AMERICAN LEFT HISTORY

This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager

Tuesday, June 20, 2017

Rosalie Sorrels Passes At 83-Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill-Utah Phillips At The Ready

Rosalie Sorrels Passes At 83-Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill-Utah Phillips At The Ready

If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

By Music Critic Bart Webber

Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, the late Peter Paul Markin and others were deeply immersed in (and the former two never got over since they will still tell a tale or two about the times if you go anywhere within ten miles of the subject-I will take my chances here because this notice is important) all roads seemed to lead to Harvard Square, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger.

But there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

Yeah, out there in the West, not the West Coast west that is different, where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. Tough for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully aware.Tough too when you landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes.

The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels

Joe Hill’s Last Will

My will is easy to decide,
For there is nothing to divide,
My kin don’t need to fuss and moan-
“Moss does not cling to a rolling stone.”
My body? Ah, If I could choose,
I would to ashes it reduce,
And let the merry breezes blow
My dust to where some flowers grow.
Perhaps some fading flower then
Would come to life and bloom again.
This is my last and final will,
Good luck to all of you, Joe Hill

Joe Hill was an IWW man. The Industrial Workers of the World (IWW) was, and is a radical union dedicated to abolishing the wage system and replacing it with a democratic system of workplace organization.

Joe Hill was a migrant laborer to the US from Sweden, a poet, musician and union radical. The term “pie in the sky” is believed to come from his satirical song, “The Preacher and the Slave”.

Hill was framed for murder and executed by firing squad in Salt Lake City, Utah on November 19, 1915. His last words were, “Fire!”

Just before his death he wrote to fellow IWW organizer Big Bill Haywood a letter which included the famous words, “Don’t mourn, Organize”.

The poem above was his will. It was set to music and became the basis of a song by Ethel Raim called “Joe Hill’s Last Will”.

A praise poem by Alfred Hayes became the lyrics of the best-known song about Joe Hill, written in 1936 by Earl Robinson. This was sung so beautifully by Joan Baez at Woodstock in 1969:

Joe Hill

words by Alfred Hayes
music by Earl Robinson

I dreamed I saw Joe Hill last night,
Alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.

“In Salt Lake, Joe,” says I to him,
him standing by my bed,
“They framed you on a murder charge,”
Says Joe, “But I ain’t dead,”
Says Joe, “But I ain’t dead.”

“The Copper Bosses killed you Joe,
they shot you Joe” says I.
“Takes more than guns to kill a man”
Says Joe “I didn’t die”
Says Joe “I didn’t die”

And standing there as big as life
and smiling with his eyes.
Says Joe “What they can never kill
went on to organize,
went on to organize”

From San Diego up to Maine,
in every mine and mill,
where working-men defend their rights,
it’s there you find Joe Hill,
it’s there you find Joe Hill!

I dreamed I saw Joe Hill last night,
alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.

"The Preacher And The Slave"

Long-haired preachers come out every night,
Try to tell you what’s wrong and what’s right;
But when asked how ’bout something to eat
They will answer in voices so sweet

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You’ll get pie in the sky when you die

And the Starvation Army they play,
And they sing and they clap and they pray,
Till they get all your coin on the drum,
Then they tell you when you’re on the bum

Holy Rollers and Jumpers come out
And they holler, they jump and they shout
Give your money to Jesus, they say,
He will cure all diseases today

If you fight hard for children and wife-
Try to get something good in this life-
You’re a sinner and bad man, they tell,
When you die you will sure go to hell.

Workingmen of all countries, unite
Side by side we for freedom will fight
When the world and its wealth we have gained
To the grafters we’ll sing this refrain

You will eat, bye and bye,
When you’ve learned how to cook and how to fry;
Chop some wood, ’twill do you good
Then you’ll eat in the sweet bye and bye

The chorus is sung in a call and response pattern.

You will eat [You will eat] bye and bye [bye and bye]
In that glorious land above the sky [Way up high]
Work and pray [Work and pray] live on hay [live on hay]
You’ll get pie in the sky when you die [That's a lie!]

You will eat [You will eat] bye and bye [bye and bye]
When you’ve learned how to cook and how to fry [How to fry]
Chop some wood [Chop some wood], ’twill do you good [do you good]
Then you’ll eat in the sweet bye and bye [That's no lie]

THE REBEL GIRL

by Joe Hill /words updated/

There are women of many descriptions
In this cruel world as everyone knows
Some are living in beautiful mansions
And wearing the finest of clothes

There's the blue blooded queen and the princess
Who have charms made of diamonds and pearls
But the only and true kind of lady
Is the Rebel Girl

chorus:
She's a rebel girl, a rebel girl
To the working class she's the strength of this world
From Newfoundland to B.C.
She's fighting for you and for me

Yes she's there by our side
With her courage and pride
She's unequalled anywhere

And I'm proud to fight for freedom
With the rebel girl!

Pete Seeger Lyrics

Joe Hill Lyrics

I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he

"In Salt Lake, Joe," says I to him,
Him standing by my bed.
"They framed you on a murder charge."
Says Joe, "But I ain't dead,
Says Joe, "But I ain't dead."

"The copper bosses killed you, Joe,
They shot you, Joe," says I.
"Takes more than guns to kill a man."
Says Joe, "I didn't die,"
Says Joe, "I didn't die."

And standing there as big as life,
And smiling with his eyes,
Joe says, "What they forgot to kill
Went on to organize,
Went on to organize."

