Monday, April 03, 2017

April 13 in Cambridge: War and Peace in Trump Time

April 13 in Cambridge: War and Peace in Trump Time

 

Cambridge event: U.S. Never-Ending War in the Time of Trump and How to Stop It
When: Thursday, April 13, 2017, 7:00 pm to 9:00 pm
Where: Friends Meeting House • 5 Longfellow Park • Cambridge, MA 02138
Presentation by David Swanson followed by discussion and book signing.
David Swanson is an author, activist, journalist, and radio host. He is director of WorldBeyondWar.org and campaign coordinator for RootsAction.org. Swanson's books include War Is A Lie. He blogs at DavidSwanson.org and WarIsACrime.org. He hosts Talk Nation Radio. He is a 2015, 2016, 2017 Nobel Peace Prize Nominee.
(Suggested donation $5.00)
Sponsor:  United for Justice with Peace
This work is only possible with your financial support. Please chip in $3 now.

-- The RootsAction.org Team

P.S. RootsAction is an independent online force endorsed by Jim Hightower, Barbara Ehrenreich, Cornel West, Daniel Ellsberg, Glenn Greenwald, Naomi Klein, Bill Fletcher Jr., Laura Flanders, former U.S. Senator James Abourezk, Frances Fox Piven, Lila Garrett, Phil Donahue, Sonali Kolhatkar, and many others.

  
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4/16 (Cuban) Community Doctors in BIFF Boston International Film Festival

Boston International Film Festival is showing Community Doctors about
Elam, the Cuban Medical School.

*/Session 18 - Sunday, April 16, 2017/*
*/3:00 p.m. - 5:00 p.m. (BPE)
The Beautiful Ya'ann
<http://www.bostoniff.org/portfolio-view/the-beautiful-yaann/> (17 minutes)
Community Doctors
<http://www.bostoniff.org/portfolio-view/community-doctors> (98 minutes)

In another program they are playing a Cuban short film "Paloma"
http://www.bostoniff.org/portfolio-view/paloma/
/*

Full Schedule of Festival
http://www.bostoniff.org/attend/bifilmfestival-schedule/#

also note
*/Session 24 - Monday, April 17, 2017/*
*/(Boston Marathon Day)
11:30 a.m. - 1:00 p.m. (BPE)
American Socialist
<http://www.bostoniff.org/portfolio-view/american-socialist> (98 minutes)
http://www.bostoniff.org/portfolio-view/american-socialist-the-life-times-of-eugene-victor-debs/
/*

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In Boston- We March On: Continuing the Legacy of Dr. Martin Luther King, Jr April 4 @ 3:00 pm - 6:00 pm



We March On: Continuing the Legacy of Dr. Martin Luther King, Jr

April 4 @ 3:00 pm - 6:00 pm

On April 4th, 1968, civil rights and social justice leader Martin Luther King was assassinated while in Memphis to support black sanitation workers who were on strike. On April 4th, the anniversary of his death, we will march on the Boston Common in his memory. Join us as we call on elected officials to recognize the struggle of people of color in Boston by supporting a progressive minimum wage of $15 for all workers.
In 1965, Dr. Martin Luther King led a march that ended at the Boston Common Parkman Bandstand. We will carry his legacy for social justice forward by hearing from movement leaders and workers demanding a livable wage at 3:00PM at the bandstand. At 4:00 PM, we will march to the State House to call on elected officials to support our movement.
Tomorrow is also the 50th anniversary of Rev. King's courageous and ground breaking "Vietnam Speech" delivered at Riverside Church in New York City where he warned about "the giant triplets of racism, extreme materialism and militarism." Veterans For Peace members, if you're going to the rally you can blow up the attached poster to 18 x 24 at Staples (for under $2) and mount it on poster board. (Nate Goldshlag, thanks for this idea.)


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In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*Chuck Berry Is In The House- "Roll Over Beethoven"


In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*Chuck Berry Is In The House- "Roll Over Beethoven"




CD REVIEWS

Chuck Berry Gold, Chuck Berry, Gold Records, 1999

Long ago, in the mists of time, I was listening to my radio when Chuck Berry’s "Johnny B. Goode" came thundering across the airways. I have been a fan ever since and never looked back. As portrayed in the DVD documentary and labor of love by The Rolling Stones’ Keith Richards “Hail, Hail Rock and Roll” and this greatest hits CD compilation neither did Chuck Berry. There may be continuing controversy about the roots of rock and rock-whether it derived from rhythm and blues, rock-a-billy, jazzed-up country or all of them- but as the tribute covers by later performers across the musician and racial spectrum that are dotted throughout later rock history- Chuck Berry was at the center of the storm.

