Monday, March 12, 2018

From The Left-Wing Archives-The Campaign to Free Angela Davis and Ruchell Magee (1970-1972)

The Campaign to Free Angela Davis and Ruchell Magee

By SOL STERN

San Rafael, Calif. -- The drive to the Marin County Hall of Justice is north out of San Francisco on Highway 101, over the Golden Gate Bridge and through a widening peninsula of rolling green hills and sun-speckled canyons. To the east is a curving bayshore studded with yacht harbors, houseboat communities and tiny tourist towns with mellow sounding names like Tiburon and Belvedere. To the west, beyond a magnificent stand of giant redwoods, is the beginning of 100 miles of the most beautiful Pacific coastline in the state.
Marin County is a commuters' paradise that measures up to every travel magazine's stereotype of California good living. The average family income is $13,000, and the rich WASP Republicans who are in the majority seem to get along with the hippies who have settled there in increasing numbers. There is only one tiny black ghetto (in Marin City) and, on the whole, county residents have been spared the urban violence of the past decade.
One reminder of the agonies they have escaped is San Quentin, the oldest, biggest and most notorious facility in the bloody battleground that is the state prison system. Quentin is hidden away in an isolated cove overlooking the bay--an eyesore that might be ignored, except that the county is responsible for administering justice when there is any violation of state law within the prison's walls. And so in recent years an ever longer parade of inmates has been trucked north several miles for court appearances at the sumptuous Marin Civic Center, a Frank Lloyd Wright-designed structure surrounded by lagoons and water cascades and bright, orange blossomed Clivia beds. The Hall of Justice, housing the courtrooms and the county jail, is an incredible caterpillar-like structure, with a pagoda-style roof, spanning two hills. In this blue and gold judicial Shangri-La reality-- nineteen-seventies American-style--finally caught up with Marin County.
On Aug. 7 last year, Jonathan Jackson, a tall, thin black youth from Pasadena walked into one of the circular, walnut-paneled courtrooms carrying three guns underneath his coat. In the middle of the proceedings he stood up, brandishing his weapons, and shouted, "O.K., this is it! Everyone freeze!" Jackson gave the weapons to the defendant, James McClain, who was on trial for a prison stabbing at Quentin, and two other inmates, William Christmas and Ruchell Magee, who were there as witnesses for McClain. Together they rounded up Judge Harold J. Haley, the D.A. and three jurors as hostages, and marched the five whites out of the courthouse to an adjacent parking lot. They piled into a yellow van and started moving in the direction of Highway 101, but before they could get out of the parking lot, a gun battle erupted. When the smoke had cleared, the judge, Jonathan Jackson and two of the Quentin inmates were dead; Ruchell Magee, the D.A. and one of the jurors lay seriously wounded.
The "Marin shootout" stunned just about everyone in the Bay Area. Civic leaders in the county demanded that the state hold all future trials of convicts behind San Quentin's walls. Security was tightened not only in Marin but in all Bay Area courts, as frantic officials speculated about more armed attempts by revolutionaries to free prisoners. (Most Bay Area radicals regarded the escape attempt as a revolutionary act.) Later, despite all the additional security, the Marin Hall of Justice was bombed by the revolutionary underground.
A few days after the shooting, Judge Haley was eulogized at a gentle funeral in San Rafael. Jonathan Jackson and William Christmas received a "revolutionary funeral" at a black church in Oakland, their coffins draped with the Black Panther flag and surrounded by an honor guard of leather-jacketed Panthers. In the streets outside, 3,000 black and white revolutionaries raised their fists in salute as they stood before loudspeakers, listening to Huey Newton's eulogy:
"Our comrades Jonathan Jackson and William A. Christmas have taught us a revolutionary lesson. They have intensified the struggle and placed it on a higher level.
A picture is worth a thousand words, but action is supreme. Comrades Jonathan Jackson and William A. Christmas have made the ultimate sacrifice. They have given the revolution their lives."
In the next issue of the Panther newspaper, Berkeley revolutionary Tom Hayden offer this fantasy:
"A revolutionary funeral guarantees that guerrilla ghosts will haunt the reactionaries, reminding them of their guilt, until warriors among the living take their ultimate revenge."
In the months that followed, attention in the radical community shifted toward Angela Davis, whom the state had charged with supplying the weapons that young Jackson had brought into court. Later, a county grand jury returned an indictment against her, formally specifying counts of kidnapping, murder, and conspiracy. When partial grand jury minutes were released, some of the state's evidence was disclosed: Witnesses had testified that Angela had purchased the guns, the last one several days before Aug. 7. The state also made much of an allegation that she had been working closely with Jackson, who was a member of the Soledad Brothers Defense Committee. Jonathan's real brother, George, is one of the three blacks known as the Soledad "brothers," who are awaiting trial for murder of a guard at Soledad prison. The state alleged that the purpose of the Aug. 7 action was to use the hostages to free the men.
Maintaining the Angela is totally innocent, her lawyers have argued that the state has presented no evidence of her involvement in any conspiracy, and that the open purchase of guns, for which she had to sign her name, could not possibly be the act of anyone with a criminal intent.
Even before the shootout, Angela Davis was a popular figure among radical blacks and whites because of her forthright stand on the issue of her membership in the Communist party and her subsequent confrontation with the Reagan administration. She was fired from her position as a philosophy instructor at U.C.L.A. in 1969 after she admitted her party affiliation. After Aug. 7, when she went underground and made the F.B.I.'s most- wanted list, she became almost a legendary figure to the left. Radical households displayed posters which said, "Angela is welcome here."
In the meantime, 31-year-old Ruchell Magee recovered from his wounds and was taken back to San Quentin where he had already spent the last seven years of his life. A seventh-grade dropout from rural Louisiana, Magee had been sent up for a 1963 Los Angeles robbery-kidnapping conviction resulting from a typical ghetto hassle over a $10 marijuana transaction that ended with guns being pulled. No one was hurt but, unfortunately for Magee, the scuffle with another man involved took place in a moving car so that technically a kidnapping charge could be added--with a one-year-to-life sentence. He has been fighting the conviction ever since, claiming it was a frame-up, but now he was charged with the murder of Judge Haley, which for a convicted felon like Magee carries a mandatory death penalty. Magee was literally dragged, shackled and chained, into several pretrial hearings at San Quentin last fall. But at the time local radicals paid little attention to him.
With Angela Davis back in California, the Marin Civic Center is again an international news center, but the country-club setting has become more militarized. To get into the court building you must submit to a thorough pat-down body search, as well as pass through an electronic metal detector. Upstairs, in front of the courtroom where pretrial hearings take place, there is another metal detector and another thorough search. All spectators must sign in and show identification. Reporters are required to have their pictures taken and are fingerprinted. The hallway outside the courtroom is filled with a dozen armed sheriff'' deputies, as well as several plainclothesmen.
Miss Davis is held in a two-cell area of the county jail, adjacent to the courtroom but isolated from other county prisoners. Magee is brought in from San Quentin for the numerous hearings. Reporters and TV crews from all over the world pop in for a hearing now and then, as they wait for the big trial to get going. They come mostly to see about Angela, but inevitably their attention becomes riveted on "the other defendant," as he used to be called by the local reporters.
Magee is an accomplished jailhouse lawyer who practically learned to read in the prison law library. The hand-written petitions he has filed in his own behalf, with their raw grammar but punctilious attention to cases and precedents, have managed to get several judges removed from the case, and he has almost by himself tied up the case for six months--despite the fact that the court has refused to allow him officially to act as his own counsel on the basis of prison-administered tests which show he has an I.Q. of 78.
During the first months of the case, reporters were fond of comparing him, invidiously, to his renowned codefendant. How ironic, they suggested in their stories, that this uneducated, violent con should wind up in the same courtroom as the beautiful, talented professor.
The reporters are now taking Magee more seriously, though there are, no doubt, serious contrasts to be drawn. At the hearings, she walks in briskly, trailing her matrons behind her, and turns, very tall and regal, to give spectators the clenched-fist salute. She wears bright mini-dresses, and in the soft lights reflecting off the hand-rubbed walnut furniture (made by state prison inmates), she glows with a tawny, imperious beauty. At her table she sits upright and attentive, conferring animatedly with her lawyers, her dignity hardly bruised by six months in jail.
Magee comes in shackled, walking slowly in a prison gait and escorted on each arm by guards who chain him to his chair, which is chained to the floor. Dressed in a formless gray prison jacket, he is short and sullen--the blackest man in the court. He hardly has a word for his numerous court-appointed lawyers. He sits sprawled in his chair, his head cocked to tone side, seemingly taking in the proceedings out of the corner of one eye, insisting on his right to speak for himself.
A small defense group, consisting mostly of blacks with a few white radicals, has recently been organized to work with him, but so fare it has been ineffectual and without funds. He fights essentially alone, using only his painfully gathered knowledge of the legal systems and the notoriety of the case to get his message out: that he is innocent because he was imprisoned illegally in the first place, that he has been kept a "slave" for seven years and that what happened on Aug. 7 was, in his words, a "slave rebellion" to remove the conditions of his bondage.
Angela's lawyers are taking a different tack and their resources are more impressive. No less than six experienced, talented lawyers, several investigators and researchers and legal clerks are working on a defense that one of the lawyers estimates may cost up to half a million dollars.
Even more important, she has an unprecedented political campaign being waged for her release all over the world. It is not to belittle the seriousness of her situation to say that she has the best-organized, most broad-based defense effort in the recent history of radical political trials--more potent that that afforded to any of the Panther leaders or the Chicago Seven.
Much of the strength of the campaign is due to the considerable resources which the Communist party, U.S.A., still alive and kicking after many lean years, is putting into the struggle. And, as one Bay Area radical put it: "If there's one thing the C.P. does well, it's organizing a legal defense."