"Joe Hill ain't dead," he says to me,
"Joe Hill ain't never died.
Where working men are out on strike,
Joe Hill is at their side,
Joe Hill is at their side."

"From San Diego up to Maine
In every mine and mill,
Where workers strike and organize,"
Says he, "You'll find Joe Hill."
Says he, "You'll find Joe Hill."

I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he.

Pete Seeger Lyrics

Talking Union Lyrics

If you want higher wages, let me tell you what to do;
You got to talk to the workers in the shop with you;
You got to build you a union, got to make it strong,
But if you all stick together, now, 'twont he long.
You'll get shorter hours,
Better working conditions.
Vacations with pay,
Take your kids to the seashore.

It ain't quite this simple, so I better explain
Just why you got to ride on the union train;
'Cause if you wait for the boss to raise your pay,
We'll all be waiting till Judgment Day;
We'll all he buried - gone to Heaven -
Saint Peter'll be the straw boss then.

Now, you know you're underpaid, hut the boss says you ain't;
He speeds up the work till you're 'bout to faint,
You may he down and out, but you ain't beaten,
Pass out a leaflet and call a meetin'
Talk it over - speak your mind -
Decide to do something about it.

'Course, the boss may persuade some poor damn fool
To go to your meeting and act like a stool;
But you can always tell a stool, though - that's a fact;
He's got a yellow streak running down his back;
He doesn't have to stool - he'll always make a good living
On what he takes out of blind men's cups.

You got a union now; you're sitting pretty;
Put some of the boys on the steering committee.
The boss won't listen when one man squawks.
But he's got to listen when the union talks.
He better -
He'll be mighty lonely one of these days.

Suppose they're working you so hard it's just outrageous,
They're paying you all starvation wages;
You go to the boss, and the boss would yell,
"Before I'd raise your pay I'd see you all in Hell."
Well, he's puffing a big see-gar and feeling mighty slick,
He thinks he's got your union licked.
He looks out the window, and what does he see
But a thousand pickets, and they all agree
He's a bastard - unfair - slave driver -
Bet he beats his own wife.

Now, boy, you've come to the hardest time;
The boss will try to bust your picket line.
He'll call out the police, the National Guard;
They'll tell you it's a crime to have a union card.
They'll raid your meeting, hit you on the head.
Call every one of you a goddamn Red -
Unpatriotic - Moscow agents -
Bomb throwers, even the kids.

But out in Detroit here's what they found,
And out in Frisco here's what they found,
And out in Pittsburgh here's what they found,
And down in Bethlehem here's what they found,
That if you don't let Red-baiting break you up,
If you don't let stool pigeons break you up,
If you don't let vigilantes break you up,
And if you don't let race hatred break you up -
You'll win. What I mean,
Take it easy - but take it!

*****Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind

*****Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind

From The Pen Of Sam Lowell

Jack Callahan’s old friend from Sloan High School in Carver down in Southeastern Massachusetts Zack James (Zack short for Zachary not as is the fashion today to just name a baby Zack and be done with it) is an amateur writer and has been at it since he got out of high school. Found out that maybe by osmosis, something like that, the stuff Miss Enos taught him junior and senior years about literature and her favorite writers Hemingway, Edith Wharton and Dorothy Parker to name a few, that she would entice the English class stuck with him with through college where although he majored in Political Science he was in thrall to the English literature courses that he snuck in to his schedule. Snuck in although Zack knew practically speaking he had a snowball’s chance in hell, an expression he had learned from Hemingway he thought, of making a career out of the literary life as a profession, would more likely wind driving a cab through dangerous midnight sections of town occasionally getting mugged for his night’s work. That Political Science major winding up producing about the same practical results as the literary life though. Stuck with him, savior stuck with him, through his tour of duty during the Vietnam War, and savior stayed with him through those tough years when he couldn’t quite get himself back to the “real” world after ‘Nam and let drugs and alcohol rule his life so that he wound up for some time as a “brother under the bridge” as Bruce Springsteen later put the situation in a song that he played continuously at times after he first heard it “Saigon, long gone…." Stuck with him after he recovered and started building up his sports supplies business, stuck with him through three happy/sad/savage/acrimonious “no go” marriages and a parcel of kids and child support. And was still sticking with him now that he had time to stretch out and write longer pieces, and beat away on the word processor a few million words on this and that.

Amateur writer meaning nothing more than that he liked to write and that writing was not his profession, that he did not depend on the pen for his livelihood(or rather more correctly these days not the pen but the word processor). That livelihood business was taken up running a small sports apparel store in a mall not far from Lexington (the Lexington of American revolutionary battles to give the correct own and state) where he now lived. Although he was not a professional writer his interest was such that he liked these days with Jimmy Shore, the famous ex-runner running the day to day operations of the store, to perform some of his written work in public at various “open mic” writing (and poetry) jams that have sprouted up in his area.

