Monday, September 04, 2017

An Encore -Eddie Daley’s Big Score –With Paul Newman and Robert Redford’s The Sting In Mind


An Encore -Eddie Daley’s Big Score –With Paul Newman and Robert Redford’s The Sting In Mind






A Sketch From The Pen Of Frank Jackman


Eddie Daley, Edward James Daley, to the 1940s slapdash Dorchester triple-decker tenements within earshot of the rattling Redline subway born, dreamed, dreamed big dreams, ever since he was knee-high to a grasshopper as the old time used-up now corny expression had it, of making the big score, making easy street, and in the process leaving behind a legend that guys, corner boy guys and grifters would talk about long after he was gone. Talk about in reverent hushed whispers about the guy, Eddie Daley, thereafter to be dubbed the “king of the grifters” who pulled the biggest con that there ever was, and walked away from it free as a bird. Not all big scores, cons, even if consummated, had that final part, that walk away free part, just ask the shade of Frankie Finn who pulled the big Shiloh Fur scam worth two million easy (a lot of money back in the 1950s even when split four ways and a fifth cut for the fence plus his expenses although that sum just walking around money today), pulled it off with just four guys, a good number for the haul, but who “forgot” that he was dealing with one “Rocket Kid,” Johnny Silver, in his entourage who after the heist put two between the eyes of his three confederates, figuring one is easier to count than four no matter than two of the guys were his long time corner boys. The Rocket Kid, Johnny, was subsequently “hit” by one of Buddy Boyle’s boys, everybody though Rolling Rex Buddy’s main contract man did the deed since he had not been seen around for a while, when he tried to fence the stuff since Buddy was the front money man on that caper and Frankie Finn’s cousin to boot. Buddy already rolling in dough had his own way of figuring one is easier to count when he was the one. So that walking away free part was no small part of the leaving a legend behind scenario.

Eddie’s dream might seem strange to the squares, to those who live life on the square, wake up and do the nine to five bit, or whatever the time bit these days with flexible hours, take two weeks’ vacation in Maine in the summer, raise and put three kids through college at great expense and get a gold watch or a pat on the back when they are turned out to pasture. Yeah, that dream definitely might seem odd to those who have never been from hunger, not just “wants” hunger like a million guys have, maybe more, but no food on the table hunger when the old man drank away the week’s paycheck at the Dublin Grille or hand-me-down clothes from older brothers in style or not hunger that ate deeply into every way that Eddie thought about things from very early on. Those who never worried about big scores, or cons since they had it coming in whatever they had to put out in expenses would never figure Eddie’s dreams out.

See Eddie was a what they called, called back in the old days, back in the 1930s, and still called them back in Eddie’s coming of age time in the 1960s when he came of age in that Dorchester section of Boston where he triple decker tenement grew up a natural-born grifter. When Eddie first heard that word used, strangely after he had already done his first con and somebody on the corner, that hang out corner being Mel’s Variety on Neponset Avenue near the Fields Corner subway stop, called him a born “grifter” he faked it and said yeah and then next day went to the library and looked it up in the dictionary and came up with this-“A grifter is someone who swindles you through deception or fraud. Synonyms include fraudster, con artist, cheater, confidence man, scammer, hustler, swindler, etc.”

Eddie smiled the smile of the just on that one. Yeah, a grifter, is a guy like him who figured some angles, any angles, a guy who did this and that, did the best he could without working some nine to five hump job. [Here is a practical corner boy, not Mel’s but Jack Slack’s bowling alleys corner down in Carver about thirty miles south of Dorchester but still in “from hunger” land definition- “A grifter to fill in the gaps for the unknowing and clueless was a guy, sometimes a dame, although usually where there was a dame involved she was a roper especially if the mark was hopped up on some sex thing, who spent his eternal life figuring how to go from point A to point B, and point A was wanting dough and point B was getting it by any means necessary but mainly by stealth. By the way do not discount women in the grifter society one of the best who ever lived was a gal who went by the name Delores Del Rio, named herself after the 1940s movie star, who took some duke over in Europe for a cool two million in jewelry after she got him all jammed up and picked him clean leaving him with some fake jewels worth about six dollars in Woolworth’s, beautiful.]

So Eddie started figuring the angles very early on, very early on indeed and would regale, if that is the right word for it, the corner boys in front of Mel’s Variety Store on Neponset Avenue with tales of his daring do once he started hanging out there when he began high school at Dot High. Of course that was all kids’ stuff, baubles and beads stuff, since nobody expected a kid to have the talents for grifting right out of the box (having the heart, the “from hunger” wanting habits heart was a separate and maybe more pressing question) but there are certain guys, certain Eddie guys, who cling to those dreams pretty hard and give themselves a workout getting in shape.

From what one guy, Southie Slim, one of the Mel’s corner boys before he moved on to other stuff told me Eddie started pretty early, started simply conning other kids out of their milk money in elementary school over at the Monroe Trotter School. Here is the skinny on that first round according to Slim who got caught out himself before he picked up the grifter life for a while until he found out dealing high-grade dope to the Beacon Hill crowd was a great deal more profitable, and socially smart too once you added in willing women. Eddie somehow had picked up some dice, yeah, a pair and he would bet other kids, boys or girls it did not matter, their milk money on the results. Of course he somehow had “loaded” them so he would win. Now that was a fairly easy thing but here is where Eddie learned his craft. To keep play going he would let the other kids win occasionally, just enough to keep them interested rather than be a greed-head like big bully Matty Dugan down at my elementary school, Myles Standish, down in Carver who just strong-armed a kid a day for his (or her, it did not matter) milk money. But the real tip he picked up young as he was that as long as kids, people, think they can  “pick you clean” you will always have a willing pool of suckers, of people to swindle, small or large but think large.            

