This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
When Super-Heroes Go Mano a Mano-“Captain America: Civil War” (2016)-A Film Review
DVD Review
By Phil Larkin
Captain America: Civil War, starring Robert Downey, Jr., Chris Evans, Sebastian Stan, Scarlett Johannsson, 2016
[WTF and anybody who is ready this freaking review will know exactly what I am saying and not worry about the kids, since kids don’t come anywhere near this site because they are way too busy texting each other or doing some unearthly social media vamping. Yes, WTF am I, a guy who has shaded three score and ten doing reviewing a Marvel Comic film production about some silly guy who had been frozen since about 1945 and ever since being defrosted has been running his ass off (remember it is okay-no kids will see this) trying to save every American city that he can from various evil parties, parties from a place which bear a striking affinity to the late USSR, the Soviet Union today’s just plan Russia-and Crimea. And now in a brawl with other super-heroes over turf and policy Yeah, what the hell.
Here is my take and it burns me up because a film that I should have naturally reviewed, Deadline-USA, a late effort by legendary actor Humphrey Bogart which while not his best or most classic work (Casablanca, To Have And Have Not, The Big Sleep, Key Largo are in my book) should have been mine by right. I, who spent many a Saturday afternoon double film matinee with one stretched out bag of popcorn in the second-run Strand Theater in North Adamsville about forty miles south of Boston watching and many times more than once to get out of the chaotic household I grew in at least am old enough to have seen the films before the dust settle on them. Unlike the kid, the young man, this Jacobs kid, who new site manager Greg Green had assigned to do the review, his first, and who came right out and said that he went to the re-run theaters in Michigan with his parents, his parents for God’s sake, when he was nothing but a kid, Didn’t even understand half of what was going on.
No. This coup has all the earmarks of new site manager Greg Green’s work although I am sure he will deny this simple truth as will this new toady Editorial Board who has bowed to his every wish getting even with me for supporting one hundred per cent, and still supporting, the recently deposed long-time site manager and a childhood friend Allan Jackson. I don’t expect this comment to see the light of day. Probably I will be pieced off with one of those not enough space excuses and told I can have it to introduce my next article when again space limitations will be cited and I will be pieced off until infinity or the end days come around. Bullshit (don’t worry even a stray curious kid has long ago stopped reading this screed as some meanderings of an old three score and ten guy if they know how much that is and that is not a given). But onto the review. Phil Larkin]
Frank Jackman who writes here now on anything as per the new so-called Editorial Board rule but who used to be the senior political commentator under Jackson and a good one has spent most of the last year proclaiming to everybody who will listen or read that we are in the age of Trump in a cold civil war situation for real. And there is plenty if not definitive proof of that escalating this year rather than as Trump publicity hounds would have it become a dead issue. Compare that real not “fake” storyline with the stuff that this film is throwing your way as Captain America yet again bounces of buildings and people with maybe a scratch or two since they took him out to defrost a few years back comes firing at you (having been in deep freeze since 1945 if you can believe that therefore unlike three score and ten me looking like about twenty-five or whatever graphic the studios are shooting for).
That said and I hope you can hold your ability to suspend your disbelief long enough for me to give you what my old friend Sam Lowell calls the “skinny” here (a guy who nevertheless stabbed his old friend Alan in the back by voting with the kids to send him packing). I will grant no question the super-hero grift is a tough racket. Even with a motley of those with some specialized skills like speed, iron, being good with a bow and arrow, spidery, flame-throwers, robotic, double- flip artists who have the ability to fend off the bad guys they are too few in number to keep the world save from the creeps for long. Moreover for every action they, these so-called avengers, take against the creeps, usually not many at least in the leading cadre there is “collateral damage” as they say, innocents by the scores, hundred, thousands, get wasted through no fault of their own.
The question becomes, ever for those running kinds who make up the avenger herd, a moral one. Against cutting off a few bad guys who will just be replaced by another crop how many innocents must die. That is the premise behind the duel to the death here not only against the bad guys but with a falling out among the good guys when push comes to shove between the immoral rogues and the guilty accommodators. And it will be push come to shove when the various super-heroes pick up sides. Those who are willing to come under some international control commission to become essentially a super elite special forces operation working under instructions and those who want to roam free and kill whatever they can and let the devil take the hinter-post.
Leading the rogue element, the don’t give a fuck about casualties, is this former ninety-eight pound weakling out of an old matchbook Charles Atlas kick sand in your face advertisement who gets boosted up like crazy so he can run, fight and bounce off walls is the aforementioned Captain America played by bean-head Chris Evans. This is the third film in the series so we already know his bio-and his trail of destruction. He can do everything but think beyond the killing fields he has created. Leading the civilized avengers, a brainy guy who can actually think before he acts Stark aka Ironman, played by Robert Downey, Jr. who is, catching on about that collateral damage outweighs whatever bad guys get wasted argument, willing to take himself and some others into that elite unit under international control. That is how the good guys divide up and since they all have checkered pasts the line-up splits down the middle. Of course the joker is the bad guys led by the totally berserk Winter Solider, played by Sebastian Stan, who is really an old buddy of the Captain’s who has been brain-washed by the Russians to do their dirty work. A little Cold War I scenario familiar from Le Carre novels and James Bond films.
So the so-called tensions between the two factions mount especially when Winter Soldier allegedly blows an international conference building to smithereens with heavy causalitie. Wrong fall guy as it turned out and when he is captured miraculously he goes over the Captain’s side just like the old days once he is out of range of his handlers and their nefarious skills. But there are still those government toady avengers to deal with and so the two sides go mano a mano until, well, until it is discovered that some over-the top nefarious fourth party, a Doctor Zemo has been manipulating the whole controversy for his own sense of revenge. So all the old gang get back together after waylaying each other in such a manner that mere mortals would have gone beyond the pale long ago-or held some serious long-standing grudges. Yeah, now you know why I said WTF. Give me a hard-boiled rough-edged private detective, a salty sea captain ready to do his bit for the cause, ditto a nightclub/café owner in the Kasbah, or another private detective who sends a gun-simple femme fatale over for the big step-off Bogie just regular anti-hero any day.