This “open mic” business was a familiar concept to Jack from the days back in the 1960s when he would go to such events in the coffeehouses around Harvard Square and Beacon Hill to hear amateur folk-singers perfect their acts and try to be recognized as the new voice of their generation, or something like that. For “no singing voice, no musical ear” Jack those were basically cheap date nights if the girl he was with was into folk music. The way most of the "open mics" although they probably called them talent searches then, worked was each performer would sign up to do one, two, maybe three songs depending on how long the list of those wishing to perform happened to be (the places where each performer kicked in a couple of bucks in order to play usually had shorter lists). These singers usually performed in the period in front of the night’s feature who very well might have been somebody who a few weeks before had been noticed by the owner during a pervious "open mic" and asked to do a set of six to sixteen songs depending on the night and the length of the list of players in front of him or her. The featured performer played, unlike the "open mic" people, for the “basket” (maybe a hat) passed around the crowd in the audience and that was the night’s “pay.” A tough racket for those starting out like all such endeavors. The attrition rate was pretty high after the folk minute died down with arrival of other genre like folk rock, heavy rock, and acid rock although you still see a few old folkies around the Square or playing the separate “open mic” folk circuit that also ran through church coffeehouses just like these writing jams.

Jack was not surprised then when Zack told him he would like him to come to hear him perform one of his works at the monthly third Thursday “open mic” at the Congregational Church in Arlington the next town over from Lexington. Zack told Jack that that night he was going to perform something he had written and thought on about Frank Jackman, about what had happened to Frank when he was in the Army during Vietnam War times.

Jack knew almost automatically what Zack was going to do, he would somehow use Bob Dylan’s Masters of War lyrics as part of his presentation. Jack and Zack ( a Vietnam veteran who got “religion” on the anti-war issue while he in the Army and became a fervent anti-war guy after that experience despite his personal problems) had met Frank in 1971 when they were doing some anti-war work among the soldiers at Fort Devens out in Ayer about forty miles west of Boston. Frank had gotten out of the Army several months before and since he was from Nashua in the southern part of New Hampshire not far from Devens and had heard about the G.I. coffeehouse, The Morning Report, where Jack and Zack were working as volunteers he had decided to volunteer to help out as well.

Now Frank was a quiet guy, quieter than Jack and Zack anyway, but one night he had told his Army story to a small group of volunteers gathered in the main room of the coffeehouse as they were planning to distribute Daniel Ellsberg’s sensational whistle-blower expose The Pentagon Papers to soldiers at various spots around the base (including as it turned out inside the fort itself with one copy landing on the commanding general’s desk for good measure). He wanted to tell this story since he wanted to explain why he would not be able to go with them if they went inside the gates at Fort Devens.

Jack knew Zack was going to tell Frank’s story so he told Frank he would be there since he had not heard the song or Frank’s story in a long while and had forgotten parts of it. Moreover Zack wanted Jack there for moral support since this night other than the recitation of the lyrics he was going to speak off the cuff rather than his usual reading from some prepared paper.

That night Zack was already in the hall talking to the organizer, Eli Walsh, you may have heard of him since he has written some searing poems about his time in three tours Iraq. Jack felt right at home in this basement section of the church and he probably could have walked around blind-folded since the writing jams were on almost exactly the same model as the old folkie “open mics.” A table as you entered to pay your admission this night three dollars (although the tradition is that no one is turned away for lack of funds) with a kindly woman asking if you intended to perform and direct you to the sign-up sheet if so. Another smaller table with various cookies, snacks, soda, water and glasses for those who wished to have such goodies, and who were asked to leave a donation in the jar on that table if possible. The set-up in the hall this night included a small stage where the performers would present their material slightly above the audience. On the stage a lectern for those who wished to use that for physical support or to read their work from and the ubiquitous simple battery-powered sound system complete with microphone. For the audience a bevy of chairs, mostly mismatched, mostly having seen plenty of use, and mostly uncomfortable. After paying his admission fee he went over to Zack to let him know he was in the audience. Zack told him he was number seven on the list so not to wander too far once the session had begun.

This is the way Zack told the story and why Jack knew there would be some reference to Bob Dylan’s Masters of War that night:

Hi everybody my name is Zack James and I am glad that you all came out this cold night to hear Preston Borden present his moving war poetry and the rest of us to reflect on the main subject of this month’s writing jam-the endless wars that the American government under whatever regime of late has dragged us into, us kicking and screaming to little avail. I want to thank Eli as always for setting this event up every month and for his own thoughtful war poetry. [Some polite applause.] But enough for thanks and all that because tonight I want to recite a poem, well, not really a poem, but lyrics to a song, to a Bob Dylan song, Masters of War, so it might very well be considered a poem in some sense.

You know sometimes, a lot of times, a song, lyrics, a poem for that matter bring back certain associations. You know some song you heard on the radio when you went on your first date, your first dance, your first kiss, stuff like that which is forever etched in your memory and evokes that moment every time you hear it thereafter. Now how this Dylan song came back to me recently is a story in itself.

You remember Eli back in October when we went up to Maine to help the Maine Veterans for Peace on their yearly peace walk that I ran into Susan Rich, the Quaker gal we met up in Freeport who walked with us that day to Portland. [Eli shouted out “yes.”] I had not seen Susan in about forty years before that day, hadn’t seen her since the times we had worked together building up support for anti-war G.I.s out at the Morning Report coffeehouse in Ayer outside Fort Devens up on Route 2 about thirty miles from here. That’s when we met Frank Jackman who is the real subject of my presentation tonight since he is the one who I think about when I think about that song, think about his story and how that song relates to it.