One night, one slow Friday night years later after he had settled deeply into the routine of the life, Eddie was cutting up touches about his old days while smoothing down high-shelf scotch (a no-no when you are on the hustle by the way save that for slow Friday nights when you are cutting up old touches Eddie said), about how he moved up after that dice thing ran its course as all such scams do if for no other reason that the grifter gets tired of the play, and he related what happened after that first scam when he got to the Curley Junior High School. Here is how it went, the basic outline since Eddie was kind of cagey about some of the details like the guys he was talking to that night were going to run right out and pull the scam themselves. Eddie basically ran a pyramid scheme on his fellow students. He conned the kids into giving him their money by saying he knew a guy, a friend of his older brother, Lawrence, who worked as a stable boy at the track and who knew when the fix was on in a race and who could place bets for him and get some bucks fast. Eddie convinced a couple of guys that if they put all their dough together they could buy a ticket and make some easy dough. And it worked for a while since Eddie in his devilish way paid off the guys with his own dough. Each guy getting maybe a buck which to a “from hunger” kid was a big deal. Word got out and soon plenty of kids, even girls were looking to get in on easy street. And so he would dole out some more dough. Then he pulled the plug, told everybody that he was going in for a big score that he was going to put twenty dollars on a sure thing that the stable boy had tipped him to. In the event he actually got about thirty five dollars collected altogether. Of course the horse ran out, never came close so all was lost. Hey, wait a minute have you been listening? Eddie didn’t know any stable boy, didn’t make any bet, so minus his seed money expenses he cleared twenty-five bucks. Here is what Eddie learned though know the “clients” (Eddie’s word) who you are dealing with and don’t be too greedy. He did that same small con for a couple of years and it worked like magic, got him his money for the jukebox at Jimmy Jack’s Diner on Gallivan Boulevard and movie money too. Small con wisdom but still wisdom.

Eddie as he got older, got into high school, got hanging around with his corner boys at Mel’s, got restless, always had that idea in back of his mind that he would pull a big score if he learned all the tricks of the trade, if he could get onto something big. For a while in high school it looked like he was on the fast track, he learned how to work the charity circuit for walking daddy (his term) walking around money using the old homeless but proud gag that those private charity donors love that he picked up one day when he was playing hooky from school and ran into an old con man, Railroad Bill, on a bench at Boston Common near the Park Street Station who gave him the tip. Eddie would laugh at how easy it was to pull off walking into let’s say the United Methodist Church Social Services office up on Beacon Street dressed in his very real hand-me- downs and unshaven making him look older but not too old (meaning the old telltale sign that the guy had been “on the bum” too long to be proud and work his way out of his current jam) going through his rough things but wanting to get back on track if he only had a the price of a week’s rent in one of the rooming houses that dotted the other side of the hill then (a few still there even today, significantly fewer though). That was good for ten or twenty at a time although the down side of that caper was that you could only use it once, maybe twice. The upside was that there were numerous private social service agencies like that looking for somebody “worthy” to give the dough to.  

 With that walking around money Eddie would work a variation of his kids’ stuff milk money run, he would sell lottery tickets (in the days before the state got its greasy hands into that racket), for different charities, say he was raising it for blind kids or to send kids to summer camp. Offer as prizes radios, televisions, maybe a record player, stuff like that which people wouldn’t mind spending a dollar or “three for five dollars” on to help some crippled-up kids, give them fresh air, or some other small break or something. So he would grab the dough and then have one or more of his corner boys rip off what was needed over at Lechmere Sales or someplace like that (usually using at first “Five Fingers” Riley or “Rat” Malone who started that racket early once they figured out that if you were fearless in grabbing stuff nobody was going to catch you, and that worked for a long time until they “graduated” to armed robberies and did consecutive nickels, dimes and quarters in various Massachusetts state pens).

See nobody gave a good damn if the charity he was hustling for ever got the dough all they knew was that for a buck, or three for five, they had a chance for their own television, radio, or record player important to hard-pressed high school kids who would not have those items otherwise. Needless to say the corner boys he used were good and he paid them off well like he should to keep them in line, another lesson learned, and so he honed his skills.

When Eddie graduated from high school and was to face the workaday world though he panicked a bit, decided that he needed to move up a step if he was going to avoid the fate of his belabored father, belabored by drink, yes, but also hard work on the docks, not always steady and with a brood of kids and a nagging wife to contend with. If the nine-to-five was not for Eddie neither was staying down in the depths either. (A history teacher had mentioned one time in class that all of her charges should seek to move up the latter of society at least one jump ahead of their parents and that kind of stuck with him.) So he started going into downtown Boston, started hanging around the Commons regularly unlike in high school where he would go just when playing hooky but really to blow off steam when something exploded at home in that damn crowded apartment, started to listen to guys to see if they had any ideas like that time “Railroad Bill” gave him the scoop on the private charity gag, had been on easy street at one time. He didn’t bother with the eternal winos and junkies for they had nothing to say that he could use but to guys and there always were guys who maybe had been on the hustle and got waylaid, or just got old in a young man’s racket and so maybe had some words to share. And before he knew it he met Sidewalk Sam and Bright Boy Benny a couple of guys who told him about old time scams, about how guys survived by their wits in the hard-ass Depression days. And come some old Friday night, a slow girl-less Friday usually, Eddie would hold forth about what he had learned in the world, learned from Sidewalk and Bright Boy.

Here, for example, is what he told the boys one Friday night, one “Five-Fingers” Malone-less Friday night marking the first time he got bagged for doing a robbery, unarmed that time, of a gas station and was doing a six month stretch at Deer Island, which will give you an idea of where Eddie was heading, a story of a scam that seemed impossible to pull off given what they were trying to do. Unless you knew how very greedy some guys, even smart guys were. Let’s call it the wallet switch, an old scam that Eddie would perform a couple of times later, successfully. You need two guys for this, at least. In this case two used to be “from hunger” Great Depression grifters Denver Slim and Gash Lavin. And you must know your mark’s movements pretty well and whether they have dough on them, a more usual circumstance than you might think back then than now that we are in this age of the ATM and cashable credit cards among those a shade to the left of the law (and a whole new Eddie-less generation tech- savvy grifters with their dreams, and stories they are telling their confederates on slow Friday nights). I won’t go into the preliminaries about setting the mark up, but they knew their guy, knew his movements and knew what he was carrying, so just rest assured that Denver and Gash had seeded their mark. Well actually Denver had seeded the mark, one Ricardo “Slice” Russo (you figure out the why of that moniker, okay), who was the bag man for Lou Thorpe’s numbers racket in New York City, yes the Lou Thorpe who ran wild back in the day and made a splash in Vegas to top off his career but this is earlier when he was greedier than Midas and so was particularly susceptible to any scheme that put money in his waiting hands.