On Oct. 15, 1970, two days after Angela Davis was captured by F.B.I. agents in a New York City motel, a press conference was called in Los Angeles by the Communist party to announce that it was going to build "the largest, broadest, most all-encompassing people's movement the country has ever seen to free our comrade, Angela Davis-- political prisoner." The speaker was Franklin Alexander, a close friend of Angela's and chairman of the party's all-black Che-Lumumba Club. The National United Committee to Free Angela Davis was formed shortly thereafter, with Alexander and Fania Davis Jordan, Angela's 23-year-old younger sister, as national coordinators.
According to Alexander, there are now 60 fully functioning local committees in operation around the country. The national committee staff coordinates the work of the local committees, supplies them with literature, posters and speakers, and, in conjunction with the legal staff, sets the over-all political-legal strategy. The national staff also worries about money, and right now it is looking for a full-time fundraiser. So far, without really trying very hard, it has raised--and spent--more than $30,000 for the political work of the committee, but the estimate is that as the trial runs it course it will need up to 10 times that amount (excluding strictly legal costs). Full-time committee staff members (there are seven now) drew salaries of $75 per week each.
The money that pays the salaries and other expenses comes in steadily from a variety of sources: from people on traditionally liberal mailing lists who have been sent letters; from collection cans set up outside supermarkets; from spontaneous, unsolicited donations, such as the $10,000 recently given by an affiliate of the United Presbyterian Church, and from the profits of extravaganzas such as the birthday celebration for Angela attended by about 5,000 people at the Manhattan Center in New York last February, with the Rev. Ralph Abernathy, chairman of the Southern Christian Leadership Conference, as speaker.
When people call and ask what they can do to help, local committees will often suggest that they have fund-raising parties in their houses. A recent successful and typical example was the dinner party thrown by a young couple living in the Berkeley hills. About a hundred people showed up, most of them white, middle-class liberals. They enjoyed a modest buffet dinner, watched a belly dancer named Sabah perform and listened to a committee staff member answer questions about the case. When it was over, the committee had collected around $300.
The committee is about to open a suite of offices in downtown San Francisco, but in the meantime the members operate out of a large, rambling redwood house in an integrated neighborhood in southwest Berkeley--a kind of political commune, since most of them live there as well. The house is owned by Roscoe Proctor, a black longshoreman and veteran Communist functionary, who has been working in New York on party business. Party dignitaries such as General Secretary Gus Ahall have often stayed at the Proctor house during their visits to the Bay Area. It is an open, informal place, full of dogs and neighborhood kids who come in to listen to soul music on the hi-fi. In the spacious living room, decorated with Soviet posters, the committee has held marathon staff meetings with the lawyers.
Often the discussions are punctuated by the crying of the baby that was recently born to Angela's sister, Fania, who has had to take something of a maternity leave from her hectic cross-country speaking tours for the committee. Fania looks so much like her sister that when she gets up on a platform to speak, some people actually believe they are seeing Angela. Politically, she also seems to be following her sister's footsteps. She worked with the Black Panther party in San Diego until, she says, "it was just about wiped out"; she has picked sugar cane in Cuba as a member of the "Venceremos Brigade," and when she came back from there last fall, she threw herself completely into the work of the committee. Now she says, "I am in almost total agreement with my sister's politics."
A frequent visitor to the house is Fania's mother, Mrs. Sally Davis, who will soon be taking a leave from her teaching job in a Birmingham, Ala., grade school to spend all her time working with the committee. She has already traveled extensively, speaking mostly in black communities. Other members of the family have done the same, including Angela's brothers, Ben, a 25-year-old defensive back for the Cleveland Browns football teams, and Reginald, who is 20 and a student at Defiance College in Ohio. Fania says that even her father, who runs a gas station in Birmingham and was initially reluctant to get involved politically, has begun to do some speaking.
The Davis children were raised on "Dynamite Hill" in Bull Connor's Birmingham; they knew the four black girls killed in the bombing of a church there in 1963. Political struggle is familiar to them. "My mother was very active in her time and for her age," says Fania. "She was very involved in the desegregation struggle in Birmingham, and she instilled in all of us a sense of dignity and human worth. I can remember times when she would go downtown and some white man would call her 'Sally'--and she really reacted! That influenced us."
And, says Fania, there isn't too much difference between the struggles in Birmingham and Marin County. "People's politics are constantly changing as they confront reality. I would say my brothers' and parents' beliefs are coming closed to Angela's as they work in her behalf."
The committee dynamo is 30-year-old Franklin Alexander, who has been working for the Communist party for 12 years. Alexander's sister is Charlene Mitchell, a high-ranking American Communist who was the party's candidate for President in 1968. He was, for a time, national chairman of the Du Boise Clubs and later devoted much of his time in Los Angeles to the Communist Che-Lumumba Club, which, with its all-black membership, seems to contradict the party's opposition to black nationalism and separatism. Padding around barefoot in the upstairs of the Proctor house recently, the tall, muscular Alexander interrupted a phone call long enough to explain:
"It was the view of the party when we created the Che-Lumumba Club four years ago that in this moment of history there was need for an all-black collective in the party to operate in the black community. It was a period when nationalist sentiment among our people couldn't be ignored and required a black confrontation with our problems."
It was Alexander and his wife, Kendra, who recruited Angela Davis into the club, at a time when she was still active in the Black Panthers. Her decision to join the Communist party was the result of considerable experience. As an undergraduate at Brandeis University, she spent a year at the Sorbonne in Paris and got to know Algerian nationalist students. Later she did graduate work in philosophy in West Germany, and became active in the League of Socialist German Students, a counterpart of the S.D.S. Then there were her two years in San Diego studying with the Marxist philosopher Herbert Marcuse. In San Diego, she came into contact with the Panthers, and later two of her friends in the organization were killed on the U.C.L.A. campus. Of her final conversion to Communism, she once wrote:
"My decision to join the Communist party emanated from my belief that the only true path of liberation for Black people is the one that leads toward a complete overthrow of the capitalist class in this country. . . . Convinced of the need to employ Marxist-Leninist principles in the struggle for liberation, I joined the Che-Lumumba Club, which is a militant, all-Black collective of the Communist party in Los Angeles committed to the task of rendering Marxism-Leninism relevant to Black people. . . ."
In the same vein, the committee to free Angela today looks to the black community for its main sources of support. That there is mass sentiment to be tapped is indicated by a recent Louis Harris poll taken among blacks in Los Angeles; 80 per cent of those questioned believed that Angela Davis could not get a fair trial.
The committee has an almost exclusively black leadership. "That is a conscious policy," says Alexander. "It's our view that there must be an organized, black-community base in this campaign. Angela is a symbol first and foremost to black people and their struggles. The organization of the black community around the issue of political prisoners is essential to victory."
The search for a chief trial lawyer with a proper black image for Angela took the committee to Howard Moore, a 39-year-old Atlantan who has defended Rap Brown and Stokely Carmichael, and represented Julian Bond (Moore's brother-in-law) in his successful battle to be seated in the Georgia legislature.
Moore is a lanky, distinguished-looking man with a graying Afro and a Vandyke beard who can be, alternately, aristocratic and hip. Working with him as co-counsel is 26-year- old Margaret Burnham, a black who is an old grade-school classmate of Angela's from Birmingham. Four other local San Francisco lawyers--all white--with a wealth of criminal and constitutional experience have assisted them in various stages of pretrial work, in legal research and investigation. But Moore and Miss Burnham make it emphatically clear that blacks will be calling the signals.
"I would hate to see Angela, a beautiful black woman, having a white defense," says Moore. "She's going to get a black defense." Later, he elaborates on the meaning of a "black defense":
"Look, I have tried many cases before red-neck juries. When the jury knows you are committed and you are a true adversary, they respond in a positive manner. Especially when you deal openly and up front [frankly] with the question of racism. White people know they are racists, and if you conduct yourself in a manner in which you try to hide the fact that you know it, they don't respect you. You can't deal honestly with the kind of jury we're going to get unless you deal frontally with the question of racism. And that's what we're going to do."
Both the lawyers are particularly touchy about the role of the party in the defense, but Margaret Burnham meets reporters' questions on this issue head on:
"The party is playing a major role. Angela is a member and it is incumbent on the party to come to her defense. I say that because we want to be up front about it. There is no 'infiltration' in the case--they are there."
There are, of course, thousands of people who are supporting Angela Davis for their own reasons. The committee has a long, truly impressive list of support from such prominent blacks as Coretta King, Ralph Abernathy, and Aretha Franklin, who offered to post Angela's bail (if it were not granted) ". . .not because I believe in Communism but because she is a black woman and she wants freedom for black people." Organizations supporting Angela range from the Urban League to the Black Panthers. But it is clear that the Communist party people on the committee are making the key decisions about how this broad front is to be used in the legal battle.
Furthermore, according to Alexander, several top party functionaries, including Charlene Mitchell and National Chairman Henry Winston, as well as the entire Legal Defense Commission of the party, are working full time on the case. And all of this, concedes Alexander, is not too bad for the party's health:
"It has put the party in a position in which it is moving in wider areas that it has in the past. I would say the party has been strengthened."
The party's connections seem even more significant in the Free Angela demonstrations overseas. There isn't a day that goes by without the committee receiving word of some demonstration, protest or petition somewhere in the world. Here is a sampling from the committee's files:
