On The 100th Anniversary Of Newly-Fledged German Communist Leader Rosa Luxemburg And Karl Liebknecht-Oh, What Might Have Been-Happy, Happy Birthday Karl Marx, On The 200th Anniversary Of His Birth-Some Thoughts -In Honor Of The Russian Revolution-Our Anthem-"The Internationale"

Happy, Happy Birthday Karl Marx, On The 200^th Anniversary Of His Birth-Some Thoughts 

A link to NPR’s Christopher Lydon’s Open Source  2018 program on the meaning of Karl Marx in the 21^st century on the 200^th anniversary of his birth:

http://radioopensource.org/marx-at-200/

By Seth Garth

Normally Frank Jackman would be the natural person to do his take on the name, the role, the legacy of one German revolutionary exiled to London after the revolutions of 1848 faded away, Karl Marx, on the 200^th anniversary of his birth in 1818. And Frank at first fought me a little, said he had grabbed a bunch of Marx’s books and pamphlets like the Communist Manifesto and the abridged Das Capital abetted by his friend and colleague Engels’ The Peasant Wars In Germany and Scientific Socialism. No question heavy lifting, heavy reading which our respective youths would have been read until early in the morning page turners but now would seemingly act as a sedative, a sleep aid, at least for me since Frank said it had made him more alert although agreeing that the works were not “read until early in the morning page turners.” Frank’s argument to me at least for his grabbing the assignment was that he had of the two of us been more influenced by Marx’s works and programs and had actually been a supporter of the old time Trotskyist organization the Socialist Workers Party for a while back in the early 1970s after he got out of the Vietnam blood bath American army and was ready to “storm heaven” (his words) to right the wrongs of this wicked old world (my words grabbed via Sam Lowell take) and as well had been doing leftwing commentary since Hector was a pup (somebody unknown’s expression).

Frank then went chapter and verse at me with what he remembered (both from long ago and the recent re-readings) about how he had all his life, all his early life looking for something, some movement to move him, to move us who grew up with him poor as church mice, maybe poorer to a more just world. Had made me laugh, since on some of the stuff I have been right alongside him, when he mentioned the old Student Union for World Goals which a bunch of us had put together in high school. A grouping with a program that was inundated with all the anti-communist, red scare, Cold War platitudes we could find. We basically were a little to the left of Ike, Grandpa Ike, Dwight D. Eisenhower who was President of the United States (POTUS in twitter-speak) in our youth filled with bauble about the virtues of capitalism, although I think we would have been hard pressed to make that word connection and probably said something like prosperity which we had garnered very little of in the now remembered golden age of the 1950s.     

Then as the thaw came, or as people, young people mostly broke the spell of the red scare Cold War night, after we have sown our oats out in the Summer of Love, 1967 and saw some writing on the wall that we were ‘raw meat” for the draft come college graduation day getting hopped up about Robert Kennedy’s ill-fated, ill-starred bid for the Democratic Party Presidential nomination in 1968. I already mentioned the Army experiences which did both of us in for a while but which frankly drove Frank outside bourgeois politics (he had expected that he would tie his wagon to Robert Kennedy and when that idea fell apart with Kennedy’s assassination offering Hubert H. Humphrey his services against the main villain of the ear Richard M. Nixon in the expectation that he would ride that train out of the draft and/or begin the road to a nice sinecure via Democratic Party politics). I am not sure if he began serious reading on Marx in the Army or not but when he got out in 1971 he certainly was doing the “read until the early morning” routine. I grabbed some of his tidbits, associated with some of the radical circles in Cambridge he started to frequent, went down the line with him in Washington on May Day, 1971 where we both got busted but soon after withdrew a bit from both him and serious leftwing politics. I was crazy, still am, for films, for seeking some kind of career as a film critic and so spent more of my time in the Brattle Theater in Harvard Square than protesting on Boston Common. He can address sometime his own withdrawal from left-wing organizational politics and moving on to journalism, political commentary on his own dime.

That is enough of the political justification for Frank’s fighting me on this assignment. Frank, however, took the unusual step, for him anyway, of mentioning his being pissed off about losing the Marx assignment and mentioned it to site manager Greg Green. The guy who gives out the assignment and who has had more than one person, me included, scratching their heads both in the assignments they have gotten of late or like Frank not have gotten. Whatever Frank laid out for Greg he had both of us come in to his office to discuss the issue. You know as much as you need to about Franks’ “cred.”

My frame of reference and what amounted to the winning argument was that I had been Peter Paul Markin’s closest friend in high school. Markin, forever known as Scribe for the obvious reason that he always carried a notebook and pen or pencil in his shirt pocket AND always, always had two thousand facts ready to throw at anybody who would listen, mainly girls, which drove more that one of our corner boy crowd to threaten grievous bodily is the real primary source for whatever we knew about Karl Marx before we went crazy later and started to seriously read the stuff. So I knew the details of how Frank, Frankie Riley, Jimmy Jenkins, Si Lannon and maybe a couple of others first heard about the name and ideas of one Karl Marx and who would later act on them a little. This is where I was a little ahead of Frank knowing that Greg, after taking over as site manager when Allan Jackson was purged from that position, was interested much more in “”human interest” stories than the “tiresome” (his words) esoteric left-wing jargon that he knew Frank would meandering into, no, would get in knee deep.     