That said, not all Chuck Berry CDs are created equal. Partially, as with his live performances, this reflected his constant need for money to pay debts, the government, etc. Many are done haphazardly or are based on less than stellar performances. This Gold CD, as are others in this series ( I would note, for one , Hank Williams), is among the best as it seems that the compilers have gone out of their way to get the best versions available, even of the lesser material that completes this two-disc set. I would say this you need high quality performances on the following if you are to understand why Chuck Berry is a rock legend. “Maybelline”, “Roll over Beethoven”, “Back In The U.S.A.”, “Rock And Roll Music”, “Sweet Little Sixteen”, :Johnny B. Goode”, “Reelin’ and Rockin”, “Little Queenie” and “Memphis”. That is the case here. Take the others as a bonus.



Back In The USA Lyrics

Oh well, oh well, I feel so good today,
We touched ground on an international runway
Jet propelled back home, from over seas to the USA

New-York, Los Angeles, oh, how I yearned for you
Detroit, Chicago, Chattanooga, Baton Rouge
Let alone just to be at my home back in ol?St-Lou.

Did I miss the skyscrapers, did I miss the long freeway?
From the coast of California to the shores of Delaware Bay
You can bet your life I did, till?I got back to the USA

Looking hard for a drive-in, searching for a corner caf?
Where hamburgers sizzle on an open grill night and day
Yeah, and a jukebox jumping the records like in the USA

Well, I'm so glad I'm livin?in the USA.
Yes. I'm so glad I'm livin?in the USA.
Anything you want, we got it right here in the USA


It Hurts Me Too Lyrics

(by elmore james)

You said you was hurting, almost lost your mind,
And the man you love, he hurts you all the time.
When things go wrong, go wrong with you, it hurts me, too.

You love him more when you should love him less.
I pick up behind him and take his mess.
When things go wrong, go wrong with you, it hurts me, too.

He love another woman and I love you,
But you love him and stick to him like glue.
When things go wrong, go wrong with you, it hurts me, too.

Now you better leave him; he better put you down.
Oh, I won’t stand to see you pushed around.
When things go wrong, go wrong with you, it hurts me, too.

Johnny B. Goode Lyrics

Deep down in Louisiana close to New Orleans
Way back up in the woods among the evergreens,
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin' a bell.

(Chorus)
Go Go
Go Johnny Go Go (x4)
Johnny B. Goode

He used to carry his guitar in a gunny sack,
Oh sit beneath a tree by the railroad track
Oh the engineers would see him sittin in the shade,
Strummin with the rhythm that the drivers made,
Oh n' people passin' by they would stop and say
'Oh my but that little country boy could play'

(Chorus)

His mother told him 'some day you will be a man,
And you will be the leader of a big ol' band
Many people comin' from miles around,
To hear you play your music when the sun go down,
Maybe some day your name will be in lights sayin
'Johnny B. Goode' tonight

(Chorus)

Little Queenie Lyrics

I got lumps in my throat
When I saw her comin' down the aisle
I got the wiggles in my knees
When she looked at me and sweetly smiled
There she is again
Standin' over by the record machine
Lookin' like a model
On the cover of a magazine
She's too cute
To be a minute over seventeen
Meanwhile I was thinkin'
She's in the mood
No need to break it
I got a chance, I oughta take it
If she抣l dance we can make it
C'mon queenie let's shake it

Go, go, go, little queenie
Go, go, go, little queenie
Go, go, go, little queenie

Tell me who's the queen standin?over by the record machine
Lookin?like a model
On the cover of a magazine
She's too cute
To be a minute over seventeen

Meanwhile, I was still thinkin?br> If it's a slow song
We'll omit it
If it's a rocker, then we'll get it
If it's good, she'll admit it
C'mon queenie, let's get with it

Go, go, go, little queenie
Go go, go, go, little queenie
Go go, go, go, little queenie?