In Ceylon, a three-day vigil by 2,500 women in front of the American embassy; in Sydney, Australia, a march by 700 women; a telegram demanding Angela's freedom signed by the entire cast and crew of the film "Z," including Yves Montand, Simone Signoret, director Costa Gavras and composer Mikis Theodorakis.
Sometimes, it is too much to handle. "We have received 100,000 pieces of mail from East Germany alone," sighs Rob Baker, the long-haired publicity director who is the only white on the national staff. "They're lying around in hundreds of mail bags unopened-- because we don't have a big enough staff to do the work."
Communist party-oriented mass organizations such as the Women's International Democratic Federation, with headquarters in East Berlin, have set up Free Angela committees in scores of countries. In the committee files is a letter from the World Federation of Democratic Youth, based in Budapest, telling the committee that "huge solidarity actions were and are undertaken by all our member organizations in support of Angela Davis."
"In some countries--in Italy, for instance--the party has taken a heavy responsibility," says Baker. "They have printed up thousand of postcards for people to send to Angela, with copies to Reagan, or Hoover, or Nixon. On the other hand, we get things like a letter from a woman who runs a coffee shop in Utrecht and wants to print up thousands of copies of Angela's statement to the court. I would say it is a mixture of party support and nonparty support in every country."
But what does the slogan "Free Angela" mean when it is carried in a demonstration in Sydney or East Berlin? Does the committee think such pressure might result in her being freed without a trial?
"Well," says Margaret Burnham, "we mean it literally. It is a bogus prosecution. The prosecution is a fraud. If she didn't have the color or politics that Angela has she would be free. Since she is going to be prosecuted, though, she should have a fair trial."
Howard Moore amplifies this: "She is in the clutches of the law. A trial is inevitable. She is being tried for her life. Given the deep-seated racial hatred and the political nature of the trial, the only way she can be freed is to bring enough pressure to insure that she has a fair trial. The outside pressure forces them to be more scrupulous. It is salutary."
The committee was given a considerable lift by the recent decision in Connecticut to drop the charges against Bobby Seale and Ericka Huggins, and the acquittal of the Panther 13 in New York City. "They were significant victories," said an elated Howard Moore recently. "They were victories for all people who are struggling around political trials such as the one we have here." When I asked Moore what specific lessons might be learned from those trials, he stressed the importance of getting a large number of blacks on the jury:
"We are going to raise the question of the national status of blacks in the courtroom. When we say that Angela should be judged by her peers, we mean by other blacks. What was significant and critical about the New Haven and New York cases was the number of blacks on the jury. It prevented the prosecutor from making openly racist appeals in court and it prevented white jurors from making racist arguments in the jury room."
Because of the small number of blacks in Marin County the lawyers are seriously thinking about requesting a change of venue to another county where they might be guaranteed a large percentage of blacks on the jury panel. "If we can get Angela a jury of her peers," says Moore confidently, " the question of the outcome of this trial doesn't even have to be guessed at."
Los Angeles Mayor Sam Yorty has publicly suggested that Angela Davis be deported to Algeria, while Los Angeles County Supervisor Warren Dorn has said that she "should be sent back to Russia, the country that she loves." Such traditional Red-baiting the committee was prepared for. What really has them shaking their heads is the flak they have been getting from the left.
It first came into the open last Jan. 23 when the Black Panther paper published a statement by Eldridge Cleaver from Algiers. Cleaver made the startling charge that the Free Angela movement was started by the "Communist party in collusion with the U.S. fascists," in order to divert attention, resources and support away from the trial of Bobby Seale in New Haven. Cleaver's accusation was easily turned aside by the committee, but the extravagance of it all obscured an ideological rift of substance about how to defend "political prisoners."
The Panthers, at that time, were publicly despairing of the efficacy of fighting in the courts. Their model still seemed to be the Marin type of "revolutionary violence"--and if you had to be in court you should present a "revolutionary" defense. The Communist party, on the other hand, believe in the mobilizing broad, united-front support groups and legalistic defenses.
The most public aspects of the controversy died quickly. After the Newton-Cleaver split, the Oakland-based Panthers began to retrench and rebuild their shattered alliances in the black community. Huey Newton publicly affirmed the Black Panther party's support for Angela Davis and her defense committee.
What lingers is an undercurrent of suspicion, particularly among white radicals, about the motives and politics of the committee. Much of this centers on the committee's relationship, or lack of it, to Ruchell Magee. He, after all, is the lone living symbol of Aug. 7, which the committee seems to want people to forget--even though Angela herself has praised the courthouse shootout as "an insurrectionary act."
Speaking of the committee's official coolness toward Magee, a young radical lawyer said, "How much of this is the ideology of the C.P. and their political line of the united front, and how much she approves of, I don't know. I have a feeling she is more radical than that. But they certainly give you a strong feeling that they are going to steer clear of Magee."
Such feelings are fed by every reported instance of friction in the courtroom between Magee and the Davis lawyers. He has, several times, denounced them openly in court for failing to support some of his motions. On one occasion, he managed to disqualify a judge, just as her lawyers were getting ready to argue substantive pretrial motions. Their annoyance with him was obvious. Outside the courtroom one of her attorneys commented on "the irony of this unlettered man," raising such complicated legal points. At a National Lawyers Guild meeting at which Margaret Burnham was speaking about the case, someone in the audience asked why the committee wasn't doing more for Magee. Alan Brodsky, another of Angela's lawyers, started to reply by reminding the audience that Angela is innocent. Afterward, he explained that he did not mean to imply that Magee was guilty, but some people felt damage had been done to Magee.
Sandra Close, a local radical journalist who has taken an interest in the Magee case, is convinced that incidents such as this one reflect a widespread attitude. "The whole idea that has been pervasive throughout this case is that Magee is finished, that his goose is cooked and he is going to the gas chamber," she says. "That has enabled people to put the priorities on Angela Davis. No one in that courtroom is on his side. He stands alone. He isn't a celebrity. He represents poor people who have to get by on their instincts and their cunning--who, when they are trapped and backed into a corner, like he is, have to learn, on their own, how to survive. If there had been no Angela case, no one would have cared if Magee was guilty or innocent."
The committee, sensitive to the increasing criticism, has been going to considerable lengths of late to express solidarity with Magee. In court, the lawyers support his motions more frequently. In a recent regional conference of West Coast defense committees, national publicity director Baker made a speech in which he said, "We must recognize that Ruchell has educated all of us"; he spoke about the necessity of expanding the narrow defense of Angela into a broader movement to defend prisoners such as Magee. So far, thought, this has not happened. The Magee committee functions without any material support from the Davis committee. It is clear that the broad base of support for Angela would be undercut to some extent if there were a "United Committee to Free Angela Davis and Ruchell Magee."
A good deal of the friction has to do simply with the objective differences in their respective current legal predicaments. Since Magee is already on a life sentence, he is desperately flailing about, using every legal maneuver he can think of to dramatize his plight. He is in no hurry. The Davis attorneys, in contrast, obviously want the proceedings expedited at this stage. Their client has been kept in solitary confinement for six months without even having had her substantive pretrial motions heard yet.
That is why the committee made a strategic decision several months ago to focus on a broad political campaign to secure bail. A petition addressed to the California Supreme Court, on which they still hope to get a million signatures, is circulating around the country. The petition compares her case with that of Lieut. William Calley, pointing out that although she has never been convicted of any crime (or even arrested prior to the current case), she is "held under punitive conditions of detention while awaiting trial, and Lieut. William Calley, a felon convicted of the premeditated murder of more than a score of Vietnamese civilians, is released to his own quarters while appealing that conviction."
A major role in the bail campaign was played by David Poindexter, the "mystery man" who was arrested with Miss Davis in New York and subsequently acquitted in Federal District Court of aiding and abetting her flight. Poindexter went on a major speaking tour in the Midwest and the East. Organizations such as the National Association for the Advancement of Colored People, the Urban League and the California Federation of Teachers came out in favor of bail.
With Angela out on the streets, many of the ambiguities about the case might be resolved, and the conflict with Magee could be tempered. She would be free, presumably, to speak out, and would be in a better position to help Magee if that is her inclination, as many people believe it still is. The lawyers could afford to take a little more relaxed attitude toward the pretrial process and thus to Magee's own efforts. She would also be an enormous asset in rallying more mass support to the defense.
When a bail hearing was finally held in early June before Judge Richard E. Arnason, the latest judge in the case, the defense presented stacks of petitions and several bound volumes of resolutions and statements favoring bail from countless labor groups and prominent individuals. Arnason seemed sympathetic to the lawyers' arguments and their hopes were high. Later, the county Probation Department also strongly recommended bail for Angela. But on June 15, the judge ruled against her release, indicating he did not think there was a risk of flight but that the law prohibited bail in her case. He also stayed all further state proceedings until Magee's petitions for removal to the Federal courts were disposed of. Thus, no one is even talking about a trial date yet.
Davis committee members and supporters were visibly disappointed as they came out of the court. An angry Franklin Alexander told a quickly assembled press conference that this was no the end of the effort to get bail. The lawyers were going to appeal but, more importantly, said Alexander--to shouts of "Right on!"--"the only place justice is going to come from is the streets. Ours was a method of bringing together the legal and mass struggle," he explained. "But the scales are unbalanced now, and we're going to have to go into the streets in Sacramento to see that justice is done."
Sol Stern is a freelance writer and a contributing editor of Ramparts magazine.


