new every day." But sometimes what you learn is important. Gary Steenson in his book "Not One Man! Not One Penny!" German Social Democracy, 1863-1914 [University of Pittsburgh Press, 1981] reveals a little-known fact:
"One very unusual aspect of the socialist congresses in Germany was the presence at most of them of police officials. These men had the right to interrupt speakers who ventured into forbidden territory, and they could even cancel a session altogether if the discussion got too extreme. But the congressional participants themselves usually knew the allowable limits, and after the end of the antisocialist law, the police officials did not often intervene. Their presence was, nonetheless, a source of embarrassment for the SPD and should have been for the authorities also."
-p. 125
This submission to cop censorship is absolutely breathtaking, and accommodation to it reveals the deep reformist rot that infected the SPD. It should be contrasted with the comportment of the Bolsheviks who took their responsibility to revolutionary Marxism seriously. Commenting on what can be said and what must be said, in 1917 Lenin wrote:
"At times some try to defend Kautsky and Turati by arguing that, legally, they could no more than 'hint' at their opposition to the government, and that the pacifists of this stripe do make such 'hints'. The answer to that is, first, that the impossibility of legally speaking the truth is an argument not in favour of concealing the truth, but in favour of setting up an illegal organisation and press that would be free of police surveillance and censorship. Second, that moments occur in history when a socialist is called upon to break with all legality. Third, that even in the days of serfdom in Russia, Dobrolyubov and Chernyshevsky managed to speak the truth, for example, by their silence on the Manifesto of February 19, 1861, and their ridicule and castigation of the liberals, who made exactly the same kind of speeches as Turati and Kautsky." -Lenin, Collected Works [hereafter CW\ Vol. 23, p. 186
Clearly the SPD's many-years-long accommodation to police censorship played a significant role in its slide into social chauvinism when confronted by the revolutionary tasks imposed by the imperialist war.
The SPD's accommodation to bourgeois legality is all the more surprising given the very real repression the party experienced, particularly in its formative years. Liebknecht and Bebel, for example, opposed the Franco-Prussian war. For their efforts, they were thrown into prison for a couple of years. The party did face a situation of near illegality, even following the lifting of the Anti-Socialist Laws. Many, many people were arrested for crimes of lese majeste. SPDers were elected to parliament and when they got to Berlin found out their landlady had been told by the government not to rent them a place. Socialists were exiled, under old laws going back to 1850, to tiny provincial towns.
Kautsky summed up in 1888 what we have come to know as the social-democratic worldview when he wrote in A Social Democratic Catechism: "The Social Democracy is a revolutionary party, but it is not a party that makes revolutions...." The SPD's policy was one of revolutionary passivity, of waiting. Kautsky maintained that Social Democrats are not pacifists. The SPD would eventually prevail in parliament and if the bourgeoisie offers resist¬ance the Social Democratic workers would suppress them. But the question of the dictatorship of the proletariat was for Kautsky really a question for future generations
The rise of imperialism and the rise of opportunism go hand in hand. Early on, in the heavily peasant areas of south Germany, where the Social Democracy was weaker and where there were fewer proletarians, SPD representatives began to openly adapt to alien class pressures. These pressures reflected themselves nationally when, in 1895, Bebel and Liebknecht, over the vociferous objections of Kautsky, revised the Erfurt Program to "include a demand for democratization of all public institutions, to improve the situation in industry, agriculture and transport within the framework of the present social and state order."
Bernstein, who had lived for 20 years in exile in Britain, while there began to develop fundamental doubts on the possibility or necessity of proletarian revolution, doubts which he later systematized into a general revisionist assault on Marxism. Kautsky, since Bernstein was his good friend, temporized on launching a struggle against this revisionism.
However, eventually the battle was joined, with Kautsky, Luxemburg and Plekhanov weighing in very heavily against Bernstein (who was not handled in the party with kid gloves). Nonetheless, Bernstein and Kautsky both feared a split in the party. Kautsky hoped to ideologically defeat revisionism without a split, arguing that revisionism could be isolated and would cease to be dangerous. This generally was the approach of the Second International in the whole period leading up to the war.
I should mention, by the way, that Kautsky's deep but latent reformist streak found expression in the Second Congress of the Second International in Paris in 1890 when the issue of Millerandism came up. The French socialist politician Millerand had recently accepted a cabinet post in a bourgeois government. Kautsky led the charge against Millerand stating that it was absolutely impermissible to be a minister in a bourgeois government...except under "special circumstances." And the special circumstances were, for example, in the event of a war, where, say, the tsar invaded Germany. Only then, according to Kautsky, would a Social Democrat be compelled to join a government of the enemy class; only unity in defense of the nation made permissible that which in times of peace was impermissible!