Maybellene Lyrics

Maybelline, why can't you be true
Oh Maybelline , why can't you be true
You done started doin' the things you used to do

As I was motorvaton over the hill
I saw Maybelline in a Coup de Ville
A Cadillac arollin' on the open road
Nothin' will outrun my V8 Ford
The Cadillac doin' about ninetyfive
She's bumper to bumper, rollin' side to side

Maybelline, why can't you be true
Oh Maybelline , why can't you be true
You done started back doin' the things you used to do

The Cadillac pulled up to a hundred and four
The Ford got hot and wouldn't do no more
It done got cloudy and started to rain
I tooted my horn for the passin' lane
The rainwater blowin' all under my hood
I know that I was doin' my motor good

Maybelline, why can't you be true
Oh Maybelline, why can't you be true
You done started back doin' the things you used to do

Oh Maybelline, why can't you be true
Oh Maybelline, why can't you be true
You done started back doin' the things you used to do

The motor cooled down the heat went down
And that's when I heard that highway sound
The Cadillac sittin' like a ton of lead
A hundred and ten a half a mile ahead The Cadillac lookin' like it's sittin' still
And I caught Maybelline at the top of the hill

Maybelline, why can't you be true
Oh Maybelline, why can't you be true
You done started back doin' the things you used to do

Rock'n'Roll Music Lyrics

Just let me hear some of that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

I have no kick against modern jazz
Unless they try to play it too darn fast
And change the beauty of the melody
Until it sounds just like a symphony
That's why I go for that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

I took my loved one over 'cross the tracks
So she could her my man a - whalin' sax
I must admit they have a rockin' band
Man they were goin' like a hurricane
That's why I go for that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

Way down South they gave a jubilee
Them country folks they had a jamboree
They're drinkin' home - brew from a wooden cup
The folks dancin' got all shook up
And started playin' that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

Don't care to hear 'em play the tango
I'm in no mood to dig a mambo
It's way too early for the congo
So keep a - rockin' that piano
So I can hear some of that rock'n'roll music
any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

Sweet Little Rock'n'Roller Lyrics

Yeah, nine years old and sweet as she can be
All dressed up like a downtown Christmas tree
Dancin?and hummin?a rock&roll melody
She抯 the daughter of a well-respected man
Who taught her to judge and understand
Since she became a rock& roll music fan

Sweet little rock'n'roller
Sweet little rock'n'roller
Her daddy don抰 have to scold her
Her partner can抰 hardly hold her
Her partner can抰 hardly hold her
She never gets any older
Sweet little rock抧抮oller

Should have seen her eyes when the band began to play
And the famous singer sang and bowed away
When the star performed she screamed and yelled "Hooray!"

Ten thousand eyes were watchin?him leave the floor
Five thousand tongues were screamin?揗ore and More!?br> And about fifteen hundred people waitin?outside the door

Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller


Roll Over Beethoven Lyrics

Well, I'm-a write a little letter,
I'm gonna mail it to my local DJ
Yeah, It's a jumpin little record
I want my jockey to play
Roll Over Beethoven, I gotta hear it again today

You know, my temperature's risin'
and the jukebox blowin a fuse
My heart's beatin' rhythm
and my soul keeps on singin' the blues
Roll Over Beethoven, tell Tschaikowsky the news

I got the rockin' pneumonia,
I need a shot of rhythm and blues
I caught the rollin' arthiritis
sittin' down at a rhythm review
Roll Over Beethoven rockin' in two by two

Well, if you feel it 'n like it
go get your lover, then reel and rock it
Roll it over then move on up just
a trifle further then reel and rock with
one another.
Roll Over Beethoven dig these rhythm and blues

Well, early in the mornin' I'm a givin' you a warnin'
don't you step on my blue suede shoes
Hey diddle diddle, I am playin' my fiddle,
ain't got nothin' to lose
Roll Over Beethoven and tell Tschaikowsky the news

You know she wiggles like a glow worm,
dance like a spinnin' top
She got a crazy partner,
you oughta see 'em reel and rock
Long as she got a dime the music won't never stop

Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven and dig these rhythm and blues