Better Watch Out If You Want To Get Back To The Garden-The Film Adaptation Of Patricia Highsmith’s Novel –“A Kind Of Murder” (2016)-A Film Review

Better Watch Out If You Want To Get Back To The Garden-The Film Adaptation Of Patricia Highsmith’s Novel –“A Kind Of Murder” (2016)-A Film Review




DVD Review

By Leslie Dumont

A Kind of Murder, starring Patrick Wilson, Jennifer Biel, Haley Bennett, Eddie Marsan, based on a Patricia Highsmith novel The Blunderer, 2016

I remember once at a lecture, or maybe it was a forum, a military officer, maybe a colonel, you will have to ask Sam Lowell or one of the military veterans who write at this publication about military rank mentioned that humankind’s DNA was hard-wired for war. Whether that was true or not or the officer was just trying to justify his military career as a leader of some special forces-type operation, rangers I think, is open to some serious discussion. What is not open to discussion though is a similar idea-that humankind is hard-wired for murder, murder one, murder most foul as Agatha Christie would say. Obviously even if this is true going all the way back to Cain slaying Abel for dimes and donuts, maybe before, then the impulse in most of us is deeply suppressed or else we as a species would have gone extinct a while back.
That is not to say that we are not all capable, very capable of thinking, thinking hard about doing in somebody who has bothered us in some way. May have even fantasy planned out some aspect of the avenging angel angle and then let it go because something more pressing came up, or you needed to go to the bar or bathroom. That is the premise behind this film A Kind of Murder, a film adaptation of Patricia Highsmith’s novel The Blunderer on the part of one of the characters-the wishing that somebody would die to alleviate some kind of sorrow aspect.

Today we are, unfortunately, inured to murder, murder most foul, what with the blanket 24/7/365 cable-social media overkill coverage of every gruesome tragedy but back in the early 1960s such events took on outraged proportions. Take the case of Walter Stackhouse, played by Patrick Wilson, a successful architect living the good life and his wife Clara, a bundle of post-World War II anxieties and traumas. Not a trouble in the world really but dear Walter has had it up to his elbows with Clara’s incessant unhappiness. He wants her out of his life, would like to see her dead really. Fair enough although divorce would be a better call. Except if he divorces her she will get even with him by, well, by killing herself. And she had attempted to do in the past already. Sadly she will eventually wind up dead, wind up committing suicide jumping off a bridge in of all places Saratoga Springs, the summer watering hole of the Mayfair swells in the old racing days.

That is one take on the man and wife situation. Here’s another and see if you can see a little pattern form, a little something to hang your hat on. Another guy, a Walter Mitty type guy, Marty, Marty Kimell, played by Walter Mitty-ish Eddie Marsen-you know the guy who ran that bookstore in Newark where nobody seemed to go in and browse had a wife problem too. A nagger unto eternity and so one day she winds up dead, very dead outside of poor Harry’s Rainbow Diner a bus stop on the way to Saratoga Springs. Poor Harry though since sweet Clara was last seen before she took her leap of faith after last being seen at Harry’s when she was taking the bus to see her mother. Evil times in the North Country no question.

So follow me. Two deaths, two dead wives, two not sorry husbands whoever their public sentiments hell even a two bit suburban copper could figure out the prime suspects-the hubbies did it even on the alleged suicide. That is the percentages, no question. That the way the copper played it hard and loose before the Warren Court pulled some of his antics up short. That is the way things played out anyway once Walter, poor shmuck, started playing footsie with some beatnik torch-singer, Ellie played by Haley Bennett, from the Village in the days when jazz and poetry ruled the roost in those environs before the folk minute burst onto the scene. Walter also had ambitions as an amateur sleuth, a writer of short story thrillers, just in case the architect business went south. He got interested in that Walter Mitty-ish guy case once he figured out that all signs pointed to the guy doing in the wife. So he played cat and mouse with the guy. Wrong move for two reasons that Walter Mitty guy was an American psycho and that ain’t no lie and with Walter mucking about even a two bit cop can see big time promotions by solving two wife murders for the price of one. Simple. But the only lesson that the rest of us humankind should draw here is hold off wishing you want to see somebody dead just because that would be the best situation for you. Simple too.     
                  

For Georgia O’Keeffe Just Because She Lighted The Firmament For Long While And Made Me Appreciate Luscious Desert Blooms And Such

For Georgia O’Keeffe Just Because She Lighted The Firmament For Long While And Made Me Appreciate Luscious Desert Blooms And Such   





By Lenny Lynch

Defiant, independent, no lover of men, boys either as she put it fore-square in her late Victorian high school yearbook (making me wonder if she was not some preternatural Frida Kahlo taking her pleasures where she found them but the severe looks, with that hard-press bun hard-pressed for some eighty years even when covered by “doo rag” or Southwestern ancient from before Gadsden Purchase Spanish don sombrero of a hairpiece done about six ways to severity make me think that she lived for her art and thought about sex through her fleshy vaginal lush flowers de-flowered). And so she went to see William Merritt Chase the godfather of many of her generation. Went to see that famous 1913 Mabel Dodge and the Mayfair swell Amory show which brought modernism to the American shores once the exiles made a stink. Went too a-skimming to that oasis of modernism and protest art politics the Art Student League in New York City then Mecca on the rise as fallen Europe bled by four years or carnage and a millennium of unanswered hurts grudgingly gave way to the New World as the very latest thing in art. Jackson Pollack out in some Wyoming of the mind getting ready to splash his sub-conscious on canvas.  (By the way ASL making me think that it was a popular front invention of those devious American-born Stalinists with their hands deep in the pie but no that institution stands on its own although when you look at the roster from Stuart Davis to Jackson Pollack and beyond it makes you wonder-good wonder, the wonder of Scotty Fitzgerald’s lonesome Dutch sailors as they coursed  Long Island Sound and saw, hell, saw the fresh green breast of a new land. Some landscape out of their Golden Age past all fastious burghers and winter-scape hard-headed ice pond fresh. To wonder and to pity later-okay.         