Impact of the 1905 Russian Revolution
The 1905 Russian Revolution had an enormous impact on Germany, the class struggle in Germany, on the Social Democracy and on the trade unions. On the left of the party, Rosa Luxemburg saw 1905 through the lens of her experiences in Warsaw, where she went to participate in the revolution. For Luxemburg, the main lesson of the revolution was the efficacy of the mass strike as the road to revolution. She saw the mass strike as the chief instrument for realizing the revolutionary struggle of the proletariat. Through intervention in these struggles the socialists would win authority and lead the workers to victory. The assault on the capitalist power would not be through parliament, but through a series of convulsive strikes that would clean the party of revisionism and lead to the fall of capital. But while Luxemburg invested the mass strike and spontaneous action by the proletariat with great revolutionary import, she failed to grasp the significance of the Soviets and as well of the real rehearsal for October, the culmination of 1905, which was the Moscow insurrection.
Germany in 1905 experienced massive turmoil. There were thousands and thousands of strikes. There were numerous lockouts by employers. There were militant workers' demonstrations and street fighting between the workers and the police.
Under the impact of both Luxemburg and the events in 1905 in Germany and Russia, Kautsky was driven to the left. He certainly was among the most perceptive of the commentators on what was going on in 1905 in Russia from the outside. Both Lenin and Trotsky claimed Kautsky's analysis supported their views. Kautsky did, indeed, refer to what was going on in Russia as permanent revolution and stated that the unfolding of the revolutionary struggles in Russia turned out to be very different from what he had previously thought. Thus he wrote:
"The [Russian] liberals, can scream all they want about the need for a strong government and regard the growing chaos in Russia with anguished concern; but the revolutionary proletariat has every reason to greet it with the most fervent hopes. This 'chaos' is nothing other than permanent revolution. In the present circumstances it is under revolutionary conditions that the proletariat completes its own maturation most rapidly, develops its intellectual, moral, and economic strength most completely, imprints its own stamp on state and society most profoundly, and obtains the greatest concessions from them. Even though this dominance of the proletariat can only be transitory in a country as economically backward as Russia, it leaves effects that cannot be reversed, and the greater the dominance, the longer they will last.... Permanent revolution is thus exactly what the proletariat in Russia needs."
—quoted in Massimo Salvadori, op. cit., p. 102
Here he is speaking of permanent revolution in the sense of Marx's "Address to the Central Committee of the Communist League."
In January of 1906, Kautsky, basing himself on the experience of the Moscow insurrection, declared that it was now necessary to re-examine Engels' famous preface to Marx's Class Struggle in France, the text of which the German Social Democracy had so often used to justify its own legalism. The reformists had fixated on an observation by Engels that the epoch of barricades and street fighting was definitely over. But Kautsky said that the battle of Moscow, where a small group of insurgents managed to hold out for two weeks against superior forces, indicated that victorious armed struggle by the insurgents was possible because of the mass strike wave, of which he said too little was known in Engels' time. It was precisely the strike wave and struggles around it that had undermined the discipline of the army and those lessons were applicable, not only in Russia, but possibly throughout Europe.
Thus Kautsky swung quite far to the left. But he was still very nervous about a mass strike in Germany, which he thought could only be a one-shot affair—all or nothing. For its part, the German ruling class was also drawing its own class lessons from the events in Russia. The Kaiser thought that it might well be necessary to send an expeditionary force into Russia to rescue his fellow monarch, the tsar, and, as a corollary to that, the Kaiser certainly was planning to suppress the German Social Democracy.
The turmoil surrounding 1905 frightened many of Germany's SPD trade-union leaders. In the main they had a very clear position: "No mass strikes! Nothing out of the ordinary!" These bureaucrats feared that the street demonstrations and turmoil were pulling in unorganized workers who had low consciousness and would threaten the organized and above all orderly German trade-union movement. In May of 1905 in Cologne, the trade unions came out on record against the mass strike.
The stage was thus set for an open division between the party and its affiliated trade unions. At the Jena Congress, the party, under the impact of what was going on in Russia, adopted the mass strike as a political weapon in defense of suffrage rights and the right of association in particular. The mass strike was presented as a means of extending suffrage in places like Prussia and of defending the right of a Social Democratic party to exist and organize in the trade unions. This mass strike resolution carried overwhelmingly, by 287 to 14 votes.