Funny as many Dylan songs as I knew Masters of War, written by Dylan in 1963 I had never heard until 1971. Never heard the lyrics until I met Frank out at Fort Devens where after I was discharged from the Army that year I went to do some volunteer anti-war G.I. work at the coffeehouse outside the base in Army town Ayer. Frank too was a volunteer, had heard about the place somehow I forget how, who had grown up in Nashua up in southern New Hampshire and after he was discharged from the Army down at Fort Dix in New Jersey came to volunteer just like me and my old friend Jack Callahan who is sitting in the audience tonight. Now Frank was a quiet guy didn’t talk much about his military service but he made the anti-war soldiers who hung out there at night and on weekends feel at ease. One night thought he felt some urge to tell his story, tell why he thought it was unwise for him to participate in an anti-war action we were planning around the base. We were going to pass out copies of Daniel Ellsberg’s explosive whistle-blower expose The Pentagon Papers to soldiers at various location around the fort and as it turned out on the base. The reason that Frank had balked at the prospect of going into the fort was that as part of his discharge paperwork was attached a statement that he was never to go on a military installation again. We all were startled by that remark, right Jack? [Jack nods agreement.]

And that night the heroic, our kind of heroic, Frank Jackman told us about the hows and whys of his Army experience. Frank had been drafted like a ton of guys back then, like me, and had allowed himself to be drafted in 1968 at the age of nineteen not being vociferously anti-war and not being aware then of the option of not taking the subsequent induction. After about three week down at Fort Dix, the main basic training facility for trainees coming from the Northeast then, he knew two things-he had made a serious mistake by allowing himself to be drafted and come hell or high water he was not going to fight against people he had no quarrel with in Vietnam. Of course the rigors of basic training and being away from home, away from anybody who could help him do he knew not what then kept him quiet and just waiting. Once basic was over and he got his Advanced Infantry Training assignment also at Fort Dix which was to be an infantryman at a time when old Uncle Sam only wanted infantrymen in the rice paddles and jungles of Vietnam things came to a head.

After a few weeks in AIT he got a three day weekend pass which allowed him to go legally off the base and he used that time to come up to Boston, or really Cambridge because what he was looking for was help to file an conscientious objector application and he knew the Quakers were historically the ones who would know about going about that process. That is ironically where Susan Rich comes in again, although indirectly this time, since Frank went to the Meeting House on Brattle Street where they were doing draft and G.I. resistance counseling and Susan was a member of that Meeting although she had never met him at that time. He was advised by one of the Quaker counselors that he could submit a C.O. application in the military, which he had previously not been sure was possible since nobody told anybody anything about that in the military, when he got back to Fort Dix but just then, although they were better later, the odds were stacked against him since he had already accepted induction. So he went back, put in his application, took a lot of crap from the lifers and officers in his company after that and little support, mainly indifference, from his fellow trainees. He still had to go through the training, the infantry training though and although he had taken M-16 rifle training in basic he almost balked at continuing to fire weapons especially when it came to machine guns. He didn’t balk but in the end that was not a big deal since fairly shortly after that his C.O. application was rejected although almost all those who interviewed him in the process though he was “sincere” in his beliefs. That point becomes important later.

Frank, although he knew his chances of being discharged as a C.O. were slim since he had based his application on his Catholic upbringing and more general moral and ethical grounds. The Catholic Church which unlike Quakers and Mennonites and the like who were absolutely against war held to a just war theory, Vietnam being mainly a just war in the Catholic hierarchy’s opinion. But Frank was sincere, more importantly, he was determined to not got to war despite his hawkish family and his hometown friends’, some who had already served, served in Vietnam too, scorn and lack of support. So he went back up to Cambridge on another three day pass to get some advice, which he actually didn’t take in the end or rather only partially took up which had been to get a lawyer they would recommend and fight the C.O. denial in Federal court even though that was also still a long shot then.

Frank checked with the lawyer alright, Steve Brady, who had been radicalized by the war and was offering his services on a sliding scale basis to G.I.s since he also had the added virtue of having been in the JAG in the military and so knew some of the ropes of the military legal system, and legal action was taken but Frank was one of those old time avenging Jehovah types like John Brown or one of those guys and despite being a Catholic rather than a high holy Protestant which is the usual denomination for avenging angels decided to actively resist the military. And did it in fairly simple way when you think about it. One Monday morning when the whole of AIT was on the parade field for their weekly morning report ceremony Frank came out of his barracks with his civilian clothes on and carrying a handmade sign which read “Bring the Troops Home Now!”

That sign was simply but his life got a lot more complicated after that. In the immediate sense that meant he was pulled down on the ground by two lifer sergeants and brought to the Provost Marshal’s office since they were not sure that some dippy-hippie from near-by New York City might be pulling a stunt. When they found out that he was a soldier they threw him into solitary in the stockade.

For his offenses Frank was given a special court-martial which meant he faced six month maximum sentence which a panel of officers at his court-martial ultimately sentenced him to after a seven day trial which Steve Brady did his best to try to make into an anti-war platform but given the limitation of courts for such actions was only partially successful. After that six months was up minus some good time Frank was assigned to a special dead-beat unit waiting further action either by the military or in the federal district court in New Jersey. Still in high Jehovah form the next Monday morning after he was released he went out to that same parade field in civilian clothes carrying another homemade sign “Bring The Troops Home Now!” and he was again manhandled by another pair of lifer sergeants and this time thrown directly into solitary in the stockade since they knew who they were dealing with by then. And again he was given a special court-martial and duly sentenced by another panel of military officers to the six months maximum.