Hit the town running pushing into old Stieglitz’s workshop, what did he call it oh salon, he onto something about art once the camera took pretty pictures out of an artist’s hands (took praise be ugly pictures too picture old dusty Okies travelling, sideshow geeks, drag queens working too hard to be Miss Judy Garland, gay lovers in secluded closets before the Stonewall wash us clean, holy goofs and con men, things blowing up, things being blown up but mainly the human comedy to make one think that something somewhere went awry) and left the field shattered dumping those picture perfect pantries filled with precise foods, prefect flowers in season or out, and brilliant baskets of fruit, my god, millions of brilliant baskets of fruit, grapes gleaning pearl-like. Maybe from the look of some photograph grabs some explicit stuff which the moral police might have considered naughty when naughty meant the clink, unless you as eternally were connected. No the times, like all times, required something more and Ms. O’Keeffe was showing just a glimmer of that understanding painted the town, painted every skyscraper that was not nailed down and  when she went to upstate New York and painted red, blue, green barns, and the like showing us a new non-idyllic pastoral.      

But forget all that. No, put all that in the past once she headed Western, an Eastern girl born for the West just look at those later photographs of her like some wizen Earth Mother pioneer stock weathered beyond weather come a-blazing to tame the land to her brush. Make desert-forsaken whitened cracked cattle bones and sagebrush come alive in the new dispensation. Made that homestead Ghost Ranch (dude ranch so figure we are close to Professor Turner’s closing of the frontier Clark Gable will do the rest come last of the heroic mold cowboy The Misfits time) come alive with Western-strewn colors all siena brown, mojave yellow, death valley red, granite grey. Did it with some style too, something to look at in big gallery art museum walls. Something to ponder about the very real virtues of living for your art and be damned with the rest. Be damn with the men, boys too.        

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-“The Next Girl Who Throws Sand In My Face Is…” Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-“The Next Girl Who Throws Sand In My Face Is…” Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga.




YouTube film clip of the Falcons performing You're So Fine.

From The Archives Of Allan Jackson

[Back again since the negotiations between Sam Lowell and current site manager Greg Green have stalled out for now. Sam is fervently negotiating with Greg to get Allan Jackson the previous site manager full attribution and more for his relentless work on this series several years ago when the series was originally posted. A hard sell although by general agreement of both those who had supported Allan like me and those who had opposed like Sam are anxious to see Allan get his just due as that will affect their rights as well which is maybe the real sticking point. Rather than going piece-meal with what is happening on that front I will continue, at Allan’s request, to shoot down the vast swirl of rumors that have surfaced around his name once he went “underground” after his departure (a departure now recognized by all, just ask Sam, as a “purge”).

I have already swatted down the vicious rumor that Greg had Allan “done in,” meaning according to one far-out “conspiracy theory” take that Allan was probably buried out in some arroyo with the stage-brush tumbling over his head out West someplace where they don’t ask so many questions. Swatted down to my relief, Sam’s and probably all the older writers who knew him in his radical 1960s days after that shattering hitch in the Army during the Vietnam War, a rumor that he had for filthy lucre been “turned” and was writing copy for various Mormon publications out in Utah and later tried to mea culpa beg his way on to Mitt Romney’s U.S. Senatorial campaign after ancient Orrin Hatch decided to give up the ghost. 

Couldn’t swat down the big rumor that he was shacked up with some twenty-something surfer girl, a young woman whose name is Damask which tells you quickly all you need to know for now about this California-bred blonde, out in La Jolla who was teaching him to surf  and be her “sugar daddy” or something like that since that was actually true although the whole thing was blown way out of proportion about the sugar daddy part if you knew anything about Allan’s finances with three ex-wives to send checks to a few of his younger kids since creating a serious drain via their college tuitions. The latest we heard from him after we were able track down Allan up in Bar Harbor, Maine was that he was working like seven dervishes to bring her East to check out the surf.  

More recently, and frankly more ominously, Allan’s name had been attached to the Perez cartel, the big Mexican-based cartel (at least at last report that is where the operation was based) which was not above murder and mayhem to get the “product,” these days cocaine and heroin, to the United States market. This was serious stuff not only for what is left of Allan’s fairly well established and positive professional reputation but for his personal legal situation if such a rumor was true. As usual, once we asked him about the matter, the whole thing had once again been blown out of proportion and it never really came to anything once Allan realized that he would be their “mule” forever after he took the first bite.        

I mentioned a minute ago Allan’s generally fraught with peril financial status along with that big desire to bring his lady friend Damask East. Along with no current income Allan said he got a little desperate especially when Damask, who had never been East before, kept pressing him to bring her East. For most of Allan’s adult life he has been a pretty straight legal arrow whatever desperate situations he might find himself in. Of course we all smoked, snorted, swallowed whatever dope was around when we were younger, back in those 1960s days when in some places you could get “high” just breathing in the air, dealt a little to keep the wolves from the door too when necessary.

This thing with Damask had kind of unhinged him a bit figuring this was his last serious grab at the brass ring of romance. Somehow through an old connection (a guy who wrote with him in the days when they both worked for the now long-gone alternative newspaper The East Bay Other whom he had keep in touch with), who knew a connection who knew a connection which is the way such things go he got “connected” with a guy down in Tijuana who represented the Perez cartel. Basically the deal was that he would “mule” some stuff up from Mexico for a while, take a cut and that would be his way to get out from under. When he laid it out for us it sounded pretty good what with the idea of using an old seemingly harmless white guy tourista to run the stuff across the border.   

Stop. Before the thing went to the starting point Allan backed off, backed way off. Reason? The reason which both Sam and I knew the minute he mentioned that he had backed off. Memories of the fate of our old still missed like crazy Scribe, our old friend from the Acre neighborhood of North Adamsville Peter Paul Markin (whose name Allan used for years as an on-line moniker here and elsewhere in his honor) who when he saw the writing on the wall about our dashed hopes of a newer world in the 1960s were going down without a fight got seriously in cocaine. Got so serious he made the fatal mistake of trying to put some gringo idea of making an independent big drug buy down in Sonora in Mexico and got blown away by some bad guys and a potter’s field grave for his foolishness. With that in mind Allan just told Damask that they were through unless she could wait until he got some cash together after he went back East to see what he could put together. As it turned out Damask was not only a wait person at Dave’s Diner out there in La Jolla and a surfer girl but was working on her master’s degree in physical therapy so was not some teeny-bopper (our old time expression) airhead. Surprised Allan when she said she would wait. Pretty good, huh. Jack Callahan]
***************
No question that Jimmy Callahan and his corner boy comrades, including me, from the old Frankie Riley-led Salducci’s Pizza Parlor hang-out up the Downs from the day high school got out for the summer in the early 1960s drew a bee-line straight to the old-time Adamsville Beach of blessed memory. One day recently he had been thinking back to those times, back a half century at least, as he walked along the beach at Big Sur and had been telling his girlfriend, Miranda, that his love affair with the sea started almost from the day he was born near that beach, a beach that still held his sway although he had seen, and was seeing right there with her better beaches since then. (As far as that girlfriend designation goes with Miranda Jimmy always wondered what the heck do you call somebody whom you are not married to but are intimate with who is along with you pushing the wrong side of sixty, so Jimmy simple girlfriend it is until somebody comes up with something better that “significant other,” “consort,”  or “partner”.) The old Adamsville beach with its marshlands anchoring each end, its stone-laden sands uncomfortable to sit on, its rendezvous teen meet-up yacht clubs, its well-sat upon seawalls, and its thousand and one night stories of late night trysts in fugitive automobiles and while on skimpy beach blankets, its smoldering fried clams at the Clam Shack fit for a king or queen, its Howard Johnson’s many-flavored ice creams still held memories wherever he was in later life.