(For the record some of the other guys who hung around with Scribe and the rest of us like Ricky Rizzo and Dave Whiting, both who would lay their heads down in hellhole Vietnam and wound up on the town monument and Washington black granite, Red Riley and even Frank Jackman when he was hopped up on that Student Union thing almost lynched him when he started talking favorably about Karl Marx and the idea of red revolution in those dead ass red scare Cold War nights. All they wanted to hear about was whatever intelligence Scribe had on some girl they were interested in of which he somehow almost incongruously had been plenty of information about or what his next plan was for the “midnight creep” which I assume needs no further explanation except he planned the capers but no way would Frankie Riley or the rest of us let him lead the expeditions-hell we would still be in jail.)

Others, including Frank Jackman, have now seemingly endlessly gone over the effect Scribe had on them a little later when the turbulent 1960s we all got caught up in, blew a gasket, in the Summer of Love, 1967 as the culmination of what he also had been talking about for years on those lonely forlorn weekend nights when we hung around good guy Tonio’s Pizza Parlor “up the Downs” in the growing up Acre section of North Adamsville. What most of the guys did not know, or did not want to know, was that a little of what Scribe was thinking at the time, was that maybe Karl Marx might be proven to be right, might have been onto something when he spoke about the working classes, us, getting a big jump ahead in the world once things turned upside down. He held those views  pretty closely then, especially when he was practically red-baited into silence by those guys who were even more hung up, as was Scribe in many ways, on the new normal American negative propaganda about Russia, Communism, and Karl Marx. Nobody, this from later Scribe once he flamed red, was born a radical, a revolutionary, and certainly not a Marxist but certain conditions, among them being as poor as church mice, gave a clue to where some people might go. The intellectuals, although Scribe did not call them that, would come to their Marxism more through books and rational thought than as prime victims of the usually one-sided class struggle of the rich against the poor. That was about as far as Scribe would go, wanted to go, because in many ways, although maybe a little less fulsomely, he wanted to go the same bourgeois politics path as Frank in politics.        

Like I say Scribe described to some of us a glimmer, a faux Marxist primer, then in high school, not at all thought out like it would be by him or us later in the late 1960s and early 1970s when we got back respectively from our tours to the “real” world from ‘Nam and knew we had been fucked over by our government. That the “reds” in Vietnam were poor folk, peasants, with whom we had no quarrel. But that was later.

Here is a better example of the glimmer Scribe shined on us back in the day. I remember one night, it had to be one high school night given the teacher and class he was descripting, Scribe had told me that he had had to stay after school one day for Mr. Donovan, the World History teacher and football coach which tells you what he was about, when Scribe had given a surly answer about some question Mr. Donovan had asked. That surliness coming from two sources, one Donovan having members of the class endlessly reading aloud the freaking book boring everybody within a mile of the room and that he really believed he already knew more about history than Donovan and so was personally bored as well. The question had not been about Marxism but something else and during that afternoon detention Donovan had asked him if he was a “Bolshevik.” Scribe recoiled in horror he said knowing that to say yes would get him in some trouble (probably more after school time at least) and for the simple fact that he could not say truthfully whatever teen angst and alienation he was feeling was driven by that kind of understanding of the world-then.         

What this history teacher confrontation did do was get Scribe looking again, and this tells as much about him as any other anecdote, at his dog-eared copy of Karl Marx’s (and his co-thinker and financial “angel” Friedrich Engels) classic statement of his views The Communist Manifesto to confirm whether he was a “Marxist,” “Communist,” whatever and he came away from that re-reading knowing that he was not one of those guys, a red. That was the kind of guy Scribe was when he was confronted with something he didn’t understand. The rest of us would have said “fuck it” and let it go at that or have challenged old Donovan with a spurious “yeah, what about it.” Maybe some silly remark like “better red than dead” or “my mommy is a commie,” expressions making the rounds in that dead air time.

So this little sketch really is a “human interest” story and not all that much about Marx in any political sense and that is also why I think that Greg bought my argument over Frank’s. Whatever Marx, Marxism, hell, just general radical non-parliamentary socialism held for the 19^th devotees (and bloodthirsty enemies too) extending into the greater part of the 20^th century fell down, went to ground, with the demise of the Soviet Union back in 1991-92, and whatever intellectual curiosity Marx and Marxism held fell down too so other than as an exotic utopian scheme today there is no reason to go chapter and verse on the details of what Marx was programmatically projecting.

To finish up on this sketch though I should like to mention the way Scribe, which again will tell something about the mad monk when he was in his flower, got his copy of the Manifesto back when he was fourteen or fifteen. He had heard for some source, maybe some “beat” over in Harvard Square when he used to go there after a particularly bad day in the mother wars, it was a cool document or something, who knows with Scribe was kind of strange. He couldn’t find the book in either the school or town libraries for the simple fact that neither had the document nor did when he inquired they want to have it in circulation. Yeah it was that kind of time. A friendly young librarian suggested that he try the Government Printing Office which might have a copy if somebody in Congress (like the red-baiter par excellence Senator Joseph McCarthy) or some governmental agency had ordered it printed for whatever reason as part of an investigation or just to put it in the record for some reason. He got the address in Washington and the GPO sent back a brochure with their publications for sale. And there it was. He ordered a copy and a few weeks alter it came in the mail. Here’s the funnier part, funnier that the government providing copies on the cheap (or maybe free I forget what he said on that point) of such a notorious document the document had been placed on the publication list because it was part of the record for the raucous House Un-American Activities Committee meeting in San Francisco in 1960 when they were practically run out of town by protestors as the Cold War began to thaw in certain places. Of course that was a recollection by Scribe later when we were deep into the Summer of Love out in that very town and he had asked some older people what that protest was all about.

