Upon The 50th Anniversary Of The Death Of "King Of The Beats" Jack Kerouac-*Out In The Be-Bop 1960s Night- Frankie Out In The Adventure Car Hop Night

Click on the headline to link to a YouTube film clip of the Dubs performing the classic Could This Be Magic? to set the mood for this piece.

CD Review

The Rock ‘N’ Roll Era: 1957: Still Rockin’, various artists, Time-Life Music, 1988

Markin comment:

Okay, you know the routine by now, or at least the drift of these classic rock reviews in this space. The part that starts out with a tip of the hat to the fact that each generation, each teenage generation that is makes its own tribal customs, mores and language. Then the part that is befuddled by today’s teenage-hood. And then I go scampering back to my teenage-hood, the teenage coming of age of the generation of ‘68 that came of age in the early 1960s and start on some cultural “nugget” from that seemingly pre-historic period. Well this review is no different, except, today we decipher the drive-in restaurant, although really it is the car hops (waitresses) that drive this one.

See, this series of reviews is driven, almost subconsciously driven, by the Edward Hopper Nighthawk-like illustrations on the The Rock ‘n’ Roll Era CDs of this mammoth set of compilations. In this case it is the drive-in restaurant of blessed teenage memory. For the younger set, or those oldsters who “forgot” that was a restaurant idea driven by car culture, especially the car culture from the golden era of teenage car-dom, the 1950s. Put together cars, cars all flash-painted and fully-chromed, “boss” cars we called them in my working class neighborhood, young restless males, food, and a little off-hand sex, or rather the promise or mist of a promise of it, and you have the real backdrop to the drive-in restaurant. If you really thought about it why else would somebody, anybody who was assumed to be functioning, sit in their cars eating food, and at best ugly food at that, off a tray while seated in their cherry, “boss" 1959 Chevy.

And beside the food, of course, there was the off-hand girl watching (in the other cars with trays hanging off their doors), and the car hop ogling (and propositioning, if you had the nerve, and if your intelligence was good and there was not some 250 pound fullback back-breaker waiting to take her home a few cars over) there was the steady sound of music, rock music, natch, coming from those boomerang speakers in those, need I say it, “boss” automobiles. And that is where all of this gets mixed in.

Of course, just like another time when I was reviewing one of the CDs in this series, and discussing teenage soda fountain life, the mere mention, no, the mere thought of the term “car hop” makes me think of a Frankie story. Frankie, Francis Xavier Riley, Frankie from the old hell-fire shipbuilding sunk and gone and it-ain’t-coming-back-again seen better days working class neighborhood where we grew up, or tried to. Frankie who I have already told you I have a thousand stories about, or hope I do. Frankie the most treacherous little bastard that you could ever meet on one day, and the kindest man (better man/child), and not just cheap jack, dime store kindness either, alive the next day. Ya, that Frankie, my best middle school and high school friend Frankie.

Did I tell you about Joanne, Frankie’s “divine” (his term, without quotation marks) Joanne because she enters, she always in the end enters into these things? Yes, I see that I did back when I was telling you about her little Roy “The Boy” Orbison trick. The one where she kept playing Running Scared endlessly to get Frankie’s dander up. But see while Frankie has really no serious other eyes for the dames except his “divine” Joanne (I insist on putting that divine in quotation marks when telling of Joanne, at least for the first few times I mention her name, even now. Needless to say I questioned, and questioned hard, that designation on more than one occasion to no avail) he is nothing but a high blood-pressured, high-strung shirt-chaser, first class. And the girls liked him, although not for his looks although they were kind of Steve McQueen okay. What they go for him for is his line of patter, first class. Patter, arcane, obscure patter that made me, most of the time, think of fingernails scratching on a blackboard (except when I was hot on his trail trying to imitate him) and his faux “beat” pose (midnight sunglasses, flannel shirt, black chinos, and funky work boots (ditto on the imitation here as well). And not just “beat’ girls, that liked him, either as you will find out.

Well, the long and short of it was that Frankie, late 1963 Frankie, and the...(oh, forget it) Joanne had had their 207th (really that number, or close, since 8th grade) break-up and Frankie was a "free” man. To celebrate this freedom Frankie, Frankie, who was almost as poor as I was but who has a father with a car that he was not too cheap or crazy about to not let Frankie use on occasion, had wheels. Okay, Studebaker wheels but wheels anyway. And he was going to treat me to a drive-in meal as we went cruising the night, the Saturday night, the Saturday be-bop night looking for some frails (read: girls, Frankie had about seven thousand names for them)

Tired (or bored) from cruising the Saturday be-bop night away (meaning girl-less) we hit the local drive-in hot spot, Arnie’s Adventure Car Hop for one last, desperate attempt at happiness (ya, things were put, Frank and me put anyway, just that melodramatically for every little thing). What I didn’t know was that Frankie, king hell skirt-chaser had his off-hand eye on one of the car hops, Sandy, and as it turned out she was one of those girls who was enamored of his patter (or so I heard later). So he pulled into her station and started to chat her up as we ordered the haute cuisine, And here was the funny thing, now that I saw her up close I could see that she was nothing but a fox (read: “hot” girl). The not so funny thing was that she was so enamored of Frankie’s patter that he was going to take her home after work. No problem you say. No way, big problem. I was to be left there to catch a ride home while they set sail into that good night. Thanks, Frankie.

Well, I was pretty burned up about it for a while but as always with “charma” Frankie we hooked up again a few days later. And here is where I get a little sweet revenge (although don’t tell him that).

Frankie sat me down at the old town pizza parlor and told me the whole story and even now , as I recount it, I can’t believe it. Sandy was a fox, no question, but a married fox, a very married fox, who said she when he first met her that she was about twenty-two and had a kid. Her husband was in the service and she was “lonely” and succumbed to Frankie’s charms. Fair enough, it is a lonely world at times. But wait a minute, I bet you thought that Frankie’s getting mixed up with a married honey with a probably killer husband was the big deal. No way, no way at all. You know, or you can figure out, old Frankie spent the night with Sandy. Again, it's a lonely world sometimes.

The real problem, the real Frankie problem, was once they started to compare biographies and who they knew around town, and didn’t know, it turned out that Sandy, old fox, old married fox with brute husband, old Arnie’s car hop, Sandy was some kind of cousin to Joanne, second cousin maybe. And she was no cradle-robber twenty-two(as if you could rob the cradle with Frankie)but nineteen, almost twenty and was just embarrassed about having a baby in high school and having to go to her "aunt's" to have the child. Moreover, somewhere along the line she and cousin Joanne had had a parting of the ways, a nasty parting of the ways. So sweet as a honey bun Arnie's car hop Sandy, sweet teen-age mother Sandy, was looking for a way to take revenge and Frankie, old king of the night Frankie, was the meat. She had him sized up pretty well, as he admitted to me. And he is sweating this one out like crazy, and swearing everyone within a hundred miles to secrecy. I’m telling you this is strictest confidence even now. Just don’t tell Joanne. Ever.

Upon The 50th Anniversary Of The Death Of "King Of The Beats" Jack Kerouac-***Out In The Be-Bop 1950s Night- Boy Meets "Our Lady Of The Saint Patrick’s Day Night" Girl- For Joanne- Class of 1964

Click on the headline to link to a Wikipedia entry for Saint Patrick's Day for those three people in the North Adamsville universe who may not know what it is all about.

Markin comment:

I am fuming but I will get to that part in a minute. First, let me just point out the trouble I had figuring out what I should use as a headline for this entry. See, this is a Frankie story, a Francis Xavier Riley story, maybe you already know the name, Frankie, king of the old North Adamsville working class neighborhood schoolboy night in the early 1960s. That part, the boy part is simple, the other part is less so because this is a story, or is going to be a story, once again straight from the horse’s mouth, the Frankie mouth.

I have been letting Frankie spew forth in this space whenever a subject comes up that is from “pre-markinian” times, the time before we became fast friends in the seventh grade North Adamsville Middle School (then junior high) days. And the subject here is how Frankie “courted” his ever lovin’ sweetie, Joanne, a sweetie whom he “went steady with” from middle school all the way though to the end of high school. And that courtship, its twists and turns, is linked to the observance, the non-heathen observance of Saint Patrick’s Day, March 17th (although any real Irish partisan, heathen or non-heathen knows, or should know, that the observance of Easter 1916 is the real Irish deal). So once again because he did okay, or at least good enough, on his previous two endeavors (the weirdly interesting king of the skees carnival story from his innocent dream pre-teen days and his saga, christ that is the only word to describe it, of his “conversion” from no name football wannabe to midnight sunglassed king hell king of the late 1950s, early 1960s be-bop North Adamsville schoolboy night) he gets to speak his piece here.

Now for the fuming part. In that just mentioned football conversion saga Frankie said, although it was not strictly part of the story (or part of the deal in my letting him use this space for his spewing), that he wanted one and all to have an example of how his be-bop “beat” style worked magic on the, frankly, bewildered North Adamsville Middle School girls (and whatever other stray frails he could corner with his pitch). And the story he wanted to tell, the primo, numero uno, ace example one story was how he captured (and kept) the elusive, ever lovin’ Joanne. So rather than just coming out in manly fashion, manly working class fashion, and asking for space he tried an "end around." Just to goad me into another story he mentioned that somehow in that desperate late 1950s night I was smitten with Joanne, and that she was smitten with me, before he honed in on her and worked his magic. Needless to say once said Frankie magic was applied that previous configuration was ancient history.

