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Wednesday, November 06, 2013
The peace movement helped stop the US attack on Syria but the
underlying causes of conflict in the Middle East remain. 
No War With Iran: Virtual Town Hall
For years we have been hearing that the U.S. and Iran are
on the brink of war. But with a series of positive exchanges between the U.S.
and Iran's recently elected president, the two countries be on the brink of
something much different: peace.
But peace will not be won easily. As we speak, pro-war groups are working to
force a vote on new sanctions in the Senate, ratchet up war threats in the
House, and derail U.S.-Iran negotiations.
It is up to us to prevent war, stop sanctions, and secure peace. And it is up to ensure the Massachussetts Congressional delegation stands on the right side of history.
What can we do to ensure our elected officials stand in support
of a peaceful deal with Iran instead of working on the
side of war and sanctions?It is up to us to prevent war, stop sanctions, and secure peace. And it is up to ensure the Massachussetts Congressional delegation stands on the right side of history.
Join members of Massachusetts Peace Action as well as Massachusetts members
of the National Iranian American Council (NIAC) and Friends Committee on
National Legislation (FCNL), for a Virtual Town Hall to launch a state-wide No
War with Iran campaign.
No War with Iran Virtual Town HallCo-hosted by Massachusetts Peace Action, FCNL, and NIAC
Featured Speakers:
Jamal AbdiPolicy Director, NIAC |
Kate GouldLead Lobbyist on Middle East
Policy,FCNL |
Yasmin RadjyOutreach Director,NIAC |
Jeff KleinMass. Peace
Action,Moderator |
Register now for log-in and call-in information
Tuesday, November 19
7 -
8pmVia Google Hangout &
Teleconference
Agenda:Briefing: Current U.S-Iran Relations
Analysis: Iran Issue on Capitol Hill
Introduction: Grassroots Organizing on the Iran Issue
Overview: Next Steps & the Massachussets Grassroots Action Plan
Space is limited, register today!
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Justice with Peace is a coalition of peace and justice organizations and
community peace groups in the Greater Boston region. The UJP Coalition, formed
after September 11th, seeks global peace through social and economic
justice.
Help us continue to do this critical work! Make a donation to UJP
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***Yes, You Better Boot That Thing-Early Women Blues Singers From The 1920s Be-Bop Night-Take Two
A YouTube's film clip of Victoria Spivey performing "TB Blues". Wow.
Yes, you had better boot that thing was a great line from a blues number back in the 1920s or so. And if I have to tell you that expression has a sexual significance, was a double entendre then maybe you best move on. The songs of this period, blues songs anyway are filled with lyrics that contain those elusive double meanings. And if you wanted to hold your audience you had better be as suggestive as hell, or as the law would allow. One of the interesting facts about the development of the blues is that in the early days the recorded music and the bulk of the live performances were done by women. At least they were the most popular exponents of the genre filling up the concert halls, gin joints, and theaters down South (segregated Mister James Crow down south which would last until well after the heyday of women blues singers supremacy) and in the Jazz Age for the lucky ones following the northern star to the Cotton Clubs of the cities.
I have tried elsewhere in this space to redress that grievance by reviewing the works of the likes of Memphis Minnie, Ida Cox and Ivy Anderson, among others. I also have scheduled a separate appreciation of one of the four women featured on this CD, Alberta Hunter. This CD format thus falls rather nicely in line with my overall intention to continue to highlight some of these lesser known women artists. Moreover, as fate would have it, this compilation included the work of Victoria Spivey, a singer that I have mentioned elsewhere and have wanted to discuss further. Finally, the conception of the producers here is enhanced by breaking up the CD into two parts-the urban blues part represented by Hunter and Spivey and the country blues part represented by Bessie Tucker and Ida May Mack. While both this trends have always shared some common roots and musicality they also represent two distinct trends in blues music as reflected in the increasing urbanization of the American black population in the 20th century.
Let’s use the urban/country divide as a frame of reference. The smoother style of Hunter and Spivey obviously reflected the need to entertain a more sophisticated audience that was looking for music that was different from that country stuff down home. And that laid back country style was seemingly passé in the hectic urban world. Tucker and Mack reflect that old time country hard work on the farm, hard scrabble for daily existence found, as well, in the songs of their country blues male counterparts. What unites the two strands is the personal nature of the subject matter- you know, mistreating’ men, cheatin’ guys, two-timing fellas, money taking cads, squeakin’ man-stealing women friends, the dusty road out of town, and just below the surface violence and mayhem, threatened or completed. And that is just an average day’s misery.
So what is good here? I won’t spend much time on Alberta because I have looked at her work elsewhere but please give a listen to “My Daddy’s Got A Brand New Way To Love,” the title tells everything you need to know about this song and is classic Alberta. Of course for Bessie Tucker you need, and I mean need, to hear the title track “Better Boot That Thing” and then you will agree that you, man or woman, best stay home and take care of business. As for Ida Mack I flipped when I heard her saga of a fallen woman as she moans out on “Elm Street Blues” and her lament on “Wrong Doin’ Daddy”. However, what you really want to do is skip to the final track and listen to “Good-bye Rider” which for the nth time concerns the subject of that previously mentioned advice about “not advertising your man.” to your friends.
Victoria is just too much on“Telephoning The Blues,” again on that two- timing man, wronged woman theme.“Blood Hound Blues” demonstrates that she was not afraid to tackle some thorny issues, including a reverse twist here about a woman driven to kill her hard-hearted physically abusive man, was jailed, escaped and is on the lam as she sings this song. The song that knocked me out on this more socially-oriented theme is her “Dirty Tee Bee Blues” about the tragic suffering of a gal who went the wrong way looking for love and adventure and now must pay the price. Powerful stuff.
A special note on Victoria Spivey. I have mentioned, in a review of some film documentaries (four altogether) entitled “American Folk Blues Festival, 1962-1966” that were retrieved a few years ago by German Cinema and featured many of the great blues artist still alive at that time on tour in Europe, that Victoria Spivey had a special place in the blues scene not only as a performer and writer (of songs and goings-on in the music business) but that she was a record producer as well (Spivey Records).
Back in the days when music was on vinyl (you remember them, right?) I used to rummage through a second hand- record store in Cambridge (talk about ancient history). One of my treasured finds there was a Spivey Records platter featuring Victoria, the legendary Otis Spann (of Muddy Waters’band), Luther “Guitar” Johnson, and a host of other blues luminaries. She, like her black male counterpart impresario Willie Dixon (who she occasionally performed with), was a pioneer in this business end of the blues business, a business that left more than its fair share of horror stories about the financial shenanigans done to “rob” blues performers of their just desserts. That, however, is a tale for another day.
***Sitting On The Rim Of The World- With The Son Of The Neon Wilderness Nelson Algren In Mind-Take Three
He wrote of small-voiced people, the desperately lonely, alienated people who inhabit the Nighthawk Diner (artist Edward Hopper’s or Tom Waits’ take your pick), the restless, the sleepless, the shiftless, those who worked the late shift, those who drew the late shift of life, those who worked better under the cover of night in the dark alleyways and sullen doorways.