An Encore -Out In The Be-Bop 1950s Night- The Time Of Motorcycle Bill-Take Two

An Encore -Out In The Be-Bop 1950s Night- The Time Of Motorcycle Bill-Take Two



From The Pen Of Joshua Lawrence Breslin

[My old friend, Sam Lowell, whom I have known since the summer of love days out in Frisco days in the late 1960s when we though all the world could be turned upside down and we were the hail fellows, well met who were going to help do it and all we got for our troubles was tear gas, cops' nightsticks and the bastinado for our efforts, oh yeah, and forty year blow-back from the night-takers, and who hails from Carver down in Massachusetts asked me to fill in a few more details about this relationship between Motorcycle Bill and Lily. He thought I was originally kind of skimpy on why a nice Catholic girl would go all to pieces over a motorcycle guy, would get on his bike like she was some low-rent tart from the wrong side of town the usual type that went for motorcycle guys in his book. Sam didn’t get the idea that when that cycle surge came along just like us with the heroic antics of the summer of love lots of ordinary teens went with the flow. So here is a little extra, a take two for Sam, and maybe for others who missed that big motorcycle moment.]      

 ********

There was a scourge in the land, in the 1950s American land. No, not the one you are thinking of from your youth or from your history book, not the dreaded but fatalistically expected BIG ONE, the mega-bomb that would send old mother earth back to square one, or worst, maybe only the amoebas would survive to start the long train of civilization up the hill once again. Everybody expected that blow to come if it did come and we in America were not vigilant, did not keep our shoulders to the wheel and not ask questions from the nefarious Russkies (of course we that were just coming to age in the rock and roll night would not have had a clue as to what questions to ask if asking questions was acceptable then and it was not and we as young as were knew that it was not from parents to teachers to Grandpa Ike and his cabinet). We, if not vigilant, would take it in the back from a guy named Joe Stalin which one of our teachers said meant “steel” in Russian but it could have been from any Russian guy as we learned later after Stalin died and other atomic bomb-wielding guys took over in Red Square.

Sure that red scare Cold War was in the air and every school boy and girl had their giggling tales of having to hide, hide ass up, under some desk or other useless defense in air raid drill preparations for that eventually. I wasn’t any revolutionary or radical or “red” although one teacher looked at me kind of funny when I mentioned it but I couldn’t get behind the purpose of hiding under some old-timey elementary school wooden desk when every film I ever saw of what an atomic blast looked like said you might as well not have your ass sticking up in the air when Armageddon came. Like I said one teacher looked at me very funny. So sure the air stunk of red scare, military build-up cold war “your mommy is a commie turn her in" (and there were foolish kids who did try to use that ploy when dear mother said no to some perfectly reasonable request and junior thought to get even he would rat her out).

But the red scare, the Cold War ice tamp down on society to go along to get along was not the day to day scare for every self-respecting parent from Portsmouth to the Pacific. That fear was reserved for the deadly dreaded motorcycle scare that had every father telling his son to beware of falling under the Marlon Brando sway once they had seen the man complete with leather jacket, rakish cap and surly snarl playing Johnny Bad in The Wild One at the Strand Theater on Saturday afternoon and deciding contrary to the cautionary tale of the film that these Johnnies were losers spiraling down to a life, a low life of crime and debauchery (of course said son not knowing of the word, the meaning of debauchery, until much later) just shrugged his innocent shoulders.

More importantly, more in need of a five alarm warning, every mother, every blessed mother, self-respecting or not, secretly thinking maybe a toss in the hay with Marlon would bring some spice to her otherwise staid ranch house with breezeway existence warned off their daughters against this madness and perversity in leather. Warned those gleaming-eyed daughters also fresh from the Saturday afternoon matinee Stand Theater to not even think about hanging with such rascals contrary to the lesson that cute waitress in the film gave about blowing Johnny off as so much bad air. (Of course forgetting, as dad had with junior, to bring up the question of sex which is what Sissy had on her mind after one look at that cool attire of Johnny and her dream about how she could get that surly smirk off of his face.)     

Of course that did not stop the wayward sons of millworkers slated for work in the mills when their times came from mooning over every Harley cat that rode his ride down Main Street, Olde Saco (really U.S. Route One but everybody called it Main Street and it was) or the daughters slated for early motherhood under proper marriage or maybe sales clerks in the Monmouth Store from mooning (and maybe more) over the low- riders churning the metal on those bad ass machines when they went with their girlfriends over to Old Orchard Beach on sultry sweaty weekend nights in summer.