One of those voting against the resolution was a man named Carl Legien who just happened to be the leader of the SPD's trade-union federation. He importuned the party leadership and on 16 February 1906, at a secret meeting of the party and trade unions, the party capitulated to the trade unions.
Basically, the trade unions said to the party: if there are to be mass strikes and the party can't prevent them, it is the party and not the trade unions who should lead them. The trade unions promised to sup¬
port the party to the extent they could, but the party was to bear the brunt not only of the responsibility for leading mass strikes, but also of paying for them.
The very next year in September of 1906, Bebel at the Mannheim Congress declared that without the support of the unions, mass strikes are unthinkable and Legien said "Ja! They are unthinkable!"
At Mannheim the party endorsed the deal cooked up at the earlier secret conference. Bebel, who wielded immense authority in the German movement, pushed the proposal through by a vote of 386 to 5. Among those voting for it were Kitschy, Rosa Luxemburg and Karl Liebknecht.
Following the events of 1905 there was a rise in German imperial ambitions. The German bourgeoisie reacted to 1905 with a great wave of chauvinist propaganda and in the 1907 elections the German Social Democracy got a really cold, wet rag smacked in its face. These were the so-called Hottentots elections and they were the first elections in which imperialist patriotism played a big role. In 1907, many of the petty bourgeois who had previously voted for the Social Democrats, didn't.
The percentage of the SPD votes didn't drop-very much in absolute numbers. It went from 31.7 to 29, but the number of SPD representatives in the Reichstag dropped from 81 to 43. At the time there were numerous political parties in Germany and thus provisions for runoffs if no party obtained a majority of the vote. The Social Democracy willy-nilly had been counting on a large number of petty-bourgeois votes.
In contesting for election in Germany, routinely the SPD had made blocs with the liberals. Where a Social Democrat didn't get in the runoff, SPDers were told to vote for the bourgeois progressive, and an appeal was made to the progressive voters to vote SPD if a socialist was in a runoff. Of course, Social Democrats, being disciplined, got many progressives elected. But following 1905, the progressives' bourgeois base would have nothing to do with these anti-patriotic reds and this bloc didn't work out so well from that standpoint.
The Social Democracy and Imperialist War
Turmoil growing out of events in Russia and the swell in imperialist and patriotic propaganda really drove the party leadership into frenzy. Thus the stage was set for erosion of the historic position of the SPD encapsulated in the slogan of Wilhelm Liebknecht of "not one man, not one penny."
Bebel started talking about being for national defense if Russia invaded Germany and, believe me, the Russian question was as big a bugaboo in Germany in this period as it was in America in the Cold War period. Bebel made a speech in the Reichstag explaining when he would be a defensist, at the same time sugar-coating it with a denunciation of Prussian discipline, mistreatment of soldiers and financial burdens. He was followed by a SPDer by the name of Noske, who contested the accusation that Social Democracy was anti-national or anti-patriotic. Noske said that there is no accusation more unjustified than the claim that the SPD wanted to undermine the discipline of the army. Where in Germany except in the army is there greater discipline than in the Social Democratic Party and the modern trade unions?
"'As a Social Democrat I agree with the honorable Minister of War when he declares that German soldiers must have the best arms.' Finally, he [Kautsky] proclaimed that the Social Democrats would repel any aggression against their country 'with greater determination' than any bourgeois party, that the SPD wanted Germany to be 'armed as well as possible,' and that 'the entire German people' had an 'interest in the military institutions necessary for the defence' of the 'fatherland'."
The quote is from Massimo Salvadori's Karl Kautsky and the Socialist Revolution, 1880-1938, p. 119 (1938). Salvadori comments: "There could have been no more public funeral for the anti-militarist propaganda preached by [Karl] Liebknecht."
The party had begun to polarize into an incipient center, a left wing and a very insidious right wing. Karl Liebknecht had become the bete noire not only of the right wing but also of some of the center of the party with the publication of his book Militarism and Anti-Militarism, and for his efforts to organize an anti-militarist youth organization. In fact, Liebknecht's book earned him almost two years in prison—apropos the point about the reality of life in the Kaiser's Germany.
By the way, one must say that aside from Die Neue Zeit, which received a lot of criticism because it contained articles having nothing to do with Germany, German Social Democracy was very provincial in its views. It tended to concern itself mainly with domestic issues.