“Once Again on North Adamsville Fourth Of July" And No Fireworks Of The Good Kind Around -With Elvis' " I Forget To Remember To Forget" In Mind
By Frank Jackman
Professor Loring, oh, I won’t be formal, Linny, if I recall
I think I saw a photo of you in the Magnet
[school yearbook] one time as a member of the Russian Club. [In those red scare
Cold War days after Sputnik and a rise in tensions in relationships at critical
points, like with the Cuban Missile Crisis in 1962, it was not at all clear
whether we would not all be speaking Russian after everything was said and
done. Apparently some students, including Melinda, wanted a running start.] And
I think some place I read that you were a Russian history major or something
like that so you probably remember the samizdat movement where the dissidents
had to speak in strange Aesopian phrases or say things in a certain way to
express themselves. [Of course Sam knew both that she had been in the Russian
Club and had been a history major, although not Russian history since they had
spent many a pillow talk night discussing just such matters, Jesus. The
“samizdat” reference is a beauty since even I had forgotten the term since the
demise of the Soviet Union and the word had become something of an anachronism,
double Jesus.] That is what this classmate website seems like sometimes since
many times short replies are necessary, etc. I think of how strange it is that
we are Message Forum #74 and 75 as I answer this and are right next to each
other in cyberspace although we live very far apart from each other. It’s a
great tool to have though. [A reference to her posting that old time 4th
of July photograph that wound up next to a reply he was making about some
aspect of his 4th experiences. Laced as well with some Sam symbolic
cosmic meaning that I still have not quite figured out and did not want to ask
about since I did not need another six hour run on that “written in the stars”
theme he was ambling on about between shots of high-shelf whiskey.]
Needless to say I am very happy that Professor Garland, I
will use that designation here, has read my Fourth of July sketch and I am also
very happy that you shared that photo of you and the Norfolk gang from back in
the day although now with sadness. [Norfolk Melinda’s growing up section of
North Adamsville.] Were we ever that young? I wish I had some photos from then.
About that July 4th sketch I have been telling everybody they should
go back and re-read the dedication though because I have changed it some.
[Sam had made yet another fatal mistake by including a
fetching, yes, fetching photograph of Laura with an inscription about how she
had stood by him as his “best friend” which he had placed in the site prior to
seeing Melinda’s placement of her California photograph. He had quickly deleted
Laura’s photo in some kind of frenzied reaction to what her reaction might be.
By the way the word “fatal,” is Sam’s term whenever I use it here and was based
purely on his speculation as noted previously since Melinda has not said word
one to him since that awful highway parting, I have my own terms for his dizzy
schemes.]
Maybe if you have time you could write a little something
expanding on what was going on in the photo you posted. You know what events
took place, did you have tonic [soda] and ice cream and so on. Or you could
write about anything like the nice thing you wrote about Miss Hooker.
I know from your In
Memory contribution to Alice Hardy (also for Corrine and Linda) that you
were great friends. [All three, now deceased, had been on the float that posted
Melinda photo.] Funny because as you know she was very much into photography at
some point. I actually have a photo that she had taken some time ago of the North
Adamsville Yacht Club that I am looking as I write this message that somebody
had bought and had given me. [Guess who that somebody might have been, triple
Jesus.]
I also noticed that you updated your profile page and placed
a couple of photos of you and your longtime friend and our fellow classmate Donna
Mario out in California celebrating your birthday. Belated best wishes. [Like
he hadn’t already sent those previous private e-mails saying the same thing.] Funny
I was out in California last month on business, San Francisco. I had wanted to
go to Big Sur but things did not work out for one reason or another so I only
got as far as Pacifica. I know I sure would like to get to Big Sur some time
since I am crazy for Jack Kerouac these days and I recently saw a film
adaptation of his book Big Sur by
that name. [Of course he and Melinda were to go to Big Sur after they visited
Donna on that projected trip.]
By the way both of you look very nice in those photos. I
would say “hot” but I don’t think members of the 68 club that you and I are now
in (although not Kathy, right?) are supposed to say such things. [Saying things
like “hot” which I suppose could mean “sexy” as well are part of what got him
before the lord high executioner, the site webmaster. Jesus you would think,
hell, I would think if I was a, ah, “mature woman,” that if anybody, even and
old geezer like Sam said I was hot that would make my day. Actually if any
women said that to me it would make my day.] Especially to people they don’t
know very well or haven’t seen in a long time. [Humility itself here, Sam.]
Someone on site says aging sucks and I agree. All the aches
and pains gathering like a storm I know you must feel that way after that hip
surgery you had. BTW I hope you have recovered fully and are okay.
I hope you are going to the prom, oops, it feels like a prom
the way things are going, I mean reunion. [The way Sam explained this one was
that since neither of them had gone to the senior prom they were, in sunnier
days, planning to use the reunion as the prom. Fair enough.] Please write stuff
here if you have some time. Regards, your fellow classmate. Sam Lowell”
[Honestly I had to re-read this screed a couple of times to
figure out how anybody would figure out what he was referring to who was also
not equipped with a Rosetta Stone or some such ancient deciphering tool, much
less see the damn thing as a love letter, coded or not. Actually my first response
had been-what the f- -k and then I started laughing at the almost sophomoric
way, yes sixteen-ish way, he was thinking. I held off for a while in telling
him that though. When I did mention the flim-flam of the thing he too broke
into laughter, but I felt bringing the matter up was a close thing.]
That Message Forum note
elicited no response from Melinda.
Then Sam got the bright idea to make a “cute” comment about how
sexy the two women looked in that earlier posted photo by Melinda. [Apparently
you can make comments under the photos which is where Sam said he placed the
remarks. That is both open to public (class public) view and cannot be deleted,
except by the webmaster.
“Well Dan McNulty [an ex-football player and flame of Donna
according to Sam] may have lost a step, may have become a little modest in his
old age, maybe has played too much golf or something, I don’t know. I will be a
little forward though since I am in a flirty mood today. From where I sit
whether you are partial to dark–haired, brown-eyed, ruby-red-lipped women
[Donna] or favor light brown-haired, pale blue-eyed, no lipstick ones [Melinda]
they are “hot.” 16 or 68 (is Donna 68 yet?) Is anybody going to argue with me?
