From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days, Maybe More, Of  ......The Struggle Against The Endless American Wars

******One More Time Down 1950s Record Memory Lane

******One More Time Down 1950s Record Memory Lane

 

Sam Lowell, considered himself a corner boy from the time in the early 1960s when in the working-class neighborhoods of America were filled to the brim with such guys hanging out on the corners, in his case North Adamsville not far from urban Boston at Jack Slack’s bowling alleys. Places like South Boston (an all Irish enclave then where even those who like Sam’s maternal grandparents had moved out of the enclave to an Irish neighborhood in North Adamsville were considered suspect, were looked at with jaundiced eye even by the relatives left behind), Main Street in Nashua (at the time a dying city what with the mills heading south to cheaper labor and eventually overseas and so a tough place to dream in), New Hampshire, 125^th Street in high Harlem (with all the excitement of jazz and be-bop but with all the high segregation of the South except for the formality of Mister James Crow’s laws), New York City, any of a million spots on Six Mile Road in Detroit (never a place of dreams but of steady work in the golden age of the American automobile from Delta Mister James Crow black refugees and the Okie/Arkie white rabble coming out of the hills and dustbowls), the same on Division Street in Chi town (the beat street divide of many of Nelson Algren’s tales of drugs, urban lost-ness, and disappointments), the lower end of North Beach beyond where the “beats” of a few years before did their beat thing (the places where the longshoremen and waterfront workers did their heavy drinking after work and where the sailors off their Pacific ocean ships fought all comers.

At least Jack Slack’s was the last port of call for the crowd, for that motley collection of corner boys picked up and discarded along the way although the core of Frankie, Jack, Jimmy, Allan, Markin and Five-Fingers held throughout which had started at Doc’s Drugstore complete with sofa fountain and shiny glass penny candy-case to draw selections from after  school to energize up for the real world activities of kid-dom in elementary school, Miller’s Diner for the jukebox in junior high when they were just becoming aware of girls, maybe having to dance with them, and maybe trying to figure out, the eternal trying to figure out how to approach them without them giggling back and Salducci’s Pizza Parlor in early high school before the new owners decided that unlike Tonio, the previous owner who sold out to go back to Italy from when he came as a boy they did not want rough-necked boys standing one knee against the wall in front of their family friendly establishment. That time, those early 1960s times for some reason known only to them, was time that you had best have had corner boy comrades when you hung out on date-less, girl-less, dough-less Friday and Saturday nights to have your back if trouble brewed (that “comrade” not a word to be used then in the tail end of the height of the red scare Cold War night not if you want knuckle sandwiches from the unthinking patriotic guys but that does convey the sense of “having your back” critical to your place in those woe begotten streets.

That corner boy business extended through the 1960s after high for a couple of years when in addition to being a corner boy he became a “flower child” along with his long mourned and lamented friend the late Peter Paul Markin (who met a horrible end down in sunny Mexico after the fresh breeze of the 1960s turned in on itself and he got flat-footed by the backlash and could no longer hold back his “from hunger”  wanting habits and made the fatal, very fatal, mistake of trying to broker an independent drug deal and got two slugs to the back of his head for the attempt) heading out west on the hitchhike roads when the world turned upside down later in the decade. Sam, now a sedate grandfatherly semi-retired lawyer filled with respectability and memories had to laugh about how much he of late had been thinking about the 1950s, about not just those corner boy days but about the music that drove every corner boy, including Markin, make that perhaps most of all Markin, to distraction as they tried to eke out a sound that they could call their own.

Thinking about the 1950s when he came of age, came of musical age, an age very mixed up with that corner boy comradery, that hanging at Doc’s and Miller’s Diner when he started noticing girls and their charms, started his life-long journey of trying to figure out what made them tick, what they wanted, wanted of him, from a girl-less family making everything that much harder, noticing that they too hung around Miller’s in order to play that fantastic jukebox which had all the latest tunes and plenty of oldies too (oldies being let’s say we are talking about 1958 then maybe 1955 hits like Eddie, My Love, Rock Around The Clock, and Bo Diddley showing that teen time, youth time anyway is measured differently from old man lawyerly time) drawing away from the music on his parents’ family living room radio and their cranky old record player music. Music   emphatically not on Miller’s jukebox or there would have been a civil war no question, a civil war avoided in the home after his parents had bought, to insure domestic peace and tranquility if he remembered correctly, his first transistor radio down at the now long gone Radio Shack store and he could sit up in his room and dream of whatever coming of age boys dreamed about, mainly how those last year bothersome girls became this year’s interesting objects of discussion (by the way in that small crowded room, shared with his two brothers, he found out he could discover the beauty of the “hold up to your ear”  transistor radio and drown out the world of brotherly scuffings). 

More than that though, more than just thinking about the old days like every old guy probably does, even guys who had not been lawyers as a professional career, guys who you see sitting on park benches, a little disheveled, maybe some crumbs in their unkempt beards, feeding the birds and half-muttering to themselves about how when FDR was around everybody stood tall, every country bent it knees in homage to America, or else, or old bag ladies rummaging through trash barrels looking for long lost lovers or their faded beauty Sam had been purchasing compilations of what are commercially called “oldies but goodies” CD. Doing so via the user-friendly confines of the Internet, at Amazon if you need a name like today anybody, except maybe three people up in heathen Alaska or the Artic,  doesn’t know that is the site to get such material these days instead of traipsing over half the East Coast trying to cadge a few examples, and  purchasing several record compilations of the “best of” that period from a commercial distributor (and also keeping up to date on various versions of the songs on YouTube) and through his friend and old corner boy Frankie Riley been spilling plenty of cyber-ink on Frankie’s blog, In The Be-Bop ‘50s Night, going back to the now classic age of rock and roll.

Sam had to laugh about that situation back then as well since he had been well known back on the corner, back holding up the wall in front of Salducci’s Pizza Parlor, on many of those date-less, date-less because although he might have been all “hail fellow, well met” hard-assed corner boy full of bluster and blah he was sister-less and hence baffled by girls and their ways and very shy around the question of asking for dates although he was quite willing to tell each and every girl who would listen to him about ten thousand fact on any of sixteen subjects, not excluding science, philosophy, and the poor fate of the Red Sox then. Although those ten thousand facts would come in handy when he got to college a couple of years later and he had girls hanging off the walls in debate class waiting for him to ask them out then those precious facts did not add up to a date by osmosis but rather incomprehension even by girls like Patty Lewis and Mary Shea who liked him and would have be glad if he asked them for a date without the ten thousand facts, thank you. Here though in something about the mores of the time that young people today might not comprehend girls just waited for guys to make a move, or moved on to the next guy who would, especially if he had a boss ’55 Chevy, like Patty and Mary did). Also girl-less (already explained but here the question is having a serious girl and the just mentioned facts will hold here as well), and dough-less (self-explanatory in working-class North Adamsville, the sorry fate of the working poor, the marginally employed like his father, no money when the rent was due and Ma had not money for the damn rent collector much less discretionary money for dates with girls) on Friday and Saturday nights when he  proclaimed to all who would listen (mainly Frankie, Markin, Jimmy Jenkins, Jack Callahan, Kenny Hogan and Johnny “Thunder” Thornton and an occasional girl who wondered what he was talking about) that “rock and roll will never die.”