Once a week Slice headed for Chicago on the midnight train to pay off Lou’s confederates there (at the high end of the rackets there are always confederates to pay off, cops too so it is just part of the overhead to keep on the streets. Guys down the bottom of the food chain don’t have such financial worries they are too busy keeping one eye out for looming John Law.)

Now bag men are pretty low in the food chain of any criminal enterprise but are like Eddie and every other Eddie-like dreamer also groomed on the con, on easy street dreams. What Denver did was to ask Slice, whom he cornered by evoking “Shark” Mahoney’s name, a mutual acquaintance, as he was heading to the station on the way to Chicago to drop off three thousand to a guy, “Bones” Kelly, also known to both men, on Division Street in that city for him. That money had been placed in a wallet, a black leather wallet similar to the one Slice was carrying the twenty thousand pay-off in, and when Slice got to Chi town he gave the wallet to the Division Street guy, to Kelly, the one with three thousand in it, three thousand in counterfeit money as Kelly later found out. See Slice had figured that doing Denver’s delivery was like finding money on the ground especially when he thought up the fake dough angle. So tough luck, Denver. Worse though, worse for Slice anyway, the mob’s wallet also had twenty thousand in counterfeit money when he delivered the wallet to an office in the Loop.

What had happened was that Gash had been on that train, had in the course of bumping into Slice switched wallets and got off in Cleveland leaving Slice to his troubles. But here is what you have to know, know about the mob. They thought Slice, a troublesome bag man and so an easy fall guy was pulling a fast one on them when he explained what he thought had happened and he wound up in the Illinois River face down before anybody investigated anything. Beautiful work by Denver and Gash who headed out West for a while just to be on the safe side but also know this-if you are running on the high side expect some blow-back, nasty blow-back if you don’t walk away clean. Just ask Slice

One night, another of those aimless nights when there was no action, or maybe Eddie was cooling out from a con, a wise move since overdoing the con scene leads inevitably to trouble, usually fist, gun or John Law trouble, he told the guys a story, a story about the granddaddy of all the scores, a haul of almost half a million back in the 1930s when half a million was not just walking around money like it is today. A story that Nutsy Callahan, another one of the Great Depression guys he would listen to over on the Commons told him about one afternoon after he had played out some luscious honey over on Tremont Street who had “curled his toes” and he was a bit too restless to head home (Eddie wasn’t much for girlfriends or serious female company on his way up and maybe it was better for him to just catch a quick “curl the toes” on an off-afternoon with some passing fancy because no question women are far tougher to deal with that the hardest scam). The way Nutsy told the story implied that he might have been in on the caper, although like all good grifters, grafters, percentage guys, and midnight sifters, he would put the account in the third person just in case the statute of limitations had not run out on whatever the offenses were, or, more likely, some pissed off Capo or his descendants were still looking to take some shots at guys who pulled such scams.

Nutsy had told Eddie a few lesser scams that he had been involved in and Eddie told a few lies of his own but the important thing for Eddie, or rather Eddie’s future was that he was looking to break out of the penny-ante grifts and ride easy street so he was looking for ideas, long ago ideas really because just maybe with a duke here and a juke there the thing could be played again. Eddie didn’t bother to tell Nutsy that for Nutsy would probably not have told the story or as likely dismiss Eddie’s chances out of hand. So Nutsy told the story and Eddie’s eyes went bonkers over the whole set-up.

This one involved “Top Hat” Hogan so named for the simple fact that as long as anybody had known him, or could remember, he always wore a fancy day top hat although rarely, very rarely, with any accompanying evening clothes. Some of his girl friends said he wore the damn thing when he was in bed with them and that was just fine because Top Hat was a walking daddy when it came to loving his women. Top Hat had been widely assumed to have been the brains behind the Silver Smith Fur scam, the Morgan Bank scam and the Golden Gate Mine dust-up which people talked about almost until the war (World War II if you are counting). So Top Hat under any circumstances was a number one grifter who any guy with any dough, any serious dough, had better check up on to see if Top Hat had been in the vicinity if he wanted to keep said cash. The other key guy, and the reason Top Hat, who had been semi-retired at the time of this caper and rightfully so having run the rack already, was a raw kid, a kid with promise but not much else then, was “Jet” Jenkins. And the reason that Top Hat even considered teaming up with a raw kid like Jet, was that he was the son of Happy Heddy Jenkins, a fancy woman who had “curled his toes” back in his younger days. Heddy had had some good days and bad days but one of the bad days had been meeting up with the famous gambler, Black Bart Benson, one of the great flim-flam, flim-flam meaning simply a cheater without mercy and guys, leg-breakers if anybody had a problem with that, poker players of the day.

Old Bart had nevertheless had run into a streak of bad luck at cards which even cheaters face at times, had borrowed and lost almost a one hundred thousand dollars from Heddy (who ran on the best, friendliest, and easiest to enter if you had the money whorehouses in Chicago). Somehow things had taken a turn for the worst after Black Bart left Heddy high and dry and she was back on cheap street trying to raise a helter-skelter growing boy with short funds. Not so Black Bart who had cheated his way to a million dollar bonanza when his luck changed. (That cheating not known, obviously, to the guys taking the beating at the card table but Heddy knew her Bart and imparted that wisdom onto her son.) When Heddy sent Jet to see if Bart would ante up the cash he had borrowed from her he dismissed Jet with a flick of his hand, and after a serious beating by one of his leg-breakers had him dumped him in some back alley in Altoona one night. Bart had, with a laugh, as his boys administered that beating, told Jet that he should sue him in court to get his money back as he wasn’t in the mood to give some bent whore dough that she had gotten from her whorehouse dollies. So Heddy, so Jet, and after hearing about what Bart had called Heddy, so Top Hat were primed for revenge. But more than revenge because that is easy, kids’ stuff, but to send Bart back to cheap street hustling winos with three-card Monte tricks or stuff like that.

The key to understanding Black Bart was that like a lot of con artists, no, most con artists, no, make that all con artists, is that beside being easy prey to any scam especially a scam that plays to their greed they always assume that they are smarter than whoever is making the proposition and can double-back on it to their profit. Top Hat had easy pickings when he ran across guys like Bart. Here is the way that Top Hat worked his magic, although when Nutsy finished telling Eddie the lay Eddie thought the venture had too many moving parts, too many guys in on the score once Black Bart was brought down.

