In Boston- White Supremacists commit murder in Charlottesville - BMDC to respond, Join us tomorrow at 2PM

White Supremacists commit murder in Charlottesville - BMDC to respond, Join us tomorrow at 2PM

4:58 PM

John via bmdc-request

To  mayday@lists.riseup.net,    bmdc@lists.riseup.net  

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Hi Folks,

At  least one person has died in Charlottesville as the fascists seek to terrorize the movement against racism. The fascists will be mobilizing in Boston on August 19. They are organizing a so called "free speech" rally on Boston Common on that date. Far from free speech, these fascists are organizing to take away our free speech and terrorize the movements for social justice in this country. Those opposed to their racist and xenophobic campaign are called upon to counter-mobilize and send out a clear message of unity and strength, defending the rights and interests of working class people and oppressed social layers in this country. The counter-mobilization will be first and foremost on the agenda at the Boston May Day Coalition meeting. Please join us:

Boston May Day Coalition general meeting

Sunday, August 13, 2:00 PM

Encuentro 5

9A Hamilton Place

Boston, MA

Next to the Orpheum Theater

(Park Street T stop on the Red and Green lines)

Adelante,

John

What Is In A Name-The Film Adaptation Of Oscar Wilde’s “The Importance Of Being Earnest”(1952)-A Review

What Is In A Name-The Film Adaptation Of Oscar Wilde’s “The Importance Of Being Earnest”(1952)-A Review

DVD Review

By Film Critic Sandy Salmon

 

The Importance Of Being Earnest, starring Michael Redgrave, Michael Denison, Dame Edith Evans, directed by Anthony Asquith, 1952    

No question the great late 19^th century English playwright Oscar Wilde took a terrible beating from hypercritical late Victorian society for his little ‘vice’-“the act that dare not speak its name” to use the quant phrase used in polite society for homosexuality. (Victorian society hypercritical since as far as the upper crust and certainly in the literary and culture milieus there were plenty of closeted, and not so closeted in some places, homosexuals who were tolerated if not celebrated). Certainly today his activities would have drawn little attention in Western society anyway but then such exposure devastated his career.

Before Wilde’s fall, before he took his court room beating sending him to Reading Gaol and infamy he wrote and had produced the play upon which the film under review is based, The Importance Of Being Earnest. A play which was a humorous sent-up of all the hypocrisy, manners and tedium of upper-crust bourgeois society. There was not necessarily any great political message to the work but by virtue of the truly great use of dialogue Oscar was able to drive his spears in all the better. The film adaptation by Anthony Asquith is pretty fateful to the original play and the acting is of a high order so we get today a fairly decent sense of what was going on in some circles in those bygone days.             

Here’s the simple plotline on which the fast-paced dialogue rises and falls. A couple of free-wheeling gentleman, representing country and city, Jack and Algy having time on their hands and wicked senses of humor carry around some assumed names, Ernest for the former and Bunbury for the latter in order to brush off any untoward questions or people. They both have the same problem or aspects of the same problem. They long for female companionship, for proper marriages. Jack is in love with Algy’s cousin the aristocratic Gwendolyn and Algy is in love with Jack’s ward out in his country estate Cecily.Therein lies the dilemma. Jack is caught up in a bind because having under the assumed name Ernest he has caught Gwen’s attentions although she is fickle enough only to want to marry a man named Ernest. Cecily by a certain sleight of hand by Algy only wants to marry a man named Ernest as well.         

With that conundrum in mind the chase is on. Jack has to invent a younger brother Ernest whom he tries to kill off but who shows up at the country estate door but Algy posing as Jack’s supposedly late brother Ernest. Then Gwen, mother in tow shows up as well to find out whether Jack, who has willingly proposed to Gwen and she has accepted, has the correct lineage to betroth her daughter. Every social and cultural prejudice of the day gets a work-out as in the end love conquers all once Jack, who turned out to be a foundling, actually had been born with the name Ernest. Nice touch. A great sent-up and great fun if not a big time look at the foibles of late Victorian society.           

Waving the Flag of Slavery in Charlottesville “Alt-Right” Fascists: Shock Troops for Racist Genocide-Built The Anti-Fascist United Front Now!

Waving the Flag of Slavery in Charlottesville

“Alt-Right” Fascists: Shock Troops for Racist Genocide-Built The Anti-Fascist United Front Now!