Mainly, through the archival marvels of modern technology, pay-per-song, look on YouTube, check out Amazon Sam had been right, rock and roll had not died although it clearly no longer provided the same fuel for later generations more into hip-hop-ish, techno music, or edge city rock. But Sam always though it funny when kids, his grandkids, for example, heard (and saw) Elvis, all steamy, smoldering and swiveling in some film clip to make the older almost teenage girls among them almost react like the girls in his time did when they saw him on the Ed Sullivan Show and had half-formed girlish dreams about personally erasing that snarl from his face, especially that flip clip of the prison number in Jailhouse Rock. Bo Diddley proclaiming to the whole wide world that he in fact had put the rock in rock and roll and who could dispute that claim when he went bongers in some Afro-Carib number with that rectangular guitar. Say too Chuck Berry telling a candid world, a candid teenage world which after all was all that counted then, now too from what he had heard, that Mister Beethoven from the old fogy music museum had better take himself and his cronies and move over because a new be-bop daddy, a new high sheriff was in town was taking the reins, making the kids jump on jump street. Ditto curl-in-hair Buddy Holly pining away for his Peggy Sue. Better mad monk swamp rat Jerry Lee Lewis sitting, maybe standing for all Sam knew telling that same candid world that Chuck was putting on fire everybody had to do the high school hop bop, confidentially. And how about Wanda Jackson proclaiming that it was party time and an endless host of one hit wonders and wanna-bes they went crazy over. Yeah, those kids, those for example grandkids jumping around just like the young Sam who could not believe his ears when he had come of age and, yeah, jumping around for those same guys who formed his musical tastes back in the 1950s when he had come of age, musical age anyway. Jesus, Jesus too when he came of teenage age and all that meant of angst and alienation something no generation seems to be able to escape since the world had no less dangerous, no less incomprehensible today.

Sam had thought recently about going back to those various commercially-produced compilations put out by demographically savvy media companies that he had purchased on Amazon to cull out the better songs, some which he had on the tip of his tongue almost continuously since the 1950s (the Dubs Could This Be Magic the great last chance dance song that bailed him out of being shut out of more than one dance night although his partner’s feet borne the brunt of the battle, and the Teen Queens Eddie My Love, where Eddie took advantage of the girl and she is wondering when he is coming back, a great love ‘em and leave ‘em song and the answer is still he’s never coming back, are two examples that quickly came to his mind). Others like Johnny Ace’s Pledging My Love or The Crows Oh-Gee though needed some coaxing by listening to the compilations to be remembered.

But Sam, old lawyerly Sam, had finally found a sure-fire method to aid in that memory coaxing. Just go back in memory’s mind and picture scenes from teenage days and figure the songs that went with such scenes (this is not confined to 1950s aficionados anybody can imagine their youth times and play). But even using that method Sam believed that he was cheating a little, harmlessly cheating but still cheating. When he (or anybody familiar with the times) looked at the artwork on most of the better 1950s CD compilations one could not help but notice the excellent artwork that highlights various institutions illustrated back then. The infamous drive-in movies where you gathered about six people (hopefully three couples but six anyway) and paid for two the other four either on the back seat floor or in the trunk. They always played music at intermission when that “youth nation” cohort gathered at the refreshment stand to grab inedible hot dogs, stale popcorn, or fizzled out sodas, although who cared, especially if that three couples thing was in play, and that scene had always been associated in Sam’s mind with Frankie Lyman and the Teenager’s Why Do Fools Fall In Love.

That is how Sam played the game. Two (or more) can play so he said he would just set the scenes and others could fill in their own musical selections. Here goes: the first stirrings of interest in the opposite sex at Doc’s Drugstore with his soda fountain AND jukebox; the drive-in restaurant with you and yours in the car, yours or father borrowed for an end of the night bout with cardboard hamburgers, ultra-greasy french fries and diluted soda; the Spring Frolic Dance (or name your seasonal dance) your hands all sweaty, trying to disappear into the wall, waiting, waiting to perdition for that last dance so that you could ask that he or she that you had been eyeing all evening to dance that slow one  all dreamy; down at the beach on day one of out of school for the summer checking out the scene between the two boat clubs where all the guys and gals who counted hung out; the night before Thanksgiving football rally where he or she said they would be there, how about you; on poverty nights sitting up in your bedroom listening to edgy WMEX on your transistor radio away from prying adult eyes; another poverty night you and your boys, girls, boys and girls sitting in the family room spinning platters; that first sixth grade “petting” party (no more explanation needed right); cruising Main Street with your boys or girls looking for, well, you figure it out listening to the radio in that “boss” Chevy, hopefully; and, sitting in the balcony “watching” the double feature at the Strand Theater on Saturday afternoon when you were younger and at night when older. Okay, Sam has given enough cues. Fill in the dots, oops, songs and add scenes too.                      

  
 

From The Pen Of Joshua Lawrence Breslin -From The“Brothers Under The Bridge” Series-Adam Evan’s Rolling Stone Moment – The Doors Of Perception

 

In the first installment of this series of sketches in this space provided courtesy of my old 1960s yellow brick road magical mystery tour merry prankster fellow traveler, Peter Paul Markin, I mentioned, in grabbing an old Bruce Springsteen CD compilation from 1998 to download into my iPod, that I had come across a song that stopped me in my tracks, Brothers Under The Bridge. I had not listened to or thought about that song for a long time but it brought back many memories from the late 1970s when I did a series of articles for the now defunct East Bay Eye (Frisco town California East Bay, naturally) on the fate of some troubled Vietnam veterans who, for one reason or another, could not come to grips with “going back to the real world” and took, like those a Great Depression generation or two before them, to the “jungle”-the hobo, bum, tramp camps located along the abandoned railroad sidings, the ravines and crevices, and under the bridges of California, mainly down in Los Angeles, and created their own “society.”