He wrote big time, big words, about the small-voiced people, big words for people who spoke in small words, spoke small words about small dreams, or no dreams, spoke only of the moment, the eternal moment. Waiting eternally waiting to get well, to get some kicks. Waiting for the fixer man, waiting for the fixer man to fix what ailed them. Not for him the small voice pleasant Midwestern farmers proving breadbaskets to the world, the prosperous small town drugstore owners, or of Miss Millie’s beauty salon (although one suspects that he could have) for in the pull and push of the writing profession they had (have) their muses. Nor was he inclined to push the air out of the small town banker seeking a bigger voice, the newspaper publisher seeking to control the voices or the alderman or his or her equivalent who had their own apparatuses for getting their small voices heard (although again one suspects he could have, if so inclined, shilled for that set). No, he, Nelson Algren, he, to give him a name took dead aim at the refuge of society, the lumpen as he put it in the title of one short story, those sitting on the rim of the world.
And he did good, did good by his art, did good by his honest snarly look at the underside of society, and, damn, by making us think about that quarter turn of fate that separated the prosperous farmer (assuming as we must that he, secretly, was not short-weighting the world), the drugstore owner (assuming as we must that he, secretly, was not dispensing his wares, his potent drugs, out the back door to a craving market) , Miss Millie (assuming as we must that she, secretly, was not running a call girl service on the side), the banker (assuming as we must that he, maybe secretly maybe not, was not gouging rack rents and usurious interest), the newspaper editor (assuming as we must that he, very publicly, in fact was printing all the news fit to print), and the politician (assuming as we must that he, secretly, was not bought and paid for by all of the above, or others) from the denizens of his mean streets. The mean city streets, mainly of Chicago, but that is just detail, just names of streets and sections of town to balance his work where his characters eked out an existence, well, anyway they could, some to turn up face down in some muddy ravine, under some railroad trestle, in some dime flop house, other to sort of amble along in the urban wilderness purgatory.
Brother Algren gave us characters to chew on, plenty of characters, mostly men, mostly desperate (in the very broadest sense of that word), mostly with some jones to work off, mostly with some fixer man in the background to wreak havoc too. He gave us two classics of the seamy side genre, one, the misbegotten Frankie Machine, the man with the golden arm, the man with the chip on his shoulder, the mid-century(20th century, okay) man ill at ease in his world, ill at ease with the world and looking, looking for some relief, some kicks in that mid-century parlance, and, two, that hungry boy, that denizen of the great white trash night, Dove Linkhorn, who, perhaps more than Frankie spoke to that mid-century angst, spoke to that world gone wrong, for those who had just come up, come up for some place where time stood still to gain succor in the urban swirl, to feast at the table, come up from the back forty lots, the prairie golden harvest wheat fields, the Ozarks, all swamps and ooze, mountain wind hills and hollows, the infested bayous and were ready to howl, howl at the moon to get attention.
I remember reading somewhere, and I have forgotten where now, that someone had noted that Nelson Algren’s writing on Dove Linkhorn roots was the most evocative piece on the meaning of the okie–arkie out migration segment of that mid-century America ever written, the tale of the wandering boys, the railroad riders, the jungle camp jumpers, the skid row derelicts. Hell, call it by its right name, the white trash, that lumpen mush. And he or she was right, of course, after I went back and re-read that first section of Walk On The Wild Side where the Linkhorn genealogy back unto the transport ships that brought the first crop of that ilk from thrown out Europe are explored. All the pig thieves, cattle-rustlers, poacher, highwaymen, the “what did some sociologist call them, oh yeah, “the master-less men, those who could not or would not be tamed by the on-rushing wheels of free-form capitalism picked up steam, the whole damn lot transported. And good riddance.
The population of California after World War II was filled to the brim with such types, the feckless hot rod boys, boys mostly too young to have been though the bloodbaths of Europe and Asia building some powerful road machines out of baling wire and not much else, speeding up and down those ocean-flecked highways looking for the heart of Saturday night, looking for kicks just like those Chicago free-flow junkies, those twisted New Orleans whoremasters. Wandering hells angels riding two by two (four by four if they felt like it and who was to stop them) creating havoc for the good citizens of those small towns they descended on, descended on unannounced (and unwelcomed by those same good citizens). In and out of jail, Q, Folsom, not for stealing pigs now, but armed robberies or some egregious felony, but kindred to those lost boys kicked out of Europe long ago. Corner boys, tee-shirted, jacket against cold nights, hanging out with time on their hands and permanent smirks, permanent hurts, permanent hatreds, paid to that Algren observation. All the kindred of the cutthroat world, or better cut your throat world, that Dove drifted into was just a microcosm of that small-voiced world.
He spoke of cities, even when his characters came fresh off the farm, abandoned for the bright lights of the city and useless to that short-weighting farmer who now is a prosperous sort, making serious dough as the breadbasket to the world. They, the off-hand hot rod king, the easy hell rider, the shiftless corner boy, had no existence in small towns and hamlets for their vices, or their virtues, too small, too small for the kicks they were looking for. They needed the anonymous city rooming house, the cold-water flat, the skid- row flop house, the ten- cent beer hall, hell, the railroad jungle, any place where they could just let go with their addictions, their anxieties, and their hunger without having to explain, endlessly explain themselves, always, always a tough task for the small-voiced of this wicked old world. They identified with cities, with city 24/7/365 lights, with Algren’s blessed neon lights, city traffic (of all kinds), squalor, cops on the take, cops not on the take, plebeian entertainments, sweat, a little dried blood, marked veins, reefer madness, swilled drinks, white towers, all night diners (see it always comes back to that lonely, alienated Nighthawk Diner just ask Waits), the early editions (for race results, the number, who got dead that day, the stuff of that world), a true vision of Edward Hopper’s Nighthawk for a candid world.
He spoke of jazz and the blues, as if all the hell in this wicked old world could be held off for a minute while that sound sifted thought the night fog air reaching the rooming house, the flop, the ravine, the beer hall as it drifted out to the river and drowned. Music not upfront but as a backdrop to while the steamy summer nights away, and maybe winter too. Strangely, or maybe not so strangely, he spoke of a small-voiced white world, residents of white slums and pursuers of white- etched dreams and only stick character blacks but his beat, his writing rhythm made no sense without the heat of Trouble In Mind or that cool blast of Charlie Parker, Miles, Dizzie be-bopping, made absolutely no sense, and so it went.
He spoke of love too. Not big flamed love, big heroes taking big falls for some hopeless romance like in olden times but squeezed love, love squeezed out of a spoon, maybe, but love in all its raw places. A guy turning his woman into a whore to feed his endless habit love, and her into a junkie love. A woman taking her man through cold turkey love. A man letting his woman go love, ditto woman her man when the deal went wrong. When the next best thing came by. Not pretty love all wrapped in a bow, but love nevertheless. And sometimes in this perverse old world the love a man has for a woman when, failing cold turkey, he goes to get the fixer man and that fixer man get his woman well, almost saintly and sacramental. Brothers and sisters just read The Last Carousel if you want to know about love. Hard, hard love. Yah, Nelson Algren knew how to give voice, no holds barred, to the small-voiced people.