So just to set the record straight before Frankie, Francis Xavier Riley, spins his misbegotten yarn let me say my piece:

In order to set the background to this dispute up for those who don’t know I had arrived from the Adamsville Middle School just at the beginning of 1959, about half way through seventh grade. As a twelve year old boy, almost thirteen, after some delay I had developed a very healthy interest in girls. In their girlish charms, if not their giggles. Of course, as anybody who went through the experience knows, which means just about everybody, the social pecking order in middle school (and high school too, but maybe a little less so) is etched in stone for the duration about the second or third week of school.

So I was nothing but an "outsider," an outsider waiting to be an insider if I could hitch onto somebody else’s star. That star, no question, was Frankie. But Frankie’s “style” was different, not a football or sports thing, or an intellectual thing (although that is what it was, it just didn’t look like it at the time), or a best looking thing (wiry Frankie did have pretty decent Steve McQueen-type looks though). What he had, and what made him a magnet for me (and, strangely, those girls with their girlish charms not giggles that I was attracted to) was this be-bop, “faux” beat thing. He will describe it better in his story but it certainly caused a stir, especially the eternal midnight sunglasses that he wore part.

Now what does all that have to do with Joanne, my attraction to her (or her to me)? Well, everything. See Joanne was the smartest person in the seventh grade class. Book smart for sure. Answering teachers’ questions smart, definitely. She also was pretty, but no more so, and maybe a little less so, than some of the other less bright girls. And she had, had when she wanted to have it, a very winning smile. Moreover, and here is when Frankie seems to have gotten his signals crossed for once, she was friendly toward me, me, an outsider, friendly in a universal kindly way, even before I started running around with Frankie (or she did either).

So as any observant person could see there was nothing to the whole thing but kid’s stuff and, as I thought about it later (and just now as I am re-thinking about it) Joanne had a huge dose of Roman Catholic fellowship and rectitude, meaning doing the right social thing. Frankie is right about the part that we, Joanne and I, were civil to each other in his presence later but that is after a whole bunch of other things happened to sour our relationship. But enough of this because this is stuff that Frankie will, I am sure, tell you about. Let me just finish with something I wrote in another Frankie story, one that I told so I know it’s true. I will swear on a book with seven seals the following- when it came to Joanne, and this was true even before Frankie whiz kid moved in, she was okay, but not someone that I would jump off a bridge over. There were girls, some of those other less bright girls, whom I would have jumped off that bridge for, and gladly. But not her. That should put paid to this subject.

Francis Xavier Riley comment:

See, I told you I still had the kingly touch. I knew, and know now, just how to get to Markin, Peter Paul Markin, get him where he has to defer, humbly defer, to my "goading" as he called it. Of course, and here is the beauty of the king’s touch, I knew, and I damn well should know even fifty years later, that old Markin never carried the torch for Joanne. But see I just threw that little doubt in his direction and he jumped at it. And then that “social” thing, that Peter Paul Markin sense of fair play, that overweening sense of his about giving the other side a chance to speak their minds (if only, as he used to say, to hang themselves) came into play. A piece of cake. And for those who don’t know, or don’t understand, how old Markin could have got bested for the kingship of the old neighborhood in the old schoolboy nights this is a prime example. His failed attempt was so utterly a failure that we all, everybody except Markin that is, spent more than a few off moments, a few nothing dull moments, giving it a big laugh every now and again when we needed a laugh. But enough of that I have a story to tell, and by hook or by crook, I ‘m going to tell it.

See, as anyone can see from the last paragraph, it is about knowing human psychology. No, not some book, Sigmund or Anna Freud, Ernest Jones, Melanie Klein, Carl Jung, christ, even R.D. Laing goof thing. Hell no, it is about observing people and what they like and don’t like, what makes them pay attention to your patter and what doesn’t. Now the big thing about this is, let’s face it, for a red-blooded boy like me, not just to inspect people in general but girls, girls with girlish charms, all the way back to middle school girlish charms. I already told you before about my short-lived football scrawny kid career and how through perseverance, perversity, and perdition I figured out my place in the sun by my wits(a thing Markin was always yakking about, but you've probably figured that out by now)and by knowing what Markin insists was "arcane" knowledge. But see it was just that arcane knowledge part, weak as it was, and it really was looking back on it, and the way the knowledge was presented both by style and by fit that made the difference. On behalf of the interest of that honey you were aiming your stuff at.

See, Markin never really got it, got how the knowledge and presentation worked together, and probably still doesn’t from what I can see. Let me give you the wrong example before I tell how this thing worked to bring me and my ever lovin’ Joanne together back in the day. Markin, after he started hanging around with me for a while, decided that he would try my method out after he saw that the foxiest girls, the cutest girls, and well, as always in a pinch, those just girls with their girlish charms (giggles and all, see, that is where Markin and I had big differences always-the giggles go with the charms-get it Peter Paul) who were hanging around me before school, during passing time, lunch time and, a little, at least in middle school, after school.

So, and so help me this is true, even he won’t forget this one, Markin decides that he will go up to this cute girl with a French name, Barbette or something like that, and start in on every known fact about the French revolution, the French revolution of the 18th century, you know the Jacobins, Girondins, Marat, Robespierre and those guys- the "liberty, equality, fraternity" guys. See, this is something he is interested in, interested in like crazy if I remember. Ya, I know you know, no dice. But here is the thing-a couple of weeks later as Barbette starts to hang around the outer edges of our circle she confides in me (no secret here as I told Markin at the time to try to straighten him out) that she thought Markin was okay but that she was afraid, get this, afraid of him because of his flipping out (my term) over something she knew nothing about. I admit that I never got too far with old Barbette myself, but at least I didn’t scare her half to death.

Hey, I actually have a better example now that I think about it. A lot of this arcane knowledge thing was, as you can figure, playing the percentages. Probably Barbette was a “no sale” anyway. But Evelyn, Evelyn Smythe, was a different matter. Ya, now that I think about it forget Barbette as an example and pay attention to this one. Okay, Evelyn through my intelligence network of sources (that’s part of the secret to success too) was seriously into church, her church, her Episcopalian church and its history. I found out, and its shows you an example of good intelligence work, through my sources that she had given a class report on said subject. Bingo. Now Evelyn is nice, Evelyn is cute, Evelyn is smart (although not as smart as Joanne), and Evelyn has that winning smile we were always on the lookout for in those days. But see, Evelyn was a, a, how should I say it, Protestant so she was a “no go, no way” for one Francis Xavier Riley, one Francis Xavier Riley to the cold-water tenements, the Irish Catholic, more Roman than the Romans Catholic, tenements born. No way that, outside of the gates of hell, that Patrick “Boyo” Riley, and on this issue one Maude Grace Riley, nee O’Brian, were going to let their blessed son within twenty non-school paces of said Evelyn Smythe. Not seventh grade Frankie anyway (later I had more Protestant girl friends that I care to remember, if for no other reason than they weren’t so religion crazy, Roman Catholic religion crazy, mainly)

But see ecumenical Markin, Peter Paul Markin, Irish Catholic brought up, and church mouse poor, but with a heathen Protestant father (except for that he was a good man whom everybody liked, even Boyo) decides he will take a shot at sweet Evelyn. Now his approach, since he knows from my intelligence report that she’s also some kind of history nut, is to start talking about the word "anti-disestablishmentarianism," then the longest word in the English dictionary, and for all I know still is, and related somehow, although don’t press me on this to Puritan stuff or English stuff, because, again, he’s crazy, crazy as a loon for Puritan heritage English colonial stuff. I mean really crazy. I think that he was born on Plymouth Rock in another life, maybe. Now sweet Evelyn was, if nothing else, polite and she hears him out. And since I was near the scene of this encounter I heard him say as she drifted off, “and my father’s a protestant too.” Like the co-religionist link is going to clinch the thing. Christ.

No sale, amigo. But here is the kicker, a couple of years later, when Joanne and I had, uh, uh, one of our “misunderstandings” I ran into Evelyn one night down at the seashore. Now by this time she had blossomed into a certified twist, although I also knew that she was still into religion because she belonged to some Protestant girls' club, some religiously-oriented girls' club. But see she had that winning smile still, that winning smile that we were on the lookout for in those days, and by then after another earlier Joanne “misunderstanding” I had already sold my soul to the devil and taken a Protestant girl out, and liked it. So, because in the meantime I had started to get a little Puritan nutty like Markin I started on my patter and mentioned that word anti-disestablishmentarian and what it was all about. We must have talked for about two hours about this and that on the subject; two hours can you believe it.

But see here is where the lesson is. Peter Paul got the context all balled up so bad he was arguing about the beauties of Oliver Cromwell, or the Quakers or something. Those were not Evelyn’s forebears. He had the wrong side, although, as usual, he had it right for the side he liked. Evelyn couldn’t figure it out. What she could figure out, and figure out fast, if not necessarily accurately in Markin’s case, was that she was a minority in a heavily Irish Catholic working class neighborhood and so Markin was probably putting her down for being a Protestant. Christ, again. As a postscript I will mention that sweet, smiling Evelyn and I had a couple of nice weeks together before "ball and chain" Joanne and I stopped our "misunderstandings." I won’t give the details of Evelyn's and my tryst because, see, and especially Markin see, she is now an Episcopal priest, or something like that and does not need that kind of publicity.