The editor of the East Bay Eye, Owen Anderson, gave me that long ago assignment after I had done a smaller series for the paper on the treatment, the poor treatment, of Vietnam veterans by the Veterans Administration in San Francisco and in the course of that series had found out about this band of brothers roaming the countryside trying to do the best they could, but mainly trying to keep themselves in one piece. My qualifications for the assignment other than empathy, since I had not been in the military during the Vietnam War period, were based simply on the fact that back East I had been involved, along with several other radicals, in running an anti-war GI coffeehouse near Fort Devens in Massachusetts and down near Fort Dix in New Jersey. During that period I had run into many soldiers of my 1960s generation who had clued me in on the psychic cost of the war so I had a running start.

After making connections with some Vietnam Veterans Against The War (VVAW) guys down in L.A. who knew where to point me I was on my way. I gathered many stories, published some of them in the Eye, and put the rest in my helter-skelter files. A while back, after having no success in retrieving the old Eye archives, I went up into my attic and rummaged through what was left of those early files. I could find no newsprint articles that I had written but I did find a batch of notes, specifically notes from stories that I didn’t file because the Eye went under before I could round them into shape.

The ground rules of those long ago stories was that I would basically let the guy I was talking to give his spiel, spill what he wanted the world to hear, and I would write it up without too much editing (mainly for foul language). I, like with the others in this current series, have reconstructed this story as best I can although at this far remove it is hard to get the feel of the voice and how things were said.

Not every guy I interviewed, came across, swapped lies with, or just snatched some midnight phrase out of the air from was from hunger. Most were, yes, in one way or another but some, and the one I am recalling in this sketch from 1979 fits this description, had no real desire to advertise their own hunger but just wanted to get something off their chest about some lost buddy, or some event they had witnessed. I have presented enough of these sketches both back in the day and here to not make a generalization about what a guy might be hiding in the deep recesses of his mind. Some wanted to give a blow by blow description of every firefight (and every hut torched) they were involved in, others wanted to blank out ‘Nam completely and talk of before or after times, as is the case here with Adam Evans, who went way out of his way to avoid talking much about ‘Nam, or about how he wound up in the hobo camps in the late 1970s after heading west in the early 1970s, but who wanted to talk about missed chances at love, some doors of perception stuff, and sunnier psychic days. I like to finish up these introductions by placing these sketches under a particular sign; no question Adam Evan’s sign was that of “the rolling stone.”
**********

Adam Evans was restless, restless in 1971 like he had never been before. Just out of the military service (Army, 1968-70, one ‘Nam hell year, thirteen months with R&R, and some tough “real world” adjustments), just out of a war marriage not made in heaven (made a week before he got orders for ‘Nam in the summer of 1968 in stupid haste because she, Delores, wanted them as one, to have been married, whatever happened , and she, hell, she sent that Dear John letter about her and some old flame rekindled about three months after he was in-country, jesus), just out of an unsettled love with a woman, Abigail, whom he had met in Cambridge (rebound short love all tied up, and all mixed up with, his public anti-war G.I. stance, his veteran for peace stance, and all tied up with her trying on a peace soldier boy for size and then back to some up and coming professor where she came from, him, like he said, just a rebound love and he had smoothed, he thought when they parted, too many things over that didn’t click to make the rebound work), just out of dough since his savings had been depleted to nil (trying, if you can believe this, not to seriously work in the system that “fucked” him over and finding little dough in the off-hand dishwasher, store clerk, bracero-like day labor that had previously kept him afloat), just out of luck, good luck anyway since he got back to the “real world.”

He decided he had to drift, drift west into that good night. Drift west in search of that almost childlike belief in what he called the blue-pink Great American West night. The night when he could rest his mind and his dreams out there maybe in some pacific coast cave around Big Sur playing mad hatter hermit, some Steppenwolf (not the death to American war murder rock group, Herman Hesse’s), filling up his lungs with fresh pacific air, some books, and a little acapulco gold to keep the blues away (and the food hungers down, a little, at least for expensive food), north up the Pacific Coast highway to the heaven-bound cliffs of Mendocino and some friends doing bracero work, good paying work they said, in wine country, or some ghost chance thunder road (maybe down Joshua Tree way that some freaked-out ex- Marine who had been stationed at Twenty Nine Palms had told him about, and about ghost dances coming out of the caverns so that wasn’t some metaphor stuff about the damn thunder road). The vagaries of the road would determine where he fell off first when he hit the coast (hell, no vagaries b.s., just who, mainly lonesome long-haul trucker s looking for white line lonesome road company, and where they were headed with those overloaded sixteen billion-wheeled semi’s).

In 1971, however, the roads west, the main highways and back roads too, were clogged full of lonesome pilgrims seeking their own blue-pink nights. And so he found before he was long out of Boston where he started his trip that he was among kindred angels more often than not on the great hitchhike road dream brought by forbears like old okie hills Woody Guthrie and Lowell mill boy Jack Kerouac. So he walked roads, grabbed rides, got picked up for “vag” a couple times (including a couple of days courtesy of Yuma County out in the Arizona zombie night with bologna sandwiches and bilious water three times a day, Christ), went hobo jungle railroad tracks more than once (and worthy of recounting although not here , here we speak of heroic roads west, grail- seeking roads west)headed south a little to avoid the cold, then west landing just off Indio next stop in sainted ghost-ridden Joshua Tree on some wayward sixteen-wheeled giant green monster explosion.

Carrying his life-line (and life’s full possessions at just that moment) bed-roll knapsack combination Adam headed into the park. Walked some dusty stone-etched miles to one of the camping sites expecting to find some more kindred and stews against some hunger. Sundown was approaching as he fixed up his assigned site when he heard a loud blast of Bob Dylan’s youth nation national anthem, Like A Rolling Stone, coming from, coming from somewhere. Maybe it was the dust of the road, too many roads, maybe it was his time, maybe it was some tumbleweed passing by remembrance, but at first he could not fathom where such music would be coming from in the high desert.

Then he saw it. Saw the biggest yellow brick road school bus now all painted in the six hundred swirled asymmetric colors of psychedelia (metallic purples as if to mock purple, mauves, fruit-tasting oranges, seven sun yellows all aglow, sea blues, sea-green blues, sea- blue greens , none mocking King Neptune for fear of bad karma, no, better, bad vibes, ordinary blues, vanilla whites, and death blacks) with a huge speaker mounted on its top and about sixteen crazed lunatics (although that information was only confirmed later) dancing in various conditions of dress, and undress. He approached, someone passed him a joint, good stuff fresh from a Mexicali run, another some cheap ripple thunderbird boone’s farm wine, and another pointed him to the fireplace stew broth. All without a word. Home, home among the rolling stones.