Frank Jackman comment: as I have mentioned on other occasions I usually will post political material here that may be of interest to the liberal and radical milieu without comment. And without necessarily agreeing with the content. After all I can as here write my own commentary on the issues of the day to give my view. Occasionally, and given the developments in Charlottesville today, August 12, 2017 mentioned in the article this is one of them, I will post an article which I stand in solidarity with. I do so here.

Learn the lessons of history. Stop the Nazis, KKK, Alt-right and their supporters in the egg. Build the Labor, Black, and other oppressed people United Front against the Fascists-Now!!!!       

Workers Vanguard No. 1115	28 July 2017

Waving the Flag of Slavery in Charlottesville

“Alt-Right” Fascists: Shock Troops for Racist Genocide-Built The Anti-Fascist United Front Now!

In Virginia, the state where Confederate general Robert E. Lee was defeated and surrendered, the small city of Charlottesville has become ground zero for fascist defenders of the Southern slavocracy. On July 8, 50 Klansmen, many in the hoods and robes of lynch rope terror, rallied in defense of a statue of Lee that the city council had voted to remove. On top of this, a new breed of fascist organizations in the “alt-right” is calling for a “Unite the Right” rally on August 12 in front of Lee’s statue. The poster for the rally features armed troops marching under the battle flag of slavery, surrounded by monuments to military and other Confederate leaders and with Nazi-style eagles flying overhead. This is a direct attack against black people.

Emboldened by the “Make America Great Again” racism of the Trump administration, fascist organizations like Identity Evropa and the Traditionalist Worker Party have been staging provocations across the country. The fascists are paramilitary shock troops that are held in reserve by the capitalist rulers and unleashed at times of social crisis against any prospect of revolutionary struggle by the working class. Their purpose is nothing less than the destruction of the workers movement, including unions and the left, and racial genocide. In the U.S., that means they especially have black people in their sights.

The roots of American fascism go back to the defeat of the Confederacy by the Union Army in the Civil War. The KKK and other race-terrorists came into being after that victory to bloodily suppress the newly freed slaves. No less than the Klan, the fascist vermin in the “alt-right” today represent a threat to the very right of black people to exist. 

To date, this new crop of fascists has mainly aimed its fire at Muslims, immigrants, Jews and the antifas (anti-fascist activists) who have mobilized against them. Feeling the wind in their sails, they are now openly building for race-terror against black people through their “Unite the Right” rally, including by competing with the Klan over who best represents the “heritage” of the slavocracy. The aim of these fascists is to reverse the verdict of the Civil War.

The speakers list for the August 12 rally is a veritable who’s who of the contemporary American fascist movement. First among them is would-be führer Richard Spencer of the National Policy Institute. In May, Spencer led dozens of fascists carrying torches and chanting Nazi slogans in Charlottesville in defense of Lee’s statue. Other speakers include Matthew Heimbach, head of the Traditionalist Worker Party, and Michael Hill, president of the League of the South. “Former” Klansman David Duke, a keynote speaker at the League of the South’s recent conference, is backing the August 12 rally.

Every time the fascists successfully rally, they gain confidence and win new recruits to their program of race-terror. In June 2016, when white-supremacists of the Traditionalist Worker Party and the Golden Gate Skinheads descended on Sacramento, they stabbed and slashed at least seven anti-fascists. This April, hundreds of fascists rioted in downtown Berkeley, where they chanted, “Hitler did nothing wrong” and attacked anti-fascists and leftists with clubs, flagpoles and knives. A week after Spencer’s torchlight rally in Charlottesville, Richard Collins III, a 23-year-old black student and Army lieutenant, was killed at the University of Maryland by a fascist. In early June, fascists rallied in Portland in what was essentially a celebration of the murder of two men who had intervened to stop the racist abuse of two women—one black, one Muslim—by a white-supremacist who had attended “alt-right” rallies.

Like the Klan, these neo-Nazis are the genuine face of American fascism. And they have powerful defenders, from the off-duty and retired cops and military personnel in the Oath Keepers who have provided security at their rallies to the regular police thugs of the capitalist state. On July 8 in Charlottesville, police arrested 23 of the more than 1,000 demonstrators who came out to protest the Klan’s provocation. Four of those arrested face felony charges, including for wearing a mask in public. With the local chief of police arguing that his main concern was “not the KKK,” cops intimidated and harassed anti-racist activists at their homes and workplaces in the weeks before the KKK rally. A spokesman for Showing Up for Racial Justice (SURJ) told Al Jazeera (8 July) that the cops singled out non-whites for harassment at their homes. Drop all charges against the anti-Klan protesters!