I think not.”
[Yes, very definitely that would put a bug in the ear of
somebody who was not speaking to a guy, who was pretending not to know him.
This comment has trouble all over it and you do not need a Rosetta Stone to
figure that out. Sorry Sam, that’s the bitter truth, and that is a sophomoric
mistake if I ever saw one.]
That posting brought down the “cops,” the webmaster Delores. It
seems (although Sam is still not sure of the exact story since we know Melinda
has never spoken or written to him since she dumped him) that she took umbrage
at Sam’s remarks and got in touch with Delores who read Sam the riot act about
appropriate behavior on the site threatening bloody murder if he did not stop
bothering Melinda.
That “snitch” (and here I agree with his classification of the
deed being an old-time corner boy myself) to the “cops” was the end for Sam. A
boyhood corner boy like me, a working-class corner boy who had followed a
certain code established seemingly from time immemorial did not countenance
squealing, not for this silly stuff. Snitching to anybody but certainly not to
authorities of whatever degree. Sam wrote one last personal e-mail to her
commercial e-mail address (he had been warned not to use the class site to
contact her by the “cops”) with a very cutting e-mail finally giving up the
ghost of that relationship. [I am being polite here using the term “cutting.” I
turned red when I read his draft although there was nothing obscene in the
thing but any normal person might have avoided the word “bloated” to a mature
woman or low-rent to anybody. Worse, far worse, even mentioning Laura’s name to
“seeing red” Melinda.]
“Melinda-Laura was right. You are turning into vicious bloated
old hag. I should have listened to her. Six month later and we are reduced to
this. I was only trying to be friends with you. Now I finally see the light.
For the first time I am glad that you dumped me. Now I can write you off as the
latest chapter in the low-rent continuing saga of the North Adamsville bummer
that has followed my life. I have had enough.”
[Nothing more need be said by me.]
Moreover, since in the communications between him and
Deloresseemed to him to have cast him
as some kind of lonely-heart “cyberspace” stalker of an older woman, he set Delores
straight about what had been what was going on between Melinda and him since it
was apparent that she was taking Melinda’s side or assuming Melinda’s case was
clear-cut. (Melinda used Delores as an intermediary and did not communicate
with him directly also not good form from an old corner boy perspective.) Delores
had threatened to kick him off the site and made other remarks that indicated
to him that she was not getting the whole story so he felt he had to lay his
cards out on the table. Here is Sam’s part of the e-mail traffic around this
controversy since he does not have Delores permission to use her name and the
messages are pretty straight forward anyway:
“Delores- Finally on this whole mess-or as you say trying to let
it die a quiet death part of this whole flare-up with Melinda from NH (I don't
know who else would be complaining and do not need to know since everything
else is I think straightened out between you and me) was my attempt to be
friends or civil for a reason. [Delores did not initially identify who was
complaining about what Sam had written but since Melinda’s photos were the only
ones where he placed a message he identified her.] Melinda has said on her
profile page that she intends to go to the reunion. I obviously am going and so
I was trying to smooth things over since the way things were left
between us (and probably for her as well) was not good. My long-
time companion Laura has been talking about wanting to go the
reunion. So you can see where things were heading.
I was using Melinda’s posted photo of her and Donna (and a Message
Forum message which you deleted) in what appears to be an ill-advised
effort to break the ice since I didn't want to have a bad evening filled with
tension, etc. for either of us but, frankly, mainly for me. I am sure that
this information is far more than you need or want to know but Melinda could have
e-mailed me at my Comcast address as she has it (as I have hers so I would
not have to make that one NA64 e-mail if I thought she would answer the
Comcast one) rather than put you in the middle. That is apparently how bad
things are between us. Hopefully all this will have died its proper death by
September but who knows. (Maybe we can hire another ballroom at BW for all
the estranged ones). So that is the inside story and I am sure you understand
that this information is between you and me in case Melinda contacts you for
some reason. At least you have my part, or part of my part of the story.
I will not try to contact her again in any case (or make comments on her page
except maybe vanilla stuff if she posts something like the photo of Norfolk July
4th 1962 like I would with anybody. Yeah, 16 or 68
relationships are hard to figure. Later "oh great dudette
webmaster" -Thanks for your input and actually your help as well-the
Dude (or is it dud)-Sam”
And then:
“Delores- I just sent you an e-mail detailing what I was trying to
do. I have not sent any e-mails on the class website so I am
not what you are talking about. If it is about Melinda then I have
explained my situation and will say yesterday that I sent one last Comcast
e-mail to her [that one with bloated, low-rent and Laura in it] which I do not
know whether she has received or not. If it is somebody else then let me
know who because I have not sent any female classmate a message either on the
site or through my own personal Comcast-mail. Why would anybody including Melinda
put you in the middle like this? If it is Melinda she has no right to
cause me problems with you or the site when she has my e-mail address. If
she has a problem which I think I addressed yesterday then she can e-mail or
write me. This is all will say for now until you explain better what is going
on. I was startled by your message to be honest. This has
to straightened out and let's get it done today if possible.”
And yet again [after another e-mail from Delores complaining that
Sam had not stopped using the class e-mail system to contact Melinda as she had
requested]:
“Delores
- I have not posted anything on Melinda’s page since Thursday I think
which you deleted-so I am not sure what is going on with this. I have
just sent another e-mail to you and will wait on your response but
what the heck is going on here and why are you being put in the middle of
a personal dispute. And why am I being put in the middle here through you by
somebody I cared about and think highly of in my apparently ill-advised attempt
to smooth things over. I said before 16 or 68 it does not get easier. Later Sam”
“And then after several hours of getting
enraged, bitter, and in order to defend himself and what he was about this
e-mail:
“Delores-the more I think about it the more I
think you should know some facts about whatever is wrong between Melinda and
me. That “threatening to throw me off the site” and the way you emphasized that
point about not e-mailing female classmates (really Melinda) and your “scary”
reference has me feeling you should know some facts that she has, or has not,
related to you. The way you presented the situation to me was like I was some
lonely-heartcyberspace “stalker”
preying upon some older woman from out of nowhere- I will present some other
facts that you should weigh. For better or worse at least until this is settled
you are in the middle- I am sorry for that since I consider you the heart and
soul of NA64 and a fine person who should never have to deal with this.