So you can see that the be-bop pitter-patter was (or is) not for amateurs, or the faint-hearted, and requires some skill. Especially for hormonally-charged twelve and thirteen year old boys who are only vaguely, at best, aware that this thing requires skills, finely-honed skills. All of this is to say that whatever skills I had in, let’s say October and November of 1958, needed to be used in the hard nut to crack case of one Joanne Marion Murphy, one lace curtain Irish Catholic, more Roman than the Romans Catholic, Joanne Marion Murphy, to the lace curtain single house working class family born.

Markin mentioned in his “introduction” that Joanne was smart, check, pretty, check, had a winning smile, check, and was, as he put it and rightly so I think, universally kind out her religiously-derived social sense, check. What she was not, at least for a long time, was very interested in one Francis Xavier Riley and his cohorts, amigos, and “faux” beat aficionados. She had moved into the neighborhood, neighborhood in the widest sense because no way did she live near my cold-water flats district or Markin’s cottage-like (to be kind) dwelling on the wrong side of the tracks, in sixth grade but went to Adamsville Central Elementary School and so I did not pick up her scent until middle school, the first day of middle school, no, the first hour of middle school, jesus, no, the first minute. Sure she had all the checked things above but she also carried herself, her twelve year old self, in a very intriguing way and so I took a note, literally, took a note on her. But for a while nada, nothing, nowhere and partly because that intriguing carriage included what to me, shanty boy me, was that lace curtain Catholic by the rules thing despite smarts, pretties, winsome smile, and kindliness I thought no way. No way one Francis Xavier Riley was going to get involved with that scene, not with that frail, no way I said, did you hear me?

Truth. Once I started to have a first little success with my girl-directed be-bop pitter-patter Joanne kind of went off the radar even though I saw her every day in class, every day. Truth again. I had no angle on this girl, no angle at all. See the other less bright girls kind of got caught up in the sunglasses, be-bop words, long-gone daddy, rock ‘n’ roll, heartthrob thing. And I loved that, loved the idea that I could be the max daddy king of that scene with a few breaks. So it was not until a couple of real frailly frails came round my table, good-looking girls, maybe not beautiful, not twelve year old beautiful anyway, but smart enough, whimsical enough, and daredevil enough that I noticed Joanne starting to pay attention in my direction. You know that look, that look a guy twelve or twelve hundred is ready to leap off bridges for, and as Markin mentioned before, gladly. Well, if someone is giving old Francis Xavier Riley the look well what is he going to do but look back, right?

This went on for a while, as such things do. But you can't depend on the after-effects of "the look" to determine your whole twelve year old life so what you need, and need badly is intelligence. Any king of the hill, any poor boy, boondocks, third-rate king, hell, any king of the pizza parlor night (in-waiting at that point) needs all kinds of intelligence from whatever source. In this case it was like manna from heaven as my younger sister, Catherine Anne (not Kathy Anne, not Kate, straight Catherine Anne with no bluster nicknames like with my older brothers Tommy and Timmy), was friendly with Joanne's younger sister, Mary Margaret (there are more Marys with various middle names, more Elizabeths, ditto with middle names, and more Catherines, with or without Annes, in this early 1960s Irish working class neighborhood than you can shake a stick at but that is another story, a Markin sociology of the neighborhood story for another time, I am sure) over at North Adamsville Elementary School. This intelligence was gold because it seems that beyond that "look," that jump off the bridge look that I just mentioned, Joanne liked me. But wait a minute no teen saga can just end like that, a story goes with it. See, Joanne was put off by my devil-make-care-attitude which seemed to her, pious girl that she was, kind of sacrilegious, but on the other hand she liked the cool midnight blessed sunglasses. Ya, women.

Let me get back to that pious part for a minute because it will explain lots of things, lots of things that even Markin didn't get. Like when Joanne and I would later have our "misunderstandings" and break-ups which is usually when I looked around for another girl. Not the slanderous way Markin made it seem like I was 24/7 on the hunt even when Joanne and I were in our glory days. See, and here is where the intelligence from Mary Margaret (hereafter, Moe, which is a reasonable nickname and she liked it as well) was invaluable, although if I thought about it I should have after hearing the gist of it ran, ran like hell to Africa or some place like that. See, even worst that in mother Maude's household the religion, the hard core Roman Catholic religion, the more Roman than the Romans religion, its superstitions, its dogmas, and its graces were pervasive via Joanne's mother (Doris). And while mother Maude, and to a lesser extent mother Arlene (Markin's mother), bore down, and bore down hard, with their religious tyrannies toward us boys the girls took the serious brunt of the damage to their fragile psyches. No question.

See here is the set-up. Pious mother (learning from pious mothers back to Stone Age Ireland, and elsewhere I suppose) had a funny standard. They, with the boys, would give kind of a sacramental dispensation for wayward behavior up to, and including, the occasional armed robbery (I am not kidding that happened with one of Markin’s brothers, and others, too many others in the old neighborhood) except, of course, holy of holies, taking the lord’s name in vain and stuff like that. With the girls though, and maybe with some malice, I don’t know, but at least in the family of Doris Anna Murphy, nee Mulvey, it seemed so. They, the girls that is, were held to a higher standard of behavior and were suppose to act as such, at least for public consumption. (I found out later that the public consumption part was all that really mattered for some later flames who, as Markin very succinctly pointed out, had twelve novena books in their hands and lust in their hearts, great lust, praise be). This is the backdrop to my struggle to win Joanne’s affections.

But see that was only part of it, the religious part, the Roman Catholic religious part (I won’t say again the more Roman than the… , ah, forget it) part of it. Let me show you how I got it wrong at first though to show you how tough it was to get my signals straight. Based on my intelligence service (My Catherine Anne-Moe intelligence) I took my best shot at Joanne by going on and on about the Church (you know now what church), about ritual, about various disputes, theological disputes, City of God, Thomist, Counter-Reformation, Virgin Mary disputes, about the meaning of the religious experience in one’s life, etc. Basically blarney, okay (I am also being polite here as I, like Markin, prefer to be so in the public prints).

I swear I thought I was making some headway when all of a sudden I started balling things up, balling them up like I just learned them rather than had them down pat like I should. Now remember this is before Pope John XXIII’s Vatican Council II thing and we were all confronted with the mysteries of the Latin mass, a weird language that confronted us kids like the bloody English language did when those heathens stepped into (and over) the old sod Ireland, plebeian anti-Semitic hatred of the Jews (hell, they killed our savior, didn’t they), and other doctrinal stuff that didn’t mean much. I tried to be cute, meaning I tried to bail out as best I could, by reciting what I knew (and knew haphazardly) about Christian doctrine. Without boring everybody with how I held forth on such esoteric things like how many angels can fit on the head of a needle and other Thomisms the long and short of it is I busted flat, busted flat hard. No sale, no wannabe sale, nada, nothing. Joanne stiffly proud, stiffly piously proud, just kind of dismissed me out of hand, with the flip of a wrist. Vanquished. Gone. In short, she just walked away. (Later, she told me she actually liked my pitter-patter but that on Church matters, you know what church matters, I should leave it to the priests, and guys like that. Fine.)

But that little setback was obviously not the end of my hopes, not even close, because, as I gathered from my Catherine Anne-Moe CIA connections my approach was all wrong. How? Well, Joanne, as it turned out, was pious, no question, pious for public consumption anyway, but that her Catholicism was very much colored by the Irish aspect of it. An Irish expression drilled into her by her grandmother, Anna, who apparently was next to, or close by, when old Saint Patrick did his demon-devouring tricks in the old country. Okay, no problem I will just be-bop on John Bull’s tyranny, eight hundred years of oppression, the bastard Oliver Cromwell (sorry Markin), and the heathen English at Wexford and Drogheda (and in the North).

See here is where it gets tricky again though, actually weird is a better word, because as Irish as the shamrock as I am, I didn’t know a lot about the history of the old Catholic, blighted (like the potatoes too often), priest-ridden (oops) Irish. And I didn’t want to get all balled up like I did with Christian doctrine (or like Markin with Evelyn and her Protestant ways). But I got well fast as I studied up on my own, and again giving the devil his due, Markin filled me in on some stuff. (Wouldn’t you know it took a half–arsed Irishman with a bloody protestant father, although everybody liked old father Prescott, would be giving me, a full-blooded son of the old sod Irishman chapter and verse, christ). In any case one day after school I was walking up Atlantic Street (or was it Appleton) and I noticed Joanne coming out of the old Thomas Crane Public Library branch, the one that was nothing but an old unused storefront that they used until they built a larger one up in Norfolk Downs (by the way although the Irish and Italians build modern Adamsville, or modern in those days, way back when back in Plymouth Rock times every name was bloody English so all the streets names and section names reflect either that or the Indian (oops), Native-American, influence). When Joanne sees me walking her way she gives me the cursory, kindly (really kiss-off okay, twelve year old kiss-off) nod to acknowledge my existence but no little “the look” (discussed previously and the reader is presumed both to remember such details and to “know” the look from his or her own life experiences). Nevertheless this is my golden opportunity-out in the street-no crazy classmates around, no Markin fouling the waters around, and no distractions. Yes, just the right time to do my sing-song, pitter-patter be-bop night paean to the plight of bloody, but not bowed, Ireland and its churchly concerns.