Now, SURJ is appealing to the Charlottesville city government to revoke the permit for the “Unite the Right” rally. To rely on the forces that administer capitalist “law and order” to ban the fascists is a deadly delusion. It is those very forces that repress anti-fascist fighters. The protesters who had signs declaring “Cops and Klan Go Hand in Hand” had it right. While the cops were hurling tear gas against the anti-Klan militants, their bosses in the local government organized prayer meetings and “community discussion” together with assorted preachers, invoking the fascists’ “right to free speech.”

Fascism is not about free speech; it is about racist terror. Black people know only too well that when the fascists speak, it is with the lynch rope. Their “words” are fired out of the barrel of a gun. Their intent is to organize for an America in which black people do not exist. As the then-revolutionary Socialist Workers Party wrote in Socialist Appeal (3 March 1939), “The workers who spend all their time and energy in the abstract discussion of the Nazis’ ‘democratic rights’...will end their discussion under a Fascist club in a concentration camp.”

In contrast to the fascists, who see their road to power through extraparliamentary violence, right-wingers like Milo Yiannopoulos and Ann Coulter are racist provocateurs and ideologues. When antifa groups shut down their speaking tours, they fall right into these bigots’ trap, handing them the flag of “freedom of speech” to wave like a bloody shirt. The likes of Yiannopoulos and Coulter should be protested, exposed and refuted. But to equate them with fascists only serves to disarm people in the face of the Nazis and other race-terrorists, who must be crushed in the egg.

The thousand-strong anti-Klan turnout on July 8 shows that there are plenty of people who want to stop the fascists in their tracks. Among such activists are antifa groups across the country. But while they have often shown real courage, the confrontations waged by small groups of antifas will not stop the fascist gangs. The fascists must be met by an overpowering counterforce, based on disciplined mobilizations of the multiracial working class. As Leon Trotsky, who together with V.I. Lenin was a central leader of the 1917 Russian Revolution, wrote in the Transitional Program (1938) on the fight against Hitler’s Nazis: “Only armed workers’ detachments, who feel the support of tens of millions of toilers behind them, can successfully prevail against the fascist bands. The struggle against fascism does not start in the liberal editorial office but in the factory—and ends in the street.”

The new fascist organizations are small, but they are growing, armed and dangerous. They feed off economic devastation and are emboldened by official racist reaction. But the bitter economic and social discontent of the working class and oppressed can also fuel the rise of a fighting workers movement. In the U.S. during the 1930s Depression, militant workers who had waged pitched battles against the bosses and their state in order to organize unions struck some real “fear of god” into the fascist gangs.

In Minneapolis, where truckers strikes led by Trotskyist militants in 1934 laid the basis for the growth of the Teamsters into a powerful nationwide union, strike leaders and other battle-tested militants organized a union defense guard to take on a fascist gang called the Silver Shirts. The defense guard was led by Ray Rainbolt—one of the key fighters in 1934, a military veteran and American Indian—and included hundreds of union members. In Teamster Politics (Monad Press, 1975), Farrell Dobbs, a young Trotskyist leader of the truckers strikes, recalled that the defense guard aimed to build a labor-centered fighting force that would “include the unemployed, minority peoples, youth—all potential victims of the fascists, vigilantes, or other reactionaries.” When the Silver Shirts tried to hold a rally in Minneapolis, members of the defense guard were called out to the site. The audience turned tail and ran, and, having gotten wind of the union action, the Silver Shirts leader didn’t even show up.

Today, the idea that organized labor would mobilize its power in its own interests, as well as in opposition to the fascists, might seem fantastical, particularly to youth who have seen little to no union struggle. Responsibility for this situation lies with the trade-union misleaders, who have shackled the social power of the working class to the interests of their capitalist exploiters, particularly through the Democratic Party. But labor has real power, which lies in its numbers, collective organization and, above all, its ability to choke off profits through strikes and other actions. Whether it is the factory floor, the transit barns or the docks, the workplace remains the main site of integration in racist capitalist America.

Labor can and must be organized to smash the fascists. The potential for such action was shown in a small but real way by the labor/black mobilizations initiated by the Spartacist League and Partisan Defense Committee to stop Klan and Nazi provocations in several cities in the 1970s, ’80s and ’90s. Through flexing their muscle in massive, multiracial mobilizations against the fascists, the workers will come to recognize their power as a class. What must be done is to build a revolutionary workers party that will wield that power to finally fulfill the promise of black freedom and emancipate all the exploited and oppressed. It will take nothing less than a third, socialist American Revolution to break the chains of racist capitalist rule and bury the fascist gangs for good. For labor/black action to stop the fascists!