***Thoroughly Modern…-John Cusack’s High Fidelity –A Film Review
From The Pen Of Frank Jackman
DVD Review
High Fidelity, starring John Cusack, Jack Black, 2000
Modern age issues can be very trying things, very trying indeed. Oh no, not the questions of war and peace, the degradation of the planet, the struggle against the three great tragedies of life-hungers, death, and sex but, well wait a minute let me back up, because we do want to deal with that last issue in the film under review, High Fidelity, Yes, we want to deal with the very modern issue of, uh, boy and girl relationships, a staple of the Hollywood production line. But in a little different way because instead of the person who is suffering youthful angst and alienation being a young woman that is the usual vehicle for introducing this subject we have a guy, played John Cusack, who is unman-like, if there is such a word, spilling his guts out (sorry) about his lifelong trial and tribulations with, uh, boy-girl relationships. Stuff that most guys keep deep within their psyches but which in the modern confessional age is open for public inspection. The way this introspection is dealt with in the film is by a verbal dairy of sorts with Brother Cusack giving us a blow by blow description of his personal wars going back, going back to middle school for chrissakes. I had better give the skinny of the plotline so you know what I mean.
Take one confused record store owner specializing in rarer and hard to get oldies but goodies and one public service lawyer who are having, well, having trouble in their relationship, and are ready to split up and go their separate ways. Reason, public service lawyer reason, one sad sack record store owner is not “growing.” (By the way for those who are young, who live in mall country, or who satisfy their musical tastes by down-loading their selections on every conceivable electronic gadget a record store is a place where you go in and buy records. You know, vinyl, 45s, 78s. Still don’t get it, then look it up on Wikipedia please.) The film revolves around the hard fact that Brother Cusack has always been, or thinks that he has always been, a loser in the boy-girl love wars and he takes us back through his stormy relationships (to him but to us we have seen and heard that song before) going back to middle school for chrissakes (oops, I already said that). So we are treated to a trip down memory lane (aided by many, many songs from various periods as background-kudos for that) through the litany. Of course when the deal goes down, this is after all a Hollywood boy-girl story, he sees where he could be a little less shallow, a little more open, and so he is redeemed in the end. Gets the girl, again.
Well, okay it is not the stuff of great tragedy, modern or ancient, and his character flaws do not doom him to the depths of hell but that main story line is not what makes this one so entertaining. What does is the interplay between Cusack and his employees at the record store, mainly one mad man Jack Black. Now a lot of what Jack Black does is frankly sophomoric and sometimes it seems like he has only one note to play but every time he was on-screen he redeemed this thing. Made me laugh despite myself. Not bad, huh. Makes you want to go out and buy records (see note above for the clueless on this word). Enough said.
***The
Roots Is The Toots- The Music That Got Them Through The Great Depression And
World War II- From Deep In The Songbook-The Inkspots – We’ll Meet Again …
**********
Peter Paul Markin comment on this series:
…
okay, we know it did not always start for them with sighs and meanings, start
with golden age thoughts, with forever, not by a longshot. It in Doc’s
Drugstore in old time North Adamsville (or name your drugstore, Rexall’s ,
Smitty’s, People’s the setting is not what counts here, okay), started with her
playing a dreamy record on the jukebox at the soda fountain. (Why else would
otherwise healthy teenagers be at a damn drugstore, of all places.) And him,
him a nothing but love them and leave them Jimmy kind of swaying to the tune,
waiting to play his latest be-bop crazed song, you know, something one could
dance to, hell, not some waltz fox-trot thing but something one could jitter-bug to. And as his
song came up on the turntable he asked her to dance. At first she refused,
refused flat out knowing he was a “fast” guy, a what did I call him, oh yeah, a
love them and leave them guy. Then he whispered something in her ear for a
couple of minutes, something that she would not divulge even fifty years later.
And they danced, and danced in sync, danced with meaning.
So
it started, started with that jitter-buggery, started with whatever he
whispered in her ear at Doc’s. And
everybody noticed, especially his corner boys, the boys who put their feet up
against the night wall at Harry’s Market, that he was thereafter always seen
with her, and with nobody else, no other girl. But those were not times to
reform one’s personal habits, those were not times to spent much time on such
things, not with a world being haunted by the night of the long knives and he,
he and those corner boys, he and those North Adamsville youth, and those of a
million North Adamsvilles, when their number was called, had to put such things
on hold. But get this, get this if you can, as she saw him off at the North
Adamsville train station on his way to some foul, dank, sweaty troop ship, half
the guys getting seasick and not just Kansas no ocean guys either, to go lay
down his head in some watery grave if necessary, he swore, he swore that if he
made it back, he would finish what he started, would finish what he whispered
in her ear right Doc’s Drugstore that fateful afternoon.
And
a few weeks later as he sat in a woe-begotten, made-in-a-day troop transport,
made right down the road from his house at the Adamsville River Shipyard he
suspected, on its way to some European
landing area for that last big push against the monsters, against the
night-takers, he fretted, there was no other word for it, away his time
thinking about what would happen to her, to her and the baby that was coming,
their love baby, if he had to lay his head down in some watery grave, in some
trampled field, by some stony bridge that had to be taken at all costs, and he
did not get a chance to make good on his promise, that something that he
whispered in her ear at Doc’s (and that he too would refuse to divulge fifty
years later). He banished such thought though, thoughts that only made his
seasickness worse, and began to write her his daily upbeat letter telling her
that this stint was a piece of cake, and that he damn well would be back…
**********
Peter Paul Markin comment on this series:
Whether we liked it or not, whether we even knew what it
meant to our parents or not, knew what sacred place it held in their youthful
hearts, Benny Goodman with and without Miss (Ms.) Peggy Lee, Harry James with
or without the orchestra, Duke Ellington with or without Mr. Johnny Hodges,
Tommy Dorsey, Jimmy Dorsey with or without fanfare, Glenn Miller with or
without glasses, Miss (Ms.) Billie Holiday with or without the blues, personal
blues, Miss Lena Horne with or without stormy weather, Miss (Ms.) Margaret Whiting,
Mr. Vaughn Monroe with or without goalposts, Mr. Billy Eckstine, Mr. Frank
Sinatra with or without bobbysoxers, The Inkspots with, always with, that
spoken refrain, the Andrews Sisters with or without rum in their Coca-Cola, The
Dewdrops with or without whatever they were with or without, Mr. Cole Porter
with or without the boys, Mr. Irving Berlin with or without the flag, and Mr.
George Gershwin with or without his brother, is the music that went wafting
through the house of many of those of us who constitute the generation of ‘68.