Frank admitted at that point he was in a little despair at the notion that he might have to keep doing the same action over and over again for eternity. Well he wound up serving almost all of that second sex month sentence but then he got a break. That is where listening to the Quakers a little to get legal advice did help. See what Steve Brady, like I said an ex-World War II Army JAG officer turned anti-war activist lawyer, did was take the rejection of his C.O. application to Federal District Court in New Jersey on a writ of habeas corpus arguing that since all Army interviewers agreed Frank was “sincere” that it had been arbitrary and capricious of the Army to turn down his application. And given that the United States Supreme Court and some lower court decisions had by then had expanded who could be considered a C.O. beyond the historically recognized groupings and creeds the cranky judge in the lower court case agreed and granted that writ of habeas corpus. Frank was let out with an honorable discharge, ironically therefore entitled to all veteran’s benefits but with the stipulation that he never go onto a military base again under penalty of arrest and trial. Whether that could be enforced as a matter of course he said he did not want to test since he was hardily sick of military bases in any case.

So where does Bob Dylan’s Masters of War come into the picture. Well as you know, or should know every prisoner, every convicted prisoner, has the right to make a statement in his or her defense during the trial or at the sentencing phase. Frank at both his court-martials rose up and recited Bob Dylan’s Masters of War for the record. So for all eternity, or a while anyway, in some secret recess of the Army archives (and of the federal courts too) there is that defiant statement of a real hero of the Vietnam War. Nice right?

Here is what had those bloated military officers on Frank’s court-martial board seeing red and ready to swing him from the highest gallow, yeah, swing him high.

Masters Of War-Bob Dylan

Come you masters of war
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks

You that never done nothin’
But build to destroy
You play with my world
Like it’s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly

Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain

You fasten the triggers
For the others to fire
Then you set back and watch
When the death count gets higher
You hide in your mansion
As young people’s blood
Flows out of their bodies
And is buried in the mud

You’ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain’t worth the blood
That runs in your veins

How much do I know
To talk out of turn
You might say that I’m young
You might say I’m unlearned
But there’s one thing I know
Though I’m younger than you
Even Jesus would never
Forgive what you do

Let me ask you one question
Is your money that good
Will it buy you forgiveness
Do you think that it could
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul

And I hope that you die
And your death’ll come soon
I will follow your casket
In the pale afternoon
And I’ll watch while you’re lowered
Down to your deathbed
And I’ll stand o’er your grave
’Til I’m sure that you’re dead

An Encore-Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind

An Encore-Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind

From The Pen Of Sam Lowell

Jack Callahan’s old friend from Sloan High School in Carver down in Southeastern Massachusetts Zack James (Zack short for Zachary not as is the fashion today to just name a baby Zack and be done with it) is an amateur writer and has been at it since he got out of high school. Found out that maybe by osmosis, something like that, the stuff Miss Enos taught him junior and senior years about literature and her favorite writers Hemingway, Edith Wharton and Dorothy Parker to name a few, that she would entice the English class with stuck with him with through college where although he majored in Political Science he was in thrall to the English literature courses that he snuck in to his schedule. Snuck in although Zack knew practically speaking he had a snowball’s chance in hell, an expression he had learned from Hemingway he thought, of making a career out of the literary life as a profession. Would more likely wind up driving a cab through dangerous midnight sections of town occasionally getting mugged for his night’s work to satisfy the muse. A hard-shell working-class boy, a son of the bogs, the cranberry bogs that made the town famous, in the up and coming 1960s when colleges became a realistic possibility for a whole swath of previously neglected youth would not throw away whatever chance he had in order to get hit on the noggin for that beautiful muse.

Here's the funny part though that high and mighty hotshot Political Science major winding up producing about the same practical results as the literary life though since he wound up spending several years doing slave labor before he hit bottom and worked his way up again. But that was later. The writing bug stuck with him, savior stuck with him, through his tour of duty during the Vietnam War, and savior stayed with him through those tough years when he couldn’t quite get himself back to the “real” world after ‘Nam and let drugs and alcohol rule his life so that he wound up for some time as a “brother under the bridge” as Bruce Springsteen later put the situation in a song that he played continuously at times after he first heard it with its beginning line “Saigon, long gone…." Stuck with him after he recovered and started building up his sports supplies business, stuck with him through three happy/sad/savage/acrimonious “no go” marriages and a parcel of kids and child support. And was still sticking with him now that he had time to stretch out and write longer pieces, and beat away on the word processor a few million words on this and that.

Amateur writer by the way if you asked him (although probably it is wiser to just assume he did not earn his living in the prints and move on unless you want an hour tirade about the differences and not all accruing to the professionals either) meaning nothing more than that he liked to write and that writing was not his profession, that he did not depend on the pen for his livelihood(or rather more correctly these days not the pen but the word processor). That livelihood business was taken up running a small sports apparel store in a mall not far from Lexington (the Lexington of American revolutionary battles to give the correct town and state) where he now lived. Although he was not a professional writer his interest was such that he liked these days with Jimmy Shore, the famous ex-runner running the day to day operations of the store, to perform some of his written work in public at various “open mic” writing (and poetry) jams that have sprouted up in his area.