It went like this. “Buggy” Bannon knew Black Bart, knew he was always interested in an easy score so Buggy put the word in Bart’s ear about some silver and gold mining stock that was about to go through the roof once the worst parts of the Depression were over. So Buggy, who had worked with Top Hat on the Silver Smith scam and so was trustworthy, or as trustworthy as any guy working on a scam can be introduced Top Hat to Bart as a chief stockbroker for Merrill Lynch. Then Top Hat went through the traces, got Bart hooked in with the knowledge about the gold and silver stock. Of course Top Hat had had “Horseless” Harry sent up a nice brochure in color all about the various possibilities of the mining stock and Bart got interested, saw quick dollar signs. Of course even an over-the-top greedy guy like Bart had to see some real stuff, some real stockbroker operation, so Top Hat had rented out space in a building in the financial district and created out of sheer nothing a stock market room complete with ticker-tape, running around employees (all grifters from out west so that Bart would not recognize them) or and investors milling around.

That was the part that Eddie thought was over the top, the too many moving parts aspect, but in any case it all looked good to Bart. Here is the carrot Top Hat told Bart to invest a few thousand to see how it went. And so Bart did, bringing to the stock room five thousand in cash as all con artists did then in the days before working kited checks and credit cards and stuff like that opened out new ways to bilk people, including smart guys. A few days later Top Hat delivers ten thousand to Bart, all fresh dough, and so they are off to the races because now he sees that this thing could make him really rich. Of course Top Hat knowing that you have to bring a guy, a sucker along, knowing you needed to whet his appetite had just added five of his own money to Bart’s to bring in the bonanza (writing it off as overhead just like any other legal or illegal operation).

Bart, although no fool and who still had some suspicions, was no question hooked though as Top Hat fed him another stock tip and told him he should let the ten thousand ride, which he did. About a week later Top Hat delivers twenty-two thousand to Bart and he was really hooked, really wants to put more money down. Especially when that twenty-two went to fifty grand a few weeks later. Bart said to Top Hat that it was like finding money on the street. Then Top Hat really got to him, let him know that in South Africa, a known gold, silver and diamond mother lode to everybody in those days that a new field was within days of being explored and discovered and that Bart should be ready to go big and get in on the ground floor. Here is the beauty of the thing though. The financial pages were almost in a conspiracy with Top Hat because they were also projecting some speculation about new minefields. One day Top Hat told Bart to get all the cash he could gather because that South African stock, low, very low at the time would be going through the roof once the discovery was confirmed. So a few days later Bart brought a suitcase filled with cash, about a million maybe a little less, and pushed it over to Top Hat. Top Hat went to the cashier (“Hangman” Henry of all people) and brought back a receipt to Bart.

Now you can figure out the rest. A few days later news of that new minefield did come in and that stock did rise although in a world filled with gold and silver with nobody to buy stuff yet not as much as you would have expected but still a good take. Bart then called Top Hat to tell him to cash in. No answer at Top Hat’s number. Bart then went to the stock exchange room to find nothing but a “for rent” sign on the doors. As for Top Hat and Jet well they were on the train back to New York with that one hundred grand for Heddy and a twinkle came into Top Hat’s eyes about those old days when she “curled his toes,” and might again. Beautiful.

That story etched in his brain Eddie Daley started putting together a few ideas in his head, getting on the phone to a few guys (fewer than Top Hat had in his operation), and started making some dough connections for financing. Out in the grifter night they still talk about Eddie Daley, whereabouts unknown, “king of the grifters” after he took Vince Edwards the big book operator for about a million and a quarter in cold hard cash. You now know the back story on that one.  

Sunday, September 03, 2017

Boston Preview of Ken Burns / Lynn Novick film series on Vietnam - Sept. 6

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On Sept. 17 WGBH will start to air the Burns/ Novick 10 part documentary on the Vietnam War.  Locally, however, WGBH has scheduled a  one-hour preview of the series on Sept. 6 here in Boston that features Burns and Novick in person for a Q&A following the preview.  It's the first of many upcoming opportunities to make sure we do our best to set the record straight on why we went to war there in the first place and what really happened.  The Sept. 6 preview is at John Hancock Hall, 180 Berkeley St, Boston. 7:00 - 9:00 p.m.  The Q&A will be moderated by Jim Braude and Margery Eagan, hosts of  Boston Public Radio.  Admission is $15.00 and tickets can be purchased on line atwgbh.org/events.  We want to encourage all Smedleys who can to attend this preview.  We will be handing out copies of the Full Disclosure newspaper to attendees as they enter. We could use your help and would appreciate your letting us know if you're available to pitch in.  Please let us know by writing vfpsmedley@gmail.com.

 Veterans For Peace has developed a platform of resources that provide insights to the strengths and weaknesses of this documentary along with suggestions as to how we can get involved in various forums that will or should take place. Please see below, especially the Full Disclosure newspaper and the attached review by Thomas Bass - America's Amnesia.  These resources will sharpen and provoke memories of what we all experienced.     

The Vietnam War & Full Disclosure

In September 2017, PBS will air a documentary about the Vietnam War, directed by respected documentarians Ken Burns and Lynn Novick. The goal of this 10-episode, 18-hour project is, according to the directors, to “create a film everyone could embrace” and to provide the viewer with information and insights that are “new and revelatory.” Just as importantly, they intend the film to provide the impetus and parameters for a much needed national conversation about this controversial and divisive period in American history.
The film will be accompanied by an unprecedented outreach and public engagement program, providing opportunities for communities to participate in a national conversation about what happened during the Vietnam War, what went wrong and what lessons are to be learned. In addition, there will be a robust interactive website and an educational initiative designed to engage teachers and students in multiple platforms.
The release of this documentary is an opportunity to seize the moment about telling the full story of the U.S war on Viet Nam.

What Can You Do?








Want to Continue to Be Part of the Conversation?

 
Sign up to be on the "Full Disclosure" email list if you want to communicate with VFP activists around the country who are working on this.
 