By 1910, the German Social Democracy panicked before the bourgeoisie's patriotic propaganda offensive. Some SPDers began to entertain the proposition that since they had always been for an income tax, the SPD should therefore support the direct tax, even though the purpose of the direct tax was to raise money for the war budget. The party pulled back from that position, but by 1912, when the party was really in a panic about regaining what it had lost in the elections, operationally it had moved very, very far to the right.
When the issue of the direct tax came up again in 1913 the Kautsky center gave critical support to the social-chauvinists on this issue. Rosa Luxemburg said that if Kautsky urged his followers to vote the direct tax, in a year they would be voting war credits. She was absolutely prophetic in that. When war came on 4 August 1914, the German party, which was the biggest party of the international, capitulated and voted war credits, betraying socialism. Nearly all parties of the Second International from the various belligerent countries followed suit with the honorable exceptions of the Russians, the Italians, the Serbs and, ultimately, a few Germans.
The Second International, to which the SPD was affiliated, was not an international in the Leninist sense. The war revealed it to be an international in little but name, more akin to a bunch of socialist pen pals.
That political rot which precipitated out on 4 August 1914 did not fall from the sky but grew, organically if you will, within the SPD. And there were premonitions of the problems which manifested themselves at earlier Second International congresses.
Thus, the Stuttgart Congress of 1907 actually debated whether there could be a socialist colonial policy. There was a commission in which the majority called for exactly that. That proposal by that commission was only narrowly defeated, by a vote of 128 against 108, with 10 abstentions. It was a near thing. Commenting on it, Lenin said that vote had tremendous significance. First, socialist opportunism, which capitulated before bourgeois charm, had unmasked itself plainly, and, secondly, there became manifest a negative feature of the European labor movement, which is capable of causing great harm to the proletariat.
Half of the SPD delegation at Stuttgart was made up of trade unionists and maintained the position of trade-union independence. And, then, of course, the war question also came up. If you read the Stuttgart resolution on the war, and the subsequent ones culminating in the Basel Manifesto, they all speak about how, to combat war amongst the capitalist powers, the proletariat should use whatever means are at its disposal when necessary.
Lenin objected to the slogan of a mass strike against war. How the proletariat is to conduct the struggle against war depends upon the particular conditions it confronts. Answering a war, he says, depends on the character of the crisis which a war provokes—the choice of means of struggle is made on the basis of these conditions. But the Germans really wanted any reference to any strike action against war deleted, because they opposed anything that would commit them, even on paper, to such a course.
Lenin in contrast stressed that the key thing about the resolution on war and peace was that the struggle must consist in substituting not merely peace for war, but socialism for capitalism. "It is not a matter of preventing the outbreak of war, but a matter of utilizing the crisis resulting from the war to hasten the overthrow of the bourgeoisie." And he, Rosa Luxemburg and, I believe, Martov blocked to amend a resolution by Bebel (which was a very orthodox resolution) because it was possible to read the orthodox postulates of Bebel through opportunist glasses. So Lenin and Luxemburg amended the resolution to say that militarism was the chief weapon of class suppression, to say that agitation among the youth was necessary and indicated, and, third, that the task of the Social Democrats was not only struggle against the outbreak of war, or for an early termination of war which had already broken out, but also to utilize the crisis caused by the war to hasten the downfall of the bourgeoisie.
When war broke out in Europe in August 1914, it found Lenin in Galicia. He couldn't believe the SPD had voted for war credits, thinking it must be police propaganda.
After he managed to make his way back to Switzerland, Lenin's course was set. He and his comrades embarked on an implacable struggle for a new revolutionary international to replace the Second International, now fatally compromised by social chauvinism. The central issue was that the world war was an imperialist war, and that the answer to this war was not "peace," or "no annexations," or "the right of self determination of all nations," but, in fact, to turn this imperialist war into a revolutionary civil war against the bourgeoisie, for socialism.
The war disrupted the Second International for a while, but shortly various national parties, each aligned with its own bourgeoisie, held "antiwar" congresses. First the Entente "socialists," then the central powers "socialists" met. This was followed by the Copenhagen Congress of neutral "socialists." The Bolsheviks at first were not inclined to participate in the Copenhagen Congress because of its demands: peace, no annexations, courts of arbitration and disarmament. But on reconsideration, the Bolsheviks attended Copenhagen to raise five points: socialists out of bourgeois cabinets, no vote for war credits, fraternization of troops, for civil war against the imperialist war, and for illegal organizations that organize for revolutionary propaganda and actions among the proletariat in the struggle for the Third International.