Yeah, Scribe was a piece of work and he would eventually drag some of us along with him in his good days like the Summer of Love and later after Vietnam time running around with radical students in Cambridge when checking out Mark and Marxism was all the rage. Like I said old Marx has had his up and downs, has taken his beatings but some things Scribe said he said and which we later read about like the poor getting a better shake because they provided the value provided by their cheap labor were spot on. Worse, in a way when I looked, re-read, for this assignment some of the stuff reads like it could have been written today. How about that.             

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Click on title to link to YouTube's film clip of our international working class anthem ,"The Internationale".

As is always appropriate on international working class holidays and days of remembrance here is the song most closely associated with that movement “The Internationale” in English, French and German. I will not vouch for the closeness of the translations but certainly of the spirit. Workers Of The World Unite!

The Internationale [variant words in square brackets]

Arise ye workers [starvelings] from your slumbers
Arise ye prisoners of want
For reason in revolt now thunders
And at last ends the age of cant.
Away with all your superstitions
Servile masses arise, arise
We'll change henceforth [forthwith] the old tradition [conditions]
And spurn the dust to win the prize.

So comrades, come rally
And the last fight let us face
The Internationale unites the human race.
So comrades, come rally
And the last fight let us face
The Internationale unites the human race.

No more deluded by reaction
On tyrants only we'll make war
The soldiers too will take strike action
They'll break ranks and fight no more
And if those cannibals keep trying
To sacrifice us to their pride
They soon shall hear the bullets flying
We'll shoot the generals on our own side.

No saviour from on high delivers
No faith have we in prince or peer
Our own right hand the chains must shiver
Chains of hatred, greed and fear
E'er the thieves will out with their booty [give up their booty]
And give to all a happier lot.
Each [those] at the forge must do their duty
And we'll strike while the iron is hot.




________________________________________

L'Internationale

Debout les damnés de la terre
Debout les forçats de la faim
La raison tonne en son cratère
C'est l'éruption de la fin
Du passe faisons table rase
Foules, esclaves, debout, debout
Le monde va changer de base
Nous ne sommes rien, soyons tout

C'est la lutte finale
Groupons-nous, et demain (bis)
L'Internationale
Sera le genre humain

Il n'est pas de sauveurs suprêmes
Ni Dieu, ni César, ni tribun
Producteurs, sauvons-nous nous-mêmes
Décrétons le salut commun
Pour que le voleur rende gorge
Pour tirer l'esprit du cachot
Soufflons nous-mêmes notre forge
Battons le fer quand il est chaud

L'état comprime et la loi triche
L'impôt saigne le malheureux
Nul devoir ne s'impose au riche
Le droit du pauvre est un mot creux
C'est assez, languir en tutelle
L'égalité veut d'autres lois
Pas de droits sans devoirs dit-elle
Egaux, pas de devoirs sans droits

Hideux dans leur apothéose
Les rois de la mine et du rail
Ont-ils jamais fait autre chose
Que dévaliser le travail
Dans les coffres-forts de la bande
Ce qu'il a crée s'est fondu
En décrétant qu'on le lui rende
Le peuple ne veut que son dû.

Les rois nous saoulaient de fumées
Paix entre nous, guerre aux tyrans
Appliquons la grève aux armées
Crosse en l'air, et rompons les rangs
S'ils s'obstinent, ces cannibales
A faire de nous des héros
Ils sauront bientôt que nos balles
Sont pour nos propres généraux

Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien, de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.


________________________________________

Die Internationale

Wacht auf, Verdammte dieser Erde,
die stets man noch zum Hungern zwingt!
Das Recht wie Glut im Kraterherde
nun mit Macht zum Durchbruch dringt.
Reinen Tisch macht mit dem Bedranger!
Heer der Sklaven, wache auf!
Ein nichts zu sein, tragt es nicht langer
Alles zu werden, stromt zuhauf!

Volker, hort die Signale!
Auf, zum letzten Gefecht!
Die Internationale
Erkampft das Menschenrecht

Es rettet uns kein hoh'res Wesen
kein Gott, kein Kaiser, noch Tribun
Uns aus dem Elend zu erlosen
konnen wir nur selber tun!
Leeres Wort: des armen Rechte,
Leeres Wort: des Reichen Pflicht!
Unmundigt nennt man uns Knechte,
duldet die Schmach langer nicht!

In Stadt und Land, ihr Arbeitsleute,
wir sind die starkste Partei'n
Die Mussigganger schiebt beiseite!
Diese Welt muss unser sein;
Unser Blut sei nicht mehr der Raben
und der machtigen Geier Frass!
Erst wenn wir sie vertrieben haben
dann scheint die Sonn' ohn' Unterlass!

On The 100th Anniversary Of Newly-Fledged German Communist Leader Rosa Luxemburg And Karl Liebknecht-Oh, What Might Have Been-*HONOR THE THREE L'S-LENIN, LIEBKNECHT, LUXEMBOURG: Leon Trotsky's Lenin Biography-"The Young Lenin"

Click on title to link to the Leon Trotsky Internet Archive's statement by Leon Trotsky at the time of V.I. Lenin's death.