On The 60th Anniversary Of Jack Kerouac's "On The Road" (1957)- "Beat" Poet's Corner- Allen Ginsberg's "America"

On The 60th Anniversary Of Jack Kerouac's "On The Road" (1957)- "Beat" Poet's Corner- Allen Ginsberg's "America"

YouTube's film clip of Allen Ginsberg reading in 1956 from his famous poem "America"

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner diners’ coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when they acolytes came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands). Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine),   Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid any attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

America
Allen Ginsberg

America I've given you all and now I'm nothing.
America two dollars and twenty-seven cents January 17, 1956.
I can't stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb
I don't feel good don't bother me.
I won't write my poem till I'm in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I'm sick of your insane demands.
When can I go into the supermarket and buy what I need with my good looks?
America after all it is you and I who are perfect not the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don't think he'll come back it's sinister.
Are you being sinister or is this some form of practical joke?
I'm trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I'm doing.
America the plum blossoms are falling.
I haven't read the newspapers for months, everyday somebody goes on trial for
murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid and I'm not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses in the closet. 
When I go to Chinatown I get drunk and never get laid.
My mind is made up there's going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I'm perfectly right.
I won't say the Lord's Prayer.
I have mystical visions and cosmic vibrations.
America I still haven't told you what you did to Uncle Max after he came over
from Russia.

I'm addressing you.
Are you going to let our emotional life be run by Time Magazine?
I'm obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner candystore.
I read it in the basement of the Berkeley Public Library.
It's always telling me about responsibility. Businessmen are serious. Movie
producers are serious. Everybody's serious but me.
It occurs to me that I am America.
I am talking to myself again.

Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources consist of two joints of marijuana millions of genitals
an unpublishable private literature that goes 1400 miles and hour and
twentyfivethousand mental institutions.
I say nothing about my prisons nor the millions of underpriviliged who live in
my flowerpots under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers is the next to go.
My ambition is to be President despite the fact that I'm a Catholic.

America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as his
automobiles more so they're all different sexes
America I will sell you strophes $2500 apiece $500 down on your old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & Vanzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell meetings they
sold us garbanzos a handful per ticket a ticket costs a nickel and the 
speeches were free everybody was angelic and sentimental about the
workers it was all so sincere you have no idea what a good thing the party
was in 1835 Scott Nearing was a grand old man a real mensch Mother
Bloor made me cry I once saw Israel Amter plain. Everybody must have
been a spy.
America you don're really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen. And them Russians.
The Russia wants to eat us alive. The Russia's power mad. She wants to take
our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Reader's Digest. her wants our
auto plants in Siberia. Him big bureaucracy running our fillingstations.
That no good. Ugh. Him makes Indians learn read. Him need big black niggers.
Hah. Her make us all work sixteen hours a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision parts
factories, I'm nearsighted and psychopathic anyway.
America I'm putting my queer shoulder to the wheel.

On The Great White Way-Broadway-The Indie Film “Opening Night”(2016)-A Film Review

On The Great White Way-Broadway-The Indie Film “Opening Night”(2016)-A Film Review

DVD Review

By Associate Film Critic Alden Riley

    

Opening Night, starring Topher Grace, Alona Tal, 2016

I am totally fed up with and refuse to, except on an infrequent assignment, to watch any comedic offerings on commercial television, traditional or cable. Moreover most, certainly not all by any means but most, current comedic efforts on the big screen leave me cold. Then along comes an indie film, an indie comic film, Opening Night, centered on the trials and tribulations of opening night on the Great White Way, Broadway and for the ninety minutes of the production I witnessed what a good ensemble cast and a strong idea can do to restore my faith in the genre.     

The beauty of the film is simplicity itself. Go backstage live on the opening night of a Broadway musical comedy and work it out from there. Work it out through following, sometimes at high and reckless speed, what a production manager has to go through to get everything in order for the patrons out front who have paid too much money to get tickets and be amused. Nick, played by Topher Grace, a failed singer trying to hold his life together by being busy around the set plays the production manager and his estranged love, Chloe, played by Alona Tal, an understudy for the main female role who by chance gets to go before the bright lights are the central story around which all the antics and secondary stories are built. (Okay, okay I know the “real” plot in another version of the boy meets girl trope that has been hung on half the movies ever made but I will give that a pass this time)          

Along the way Nick not only has to deal with his suppressed feelings for Chloe and his disappointment that he is not among the working cast but fend off every imaginable “drama” from a touchy male lead to an “over the hill” female lead and a screwball producer who is desperate for a hit. All of this to present a musical comedy about the plight of one-hit wonders and their fates in the record industry (providing some very funny songs on that subject on stage). Naturally as is the seeming the trend these days every “intersected” gender, racial, ethnic, sexual orientation and class element has to have a play. For the most part all to the good effect. See this one.       