Forging the Third International
It was in the struggle against the social chauvinists and centrists that the Bolsheviks finally hammered out the key points of their international and political and organizational program. To do so it was necessary to swim against a raging stream of social chauvinism. Zinoviev says:
"It was in a manifesto on the arrested Bolshevik Duma fraction that we first advanced the slogan of turning the imperialist war into civil war. At that time, in the camp of the Second International, we were regarded literally as lepers. When we stated that this war had to be turned into a civil war, a war against the bourgeoisie, they seriously began to suggest that we were not quite right in the head."
The first international conference that pulled together socialists from various belligerent countries was, in fact, an international women's conference organized in Switzerland by Clara Zetkin. The Bolsheviks intervened and were voted down. That conference was followed by an international youth conference which also voted down the Bolshevik proposals.
It was only at the Zimmerwald Conference that the Bolsheviks were able to come forward as a weak minority—but a minority which was to become the nucleus of a new Communist Third International. At that conference Ledebour (who was one of the German center) confronted Lenin: "Civil war to end the imperialist war? Well, Lenin, go to Russia and try it there. It's pretty easy to say this in Switzerland." In the Second International all these centrists and chauvinist wiseacres proclaimed that all the Russian workers supported the war and that no one supported the Bolsheviks. During the period of 1915-1916 the Bolsheviks remained an insignificant minority. It was only in 1916 that they began to reestablish real and significant links in Russia.
Lenin was absolutely implacable in hammering on the issue of the imperialist nature of the war and the revolutionary task it demanded. His key point was that the greatest danger to the proletariat and to the chance of revolution were the centrists, with their flowery conceits and illusions.
Take Kautsky, for example. Kautsky had not been a member of the German parliamentary fraction, but he was such a doyen of the party that he was invited to the meeting where they voted war credits. Kautsky had planned to suggest abstention, but when it became clear there was going to be no abstention, he said, fine, let's vote for the war credits and state that our condition is no annexations, blah, blah, blah. Well, the German chancellor Bethmann-Hollweg said, that's a good resolution. Let's just take this part out about no annexations. And that was what happened.
Liebknecht originally went along, as a disciplined member of the party, with the vote, but broke immediately thereafter. Once the war began in earnest Kautsky argued it was a war of defense for Germany. In an incredible exercise in muddle-headed obfuscation he argued it was, as well, a war of defense for the French, the Belgians and the British. After all, Social Democrats are not anti-national and can't present themselves to the nation as anti-national. His conclusion—the International is really a peacetime organization! After the war, everyone would get back together! So, to justify his support to voting for war credits, he supported the votes of all Social Democrats for "self-defense."
As the war progressed it became more hideous. And the fighting lasted far longer than anyone had imagined. Social tensions began to rise and the bourgeoisie and the centrists began to get nervous. By 1917 a turn occurred. The war had run its course. Germany had grabbed a fair chunk of territory. None of the combatants had the capacity to squeeze much more blood or sweat out of the proletariat. The Germans were beginning to think they had a chance to split Russia off from Britain and France and do a separate deal.
Kautsky began to worry about the news from the front—that everybody in the trenches supports Liebknecht. Liebknecht had made a famous speech against the war. For his troubles he had been drafted into the army out of parliament and then imprisoned. Luxemburg was arrested soon after Liebknecht. The centrists began to calculate that they were losing their influence. Thus, Kautsky and company began to redouble their offensive for "peace" and broke off from the official Social Democracy to form an independent party.
Lenin's struggle against the war meant not simply struggle against the centrists outside the party, but inside as well. Some Bolsheviks, exemplified by Bukharin's Bogy group, were seduced by the siren peace songs of the centrists. Bukharin and his co-thinkers also had a position against the right of self-determination for nations during the war, because, according to them, the imperialist war had rendered all such questions irrelevant. Lenin characterized this position as a caricature of imperialist economism.
It is very interesting to consider Trotsky's role in the struggle against the social chauvinists. He of course had a solidly internationalist position of opposition to the war. But until quite late in the war Trotsky rather quixotically conciliated various centrists. At times he sought out political blocs with the Mensheviks and for a brief period even hoped to obtain Kautsky's collaboration in the struggle against the war. For these reasons Lenin subjected him to some very harsh criticisms.
Forging the Bolshevik Party
The programmatic intransigence of Lenin laid the foundation for the struggle for October. In this regard let's examine the period of the Bolshevik Party from 1912 to 1914, and contrast it to the evolution of the German Social Democracy. There are three key periods of struggle in the development of Bolshevism: 1895 to 1903 against economism, from 1903 to 1908 against the Mensheviks, and from 1908 to 1914 against the liquidators. The liquidators were the Mensheviks of various stripes and origins who wanted a legal labor party in Russia. Given the conditions in Russia, Lenin made the point that such a party could not be a Marxist revolutionary party.