I will say I “stepped up to the plate” on this one. I even brought in the Book of Kell, for christ’s sake, and how the Irish Church, the blessed Irish church and the monasteries were fountains of knowledge , wisdom, …faith (she said later she loved that one) when the dirty-handed, unwashed English were eating their meals off the hip in their dingy little hovels. Suddenly she said “Stop.” My heart fell, oh my god, I’ve blown it. No, not this “scholarly” twelve year old. Well maybe. Joanne said she knew I was up to something (she had intelligence, exclusive intelligence, from, ah, Catherine Anne and Moe) and although I had actually had a fair number of facts balled up (about bloody Oliver Cromwell and Wexford and Drogheda for one, that damn Markin put his secular spin on the thing and made the hated Cromwell the hero, although from this reference you can see what kind of ammunition I was throwing out like this was a meeting of the Central Committee of the Irish Republican Army, (IRA), or something). She was “impressed”, impressed as hell (my term, okay) that I thought enough of her to go to the bother. And then she gave me a winsome smile. (Hey, Markin is not the only one susceptible to that smile.) Home run.

On the basis of that smile I “asked her out.” Now twelve year old “asking out,” then anyway, and probably now too, was usually something like going to a dance after school, or maybe getting a bite to eat at the soda fountain (including listening to the jukebox, coins in hand), bowling, ya, bowling, or a matinee movie thing. But see here is where old Frankie knew how to segue into this proposition based on his recent pitter-patter. I asked Joanne to go the upcoming March 17th Saint Patrick’s Day Parade over in South Boston with me. Nice touch, right.

Now in those days, and you can ask your parents and grandparents about it if you are too young to remember the be-bop 1950s night, the parade was actually held on March 17th, whatever day of the week it fell on so that meant “skipping” school that year. See in Adamsville March 17th, unlike in Boston, was not a day off-a holiday and even in Boston, officially, it was not a day off for blessed Saint Patrick. It was to celebrate the bloody British defeat in Boston- Evacuation Day- a worthy reason in its own right. Joanne “freaked” out at this idea at first. But then I worked on her, and worked on her, with the notion that it was her patriotic duty, her grandmother Anna memory honor duty, to go and pretend we were in the old sod for the day. Ya, I know bringing in grandma was off base but, well, but… As an added kicker, and to show my honorable intentions, I told her that Markin was also going although I had not asked him at the time (and didn’t want him around anyway). That day she said no, but over the next several days she started to weaken.

In the meantime (although I guess my intelligence network was on “vacation” or, like the current day CIA, “out of the loop” because I didn’t know this) Joanne was working on her mother by putting up an argument that it was her religious duty to stand up for the Irish Church on that day (christ, she sounded like me after a while). Finally mother Doris said yes and Joanne said yes. Of course, as this was going on, old Peter Paul, old true-blooded, down with John Bull’s tyranny, Markin wimped out, yes, wimped out, saying he did not want to miss school. As it turned out (and was Joanne’s expression after she heard that Markin had wimped out) three was one too many (and both Joanne and I agreed on this one, with a little snicker, many times later). And the reason that Joanne said that, to make a long story short because you really don’t need me to go into the details of the parade-marching bands, drill teams, bagpipes, twirlers, drunken green-faced rowdies and all that- or the results of my efforts, was that she figured (as she told me later) we would probably get around to kissing (be still my heart on hearing this even now) and she didn’t want Markin to blab it all over school. And guess what? We did kiss, kissed in honor of Saint Patrick, the Irish Church, the Book of Kell, and I don’t know how many other things, Irish things, naturally-hey, maybe even the blarney stone.

Now Markin in one of his foolish, damn foolish, commentaries once asked a question to his fellow North Adamsville high school classmates about whether, in the old days, anybody “skipped” school to go over to Southie and see the Saint Patrick’s Day Parade. We know he wimped out, always. But note this, Frankie, Francis Xavier Riley, has a very big A (for absent) next to his name for March 17, 1959. And he is proud of it. I’ll even get a notarized copy of the damn North Adamsville Middle School transcript to prove it. So there.

Out In The Be-Bop 1950s Night- Girl Meets Our Lord Of The Saint Patrick’s Day Night Boy- For Frankie, Francis Xavier Riley, King Of North Adamsville Schoolboy Night - Class of 1964

Click on the headline to link to an online copy of Anglo-Irish poet William Butler Yeats’ Easter, 1916. The reason for that selection will be obvious, hopefully obvious, by the end of this entry.

Markin comment:Yes, I can hear the snickering, cyberspace snickering if that is possible anyway, between them now, just like in the old days, although I did not always know what it meant then but now I do. I do after Frankie’s, Francis Xavier Riley’s, recent desecration of this space to tell his wild and wooly story, Boy Meets Our Lady Of The Saint Patrick’s Day Night Girl, about how he and his ever-loving middle school and high school sweetheart, Joanne, came together as a couple through their adventures at the 1959 Saint Patrick’s Day parade over in Southie, South Boston that is. In case you were not aware, painfully aware by now, Frankie, king of the be-bop late 1950s and early 1960s schoolboy be-bop night in our old, mainly Irish, working class neighborhood in North Adamsville and his “ball and chain”, Joanne, Joanne Marion Murphy, decided as part of their Southie caper that three was “one too many” and that neither would ever cry, cry out loud about it. And the three, or third, was me, Markin, Peter Paul Markin, Frankie’s then (and now, now maybe) faithful retainer during his reign. I decided to go to school instead of “skipping” the day as they did. Thankfully I am resilient and such childish things as snickers by just barely teenage co-conspirators are so much, well, so much.

But that is not the end of it, not the end of it by a long way, although you and I will wish that I had not taken the genie out of the bottle, at least I will. Now one of the beauties of the high tech age we live in is that long forgotten friends and acquaintances are “findable” in short order, at least those who have left enough traces to be found. The same holds true for the use of cyberspace, as used here, as something of a public diary about the back-in-the-days times of the be-bop high school 1960s night. Now I had not heard from Frankie for many years, maybe forty or so, as our paths went in very different directions at some point. All that is important right this minute is that Frankie, king Frankie, heard that I was writing, writing relentlessly, about the old days, and about his lordship. I will give you the details of the hows and whys of how he got in touch with me some other time, maybe. What you know, if you have been attentive is that Frankie has been spewing forth (sorry there is not other word, other appropriate public word, for it) to one and all about His take on the old days as my guest commentator.

Here is where the genie out of the bottle part comes in. Frankie, Francis Xavier Riley, is not the only one who knows how to work the marvels of cyberspace to get his “party line” out. Now, and christ I’ll be damned if I know how she found out (although I suspect my ex-wife, my first ex-wife that is, who was not part of the old North Adamsville scene but knew all about it, knew, as she said, “where all the bodies were buried”) Joanne, Joanne Marion Murphy (I will use her high school name here just to keep things from getting anymore confused than they already are), has actually been following this space, especially since Frankie has “come on board.” And what she wants, no, what she insists on, is “equal time,” equal time to tell her side of the story, the 1959 Saint Patrick’s Day Parade story. She said that Frankie left a lot out, a lot that would make him a little less cocky (her word) if the world knew certain things. Also that Frankie had it wrong, half-arsed wrong, no, full-arsed wrong about her Irishness sensibilities and where they fit into her young schoolgirl life.

Can you believe that? What is more she says there are some other “inaccuracies” in Frankie’s other stories, mainly the ones I wrote. Well, those are fighting words in my book, and as Frankie can tell you, would bring some fists out in our old-fashioned values, mainly Irish working class neighborhood. Those were the old days and I was going to, really going to, just let old Joanne, old ever-loving Joanne twist in the wind on this one. But here is where you have be careful about people, well, okay about women because after I sent her an e-mail on my decision, about thirty-six seconds later I got a return e-mail. And that e-mail asked, pretty please asked, acidly-etched pretty please asked, didn’t I want to know about whether it was true or not that she was “smitten” by me back in the days. What? Who? Well that puts a different perspective on it and perhaps I, in the interest of hearing all sides should allow her this one opportunity to “put things straight.” Besides like I used to say in the old days I like to give the other side an opportunity to speak if only to hang themselves.

Joanne, Joanne Marion Murphy, comment:

Yes, one Frankie, Francis Xavier Riley (Christ, Markin has got me saying it now), and one Markin, Peter Paul Markin, were thick as thieves from the time Markin came over to North Adamsville Junior High School (yes, I know just like Frankie and Pee-pee, my pet name for Markin, know it is now called middle school) from the projects in the middle of seventh grade. That part is true, and you can take my word for it. And the part about “Joanne was smart, check, pretty, check, had a winning smile, check, and was universally kind out her religiously-derived social sense, check.” Everything else that this pair has written about the old days, well, why don’t we just say “take it with the grain of salt.” Okay. Now I do not know how much old Markin, dear truth-at-any-price Peter Paul, is going to cut out (edit he called it) so I want to make sure you know about three things: my opinion of Markin in those old days; the real story of Saint Patrick’s Day 1959; and various inaccuracies about what I did, or didn’t know, about Frankie’s girl flings after we had our little disputes (what he called “misunderstandings”). If I don’t get these points all through Markin’s (and maybe Frankie behind it, as well) meat-cutter please contact me at joannemarionmurphy@mit.edu.

Frankie thinks he had Markin figured out, and figured out easy. Just throw him a morsel of an idea and he’ll jump through hoops for you. Well, where do you think, and who do you think gave Frankie that idea? Didn’t I have it right, and here I am speaking "truth to power" about it as proof, on how to get Markin to let me write about the old days in his “space.” All I had to do was throw out the words “smitten" and "Joanne” and he was hooked, just like in the old days. And Frankie never would believe this then, and probably will not now but I was, I won’t say smitten but definitely attracted to Markin from the time he came to our school. No, no the looks, Frankie had them, no question. No, not the be-bop pitter-patter (weak stuff anyway as I will discuss later). No, not the clothes or “style” (Christ, Markin always looked about two inches from a hobo-on the good days-sorry). But Markin had something Frankie never did have, and never will have, his love of ideas (or morsels of ideas), and his love of sharing them with all and sundry.