This “open mic” business was a familiar concept to Jack from the days back in the 1960s when he would go to such events in the coffeehouses around Harvard Square and Beacon Hill to hear amateur folk-singers perfect their acts and try to be recognized as the new voice of their generation, or something like that. For “no singing voice, no musical ear” Jack those were basically cheap date nights if the girl he was with was into folk music. The way most of the "open mics" worked, although they probably called them talent searches then, was each performer would sign up to do one, two, maybe three songs depending on how long the list of those wishing to perform happened to be (the places where each performer kicked in a couple of bucks in order to play usually had shorter lists). These singers usually performed in the period in front of the night’s feature who very well might have been somebody who a few weeks before had been noticed by the owner during a previous "open mic" and asked to do a set of six to sixteen songs depending on the night and the length of the list of players in front of him or her. The featured performer played, unlike the "open mic" people, for the “basket” (maybe a hat) passed around the crowd in the audience and that was the night’s “pay.” A tough racket for those starting out like all such endeavors. The attrition rate was pretty high after the folk minute died down with arrival of other genre like folk rock, heavy rock, and acid rock although you still see a few old folkies around the Square or playing the separate “open mic” folk circuit that also has run through church coffeehouses just like these writing jams.

Jack knew almost automatically what Zack was going to do, he would somehow use Bob Dylan’s Masters of War lyrics as part of his presentation. Jack and Zack ( one of many Vietnam veterans who got “religion” on the anti-war issue while he in the Army and became a fervent anti-war guy after that experience despite his personal problems) had met Frank in 1971 when they were doing some anti-war work among the soldiers at Fort Devens out in Ayer about forty miles west of Boston. Frank had gotten out of the Army several months before and since he was from Nashua in the southern part of New Hampshire not far from Devens and had heard about the G.I. coffeehouse, The Morning Report, where Jack and Zack were working as volunteers he had decided to volunteer to help out as well.

Now Frank was a quiet guy, quieter than Jack and Zack anyway, but one night he had told his Army story to a small group of volunteers gathered in the main room of the coffeehouse as they were planning to distribute Daniel Ellsberg’s sensational whistle-blower expose The Pentagon Papers to soldiers at various spots around the base (including as it turned out inside the fort itself with one copy landing on the commanding general’s desk for good measure). He wanted to tell this story since he wanted to explain why he would not be able to go with them if they went inside the gates at Fort Devens.

This is the way Zack told the story and why Jack knew there would be some reference to Bob Dylan’s Masters of War that night:

After a few weeks in AIT he got a three day weekend pass which allowed him to go legally off the base and he used that time to come up to Boston, or really Cambridge because what he was looking for was help to file an conscientious objector application and he knew the Quakers were historically the ones who would know about going about that process. That is ironically where Susan Rich comes in again, although indirectly this time, since Frank went to the Meeting House on Brattle Street where they were doing draft and G.I. resistance counseling and Susan was a member of that Meeting although she had never met him at that time. He was advised by one of the Quaker counselors that he could submit a C.O. application in the military, which he had previously not been sure was possible since nobody told anybody anything about that in the military, when he got back to Fort Dix but just then, although they were better later, the odds were stacked against him since he had already accepted induction.

So he went back, put in his application, took a lot of crap from the lifers and officers in his company after that and little support, mainly indifference, from his fellow trainees. He still had to go through the training, the infantry training though and although he had taken M-16 rifle training in basic he almost balked at continuing to fire weapons especially when it came to machine guns. He didn’t balk but in the end that was not a big deal since fairly shortly after that his C.O. application was rejected although almost all those who interviewed him in the process though he was “sincere” in his beliefs. That point becomes important later.

Frank, although he knew his chances of being discharged as a C.O. were slim since he had based his application on his Catholic upbringing and more general moral and ethical grounds. The Catholic Church which unlike Quakers and Mennonites and the like who were absolutely against war held to a just war theory, Vietnam being mainly a just war in the Catholic hierarchy’s opinion. But Frank was sincere, more importantly, he was determined to not go to war despite his hawkish family and his hometown friends’, some who had already served, served in Vietnam too, scorn and lack of support. So he went back up to Cambridge on another three day pass to get some advice, which he actually didn’t take in the end or rather only partially took up which had been to get a lawyer they would recommend and fight the C.O. denial in Federal court even though that was also still a long shot then.

Frank checked with the lawyer alright, Steve Brady, who had been radicalized by the war and was offering his services on a sliding scale basis to G.I.s since he also had the added virtue of having been in the JAG in the military and so knew some of the ropes of the military legal system, and legal action was taken but Frank was one of those old time avenging Jehovah types like John Brown or one of those guys and despite being a Catholic rather than a high holy Protestant which is the usual denomination for avenging angels decided to actively resist the military. And did it in a fairly simple way when you think about it. One Monday morning when the whole of AIT was on the parade field for their weekly morning report ceremony Frank came out of his barracks with his civilian clothes on and carrying a handmade sign which read “Bring the Troops Home Now!”

That sign was simply but his life got a lot more complicated after that. In the immediate sense that meant he was pulled down on the ground by two lifer sergeants and brought to the Provost Marshal’s office since they were not sure that some dippy-hippie from near-by New York City might have been pulling a stunt. When they found out that he was a soldier they threw him immediately into solitary in the stockade.