Certainly Lenin's experience with the German Social Democracy in the Second International in this period was not exactly positive. The SPD-dominated International tried a number of times to foist unity on the Russian Marxists and it was fairly clear from the get-go that Kautsky in particular, like most of the SPD leadership, viewed Lenin as an incurable sectarian enrage.
The Germans were really pro-Martov; they wanted to enforce unity. The last effort at unity was in 1913-14, when the International demanded that all the Russian Marxists get into one room in front of a commission of the International and take steps to unite into one big party. And, by the way, the German Social Democracy also had its fingers on the purse strings of a lot of the money that the Russian Bolsheviks and Mensheviks had.
I really enjoyed reading about this conference. Lenin chose Inessa Armand as the Bolshevik representative. Armand was a very elegant and cosmopolitan woman, who spoke several languages, was intelligent, politically hard, and diplomatic. Following Lenin's instructions she told the conference that the Bolsheviks were in favor of unity, however, that unity had conditions attached to it.
"1. All-party resolutions of December 1908 and January 1910 on liquidationism are confirmed in a very resolute and unreserved manner precisely in their application to liquidationism. It is recognized that anyone who writes (especially in the legal press) against 'commending the illegal press' deserves condemnation and cannot be tolerated in the ranks of the illegal party. Only one who sincerely and with all his strength helps the development of the illegal press, of illegal proclamations and so forth, can become a member of the illegal party."
It goes on:
"3. It is recognized that the entry of any group of the Russian Social Democratic Labor party into a bloc or union with another party is absolutely not permissible and incompatible with party membership." —Ganken and Fisher, The Bolsheviks and the World
War, pp. 120-121 (Stanford University Press,
1940)
Bundism is to be condemned; it is incompatible with membership; national and cultural autonomy, this again, contradicts the party program; and the failure to recognize the resolutions of the party on that is incompatible with party membership. When Inessa Armand presented these conditions, her presentation was considered the worst of manners from the standpoint of all these Second International Social Democrats. How could the Bolsheviks act like this?
In fact, the reality on the ground in Russia was that there was one Russian Social Democratic Workers Party that mattered, and it was the illegal party of Lenin and the Bolsheviks. By the time that the international was trying to engineer unity among the Russian factions the Bolsheviks had about 80 percent of the active proletariat, in terms of their support, and correspondingly in press circulation.
The influence of the Bolsheviks amongst the Russian proletariat was initially undercut by the outbreak of the war, and indeed the war sharply undercut a rising tide of worker militancy in a number of countries, including Germany and Britain. One of the subsidiary reasons why the various bourgeoisies were not averse to embarking on imperialist war was that they thought it would quench class struggle at home.
The road of development of Bolshevism spans nearly a decade and a half. The fundamental point of this talk is that the October Revolution would not have been possible without the program and the tactics elaborated by the Bolsheviks in the struggle for the Third International and against imperialist war. For it was on the rock of the war that Menshevism, tying itself to the bourgeoisie, broke its neck. Because of the war, once the revolution broke out in Russia there was no room for a formulation akin to the "democratic dictatorship of the proletariat and the peasantry." In fact, the task that had been set in motion by the outbreak of World War I was that of civil war of the proletariat for socialist revolution.
Lenin's key three works of this period, Imperialism, The State and Revolution, and The Proletarian Revolution and the Renegade Kautsky, were polemics against the center, internationally, in Social Democracy. In the heat of battle, in Russia and across Europe, when the founding of the Third International took place, it was not easy to get delegates to Moscow, and most of those who turned up were people who either were lucky and made it through or happened to already be there. The delegates to the First Congress were thus necessarily a somewhat eclectic collection of parties and individuals. But it was an historic affirmation of the years of previous struggle and above all of the actual creation of the dictatorship of the proletariat embodied in Soviets. The key resolution at that Congress was, indeed, an upholding of the dictatorship of the proletariat.