1-Melinda is not some faint-hearted female but
a very strong, assertive person who should be able to deal with this situation
on her own. Christ this is all about e-mails, comments and stuff not some abuse
thing. That strength was part of my attraction to her.
2. In our good days we would exchange about six
zillion e-mails a day so this whole e-mail thing is rather strange since before
this past week when I e-mailed her once on site (saying I missed her
basically), put a comment on her profile page (basically telling she was “hot”
and hoping she was doing well) and wrote a reply to her on the MF (which I sent
to you earlier) and a cutting Comcast e-mail yesterday before she called our
affair off in early April I had sent her exactly two e-mails –one to ask her to
be friends, the other a couple of weeks ago sending birthday wishes.
3. Who do think was the person who cared for Melinda
a lot up in NH when she had her hip surgery in Feb/March?
4. Who do you think encouraged her to write the
Ms Hooper article and her painful parts biography on her profile page.
5. This one will be ironic now-who got mad when
I called a classmate “hot” in a personal e-mail which I did not include her.
6. Why do you think I picked the recent Melinda-Donna
photo from CA. Originally her and I were supposed to go see Donna in June to
celebrate Melinda’s birthday-so that did not come out of nowhere. Also we were
to go to Big Sur.
7. I am not altogether even now sure of the
exact reasons why Melinda decided to split up with me because she refused to
see me in person after she made her decision. I know a couple of things around
our last meeting but the deeper reasons escape me.
8. I had actually told Laura, my off and on
companion of 30 years, that I was leaving her and our shared house together for
Melinda when she decided to call our thing off. Laura and I are still trying to
work something out but we are not living together right now.
9. I still hold Melinda in high regard and
still think she is one of the most interesting woman I have ever met. I have
had enough though and told her so yesterday in a cutting way because she should
have just sent a damn e-mail back in May to say definitely that she did not
want to be friends.
10. I probably still am heart-broken that
things did not work out but like the rest of our generation or most of it I
will get over it.
You can show Melinda this if you want. At this
point you can share it with anybody you want but there are two sides here and I
will not be made to look like a fool/maniac/weirdo just on her say so.Later Sam”
Delores, a good woman and wonderful webmaster, now caught in the
middle of something she did not want to be caught in the middle of, e-mailed Sam
back and said “let’s drop the thing.” He agreed and agreed to not contact
Melinda on site.And that is the end of
the story. Oh well, knowing Sam, actually knowing him much better now than in
the old days when we were more like nodding acquaintances he had one more thing
to get off his chest. (The “nod” for those not in the know was that slight tip
of the head, or hand, that let another guy that was not your corner boy, or somebody
you played sports with or had in one of your classes, know that he was okay
with you, that if the chance came up you would be friendly toward him so a very
important social distinction, especially if a guy did not nod you up)
Obviously Sam had taken seriously his attempts to help organize
the reunion, help too to try to exorcize some of those childhood North
Adamsville demons but the whole flap with Melinda had left a bad taste in his
mouth, make him think as he said in his parting shot at her that she was “one
more North Adamsville bummer experience” in his life. That factor and the fact
that the number of classmates who had signed up was relatively small meant that
he would be unable to avoid her at the reunion. So he sent Delores the following
e-mail explaining, among other things why he would not be going go to the
reunion come September:
“Delores-
When I started thinking about the reunion last year, got interested in it, and
in helping to organize it one of my motives was to erase some of the negative
stuff about my experiences in North Adamsville when I was a kid. Apparently
after 50 years that negative stuff will not go away. All of this is getting
wearisome-apparently as Thomas Wolfe put in the title of one of his books-You Can’t Go Home Again. Nothing to do
with you and the great job you have done as the heart and soul of NA64 and the
website. And a fine person in a trying job as well.
On
that last Message Forum thing I think we crossed messages or something because
I see that you have deleted yours. Naturally I will delete mine since it makes
no sense now by itself. [A reference here to a question somebody on the Message
Forum asked about why Sam did not discuss much about his post-high school
experiences in reply to which he noted that he found no groundswell of
classmates clamoring to learn about his marriages, job history, afflictions,
addictions, and predilections. I laughed when I read that not having realized
that he was a funny guy during all of this heartache stuff.]
However
I think, without asking me, you were wrong to delete that second
paragraph.That was not a reference to
Melinda who I did not “meet” on this site but on the Facebook event page that I
created last fall before I knew we had this site when we were both looking for
reunion information. That was another classmate who I had English with in the
old days and who I was (and am) in communication with.I have tried to be a little more sensitive on
identifying others since that flap over Melinda a couple of weeks ago. BTW I
don’t believe that Melinda is a better writer than me, I would say about equal,
although I agree that she would writer a shorter piece. But these days I am not
sure that she would be straighter. Not everything in this world is about Melinda,
not now, not by me.I am having enough
trouble getting back on track with Laura.
All
of this brings up the main point of this e-mail reply. Since that Melinda flap
a couple of weeks ago and looking at the way that the reunion is shaping up as
a small event as of today where it would be difficult to avoid herI have done some thinking and for my own
benefit I am now not planning to go to the reunion. I don’t need another NA-related
bummer even if only for one evening. I am giving you this information so that
you can either give my ticket to somebody who needs it or use the money as a
donation to the fund being set up.As
always thanks for your work. Later Sam”
I
will not be going either not out of solidarity with Sam but because I never
intended on going after that first flurry on Sam’s part to get me to go. And that is the end of the story, finally. But at 68 Sam still
has that heartbroken feeling of a schoolboy of 16.Join the club, brother, join the club.
Support The Class-War Prisoners During The Holidays-Support The Partisan Defense Committee’s Holiday Appeal- Help Build The Resistance
By Josh Breslin
My yearly comment on behalf of the Holiday Appeal
I like to think of myself as a long-time fervent supporter of the Partisan Defense Committee, an organization committed to social and political defense cases and causes in the interests of the international working class. Cases from early on in the 1970s when the organization was founded and the committee defended the Black Panthers who were being targeted by every police agency that had an say in the matter, the almost abandoned by the left Weather Underground (in its various incantations) and Chilean miners in the wake of the Pinochet coup there in 1973 up to more recent times with the Mumia death penalty case, defense of the Occupy movement and the NATO three, and defense of the heroic Wiki-leaks whistle-blower Chelsea Manning (formerly Bradley) and more recently the courageous anti-fascist fighters who have been rounded up for protesting the alt-right, Nazi, KKK, white supremacist bastards.