Later, after he bid good-bye to those fellow-travelers who were heading south to Mexico, down Sonora way and cheap, cheap everything and sun but mainly cheap and righteous herb (ganga, mary jane, sister, marijuana whatever you call it in your neighborhood), after he had moved on from that site, the park, and finished that last leg to the ocean, as he settled into oceanside LaJolla working his way up the coast, as he settled in on this “new groove” (ancient hippie word, quaint, quaint even then), and as the day’s smoke ( stash provided by that strange yellow brick road bus, and still primo Mexicali stuff too) went all up and down his brain and some music came booming out of the magical yellow brick road bus, some Doors cry from the thunderous heavens about shamanic nights, incest, death, and westward ho, get here and we’ll do the rest, and snuggled (quaint again) against some serape-draped dark- haired, dark-skinned, dark-eyed mex girl who made eyes, made sparkling dancing eyes at him (made eyes she said later because she had in her brown world never seen such fierce blue eyes, such anglo blue like the pacific azul eyes even on that damned anglo “bus,” north from Tijuana, and he let her see them up close, real close, and she shuttered a little nodding softly that they could either be devil fierce or gentle good night fierce and she wasn’t sure which she preferred) he proffered (nice, right) the following story to her about the road west as he had travelled it and about what happened one night out in Joshua Tree :

Enough of muddy, rutted, always bum-busting rutted, country back roads, enough of breathless scenic vistas and cows, enough of trees dripping sap, rain, and bugs, strange bugs, not city bugs, that was for sure, but biting frenzy worthy anyway. Enough of all that to last a life-time, thank you. Enough too of Bunsen burners (last seen in some explosive chemical flash-out flame out in high school chemistry class and, maybe, they have rebuilt the damn lab since then, maybe though they have left it “ as is” for an example), Coleman stoves (too small for big pots, stew worthy, simmering pots to feed collective hungry bus campers and hard, country hard, to light) wrapped blankets (getting ever mildewed ), second-hand sweated army sleeping bags (in desperate need of washing after a month) , and minute (small, not speed in throwing up, especially when rains came pouring down and he was caught out without shelter from the storm, a metaphor maybe) pegged pup tents too (ironic army surplus although World War II, not his war, ‘Nam poncho stuff, no way). And enough too of granolas, oatmeals, desiccated eastern mountain stews, oregano weed, mushroomed delights (okay, not enough), and nature in the raw. Cities, please. Large Pacific-splashed roar of ocean cities with life in sheltered caverns and be quick about it. This was after that Yuma County courtesy “vag” bit of the road, cleared the dust and stink of that dead-ass town heading up to Flagstaff and ways west.

Right then though he had sighted his first connection hitchhike ride heading out of Flagstaff and as luck would have it this big bruiser, full tattoo armed with snakes, roses, and lost loves names, truck driver who was obviously benny-ed, benny-ed to perdition and would wind up talking a blue streak was heading to some motorcycle jamboree, heading to Joshua Tree in California, Adams’s want to west destination since he was this far south (although the trucker did not call it a jamboree and I had better not either as I write this unless I want to risk offending the entire Hell’s Angels universe at one stroke. Let’s call it a tumble-rumble-stumble and be done with it. They’ll like that.).

All Adam wanted was to have silence, to be silent company on the ride that day and think unfettered thoughts of that Cambridge woman, that Abigail, who he had smoothed over some rough spots with and was thinking about more frequently, especially about how he could have played it differently, or better, but he knew enough of the road, enough of the truck driver come-on part of it anyway to know that this guy’s blue streak was a small price to pay for such companionship. See, some guys, some trucker guys like Denver Slim, who had left him off at some long ago (or it seemed like long ago, really only a couple of months) Steubenville truck stop on his way American south one time wanted to talk man to man. Back and forth like real people, especially as Adam reminded him of his errant (read: hippie –swaying) son. Other guys were happy for the company so they could, at seventy or seventy-five miles an hour with the engine revved high and where conversation is made almost painful and chock-filled with the “what did you says?”, spout forth on their homespun philosophy and their take on this wicked old world. With these guys an occasional “Yah, that’s right,” or a timely “What did you mean by that?” would stand you in good stead and you could nod out into your own thoughts. Forlorn sunshine and downy billow Cambridge woman thoughts, Abigail thoughts.

And that was exactly where he wanted be, as old Buck (where do they get these names) droned on and on about how the government was doing, or not doing this or that for, or to, the little guy who helped build up, not tear down, the country like him. Just then Adam though was thinking about what Aunt Betty, sweet Neola (Iowa)cornfields grandmotherly Aunt Betty (everybody called her Aunt Betty, even guys who were older than she was, after the name of her sweet Neola diner), said a month or so back when he had pitched his tent for a few days in her backyard, he did some chores in kind, and she fed him, royal Midwest fed him, still rung in his ears when he told her his story (or the latest part of it, the after ‘Nam part ). He was good for Abigail. Hell, he knew he was. Hell, if he had had any sense he would have admitted what he knew inside. She, Delores, ’Nam rebound or not, was good for him too.

But see the times were funny in a way. No way in 1962, or ‘64, or ’66, let’s say [those are the specific numbers he gave according to my notes although the importance of those dates in now unknown], that Adam would have run into a Cambridge upscale kind of straight-laced woman. In those earlier days he had been strung out, strung out hard, on neurotic, long black-haired (although that was optional), kind of skinny (not thin, not slender, skinny, wistfully skinny, he said half-laughing , bookish, Harvard Square, maybe a poet, kind of girls. He said beatnik girls, and not free-form, ethereal, butterfly breeze “hippie” girls so you’d know what he meant. As a kid he was cranked up on pale, hell, wan was more like it, dark-haired, hard Irish Catholic girls, and he meant hard Irish Catholic girls with twelve novena books in their hands, and chaste lust in their hearts like his ex-wife Delores. So when Cambridge woman Abigail’s yankee goodheart number turned up, he was clueless about how to take a just plain-spoken, says what she means, means what she says young woman who had dreams (unformed, mainly, but dreams nevertheless) that also were plain-spoken. Ah, Adam said he couldn’t explain it, and he doubted that he ever would. Just say, like he told it to me, he was stunted, stunned, and smitten, okay and be done with it.

Here is where things got kind of screwy though. He had put many a mile between him and Flagstaff and was well clear of that prairie fire hellhole bologna sandwich Yuma madness and well into sweet winter high desert night California (still hot during the day, jesus, one hundred at Needles, although not humid, thank Christ) had encamped at his site, and met up with the yellow brick road school bus which both were not far from some old run down, crumbling Native American dwellings on Joshua Tree reservation that keep drawing his attention (and the mad lunatics on the bus as well).