Frankie just kind of used ideas as a pillow, as something convenient, as something for the moment. Markin would draw circles in the air around them, as if to keep them safe from harm or abuse. See, who do you think was “holding my hand” when old Frankie and I had our problems (sorry Frankie) and we would read poetry or something, or discuss books to make the Frankie-less times a little less hard? So when old Markin says he wouldn’t jump off a bridge for me, don’t you be fooled (or you either Frankie) by his deception. Notice how Pee-pee was talking about “looks”- ask him about intellectual companionship, or discussing books, or reading his inflamed poetry. [Markin interjection: well, yes, of course, which one]. So when Markin (or Frankie, for that matter) goes on and on about Joanne "ball and chain,” or "Joanne didn’t (or couldn’t) do this or that," or even "three’s one too many" that caused plenty of tensions, and caused Markin and I to be sometimes stiffly civil in Frankie presence from seventh grade on just remember what I said here.

Yes, after reading the Frankie screed about how we met in the seventh grade and how he swept me off my feet on Saint Patrick’s Day and after reading as well Peter Paul’s various defenses of his “king” I can confidently say this. The fact that we were all in the seventh grade in 1959, and that we were all in the same school at that time is true. Everything else that this pair has written about me, or about the Frankie-Joanne romance should be handled, well let me put it gently, with a cattle prod. The king and his scribe may have been familiar, in passing, with the idea of the truth, but the truth itself is as Markin was fond of saying in high school a book sealed with seven seals. Let me put you straight, if I can.

Sure I was attracted to Frankie, well, attracted, is probably too strong a word on the first day anyway, let’s call it intrigued. A good-looking (yes, even then twelve years old girls, and maybe, especially twelve year old girls, had their rating systems and Frankie rated pretty high among us girls in that department in those girls’ lav moments when we talked of such things), blondish-brown headed guy with little curled sideburns as was the style then, blue eyes, wiry, medium-built who also came into class wearing brown flannel shirts in September, black chino pants (without cuffs, as they both will endlessly tell you at the drop of a dime, if you just ask them), clunky work boots, workers' work boots, and his midnight sunglasses.

Especially the sunglasses, day and night, night and day. He called them his midnight sunglasses. I do not think that Frankie or Peter Paul mentioned the various battles over those sunglasses in school (and in my house when mother Doris and father James saw him midnight sun-glassed one night). Either selective memory, forget memory or something but what do you think- that a twelve year old kid walking into a working class junior high school in 1958, in the heat of the despised beat movement, was going to go unchallenged on wearing what did not appear to be prescription glasses in school. Well let them, or one of them, tell the whole story, I’ll just say that a compromise (parents, etc. present in principal’s office) was reached and said sunglasses were treated as regular eye wear. Yes, intrigued was just about right, and from the first day. Okay.

Okay, except no way, no way was I going to run with his crowd, especially when I heard, heard from somebody that I remember that I trusted, although I cannot remember her name just now, that Frankie swore, and swore a lot as part of his be-bop pitter patter (as he called it). These guys made fun of me here, and back then even worst, about my being pious, pious at least for public consumption, but I didn’t (and still don’t like to hear swearing). Not because of some religious scruples but just because my father, and lots of people in the neighborhood, always felt free to swear, swear loudly and whenever they pleased, and it offended my so-called "lace curtain" sensibilities. But we, Frankie and I, were in the same class together and I kind of got used to his pitter-patter and actually, as least as far as I remember, he didn’t swear when I was within earshot. And earshot was the way I kept it for the first few months, maybe closer to the first half of seventh grade. But then I saw that some girls, some girls, some of those girls that Peter Paul called "not so bright" and he was right, that told me they would never go near Frankie and his awful clothes and those weird sunglasses started to hang around his table at lunch, and follow him during class passes. I even saw a couple of girls, a couple who were supposed to be friends of mine and even more pious, really more pious than I was, walking homeward with Frankie. And meantime I was starting to like the look of him. Although something inside still said "stay away."

Then one day, one January day maybe, Frankie cornered me after school, after school and on my way home, and started going on and on about religion, our Roman Catholic religion. I still am not quite sure what he was trying to get at but he went into all kinds of things that I knew were wrong, although the way he said them was nice. Still I thought he had gone off the deep-end rattling on about this and that, including theology that he did not know anything about. I dismissed him out of hand as a nice guy but not for me, not for me unless he showed me a better face.

And then he actually did that. During the February vacation I was working on a project at the old Thomas Crane Public Library on Atlantic Avenue, the one they had as a storefront before they built a better one up at Norfolk Downs across from our Sacred Heart Church. As I was leaving I saw Frankie come up the street. I swear, I swear on the Bible, that I tried to walk pass him as fast as I could and just gave him a friendly nod. But then he started to talk his pitter-patter talk, but this time talking about the Book of Kell, and Ireland, and the old days of struggle against the "bloody English." I found out that he had found out that I was interested in Irish history, and the Irish history of the Church, and stuff like that from my grandmother, Anna, Anna Maude Mulvey, nee O’Brian, who was very close to the people who fought in the struggles against those same "bloody English" in Dublin in 1916. Had relatives over there (some now here) and so on.

So I listened to him, and he sounded better than in January. And that sounding better got him a date, although when he asked me out, asked twelve year old me out, I thought like with other boys it would be, I don’t know, a movie or a dance or something. But, no, Frankie, had to push the Irish card to the fullest. He wanted us to go over to South Boston, along with his new stooge (my term) Peter Paul Markin who was hovering around him like crazy and trying to imitate his "style," unsuccessfully I might add, the stooge was to keep things "on the level," I suppose, for the upcoming Saint Patrick’s Day Parade, which was on a Wednesday, I think, a school day in North Adamsville. I said no way, no way because I didn’t want to miss school, and my mother would not have let me miss school for such a thing.

But Frankie was persistent, and every day he would add to his bleeding Ireland pitter-patter and, of course, I liked that he did it but still there was the mother factor, the mother factor, the pious, lace curtain Irish mother who had along with grandmother, so she claimed, had taken great pains, great pains as she said more than once, to get our family away from the heathen, half- heathen anyway, "shanty" Irish that overran South Boston on Saint Patrick’s Day (and every day as she, revealing her real position, also later mentioned more than once). What I did not know then (and didn’t find out about until a few years later was that her shanty Irish applied to Frankie, Peter Paul, and all other other North Admasville shanty Irish who lived on the wrong side of the tracks, and that was literally the wrong side of the tracks not just a figure of speech in that town. More than that she hated, purely hated the idea, the very idea, and fumed over it more than once right in my face about it, that I would go anywhere, anywhere at all with a heathen, or half-heathen, half-breed like Peter Paul who had a Protestant father, can you believe that a Protestant father (although I, and lots of other people, lots of other Roman Catholic to the manor born Irish like Frankie's father, and mine, liked Peter Paul’s father, Prescott, a lot).

And maybe Peter Paul knew this, or knows this now, but at the time when I was rolling the rock up the hill trying to get Doris to give in and let me go with Frankie to the parade when he said he couldn’t go, or wouldn’t go, that actually was when dear mother started to relent. But it was a struggle, no question. Then about two, or three days before that parade, Grandma Anna came over and talked to mother, and talked to her in no uncertain terms about the educational value, the Irish educational value of going over to see my kindred, and the representative Irish stuff and all of that. And Grandma said she would take Frankie and me over herself. What mother didn't know, old sweet mother Doris, and she was sweet when you didn’t cross her little lace curtain Irish plans to become, I think, just regular Americans, not Irish-Americans like we, meaning my family and others around us call ourselves now, and not carry the baggage from the old days and the old country in our brains every minute, was that I had in desperation called in the “big guns,” Grandma Anna.

That is the term, "big guns," Markin always used whenever some dispute came up with his mother (Arlene, nee McNally) and she called in old Prescott to back her up. I had, in any case, sobbed to Grandma about my plight, about mother not letting me learn about the old country and show Irish pride. “Stop it,” she said. And then blasted out “You just want to be with that boy you’ve been mooning over the last few months, Frankie, away from home a little and who knows what else, don’t tell me it’s all about Irish history although that doesn’t hurt either.” “But that will be our story, anyway,” she added. I admitted to her, and it is no telling tales out of school here, that I got a little faint when Frankie was around me, and looked my way. She didn’t say anything to that, she didn’t have to say anything to that but just gave her knowing little chuckle. And so grandma law prevailed and Frankie and I were on our way.

Later, a couple of weeks later, after she had taken us over to the parade in her car and them left us to ourselves when she told us she had some “business” to attend to (thanks, grandma,) she said, and I wish maybe I had listened a little more closely, watch out for blarney men, and watch out with both eyes. (Thanks, grandma again although then it was too late). I think Frankie already told you about the parade, and if he didn’t I can’t help much in describing those things because my head and heart were so full of Frankie that day, and about how he really had to be sweet when he went to all the trouble to learn about the troubles, the Irish troubles, just for me and about how I hoped that he would kiss me and that I would be his girl and not one of those other “less bright” girls that were still hanging around his table at lunch and were all moony over him. I know Frankie told you that he did kiss me, and kissed me more than once, and giving me Irish history kisses that I was thrilled to get, even if we both were giving and taking awkward twelve almost thirteen year old kisses. Yes, so if anybody is bothering to keep count, including old Peter Paul whose posed the question, yes I too proudly have a big A (for absence) on my North Adamsville Junior High School attendance sheet for March 17, 1959. A big Irish-kissed A. And what of it.