This is how bad things were, how the cool cats on the bikes sucked the air out of any other guys who were looking for, well, looking whatever they could get from the bevies of girls watching their every move like hawks. Even prime and proper Lily Dumont, the queen of Saint Brigitte’s Catholic Church rectitude on Sunday and wanna-be “mama” every other waking minute of late. Now this Lily was “hot” no question so hot that my best friend in high school Rene Dubois, the best looking guy around the Acre where we all lived and who already had two girlfriends (and later in life would have four, count them, four wives before he gave the marriage game up and just shacked up with whatever romantic interest he had at the moment), would go to eight o’clock Mass every Sunday and sit a couple of rows in back of her and just watch her ass. (I know because I was sitting beside him watching that same ass).

He never got anywhere with her, she knew about the two girlfriends since they were friends of hers, and neither did I. Lily was a classic French-Canadian beauty long thin legs, petite shape but with nice curves, long black hair and pop-out blue eyes. Nice but like I said but strictly the ice queen as far as we could tell. Especially when she would constantly talk about her friendship with Jesus and the need to say plenty of rosaries and attend many novenas to keep in touch with him.        

In this time of the motorcycle craze though something awoken in her, maybe just the realization that Jesus was okay but guys who thought she was hot maybe needed some tending too. In any case, and I didn’t find this out until several years later after Lily had left town, my sister who was one of Lily’s close friends then and Lily could confide girl talk to her during this motorcycle dust up Lily would find herself restless at night, late at night and contrary to all good Catholic teachings would put her hand in a place where she shouldn’t (this is the way my sister put it you know Lily was just playing  with herself a perfectly natural feeling for teenagers, and older people too) and she was embarrassed about it, didn’t know if she could go to confession and say what sin she committed to old Father Pierre. I don’t know if she ever did confess or things got resolved a different way and that idea was out of play but there you have it.     

And the object of her desire? One “Motorcycle Bill,” the baddest low- rider in all of Olde Saco. Now baddest in Olde Saco (that’s up in ocean edge Maine for the heathens and others not in the know) was not exactly baddest in the whole wide world, nowhere as near as bad as say Sonny Barger and his henchmen outlaws-for- real bikers out in Hell’s Angels Oakland as chronicled by Doctor Gonzo (before he was Gonzo), Hunter S. Thompson in his saga of murder and mayhem sociological- literary study Hell’s Angels. But as much is true in life one must accept the context. And the context here is that in sleepy dying mill town Olde Saco mere ownership, hell maybe mere desire for ownership, of a bike was prima facie evidence of badness. So every precious daughter was specifically warned away from Motorcycle Bill and his Vincent Black Lightning 1952 (although no mother, and maybe no daughter either, could probably tell the difference between that sleek English bike and a big pig Harley). But Madame Dumont felt no need to do so with her sweet sixteen Lily who, maybe, pretty please maybe was going to be one of god’s women, maybe enter the convent over in Cedars Of Lebanon Springs in a couple of years after she graduated from Olde Saco High along with her Class of 1960.

But that was before Motorcycle Bill appeared on the horizon. One afternoon after school walking home to Olde Saco’s French- Canadian (F-C) quarter, the Acre like I said where we all lived, all French-Canadians (on my mother’s side, nee LeBlanc for me) on Atlantic Avenue with classmate and best friend Clara Dubois (my sister was close to Lily but not as close as Clara since they had gone to elementary school together), Lily heard the thunder of Bill’s bike coming up behind them, stopping, Bill giving Lily a bow, and them revving the machine up and doing a couple of circle cuts within a hair’s breathe of the girls. Then just a suddenly he was off, and Lily, well, Lily was hooked, hooked on Motorcycle Bill, although she did not know it, know it for certain until that night in her room when she tossed and turned all night and did not ask god, or any of his associates, to guide her in the matter (the matter of that wayward hand for those who might have forgotten).

One thing about living in a sleepy old town, a sleepy old dying mill town, is that everybody knows everybody’s business at least as far as any person wants that information out on the public square. Two things are important before we go on. One is that everybody in town that counted which meant every junior and senior class high schooler in Olde Saco knew that Bill had made a “play” for Lily. And the buzz got its start from none other than Clara Dubois who had her own hankerings after the motorcycle man (her source of wonder though was more, well lets’ call it crass than Lily’s, Clara wanted to know if Bill was build, build with some sexual power, power like his motorcycle. She had innocently, perhaps, understood the Marlon mystique). The second was that Bill, other than his bike, was not a low life low- rider but just a guy who liked to ride the roads free and easy. See Bill was a freshman over at Bowdoin and he used the bike as much to get back and forth to school from his home in Scarborough as to do wheelies in front of impressionable teenage girls from the Acre.