Sitting by Joshua tree night camp fires casting weird ghost night-like shadows just made his new Abigail hunger worst. And old “on the bus” well-traveled fellow ex-soldiers turned “hippies,” Jack (something out of a Pancho Villa recruitment poster and, in another age, the look of a good man to have beside you in a street fight) and Mattie (some Captain America easy rider poster boy brimming with all that old long gone Buck found ugly in his America although Mattie did two hard tours in ‘Nam), playing their new-found (at least to him) flute and penny whistle music mantra to set the tone. Jesus, and here they were only a few hundred miles from the ocean. He could almost feel back to eastern seas, atlantic swirls-clutching, could almost smell, smell that algae sea churned smell, and almost see the foam-flecked waves turn against the jagged-edged La Jolla rocks and mad, aging surfer boys , golden boys a decade or so ago, as if from another time, eden time, looking for that perfect wave. Yah, another more innocent time before all hell broke loose on us in America and crushed our innocent youthful dreams in the rice paddies of Asia, our Abigail (or name her, or him) plain-spoken dreams, but not our capacity to dream. That only made the Abigail hurt worst as he remembered that she had never seen the Pacific Ocean, the jagged edged, foam-flecked ocean that Adam went on and on about and he was to be her Neptune on that voyage west to the rim of the world.

And so here he was making that last push to the coast but not before he investigated those near-by Native American lands that, as it turned out, he, Jack and Mattie had all been interested in ever since their kid days watching cowboys and Indians on the old black and white 1950s small screen television. You know the Lone Ranger, Hop-A-Long Cassidy, Roy Rogers and their sidekicks fake, distorted, prettified Old West stuff. Stuff where the rich Native American traditions got short shrift.

Earlier on this day Adams was referring to they had been over to Black Rock (still in the high desert but only reachable by some forsaken road although every Native American seemed to know how to get there, and get out of there too, no mean trick when whiskey or peyote high, for an Intertribal celebration, a gathering of what was left of the great, ancient warrior nations that roamed freely across the west not all that long ago but who were now mere“cigar store” Indian characters to the public eye. The sounds, the whispering shrill canyon sounds and all the others, the sights, the colors radiant as the collective warrior nations pulled out all the stops to bring back the old days when they ruled this West, the spirit, ah, the spirit of their own (Jack, Mattie, Adam) warrior shaman trances were still in their heads on that now blazing camp fire night. Adam was still in some shamanic-induced trance from the healing dances, from warrior tom-tom dances, and from the primal scream-like sounds as the modern warriors drove away the evil spirits that gathered around them (not hard enough to drive the marauding “white devil” who had broken their hearts, if not their spirits though). Not only that but the trio had scored some peyote buttons (strictly for religious purposes, as you will see) and the buttons had started to kick in along with the occasional hit from the old jerry-bilt bong hash pipe (strictly for medicinal purposes as well).

Just then in this dark, abyss dark, darker than Adam had ever seen the night sky in the citified East even though it is star-filled too, million star-filled, in this spitting flame-roared campfire throwing shadow night along with tormented pipe-filled dreams of Abigail he was embedded with the ghosts of ten thousand past warrior- kings and their people. And if his ears didn’t deceive him, and they didn’t, beside Jack’s flute and Mattie’s penny whistle he heard, and heard plainly, the muted gathering war cries of ancient drums summoning paint-faced proud, bedecked warriors to avenge their not so ancient loses, and their sorrows as well.

And after more pipe-fillings that sound got louder, louder so that even Jack and Mattie seem transfixed and begin to play their own instruments louder and stronger to keep pace with the drums. Then, magically, magically it seemed anyway, Adam swore,, swore on anything holy or unholy, on some sodden forebear grave, on some unborn descendent that off the campfire- reflected red, red sandstone, grey, grey sandstone, beige (beige for lack of better color description), beige sandstone canyon echo walls he saw the vague outlines of old proud, feather-bedecked, slash mark-painted Apache warriors beginning, slowly at first, to go into their ghost dance trance that he had heard got them revved up for a fight. Suddenly, the trio, the three television-sotted Indian warriors got up and started, slowly at first so they were actually out of synch with the wall action, to move to the rhythms of the ghosts. Ay ya, ay ya, ay ya, ay ya...until they sped up to catch the real pace. After what seems an eternity they were ready, ready as hell, to go seek revenge for those white injustices.

But then just as quickly the now flickering camp fire flame went out, or went to ember, the shadow ghost dance warriors were gone and they crumbled in exhaustion to the ground. So much for vengeance and revenge. They, after regaining some strength, all decided that they had better push on, push on hard, to the ocean. These ancient desert nights, sweet winter desert nights or not, would do them in otherwise. But just for a moment, just for a weak modern moment they, or at least Adam knew, what it was like for those ancient warriors to seek their own blue-pink great American West night.

*****Songs To While Away The Class Struggle By-The International Working Class Anthem The Internationale

*****Songs To While Away The Class Struggle By-The International Working Class Anthem The Internationale

Introducing The Committee For International Labor Defense

 

Mission Statement

The Committee for International Labor Defense (CILD) is a legal and political defense organization working on behalf of the international working class and oppressed minorities providing aid and solidarity in legal cases. We stand today in the traditions of the working-class defense policies of the International Labor Defense (ILD) 1925-1946, the defense arm of the American Communist Party which won its authority as a defense organization in cases like Sacco and Vanzetti, the Scottsboro Boys, defense of Black Sharecropper’ Union and Birmingham steelworkers union efforts in the South in the 1930s and 1940s, and garnering support in the United States for the Republican side in the Spanish Civil War. 

The ILD takes a side. In the struggles of working people to defend their unions and independent political organizations and to organize themselves we stand in solidarity against their exploiters. In the struggles of the oppressed and other socially marginalized peoples to defend their communities and to organize themselves we stand in solidarity with their efforts against their oppressors.  While favoring all possible legal proceedings for the cases we support, we recognize that the courts, prisons and police exist to maintain the ruling class’ dominance over all others. To paraphrase one of the founding members of the original ILD said “we place 100% of our faith in the power of the masses to mobilize to defend their own and zero faith, none, in the ‘justice’ of the courts or other tribunals.”

As we take the side of working people and oppressed minorities we also strive to be anti-sectarian. We will, according to our abilities, critically but unconditionally support movements and defend cases of organizations or individuals with whose political views we do not necessarily agree. We defend, to paraphrase the original statement of purpose of the old ILD, “any member of the workers and oppressed movement, regardless of their views, who has suffered persecution by the capitalist courts and other coercive institutions because of their activities or their opinions.” As the old labor slogan goes-“an injury to one is an injury to all.”

More information-  c_for_intl_labor_defense@lists.digitalexplorations.org

 

A YouTube film clip of a performance of the classic international working class song of struggle, The Internationale.