COMMENTARY

HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT

Every January leftists honor three revolutionaries who died in that month, V.I. Lenin of Russia in 1924, Karl Liebknecht of Germany and Rosa Luxemburg of Poland in 1919 murdered after leading the defeated Spartacist uprising in Berlin. I made my political points about the heroic Karl Liebknecht and his parliamentary fight against the German war budget in World War I in this space earlier (see review in April 2006 archives). I also made some special points here last year about the life of Rosa Luxemburg (see review in January 2006 archives). This year it is appropriate, at a time when the young need to find a few good heroes, to highlight the early struggles of Vladimir Lenin, the third L, to define himself politically. Probably the best way to do that is to look at Lenin’s experiences through the prism of his fellow revolutionary, early political opponent and eventual co-leader of the Bolshevik Revolution Leon Trotsky.


A Look At The Young Lenin By A Fellow Revolutionary

The Young Lenin, Leon Trotsky, Doubleday and Co., New York, 1972

The now slightly receding figure of the 20th century Russian revolutionary Vladimir Lenin founder and leader of the Bolshevik Party and guiding light of the October 1917 Russian Revolution and the first attempt at creating a socialist society has been the subject to many biographies. Some of those efforts undertaken during the time of the former Soviet government dismantled in 1991-92, especially under the Stalin regime, bordered on or were merely the hagiographic. Others, reflecting the ups and downs of the post World War II Cold War, painted an obscene diabolical picture, excluding Lenin’s horns, and in some cases not even attempting to exclude those. In virtually all cases these effort centered on Lenin’s life from the period of the rise of the Bolshevik Social Democratic faction in 1903 until his early death in 1924. In short, the early formative period of his life in the backwaters of provincial Russia rate a gloss over. Fellow Russian revolutionary Leon Trotsky, although some ten years younger than Lenin, tries to trace that early stage of his life in order to draw certain lessons. It is in that context that Trotsky’s work contains some important insights about the development of revolutionary figures and their struggles for political clarity.

Although Trotsky’s little work, originally intended to be part of a full biography of Lenin, never served its purpose of educating the youth during his lifetime and the story of it post World War II rediscovery is rather interesting one should note that this is neither a scholarly work in the traditional sense nor is it completely free from a certain fawning over Lenin by Trotsky. Part of this was determined by the vicissitudes of the furious Trotsky-Stalin fights for the soul of the Russian Revolution as Trotsky tried to uncover the layers of misinformation about Lenin’s early life. Part of it resulted from Trotsky’s status of junior partner to Lenin and also to his late coming over to Bolshevism. And part of it is, frankly, to indirectly contrast Lenin’s and his own road to Marxism. That said, this partial biography stands up very well as an analysis of the times that the young Lenin lived in, the events that affected his development and the idiosyncrasies of his own personality that drove him toward revolutionary conclusions. In short, Trotsky’s work is a case study in the proposition that revolutionaries are made not born.


To a greater extent than would be true today in a celebrity-conscious world many parts of Lenin’s early life are just not verifiable. Partially that is due to the nature of record keeping in the Russia of the 19th century. Partially it is because of the necessity to rely on not always reliable police records. Another part is that the average youth, and here Lenin is in some ways was no exception, really have a limited noteworthy record to present for public inspection. That despite the best efforts of Soviet hagiography to make it otherwise. Notwithstanding these problems Trotsky does an admirable job of detailing the high and low lights of agrarian Russian society and the vagaries of the land question in the second half of the 19th century. One should note that Trotsky grew up on a Ukrainian farm and therefore was no stranger to many of the same kind of problems that Lenin had to work through concerning the solution to the agrarian crisis, the peasant question. Most notably they both agreed that the fight for the Russian revolution that every one knew was coming could only be worked out through the fight for influence over the small industrial working class and socialism.

I would note that for the modern young reader that two things Trotsky analyzes are relevant. The first is the relationship between Lenin and his older brother Alexander who, when he became politicized, joined a remnant of the populist People’s Will terrorist organization and attempted to assassinate the Tsar. For his efforts he and his co-conspirators were hanged. I have always been intrigued by the effect that this event had on Lenin’s development. On the one hand, as a budding young intellectual, would Lenin have attempted to avenge his brother’s fate with his same revolutionary intellectual political program? Or would Lenin go another way to intersect the coming revolutionary either through its agrarian component or the rising Marxist Social Democratic element? We know the answer but Trotsky provides a nicely reasoned analysis of the various influences that were at work in the young Lenin. That alone is worth the price of admission here.

The other point I have already alluded to above. Revolutionaries are made not born, although particular life circumstances may create certain more favorable conditions for some. Soviet historians in their voluntarist hay day tried to make of Lenin a superhuman phenomenon- a fully formed Marxist intellectual from his early youth. Trotsky once again distills the essence of Lenin’s struggle to make sense of the world, the Russian world in the first instance, as he tries to find a way out the Russian political impasse. Trotsky’s work only goes up to 1892-93, the Samara period, the period before Lenin took off for Petersburg and greener pastures. Lenin left Samara a fully committed Marxist but it would be many years, with many polemics and by using many political techniques before he himself became a Bolshevik, as we know it. And that, young friends, is a cautionary tale that can be taken into the 21st century. Read on.

On The 100th Anniversary Of Newly-Fledged German Communist Leader Rosa Luxemburg And Karl Liebknecht-Oh, What Might Have Been-Those Who Fought For Our Communist Future Are Kindred Spirits-Every January WeHonor Lenin, Luxemburg, And Liebknecht-The Three Ls

Markin comment

EVERY JANUARY WE HONOR LENIN OF RUSSIA, ROSA LUXEMBURG OF POLAND, AND KARL LIEBKNECHT OF GERMANY AS THREE LEADERS OF THE INTERNATIONAL WORKING CLASS MOVEMENT.