Yes, the generation of ’68, baby-boomers, decidedly not what
Tom Brokaw dubbed rightly or wrongly “ the greatest generation,” decidedly not your parents’ or grandparents’ (please, please do not say
great-grandparents’ even if it is true) generation. Those of us who came of
age, biological, political and social age kicking, screaming and full of the
post-war new age teenage angst and alienation in the age of Jack Kennedy’s
Camelot. Who were, some of us any way and I like to think the best of us,
driven by some makeshift dream, who, in the words of brother Bobby quoting from Alfred Lord Tennyson, were “seeking a
new world.” Those who took up the call
to action and slogged through that decade whether it was in civil rights/black
liberation struggle, the anti-Vietnam War struggle or the struggle to find
one’s own identity in the counter-culture swirl before the hammer came down.
And that hammer came down quickly as the decade ended and the high white note
that we searched for, desperately searched, drifted out into the ebbing tide.
Gone. But enough about us this series is about our immediate forbears (but
please, please not great grandparents) their uphill struggles to make their
vision of the newer world, to satisfy their hunger a little, to stop that
gnawing want, and the music that in their youth
dreamed by on cold winter nights or hot summer days.
This is emphatically the music of the generation that
survived the dust bowl all farms blown away, all land worthless, the bankers
taking whatever was left and the dusted crowd heading west with whatever was
movable, survived empty bowls wondering where the next meal would come from,
survived no sugar bowl street urchin hard times of the 1930s Great Depression,
the time of the madness, the time of the night-takers, the time of the long
knives. Building up those wants, name them, named those hungers on cold nights
against riverside fires, down in dusty arroyos, under forsaken bridges.
Survived god knows how by taking the nearest freight, some smoke and dreams
freight, Southern Pacific, Union Pacific, B&O, Illinois Central, Penn
Central, Empire State, Boston and Maine, or one of a million trunk lines to go
out and search for, well, search for…
Searching for something that was not triple- decker bodies,
three to a room sharing some scraggly blanket, an old worn out pillow for rest,
the faint smell of oatmeal, twenty days in a row oatmeal, oatmeal with.., being
cooked in the next room meaning no Pa work, meaning one jump, maybe not even
that ahead of the rent collector (the landlords do not dare come in person so
they hire the task out), meaning the sheriff and the streets are closing in.
Bodies, brothers and sisters, enough to lose count, piled high cold-water flat
high, that damn cold water splash signifying how low things have gotten, with a
common commode for the whole floor and brown-stained sink. Later moving down
the scale a rooming house room for the same number of bodies, window looking
out onto the air shaft, dark, dark with despair, the very, very faint odor of
oatmeal, who knows how many days in a row, from Ma’s make-shift hot plate on
its last legs. Hell, call it what it was
flop house stinking of perspiration and low-shelf whiskeys and wines. Others
had it worse, tumbled down shack, window pane-less, tarpaper siding, roof tiles
falling, a lean-to ready to fall to the first wind, the first red wind coming
out of the mountains and swooping down the hills and hollows, ready to fall to
the first downpour rain, washed away. Yes, get out on the open road and search
for the great promised American night that had been tattered by world events,
and greed.
Survived the Hoovervilles, the great cardboard, tin can
roof, slap-dash jerry-built camp explosions along rivers, down in ravines and
under railroad trestles. Tossed, hither and yon, about six million different
ways but it all came down to when the banks, yeah, the banks, the usual
suspects, robbed people of their shacks, their cottages, their farm houses.
Robbed them as an old-time balladeer, a free-wheeling, song-writing red, a
commie, in the days when in some quarters sailing under that banner was a badge
of honor, said at the time not with a gun but with a fountain pen, but still
robbed them.
Survived the soup kitchens hungers, the gnawing can’t wait
in the endless waiting line for scrapes, dreaming of some by-gone steak or dish
of ice cream, and always that hunger, not the stomach hunger although that was
ever present, but the hunger that hurts a man, hurts his pride when he has to
stick his hand out, stick it out and not know why. Planning the fruitless day,
fruitless since he was born to work, took pride in work, planning around Sally
breakfasts don’t be late, six to nine, but with sermon and song attached,
mission stuff in heat-soaked rooms, men smelling of unwashed men, and drink.
Planning around city hall lunches, peanut butter sandwiches, slapped slap-dash
together with an apple, maybe. Worse, worse by far the Saint Vincent DePaul
suppers, soup, bread, some canned vegetable, something they called meat but was
in dispute, lukewarm coffee, had only, only if you could prove you were truly
destitute with a letter from some churchman and, in addition, under some
terrible penalty, that you had searched for work that day. A hard dollar, hard
dollar indeed.
Jesus, out of work for another day, and with three hungry
growing kids to feed, and a wife sickly, sick unto death of the not having he
thought, little work waiting for anybody that day, that day when all hell broke
loose and the economy tanked, at least that is what it said in the Globe (ditto New York Times, Washington Post, Chicago Tribune, Los Angeles Times,
San Francisco Examiner if anybody was asking), said that there was too much
around, too much and he with nothing for those kids, nothing and he was too
proud to ask for some damn letter to give to those Vincent DePaul
hard-hearts. And that day not him, not
him yet, others, others who read more that the Globe (and the dittos) were
dreaming of that full head of steam day to come in places like big auto Flint,
waterfront Frisco town, rubber Akron, hog butcher to the world prairie Chicago,
hell, even in boondock trucker Minneapolis, a day when the score would get
evened, evened a little, and a man could hold his head up a little, could at
least bring bread to those three hungry growing kids who didn’t understand the
finer point of world economics just hunger. Until then though he is left
shifting the scroungings of the trash piles of the urban glut, the discard of
the haves, the have nots throw nothing away, and on other horizons the brethren
curse the rural fallow fields, curse the banks, and curse the weather, but
curse most of all having to pack up and head, head anyway, anywhere but the
here, and search, search like that brother on that urban glut pile for a way to
curb that gnawing hungry that cried out in the night-want, want
that is all.
Survived too the look, the look of those, the what did FDR
(Franklin Delano Roosevelt for the young, or forgetful) call them, oh yeah, the
economic royalists, today’s 1%, the rack-renters, the coupon-clippers, the
guys, as one of their number said, who hired one half of the working class to
fight the other, who in their fortified towers, their Xanadus, their Dearborns,
their Beacon Hills, their Upper East Sides, their Nob Hills, and a few other
spots, tittered that not everybody was built to survive to be the fittest. That
crowd, and let’s name names, a few anyway, Ford, General Motors, Firestone,
U.S. Steel, fought tooth and nail against the little guy trying to break bread.
Fought that brother too out pounding the mean streets to proud to ask for a
letter, Jesus, a letter for some leftover food, before he got “religion” about
what was what in the land of “milk and honey.”
Wreaked havoc on that farmer out in the dust bowl not travelling some
road, some road west knowing that the East was barred up, egging him on to some
hot dusty bracero labor filed picking, maybe “hire” him on as a scab against
those uppity city boys. Yes, fought every guy trying to get out from under that
cardboard, tar paper, windowless soup kitchen world along with a hell of a lot
of comrades, yes, comrades, not Russkie comrades although reds were thick in
those battles, took their lumps in Frisco, Flint, Akron and Minneapolis, hell,
any place where a righteous people were rising, kindred in the struggle to put
that survival of the fittest on the back-burner of human history. To stand up
and take collective action to put things
right, hell, made the bosses cry bloody murder when they shut down their
factories, shut them down cold until some puny penny justice was eked out. And
maybe just maybe make that poor unknowingly mean-street walking city brother
and that sweated farm boy thing twice about helping those Mayfair swells.