Ralph Morris comment:

“Never in a million years” if you had asked me the question of whether I knew the words, melody or history of The Internationale before I linked up in 1971 with my old friend and comrade, Sam Eaton, asked me whether I had known how important such a song and protest music in general was to left-wing movements as a motivating force for struggle against whatever the American government is down on in the war or social front to squeeze the life out of average Joes and Joanne. To the contrary I would have looked at you with ice picks in my eyes wondering where you fit into the international communist conspiracy if you has asked me that question say in 1964, 1965 maybe later, as late as 1967. Then living in Troy, New York I imbibed all the working class prejudices against reds (you know communist dupes of Joe Stalin and his progeny who pulled the strings from Moscow and made everybody jumpy), against blacks (stood there right next to my father, Ralph, Sr., when he led the physical opposition to blacks moving into the Tappan Street section of town and had nothing, along with me and my corner boys at Van Patten’s Drugstore, but the “n” word to call black people sometimes to their faces), against gays and lesbians (you know fag and dyke baiting them whenever the guys and I went to Saratoga Springs where they spent their summers doing whatever nasty things they did to each other), against uppity woman (servile, domestic women like my good old mother and wanna-bes were okay). Native Americans didn’t even rate a nod since they were not on the radar. But mainly I was a red, white and blue American patriotic guy who really did have ice picks for anybody who thought they would like to tread on old Uncle Sam (who had been “invented” around our way).

But things sometimes change in this wicked old world, change when some big events force everybody, or almost everybody since some people will go on about their business as if nothing had happened even come judgment day. That event for me was the Vietnam War, the war that tore this nation, my generation and a whole lot more asunder and has not really been put back together even now. And that Vietnam War was not an abstract thing like it was for a lot of guys who opposed it on principle, or were against the draft at least for themselves since once I got my draft notice in early 1967 I decided to enlist to avoid being cannon fodder for what looked to me a bloodbath going on over there. But I did that enlistment out of patriotic reasons since my idea also was to use some skills I had in the electrical field to aid the cause. When I got my draft notice I was working in my father’s high skill electrical shop where he did precision work for the big outfit in the area, General Electric (which was swamped with defense contract work at the time) and figured that is what I could do best. My recruiting sergeant in Albany led me to believe that as well. Silly boy (silly boy now but then he promised the stars and I taken in by his swagger bought the whole deal).

Pay attention to that year I got my draft notice, 1967. What Uncle was looking for that year (and in 1968 as well) were guys to go out in the bush in some desolate place and kill every commie they could find (and as I know from later experience if you didn’t have a commie to count just throw a red star on some poor son of a peasant who had just been mowed down in the crossfire and claim him, hell, claim her as an enemy kill, Jesus). So I wound up humping the hills of the Central Highlands of Vietnam not just for a year like most guys but I extended for six month to get out a little earlier when I got back to the “real” world. This is not the place to tell what I did, what my buddies did, and what the American government made us do, made us in nothing but animals but whatever you might have heard about atrocities and screw ups is close enough to the truth for now.

All of that made me a very angry young man when I got out of the Army in late 1969. I tried to talk to my father about it but he was hung up in a combination “good war, World War II, his war where America saved international civilization from the Nazis and Nips (my father’s term since he fought in the Pacific with the Marines) and “my country, right or wrong.” All he really wanted me to do was get back to the shop and help him fill those goddam GE defense contract orders. And I did it, for a while.

One day in1970 though I was taking a high compression motor to Albany and had parked the shop truck on Van Dyke Street near Russell Sage College. Coming down the line, silent, silent as the grave I thought later, were a ragtag bunch of guys in mismatched (on purpose I found out later) military uniforms carrying signs but with a big banner in front calling for immediate withdrawal from Vietnam and signing the banner with the name of the organization-Vietnam Veterans Against the War (VVAW). That was all, and all that was needed. Nobody on those still patriotic, mostly government worker, streets called them commies or anything like that but you could tell some guys in white collars and who never came close to a gun, except maybe to kill animals or something defenseless really wanted to. One veteran as they came nearer to me shouted out for any veterans to join them, to tell the world what they knew first-hand about what was going on in Vietnam. Yeah, that shout-out was all I needed, all I needed to join my “band of brothers.”                                

I still worked in my father’s shop for a while but our relationship was icy (and would be for a long time after that although in 1991 when he retired I took over the business) and I would take part in whatever actions I could around the area (and down in New York City a couple of times when they called for re-enforcements to make a big splash). Then in the spring of 1971, the year that I met Sam Eaton, I joined with a group of VVAWers and supporters for an action down in Washington, D.C.

The idea, which will sound kind of strange today in a different time when there is very little overt anti-war activity against the current crop of endless wars but also shows you how desperate we were to end that damn war, was to on May Day shut down the government if it did not shut down the war. Our task, as part of the bigger scheme, since we were to form up as a total veterans and supporters contingent was to symbolically shut down the Pentagon. Wild right, but see the figuring was that they, the government, would not dare to arrest vets and we figured (we meaning all those who planned the events and went along with the plan) the government would treat it somewhat like the big civilian action at the Pentagon in 1967 which Norman Mailer won a literary prize writing a book about, Armies of the Night. Silly us. 

Naturally we were arrested well before we even got close to the place and got a first-hand lesson in what the government was willing to do to maintain itself at all costs. And in the RFK Stadium that day where we had been herded little cattle by the forces of order since we had thousands of people being arrested is where I met Sam who, for his own reasons which he has, I think, described elsewhere on his own hook, had come down from Boston with a group of radicals and reds whose target was to “capture” the White House. And so we met on that forlorn summertime football and formed our lifelong friendship. Sam, I know, if I know anything has already told you about all of that so I will skip past the events of those few days to what we figured out to do afterwards.      

No question we had been spinning our wheels for a long time in trying to oppose the war (and change other things as well as we were coming to realize needed changing as well) and May Day made that very clear. So for a time, for a couple of years after that say until about 1974, 1975 when we knew the high tide of the 1960s was seriously ebbing,  we joined study groups and associated with “red collectives” in Cambridge where Sam lived in a commune at the time. The most serious group “The Red October Collective,”  a group that was studying Marxism in general and “Che” Guevara and Leon Trotsky in particular, is where we learned the most in the summer of 1972 when Sam asked me to join him (my father was pissed off, went a little crazy but I wanted to do it and so I did). The thing was that at the end of each class, each action, each meeting the Internationale, or some version of it would be sung in unison to close the event and express solidarity with all the oppressed.

At the beginning some of my old habits kind of held me back, you know the anti-red stuff, Cold War enemy stuff, just like at first I had trouble despite all I knew about calling for victory to the Viet Cong (who in-country we called Charlie in derision although in Tet 1968 with much more respect when he came at us and kept coming despite high losses). But I got over it, got in the swing. Funny not long after that time and certainly since the demise of the Soviet Union and its satellites when socialism took a big hit out of favor to solve world’s pressing problems I very seldom sing it anymore, in public anyway. 