To join the Vietnam Full Disclosure "google group" you must have a Google login. Once logged onto Google, go to: http://groups.google.com/group/vnfd and submit a request to join the group.
Alternatively, send a request to group manager Becky Luening at becky.pdx@gmail.com and she will directly add you to the group. After being subscribed, anyone can post to the group via the email address vnfd@googlegroups.com 
 
Get involved in this rare opportunity to get America talking about what really went down in Viet Nam!

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The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons- *Labor’s Untold Story- Reclaiming Our Labor History-The Knights Of Labor And The Struggle For Labor Unification In 19th Century America

Click On Title To Link To Wikipedia's Entry For The Knights Of Labor.

Every Month Is Labor History Month

This Commentary is part of a series under the following general title: Labor’s Untold Story- Reclaiming Our Labor History In Order To Fight Another Day-And Win!

As a first run through, and in some cases until I can get enough other sources in order to make a decent presentation, I will start with short entries on each topic that I will eventually go into greater detail about. Or, better yet, take my suggested topic and run with it yourself.

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-The First World War and the Struggle for Proletarian Power

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-The First World War and the Struggle for Proletarian Power    





Workers Vanguard No. 1106
24 February 2017
TROTSKY
LENIN
The First World War and the Struggle for Proletarian Power
(Quote of the Week)
Sparked by an International Women’s Day demonstration on 8 March 1917 (February 23 by the old Julian calendar), the February Revolution in Russia toppled the autocratic rule of Tsar Nicholas II amid the interimperialist First World War. But the Provisional Government that came to power—and was supported by the Mensheviks and petty-bourgeois Socialist-Revolutionaries—was a bourgeois government that continued to prosecute the war. At the same time, Soviets (councils) of Workers, Soldiers and Peasants Deputies were formed, posing a situation of dual power—i.e., whether it would be the proletariat or the bourgeoisie that would ultimately rule. Writing before his return from exile in Switzerland, Bolshevik leader V.I. Lenin outlined a course to turn the imperialist war into a fight for working-class power. Lenin’s struggle for this strategy was vital for the victory of the Bolshevik-led proletarian socialist October Revolution.
To achieve peace (and still more to achieve a really democratic, a really honourable peace), it is necessary that political power be in the hands of the workers and poorest peasants, not the landlords and capitalists. The latter represent an insignificant minority of the population, and the capitalists, as everybody knows, are making fantastic profits out of the war.
The workers and poorest peasants are the vast majority of the population. They are not making profit out of the war; on the contrary, they are being reduced to ruin and starvation. They are bound neither by capital nor by the treaties between the predatory groups of capitalists; they can and sincerely want to end the war.
If political power in Russia were in the hands of the Soviets of Workers’, Soldiers’ and Peasants’ Deputies, these Soviets, and the All-Russia Soviet elected by them, could, and no doubt would, agree to carry out the peace programme which our Party (the Russian Social-Democratic Labour Party) outlined as early as October 13, 1915, in No. 47 of its Central Organ, Sotsial-Demokrat (then published in Geneva because of the Draconic tsarist censorship).
This programme would probably be the following:
1) The All-Russia Soviet of Workers’, Soldiers’ and Peasants’ Deputies (or the St. Petersburg Soviet temporarily acting for it) would forthwith declare that it is not bound by any treaties concluded either by the tsarist monarchy or by the bourgeois governments.
2) It would forthwith publish all these treaties in order to hold up to public shame the predatory aims of the tsarist monarchy and of all the bourgeois governments without exception.
3) It would forthwith publicly call upon all the belligerent powers to conclude an immediate armistice.
4) It would immediately bring to the knowledge of all the people our, the workers’ and peasants’, peace terms:
liberation of all colonies;
liberation of all dependent, oppressed and unequal nations.
5) It would declare that it expects nothing good from the bourgeois governments and calls upon the workers of all countries to overthrow them and to transfer all political power to Soviets of Workers’ Deputies.
6) It would declare that the capitalist gentry themselves can repay the billions of debts contracted by the bourgeois governments to wage this criminal, predatory war, and that the workers and peasants refuse to recognise these debts....
For these peace terms the Soviet of Workers’ Deputies would, in my opinion, agree to wage war against any bourgeois government and against all the bourgeois governments of the world, because this would really be a just war, because all the workers and toilers in all countries would work for its success.
—V.I. Lenin, “Letters from Afar, Fourth Letter: How to Achieve Peace” (March 1917)

The 50th Anniversary Of The Summer Of Love- Botticelli’s 115th Dream-With Botticelli’s “Venus” In Mind

The 50th Anniversary Of The Summer Of Love (2017)- Botticelli’s 115th Dream-With Botticelli’s “Venus” In Mind






By Special Guest Alex James

[Frankly my oldest brother Alex, who after all is over ten years older than I am, and I have never been all that close. Maybe that is natural due our age differences and of his decided and vocally not wanting to have an unruly younger brother tagging along while he and his vaunted corner boys did their thing. Later the gap widened as his lawyerly pursues were far removed as a rule from my own social and cultural concerns. A few weeks ago though, knowing that I write for a number of blogs, including here at American Left History, and in various smaller print journals he approached me on behalf of he and his “corner boys,” at least the ones still standing some fifty years later, to help organize and write a small tribute booklet in honor of their fallen comrade and fellow corner boy, Peter Paul Markin, who led them west in the great Summer of Love, San Francisco, 1967 explosion. I took on the tasks after Alex explained to me that he had been smitten with a nostalgia bug when he had gone to a legal conference out there by an exhibit at the deYoung Museum out in Frisco town, The Summer of Love Experience, being presented to honor the 50th anniversary of the events of that summer.