Survived but took time out too, time out if young perhaps,
as if such things were embedded in some secret teen coda, to stretch those
legs, to flash those legs, to sway those hips, to flash the new moves not, I
repeat, not the ones learned at sixth grade Miss Prissy’s Saturday dance
classes but the ones that every mother, every girl mother warned her Susie
against, to a new sound coming out of the mist, coming to take the sting out of
the want years nights, and the brewing night of the long knives. Coming out of
New York, always New York then, Minton’s, Jimmy’s, some other uptown
clubs, Chicago, Chicago of the big
horns and that stream, that black stream heading north, following the northern
star, again, for jobs and to get the hell away from one Mister James Crow, from
Detroit, with blessed Detroit Slim and automobile sounds, and Kansas City, the
Missouri K.C. okay, the Bird land hatchery, the Prez’s big sexy sax blow home.
Jesus no wonder that madman Hitler banned it, along with dreams.
The sound of blessed swing, all big horns, big reeds, big,
well big band, replacing the dour Brother,
Can You Spare a Dime and its brethren ,
no banishing such thoughts, casting them out with soup lines (and that
awful Friday Saint Vincent DePaul fish stew that even Jesus would have turned
down in favor of bread, wine and a listen to Benny’s Buddha Swings) casting that kind of hunger out for a moment, a
magical realistic moment, casting out ill-fitting, out of fashion, threadbare
(nice, huh) second-hand clothes (passed down from out- the- door hobo brothers and sisters tramping this good
green earth looking for their place, or at least a job of work and money in
their newer threadbare [still nice] clothes), and casting aside from hunger
looks, that gaunt look of those who have their wanting habits on and no way to
do a thing about it. Banished, all such
things banished because after all it did not mean a thing, could not possibly
place you anywhere else but in squareville (my term, not theirs), if you did
not have that swing. To be as one with jitter-buggery if there was (is) such a
word (together, not buggery by itself, not in those days, not in the public
vocabulary anyway). And swing as it lost steam with all the boys, all the swing
boys, all oversea and the home fire girls tired of dancing two girl dancing, a
fade echo of the cool age be-bop that was a-borning, making everybody reach for
that high white note floating out of Minton’s, Big Bill’s Jimmie’s, hell, even
Olde Saco’s Starlight Ballroom before it breezed out in the ocean air night,
crashed into the tepid sea. Yeah.
Survived, as if there was no time to breathe in new fresh
airs, to slog through the time of the gun in World War II, a time when the
night-takers, those who craved the revenge night of the long knives took giant
steps in Europe and Asia trying to make that same little guy, Brit, Frenchie,
Chinaman, Filipino, God’s American, and half the races and nationalities on
this good green earth cry uncle and buckle under, take it, take their stuff
without a squawk. And so after Pearl, after that other shoe dropped on a candid
world Johnnie, Jimmie, Paulie, Benny too, all the guys from the old
neighborhood, the guys who hung around Doc’s hands in their pockets, guys from
the wheat fields fresh from some Saturday night dance, all shy and with
calloused and, guys from the coal slags, down in hill country, full of home
liquor, blackened fingernails and Saturday night front porch fiddlings wound up
carrying an M-I on the shoulder in Europe or the Pacific. Susie, Laura, Betty,
and dark-haired Rebecca too waiting at home hoping to high heaven that some
wayward gun had not carried off sweetheart Johnnie, Jimmy, Paulie, or young
Benny. Jesus not young Benny.
Survived the endless lines of boys heading off East and
West, some who could hardly wait to get to the recruiting office others, well,
other hanging back, hanging back just a little to think things over, and still
others head over heels they were exempt, 4-F, bad feet, you see. All, all
except that last crew who got to sit a home with Susie, Laura, Betty and even
odd-ball Rebecca waiting for the other shoe to drop, for the ships to sail or
planes to fly, hanging in some corner drugstore, Doc’s, Rexall, name your
drugstore name, sitting two by two at the soda fountain playing that newly
installed jukebox until the nickels ran out. Listened to funny banana songs,
rum and coca cola songs, siting under the apple tree songs to get a minute’s
reprieve from thoughts of the journey ahead.
Listened too to dreamy, sentimental songs, songs about
faraway places, about keeping lamp- lights burning, about making a better world
out of the fire and brimstone sacrifice before them, about Johnnie, Jimmie and
the gang actually returning, returning whole, and putting a big dent in their
dreams, hell, about maybe the damn wars would be over sooner rather than later.
Listened and as old Doc, or some woe-begotten soda jerk, some high school kid,
told them to leave he was closing up, they made for the beach, if near a beach,
the pond, the back forty, the hills, or whatever passed for a lovers’ lane in
their locale and with the echo of those songs as background, well, what do you
think they did, why do you think they call us baby-boomers.
The music, this survival music, wafted through the air
coming from a large console radio, the prized possession amid the squalor of
second-hand sofas and woe-begotten stuffed pillows smelling of mothballs,
centered in the small square living room of my growing up house. My broken
down, needs a new roof, random shingles on the ground as proof, cracked windows
stuffed with paper and held with masking tape, no proof needed, overgrown lawn
of a shack of a house too small, much too small, for four growing boys and two
parents house.
That shack of a house surrounded by other houses, shack
houses, too small to fit Irish Catholic- sized families with stony-eyed dreams
but which represented in some frankly weird form (but what knew I of such
weirdness then I just cried out in some fit of angst) the great good desire of
those warriors and their war brides to latch onto a piece of golden age
America. And take their struggle survival music with them as if to validate
their sweet memory dreams. That radio, as if a lifesaver, literally, tuned to local
station WDJA in North Adamsville, the memory station for those World War II
warriors and their war brides, those who made it back. Some wizard station
manager knowing his, probably his in those days, demographics, spinned those
1940s platters exclusively, as well as aimed the ubiquitous advertisement at
that crowd. Cars, sofas, beds, shaving gear, soap, department store sales, all
the basics of the growing families spawned (nice, huh) by those warriors and
brides.
My harried mother, harried by the prospects of the day with
four growing boys, maybe bewildered is a better expression, turning the radio
on to start her day, hoping that Paper
Dolls, I’ll Get By, or dreamy Tangerine,
their songs, their spring youth meeting at some USO dance songs and so
embedded, or so it seemed as she hummed away the day, used the music as background
on her appointed household rounds. The stuff, that piano/drum-driven stuff with
some torch-singer bleeding all over the floor with her loves, her hurts, and
her wanderings, her waitings, they should have called it the waiting
generation, drove me crazy then, mush stuff at a time when I was craving the
big break-out rock and roll sounds I kept hearing every time I went and played
the jukebox at Doc’s Drugstore over on Walker Street down near the beach. As
far as I know Doc, knowing his demographics as well, did not, I repeat, did
not, stock that stuff that, uh, mush for his rock-crazed after school soda
fountain crowd, probably stocked nothing, mercifully before about 1955. Funny
thing though while I am still a child of rock and roll (blues too) this so-called
mushy stuff sounds pretty good to these ears now long after my parents and
those who performed this music have passed on. Go figure.