Biography

The son of Wilhelm Liebknecht, one of the founders of the SPD, Karl Liebknecht trained to be a lawyer and defended many Social Democrats in political trials. He was also a leading figure in the socialist youth movement and thus became a leading figure in the struggle against militarism.

As a deputy in the Reichstag he was one of the first SPD representatives to break party discipline and vote against war credits in December 1914. He became a figurehead for the struggle against the war. His opposition was so successful that his parliamentary immunity was removed and he was improsoned.

Freed by the November revolution he immediately threw himself into the struggle and became with Rosa Luxemburg one of the founders of the new Communist Party (KPD). Along with Luxemburg he was murdered by military officers with the tacit approval of the leaders of the SPD after the suppression of the so-called “Spartacist Uprising” in January 1919.

Liebknecht’s Protest Against the War Credits

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Source: Liebknecht “Liebknecht’s Protest Against the War Credits,” Justice, 17th December 1914, p.1;
Transcribed: by Ted Crawford.

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The “Berner Tagewacht” publishes the full text of Karl Liebknecht’s protest in the Reichstag against the voting of the war credits. The protest was suppressed in the Reichstag, and no German paper has published it. It appears that seventeen Social-Democratic members expressed their opposition to the credits on December 2, but Karl Liebknecht’s was the only vote recorded against them.

Liebknecht’s protest declares that “this war, which none of the peoples involved desired, was not started for the benefit of the German or of any other people. It is an Imperialist war, a war for capitalist domination of the world markets and for the political domination of the important countries in the interest of industrial and financial capitalism. Arising out of the armament race, it is a preventative war provoked by the German and Austrian war parties in the obscurity of semi-absolutism and of secret diplomacy.

“It is also a Buonapartist attempt tending to demoralise and destroy the growing Labour movement.”

“The German word of command ‘against Czarismus,’ like the English or French word of command ‘against militarism,’ has been the means of bringing forth the most noble instincts, the revolutionary traditions and hopes of the peoples, for the purpose of hatred among the peoples. Accomplice of ‘Czarismus,’ Germany, a model country of political reaction, possesses not the qualities necessary to play the part of a liberator of peoples ...

“This war is not a defensive war for Germany. Its historical character and the succeeding events make it impossible for us to trust a capitalist Government when it declares that it is for the defence of the country that it asks for the credits.

“A peace made as soon as possible and which will humiliate no one is what must be demanded. All efforts in that direction should be supported. A simultaneous and continual demand for such peace in all the belligerent countries will be able to stop the bloody massacre before the complete exhaustion of all the peoples concerned .....”

Liebknecht concludes his protest by declaring that he will vote in favour of anything that will lighten the hard lot of “our brothers on the field of battle, and those wounded and sick, for whom I have the warmest compassion .... But my protest is against the war, against those responsible for it, against those who are directing it; against the capitalistic ends for which it is being pursued, against the violation of the neutrality of Belgium and Luxemburg, against military dictation, and against the complete neglect of social and political duties of which the Government and the dominant class are guilty to-day.”

On The 100th Anniversary Of Newly-Fledged German Communist Leader Rosa Luxemburg And Karl Liebknecht-Oh, What Might Have Been- Spartakus and 1918 German Revolution (Quote of the Week) One hundred years ago this month, near the end of the bloody interimperialist World War I, a revolutionary wave swept Germany. Inspired by the Bolshevik-led Russian Revolution of October 1917, the German workers and soldiers formed soviets (councils) and the Hohenzollern monarch was forced to abdicate.

  Spartakus and 1918 German Revolution  (Quote of the Week)  One hundred years ago this month, near the end of the bloody interimperialist World War I, a revolutionary wave swept Germany. Inspired by the Bolshevik-led Russian Revolution of October 1917, the German workers and soldiers formed soviets (councils) and the Hohenzollern monarch was forced to abdicate.

Workers Vanguard No. 1143 2 November 2018 TROTSKY LENIN Spartakus and 1918 German Revolution (Quote of the Week) One hundred years ago this month, near the end of the bloody interimperialist World War I, a revolutionary wave swept Germany. Inspired by the Bolshevik-led Russian Revolution of October 1917, the German workers and soldiers formed soviets (councils) and the Hohenzollern monarch was forced to abdicate. The Social Democratic Party (SPD) and the Independent Social Democrats sought to preserve the capitalist order, taking over administration of the bourgeois state. The Spartakusbund of Karl Liebknecht and Rosa Luxemburg emphasized that the working class must take power into its own hands, including in Liebknecht’s November 23 speech excerpted below. But they had not assimilated that there is a line drawn in blood between revolutionary Marxism and opportunism, only splitting from the Social Democracy in December 1918. The next month, SPD leaders, together with the military high command, mobilized the fascistic Freikorps to murder Liebknecht, Luxemburg and other Spartakus leaders, inflicting a serious defeat on the revolutionary movement. Can the proletariat content itself with merely eliminating the Hohenzollerns? Never! Its goal is the abolition of class rule, of exploitation and oppression, the establishment of Socialism. Our present Government calls itself Socialist. Thus far it has acted only for the preservation of capitalist private property.... The ruling class is not thinking of giving up its class rule. They can be put down only in the class struggle. And this class struggle will and must pass over the bodies of all governments that do not dare take up the struggle with capitalism, and preach instead to the workers—day by day—peace, order, the wickedness of strikes. The extermination of capitalism, the establishment of the Socialist order of society, is possible only on an international scale—but, of course, it cannot be carried out at a uniform pace in all countries. The work has begun in Russia, it must be continued in Germany, it will be completed in the Entente powers. Only the path of social world revolution can lead us out from the terrible dangers which threaten Germany by reason of the food and raw materials situation. Nor does the German proletariat build its hopes in this connection on Wilsonian promises of mercy, but on the rock of the international proletarian solidarity. There are two alternatives for liquidating the war—the capitalist-imperialist alternative, and the proletarian-Socialist alternative. The former will afford for a moment a peace unworthy of men, a peace that will give birth to new wars. The second offers a peace of well-being and permanence. The former will preserve the capitalist order of society; the second will destroy it and liberate the proletariat. —Karl Liebknecht, “Proletarian Revolution and Proletarian Dictatorship,” Speeches of Karl Liebknecht (International Publishers, 1927)