Fair enough. I was glad to help out since I only knew the events second-hand and have always been interested in writing about and have written extensively about that period. As a result I had thought that the experience of putting out a small publication where we had to maybe for the first time in our lives work closely together “bonded” Alex and me somewhat. Fair enough again. Now though the guy is all hopped up, maybe showing signs of senility for all I know, about an exhibition he had seen at the Boston Museum of Fine Arts where they have Botticelli’s Venus on display. As far as I know Alex could have given a rat’s ass about art, about the Renaissance back in the day or anything since not connected with his law practice. But the other day he asked me for some space here to talk about how that Botticelli painting at the exhibition reminded him about some love interest he had had during that summer of love period. What can I say. He is after all my brother.  Zack James]       
   
[I had written the basics of the small piece I wished to present here about a young girl that I had met out in San Francisco, Jewel Night Star, when I was out there after the Scribe [Peter Paul Markin] got a bunch of us to head out west in late summer 1967. (I will explain that whole moniker business, that serious need to “reinvent” ourselves below but just know now that I was always known out there as Cowboy, or Cowboy Angel, depending on my mood, the day, hell maybe the drug intake) That was before I read my youngest brother Zack’s introduction. I felt compelled to add a note here to announce to what he always likes to call a “candid world” that I am neither senile nor have I been in the past, a past Zack, tied up with his various writing projects about times that he has only lived through vicariously totally oblivious to the call of culture, to the call of art and artifact. What more can I say though as he is my host here. Oh, yes, he is also after all my brother. Alex James.]

I would be the last person in the world to deny that memories, good and bad, creep up on a person sometimes in unusual ways. (Of course in my law practice I have had to pay short shrift in general to anything to do with memory on behalf of my clients but that is out of professional necessity to keep the buggers from huge jail time or cash outlays.) Recently this came home to me in a very odd way. I had been out in San Francisco to attend a law conference which I do periodically to confer with other lawyers in my special areas of concern when as I was entering the BART transit station on Powell Street I noticed on a passing bus an advertisement for an exhibition called The Summer of Love Experience being put on at the deYoung Museum in Golden Gate Park to commemorate the 50th anniversary of that wild west experiment. That set off the first series of memory bells which forced me to take some time out to go see what they had produced about those long ago times.                    

See, strange as it may seem given my subsequent total emergence into my law practice (at times just to keep afloat with three unhappy ex-wives and a parcel of kids, some happy some not, to support which almost killed me about ten years ago with a crush of college tuitions) I had been one of those tens of thousands of young people who drifted west to see what the whole thing was all about in San Francisco in the summer of love, 1967. Zack has probably told you that when I came back from this recent Frisco trip I gathered those of my old hometown corner boys from the Acre section of North Adamsville who as Zack stated were “still standing” to put together a small tribute book in honor of the event dedicated to the memory of the late Peter Paul Markin, the guiding spirit who led us out West like some latter day prophet.  

Mad monk Markin (and he really was we all called him the Scribe after our leader Frankie Riley gave him that moniker  in junior high school after Markin once had written some total bullshit homage to him and it hit the school newspaper and ever after the Scribe was his “flak” writing some stuff that was totally unbelievable about the real Frankie Riley whom we knew was seven kinds of a bastard even then) had gone out in the spring of 1967 after dropping out of Boston University in his sophomore year and had come back in late summer telling us the “newer world” he was always yakking about (and which we previously had given a rat’s ass about) was “happening” out there. He conned, connived, and begged but six of us beside him (and ever after also including Josh Breslin from up in Olde Sacco, Maine whom the Scribe met out in Frisco who was not a North Adamsville corner boy but whom we made one since he was clearly a kindred spirit)   went out and stayed for various lengths of time. I had gone back out with Markin after his “conversion” plea and stayed for about a year, mostly, as with all of us one way or another riding Captain Crunch’s “merry prankster” converted yellow brick road bus (the latter Markin’s term).     

While out there I had many good sexual and social experiences but the best was with a young gal whom I stuck with most of the time who went by the name Jewel Night Star as I went by the names Cowboy or Cowboy Angel depending on my mood. I make no pretense to know all of the psychological and sociological reasons at the time or thereafter but these monikers we hung on ourselves were an attempt to “reinvent” ourselves. Break out of the then conventional nine to five, beat the commies, and buy lots of stuff world our parents tried to drive a nail in our hearts about. Some people changed their monikers, their personas every other week but I stuck with my based on the simple love that I had had for Westerns growing up and since we were in the West it seemed right. Markin’s Be-Bop Kid was an overlay from his hearty interest in the “beats” who by 1967 were passe, who were being superseded by what was beginning to be called the “hippies.” Such were the times. The Jewel Night Star moniker when she told me about it one night was based on her eyes which in a certain light looked like diamonds, like twinkling stars. As long as I knew her she stuck with that moniker as well.            

Funny when I was out in Frisco for the conference and went to the museum I didn’t think anything about her. Had been through a small succession of women after she left the bus and as I have mentioned have had a whole raft of women since then, married and unmarried. I just mainly “dug” the scene at the museum and thought about the great music we heard (when they played White Bird by It’s a Beautiful Day I freaked out since I had not heard that song in ages), about the plentiful and mostly safe dope we did (we had an unwritten pact among the North Adamsville corner boys not to do LSD, “acid” after Markin explained his “bad trip” on the substance and after we had seen more than a few people going crazy at concerts and need medical attention), and about how we could “outrage” bourgeois society by our dress, our free spirits and, well, our goofiness if it came right down to it. (Tweaking those who were trying to drive those nails into our hearts.)

Then last week, or the week before, I got this postcard advertisement from the Museum of Fine Arts in Boston asking me to join their membership. (I assume somehow that having paid my admission to the deYoung on-line I had become a prime target for every museum from Portland East to Portland West). The ‘hook” on the other side of the postcard was that with a paid up membership I could see Botticelli’s Venus up close and personal. A view of that image on that postcard lead me directly, I say straight line directly, to my first memories of Jewel Night Star in maybe the fifty years since that summer of 1967 time.         

In the early fall of 1967 Markin and I had hitchhiked out across the whole country to Frisco. (I can see every mother grimace at that idea now, or then for that matter.) I won’t go into the details about how we got out there which I have written about in that tribute book the guys and I put together and Zack edited. Besides this is about Jewel not about some Jack Kerouac On The Road -influenced fling on our parts. Markin had had some contact with this guy, this wild man, Captain Crunch, who had somehow, most people who knew anything about it agreed that it was through a dope deal, gotten a yellow brick road converted school bus which he was travelling on up and down the West Coast picking up kindred spirits and letting them stay in and around the bus. (The attrition rate was pretty high most people staying a few weeks and then getting off or told to find another way to travel by Mustang Sally, the Captain’s sort of girlfriend, I never did figure out their actual relationship in all the time I was on the bus, if they stole stuff, didn’t keep fairly decent personal hygiene or let the drugs make them too weird and in need of some medical help.) When we got out West the Captain’s bus was stationed in Golden Gate Park and after the Scribe (then going under the moniker the Be-Bop kid-no more Scribe okay) introduced us and the Captain thought I was cool (and I thought he was as well) I was “on the bus.”              