Kautsky spent the last 20 years of his life as an embittered, anti-Soviet Social Democrat, an apostle of bourgeois democracy, blaming all ills, including German fascism, on Bolshevism. Lenin, for his part, recognized the real issue which the Third International had to turn its attention to and that was the spreading of the October Revolution to other places. I wanted to quote something that he wrote in October of 1918, which I think kind of gives a measure of him as a revolutionist. If you look in the volume that has The Proletarian Revolution and the Renegade Kautsky, there is, earlier on, a very short piece by the same name and in it Lenin notes:
"Europe's greatest misfortune and danger is that it has no revolutionary party. It has parties of traitors like -the Scheidemanns, Renaudels, Henderson’s, Webbs and Co., and of servile souls like Kautsky. But it has no revolutionary party.
"Of course* a mighty, popular revolutionary movement may rectify this deficiency, but it is nevertheless a serious misfortune and a grave danger.
"That is why we must do our utmost to expose renegades like Kautsky, thereby supporting the revolutionary groups of genuine internationalist workers, who are to be found in all countries." -CW, Vol. 28, p. 113
It was that task that the founding of the Third International took up.
The German delegation of the newly fledged Communist Party arrived in Moscow with a mandate (adopted before the Spartacus uprising) to oppose the launching of a Third International, because the German Communists could not yet break themselves from the conception of the party of the whole class. They still were mesmerized by the possibility of some sort of unity with various centrists and thought the formation of a new international premature. The German delegation was actually talked out of this position while in Moscow.
That was crucial. It had been a long and difficult struggle, but the banner of international proletarian revolution, besmirched by Social Democracy in 1914, was planted at this founding conference. Its key programmatic element, the dictatorship of the proletariat based on soviet power, was asserted. The struggle to forge new revolutionary parties was launched.
The new parties which adhered to the banner of October reflected a generational split. It was the young workers who had gone through the war who were to become the base of the new International. It was the older workers who tended to stay behind with the Social Democracy. Certainly our tasks today have obvious parallels. The sine qua non is to build parties of a Bolshevik type, to forge an international, and to contest for proletarian power and that really is the only road to new October Revolutions, which is what this class is all about.
Summary following discussion
Markin comment- I have not republished the summary here as there is no context for the statements made during the course of the discussion.
*Films to While Away The Class Struggle By-“The People’s Will Is Greater Than The Man’s Technology”-"Avatar”
Click on the title to link to a "YouTube" film clip of the movie trailer for "Avatar".
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
Film Review
Avatar, written and directed by James Cameron (director of “Titanic”), 2009
What is not to like here, for an old political leftie, right? A summary of the plot tells the tale, and incidentally explains part of the headline above. Greedy, apparently, American imperialists (they speak English and are loaded up to the gills with the latest technology so it has to be Americans, right?) having wreaked havoc and exhausted the Earth’s resources are now, as the film starts, in the process of doing the same to other faraway planets. For what purpose? To get that next important natural resource to monopolize and sell on the international, make that interplanetary, market. The target resource at this time is on Pandora (in honor of her nasty box, I presume) right in the heart of the “rain forest” and, more importantly, right at the spiritual center of the “primitive communist” campsite of the indigenous hunter-gatherer inhabitants of that planet. The imperialists are willing, to a point, to negotiate with these inhabitants but come hell or high water they are going to get the “gold”, so the bulldozers are on the march. Oh, yes, and in case of necessity they have their own private Blackwater-style mercenary operation to “enforce the peace”, the peace of the graveyard.
Enter our transformative (literally) avatar hero, a combat-hardened, war-injury paralyzed, ex-Marine used initially to get information about the “enemy” in case they get uppity about the impeding destruction of their sacred grounds. He is slated to, through the genius of modern technology, become one of the “natives”. The long and short of this process is that while our avatar learns the “native” culture from a “girl inhabitant”, in a salute to the best trans-planetary multiculturalism and a tip of the hat to earthly political correctness, he turns traitor once he knows what the old ways mean to this native, and gets wind of the ultimately evil intentions of the imperialists.
Well, as is to be expected in an action movie-all hell breaks loose as the imperialist demonstrate their mastery, led by a battle-tested Marine officer, with an overkill display of “shock and awe” on one of the important religious sites. This is now getting to sound very familiar, right? But here is where the “people’s will is greater than the man’s technology” comes in. Taking a page from the Vietnam War period (and from the time when that slogan had currency, reflecting Western admiration for the Vietnamese, their courage and creativity in the face of massive American firepower) the now renegade ex-Marine and what is left of the indigenous peoples decide to “fight back”, guerilla-style, using their primitive forms of weaponry and knowledge of the terrain. Naturally, the underdog wins. Although as with the case of the Vietnamese the struggle could have been much easier had they had massive amounts of modern weaponry to “fight back” with. There is no inherent virtue in fighting heavily-armored enemies with sticks and stones. But here is the best part, for an old political leftie, at least. After the final battle the imperialists, in a scene reminiscent of the last days of the American Embassy in Vietnam, are marched, guarded by the now well- armed indigenous inhabitants, through the airport to a waiting plane to be shipped back to earth. And all of this in 3-D. Wow!