********
Songwriters:
WILKINSON, ARTHUR/PARKER, ROSS/CHILDS, HUGH
We'll meet again, don't know where, don't know
when
But I'm know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Now, won't you please say "Hello" to the folks that I know
Tell 'em it won't be long
'Cause they'd be happy to know that when you saw me go
I was singing this song
We'll meet again, don't know where, don't know when
But I'm sure we'll meet again some sunny day
We'll meet again, don't know where, don't know when
But I know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
But I'm know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Now, won't you please say "Hello" to the folks that I know
Tell 'em it won't be long
'Cause they'd be happy to know that when you saw me go
I was singing this song
We'll meet again, don't know where, don't know when
But I'm sure we'll meet again some sunny day
We'll meet again, don't know where, don't know when
But I know we'll meet again some sunny day
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
Keep smiling through, just the way you used to do
Till the blue skies chase the dark clouds far away
From The Marxist Archives- In Honor Of The 96th Anniversary Of The Russian October Revolution-The Leninist Press and Revolutionary Continuity
Leon Trotsky On The Lessons Of The Russian Revolution
Workers Vanguard No. 968
5 November 2010
In Honor of the 1917 Bolshevik Revolution
For New October Revolutions!
(From the Archives of Marxism)
November 7 (October 25 by the calendar used in Russia at the time) marks the 93rd anniversary of the Russian Revolution. Led by the Bolshevik Party of V.I. Lenin and Leon Trotsky, the workers’ seizure of power in Russia gave flesh and blood reality to the Marxist understanding of the dictatorship of the proletariat. Despite the subsequent Stalinist degeneration of the Soviet workers state, culminating in its counterrevolutionary destruction in 1991-92, the October Revolution was and is the international proletariat’s greatest victory; its final undoing, a world-historic defeat. The International Communist League (Fourth Internationalist) fought to the bitter end in defense of the Soviet Union and the bureaucratically deformed workers states of East Europe, while calling for workers political revolutions to oust the parasitic nationalist Stalinist bureaucracies that ruled these states. This is the same program we uphold today for the remaining workers states of China, North Korea, Vietnam and Cuba.
Having been expelled from the USSR in 1929 by Stalin, Trotsky spent the remainder of his life in exile. In November 1932, he gave a speech to a Danish social-democratic student group in Copenhagen. He outlined the political conditions and the social forces that drove the Russian Revolution, stressing the decisive role of the Bolshevik Party. Illuminating the worldwide impact of the Russian Revolution and its place in history, Trotsky underlined the necessity of sweeping away the decaying capitalist order and replacing it with a scientifically planned international socialist economy that will lay the material basis for human freedom.
The ICL fights to forge workers parties modeled on Lenin and Trotsky’s Bolsheviks to lead the struggle for new October Revolutions around the globe.
* * *
Revolution means a change of the social order. It transfers the power from the hands of a class which has exhausted itself into those of another class, which is on the rise....
Without the armed insurrection of November 7, 1917, the Soviet state would not be in existence. But the insurrection itself did not drop from Heaven. A series of historical prerequisites was necessary for the October revolution.
1. The rotting away of the old ruling classes—the nobility, the monarchy, the bureaucracy.
2. The political weakness of the bourgeoisie, which had no roots in the masses of the people.
3. The revolutionary character of the peasant question.
4. The revolutionary character of the problem of the oppressed nations.
5. The significant social weight of the proletariat.
To these organic pre-conditions we must add certain conjunctural conditions of the highest importance:
6. The Revolution of 1905 was the great school, or in Lenin’s words, the “dress rehearsal” of the Revolution of 1917. The Soviets, as the irreplaceable organizational form of the proletarian united front in the revolution, were created for the first time in the year 1905.
7. The imperialist war sharpened all the contradictions, tore the backward masses out of their immobility and thereby prepared the grandiose scale of the catastrophe.
But all these conditions, which fully sufficed for the outbreak of the Revolution, were insufficient to assure the victory of the proletariat in the Revolution. For this victory one condition more was needed:
8. The Bolshevik Party....
In the year 1883 there arose among the emigres the first Marxist group. In the year 1898, at a secret meeting, the foundation of the Russian Social-Democratic Workers’ Party was proclaimed (we all called ourselves Social-Democrats in those days). In the year 1903 occurred the split between Bolsheviks and Mensheviks. In the year 1912 the Bolshevist fraction finally became an independent Party.
It learned to recognize the class mechanics of society in struggle, in the grandiose events of twelve years (1905-1917). It educated cadres equally capable of initiative and of subordination. The discipline of its revolutionary action was based on the unity of its doctrine, on the tradition of common struggles and on confidence in its tested leadership.
Thus stood the Party in the year 1917. Despised by the official “public opinion” and the paper thunder of the intelligentsia press, it adapted itself to the movement of the masses. Firmly it kept in hand the control of factories and regiments. More and more the peasant masses turned toward it. If we understand by “nation,” not the privileged heads, but the majority of the people, that is, the workers and peasants, then Bolshevism became in the course of the year 1917 a truly national Russian Party.
In September 1917, Lenin, who was compelled to keep in hiding, gave the signal, “The crisis is ripe, the hour of the insurrection has approached.” He was right. The ruling classes had landed in a blind alley before the problems of the war, the land and national liberation. The bourgeoisie finally lost its head. The democratic parties, the Mensheviks and social-revolutionaries, wasted the remains of the confidence of the masses in them by their support of the imperialist war, by their policy of ineffectual compromise and concession to the bourgeois and feudal property-owners. The awakened army no longer wanted to fight for the alien aims of imperialism. Disregarding democratic advice, the peasantry smoked the landowners out of their estates. The oppressed nationalities at the periphery rose up against the bureaucracy of Petrograd. In the most important workers’ and soldiers’ Soviets the Bolsheviki were dominant. The workers and soldiers demanded action. The ulcer was ripe. It needed a cut of the lancet.
Only under these social and political conditions was the insurrection possible. And thus it also became inevitable. But there is no playing around with the insurrection. Woe to the surgeon who is careless in the use of the lancet! Insurrection is an art. It has its laws and its rules.
The Party carried through the October insurrection with cold calculation and with flaming determination. Thanks to this, it conquered almost without victims. Through the victorious Soviets the Bolsheviki placed themselves at the head of a country which occupies one sixth of the surface of the globe....
Let us now in closing attempt to ascertain the place of the October Revolution, not only in the history of Russia but in the history of the world. During the year 1917, in a period of eight months, two historical curves intersect. The February upheaval—that belated echo of the great struggles which had been carried out in past centuries on the territories of Holland, England, France, almost all of Continental Europe—takes its place in the series of bourgeois revolutions. The October Revolution proclaims and opens the domination of the proletariat. It was world capitalism that suffered its first great defeat on the territory of Russia. The chain broke at its weakest link. But it was the chain that broke, and not only the link.