Moreover the PDC is an organization committed, at this time of the year, to raising funds to support the class-war prisoners’ stipend program through the annual Holiday Appeal drive. Unfortunately having to raise these funds in support of political prisoners for many years now, too many years, as the American and international capitalist class and their hangers-on have declared relentless war, recently a very one-sided war, against those who would cry out against the monster. Attempting to silence voices from zealous lawyers like the late Lynne Stewart, articulate death-row prisoners like Mumia and the late Tookie Williams, the Anti-fa anti-fascist street fighters to black liberation fighters like the Assata Shakur, the Omaha Three and the Angola Three and who ended up on the wrong side of a cop and state vendetta and anti-imperialist fighters like the working-class based Ohio Seven and student-based Weather Underground who took Che Guevara’s admonition to wage battle inside the “belly of the beast” seriously. Of course a couple of years ago we lost Hugo Pinell, George Jackson’s comrade-in-arms from the San Quentin Six to a murderous vendetta. Others, other militant labor and social liberation fighters as well, too numerous to mention here but remembered.
Normally I do not need any prompting in the matter. One year though, and it now bears repeating each year, after I read the 25th Anniversary Appeal article in Workers Vanguard No. 969 I was startled to note how many of the names, organizations, and political philosophies mentioned there hark back to my own radical coming of age, and the need for class-struggle defense of all our political prisoners in the late 1960s (although I may not have used that exact term at the time).
That recognition included names like black liberation fighter George Jackson’s present class-war prisoner the late Hugo Pinell’s San Quentin Six comrade; the Black Panthers in their better days, the days when the American state really was out to kill or detain every last supporter, and in the days when we needed, desperately needed, to fight for their defense in places from Oakland to New Haven, as represented by two of the Omaha Three (Poindexter and the late wa Langa), in their younger days; the struggle, the fierce struggle, against the death penalty as represented in Mumia’s case today (also Black Panther-connected); the Ohio 7 and the Weather Underground who, rightly or wrongly, were committed to building a second front against American imperialism, and who most of the left, the respectable left, abandoned; and, of course, Leonard Peltier and the Native American struggles from Pine Ridge to the Southwest. It has been a long time and victories few. I could go on but you get the point.
That point also includes the hard fact that we have paid a high price, a very high price, for not winning back in the late 1960s and early 1970s when we last had this capitalist imperialist society on the ropes. Maybe it was political immaturity, maybe it was cranky theory, maybe it was elitism, hell, maybe it was just old-fashioned hubris but we let them off the hook. And have had to fight forty years of rear-guard “culture wars” since just to keep from falling further behind.
And the class-war prisoners, our class-war prisoners, have had to face their “justice” and their prisons. And this, as well, as a quick glance at the news these days should make every liberation fighter realize; the difference between being on one side of that prison wall and the other is a very close thing when the bourgeois decides to pull the hammer down. The support of class-war prisoners is thus not charity, as International Labor Defense founder James P. Cannon noted back in the 1920s, but a duty of those fighters outside the walls. Today I do my duty, and gladly. I urge others to do the same now at the holidays and throughout the year.
The class-war prisoners must not stand alone.
PDC
Box 99 Canal Street Station
New York, N.Y. 10013
Google Partisan Defense Committee for more information and updates
From The Veterans For Peace- The Twelve Days, Maybe More, Of......The Struggle Against The Endless American Wars-From Some People Who Know About Endless Wars
From The Archives Of “American Left History”-An Analysis And A Summing Up After His First Year By Site Manager Greg Green
November 14, 2018 marked the first anniversary of my officially becoming site manager at this publication and in acknowledgement of that tight touch first year I started going back to the archives here from the time this publication went to totally on-line existence due to financial considerations in 2006. (Previously from its inception in 1974 it had been hard copy for many years and then in the early 2000s was both hard copy and on-line before turning solely to on-line publication.) This first year has been hard starting with the residue of the “water-cooler fist fight” started by some of the younger writers who balked at the incessant coverage of the 1960s, highlighted in 2017 by the 50th anniversary commemorations of the Summer of Love, 1967 ordered by previous site manager Allan Jackson.
They had not even been born, had had to consult in many cases parents and the older writers here when Allan assigned them say a review of the Jefferson Airplane rock band which dominated the San Francisco scene at the height of the 1960s. That balking led to a decisive vote of “no confidence” requested by the “youth cabal” in the Jackson regime and replacement by me. You can read all about the various “takes” on the situation in these very archives from the fall of 2017 on if you can stand it. If you want to know if Allan was “purged,” “sent into exile,” variously ran a whorehouse in San Francisco with old flame Madame LaRue or shacked up with a drag queen named Miss Judy Garland or sold out to the Mormons to get a press agent job with the Mitt Romney for Senate campaign after he left here it is all there. I, having been brought in by Allan from American Film Gazette to run the day to day operations as he concentrated on “the big picture” stayed on the sidelines, didn’t have a vote in any case since I was only on “probation.”
A lot of the rocky road I faced was of my own making early on since to make my mark, and to look toward the future I came up with what even I now see as a silly idea of trying to reach a younger demographic (than the 1960s devotees who have sustained this publication since its founding). I went on a crash program of having writers, young and old, do reviews of Marvel/DC cinematic comic book characters, graphic novels, hip-hop, techno music and such. The blow-back came fast and furious by young and old writers alike and so the Editorial Board that had been put in place in the wake of Allan’s departure called a halt to that direction. A lot of the reasons why I am presenting the archival material along with this piece is both to see where we can go from here that makes sense to the Ed Board and through that body the cohort of writers who grace this publication and which deals with the reality of a fading demographic as the “Generation of ’68” passes on. Additionally, like every publication hard copy or on-line, we receive much material we can’t or won’t use although that too falls into the archives so here is a chance to give that material a “second life.”