But can all of that political stuff. This movie is really just an old- fashioned “boy meets girl” story that Hollywood has been cranking out since the dawn of film. It just so happens that the indigenous person who “finds” the avatar is a girl, a rather sprightly girl at that, with a mind of her own and a certain surface contempt for earthling ways, or maybe ex-Marines. Moreover, she is assigned to teach our avatar the native ways, up close and personal. And the long and short of this story is that they fall in love, a seemingly chaste love that will conquer all Pandora’s enemies. And it does. I once read in a survey of Western literature that there were about ten basic story lines that had evolved throughout the whole existence of that literature. If there is any truth to that cut it in half to get the number of basic story lines from the film industry. “Boy meets girl” is still a top drawer though. Hey, and they won too!
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
Film Review
Avatar, written and directed by James Cameron (director of “Titanic”), 2009
What is not to like here, for an old political leftie, right? A summary of the plot tells the tale, and incidentally explains part of the headline above. Greedy, apparently, American imperialists (they speak English and are loaded up to the gills with the latest technology so it has to be Americans, right?) having wreaked havoc and exhausted the Earth’s resources are now, as the film starts, in the process of doing the same to other faraway planets. For what purpose? To get that next important natural resource to monopolize and sell on the international, make that interplanetary, market. The target resource at this time is on Pandora (in honor of her nasty box, I presume) right in the heart of the “rain forest” and, more importantly, right at the spiritual center of the “primitive communist” campsite of the indigenous hunter-gatherer inhabitants of that planet. The imperialists are willing, to a point, to negotiate with these inhabitants but come hell or high water they are going to get the “gold”, so the bulldozers are on the march. Oh, yes, and in case of necessity they have their own private Blackwater-style mercenary operation to “enforce the peace”, the peace of the graveyard.
Enter our transformative (literally) avatar hero, a combat-hardened, war-injury paralyzed, ex-Marine used initially to get information about the “enemy” in case they get uppity about the impeding destruction of their sacred grounds. He is slated to, through the genius of modern technology, become one of the “natives”. The long and short of this process is that while our avatar learns the “native” culture from a “girl inhabitant”, in a salute to the best trans-planetary multiculturalism and a tip of the hat to earthly political correctness, he turns traitor once he knows what the old ways mean to this native, and gets wind of the ultimately evil intentions of the imperialists.
Well, as is to be expected in an action movie-all hell breaks loose as the imperialist demonstrate their mastery, led by a battle-tested Marine officer, with an overkill display of “shock and awe” on one of the important religious sites. This is now getting to sound very familiar, right? But here is where the “people’s will is greater than the man’s technology” comes in. Taking a page from the Vietnam War period (and from the time when that slogan had currency, reflecting Western admiration for the Vietnamese, their courage and creativity in the face of massive American firepower) the now renegade ex-Marine and what is left of the indigenous peoples decide to “fight back”, guerilla-style, using their primitive forms of weaponry and knowledge of the terrain. Naturally, the underdog wins. Although as with the case of the Vietnamese the struggle could have been much easier had they had massive amounts of modern weaponry to “fight back” with. There is no inherent virtue in fighting heavily-armored enemies with sticks and stones. But here is the best part, for an old political leftie, at least. After the final battle the imperialists, in a scene reminiscent of the last days of the American Embassy in Vietnam, are marched, guarded by the now well- armed indigenous inhabitants, through the airport to a waiting plane to be shipped back to earth. And all of this in 3-D. Wow!
But can all of that political stuff. This movie is really just an old- fashioned “boy meets girl” story that Hollywood has been cranking out since the dawn of film. It just so happens that the indigenous person who “finds” the avatar is a girl, a rather sprightly girl at that, with a mind of her own and a certain surface contempt for earthling ways, or maybe ex-Marines. Moreover, she is assigned to teach our avatar the native ways, up close and personal. And the long and short of this story is that they fall in love, a seemingly chaste love that will conquer all Pandora’s enemies. And it does. I once read in a survey of Western literature that there were about ten basic story lines that had evolved throughout the whole existence of that literature. If there is any truth to that cut it in half to get the number of basic story lines from the film industry. “Boy meets girl” is still a top drawer though. Hey, and they won too!
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