A couple of weeks later the Captain was talking about taking a slow trip south to a place in La Jolla for the winter where he had a friend. The idea was that we would “house-sit” what turned out to be a mansion since that friend was one of the first serious high distribution drug dealers getting his product directly from south of the border only thirty or forty miles away in Tijuana.  We were all for it (me since every place was a new place for me in California and I was curious). It was on that trip as we headed toward Big Sur down the Pacific Coast Highway, a place called Todo el Mundo that I met Gail Harrington, Jewel Night Star.

We had stopped at a campsite where there was a party that was still going after about the six days before we got there so everybody was, using a term of art from those days “wasted.” I was grabbing a joint from somebody when this young woman came up to me and asked for a hit, for a “toke” for some grass. Her look. Well just check out the Botticelli Venus above that accompanies this piece and you get an idea. Tall, thin, hair braided, as was the style when a lot of young woman were on the road and didn’t want to, or couldn’t hassle with that daily chore to look beautiful stuff. Just as we guys grew our hair long and grew beards to avoid having the hassle of shaving. She had on a diaphanous kind of granny dress that showed her shape in detail. Nice. The granny dresses also a question of convenience and an expression that a woman’s shape was not as important as whether she was “cool” or not. But the best thing about her beyond being a Botticelli vision, a dream, what did I call it in the title to this piece. Yes, his 115th dream, was that she was very friendly, and a little flirty, in a nice way unlike all the girls from North Adamsville that I knew who might be nice but who thought sex was a mortal sin before marriage, maybe ever.

At first I was a little disoriented when we hit Frisco and joined up with the bus since the girls were really without much guile friendly in a way that it was easier talking to them than the Bible between the knees girls I was used to. By the time we got to Todo el Mundo I had had a few dalliances, a few what we called back in the neighborhood, “one night stands” which didn’t go anywhere and nobody worried about it but I was still unsure about what to expect from the young women who were travelling that same “road” we were travelling. So I was kind of shy a little around Jewel at first since she struck me as something out of the Renaissance, something out a painting by Botticelli who before he “got religion” later in his life under the influence of Savonarola which I had seen in an art book when I was taking an art course in high school (and have been unable to find in recent Internet searches looking for that exact painting). They were mostly young countesses and merchants’ daughters who had time on their hands and whom Botticelli was interested in painting for profit and for a different look than the inevitable Holy Family, Jesus, religious paintings that were becoming overdone and passe. (I thought it was funny how many of his young women looked like Northern European women since I had a fixed idea of dark-eyed, dark haired, dark complexion Italian women who I saw at school or in the Little Italy neighborhood that started about ten blocks from the Irish-dominated Acre.)              

Well Jewel was not from Renaissance Italy but from Grand Rapids in Michigan. Had come west when she finished her first year at Michigan after she had heard one night on a date what the folk singer at the club she was attending talked about the music explosion going on out there. She had been out for several months and had headed south to Todo el Mundo when she thought things had gotten too weird in San Francisco. She had hitchhiked down with a guy who was heading further south to Los Angles but she was just then content to stay along the rugged rural coast for a while. Which she would have done for longer she said except when I asked to travel south on the bus she agreed. But that was a few weeks later.           

I suppose I have been somewhat beaten down in the women department because I had forgotten how easy to be with. Jewel was, I guess, thinking back she was one of those “flower children” that we kept hearing about. Meaning nothing more than she was whimsical, was relatively hassle-free and liked nothing better than to roam the hills around Todo el Mundo and the hardscrabble beaches in the area. With me in tow.  All of this may sound kind of simple-minded, kind of what is the big deal about his woman. But look at the look of Venus above, look at that faraway look and that twisting of her braids and you will get an idea of what Jewel was like. Look at Botticelli’s Venus eyes and you will see the same night star that I finally saw in Jewel’s.     

Like I said we stayed together more or less for most of that year I was out there until in the spring of 1968 Jewel said she was getting tired of the road and wanted to either settle down out in the desert, out in Joshua Tree where several communal groups were being formed or head back home to school. I didn’t like either idea although a few months later I would head back east to finish college. We agreed that our paths were going in different directions and one day she told me that she had purchased a bus ticket to Joshua Tree (actually when I went out there many years later Twenty-nine Palms the nearest bus stop then). The next day was the last day I saw her. Although we had agreed to keep in touch that like a lot of things in those days it never happened.  I wonder if she is still alive wherever she is if those eyes of hers still sparkle in a certain angle like a night star. I hope so.  




*For The Late Rosalie Sorrels- Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill-"The Preacher And The Slave" Sung By Her Dear Friend Utah Phillips

*For The Late Rosalie Sorrels- Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill-"The Preacher And The Slave" Sung By Her Dear Friend Utah Phillips 






Joe Hill’s Last Will

My will is easy to decide,
For there is nothing to divide,
My kin don’t need to fuss and moan-
“Moss does not cling to a rolling stone.”
My body? Ah, If I could choose,
I would to ashes it reduce,
And let the merry breezes blow
My dust to where some flowers grow.
Perhaps some fading flower then
Would come to life and bloom again.
This is my last and final will,
Good luck to all of you, Joe Hill

Joe Hill was an IWW man. The Industrial Workers of the World (IWW) was, and is a radical union dedicated to abolishing the wage system and replacing it with a democratic system of workplace organization.

Joe Hill was a migrant laborer to the US from Sweden, a poet, musician and union radical. The term “pie in the sky” is believed to come from his satirical song, “The Preacher and the Slave”.

Hill was framed for murder and executed by firing squad in Salt Lake City, Utah on November 19, 1915. His last words were, “Fire!”

Just before his death he wrote to fellow IWW organizer Big Bill Haywood a letter which included the famous words, “Don’t mourn, Organize”.

The poem above was his will. It was set to music and became the basis of a song by Ethel Raim called “Joe Hill’s Last Will”.