Although from what Red Rowley, an old corner boy comrade, had told Jimmy a while back when they had touched base for a minute in Sweeney’s Funeral Parlor over in landlocked Clintondale a couple of towns away after the death of a Jimmy family member the old beach had seen serious erosion, serious stinks and serious decay of the already in their day ancient seawalls and no longer held the fancy of the young who back in the day wanted to go parking there at night to “watch the submarine races.” Also no longer served as a coming of age spot for winter-weary guys watching winter-weary well-tanned girls in skimpy bikinis between the yacht clubs hot spot for such activity. In fact Red said that last time he checked on a hot July summer’s day at high noon nobody, young or old, was in that sacred spot.   
Red Rowley who was the youngest boy in the Rowley household and who had been afraid of girls, not gay afraid, but just afraid of girls and their ways had like a lot of Irish guys who took their stern religious upbringing too seriously never married and had stayed in town the whole time, stayed in the same house, and once his mother’s health declined after his father died never thought to leave. So Red could, as an old fixture like the street lights, see what changes had occurred around town. And he would ask young people, some of who were interested in talking to him, what they were up to, what they knew about the old time customs of the high school and of the town.

Hell, Red said, the young guys in the neighborhood didn’t know what he was talking about when he mentioned “watching the submarine races,” that old code word for getting in the back seat of an automobile (or if car-less and desperate on a skimpy beach blanket against that stony sand) with a girl and seeing what was what, coming up for air to check for any midnight submarine sightings. One guy even asked how one could see a submarine at night if one was in the neighborhood of the beach. Jesus. Also they, and here Red meant both sexes, had no idea on this good green earth that those now old tumble-down yacht clubs in dire need of serious paint jobs after the slamming of the seas and the furious winds had done their work had been the site of many a daytime planning for the night heat sessions. Were clueless that guys would ogle girls there, thought it kind of, what did one of them, one of the girls, call it, yeah, sexist. Jesus doubled.   

Red, by the way, was one of those ancient Irish Catholic corner boys who had stayed in town to help mother in order to have clean socks and regular six o’clock suppers without the bother of matrimony but also like Jimmy, hell, like me and every guy who breathed their first breaths off an off-hand sea breeze, also stayed to be near the ocean too. But Red had mainly watched the town change from an old way station for the Irish and Italians to the South Shore upward mobile digs further south to a “stay put” moving from the big city immigrant community which he was not particularly happy about since he could not speak any of the new languages (frankly in high school he had serious trouble with the English language) or understand the cultural differences when they, the collective mix of immigrants none from European homelands, did not bend at the knees in homage on Saint Patrick’s Day. But Red’s trouble with the new world of America (not really so new since these shores since the sixteen hundreds had seen wave after wave of immigrants just back then they had been from Europe, or had been Africa branded), or the real condition of Adamsville Beach was not what had exercised Jimmy on that trip to Big Sur with Miranda but about the old beach days, the now fantastic beach days.

Jimmy had chuckled to himself when he told Miranda- “Did we go to said beach to be “one” with our homeland, the sea? You know to connect with old King Neptune, our father, the father that we did not know, who would work his mysterious furies in good times and bad. Or to connect as one with denizens of the deep, fishes, whales, plankton, stuff like that. No.” Then he went down the litany of other possible motives just as a little good-humored exercise. “Did we go to admire the boats and other things floating by? The fleet of small sailboats that dotted the horizon in the seemingly never-ending tacking to the wind or the fewer big boats, big ocean-worthy boats that took their passenger far out to sea, maybe to search for whales or other sea creatures? No.” “Did we go to get a little breeze across our sun-burned and battered bodies on a hot and sultry August summer day?” Jimmy, a blushed red lobster in short sunlight who was sensitive about that red skin business declared a loud No, although Red, Frankie, Peter, and Josh, his other comrade corner boys less sensitive to the sun would have answered, well, maybe a little.

Jimmy said that he soon tired of those non-reasons, this little badger game, and got to the heart of the matter, laughed to himself as he thought and then mentioned to Miranda-“Come on now we are talking about sixteen, maybe seventeen, year old guys. They, every self-respecting corner boy who could put towel and trunks together, which meant everybody except Johnny Kelly who had to work during the day in the summer to help support his mother and fatherless younger brothers and sisters , were there, of course, because there were shapely teeny-weeny bikini-clad girls [young women, okay, let’s not get technical about that pre-woman’s liberation time] sunning themselves like peacocks for all the world, all the male teenage North Adamsville world, the only world that mattered to guys and gals alike, to see. Had been sunning themselves in such a manner since bikinis and less replaced those old-time bathing suits that were slightly less cumbersome that the street clothes you saw in your old grandmother’s scrapbook. And guys had been hormonally-charged looking at them that long as well.”

“Here is the catch thought,” Jimmy continued. “They, and they could be anywhere from about junior high to the first couple of years in college although they tended to separate themselves out by age bracket were sunning themselves and otherwise looking very desirable and, well, fetching, in not just any old spot wherever they could place a blanket but strictly, as tradition dictated, tradition seemingly going back before memory, between the North Adamsville and Adamsville Yacht Clubs. So, naturally, every testosterone-driven teenage lad who owned a bathing suit, and some who didn’t, were hanging off the floating dock right in front of said yacht clubs showing off, well, showing off their prowess to the flower of North Adamsville maidenhood.” And said show-offs included, Jimmy, of course, Frankie Riley (when he was not working early mornings at the old A&P Supermarket and did not show until later in the afternoon), his faithful scribe, Pete Markin (who seemingly wrote down for posterity every word Frankie uttered and some that he did not, and others including the, then anyway, “runt of the litter,” Johnny Silver. And me too. It is Johnny’s sad beach blanket bingo tale that Jimmy had suddenly thought about when he had driven  pass the old beach one day to confirm Red’s recent beach judgment and wanted to relate to Miranda as the over the top waves pummeling the scarred rock faces in the secluded reaches of Big Sur to give her an idea of what the sea meant to a lot of guys he knew. If, in the Jimmy telling, it all sounds kind of familiar, too familiar even to old time non-corner boys, to those who do not live near the oceans of the world, to the younger set who may have a different view of life than what carried the day back then, it is because, with the exception of the musical selections, it is. 

This is how it all started though:

“The next girl who throws sand in my face is going get it,” yelled Johnny Silver to no one in particular as he came back to the Salducci’s Pizza Parlor corner boy beach front acreage just in front of the seawall facing, squarely facing, the midpoint between the North Adamsville and Adamsville Yacht Clubs. “For the clueless,” and Jimmy assumed Miranda was in that vast company so he told pains to spell it out, “the corner boy world in North Adamsville, hell, maybe every corner boy world everywhere meant that you had certain “turf” issues in your life not all of them settled with fists, although an issue like some alien corner boy looking the wrong way at one of the Salducci girls could only be resolved that way.” But mostly it was a matter of traditions, traditional spots which the “unwritten law” held for certain groups and the spot between the boat clubs was theirs, and had been the “property” of successive generations of Salducci’s Pizza Parlor corner boys since at least the end of World War II when Frankie Riley’s father and his corner boys, some very tough boys transplanted from South Boston to work in the shipyards and some restless guys who had like Frankie’s father served in the war but were not ready to settle down “claimed” the spot.”        

Johnny, after having his say, fumed at no one in particular as the sounds of Elvis Presley’s Loving You came over Frankie Riley’s transistor radio and had wafted down to the sea, almost like a siren call to teenage love. Then one of those “no one in particulars,” Pete Markin replied, “What did you expect, Johnny? That Katy Larkin is too tall, too pretty and just flat-out too foxy for a runt like you. I am surprised you are still in one piece. And I would mention, as well, that her brother, “Jimmy Jukes,” does not like guys, especially runt guys with no muscles bothering his sister.” Johnny came back quickly with the usual, “Hey, I am not that small and I am growing, growing fast so Jimmy Jukes can eat my… ” But Johnny halted just in time as one Jimmy Jukes, James Allen Larkin, halfback hero of many a North Adamsville fall football game running opponent defensive players raggedy in his wake, came perilously close to Johnny and then veered off like Johnny was nothing, nada, nunca, nothing. And after Jimmy Jukes was safely out of sight, and Frankie flipped the volume dial on his radio louder as the Falcons’ You’re So Fine came on heralding Frankie’s attempt by osmosis to lure a certain Betty Ann McCarthy, another standard brand fox in the teenage girl be-bop night, his way Johnny poured out the details of his sad saga.