On The 100th Anniversary Of Newly-Fledged German Communist Leader Rosa Luxemburg And Karl Liebknecht-Oh, What Might Have Been-Those Who Fought For Our Communist Future Are Kindred Spirits-HONOR LENIN. LUXEMBURG AND LIEBKNECHT- THE THREE L’S-Honor Russian Bolshevik Leader Vladimir Lenin!

COMMENTARY

EVERY JANUARY WE HONOR, LENIN OF RUSSIA, ROSA LUXEMBURG OF POLAND AND KARL LIEBKNECHT OF GERMANY AS THREE LEADERS OF THE INTERNATIONAL WORKING CLASS MOVEMENT. HERE’S WHY WE HONOR VLADIMIR LENIN.
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Reposted from the American Left History blog

Monday, November 13, 2006

LENIN ON THE DAWN OF MODERN IMPERIALISM

BOOK REVIEW
IMPERIALISM: THE HIGHEST STAGE OF CAPITALISM, V.I. LENIN, PLUTO PRESS, UNITED KINGDOM, 1996

Over the last generation much has been made of the positive effects of the latter day ‘globalization’ of the international capitalist markets. By this, I assume, commentators mean that kids in Kansas and kids in Katmandu have access to those same pairs of Nike sneakers. Although the outlines of the development of globalization have been known for at least a century, called by less kindly souls like myself- imperialism- apparently the latest devotees of the trend just got the news.

Russian revolutionary leader Vladimir Lenin analyzed this tendency of international capitalism in 1916 in a little book called Imperialism-the Highest Stage of Capitalism reviewed here. His major premises were that the 'globalization' of the capitalist markets of his day had made the nation-state an impediment to economic growth and that the concentration of capital into fewer cartels created intolerable tensions internationally ultimately culminating in wars for the redistribution of markets. While Lenin’s analysis could benefit from a little updating, particularly on the effects of the shift of the industrial labor market away from the high cost metropolitan areas to the former colonial areas in the search for lower wage bills and higher profit margins, the increased role of state intervention in markets and the effects of technological innovations, the basis premises are still sound.

While much of the positive ‘globalization’ rhetoric mentioned above has been overblown- especially concerning its effects on the demise of the nation-state and its alledged replacement by multi-national corporations and a multicultural ethic- the chickens are now starting to come home to roost on the down side of the world political situation. Everyone and their brother and sister, multi-national corporation or local “mom and pop” shoestring operation, is scurrying back to the 'safe' confines of the nation-state. With their guns drawn. What gives?

What gives is this. The international capitalist system, which after the fall of communism in the Soviet Union and Eastern Europe in the early 1990’s, lived in a self-imposed fool’s paradise believing that the contradictions of the system would flatten out on their own and that everyone had reached the best of all possible worlds. There was even some sentiment for one-world government, of course a United States-dominated one, from quarters not normally known for such flights of fancy. The events of the last several years have graphically disabused the more cutthroat capitalists, their ideologues and mouthpieces of this notion.

This retrogression to the defenses of individual nation-states reminiscent of the so-called “Dark Ages” apparently is only the vanguard of what promises to be a much more restrictive world. The ruling classes, however, seem unable to put serious efforts in other types of endeavors. Which takes us back to Lenin. He not only wrote this little book on the tendencies of international capitalism as a piece of analysis but he did it for a reason. And that reason was to demonstrate to the militant leftists of his day, during the carnage of World War I, that the hitherto for progressive nature of capitalist development had run out of steam and the socialist revolution was on the historic agenda. And then proceeded to put theory into practice by leading the Bolshevik Revolution in Russia in 1917. Today, the critics of globalization are much stronger on the effects of the process of international capitalist organization and its effects but weak, very weak, on the way to organize out of the impasse. Lenin knew what to do. Do we?

Upon The 50th Anniversary Of The "King Of The Beats" Jack Kerouac- In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)

Upon The 50th Anniversary Of The "King OF The Beats" Jack Kerouac- 

“Advertisements for Myself”-Introduction by Allan Jackson, a founding member of the American Left History publication back in 1974 when it was a hard copy journal and until 2017 site manager of the on-line edition.      