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons- *The ABC'S Of The Russian Revolution 1917- From The Pen Of Leon Trotsky-"The History Of The Russian Revolution"-"The Bolsheviks And The Soviets"

Click on title to link to the Leon Trotsky Internet Archive's version of Leon Trotsky's seminal work, "The History Of The Russian Revolution". The link will click to the chapter cited in the headline to this entry.

*The 50th Anniversary Of The Summer Of Love, 1967-The Anniversary Of The Resignation Of Richard Milhous Nixon, President Of The United States And Common Criminal -From The Pen Of Hunter Thompson

*The 50th Anniversary Of The Summer Of Love, 1967-The Anniversary Of The Resignation Of Richard Milhous Nixon, President Of The United States And Common Criminal -From The Pen Of Hunter Thompson

Click on title to link to an excepts in Wikipedia from the late Doctor Gonzo published in some 1974 issues of "Rolling Stone" magazine entitled "Fear And Loathing In...." on Richard Nixon's pardon by fellow Republican, Nixon-appointed Vice-President, and Nixon's presidential successor, Gerald Ford.

http://en.wikiquote.org/wiki/Hunter_S._Thompson#On_Nixon


I could not find a full "Fear and Loathing" essay from the series that he wrote for "Rolling Stone" magazine in 1974 so if you want more you have to go get the book "The Great Shark Hunt". As for me, the idea of even mentioning the 35th anniversary of anything that Richard Nixon did makes me want to yawn. Except National Public Radio (NPR) made a fairly big deal out of it. So naturally I had to as well, right? All I can say is that I no longer wake up screaming in the night at the mention of Nixon's name. I am reserving those screams for one Barack H. Obama and his current Iraq and Afghan war policies (among other things). I'm a big boy now and am not afraid of the dark. Thanks "Tricky Dick".

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons- *From The Pen Of Leon Trotsky- On The Anniversary Of His Death- Peasant War In China and the Proletariat (1932)

Click on the headline to link to the Leon Trotsky Internet Archives for an online copy of the article mentioned in the headline.

Markin comment:

The name Leon Trotsky hardly needs added comment from this writer. After Marx, Engels and Lenin, and in his case it is just slightly after, Trotsky is our heroic leader of the international communist movement. I would argue, and have in the past, that if one were looking for a model of what a human being would be like in our communist future Leon Trotsky, warts and all, is the closest approximation that the bourgeois age has produced. No bad, right?

Note: For this 70th anniversary memorial I have decided to post articles written by Trotsky in the 1930s, the period of great defeats for the international working class with the rise of fascism and the disorientations of Stalinism beating down on it. This was a time when political clarity, above all, was necessary. Trotsky, as a simple review of his biographical sketch will demonstrate, wore many hats in his forty years of conscious political life: political propagandist and theoretician; revolutionary working class parliamentary leader; razor-sharp journalist ( I, for one, would not have wanted to cross swords with him. I would still be bleeding.); organizer of the great October Bolshevik revolution of 1917; organizer of the heroic and victorious Red Army in the civil war against the Whites in the aftermath of that revolution; seemingly tireless Soviet official; literary and culture critic: leader of the Russian Left Opposition in the 1920s; and, hounded and exiled leader of the International Left Opposition in the 1930s.

I have decided to concentrate on some of his writings from the 1930s for another reason as well. Why, with such a resume to choose from? Because, when the deal went down Leon Trotsky’s work in the 1930s, when he could have taken a political dive, I believe was the most important of his long career. He, virtually alone of the original Bolshevik leadership (at least of that part that still wanted to fight for international revolution), had the capacity to think and lead. He harnessed himself to the hard, uphill work of that period (step back, step way back, if you think we are “tilting at windmills” now). In that sense the vile Stalinist assassination in 1940, when Trotsky could still project years of political work ahead, is not among the least of Stalin’s crimes against the international working class. Had Trotsky lived another ten years or so, while he could not have “sucked” revolutions out of the ground, he could have stabilized a disoriented post-World War communist movement and we would probably have a far greater living communist movement today. Thanks for what you did do though, Comrade Trotsky.