P.S. I wanted to make sure that Markin didn’t “delete” my telling of the story of Frankie and my first date so I didn’t put anything in about the errors in Frankie’s and Peter Paul’s other stories. This probably won’t make it through the Markin censor machine but if it does then here is the real scoop on old lover boy Frankie’s “love affairs” when we had our later “misunderstandings.” Okay? When Markin told the story of how Frankie went and tried to be the king of the teen age dance club and Frankie fell all over himself over what Markin called that Grace Kelly look-a-like girl whom I was friendly with and had a class with in school and who wouldn’t give him the time of day on the dance floor that night these two, showing definite male vanity, cooked up that part where old Grace Kelly said she was smitten with Frankie but that she wouldn’t mess with him because she was my serious boyfriend. Old Grace didn’t care one bit for Frankie, thought he was a silly old beatnik past his prime and thought it was juvenile in the nth degree to wear sunglasses in school in the hope that it would attract attention, her attention anyway. She said Frankie was “square,” very square and what she said about Frankie's scribe (self-described, Peter Paul self-described), cannot be repeated here (she knew how to swear which I didn’t like, as you know). Also she was not related to me in any way, although she was more than happy to snub old Frankie for me while I was away on summer vacation with my family. E-mail me if you want her full description of Frankie’s “approach” to her that night, it is a riot. We laughed about it for weeks.

More serious though, and this one really has to be straightened out was Markin’s story about another “misunderstanding” time with Frankie and me when Frankie and he were down at the Adventure Car Hop and Frankie picked up my cousin (yes, that part was true, second cousin) Sandy, a car hop there. Yes, Frankie did take her home at his insistence, and yes, he stayed the night. On the sofa. By himself. Sandy was lonely okay, her husband was in the service and wanted more company than a screaming baby to while away the night. And Frankie seemed cool to her that night, and was friendly as well. But when the deal went down she was “true blue” to Rick (her husband) who would also, no question, kill her, maybe literally, if he ever found out and he would. You and I know that too, it’s not that big a town. According to Sandy, Frankie didn’t press the issue, although I do find that part hard to believe but needed to stay at least until dawn to cover his story. A couple of days later Sandy, after finding out that I was Frankie’s honey, called me up with the straight story so I know it’s true. Yes, Frankie, Peter Paul, and I met and hung out together in seventh grade in 1959 and after but beyond that fact if you believe anything this pair has to say, then or now, do so at you peril.

[Markin interjection: Old Joanne, old Professor Murphy, has gone off the deep-end. I would not dream of cutting one word of this little Joanne “take” on our old times. I like to give everybody their say, give everybody enough rope to hang themselves, and she has.]

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View

http://www.youtube.com/watch?v=FjOLpNxaupU



Click on the headline to link to a YouTube film clip of Jerry Lee Lewis banging away on that piano for his life on High School Confidential from the movie of the same name.

High School Confidential lyrics-Jerry Lee Lewis

You better open up honey it's your lover boy me that's a knockin'
You better listen to me sugar all the cats are at the High School rockin'
Honey get your boppin' shoes Before the juke box blows a fuse
Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop
Boppin' at the High School Hop
Shakin' at the High School Hop
I've rollin' at the High School Hop
I've been movin' at the High School Hop
Everybody’s hoppin' Everybody's boppin'
Boppin' at the High School Hop

Come on little baby gonna rock a little bit tonight
Woooh I got get with you sugar gonna shake things up tonight
Check out the heart beatin' rhythm cause my feet are moving smooth and
Light

Boppin' at the High School Hop
Shakin' at the High School Hop
Rollin' at the High School Hop
Movin' at the High School Hop
Everybody’s hoppin' just a boppin' just a boppin'

Piano Solo!

Come on little baby let me give a piece good news good news good news
Jerry Lee is going to rock away all his blues
My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop
Shakin' at the High School Hop
Rollin' at the High School Hop
Gettin' it at the High School Hop
Everybody’s hoppin' Everybody's boppin'
Boppin' at the High School Hop
********
Billie, William James Bradley comment:

I am fuming, fuming six ways to Sunday if that is possible, fuming until the cows come home if there are any cows around, and if they have wandered I am still fuming. Why? I just called up Laura, Laura that I took to the school dance last week, to ask her if she wanted to go to the church sock hop scheduled for this weekend, Saturday night. Now it wouldn’t be as good as the last school one with a live band, and all, but even with just records and just ten thousand poor as church mice chaperones doing their chaperone thing to get grace or something, for real, we could still have a good time.

And do you know what she said. “I’ve got a date.” What, no way, no possible way, when everybody knows that she is my “personal property.” “Who is the guy, who is the guy, who is the guy who would dare cross the king of the rock night? This world is not big enough for the two of us, give me his name,” I said as I readied my arrows. “It’s Peter Paul, and before you get all crazy I asked him,” she darted back the sound of her voice pleased, pleased as punch the way she said it. “Double what?” I shouted over the phone so everyone with a twenty square mile area could hear, if they wanted to. And she came back, all sweet reason just like every girl, every stick or shapely girl, women even “I like you, I definitely like you, you’re funny, and you’re a good dancer, and you sure know a lot about rock ‘n’ roll, but you seem too bossy, and you take that "king of the rock" thing that Peter Paul keeps telling everybody about way too seriously. If Peter Paul hadn’t spent what seems like half his life building you up as, what did he call it, oh ya, “king of the be-bop night” you might be a better boy to be with. But the big thing, and here is where it all comes down on you, I found out, found out from Karen, that you tried to make a clown out of poor Peter Paul when you let him dance with me and you knew, or thought you knew, that he couldn’t dance for beans.” After she let that set in my head, uneasily in my head for a minute, she continued “So, yes, I went right over to his house and told him, no, what did he say I said, ‘insisted’ that we were going to the next dance together.” But get this, get this dagger thing aimed right at my heart. She finishes off with “And he makes me smile with his silly bookish ways, and you don’t okay. Next dance I’ll go with you, your highness, maybe.” And then she hung up. Ouch!

Two-timing that is all that it is. I can see that now. No, not Laura, you know how girls are, twelve and thirteen year old girls, with their hard to figure giggles, their starting to get shapes, and their monthlies (my sisters, Carol and Donna, told me all about it, sorry, tough luck girls). No, Peter Paul, Markin, that s.o.b., two-timed his best friend that’s all it can be. Probably went to the Thomas Crane Public Library branch that is attached to the school and read up everything that was on the shelves about two-timing, the history of two-timing, boys two-timings girls, girls two-timing boys, everything on the subject back to Pharaoh Egypt times. Just to two-time Billie, William James Bradley, known far and wide, despite what Laura said, as the king of the be-bop rock night. And Markin, no more Peter Paul nice guy now, didn’t have diddley to do with that. Period

But how did he switch up on me? I don’t get that. First, I know, I know from Karen, I know from Donna (not my sister Donna, Donna O’Toole, Cool Donna O’Toole, or was until I ditched her, or what did Markin call it, “discarded her”), I know from Theresa, and I know now, because I just asked her before she went out the door, from my sister Carol, that Markin never said word one to Laura before I introduced them the other night. Although now that I thik about it I am still ticked off at Carol for not telling me about helping Markin learn to dance, rock dance, not that silly cowboy, barn dance, square dance thing that he calls rock dancing. I also know from Carol that Markin did not know much about jumping Jerry Lee Lewis. He was just hoping to get maybe an Elvis One Night With You, Good Rockin’ Today, Jailhouse Rock chance. Or a Chuck Berry Sweet Little Sixteen, or a Bo Diddley Who Do You Love? chance with Theresa, Karen or Donna (O’Toole). No way he believed, and I am going to go over right now and ask him about it, that he was going to step up to Laura’s league. Hell, it couldn’t have been that silly report, that silly report that he kept hammering me about as he leaned each new thing, Jesus Christ, Greek democracy, what are you kidding.

At his house I confront him. “Okay Markin what gives, what, how, why, where, when did you figure out how to break my time with Laura? And don’t play innocent and definitely, I warn you, start talking about that report, that silly Greek geek report.”

Of course I do not believe Peter Paul’s story, is who me story, no way. No way in hell, excuse my language, is a nice shape like that Laura, a nice shape in all the right places, or trying to be in all the right places, and smart, real smart going to go off the deep-end for a, let’s face it, ragamuffin boy like Markin. Christ, even he said it, a guy with a clowny outfit, a shirt, a shirt, a white stripped shirt for Christ sake, if you can believe that, a Bargie special, or straight of the back-rack at Woolworth’s, black chino pants with cuffs, jesus, cuffs and those square, too square Thom McAn brown shoes that I haven’t worn since about first communion is going to put the whammy on a babe like Laura.

Against me, against the king of the rock night in these parts, with my smart-looking wide lapel two-tone sports jacket just like Eddie Cochran, my black pants (ya, black pants, the black is okay it is the chinos, and, and the cuffs that have to go) nicely-pressed (ya, ma-pressed), my Elvis-style hair-do with just the right length sideburns and my foxy, spit-shined Florheim suede shoes (no, not blue suede, that’s squarey square now).