**********
When one, me, glanced through the archives I was struck almost immediately that the ghost of Peter Paul Markin hovers over this publication and won’t give up, at least it appears until the older writers who knew him, who caught the fresh breeze he had early on in 1960s predicted was on its way and acted with him on it pass on. At least one, Sam Lowell, who had known Markin from elementary school days (they always call him the Scribe among themselves , a corner boy nickname, moniker they gave him for always writing something down on the tattered notepad he carried in his out of fashion plaid shirts along with some wizened pencil but I will stick with Markin to avoid confusion ) has been working his ass off since the founding to link Markin to the purpose of this publication-the preservation of the memories of the political, social, economic and cultural movements that animated their times, that “Generation of’ 68” that caught Allan Jackson short when he tried to single-handedly revive the times out of some serious hubris, earlier and later movements which linked into that time.
A lot of “water cooler” talk, first heard by me from Laura Perkins, Sam’s long-time companion and a recent and welcome addition to the writers’ stable here, was that the whole idea of a then hard copy publication had been hatched in one last desperate effort to save Markin’s sagging life by letting him write reviews, music, film, books, cultural events which they would “piggyback” onto. Stuff they all were in varying degrees good at. It was not to be, as looking at a small memorial book in Markin’s honor put together by younger writer Zack James in the summer of 2017 at the urging of his oldest brother Alex, another close Markin friend, after he had come back from viewing a Summer of Love, 1967 exhibition at the de Young Museum out in San Francisco graphically illustrated. There, almost to a man, and it was a man’s recollections memoir, Markin’s corner boys from the growing up Acre section of North Adamsville and a few others like Josh Breslin met along the way, comment on Markin’s deterioration, his increasing addition to cocaine when that became the drug of the month among the “hip” in the mid-1970s. Sam commented that Markin, and to a certain extent the other Acre corner boys as well including himself, never got over their military experiences in Vietnam and maybe a bigger push his from hunger “wanting” habits from growing up dirt poor down in the mud of society. I won’t go into the details, such as they are since everybody who has tried was warned off so the details are to say the least sketchy, of Markin’s end except he now is down in some potters’ field plot in Sonora, Mexico after having been murdered in some dirty dusty back road over what is still presumed to have been a busted drug deal Markin was trying to put together to get on “easy street” once he saw what was good about the 1960s fading before his very eyes.
I have not gone through the hard copy archives and I am not sure I will get a chance to since they are located in New York City and I am not sure when I will be able to spent at least a week looking through them, dusting off old year volumes and other materials so I will let it rip in no particular order but what comes to mind about what has been written, political clearing house advertised, and commemorated in this space as I have ventured to gather what the heck has gone on here for the past decade plus of the on-line work. The overarching comment though is that patchwork quilt or not it has stayed pretty close to what it had in the masthead stated it intended to do-without much, or too much bloodshed.
You can tell, number-wise and number of pages that 2006 was a year when the financial crunch which necessitated the complete switch-over to on-line publication really was a wrenching process. The pieces are too-heavily weighted toward book, film, music reviews and an overlay of political commentary when Frank Jackman had to take a part-time job working at National Commentary. I can disclose here that many of the writers, guys like Si Lannon, Seth Garth, Fritz Taylor, even Josh Breslin were “moonlighting” when I ran things over at American Film Gazette which despite its’ name reviewed all kind of things including consumer products (not my decision but that was that). Or they were submitting the reviews they wrote here for free (no money in any case) and then submitting them over to me for cold hard cash. I was going to say they were double-dipping but that would imply they were being paid here for their work which generally was hit or miss. I did not know the financial situation here although I was glad to have the reviews whatever was happening here. Paid my cash and got my due.
I am not exactly sure when the shift toward lots of personal pieces about the 1960s and reviews of earlier books, films music connected with those times became a serious trend under the former head, Allan Jackson, but you can see by browsing the archives that 2006 is definite trend-setter. Not only that but once again by virtue of “water-cooler” gossip shifting slightly that way grabbed a spike in readership and more revenue. So Allan, who later, who in 2017 would be skewered for his 24/7/365 nostalgia blanket coverage, made a good decision then to move away from reviews of more contemporary cultural events. Interestingly he got into a “pissing” contest when he had Si Lannon, sorry Si if I am mistaken, do a series of 1960s folksingers who were “not Bob Dylan,” did not go on to what has become a never-ending concert tour schedule and career but moved elsewhere or kept their ambitions low when the so-called folk minute passed by and it did not look like they could survive on the thin gruel left. I heard that there was almost an insurrection with say Seth Garth wondering why his old sidekick folksinger/songwriter Erick Saint Jean was not highlighted (meaning what didn’t he get that assignment to explain why Erick went on to a successful art career rather than grind out the dimes and donuts coffeehouse circuit rapidly fading away in the acid rock night). Half these guys, according to Sam, hated folk music when, guess who, Markin is right, started going to Harvard Square on the low to get the hell out of his horrible homelife and really only accidently gravitated to the coffeehouse when guys and gals he would meet late at night at the Hayes-Bickford told him that was where the action was. Not the H-B itself though which was for winos and con men, maybe a hang-out for a while after the coffeehouses closed down and you still were trying to figure out what was what with some girl you wanted to take down to the Charles River to see what was really what.
From what I can gather Markin was a guy who was all in or forget it so once he had some dough, some dough when the guy caddied for some swanks at some country club to get dough to meet the cover charge, grab some coffee, grab a date’s bill and throw some money in the basket for the performer whose life depended on those proceeds then tried to get everybody in. Seth Garth to this day cannot stand the Dylan voice, cannot stand the silly lyrics about lost loves and doing bodily harm if some dish did not reciprocate your devotion and you dunked her in say the Ohio River. Be that as it may I noticed a definite spike in sales and ad revenue when that series ran since Allan must have highlighted every guy who could handle three chords and some basic melody-guys like Lemon Lewis and Ben Amos, guys who about three people have heard of. He had though as Sam loves to say a “hook” no question as even people who never heard the singers took interest in where they landed, if they landed. Maybe this says it better than anything else Allan decided to run the distaff side, okay, woman of folk playing off of the anointed queen, anointed at least in the tabloids, Joan Baez.