One day, one afternoon, a few days after their Motorcycle Bill “introduction,” when Lily and Clara were over at Seal Rock at the far end of Olde Saco Beach Bill came up behind them sans his bike. (Not its real name but had been given the name Seal Rock because the place was the local lovers’ lane at night and many things had been sealed there including a fair share of “doing the do,” you know hard and serious sex. During the day it was just a good place to catch a sea breeze and look for interesting clam shells which washed up in the swirling surf there.) Now not on his bike, without a helmet, and carrying books, books of all things, he looked like any student except maybe a little bolder and a little less reserved.

He started talking to Lily and something in his demeanor attracted her to him. (Clara swore, swore on seven bibles, that Lily was kind of stand-offish at first but Lily said no, said she was just blushing  a lot.) They talked for a while and then Bill asked Lily if she wanted a ride home. She hemmed and hawed but there was just something about him that spoke of mystery (who knows what Clara thought about what Lily thought about that idea). She agreed and they walked a couple of blocks to where he was parked. And there Lily saw that Vincent Black Lightning 1952 of her dreams. Without a word, without anything done by her except to tie her hair back and unbutton a couple of buttons from her starched white shirt she climbed on the back of the bike at Bill’s beckon. And that is how one Lily Dumont became William Kelly’s motorcycle “mama” when the high tide of the motorcycle as sex symbol hit our town.

As The 150th Anniversary Commemoration Of The American Civil War Passes-In Honor Of Abraham Lincoln-Led Union Side-In The Beginning-The Massachusetts Sixth Volunteers

As The 150th Anniversary Commemoration Of The American Civil War Passes-In Honor Of Abraham Lincoln-Led Union Side-In The Beginning-The Massachusetts Sixth Volunteers

 

 

From The Pen Of Frank Jackman

I would not expect any average American citizen today to be familiar with the positions of the communist intellectuals and international working-class party organizers (First International) Karl Mark and Friedrich Engels on the events of the American Civil War. There is only so much one can expect of people to know off the top of their heads about what for several generations now has been ancient history.  I am, however, always amazed when I run into some younger leftists and socialists, or even older radicals who may have not read much Marx and Engels, and find that they are surprised, very surprised to see that Marx and Engels were avid partisans of the Abraham Lincoln-led Union side in the American Civil War. I, in the past, have placed a number of the Marx-Engels newspaper articles from the period in this space to show the avidity of their interest and partisanship in order to refresh some memories and enlighten others. As is my wont I like to supplement such efforts with little fictional sketches to illustrate points that I try to make and do so below with my take on a Union soldier from Boston, a rank and file soldier,Wilhelm Sorge.  

 

Since Marx and Engels have always been identified with a strong anti-capitalist bias for the unknowing it may seem counter-intuitive that the two men would have such a positive position on events that had as one of its outcomes an expanding unified American capitalist state. A unified capitalist state which ultimately led the vanguard political and military actions against the followers of Marx and Engels in the 20th century in such places as Russia, China, Cuba and Vietnam. The pair were however driven in their views on revolutionary politics by a theory of historical materialism which placed support of any particular actions in the context of whether they drove the class struggle toward human emancipation forward. So while the task of a unified capitalist state was supportable alone on historical grounds in the United States of the 1860s (as was their qualified support for German unification later in the decade) the key to their support was the overthrow of the more backward slave labor system in one part of the country (aided by those who thrived on the results of that system like the Cotton Whigs in the North) in order to allow the new then progressive capitalist system to thrive.       

 

In the age of advanced imperialist society today, of which the United States is currently the prime example, and villain, we find that we are, unlike Marx and Engels, almost always negative about capitalism’s role in world politics. And we are always harping on the need to overthrow the system in order to bring forth a new socialist reconstruction of society. Thus one could be excused for forgetting that at earlier points in history capitalism played a progressive role. A role that Marx, Engels, Lenin, Trotsky and other leading Marxists, if not applauded, then at least understood represented human progress. Of course, one does not expect everyone to be a historical materialist and therefore know that in the Marxist scheme of things both the struggle to bring America under a unitary state that would create a national capitalist market by virtue of a Union victory and the historically more important struggle to abolish slavery that turned out to be a necessary outcome of that Union struggle were progressive in the eyes of our forebears, and our eyes too.