Ya, it was some drugstore medicine whammy he put on her at the dance that night. No question, although I haven’t quite figured out how he did it, because everybody knows, or I know anyhow that Peter Paul and science don’t mix. Don’t mix since he tried that rocket ship caper last year, trying personally to beat the commies at their own game after Sputnik jumped the night sky, when he tried to send some balsa wood rocket into space when he punctured a CO2 cartridge with a nail and a hammier and almost got us all killed. Or when, after that, he started to mix some chemicals in his cellar to go about it another way with some three-stage rocket concoction and almost blew the whole place up. I’ll tell you about that sometime but right now I wish, I wish, well I wish. See, Peter Paul is really about things like Abigail Adams, or her son John Quincy, or about literary guys, like this guy Fitzgerald who wrote about rich kids with names like Basil something and Josephine this or that and their hi-jinks ages ago that he has been yakking about lately. Ya, reading about rich kids, rich, rich guys having fun with rich girls like that is going get us out of the projects, and like reading that stuff is going make him rich, or even get him a pass out of this dungeon project.

Hey, wait a minute, no, no, it is not about science, it’s not about some silly book report, and it’s not about Peter Paul suddenly being a lady’s man. Why didn’t I think of it before? It’s about this new rocker- Jerry Lee Lewis and his be-bop thing, be-bop piano thing. Ya that's it. They say he is going to replace the king, and for all you squares, cubes, and fourth dimension guys and frills, that means Elvis. And if you don’t know that name you must have been up in space with the dogs, monkeys, or robots or whoever is riding those rockets.

Okay, okay I can take a joke. The spell is not Markin, it’s Jerry Lee. Hell, a momentary thing, maybe a few weeks while the king is resting up and waiting to go into the service, or something. No way someone who jumps up and down on a piano, and is kind of a wild man ever going to be, in his wildest dreams, better than Elvis. No way, no comparison, forget it. Name song names, okay. Heartbreak Hotel, That’s When You’re Heartbreak Begins, Jailhouse Rock, Good Rockin’ Tonight, Hound Dog, One Night (that alone says it all). Come on now, I listed enough. And Jerry Lee, High School Confidential. Ya, it’s good, its be-bop but this guy is strictly a one-hit Johnnie. Ya, okay I’ll let Peter Paul have his moment of glory, and maybe a kiss or two, if he’s not scared like usual, but Laura will be back with me at the next dance. Who knows, if I cut in at this Saturday's dance that's coming up, to spare her having to dance with Peter Paul and his black chino cuffed pants all night, maybe this dance. Then Peter Paul can go back and try his luck on those stick girls that are more his speed anyway. Ya, Elvis and Billie. Long live the kings!

*Out In The Be-Bop 1950s Night- When Billie Fought To Be Church Hall Dance Champ

Click on the headline to link to a YouTube film clip of the Teen Angels performing Eddie My Love.

Markin comment:

Recently I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a Time-Life classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.

And we, we small-time punk (in the old-fashioned sense of that word), we hardly wet behind the ears elementary school kids, and that is all we were for those who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not Billie whom I will talk about later, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery-operated radios that we could put in our pockets, and hide from snooping parental ears, at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious you’ll never get to heaven listening to that devil music and you had better say about eight zillion Hail Marys to get right Catholic, ears. Ya right, Ma, like Patti Page or Bob (not Bing, not the Bing of Brother, Can You Spare A Dime? anyway) Crosby and The Bobcats were supposed to satisfy our jail break cravings.

And that pious, quietist, chase the devil and his (or her) devil’s music away, say a million Acts of Contrition, church-bent, Roman Catholic church-bent, part formed a great deal of the backdrop for how we related to that break-out rock music. And why we had to practically form a secret cult to enjoy it. Now you all know, since you all went to elementary school just like I did, although maybe you didn’t attend in the Cold War, red scare, we could-all-be-bombed-dead tomorrow 1950s like I did, that those mandatory elementary school dances where we rough-hewn boys learned, maybe we learned, our first social graces were nothing but cream puff affairs. Lots of red-faced guys and giggling girls. Big deal, right? What you maybe don’t’ know, especially if you were not from a working class neighborhood (or a pubic housing project) made up of mainly Irish and Italian Roman Catholic families like I was is that “cream puff” school stuff was seen by the Church (need I add any more identifying words?) as the devil’s playground. Later, I found out from some Protestant friends that their church leaders felt the same way. No, not those Universalist-Unitarian types who think everything humankind does that is not hurtful is okay but real hard-nosed Protestants, like Episcopalians, Baptists, and Presbyterians. So to counter that secular godlessness, at least in our area, the Church sponsored Friday night dances. Chaste, very chaste, or that was the intention, Friday night dances.

Now these dances from the outward look would look just like those devil-sponsored secular school dances. They were, for example, held in the basement of the church (St. whoever, Our Lady of the wherever, The Sacred whatever, or fill in the blank), a basement, given the norms of public architecture, was an almost exact rectangular, windowless, linoleum-floored, folding chairs and tables, raised stage replica of the elementary school auditorium. That church locale, moreover, when dressed up like on those Friday nights with the usual crepe, handmade signs of welcome, and refreshment offerings also looked the same. And just so that you don’t think I am going overboard they played the same damn (oops) music as at school, except the sound system (donated, naturally, by some pious parishioner, looking for good conduct points from the fiery-eyed "fire and brimstone" pastor) was usually barely audible. The real difference then, and maybe now, for all I know, was that rather than a few embarrassed public school teacher-chaperones drafted against their wills, I hope, or like to hope, every stick-in-the-mud person (or so it seemed) over the age of eighteen was drafted into the lord’s army for the evening. Purpose: to make sure there was no untoward, unnatural, unexpected, or unwanted touching of anything, by anyone, for any reason. So, now that I think about it, this was really the Friday night prison dance. But not always.

Of course all of this remembrance is just so much lead up to a Billie story. You know Billie, Billie from “the projects” hills. William James Bradley to be exact. The Billie who wanted fame and fortune (or at least girls) so bad that he could almost taste it. The Billie who entered a teenage talent show dressed up like Bill Haley and whose mother-made suit jacket arms fell off during the performance and he wound up with all the girls in schools as a consolation prize. Yes, that Billie, who also happened to be my best friend, or, maybe, almost best friend we never did get it straight, in elementary school. Billie was crazy for the music, crazy to impress the tender young girls that he was very aware of, much more aware of than I was and earlier, with his knowledge, his love, and his respect for the music , rock music that is.

During the summer, and here I am speaking of the summer of 1958, these church-held dances started a little earlier and finished a little later. That was fine by us. But part of the reason was that during July (starting after the Fourth Of July, if I recall) and August there was a weekly dance-off elimination contest. Now these things were meant to be to show off partner-type dancing skills so I never even dreamed of participating, although I was now hip to the girl thing (or at least twelve year old hip to it), and gladly. Not so Billie.You know, or if you don’t then I will tell you so you know now, that Billie was a pretty good singer, and a pretty good shaker as a dancer. Needless to say these skills were not on the official papal list of ways to prove you had some Fred Astaire-like talent. What you needed to demonstrate, with a partner, a girl partner, was waltz-like, fox-trot stuff. Stuff you were glad to know when last, slow dance time came around but not before, please, not before.

But see, if you didn’t know before, I will remind you, Billie was a fiend to win a talent contest, a contest that, the way he figured it, was his ticket out of "the projects" and into all the cars he wanted, all the girls, and half of everything else in the world. Ya, I know, but poor boys have dreams too. And I don’t suppose it is too early to remind you, like I did with the lost sleeve teenage talent show, that Billie later spent those pent-up energies less productively, much less productively once he knew the score, his score about life. Today though, this night, this Friday night, at the start of the contest Billie is going for the brass ring. See, Billie, secretly, at least secretly from me, was taking dance lessons, slow dance lessons with Rosalie, Christ Rosalie, the prettiest girl in our class, the girl that if I had known the word then I would have called fetching, very fetching. That was, and is, high praise from me. And, see also, teaching the pair the ropes is none other than Rosalie’s mother who before she became a mother was some kind of dance queen (I don’t know, or don’t remember, if I knew the details of that woman’s prior life before then). It’s almost like the fix was in.

Now you know just as well as I do that I have no story, or at least no story worth telling, if Billie and Rosalie don’t make it out of the box, if they just get eliminated quickly. Sure they made it, and now they are standing there getting ready to do battle against the final pair for the sainted dance championship of the christian world, projects branch. Now my take on the dancing all summer was there wasn’t much difference, at least noticeable difference, between the pairs. I think the judges thought so too, the junior priest, a priest that the pastor threw into this dance thing because he was closer to our ages than the old-timer "fire and brimstone" pastor was, and four ladies from the Ladies' Sodality usually took quite a bit of time before deciding who was eliminated. Rosalie’s mother (and my mother, as well) thought the same thing when we compared notes. See, now with Billie under contract (oh, ya, naturally I was his manager, or something like that) I had developed into an ace dance critic. Mainly though, I was downplaying the opposition to boost my pair's chances, and, incidentally, falling, falling big, for Rosalie. And not just for her dancing.

So here we were at the finals. It was a wickedly hot night in that dungeon basement so the jackets and ties, if wore (and that needed to be worn by the contestant males), were off. Also, by the rules, each finalist couple got to choose its own music and form of dancing. The first couple did this dreamy Fred Astaire-Ginger Rodgers all hands flailing and quick-movement thing that even impressed me. After than performance, out of the corner of my eye, I saw Billie talking to Rosalie, talking fast and talking furiously. Something was up, definitely, something was up.