November 22, 1963-Frankie’s Cry Of The Banshee-For The Class Of 1964 Everywhere

November 22, 1963-Frankie’s Cry Of The Banshee-For The Class Of 1964 Everywhere

Click on the headline to link to a Wikipedia entry covering the background to the assassination of American President John F. Kennedy on November 22, 1963 for those too young to remember that event.

Frankie Riley comment:

Well you, the North Adamsville High School Class of 1964, knew this was coming at some point. That date, November 22, 1963, is etched, one way or another, is the minds of the generation of ’68 forever. Some events form the signposts for every generation. For our parents, the Class of 1964 parents, it was starving or semi-starving, hitting the western roads or just marking time through the Great Depression and slogging, gun in hand, through World War II, or waiting anxiously at home, waiting for the other shoe to drop. For today's kids it is the dastardly heinous criminal acts around 9/11 and the permanent "war against terrorism" that seems to color every political move made these days. For us it was the Cold War “red menace” Soviet Union space race throw-up satellite Sputnik and, in the end, the political horrors emanating from the Irish tragic Kennedy assassination. The cry of the banshee out in the wilds, on the wild oceans, and careening the wild winds.

Usually, when discussing these milestone events the question asked centers on where you were or what you were doing on that fateful day. I do not need to ask that question here. I know where you were, at least most of you. Unless you were sick, legitimately or otherwise, playing hooky, legitimately or otherwise, or on a field trip, legitimately or otherwise, you were sitting in some dank classroom as the old craggy-faced, rum-besotten (as least we all suspected that and which was later confirmed when he was arrested for drunk driving about seven times), headmaster, one Mr. Donald O’Toole, came over the P.A. system to announce the news of the shooting of President Kennedy. What I would find interesting is not what your current take is on that event, whether you were a Kennedy partisan or not, but how you reacted at the time. Here is the story of my reaction:

In the fall of 1960, for most of us our first year at North, a new wind was blowing over the political landscape in America with the Kennedy nomination and later his election victory over Richard Nixon. If you want the feel of that same wind pay attention to the breezes that I sense coming from today's youth, a little anyway if they can stop that eternal, infernal texting and look up for a minute. Maybe that wind grabbed you in 1960. It did me. Although some people that I have met and worked with over the years swear that I was born a “political junkie” the truth is that 1960 marked my political coming of age.

One of my forms of 'fun' as a kid was to write little 'essays' on political questions. You know, like-Should Red China (remember that term) be admitted into the United Nations? Or, are computers going to replace workers and create high unemployment? (I swear that I wrote stuff like that. I do not have that good an imagination to make this up. It also might explain one part of a very troubled childhood.)

In any case, I kept these little 'pearls of wisdom' in a little notebook. Within a couple of days after the Kennedy assassination I threw them all away, swearing off politics forever. Well, I did not hold to that promise. I have also moved away from that youthful admiration for JFK (although I will always hold a little spot open for brother Robert-oh, what might have been.) but I can still hear the clang as I threw those papers in the trash barrel.
*******
So naturally if Frank Riley has anything to say on any subject, from dung beetles to one-worldism, just like in the old North Adamsville Salducci’s Pizza Parlor nights, one Peter Paul Markin has to put his face into the conversation. Here, as usual, is his lame take on the Kennedy days from an entry he wrote in 2010. In other words he refuses to give us any new stuff but, christ, just the same old, same old. Here it is if you can stand it:

“Peter Paul Markin, Class of 1964:

A while back [October, 2010] I mentioned, in an entry that amounted to a nostalgic 1960s Boston kid time trip down political memory lane, the following that links in with this entry posted under the sign of the 50th anniversary of Jack Kennedy’s presidential election victory election over one Richard Milhous Nixon, the arch-political villain of the age:

“During the course of the afternoon that event [the Massachusetts governor’s race where President Obama was to speak at a rally in behalf of Deval Patrick’s reelection at the Hines Center in Boston], and the particular locale where it was staged, brought back a flood of memories of my first serious organized political actions in 1960 when, as a lad of fourteen, I set out to “save the world.” And my soul, or so I thought at the time, as well. That was the campaign of one of our own, Jack Kennedy, as he ran for president against the nefarious sitting Vice President, one Richard Milhous Nixon. In the course of that long ago campaign he gave one of his most stirring speeches not far from where I stood on this Saturday.