[He’s back. Jack Kerouac, as described in the headline, “the king of the beats” and maybe the last true beat standing. That is the basis of this introduction by me as we commemorate the 50^th anniversary of his untimely death at 47. But before we go down and dirty with the legendary writer I stand before you, the regular reader, and those who have not been around for a while to know that I was relieved of my site manage duties in 2017 in what amounted to a coup by the younger writers who resented the direction I was taking the publication in and replaced me with Greg Green who I had brought on board from American Film Gazette to run the day to day operations while I oversaw the whole operation and planned my retirement. Over the past year or so a million rumors have, had mostly now, swirled around this publication and the industry in general about what had happened and I will get to that in a minute before dealing with Jack Kerouac’s role in the whole mess.

What you need to know first, if you don’t know already is that Greg Green took me back to do the introductions to an encore presentation of a long-term history of rock and roll series that I edited and essentially created after an unnamed older writer who had not been part of the project balled it all up, got catch flat-footed talking bullshit and other assorted nonsense since he knew nada, nada nunca and, about the subject having been apparently asleep when the late Peter Markin “took us to school” that history. Since then Greg and I have had an “armed truce,” meaning I could contribute as here to introductions of some encore and some origin material as long as I didn’t go crazy, his term, for what he called so-called nostalgia stuff from the 1950s and 1960s and meaning as well that Greg will not go crazy, my term, and will refrain from his ill-advised attempt to reach a younger audience by “dumbing down” the publication with odd-ball comic book character reviews of films, graphic novels and strange musical interludes. Fair is fair.

What I need to mention, alluded to above, is those rumors that ran amok while I was on the ropes, when I had lost that decisive vote of no confidence by one sullen vote. People here, and my enemies in the industry as well, seeing a wounded Allan Jackson went for the kill, went for the jugular that the seedy always thrive on and began a raggedy-ass trail on noise you would not believe. In the interest of elementary hygiene, and to frankly clear the air, a little, since there will always be those who have evil, and worse in their hearts when “the mighty have fallen.”  Kick when somebody is down their main interest in life.

I won’t go through the horrible rumors like I was panhandling down in Washington, D.C., I was homeless in Olde Saco, Maine (how could that be when old friend and writer here Josh Breslin lives there and would have provided alms to me so at least get an approximation of the facts before spinning the wild woolly tale), I had become a male prostitute in New York City (presumably after forces here and in that city hostile to me put in the fatal “hard to work with” tag on me ruining any chances on the East Coast of getting work, getting enough dough to keep the wolves from my door, my three ex-wives and that bevy of kids, nice kids, who nevertheless were sucking me dry with alimony and college tuitions), writing press releases under the name Leonard Bloom for a Madison Avenue ad agency. On a lesser scale of disbelief I had taken a job as a ticket-taker in a multi-plex in Nashua, New Hampshire, had been a line dishwasher at the Ritz in Philadelphia when they needed day labor for parties and convention banquets, had been kicking kids out of their newspaper routes and taking that task on myself, and to finish off although I have not given a complete rundown rummaging through trash barrels looking for bottles with deposits. Christ.

Needless to say, how does one actually answer such idiocies, and why. A couple of others stick out about me and some surfer girl out in Carlsbad in California who I was pimping while getting my sack time with her and  this one hurt because it hurt a dear friend and former “hippie girl” lover of mine, Madame La Rue, back in the day that I was running a whorehouse with her in Luna Bay for rich Asian businessmen with a taste for kinky stuff. I did stop off there and Madame does run a high-end brothel in Luna Bay but I had nothing to do with it. The reason Madame was hurt was because I had lent her the money to buy the place when it was a rundown hotel and built it up from there with periodic additional funds from me so she could not understand why my act of kindness would create such degenerate noise from my enemies who were clueless about the relationship between us.
I will, must deal with two big lies which also center of my reluctant journey west (caused remember by that smear campaign which ruined by job opportunities in the East, particularly New York City. The first which is really unbelievable on its face is that I hightailed it directly to Utah, to Salt Lake City, when I busted out in NYC looking for one Mitt Romney, “Mr. Flip-Flop,” former Governor of Massachusetts, Presidential candidate against Barack Obama then planning on running for U.S. Senator from Utah (now successful ready to take office in January) to “get well.” The premise for this big lie was supposedly that since I have skewered the guy while he was governor and running for president with stuff like the Mormon fetish for white underwear and the old time polygamy of his great-grand-father who had five wives (and who showed great executive skill I think in keeping the peace in that extended family situation. The unbelievable part is that those Mormon folk, who have long memories and have pitchforks at the ready to rumble with the damned, would let a sinner like me, a non-Mormon for one thing anywhere the Romney press operation. Christ, I must be some part latter day saint since I barely got out of that damn state alive if the real truth were known after I applied for a job with the Salt Lake Sentinel not knowing the rag was totally linked to the Mormons. Pitchforks, indeed.    

The biggest lie though is the one that had me as the M.C. in complete “drag” as Elsa Maxwell at the “notorious” KitKat Club in San Francisco which has been run for about the past thirty years or so by Miss Judy Garland, at one time and maybe still is in some quarters the “drag queen” Queen of that city. This will show you how ignorant, or blinded by hate, some people are. Miss Judy Garland is none other that one of our old corner boys from the Acre section of North Adamsville, Timmy Riley. Timmy who like the rest of us on the corner used to “fag bait” and beat up anybody, any guy who seemed effeminate, at what cost to Timmy’s real feelings we will never really know although he was always the leader in the gay-bashing orgy. Finally between his own feeling and Stonewall in New York in 1969 which did a great deal to make gays, with or with the drag queen orientation, a little less timid Timmy fled the Acre (and his hateful family and friends) to go to friendlier Frisco. He was in deep personal financial trouble before I was able to arrange some loans from myself and some of his other old corner boys (a few still hate Timmy for what he has become, his true self) to buy the El Lobo Club, his first drag queen club, and when that went under, the now thriving tourist trap KitKat Club. So yes, yes, indeed, I stayed with my old friend at his place and that was that. Nothing more than I had done many times before while I ran the publication.                   