Sam, who likes to write up stuff about the old days more than I do, writes for different blogs and websites on the Internet and he asked me to do this remembrance about my experience learning the Internationale as part of a protest music series that a guy he knows named Fritz Jasper has put together. So I have done my bit and here is what Sam and Fritz want to convey to you:                          

Fritz  Jasper comment:

 

In this series, presented under the headline Songs To While Away The Class Struggle By, I will post some songs that I think will help us get through the “dog days” of the struggle for our socialist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

*Out In The Be-Bop 1950s Night- When Billie Fought To Be Church Hall Dance Champ

Click on the headline to link to a YouTube film clip of the Teen Angels performing Eddie My Love.

Markin comment:

Recently I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a Time-Life classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.

And we, we small-time punk (in the old-fashioned sense of that word), we hardly wet behind the ears elementary school kids, and that is all we were for those who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not Billie whom I will talk about later, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery-operated radios that we could put in our pockets, and hide from snooping parental ears, at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious you’ll never get to heaven listening to that devil music and you had better say about eight zillion Hail Marys to get right Catholic, ears. Ya right, Ma, like Patti Page or Bob (not Bing, not the Bing of Brother, Can You Spare A Dime? anyway) Crosby and The Bobcats were supposed to satisfy our jail break cravings.

And that pious, quietist, chase the devil and his (or her) devil’s music away, say a million Acts of Contrition, church-bent, Roman Catholic church-bent, part formed a great deal of the backdrop for how we related to that break-out rock music. And why we had to practically form a secret cult to enjoy it. Now you all know, since you all went to elementary school just like I did, although maybe you didn’t attend in the Cold War, red scare, we could-all-be-bombed-dead tomorrow 1950s like I did, that those mandatory elementary school dances where we rough-hewn boys learned, maybe we learned, our first social graces were nothing but cream puff affairs. Lots of red-faced guys and giggling girls. Big deal, right? What you maybe don’t’ know, especially if you were not from a working class neighborhood (or a pubic housing project) made up of mainly Irish and Italian Roman Catholic families like I was is that “cream puff” school stuff was seen by the Church (need I add any more identifying words?) as the devil’s playground. Later, I found out from some Protestant friends that their church leaders felt the same way. No, not those Universalist-Unitarian types who think everything humankind does that is not hurtful is okay but real hard-nosed Protestants, like Episcopalians, Baptists, and Presbyterians. So to counter that secular godlessness, at least in our area, the Church sponsored Friday night dances. Chaste, very chaste, or that was the intention, Friday night dances.

Now these dances from the outward look would look just like those devil-sponsored secular school dances. They were, for example, held in the basement of the church (St. whoever, Our Lady of the wherever, The Sacred whatever, or fill in the blank), a basement, given the norms of public architecture, was an almost exact rectangular, windowless, linoleum-floored, folding chairs and tables, raised stage replica of the elementary school auditorium. That church locale, moreover, when dressed up like on those Friday nights with the usual crepe, handmade signs of welcome, and refreshment offerings also looked the same. And just so that you don’t think I am going overboard they played the same damn (oops) music as at school, except the sound system (donated, naturally, by some pious parishioner, looking for good conduct points from the fiery-eyed "fire and brimstone" pastor) was usually barely audible. The real difference then, and maybe now, for all I know, was that rather than a few embarrassed public school teacher-chaperones drafted against their wills, I hope, or like to hope, every stick-in-the-mud person (or so it seemed) over the age of eighteen was drafted into the lord’s army for the evening. Purpose: to make sure there was no untoward, unnatural, unexpected, or unwanted touching of anything, by anyone, for any reason. So, now that I think about it, this was really the Friday night prison dance. But not always.

Of course all of this remembrance is just so much lead up to a Billie story. You know Billie, Billie from “the projects” hills. William James Bradley to be exact. The Billie who wanted fame and fortune (or at least girls) so bad that he could almost taste it. The Billie who entered a teenage talent show dressed up like Bill Haley and whose mother-made suit jacket arms fell off during the performance and he wound up with all the girls in schools as a consolation prize. Yes, that Billie, who also happened to be my best friend, or, maybe, almost best friend we never did get it straight, in elementary school. Billie was crazy for the music, crazy to impress the tender young girls that he was very aware of, much more aware of than I was and earlier, with his knowledge, his love, and his respect for the music , rock music that is.

During the summer, and here I am speaking of the summer of 1958, these church-held dances started a little earlier and finished a little later. That was fine by us. But part of the reason was that during July (starting after the Fourth Of July, if I recall) and August there was a weekly dance-off elimination contest. Now these things were meant to be to show off partner-type dancing skills so I never even dreamed of participating, although I was now hip to the girl thing (or at least twelve year old hip to it), and gladly. Not so Billie.You know, or if you don’t then I will tell you so you know now, that Billie was a pretty good singer, and a pretty good shaker as a dancer. Needless to say these skills were not on the official papal list of ways to prove you had some Fred Astaire-like talent. What you needed to demonstrate, with a partner, a girl partner, was waltz-like, fox-trot stuff. Stuff you were glad to know when last, slow dance time came around but not before, please, not before.

But see, if you didn’t know before, I will remind you, Billie was a fiend to win a talent contest, a contest that, the way he figured it, was his ticket out of "the projects" and into all the cars he wanted, all the girls, and half of everything else in the world. Ya, I know, but poor boys have dreams too. And I don’t suppose it is too early to remind you, like I did with the lost sleeve teenage talent show, that Billie later spent those pent-up energies less productively, much less productively once he knew the score, his score about life. Today though, this night, this Friday night, at the start of the contest Billie is going for the brass ring. See, Billie, secretly, at least secretly from me, was taking dance lessons, slow dance lessons with Rosalie, Christ Rosalie, the prettiest girl in our class, the girl that if I had known the word then I would have called fetching, very fetching. That was, and is, high praise from me. And, see also, teaching the pair the ropes is none other than Rosalie’s mother who before she became a mother was some kind of dance queen (I don’t know, or don’t remember, if I knew the details of that woman’s prior life before then). It’s almost like the fix was in.

Now you know just as well as I do that I have no story, or at least no story worth telling, if Billie and Rosalie don’t make it out of the box, if they just get eliminated quickly. Sure they made it, and now they are standing there getting ready to do battle against the final pair for the sainted dance championship of the christian world, projects branch. Now my take on the dancing all summer was there wasn’t much difference, at least noticeable difference, between the pairs. I think the judges thought so too, the junior priest, a priest that the pastor threw into this dance thing because he was closer to our ages than the old-timer "fire and brimstone" pastor was, and four ladies from the Ladies' Sodality usually took quite a bit of time before deciding who was eliminated. Rosalie’s mother (and my mother, as well) thought the same thing when we compared notes. See, now with Billie under contract (oh, ya, naturally I was his manager, or something like that) I had developed into an ace dance critic. Mainly though, I was downplaying the opposition to boost my pair's chances, and, incidentally, falling, falling big, for Rosalie. And not just for her dancing.