Frank admitted at that point he was in a little despair at the notion that he might have to keep doing the same action over and over again for eternity. Well he wound up serving almost all of that second six month sentence but then he got a break. That is where listening to the Quakers a little to get legal advice did help. See what Steve Brady, like I said an ex-World War II Army JAG officer turned anti-war activist lawyer, did was take the rejection of his C.O. application to Federal District Court in New Jersey on a writ of habeas corpus arguing that since all Army interviewers agreed Frank was “sincere” that it had been arbitrary and capricious of the Army to turn down his application. And given that the United States Supreme Court and some lower court decisions had by then expanded who could be considered a C.O. beyond the historically recognized groupings and creeds the cranky judge in the lower court case agreed and granted that writ of habeas corpus. Frank was let out with an honorable discharge, ironically therefore entitled to all veteran’s benefits but with the stipulation that he never go onto a military base again under penalty of arrest and trial. Whether that could be enforced as a matter of course he said he did not want to test since he was hardily sick of military bases in any case.

Here is what had those bloated military officers on Frank’s court-martial board seeing red and ready to swing him from the highest gallow, yeah, swing him high.

Masters Of War-Bob Dylan

Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain

You’ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain’t worth the blood
That runs in your veins

To Sin By Silence When We Should Protest Makes Cowards Out Of Men (Women Too)!-Build The Resistance!

To Sin By Silence When We Should Protest Makes Cowards Out Of Men (Women Too)!-Build The Resistance!

By Political Commentator Frank Jackman

To Sin By Silence When We Should Protest Makes Cowards Out Of Men … (and I added women too)-lines from “Protest” by Ella Wheeler Wilcox

Usually when I want to grab a line or two from some poem it would more likely by from say Bertolt Brecht’s “To Those Born After,” Langston Hughes’ “Homage To John Brown” or Claude McKay’s “Let’s Us Die Like Men (and I would add women here again) and not some relatively obscure American poet but when the point is made so succinctly I could not resist using the damn thing as it disturbed my sleep one night

Ella Wheeler Wilcox whatever her vices or virtues as an American working the ways of the late 19^th and early 20^th century had it exactly right-had a mantra that we need to live by these dark days on the American frontier (the frontier not Harvard Professor Turner’s old idea about the closing of the frontier once you hit the Pacific Ocean with all its consequences for a restless people ever since but the outer edge of civil society). We must continue to resist the Trump government with whatever resources we have. And whatever hubris we can gather in to keep us from the storm that has gathered right on our doorsteps.

Most of us didn’t want this fight, the older ones of us thinking that maybe we could pass on under conditions of an armed truce with the imperial government. But then the cold civil war descended on us and we had to pick sides, those of us who see the necessity of picking sides when bans are in place, when walls are being built and when the rich, no, hell no, the super-rich have literally stepped up to besieged every social program that our people need to face the next day. And act. Act to build the resistance which these days looks like it will need to be on the order of the French Resistance in World War II.

Do you really want to bend your head down when the deal, the hell train coming, goes down and your kids, if you have kids, your grandkids if you have grandkids, or just your own conscience asks you what did you when it was time to speak up. Remember Ella had it right, right as rain.

Here is Bertolt Brecht's "To Those Born After" if you need further reason-

I

To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.

I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.

The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.

Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.

II

You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:

Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.

Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.

And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.

Bertolt Brecht

*Poet's Corner- Bertolt Brecht's "Contemplating Hell"

Contemplating Hell by Bertolt Brecht

Contemplating Hell, as I once heard it,
My brother Shelley found it to be a place
Much like the city of London. I,
Who do not live in London, but in Los Angeles,
Find, contemplating Hell, that is
Must be even more like Los Angeles.

Also in Hell,
I do not doubt it, there exist these opulent gardens
With flowers as large as trees, wilting, of course,
Very quickly, if they are not watered with very expensive water. And fruit markets
With great leaps of fruit, which nonetheless

Possess neither scent nor taste. And endless trains of autos,
Lighter than their own shadows, swifter than
Foolish thoughts, shimmering vehicles, in which
Rosy people, coming from nowhere, go nowhere.
And houses, designed for happiness, standing empty,
Even when inhabited.

Even the houses in Hell are not all ugly.
But concern about being thrown into the street
Consumes the inhabitants of the villas no less
Than the inhabitants of the barracks.

An Encore -He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

For The Late Rosalie Sorrels- An Encore -He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

From The Pen Of Bart Webber

Jack Dawson was not sure when he had heard that the old long-bearded son of a bitch anarchist hell of a songwriter, hell of a story-teller Bruce “Utah” Phillips caught the westbound freight, caught that freight around 2007 he found out later a couple of years after he too had come off the bum this time from wife problems, divorce wife problems (that "westbound freight" by the way an expression from the hobo road to signify that a fellow traveler hobo, tramp, bum it did not matter then the distinctions that had seemed so important in the little class differences department when they were alive had passed on, had had his fill of train smoke and dreams and was ready to face whatever there was to face up in hobo heaven, no, the big rock candy mountain that some old geezer had written on some hard ass night when dreams were all he had to keep him company). That “Utah” moniker not taken by happenstance since Phillips struggled through the wilds of Utah on his long journey, played with a group called the Utah Valley boys, put up with, got through a million pounds of Mormon craziness and, frankly, wrote an extraordinary number of songs in his career by etching through the lore as he found it from all kinds of Mormon sources, including some of the dark pages, the ranch war stuff, the water stuff not the polygamy stuff which was nobody's business except the parties involved of those latter day saints.