A praise poem by Alfred Hayes became the lyrics of the best-known song about Joe Hill, written in 1936 by Earl Robinson. This was sung so beautifully by Joan Baez at Woodstock in 1969:

Joe Hill

words by Alfred Hayes
music by Earl Robinson

I dreamed I saw Joe Hill last night,
Alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.

“In Salt Lake, Joe,” says I to him,
him standing by my bed,
“They framed you on a murder charge,”
Says Joe, “But I ain’t dead,”
Says Joe, “But I ain’t dead.”

“The Copper Bosses killed you Joe,
they shot you Joe” says I.
“Takes more than guns to kill a man”
Says Joe “I didn’t die”
Says Joe “I didn’t die”

And standing there as big as life
and smiling with his eyes.
Says Joe “What they can never kill
went on to organize,
went on to organize”

From San Diego up to Maine,
in every mine and mill,
where working-men defend their rights,
it’s there you find Joe Hill,
it’s there you find Joe Hill!

I dreamed I saw Joe Hill last night,
alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.

"The Preacher And The Slave"

Long-haired preachers come out every night,
Try to tell you what’s wrong and what’s right;
But when asked how ’bout something to eat
They will answer in voices so sweet

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You’ll get pie in the sky when you die

And the Starvation Army they play,
And they sing and they clap and they pray,
Till they get all your coin on the drum,
Then they tell you when you’re on the bum

Holy Rollers and Jumpers come out
And they holler, they jump and they shout
Give your money to Jesus, they say,
He will cure all diseases today

If you fight hard for children and wife-
Try to get something good in this life-
You’re a sinner and bad man, they tell,
When you die you will sure go to hell.

Workingmen of all countries, unite
Side by side we for freedom will fight
When the world and its wealth we have gained
To the grafters we’ll sing this refrain

You will eat, bye and bye,
When you’ve learned how to cook and how to fry;
Chop some wood, ’twill do you good
Then you’ll eat in the sweet bye and bye

The chorus is sung in a call and response pattern.

You will eat [You will eat] bye and bye [bye and bye]
In that glorious land above the sky [Way up high]
Work and pray [Work and pray] live on hay [live on hay]
You’ll get pie in the sky when you die [That's a lie!]

You will eat [You will eat] bye and bye [bye and bye]
When you’ve learned how to cook and how to fry [How to fry]
Chop some wood [Chop some wood], ’twill do you good [do you good]
Then you’ll eat in the sweet bye and bye [That's no lie]

THE REBEL GIRL

by Joe Hill /words updated/


There are women of many descriptions
In this cruel world as everyone knows
Some are living in beautiful mansions
And wearing the finest of clothes

There's the blue blooded queen and the princess
Who have charms made of diamonds and pearls
But the only and true kind of lady
Is the Rebel Girl

chorus:
She's a rebel girl, a rebel girl
To the working class she's the strength of this world
From Newfoundland to B.C.
She's fighting for you and for me

Yes she's there by our side
With her courage and pride
She's unequalled anywhere

And I'm proud to fight for freedom
With the rebel girl!


Pete Seeger Lyrics

Joe Hill Lyrics


I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he

"In Salt Lake, Joe," says I to him,
Him standing by my bed.
"They framed you on a murder charge."
Says Joe, "But I ain't dead,
Says Joe, "But I ain't dead."

"The copper bosses killed you, Joe,
They shot you, Joe," says I.
"Takes more than guns to kill a man."
Says Joe, "I didn't die,"
Says Joe, "I didn't die."

And standing there as big as life,
And smiling with his eyes,
Joe says, "What they forgot to kill
Went on to organize,
Went on to organize."

"Joe Hill ain't dead," he says to me,
"Joe Hill ain't never died.
Where working men are out on strike,
Joe Hill is at their side,
Joe Hill is at their side."

"From San Diego up to Maine
In every mine and mill,
Where workers strike and organize,"
Says he, "You'll find Joe Hill."
Says he, "You'll find Joe Hill."

I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he.

Pete Seeger Lyrics

Talking Union Lyrics


If you want higher wages, let me tell you what to do;
You got to talk to the workers in the shop with you;
You got to build you a union, got to make it strong,
But if you all stick together, now, 'twont he long.
You'll get shorter hours,
Better working conditions.
Vacations with pay,
Take your kids to the seashore.

It ain't quite this simple, so I better explain
Just why you got to ride on the union train;
'Cause if you wait for the boss to raise your pay,
We'll all be waiting till Judgment Day;
We'll all he buried - gone to Heaven -
Saint Peter'll be the straw boss then.

Now, you know you're underpaid, hut the boss says you ain't;
He speeds up the work till you're 'bout to faint,
You may he down and out, but you ain't beaten,
Pass out a leaflet and call a meetin'
Talk it over - speak your mind -
Decide to do something about it.

'Course, the boss may persuade some poor damn fool
To go to your meeting and act like a stool;
But you can always tell a stool, though - that's a fact;
He's got a yellow streak running down his back;
He doesn't have to stool - he'll always make a good living
On what he takes out of blind men's cups.

You got a union now; you're sitting pretty;
Put some of the boys on the steering committee.
The boss won't listen when one man squawks.
But he's got to listen when the union talks.
He better -
He'll be mighty lonely one of these days.

Suppose they're working you so hard it's just outrageous,
They're paying you all starvation wages;
You go to the boss, and the boss would yell,
"Before I'd raise your pay I'd see you all in Hell."
Well, he's puffing a big see-gar and feeling mighty slick,
He thinks he's got your union licked.
He looks out the window, and what does he see
But a thousand pickets, and they all agree
He's a bastard - unfair - slave driver -
Bet he beats his own wife.

Now, boy, you've come to the hardest time;
The boss will try to bust your picket line.
He'll call out the police, the National Guard;
They'll tell you it's a crime to have a union card.
They'll raid your meeting, hit you on the head.
Call every one of you a goddamn Red -
Unpatriotic - Moscow agents -
Bomb throwers, even the kids.

But out in Detroit here's what they found,
And out in Frisco here's what they found,
And out in Pittsburgh here's what they found,
And down in Bethlehem here's what they found,
That if you don't let Red-baiting break you up,
If you don't let stool pigeons break you up,
If you don't let vigilantes break you up,
And if you don't let race hatred break you up -
You'll win. What I mean,
Take it easy - but take it!