Although gathering troops (read: high school and college students) for that long ago speech was not my first public political action of that year, a small SANE-sponsored demonstration against nuclear proliferation further up the same street was but I did not help to organize that one, the Kennedy campaign was the first one that hinted that I might, against all good sense, become a serious political junkie. Ya, I know, every mother warns their sons (then and now) and daughters (now) against such foolhardiness but what can you do. And, mercifully, I am still at it. And have wound up on the right side of the angels, to boot.

The funny thing about those triggered remembrances is that as far removed from bourgeois politics as I have been for about the last forty years I noticed many young politicos doing their youthful thing just as I did back then; passing out leaflets, holding banners, rousing the crowd, making extemporaneous little soapbox speeches, arguing with an occasional right wing Tea Party advocate, and making themselves hoarse in the process. In short, exhibiting all the skills (except the techno-savvy computer indoor stuff you do these days before such rallies) of a street organizer from any age, including communist street organizers. Now if those young organizers only had the extra-parliamentary left-wing politics to merge with those organizational skills. In short, come over to the side of the angels.

But that is where we come back to old Jack Kennedy and that 1960 campaign. Who would have thought that a kid, me, who started out walking door to door stuffing Jack Kennedy literature in every available door in 1960 but who turned off that road long ago would be saying thanks, Jack. Thanks for teaching me those political skills.”

And not just that thanks for heralding the break-out, or at least the attempted break-out of my 1960s generation from the Eisenhower-Nixon cold war death trap. See, at the time of the great attempted break-out from the confines of bourgeois society and the tracked career path all kinds of people seemed like they could be allies, and Jack Kennedy seemed a kindred spirit. I will not even mention Bobby, that one still brings a little tear to my eye. But enough of nostalgia we still have to fight to seek that newer world, to hear that high white note before everything comes crashing down on us.”
*******
And here is more from Mr. Markin under cover of a book review from 2007. This guy is too much, way too much-Frank Riley.

On Coming Of Political Age-Norman Mailer's "The Presidential Papers"

Commentary/Book Review

The Presidential Papers, Norman Mailer, Viking, 1963

At one time, as with Ernest Hemingway, I tried to get my hands on everything that Norman Mailer wrote. In his prime he held out promise to match Hemingway as the preeminent male American prose writer of the 20th century. Mailer certainly has the ambition, ego and skill to do so. Although he wrote several good novels, like The Deer Park, in his time I believe that his journalistic work, as he himself might partially admit, especially his political, social and philosophical musings are what will insure his place in the literary pantheon. With that in mind I recently re-read his work on the 1960 political campaign-the one that pitted John F. Kennedy against Richard M. Nixon- that is the center of the book under review. There are other essays in this work, some of merely passing topical value, but what remains of interest today is a very perceptive analysis of the forces at work in that pivotal election. Theodore White won his spurs breaking down the mechanics of the campaign and made a niche for himself with The Making of a President, 1960. Mailer in a few pithy articles gave the overview of the personalities and the stakes involved for the America of that time.

Needless to say the Kennedy victory of that year has interest today mainly for the forces that it unleashed in the base of society, especially, but not exclusively, among the youth. His rather conventional bourgeois Cold War foreign policy and haphazard domestic politics never transcended those of the New and Fair Deals of Roosevelt and Truman but his style, his youth and his élan seemingly gave the go ahead to all sorts of projects in order to ‘‘seek a newer world.” And we took him up on this. This writer counted himself among those youth who saw the potential to change the world. We also knew that if the main villain of the age , one Richard Milhous Nixon, had been successful in 1960 as he graphically demonstrated when he later became president we would not be seeing any new world but the same old, same old.

I have been, by hook or by crook, interested in politics from an early age. Names like Julius and Ethel Rosenberg, Joseph McCarthy, Khrushchev and organizations like Americans for Democratic Action (ADA) and the like were familiar to me if not fully understood then. I came of political age with the 1960 presidential campaign. Mailer addresses the malaise of American political life during the stodgy Eisenhower years that created the opening for change-and Kennedy and his superb organization happily rushed in. These chances, as a cursory perusal of the last 40 odd years of bourgeois presidential politics makes painfully clear, do not come often. The funny thing is that during most of 1960 I was actually ‘Madly for Adlai’, that is I preferred Adlai Stevenson the twice- defeated previous Democratic candidate, but when the deal went down at the advanced age of 14 I walked door to door talking up Kennedy. Of course, in Massachusetts that was not a big deal but I still recall today that I had a very strong sense I did not want to be left out of the new age ‘aborning.’ That, my friends, in a small way is the start of that slippery road to the ‘lesser evil’ practice that dominates American politics and a habit that took me a fairly long time to break.