Capitalism has outlived itself as a world system. It has ceased to fulfill its essential mission, the increase of human power and human wealth. Humanity cannot stand still at the level which it has reached. Only a powerful increase in productive force and a sound, planned, that is, Socialist organization of production and distribution can assure humanity—all humanity—of a decent standard of life and at the same time give it the precious feeling of freedom with respect to its own economy. Freedom in two senses—first of all, man will no longer be compelled to devote the greater part of his life to physical labor. Second, he will no longer be dependent on the laws of the market, that is, on the blind and dark forces which have grown up behind his back. He will build up his economy freely, that is, according to a plan, with compass in hand. This time it is a question of subjecting the anatomy of society to the X-ray through and through, of disclosing all its secrets and subjecting all its functions to the reason and the will of collective humanity. In this sense, Socialism must become a new step in the historical advance of mankind. Before our ancestor, who first armed himself with a stone axe, the whole of nature represented a conspiracy of secret and hostile forces. Since then, the natural sciences, hand in hand with practical technology, have illuminated nature down to its most secret depths. By means of electrical energy, the physicist passes judgment on the nucleus of the atom. The hour is not far when science will easily solve the task of the alchemists, and turn manure into gold and gold into manure. Where the demons and furies of nature once raged, now rules ever more courageously the industrial will of man.
But while he wrestled victoriously with nature, man built up his relations to other men blindly, almost like the bee or the ant. Belatedly and most undecidedly he approached the problems of human society. He began with religion, and passed on to politics. The Reformation represented the first victory of bourgeois individualism and rationalism in a domain which had been ruled by dead tradition. From the church, critical thought went on to the state. Born in the struggle with absolutism and the medieval estates, the doctrine of the sovereignty of the people and of the rights of man and the citizen grew stronger. Thus arose the system of parliamentarism. Critical thought penetrated into the domain of government administration. The political rationalism of democracy was the highest achievement of the revolutionary bourgeoisie.
But between nature and the state stands economic life. Technology liberated man from the tyranny of the old elements—earth, water, fire and air—only to subject him to its own tyranny. Man ceased to be a slave to nature, to become a slave to the machine, and, still worse, a slave to supply and demand. The present world crisis testifies in especially tragic fashion how man, who dives to the bottom of the ocean, who rises up to the stratosphere, who converses on invisible waves with the Antipodes, how this proud and daring ruler of nature remains a slave to the blind forces of his own economy. The historical task of our epoch consists in replacing the uncontrolled play of the market by reasonable planning, in disciplining the forces of production, compelling them to work together in harmony and obediently serve the needs of mankind. Only on this new social basis will man be able to stretch his weary limbs and—every man and every woman, not only a selected few—become a full citizen in the realm of thought.
—“Leon Trotsky Defends the October Revolution” (Militant, 21 January 1933)
************
Leon Trotsky On The Lessons Of The Russian Revolution
Workers Vanguard No. 968
5 November 2010
In Honor of the 1917 Bolshevik Revolution
For New October Revolutions!
(From the Archives of Marxism)
November 7 (October 25 by the calendar used in Russia at the time) marks the 93rd anniversary of the Russian Revolution. Led by the Bolshevik Party of V.I. Lenin and Leon Trotsky, the workers’ seizure of power in Russia gave flesh and blood reality to the Marxist understanding of the dictatorship of the proletariat. Despite the subsequent Stalinist degeneration of the Soviet workers state, culminating in its counterrevolutionary destruction in 1991-92, the October Revolution was and is the international proletariat’s greatest victory; its final undoing, a world-historic defeat. The International Communist League (Fourth Internationalist) fought to the bitter end in defense of the Soviet Union and the bureaucratically deformed workers states of East Europe, while calling for workers political revolutions to oust the parasitic nationalist Stalinist bureaucracies that ruled these states. This is the same program we uphold today for the remaining workers states of China, North Korea, Vietnam and Cuba.
Having been expelled from the USSR in 1929 by Stalin, Trotsky spent the remainder of his life in exile. In November 1932, he gave a speech to a Danish social-democratic student group in Copenhagen. He outlined the political conditions and the social forces that drove the Russian Revolution, stressing the decisive role of the Bolshevik Party. Illuminating the worldwide impact of the Russian Revolution and its place in history, Trotsky underlined the necessity of sweeping away the decaying capitalist order and replacing it with a scientifically planned international socialist economy that will lay the material basis for human freedom.
The ICL fights to forge workers parties modeled on Lenin and Trotsky’s Bolsheviks to lead the struggle for new October Revolutions around the globe.
* * *
Revolution means a change of the social order. It transfers the power from the hands of a class which has exhausted itself into those of another class, which is on the rise....
Without the armed insurrection of November 7, 1917, the Soviet state would not be in existence. But the insurrection itself did not drop from Heaven. A series of historical prerequisites was necessary for the October revolution.
1. The rotting away of the old ruling classes—the nobility, the monarchy, the bureaucracy.
2. The political weakness of the bourgeoisie, which had no roots in the masses of the people.
3. The revolutionary character of the peasant question.
4. The revolutionary character of the problem of the oppressed nations.
5. The significant social weight of the proletariat.
To these organic pre-conditions we must add certain conjunctural conditions of the highest importance:
6. The Revolution of 1905 was the great school, or in Lenin’s words, the “dress rehearsal” of the Revolution of 1917. The Soviets, as the irreplaceable organizational form of the proletarian united front in the revolution, were created for the first time in the year 1905.
7. The imperialist war sharpened all the contradictions, tore the backward masses out of their immobility and thereby prepared the grandiose scale of the catastrophe.
But all these conditions, which fully sufficed for the outbreak of the Revolution, were insufficient to assure the victory of the proletariat in the Revolution. For this victory one condition more was needed:
8. The Bolshevik Party....
In the year 1883 there arose among the emigres the first Marxist group. In the year 1898, at a secret meeting, the foundation of the Russian Social-Democratic Workers’ Party was proclaimed (we all called ourselves Social-Democrats in those days). In the year 1903 occurred the split between Bolsheviks and Mensheviks. In the year 1912 the Bolshevist fraction finally became an independent Party.
It learned to recognize the class mechanics of society in struggle, in the grandiose events of twelve years (1905-1917). It educated cadres equally capable of initiative and of subordination. The discipline of its revolutionary action was based on the unity of its doctrine, on the tradition of common struggles and on confidence in its tested leadership.
Thus stood the Party in the year 1917. Despised by the official “public opinion” and the paper thunder of the intelligentsia press, it adapted itself to the movement of the masses. Firmly it kept in hand the control of factories and regiments. More and more the peasant masses turned toward it. If we understand by “nation,” not the privileged heads, but the majority of the people, that is, the workers and peasants, then Bolshevism became in the course of the year 1917 a truly national Russian Party.