Seems that Katy Larkin was in one of Johnny’s classes, biology he said, and one day, one late spring day Katy, out of the blue, asked him what he thought about Buddy Holly who had passed away in crash several years before, well before he reached his potential as the new king of the be-bop rock night. Johnny answered that Buddy was “boss,” especially his Everyday, and that got them talking, but only talking, almost every day until the end of school. Of course, Johnny, runt Johnny, didn’t have the nerve, not nearly enough nerve to ask a serious fox like Katy out, big brother or not before school let out for the summer. Not until that very day when he got up the nerve to go over to her blanket, a blanket that also had Sara Bigelow and Tammy Kelly on board, and as a starter asked Katy if she liked Elvis’ That’s When The Heartache Begins.

Katy answered quickly and rather curtly (although Johnny did not pick up on that signal) that it was “dreamy the way Elvis sang it, but sad when you think about all the trouble guys bring when they mess with another boy’s girl.” Then Johnny’s big moment came and he blurted out, “Do you want to go to the Surf Dance Hall with me Saturday night? Crazy Lazy is the DJ and the Rockin’ Ramrods are playing?” And as the reader knows, or should be presumed to know, Johnny’s answer was a face full of sand. And that sad, sad beach saga is the end of another teen angst moment. So to the strains coming from Tammy’s radio of Robert and Johnny’s We Belong Together we will move along.

Well, not quite. It also seems that Katy Larkin, tall (too tall for Johnny, really), shapely (no question of “really” about that), and don’t forget foxy Katy Larkin had had a “crush” since they had first started talking in class on one John Raymond Silver if you can believe that. She was miffed, apparently more than somewhat, that Johnny had not asked her out before school got out for the summer. That “more than somewhat” entailed throwing sand in Johnny’s face when he did get up the nerve to ask. And nothing else happened between them for the rest of the summer, except Johnny always seemed kind of miserable when he leaned up against the wall in front of Salducci’s to confer with his corner boys about life being kind of crazy. But get this- on the first day of school, while Johnny was turning his radio off and putting it in his locker just before school started, after having just listened to the Platters One In a Million for the umpteenth time, Katy Larkin “cornered” (Johnny’s term) Johnny and said in a clear, if excited voice, “I’m sorry about that day at the beach last summer.” And then in the teenage girl imperative, hell maybe all women imperative, “You are taking me to the Fall All-Class Mixer and I will not take ‘no’ for an answer.”

Well, what is a guy to do when that teenage girl imperative, hell, maybe all women imperative voice commands. After that Johnny started to re-evaluate his attitude toward beach sand and thought maybe, after all, it was just a girl being playful. In any case, Johnny had grown quite a bit that summer and it turned out that Katy Larkin was not too tall, not too tall at all, for Johnny Silver to take to the mixer, or anywhere else she decided she wanted to go.
Here is what Jimmy told Miranda that Big Sur day to put a philosophical twist on the whole episode fifty years later.  After stopping his car toward the middle of Adamsville Beach, the place between the two yacht clubs where he and the Salducci corner boys hung out, the two clubs whose appearance that day spoke to a need of paint and other fixing up, the place that had stirred his memoires that day Jimmy Callahan thought Red had it all wrong, all wrong indeed, it had nothing to do with the condition of the clubs, the beach, the sand, the waves or the boats. Mr. John Raymond Silver and Ms. Katy Silver (nee Larkin), now of Naples, Florida, are proof of that statement.    

In The Glory Days Of The Cold War Night-Will The Real Bond, James Bond Stand Up –Timothy Dalton’s “The Living Daylights” (1987)-A Film Review

In The Glory Days Of The Cold War Night-Will The Real Bond, James Bond Stand Up –Timothy Dalton’s “The Living Daylights” (1987)-A Film Review




DVD Review

By Seth Garth

The Living Daylights, starring Timothy Dalton, Maryam d’Abo, 1987

No question guys like John LeCarre, Tom Clancy and the creator of the Bond, James Bond series Ian Fleming although not all the storylines in the long-running series have had tough sailing since the demise of the arch-villain Soviet Union back in 1991-92. Sure there has been plenty of international dramatic tension possibility since, the “war on terror,” the drug trade, cyber-theft but nothing like those glory days when the smooth as silk and just as deadly good guys wore white hats if only metaphorically and the ham-fisted, can’t shoot straight bad guys wore black, no. red and you had something like the world on the edge with every action-and reaction.

Just look at the difference let us say with a non-descript plot against some holy goof outfit (which also cannot shoot straight) in a post-Soviet demise Bond flick like 2015s Spectre and the action in the film under review, The Living Daylight with late Soviet era-Afghan War as a backdrop. You knew who to root for, or thought you did when the action turned to the Afghan situation later in the story. (That “thought you did” courtesy of the hard fact that those “allies” the mujahedeen turned out to be some nasty Taliban guys when the dust settled later in the beginning of the 21st century).                  

Of course the attentive reader is wondering not so much about plotline as the burning question of the day-who is the real James Bond. Much cyber-ink has been spilled in this space between the lovely Phil Larkin and the pretty boy youngster William Bradley as they have gone into hand to hand combat over whether their respective choices ruggedly handsome Sean Connery for the former and pretty boy Pierce Brosnan for the latter. Here we have another entrant Timothy Dalton who I would while I don’t want to get in an ambush by either partisan does not measure up to their respective choices. Doesn’t portray the rugged individualism of Connery or the charm the pants off you of Brosnan.

But to the story as Sam Lowell always liked us to get to before the reader wondered why he or she spent their precious time reading a film review like this. This is straight up KGB (even those initials today sent shivers up and down the spine thinking about Siberian exiles or being shot in Lybinaka dungeons) versus M-led MI6 and James Bond agent stuff. Seems the bad ass KGB’s new leader is reviving the old policy of death to spies when caught. Meaning some MI6 agents have been wasted forthwith. his though is just a ruse for a corrupt Soviet general “on the take” to whoever will pay the graft in money, dope or armaments to work his plan to make huge profits off the Afghan opium trade and buy arms to supply whoever has the dough and need for such arms.

This Soviet general is really kind of clever, for a while, as he fakes a defection to the West to put the whammy on the new KGB leader who is actually a reformer of sorts maligned by that renegade general. Has the help of his angel-faced girlfriend Kara, played by Maryam d’ Abo (nice name) who also plays a mean classical cello. This is the ruse Timmy, oops, James must breakup at whatever costs. First he has to realize, which he does in short order, that this general’s flight is bogus. Second he has to gain the confidence of Kara to set the trap to grab this bad ass general who is ready to do business with a don’t give a damn American arms dealer who will sell anything from firecrackers to nuclear weapons to whoever has the dough.

Naturally in these thrillers we see the latest in what Q-MI6s master technie has put together, see whatever three hundred actions per minute put Bond (and Kara) in harm’s way across Vienna, the Alps, Tangiers, Afghanistan and who knows where else before that bad ass general and that amoral arms dealer bite the dust. Naturally as well there has to be the little dance between Bond and Kara before they go under the sheets that everybody knows from the minute she shows up on screen is going to happen. Well at least unlike in the past where the women who fall all over whatever Bond is in play are strictly eye candy Kara can play that mean cello too.             

As the Winter Olympics come to an end, Support the momentum for Peace in Korea! Continue the Olympic Truce in Korea Take War off the Table Cancel U.S. military exercises in Korea

As the Winter Olympics come to an end,
Support the momentum for Peace in Korea!
Continue the Olympic Truce in Korea
Take War off the Table
Cancel U.S. military exercises in Korea

Join the Rally for Peace in Korea:
Thursday, March 15  4:30 - 5:30
South Station, Boston

  • The recent Olympics offered a unique moment to promote peace on the Korean Peninsula and avoid a cataclysmic war.
  • We saw North Koreans and South Koreans marching together in the opening ceremony
  • During the Olympics we saw the first high-level discussions between North and South Korea in many years
  • The People of the world saw the United States suspend joint military exercises and North Korea suspend nuclear weapons and missile tests
  • And now there are offers on the table that could end the crisis if we support the peace process

The Olympic Truce (called by the U.N. to last from Feb. 2 to March 25) opened up the opportunity for future discussions that could eventually lead to peace.We must give this small opening toward peace the opportunity to grow and to prevent a catastrophic war
 Say YES to the ongoing efforts by South and North Korea to restore a peace process.
Say NO to war with North Korea
Sponsored by Veterans for Peace-Smedley Butler Brigade – Mass. Peace Action – American Friends Service Committee – United for Justice with Peace – Womens International League for Peace and Freedom
For Information call 617-354-2169



-- 
You received this message because you are subscribed to the Google Groups "Massachusetts State Network for Peace and Justice" group.
To unsubscribe from this group and stop receiving emails from it, send an email to mass-peace-justice-net+unsubscribe@googlegroups.com.
To post to this group, send email to mass-peace-justice-net@googlegroups.com.
To view this discussion on the web visit https://groups.google.com/d/msgid/mass-peace-justice-net/SN1PR08MB1773FF228DAC1F3EB18A0FACB2DF0%40SN1PR08MB1773.namprd08.prod.outlook.com.
For more options, visit https://groups.google.com/d/optout.