It is hard to say what will drive the nuts and bolts of a publication but I think I can see something like a clear line when Allan decided to do “nostalgia” and let the writers he had at the time who were all, I think all, veterans of the 1960s or like beautiful Zack James were influenced by older brother Alex who was knee-down into that period which created some stability for the publication in the post-2006 period. That Bob Dylan-Joan Baez spike got the ball rolling even further back to the time of classic rock and roll and all that meant to the veteran writers who sucked up the air with their recollections and received plenty of attention (and a couple of awards) for their work. How much of it was to gather in their regrets about Markin and how much was natural going back to the music you grew up with which never really leaves you is hard to say but the spike in interest of the old Acre section of North Adamsville where most of the action takes place is interesting.
It must have been exciting, separate, hard-scrabble, cagey in those days when each guy, and it was all guys in those days, the girls, young women were kind of appendages, important appendages but appendages nevertheless reflecting not only that coming of age awkwardness but a kind of unwritten law established by Markin who was trying even then, even in high school to emulate the “beats” the guys who came up the line just before them and who were popular figures like Jack Kerouac and Allan Ginsberg even as the “beats” were in retreat. (Seth Garth told me that Markin never mentioned those guys when they were out in the corner boy night but he was reading their stuff, including pretty openly gay Ginsberg which would have closed the door if he had mentioned that to the boyos.) These guys from nowhere had a certain routine, a certain laundry- list of things they talked about, adventures they got into (including the always veiled mention of certain burglaries to get dough which was one way they did it). Rock and roll, music, music that spoke to that generation perhaps more than any earlier one and certainly more than in my own generation one generation removed from the classic days of the genre.
No question these guys lived and died for the music, hanging out not by chance at a pizza parlor where the owner had installed a jukebox with all the latest hits to draw the kids in-and he did. Taking the boys in because if boys were hanging around then girls, the ones with money, the ones who came in and played the machine would come by too. Nice move but also the source of many interesting stories about how the guys would con the girls to play music they, the guys wanted to hear. Conned them, the girls out of other stuff too if you believe half of what memories they have decided to share knowing from my own experiences in a very different environment that lying was a matter of honor on the question of sexual conquests. The funniest part is that for all his leadership, so-called, his intelligence about what was going on in school, with girls with, guys who had girlfriends, more importantly, girls with boyfriends, invaluable intelligence no question and would make any such person if he or she had existed in my crowd a leader, never really had dates with Acre or North Adamsville girls when he was a corner boy. He would find companionship in Harvard Square or some such place but not at home.
As anybody with eyes can see, even with the temporary disaster of the “dumbing down” action I initiated and blew off when the deal went down this past year has been heavy with political material, some additional art material and a big push on commemorating 100th anniversary the last year of the horrendous World War I and the armistice which put everything on hold as it turned out. Since I agree that we are essentially in the middle of a cold civil war which may very likely turn hot before our eyes we will be amping up our political coverage anchored by award-winning Frank Jackman interspersed with additional art and poetry reviews to augment the films, music and book reviews the reader is already familiar with and will hopefully appreciate with our stable of younger writers taking the lead.
Keep The Presses Rolling-Humphrey Bogart’s “Deadline-USA” (1952)-A Film Review
DVD Review
By Kenny Jacobs
Deadline-USA, starring Humphrey Bogart, Ethel Barrymore, directed by Richard Brooks, 1952
I am thrilled to be doing my first review, first film review, in this space of a film, Deadline-USA, starring Humphry Bogart an actor whom my parents would forever be quoting lines from one of his films like “Play it again, Sam,” “We will always have Paris” stuff like that since they had “discovered” him at a second-run artsy theater in Ann Arbor, Michigan where they met and went to school back in the 1980s. Of course Bogie (and his sweetie wife Lauren Bacall) was, is a legend, somebody to watch go through his paces whatever your age. Whenever they got nostalgic for their youth my parents would find some re-run retrospective theater and they would take me in tow to see things like The Big Sleep (which would make me hungry later for everything crime detective novelist Raymond Chandler ever wrote), Dark Passage (a film I never understood what with the face change and all in some back alley with a doctor who looked and acted more like a barber), and To Have And Have Not (where he and Bacall steam up the screen with some of the sexiest stuff with clothes on you will ever see but that observation was not made until much later-post puberty later having seen the film a few more times). Although Deadline is nowhere in the same category as the aforementioned films it nevertheless has a plotline about the fate of the modern newspaper business and freedom of the press that interests me.
Now freedom of the press as my father, Lester, an editor of the famous These Times when he was in college said the best lesson he ever learned about press freedom was given to him by an old English professor who had been through the red scare of the 1950s (the time frame of this film although none of those press self-censorship and acting on governmental directives issues were addressed by this film), had been something of a radical and had suffered the fate of plenty of people in those day not being able to find work in newspapers. That professor, I forget his name, told my father that freedom of the press was important to those who owned the presses the rest of us want to defend the freedom of expression part wherever we land. For a long time I thought that myself but this film brought out something else that professor had not mentioned and that was the death of the presses was the death of democracy. Although non-linear social and commercial on-line media is now a primary and growing place for people to get their news and that has dramatically portended the ellipse of the hard-copy versions that point is still worth thinking through.
Some film critic when I was doing background for this piece, Roger Evans from the American Film Gazette I think, has called Deadline the best film about the inner workings of the hard copy newsprint industry ever made. Maybe he is right although every filmed newspaper story, and that includes sent-ups of front page sensationalism like The Front Page, serious investigative journalism like the Watergate expose All The President’s Men, and the recent The Post about the fight to publish Daniel Ellsberg’s The Pentagon Papers has extolled the notion of the big story which motivates the newsrooms and makes careers driving the plotline to culmination. Deadline is no different in that regard and so maybe that critical remark should be the beginning of further research rather than the last word on this film.