Mailer has some very cutting, but true, remarks about the kind of people who populate the political milieu down at the base of bourgeois politics, those who make it to the political conventions. Except that today they are better dressed and more media savvy nothing has changed. Why? Bourgeois politics, not being based on any fidelity to program except as a throwaway, is all about winning (and fighting to keep on winning). This does not bring out the "better angels of our nature." For those old enough to remember that little spark of youth that urged us on to seek that "newer world" and for those too young to have acquired knowledge of anything but the myth Mailer’s little book makes for interesting and well-written reading.

Be-Bop, Be-Bop Daddy-In Honor Of The Centennial Of The Birth Of The Mad Monk- Thelonious Monk

Be-Bop, Be-Bop Daddy-In Honor Of The Centennial Of The Birth Of The Mad Monk- Thelonious Monk   

By Zack James

No question I was (and still am on nostalgia late nights) a child of rock and roll and while I was just a shade too young to appreciate what was driving my older brothers and sisters to blow their socks off screaming about the new dispensation brought forth by Carl, Elvis, Jerry Lee, Buddy and a fistful of other (and earlier influences like Big Joe Turner, Warren Smith, Smiley Jackson) I was washed clean in the afterglow of that time. Then the music died, got stale for a time and I, along with a billion other lost tween and teen souls, was looking for something to take the pain away from having to listen to Conway Twitty, Fabian, and Bobby Dee and Sandra Dee(I won’t even get into the beef I have with those guys who “stole” the hearts of the very girls I was interested in who would not give me a tumble since I was not their kind of “cute”). Later before the rock revival of the 1960s-the British Invasion for one thing I feasted on the folk minute.

But that was later. In between those times during the drought I got “hip” to jazz, to the cool ass max daddy of cooled-off jazz not the stuff that my parents were crazy for-you know Harry James, Jimmy Dorsey, the Duke, the Count, the Big Earl beautiful Fatah Hines (I would appreciate those pioneers a little late-about fifty years late). What caught my ear one night when I was flipping the dial on my transistor radio (look it up on Wikipedia if you don’t know what that life-saver was) and I caught a few strands of a piece on Bill Marlowe’s Be-Bop Jazz Hour (it was really two hours but hour probably sounded better in the show’s title). After that piece was over, really after several pieces were completed since the show unlike rock and roll shows was not inundated with commercials after every song Bill mentioned that those pieces had been performed by a guy he called the Mad Monk. Mentioned Thelonious Monk in a loving awestruck way as a max daddy of cool, very cool, maybe ice cold jazz. This I could listen to. Moreover the whole show was filled with cool jazz including guys like Charley Parker, Dizzy Gillespie, Charley Christian, the Prez, sweet Billy Holiday when she blasted outside the big band sound.

Get this though the real hook was that some guys like Jack Kerouac, Allen Ginsberg, William Burrows and a bunch of sidekicks were setting the cool ass jazz to poetry, to “beat” poetry that I was beginning to hear about. Started talking in clipped voices about there being new sheriffs in town-about the time of the hipsters come down to earth- that the thaw was on and that you had better get on board and some of us did-did catch the tail end of beat fever. But you cannot understand “beat”  without paying dues to guys like the Monk who was born a hundred years ago this year. Could not understand “beat” if you didn’t “dig” the Monk on the piano searching for that high white note to blow the world out into the China seas. Thanks-brother.              

From The Partisan Defense Committee-Free All Class-War Prisoners Now!

On The 60th Anniversary Of Jack Kerouac's "On The Road" (1957)-"When The Beatniks Were Social Lions"- An Article By Hunter S. Thompson On A Slice Of Post World War II Americana

On The 60th Anniversary Of Jack Kerouac's "On The Road" (1957)-"When The Beatniks Were Social Lions"- An Article By Hunter S. Thompson On  A Slice Of Post World War II Americana

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner diners’ coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when they acolytes came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands). Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine),   Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid any attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.          

*************

Click on title to link to 1964 (pre-Gonzo) "The Nation" article by Hunter Thompson on the beat scene in San Francisco, "When The Beatniks Were Social Lions". This and other earlier articles compiled in "The Great Shark Hunt", Volume One, demonstrate for the millionth time that great talents that head in new directions(in Thompson's case, as a 'gonzo' journalist in the early days, if not later)must pay their dues by learning the basics of their craft. This article shows that he knew how to work the newspaper human interest story beat, even if a little off-beat. He mined that milieu his whole working career with varying amounts of success. Hell, this is just a good story about an interesting slice of bohemian Americana. Period.