Well, something was up. Billie, old sweet boy Billie, old get out of the projects at any cost Billie, old take no prisoners Billie decided that he was going to stretch the rules and play to his strength by doing a Bill Haley’s Rock Around The Clock jitterbug thing to show the judges his “moves” and what we would now call going "outside the box." And he had gotten Rosalie, sweet, fetching, deserves better Rosalie, to go along with him on it. See, Rosalie, during all those dance lesson things had fallen for old Billie and his words were like gold. Damn.

I will say that Billie and Rosalie tore the place up, at least I guess Billie did because I was, exclusively, looking at Rosalie who really danced her head off. Who won? Let me put it this way, this time the judges, that priest and his coterie of do-gooders didn’t take much time deciding that the other couple won. Rosalie was crushed. Billie, like always Billie, chalked it up to the "fix" being in for the other couple. Life was against the free spirits, he said, something it took me a lot longer to figure out. Rosalie's family moved away not long after that contest, like a lot of people just keeping time at the projects until their ships to better days came in, and I heard that she was later still furious at Billie for crossing her up. Ya, but, boy, she could twirl that thing.

From The Pen Of Peter Paul Markin- From The “Out In The Be-Bop 1950s Night” Series – “When Billie Sought To Be Church Hall Dance Champ”

Click on the headline to link to a YouTube film clip of the Teen Angels performing Eddie, My Love to add some flavor to this sketch .
Recently I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.

And we, we small-time punk (in the old-fashioned sense of that word), we hardly wet behind the ears elementary school kids, and that is all we were for those of us who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not Billie whom I will talk about later, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery-operated radios that we could put in our pockets, and hide from snooping parental ears, at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious you’ll never get to heaven listening to that devil music and you had better say about eight zillion Hail Marys to get right Catholic, ears. Yah right, Ma, like Patti Page or Bob (not Bing, not the Bing of Brother, Can You Spare A Dime? anyway) Crosby and The Bobcats were supposed to satisfy our jail break cravings.

And that pious, quietist, chase the devil and his (or her) devil’s music away, say a million Acts of Contrition, church-bent, Roman Catholic church-bent, part formed a great deal of the backdrop for how we related to that break-out rock music. And why we had to practically form a secret cult to enjoy it. Now you all know, since you all went to elementary school just like I did, although maybe you didn’t attend in the Cold War, red scare, we could-all-be-bombed-dead tomorrow 1950s like I did, that those mandatory elementary school dances where we rough-hewn boys learned, maybe we learned, our first social graces were nothing but cream puff affairs. Lots of red-faced guys and giggling girls. Big deal, right?

What you maybe don’t know, especially if you were not from a working class neighborhood (or a public housing project) made up of mainly Irish and Italian Roman Catholic families like I was is that “cream puff” school stuff was seen by the Church (need I add any more identifying words?) as the devil’s playground. Later, I found out from some Protestant friends that their church leaders felt the same way. No, not those Universalist-Unitarian types who think everything humankind does that is not hurtful is okay but real hard-nosed Protestants, like Episcopalians, Baptists, and Presbyterians. So to counter that secular godlessness, at least in our area, the Church sponsored Friday night dances. Chaste, very chaste, or that was the intention, Friday night dances.

Now these dances from an outside look would look just like those devil-sponsored secular school dances. They were, for example, held in the basement of the church (St. whoever, Our Lady of the wherever, The Sacred whatever, or fill in the blank), a basement, given the norms of public architecture, was an almost exact rectangular, windowless, linoleum-floored, folding chairs and tables, raised stage replica of the elementary school auditorium. That church locale, moreover, when dressed up like on those Friday nights with the usual crepe, handmade signs of welcome, and refreshment offerings also looked the same.

And just so that you don’t think I am going overboard they played the same damn (oops) music as at school, except the sound system (donated, naturally, by some pious parishioner, looking for good conduct points from the fiery-eyed "fire and brimstone" pastor) was usually barely audible. The real difference then, and maybe now, for all I know, was that rather than a few embarrassed public school teacher-chaperones drafted against their wills, I hope, or like to hope, every stick-in-the-mud person (or so it seemed) over the age of eighteen was drafted into the lord’s army for the evening. Purpose: to make sure there was no untoward, unnatural, unexpected, or unwanted touching of anything, by anyone, for any reason. So, now that I think about it, this was really the Friday night prison dance. But not always.

Of course all of this remembrance is just so much lead up to a Billie story. You know Billie, Billie from “the projects” hills. William James Bradley to be exact. The Billie who wanted fame and fortune (or at least girls) so bad that he could almost taste it. The Billie who, as I related before, entered a teenage talent show dressed up like Bill Haley and whose mother-made suit jacket arms fell off during the performance and he wound up with all the girls in schools as a consolation prize. Yes, that Billie, who also happened to be my best friend, or, maybe, almost best friend as we never did get it straight, in elementary school. Billie was crazy for the music, crazy to impress the tender young girls that he was very aware of, much more aware of than I was and earlier, with his knowledge, his love, and his respect for the music, rock music that is.

During the summer, and here I am speaking of the summer of 1958, these church-held dances started a little earlier and finished a little later. That was fine by us. But part of the reason was that during July (starting after the Fourth of July, if I recall) and August there was a weekly dance-off elimination contest. Now these things were meant to be to show off partner-type dancing skills so I never even dreamed of participating, although I was now hip to the girl thing (or at least twelve year old hip to it), and gladly. Not so Billie. You know, or if you don’t then I will tell you so you know now, that Billie was a pretty good singer, and a pretty good shaker as a dancer. Needless to say these skills were not on the official papal list of ways to prove you had some Fred Astaire-like talent. What you needed to demonstrate, with a partner, a girl partner, was waltz-like, fox-trot stuff. Stuff you were glad to know when last, slow dance time came around but not before, please, not before.

But see, if you didn’t know before, I will remind you, Billie was a fiend to win a talent contest, a contest that, the way he figured it, was his ticket out of "the projects" and into all the cars he wanted, all the girls, and half of everything else in the world. Yah, I know, but poor boys have dreams too. And I don’t suppose it is too early to remind you, like I did with the lost sleeve teenage talent show, that Billie later spent those pent-up energies less productively, much less productively once he knew the score, his score about life. This night, this Friday night, at the start of the contest Billie is going for the brass ring. See, Billie, secretly, at least secretly from me, was taking dance lessons, slow dance lessons with Rosalie, Christ Rosalie, the prettiest girl in our class, the girl that if I had known the word then I would have called fetching, very fetching. That was, and is, high praise from me. And, see also, teaching the pair the ropes is none other than Rosalie’s mother who before she became a mother was some kind of dance queen (I don’t know, or don’t remember, if I knew the details of that woman’s prior life before then). It was almost like the fix was in.

Now you know just as well as I do that I have no story to tell, or at least no story worth telling, if Billie and Rosalie don’t make it out of the box, if they just get eliminated quickly. Sure they made it, and now they are standing there getting ready to do battle against the final pair for the sainted dance championship of the christian world, projects branch. Now my take on the dancing all summer was there wasn’t much difference, at least noticeable difference, between the pairs.

I think the judges thought so too, the junior priest, a priest that the pastor threw into this dance thing because he was closer to our ages than the old-timer "fire and brimstone" pastor was, and four ladies from the Ladies' Sodality usually took quite a bit of time before deciding who was eliminated. Rosalie’s mother (and my mother, as well) thought the same thing when we compared notes. See, now with Billie under contract (oh, yah, naturally I was his manager, or something like that) I had developed into an ace dance critic. Mainly though, I was downplaying the opposition to boost my pair's chances, and, incidentally, falling, falling big, for Rosalie. And not just for her dancing.

So here we were at the finals. It was a wickedly hot night in that dungeon basement so the jackets and ties, if wore (and that needed to be worn by the contestant males), were off. Also, by the rules, each finalist couple got to choose their own music and form of dancing. The first couple did this dreamy Fred Astaire-Ginger Rodgers all hands flailing and quick-movement thing that even impressed me. After than performance, out of the corner of my eye, I saw Billie talking to Rosalie, talking fast and talking furiously. Something was up, definitely, something was up.

Well, something was up. Billie, old sweet boy Billie, old get out of the projects at any cost Billie, old take no prisoners Billie decided that he was going to stretch the rules and play to his strength by doing a Bill Haley’s Rock Around The Clock jitterbug thing to show the judges his “moves” and what we would now call going "outside the box." And he had gotten Rosalie, sweet, fetching, deserves better Rosalie, to go along with him on it. See, Rosalie, during all those dance lesson things had fallen for old Billie and his words were like gold. Damn.

I will say that Billie and Rosalie tore the place up, at least I guess Billie did because I was, exclusively, looking at Rosalie who really danced her head off. Who won? Let me put it this way, this time the judges, that priest and his coterie of do-gooders didn’t take much time deciding that the other couple won. Rosalie was crushed. Billie, like always Billie, chalked it up to the "fix" being in for the other couple. Life was against the free spirits, he said, something it took me a lot longer to figure out. Rosalie's family moved away not long after that contest, like a lot of people just keeping time at the projects until their ships to better days came in, and I heard that she was later still furious at Billie for crossing up her chances of winning like that. Yah, but, boy, she could twirl that thing.