For those who do not know the language of the road, not the young and carefree road taken for a couple of months during summer vacation or even a Neal Cassady and Jack Kerouac-type more serious expedition under the influence of On The Road (what other travelogue of sorts would get the blood flowing to head out into the vast American Western night) and then back to the grind but the serious hobo “jungle” road like Jack Dawson had been on for several years before he sobered up after he came back from ‘Nam, came back all twisted and turned when he got discharged from the Army back in 1971 and could not adjust to the “real world” of his Carver upbringing in the East and had wound up drifting, drifting out to the West, hitting California and when that didn’t work out sort of ambled back east on the slow freight route through Utah taking the westbound freight meant for him originally passing to the great beyond, passing to a better place, passing to hard rock candy mountain in some versions here on earth before Black River Shorty clued him in.

Of course everybody thinks that if you wind up in Utah the whole thing is Mormon, and a lot of it is, no question, but when Jack hit Salt Lake City he had run into a guy singing in a park. A guy singing folk music stuff, labor songs, travelling blues stuff, the staple of the genre, that he had remembered that Sam Lowell from Carver High, from the same class year as him, had been crazy for back in the days when he would take his date and Jack and his date over to Harvard Square and they would listen to guys like that guy in the park singing in coffeehouses. Jack had not been crazy about the music then and some of the stuff the guy was singing seemed odd now too, still made him grind his teeth. but back then it either amounted to a cheap date, or the girl actually liked the stuff and so he went along with it.

So Jack, nothing better to do, sat in front of guy and listened. Listened more intently when the guy, who turned out to be Utah (who was using the moniker “Pirate Angel” then, as Jack was using "Daddy Two Cents" reflecting his financial condition or close to it, monikers a good thing on the road just in case the law, bill-collectors or ex-wives were trying to reach you and you did not want to reached), told the few bums, tramps and hoboes who were the natural residents of the park that if they wanted to get sober, if they wanted to turn things around a little that they were welcome, no questions asked, at the Joe Hill House. (No questions asked was right but everybody was expected to at least not tear the place up, which some nevertheless tried to do.)

That Joe Hill whom the sobering up house was named after by the way was an old time immigrant anarchist who did something to rile the Latter Day Saints up because they threw he before a firing squad with no questions asked. Joe got the last line though, got it for eternity-“Don’t mourn (his death), organize!”

Jack, not knowing anybody, not being sober much, and maybe just a tad nostalgic for the old days when hearing bits of folk music was the least of his worries, went up to Utah and said he would appreciate the stay. And that was that. Although not quite “that was that” since Jack knew nothing about the guys who ran the place, didn’t know who Joe Hill was until later (although he suspected after he found out that Joe Hill had been a IWW organizer [Wobblie, Industrial Worker of the World] framed and executed in that very state of Utah that his old friend the late Peter Paul Markin who lived to have that kind of information in his head would have known. See this Joe Hill House unlike the Sallies (Salvation Army) where he would hustle a few days of peace was run by this Catholic Worker guy, Ammon Hennessey, who Utah told Jack had both sobered him up and made him some kind of anarchist although Jack was fuzzy on what that was all about.

So Jack for about the tenth time tried to sober up, liquor sober up this time out in the great desert (later it would be drugs, mainly cocaine which almost ripped his nose off he was so into it that he needed sobering up from). And it took, took for a while.

Whatever had been eating at Jack kept fighting a battle inside of him and after a few months he was back on the bottle. But during that time at the Joe Hill House he got close to Utah, as close as he had gotten to anybody since ‘Nam, since his friendship with Jeff Crawford from up in Podunk Maine who saved his ass, and that of a couple of other guys in a nasty fire-fight when Charley (G.I. slang for the Viet Cong originally said in contempt but as the war dragged on in half-hearted admiration) decided he did indeed own the night in his own country. Got as close as he had to his corner boys like Sam Lowell from hometown Carver. Learned a lot about the lure of the road, of drink and drugs, of tough times (Utah had been in Korea) and he had felt bad after he fell off the wagon. But that was the way it was.

Several years later after getting washed clean from liquor and drugs, at a time when Jack started to see that he needed to get back into the real world if he did not want to wind up like his last travelling companion, Denver Shorty, whom he found face down one morning on the banks of the Charles River in Cambridge and had abandoned his body fast in order not to face the police report, he noticed that Utah was playing in a coffeehouse in Cambridge, a place called Passim’s which he found out had been taken over from the Club 47 where Sam had taken Jack a few times. So Jack and his new wife (his and her second marriages) stepped down into the cellar coffeehouse to listen up.

As Jack waited in the rest room area a door opened from the other side across the narrow passageway and who came out but Utah. As Jack started to grab his attention Utah blurred out “Daddy Two Cent, how the hell are you?” and talked for a few minutes. Later that night after the show they talked some more in the empty club before Utah said he had to leave to head back to Saratoga Springs in New York where he was to play at the Caffé Lena the next night.

That was the last time that Jack saw Utah in person although he would keep up with his career as it moved along. Bought some records, later tapes, still later CDs just to help the brother out. In the age of the Internet he would sent occasional messages and Utah would reply. Then he heard Utah had taken very ill, heart trouble like he said long ago in the blaze of some midnight fire, would finally get the best of him. And then somewhat belatedly Jack found that Utah had passed on. The guy of all the guys he knew on the troubled hobo “jungle” road who knew what “starlight on the rails” meant to the wanderers he sang for had cashed his ticket. RIP, brother.

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Jeremy Hammond -Free All The Whistle-Blowers

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Jeremy Hammond -Free All The Whistle-Blowers

http://www.thejerichomovement.com/prisoners.html

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

HAMMOND, JEREMY

Anarchist-computer hacker POLITICAL PRISONER