In Honor Of Women’s History Month – Poet Jesse Baxter’s In Pharaoh Times

In Honor Of Women’s History Month – Poet Jesse Baxter’s In Pharaoh Times






In Pharaoh Times


Isis, daughter of Isis major, mother- wife-sister of the human sun god


Awoke, awoke with a start weary from brother couplings; and stray poppy laden abandoned copulations


Configurations only a deacon priest filled with signs and amulets could fathom, or some racked court astrologer


To face the stone-breaking day, a day filled to the brim, overflowing, with portents


Arisen, washed, fragranced, headed to the balcony to observe unseen and to be observed seen beneath the cloudless skies      


Out in the ocean sea of whirling sand, out in the endless chiseled stone sun blazing day; her sea visage on down heads, eyes averted


Hittites, Gilts, Samians, Cretans, Nubians, Babylonians all conquered all down heads and averted eyes


Out on the ocean see, a lone sable warrior defeated, defeated with down head and upward eye disturbed the blistering heat day


Isis, daughter of Isis major, mother-wife-sister-child of the human sun king   shrinks back in fear, fear time has come


That black will devour Nubian and rise, rise


Yes, rise in Pharaoh times       


Jesse Baxter had never been so angry in his young black and be damned life as he had been at his, well, let’s call her his lady friend, even though strictly speaking she was more than a lady friend and the term had lost some of its urgency in the rush to proclaim a new estate for women which included cutting down to size such terms but lady friend for private consumption, Louise Crawford, since he was not sure whether girlfriend in the intricate relationship networks of the 1960s in quirky old Greenwich Village in the depths of trail-blazing New Jack City was an appropriate designation for their newly flowered relationship. Jesse a budding poet, a very hopeful poet who had just begun to get noticed in that rarified Village air had become one of Louise Crawford ‘s, ah, “conquests” on her way to tasting  all that the Bohemian night offered (not quite “beat,”  that had become passé by then and not quite “hip” as in hippie that would become the fashion later in the decade so bohemian, meaning out on the cultural outer edge, would do, would do as long as Jesse thought such a term was appropriate).


We should take note of that budding poet business since David Logan, the influenicial critic for Poetry Today, the bible of the trade, among others had proclaimed Jesse the cleanest voice around since Langston Hughes put pen to paper. But see just then no young black poet (or any kind of cultural artist for that matter) wanted to be compared to any old Tom-ish figure who went “white” when the deal went down, didn’t want to incur LeRoi Jones soon to return to his Africa name  and his ilk’s wrath much less exile Jimmy Baldwin’s. Needed to show that he could tell Mister Whitey to take himself and his cultural apparatus that was a yoke on his or blackness to go to hell with his brethren down among the Mister James Crow brethren. Above all did not want to be tarred with some hokey David Logan Poetry Today-funded by one of the Lowells, not real poet Robert’s branch by the textile one, brush as the great “white” hope to assuage liberal guilt or whatever guilt needed assuaging after four hundred years of letting the rednecks have their way. So paint one Jesse Baxter officially as an angry black artists who was going to tell the world what was what and be damned straight about it too.      


Here’s the funny little contradiction, the little blind spot white spot in which Jesse was hardly alone. Jesse had seen Louise around the Village several times at the trendy art shows (the first of the Soho-Warhol doings away from the “official” modernist art of the Village and MoMa),  upbeat coffeehouses beginning to emerge from “beat” poetry and jazz scenes to retro folk revival stuff where he was able to get still get play because he had been befriended by Dave Von Ronk who was the father figure of that revival, and at a few loft parties large enough to get lost in without having met everybody or anyone, if that was what one wanted. He had heard of her “exploits,” exploits tramping through the budding literati but had only become acquainted with Louise through her “old” lover, Jose, Jose Guzman, the surrealist-influenced painter who was beginning to make a splash for himself in the up and coming art galleries emerging over in that nearby Soho previously mentioned (emerging as much because the penniless young artists were priced out of the Village once the suburban kids with father’s dough started renting dig in that hip locale. And either she had tired of Jose (possible once he tried one of his forever Picasso-Dali painterly tirades) or he had tired of her (more probable since Jose was thrown off right from the beginning by her “bourgeois “command manner and her overweening need to seem like a white hipster under every circumstance although she was quote, Jose, quote, square, unquote but a good tumble, a very good tumble under the sheets) and so one night she had hit on Jesse at a coffeehouse, Mike’s across from the Gaslight where he was reading and that was that. (Strangely in the folk mythology Mike Greenleaf the owner of Mike’s had actually in the late 1950s gone with several other NYU students to “discover” the old bluesmen like John Hurt, Bukka White, Skip James, guys like that who then came up and played the Gaslight and Geddes since the small Mike-style coffeehouses couldn’t afford the gaff and so the homeless poets, black and beat, or both found refuge there.)   


But enough of small talk and back to Jesse’s rage. At one up-scale party held on Riverside Drive among the culturati, or what passed for such in downtrodden New York,  as they had become an “item” Louise had introduced Jesse as the “greatest Negro poet since Langston Hughes and the Harlem Renaissance.” Jesse was not put off by the comparison with the great Hughes, no way, that would come later under the influence of black protest poets like Jones and the ever-hovering presence of Baldwin, he accepted that designation with a certain sense of honor, although qualified a bit by the different rhythm that motivated Langston’s words, be-bop jazz, and his own Bo Diddley /Chuck Berry-etched  “child of rock and roll” beat running in his head. What he was put off by was that “negro”  designation, a term of derision just then in his universe as young blacks, especially young black men, were moving away from the negro Doctor King thing and toward that Malcolm freedom term, black, black as night, black is beautiful. Jesus, hadn’t she read his To Malcolm –Black Warrior Prince. (Apparently one of the virtues of tramping through the literati was an understanding that there was no actual need to read, look, hear, anything that your new “conquest” had written, drawn or sung. In the case of Louise she had made something of an art form out of that fact once confessing to Jesse that she had only actually read, and re-read, his Louise Love In Quiet Time written by him after some silly spat since she was the subject. His other work she had somebody summarize for her. Jesus, again.) 


And it was not like Louise Crawford, yes, that Crawford, the scion-ess [sic] of the Wall Street Crawfords who had (have) been piling up dough and gouging profits since the start of the republic, was not attuned to the changes going on underneath bourgeois society just then but was her way to “own” him, own him like in olden times. While he was too much the gentile son of W.E.B. Dubois’ “talented tenth” (his parents both school teachers down in hometown Trenton who however needed to scrimp and safe to put him through Howard University) to make a scene at that party latter in the cab home to her place in the Village (as the well-tipped taxi driver could testify to, if necessary). Jesse lashed into her with all the fury a budding poet and belittled black man could muster.


In short, he would not be “owned” by some white bread woman who was just “cruising” the cultural and ethnic out-riggings before going back to marry some son of some sorry family friend stockbroker and live on Riverside Drive and summer in the Hamptons and all the rest while he struggled to create his words, his black soul-saturated word .


The harangue continued up into her loft and then Jesse ran out of steam a little (he had had a little too much of high-shelf liquors and of hits on the bong pipe to last forever in that state). Louise called for a truce, said she was sorry, sorry for being a square, and called him to her bed, pretty please to her bed. He, between the buzz in his head from the stimulants and the realization that she was good in bed, if nothing else, followed. And that night they made those sheets sweat with their juices. After they were depleted Jesse thought to himself that Louise might be just slumming but he would take a ticket and stay for the ride and fell asleep. Louise on the other hand, got up and went to the window to look out at her city, lit a cigarette and pondered some of Jesse’s words, pondered them for a while and got just a little bit fearful for her future as she went back to her bed and lay down next to the sleeping Jesse.


Later when he awakened just before dawn Jesse wrote his edgy poem In Pharaoh Times partially to contain the edges of his left-over rage and partially to take his distance from a daughter of Isis…


And hence this Women’s History Month contribution.