 

Furthermore few know about the fact that the small number of Marxist supporters in the United States during that Civil period, and the greater German immigrant communities here that where spawned when radicals were force to flee Europe with the failure of the German revolutions of 1848 were mostly fervent supporters of the Union side in the conflict. Some of them called the “Red Republicans” and “Red 48ers” formed an early experienced military cadre in the then fledgling Union armies. Below is a short sketch drawn on the effect that these hardened foreign –born abolitionists had on some of the raw recruits who showed up in their regiments and brigades during those hard four years of fighting, the third year of which we are commemorating this month.

*************

 

I have spilled no little ink extolling the exploits of the now well-known Massachusetts 54th (and later the 55th) Volunteers-The first black regiment organized as such in the American Civil War commanded by Colonel Robert Gould Shaw and commemorated to this day by a famous frieze by Augustus Saint-Gauden across from the State House in Boston. Less well-known and also worthy of note was activity of the Massachusetts Sixth Volunteers who when summoned to defend the capital moved out in mid- April 1861. Here is a capsule summary of that story-   

 

The Sixth Massachusetts Volunteers...

 

      ...in 1861, the Sixth Massachusetts Volunteer Militia was formally organized. With war approaching, men who worked in the textile cities of Lowell and Lawrence joined this new infantry regiment. They were issued uniforms and rifles; they learned to drill. They waited for the call. It came on April 15th, three days after the attack on Fort Sumter. They were needed to defend Washington, D.C.. The mood when they left Boston was almost festive. When they arrived in the border state of Maryland three days later, everything changed. An angry mob awaited them. In the riot that followed, 16 people lost their lives. Four were soldiers from Massachusetts. These men were the first combat fatalities of the Civil War.


 

In early January 1861, as civil war approached, the men of Massachusetts began to form volunteer militia units. Many workers in the textile cities of Lowell and Lawrence were among the first to join a new infantry regiment, the Sixth Massachusetts Volunteer Militia, when it was formally organized on January 21, 1861.

 

All through the winter and early spring, the men met regularly to drill. In March, they were issued uniforms and Springfield rifles and told to be ready to assemble at any time. When Fort Sumter was attacked on April 12th, the men of the Massachusetts Sixth knew their days of drilling were over.

Three days later, President Lincoln issued a call for 75,000 volunteers to serve for three months. They were ordered to Washington, D.C. to protect the capital and lead the effort to quash the "rebellion."

Years later the men from Lawrence and Lowell remembered their hurried visits to say good-bye to loved ones and gather supplies before meeting their regiment in Boston. One man from Lowell recalled, "I was working in the machine shop at the time . . . I got my notice at the armory that we were going in the morning. I hired a horse and buggy at a livery stable and drove to Pelham, N.H. where I bade farewell to my sister. I then drove to Tingsboro, as I wanted to see my brother who. . . came with me to Lowell. The mill bells were ringing as we reached Merrimack St."

 

The Sixth Massachusetts gathered with other regiments in Boston on April 16th. The Lowell Daily Courier published one soldier's letter home: "We have been quartered since our arrival in this city at Faneuil Hall and the old cradle of liberty rocked to its foundation from the shouting patriotism of the gallant sixth. During all the heavy rain the streets, windows, and house tops have been filled with enthusiastic spectators, who loudly cheered our regiment . . . The city is completely filled with enthusiasm; gray-haired old men, young boys, old women and young, are alike wild with patriotism."

Not everyone was celebrating. A corporal from Lowell was more subdued. He wrote to his wife at home, "My heart is full for you, and I hope we may meet again. I shall believe that we shall. You must hope for the best and be as cheerful as you can. But I know your feelings and can judge what they will be when you get this. . . ."

 

The Sixth Massachusetts Volunteers boarded trains the next day. One soldier reported, "Cheers upon cheers rent the air as we left Boston . . . at every station we passed anxious multitudes were waiting to cheer us on our way." In Springfield, Hartford, New York, Trenton, and Philadelphia, bells, fireworks, bonfires, bands, booming cannon, and thousands of supporters greeted the Massachusetts men as their train passed through.

 

The mood changed dramatically when the train arrived in Baltimore on the morning of April 19th. Although the state had not seceded from the Union, many Baltimoreans were sympathetic to the Confederate cause and objected strenuously to the presence of northern soldiers.