Greg Green, the site manager here, knowing this is my maiden effort has asked me especially when reviewing older films, in this case a film when I wasn’t even born and my parents weren’t either to give a few details about the film. This is truer still of Deadline which in the great Bogie list of film credits had almost disappeared from sight until last year when it was released on Blu-Ray. A little against type considering such roles as the hard-boiled private detective Phillip Marlowe, the old salt Captain Harry Morgan and the framed-up escaped con Victor Parry Bogie plays the idealistic, if heavy-handed, crusading editor, Hutchison, of a major daily newspaper in what is New York City in the days when there were many newspaper for every taste and readership competing dog eat dog for the public’s acceptance. As stated in one of the dialogues between Hutchison and the hard-pressed owner, played by Ethel Barrymore, he was all newspaperman and would have as she said “married the paper if it had legs” (which is true since he was estranged from his actual wife until late in the film).
That hard-pressed publisher had trouble keeping up with what was needed and so a lot of the story revolves around that aspect of the business and her decision to sell the paper which would be sold to parties who would close it down tight. The other big part, the part that sells newspapers by drawing the public to the headlines created is “the big story.” Here the big story is not the red scare effects like I mentioned above or the world going to hell in a hand-basket but your “bread and butter” crime and corruption story. The crime. A young woman who turns out to be connected to a known mobster, a bad guy to mess with, is found murdered after she would not reveal where the money he had given her to hold to pay off some crooked politicians in her apartment. Hutchison sends out his investigative reporters to sniff around. They make the connections, dot the i’s and cross the t’s and come up with a big story connecting that mobster to the murder and the corruption. That despite all kinds of threats against hard guy Hutchison by him who keeps spouting Fourth of July picnic oratory about the beauties and hard-fought struggles to keep that free press intact against all the pressures to fold up shop and run. A story that seemed very appropriate today what with all the talk about the press being “fake news” and the “enemy of the people.” Yeah, very much a film for these times.
Veterans For Peace Stands In Solidarity with Central American Asylum Seekers by Gerry Condon
Members of San Diego Veterans For Peace marched to the border with Tijuana, Mexico on Sunday, November 25, as part of a San Diego coalition expressing solidarity with and support for thousands of Central American asylum seekers.
VFP members were on both sides of the border and joined in with a march of asylum seekers on the Mexican side. So we had a good look at the crisis which was contrived by the Trump administration to make it look like there was indeed an "invasion" of "criminals" and "terrorists."
A perfectly peaceful march turned into chaos when the legal entry point to where the asylum seekers were headed was closed off by Mexican authorities, presumably at the request of Homeland Security. When some marchers then surged toward the border wall, Customs and Border Protection (CPB) officers wasted no time in firing multiple CS (tear gas) canisters across the border into Mexico, causing great chaos as mothers fled with their choking children. As if on cue, U.S. authorities then totally shut down the busiest border crossing in North America, an exercise they had been practicing during the week. Soon Marine helicopters were landing on the railroad tracks next to the border, and Marines, apparently armed, were dis-engorging along the border fence. At the same time, 300 Army soldiers with shields and clubs stood menacingly behind CPB officers.
In the meantime, rains and a shortage of food and shelter for the asylum seekers in Tijuana are turning an already difficult into a serious humanitarian crisis. As many as one-third of the 6,000 or so asylum seekers are suffering from respiratory and other illnesses. Mexico's federal government has provided no aid, and the mayor of Tijuana says that the city can provide little further assistance.
NGO's on both sides of the border are doing what they can to help, but so far their efforts are insufficient. The Unified U.S. Deported Veterans chapter of Veterans For Peace has also been helping asylum seekers who are camped out at the border, only about a half-block from their office. The Deported Veterans have experience with this, as they have helped previous caravans of asylum seekers as well. They are supplying food, water, blankets, and now seek to provide much needed tarps. San Diego VFP is helping out with this. Ultimately, they would like to provide backpacks filled with essential items.
Most needed are dollars, which can be used to purchase essential items in Mexico.
You can donate directly through a special link on the VFP website. Just indicate that your donation is for the asylum seekers.
*Stonesmania-Back To Basics- The Rolling Stones When The Earth Was Young
Click on title to link to YouTube's film clip of The Rolling Stones performing "Not Fade Away".
CD Review
High Tide And Green Grass, The Rolling Stones, ABKCO Records, 1986
I will repeat here what I have mentioned in other reviews of the early work of The Rolling Stones…. “Hey, in 2009 no one, including this reviewer, NEEDS to comment on the fact that The Rolling Stones, pound for pound, have over forty plus years earned their place as the number one band in the rock ‘n’ roll pantheon. Still, it is interesting to listen once again to the guys when they were at the height of their musical powers (and as high, most of the time, as Georgia pines)”. This “greatest hits” compilation takes us back to the days, before the heavier rock sound but right up their in competition with the Beatles for the ‘soul’ of the youthful rock fans of the 1960’s. Some of these songs are classic of the rock ‘n’ roll song book others are just faded memories. The cover of “Not Fade Away”,their own “Satisfaction”, “The Last Time” and “19th Nervous Breakdown” will endure as long as people need rock ‘n’ roll to get through the day. “Tell Me” and “Play With Fire” are more for youthful memories.
UNDER MY THUMB (M. Jagger/K. Richards)
Under my thumb The girl who once had me down Under my thumb The girl who once pushed me around
It's down to me The difference in the clothes she wears Down to me, the change has come, She's under my thumb
Ain't it the truth babe?
Under my thumb The squirmin' dog who's just had her day Under my thumb A girl who has just changed her ways
It's down to me, yes it is The way she does just what she's told Down to me, the change has come She's under my thumb Ah, ah, say it's alright
Under my thumb A siamese cat of a girl Under my thumb She's the sweetest, hmmm, pet in the world
It's down to me The way she talks when she's spoken to Down to me, the change has come, She's under my thumb Ah, take it easy babe Yeah
It's down to me, oh yeah The way she talks when she's spoken to Down to me, the change has come, She's under my thumb Yeah, it feels alright
Under my thumb Her eyes are just kept to herself Under my thumb, well I I can still look at someone else
It's down to me, oh that's what I said The way she talks when she's spoken to Down to me, the change has come, She's under my thumb Say, it's alright.
Say it's all... Say it's all...
Take it easy babe Take it easy babe Feels alright Take it, take it easy babe.