So here we were at the finals. It was a wickedly hot night in that dungeon basement so the jackets and ties, if wore (and that needed to be worn by the contestant males), were off. Also, by the rules, each finalist couple got to choose its own music and form of dancing. The first couple did this dreamy Fred Astaire-Ginger Rodgers all hands flailing and quick-movement thing that even impressed me. After than performance, out of the corner of my eye, I saw Billie talking to Rosalie, talking fast and talking furiously. Something was up, definitely, something was up.

Well, something was up. Billie, old sweet boy Billie, old get out of the projects at any cost Billie, old take no prisoners Billie decided that he was going to stretch the rules and play to his strength by doing a Bill Haley’s Rock Around The Clock jitterbug thing to show the judges his “moves” and what we would now call going "outside the box." And he had gotten Rosalie, sweet, fetching, deserves better Rosalie, to go along with him on it. See, Rosalie, during all those dance lesson things had fallen for old Billie and his words were like gold. Damn.

I will say that Billie and Rosalie tore the place up, at least I guess Billie did because I was, exclusively, looking at Rosalie who really danced her head off. Who won? Let me put it this way, this time the judges, that priest and his coterie of do-gooders didn’t take much time deciding that the other couple won. Rosalie was crushed. Billie, like always Billie, chalked it up to the "fix" being in for the other couple. Life was against the free spirits, he said, something it took me a lot longer to figure out. Rosalie's family moved away not long after that contest, like a lot of people just keeping time at the projects until their ships to better days came in, and I heard that she was later still furious at Billie for crossing her up. Ya, but, boy, she could twirl that thing.

*****The Latest From The United National Anti-War Coalition (UNAC) Website

*****The Latest From The United National Anti-War Coalition (UNAC) Website

- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan! -No Troops To Syria! No New War In Iraq- Stop The Bombings-Stop The Arms Shipments To The Kurds And Shia-Stay Out Of The Civil War! No Intervention In Ukraine! Defend The Palestinians! No U.S. Aid To Israel! Not One Penny, Not One Person For Obama’s War Machine!

 

Click below for link to the United National Anti-War Coalition (UNAC) website for more information about various anti-war, anti-imperialist, anti-capitalist actions around the country.

https://unacpeace.org.

Frank Jackman comment: 
 
A while back, maybe a couple of years ago as things seemed to be winding down in the Middle East, or at least the American presence was scheduled to decrease in places like Afghanistan and Iraq, and before  Ukraine, Syria, Gaza, Syria again, the emergence of ISIS and their murderous criminal exploits and a number of other flash points erupted I mentioned that every once in a while it is necessary, if for no other reason than to proclaim from the public square that we are alive, and fighting, to show “the colors,” our anti-war colors. I also mentioned at the time that while endless marches are not going to end any war the imperialists decide to provoke the street opposition to the war in what appeared then to be the fading American presence in Afghanistan or whatever else the Obama/Kerry cabal has lined up for the military to do in the Middle East, Ukraine or the China seas as well as protests against other imperialist adventures had been under the radar of late.

Over the summer of 2014 there had been a small uptick in street protest over the Zionist massacre in Gaza (a situation now in “cease-fire” mode but who knows how long that will last) and the threat of yet a third American war in Iraq with the increasing bombing campaign and escalating troop levels now expanded to big time with the rise of ISIS in Syria and Iraq. Although not nearly enough. As I mentioned at that earlier time it is time, way beyond time, for anti-warriors, even his liberal backers, to get back where we belong on the streets in the struggle against Nobel Peace Prize winner Obama’s seemingly endless wars. And his surreptitious “drone strategy” to "sanitize" war when he is not very publicly busy revving up the bombers and fighter jets in Iraq, Syria and wherever else he feels needs the soft touch of American “shock and awe, part two.”

The UNAC for a while now, particularly since the collapse of the mass peace movement that hit the streets for a few minutes before the second Iraq war in 2003, appears to be the umbrella clearing house these days for many anti-war, anti-drone, anti-imperialist and anti-capitalist actions. Not all the demands of this coalition are ones that I would raise, or support but the key ones of late are enough to take to the streets. More than enough to whet the appetite of even the most jaded anti-warrior.

And as we hit the fall anti-war trail:

As Obama, His House And Senate Allies, His “Coalition Of The Willing”    Beat The War Drums-Again- Stop The Escalations-No New U.S. War In Iraq- No U.S. Troops In Syria! Immediate Withdrawal Of All U.S. Troops And Mercenaries!  Stop The U.S. And Allied Bombings! –Stop The Arms Shipments …

Frank Jackman comment:

As the Nobel Peace Prize Winner, U.S. President Barack Obama, abetted by the usual suspects in the House and Senate as well as internationally, orders more air bombing strikes in the north and in Syria,  sends more “advisers” to “protect” American outposts in Iraq, and sends arms shipments to the Kurds, supplies arms to the moderate Syrian opposition if it can be found to give weapons to, guys who served in the American military during the Vietnam War and who, like me, belatedly, got “religion” on the war issue as a kneejerk way to resolve the conflicts in this wicked old world might very well be excused for disbelief when the White House keeps pounding out the propaganda that these actions are limited when all signs point to the slippery slope of escalation. And all the time saying the familiar (Vietnam era familiar updated for the present)-“we seek no wider war”-meaning no American combat troops. Well if you start bombing places back to the Stone Age, cannot rely on the Iraqi troops who have already shown what they are made of and cannot rely on a now non-existent “Syrian Free Army” which you are willing to get whatever they want and will still come up short what do you think the next step will be? Now not every event in history gets exactly repeated but given the recent United States Government’s history in Iraq those old time vets might be on to something. In any case dust off the old banners, placards, and buttons and get your voices in shape- just in case. No New War In Iraq –Stop The Bombings- No U.S Troops In Syria! 

***
Here is something to think about:  

Workers and the oppressed have no interest in a victory by one combatant or the other in the reactionary Sunni-Shi’ite civil war. However, the international working class definitely has a side in opposing imperialist intervention in Iraq and demanding the immediate withdrawal of all U.S. troops and mercenaries. It is U.S. imperialism that constitutes the greatest danger to the world’s working people and downtrodden. 

 
Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan! No U.S. Troops In Syria! No New War In Iraq- Stop The Bombings-Stop The Arms Shipments To The Kurds And Shia-Stay Out Of The Civil War! No Intervention In Ukraine! Defend The Palestinians! No U.S. Aid To Israel! Not One Penny, Not One Person For Obama’s War Machine!

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