 

Steam engines were not allowed to operate in the city limits, so the regiment crossed the city in train cars drawn by horses. Most of the men made it before a growing mob threw sand and ship anchors onto the tracks. At that point, the soldiers had no choice but to disembark and begin marching.

The commanding officer ordered the men to load their weapons but not to use them unless fired upon. An anxious corporal sent a note to a friend, "We shall have trouble to-day and I shall not get out of it alive. Promise me if I fall that my body shall be sent home."

 

Four companies of men from Lowell and Lawrence were separated by the crowd from the rest of the regiment. As they attempted to make their way through the city, angry citizens began to shout insults. As one soldier later told a reporter, we "were immediately assailed with stones, clubs and missiles, which we bore according to orders. Orders came . . . for double quick march, but the streets had been torn up by the mob and piles of stones and every other obstacle had been laid in the streets to impede our progress. . . . Pistols began to be discharged at us, . . . Shots and missiles were fired from windows and house tops. . . . The crowd followed us to the depot, keeping up an irregular shooting, even after we entered the [railroad] cars."

 

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-The First World War and the Struggle for Proletarian Power

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-The First World War and the Struggle for Proletarian Power    





Workers Vanguard No. 1106
24 February 2017
TROTSKY
LENIN
The First World War and the Struggle for Proletarian Power
(Quote of the Week)
Sparked by an International Women’s Day demonstration on 8 March 1917 (February 23 by the old Julian calendar), the February Revolution in Russia toppled the autocratic rule of Tsar Nicholas II amid the interimperialist First World War. But the Provisional Government that came to power—and was supported by the Mensheviks and petty-bourgeois Socialist-Revolutionaries—was a bourgeois government that continued to prosecute the war. At the same time, Soviets (councils) of Workers, Soldiers and Peasants Deputies were formed, posing a situation of dual power—i.e., whether it would be the proletariat or the bourgeoisie that would ultimately rule. Writing before his return from exile in Switzerland, Bolshevik leader V.I. Lenin outlined a course to turn the imperialist war into a fight for working-class power. Lenin’s struggle for this strategy was vital for the victory of the Bolshevik-led proletarian socialist October Revolution.
To achieve peace (and still more to achieve a really democratic, a really honourable peace), it is necessary that political power be in the hands of the workers and poorest peasants, not the landlords and capitalists. The latter represent an insignificant minority of the population, and the capitalists, as everybody knows, are making fantastic profits out of the war.
The workers and poorest peasants are the vast majority of the population. They are not making profit out of the war; on the contrary, they are being reduced to ruin and starvation. They are bound neither by capital nor by the treaties between the predatory groups of capitalists; they can and sincerely want to end the war.
If political power in Russia were in the hands of the Soviets of Workers’, Soldiers’ and Peasants’ Deputies, these Soviets, and the All-Russia Soviet elected by them, could, and no doubt would, agree to carry out the peace programme which our Party (the Russian Social-Democratic Labour Party) outlined as early as October 13, 1915, in No. 47 of its Central Organ, Sotsial-Demokrat (then published in Geneva because of the Draconic tsarist censorship).
This programme would probably be the following:
1) The All-Russia Soviet of Workers’, Soldiers’ and Peasants’ Deputies (or the St. Petersburg Soviet temporarily acting for it) would forthwith declare that it is not bound by any treaties concluded either by the tsarist monarchy or by the bourgeois governments.
2) It would forthwith publish all these treaties in order to hold up to public shame the predatory aims of the tsarist monarchy and of all the bourgeois governments without exception.
3) It would forthwith publicly call upon all the belligerent powers to conclude an immediate armistice.
4) It would immediately bring to the knowledge of all the people our, the workers’ and peasants’, peace terms:
liberation of all colonies;
liberation of all dependent, oppressed and unequal nations.
5) It would declare that it expects nothing good from the bourgeois governments and calls upon the workers of all countries to overthrow them and to transfer all political power to Soviets of Workers’ Deputies.
6) It would declare that the capitalist gentry themselves can repay the billions of debts contracted by the bourgeois governments to wage this criminal, predatory war, and that the workers and peasants refuse to recognise these debts....
For these peace terms the Soviet of Workers’ Deputies would, in my opinion, agree to wage war against any bourgeois government and against all the bourgeois governments of the world, because this would really be a just war, because all the workers and toilers in all countries would work for its success.
—V.I. Lenin, “Letters from Afar, Fourth Letter: How to Achieve Peace” (March 1917)