In September 1917, Lenin, who was compelled to keep in hiding, gave the signal, “The crisis is ripe, the hour of the insurrection has approached.” He was right. The ruling classes had landed in a blind alley before the problems of the war, the land and national liberation. The bourgeoisie finally lost its head. The democratic parties, the Mensheviks and social-revolutionaries, wasted the remains of the confidence of the masses in them by their support of the imperialist war, by their policy of ineffectual compromise and concession to the bourgeois and feudal property-owners. The awakened army no longer wanted to fight for the alien aims of imperialism. Disregarding democratic advice, the peasantry smoked the landowners out of their estates. The oppressed nationalities at the periphery rose up against the bureaucracy of Petrograd. In the most important workers’ and soldiers’ Soviets the Bolsheviki were dominant. The workers and soldiers demanded action. The ulcer was ripe. It needed a cut of the lancet.
Only under these social and political conditions was the insurrection possible. And thus it also became inevitable. But there is no playing around with the insurrection. Woe to the surgeon who is careless in the use of the lancet! Insurrection is an art. It has its laws and its rules.
The Party carried through the October insurrection with cold calculation and with flaming determination. Thanks to this, it conquered almost without victims. Through the victorious Soviets the Bolsheviki placed themselves at the head of a country which occupies one sixth of the surface of the globe....
Let us now in closing attempt to ascertain the place of the October Revolution, not only in the history of Russia but in the history of the world. During the year 1917, in a period of eight months, two historical curves intersect. The February upheaval—that belated echo of the great struggles which had been carried out in past centuries on the territories of Holland, England, France, almost all of Continental Europe—takes its place in the series of bourgeois revolutions. The October Revolution proclaims and opens the domination of the proletariat. It was world capitalism that suffered its first great defeat on the territory of Russia. The chain broke at its weakest link. But it was the chain that broke, and not only the link.
Capitalism has outlived itself as a world system. It has ceased to fulfill its essential mission, the increase of human power and human wealth. Humanity cannot stand still at the level which it has reached. Only a powerful increase in productive force and a sound, planned, that is, Socialist organization of production and distribution can assure humanity—all humanity—of a decent standard of life and at the same time give it the precious feeling of freedom with respect to its own economy. Freedom in two senses—first of all, man will no longer be compelled to devote the greater part of his life to physical labor. Second, he will no longer be dependent on the laws of the market, that is, on the blind and dark forces which have grown up behind his back. He will build up his economy freely, that is, according to a plan, with compass in hand. This time it is a question of subjecting the anatomy of society to the X-ray through and through, of disclosing all its secrets and subjecting all its functions to the reason and the will of collective humanity. In this sense, Socialism must become a new step in the historical advance of mankind. Before our ancestor, who first armed himself with a stone axe, the whole of nature represented a conspiracy of secret and hostile forces. Since then, the natural sciences, hand in hand with practical technology, have illuminated nature down to its most secret depths. By means of electrical energy, the physicist passes judgment on the nucleus of the atom. The hour is not far when science will easily solve the task of the alchemists, and turn manure into gold and gold into manure. Where the demons and furies of nature once raged, now rules ever more courageously the industrial will of man.
But while he wrestled victoriously with nature, man built up his relations to other men blindly, almost like the bee or the ant. Belatedly and most undecidedly he approached the problems of human society. He began with religion, and passed on to politics. The Reformation represented the first victory of bourgeois individualism and rationalism in a domain which had been ruled by dead tradition. From the church, critical thought went on to the state. Born in the struggle with absolutism and the medieval estates, the doctrine of the sovereignty of the people and of the rights of man and the citizen grew stronger. Thus arose the system of parliamentarism. Critical thought penetrated into the domain of government administration. The political rationalism of democracy was the highest achievement of the revolutionary bourgeoisie.
But between nature and the state stands economic life. Technology liberated man from the tyranny of the old elements—earth, water, fire and air—only to subject him to its own tyranny. Man ceased to be a slave to nature, to become a slave to the machine, and, still worse, a slave to supply and demand. The present world crisis testifies in especially tragic fashion how man, who dives to the bottom of the ocean, who rises up to the stratosphere, who converses on invisible waves with the Antipodes, how this proud and daring ruler of nature remains a slave to the blind forces of his own economy. The historical task of our epoch consists in replacing the uncontrolled play of the market by reasonable planning, in disciplining the forces of production, compelling them to work together in harmony and obediently serve the needs of mankind. Only on this new social basis will man be able to stretch his weary limbs and—every man and every woman, not only a selected few—become a full citizen in the realm of thought.
—“Leon Trotsky Defends the October Revolution” (Militant, 21 January 1933)
************
|
Workers Vanguard No. 1000
|
13 April 2012
|
 |
| ||
TROTSKY
|
LENIN
|
The Leninist Press and Revolutionary Continuity
(Quote of the Week)
For the 1,000th issue of Workers Vanguard, we print below
excerpts from a 1958 speech by James P. Cannon, historic leader of American
Trotskyism, on the role of the Leninist press in propagating revolutionary
Marxism and cohering the cadres of the proletarian vanguard. Delivered on the
30th anniversary of the founding of the Militant, newspaper of the
Socialist Workers Party (SWP), Cannon’s talk also marked the anniversary of the
1917 October Revolution in Russia. In the early 1960s, the Revolutionary
Tendency, forerunner of the Spartacist League/U.S., was formed inside the SWP to
fight against the party majority’s increasing abandonment of the Trotskyist
program. The SL, founded in 1966, began publishing WV five years later.
We salute the dedication of comrades who have helped produce and distribute our
press over the decades and go forward in the fight for new October
Revolutions.
We did not pretend, when we started The Militant, that we
were producing a great mass paper, simplifying everything to the lowest common
denominator. On the contrary, our paper was devoted to the education and
reeducation of the vanguard militants of the Communist movement. It was
primarily a cadre paper, the educator and guide of the cadres. The people who
hold the party together and keep it going in all kinds of weather. The people
who never quit, who never float down the stream like dead fish, but swim against
the current no matter how rough it may be. That is the meaning of “militant,”
and that was the meaning of the paper we started to represent such people.
We had learned a good deal by then, although we have learned a
great deal more since, and were applying something from Lenin’s program for
Iskra. Many of you have read in his great pamphlet, What Is To Be
Done?, what he considered to be the role of a national paper. As Lenin
conceived it, the role of a revolutionary paper is to function not merely as an
agitator dealing with protest issues, not merely as a propagandist concerned
with educating people and dealing with questions of theory and politics, but as
the best organizer of the party....
Old Frederick Engels, in the hard and bitter time of the movement
of his day, wrote to an old comrade, an old guard of the Communist League,
referring to the difficulties and troubles they were in and to the good comrades
who had fallen by the wayside. And the old comrade asked, “What shall we do?”
And Engels answered, “What can we do? We stand in the breach. That’s what we are
here for.”
—James P. Cannon, “Revolutionary Journalism,” November 1958,
reprinted in Speeches for Socialism (Pathfinder, 1971)
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