But enough of this tiresome business because I want to introduce this series dedicated to the memory of Jack Kerouac who had a lot of influence on me for a long time, mostly after he died in 1969 
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All roads about Jack Kerouac, about who was the king of the beats, about what were the “beats” lead back to the late Pete Markin who, one way or another, taught the working poor Acre neighborhood of North Adamsville corner boys what was up with that movement. Funny, because we young guys were a serious generation removed from that scene, really our fathers’ contemporaries and you know how far removed fathers were from kids in those days especially among the working poor trying to avoid going  “under water” and not just about mortgages but food on tables and clothing on backs, were children of rock and roll, not jazz, the beat musical medium, and later the core of the “Generation of ‘68” which took off, at least partially, with the “hippie” scene, where the dying embers of the beat scene left off. Those dying embers exactly the way to put it since most of our knowledge or interest came from the stereotypes-beards before beards were cool and before grandfather times -for guys, okay, berets, black and beaten down looks. Ditto on black for the gals, including black nylons which no Acre girl would have dreamed of wearing, not in the early 1960s anyway. Our “model” beatnik really came, as we were also children of television, from sitcom stories like Dobie Gillis with stick character Maynard G. Krebs standing in for all be-bop-dom.        

So it is easy to see where except to ostracize, meaning harass, maybe beat up if that was our wont that day, we would have passed by the “beat” scene, passed by Jack Kerouac too without the good offices, not a term we would have used then, if not for nerdish, goof, wild and woolly in the idea world Markin (always called Scribe for obvious reasons but we will keep with Markin here). He was the guy who always looked for some secret meaning to the universe, that certain breezes, winds, metaphorical breezes and winds, were going to turn things around, were going to make the world a place where Markin could thrive. Markin was the one who first read Kerouac’s breakthrough travelogue of a different sort novel On The Road.
Now Markin was the kind of guy, and sometimes we let him go on and sometimes stopped him in his tracks, who when he was on to something would bear down on us to pay attention. Christ some weekend nights he would read passages from the book like it was the Bible (which it turned out to be in a way later) when all we basically cared about is which girls were going to show up at our hang-out spot, the well-known Tonio’s Pizza Parlor and play the jukebox and we would go from there. Most of us, including me, kind of yawned at the whole thing even when Markin made a big deal that Kerouac was a working-class guy like us from up in Lowell cut right along the Merrimac River. The whole thing seemed way too exotic and moreover there was too much homosexual stuff implied which in our strict Irish-Italian Catholic neighborhood did not go down well at all -made us dismiss the whole thing and want to if I recall correctly “beat up” that Allan Ginsberg character. Even Dean Moriarty, the Neal Cassidy character, didn’t move us since although we were as larcenous and “clip” crazy as any character in that book we kind of took Dean as a tough car crazy guide like Sonny Jones from our neighborhood who was nothing but a hood in Red Riley’s bad ass motorcycle gang which hung out at Harry’s Variety Store. We avoided him and more so Red like the plague. Both wound up dead, very dead, in separate attempted armed robberies in broad daylight if you can believe that.    

Our first run through of our experiences with Kerouac and through him the beat movement was therefore kind of marginal-even as Markin touted for a while that whole scene he agreed with us that jazz-be-bop jazz always associated with the beat-ness was not our music, was grating to our rock and roll-refined and defined ears. Here is where Markin was always on to something though, always had some idea percolating in his head. There was a point where he, we as well I think, got tired of rock and roll, a time when it had run out of steam for a while and along with his crazy home life which really was bad drove him to go to Harvard Square and check out what he had heard was a lot of stuff going on. Harvard Square was, is still to the extent that any have survived like Club Passim, the home of the coffeehouse. A place that kind of went with the times first as the extension of the beat generation hang-out where poetry and jazz would be read and played. But in Markin’s time, our time there was the beginnings of a switch because when he went to the old long gone Café Nana he heard folk music and not jazz, although some poetry was still being read. I remember Markin telling me how he figured the change when I think it was the late Dave Von Ronk performed at some club and mentioned that when he started out in the mid-1950s in the heat of beat time folk singers were hired at the coffeehouses in Greenwich Village to “clear the house” for the next set of poetry performers but that now folk-singing eclipsed poetry in the clubs. Markin loved it, loved the whole scene of which he was an early devotee. Me, well, strangely considering where I wound up and what I did as a career, I always, still do, hated the music. Thought it was too whinny and boring. Enough said though.                   

Let’s fast forward to see where Kerouac really affected us in a way that when Markin was spouting forth early on we could not appreciate. As Markin sensed in his own otherworldly way a new breeze was coming down the cultural highway, a breeze push forward by the beats I will confess, by the folk music scene, by the search for roots which the previous generation, our parents’ generation, spent their adulthoods attempting to banish and become part of the great American vanilla melt, and by a struggling desire to question everything that had come before, had been part of what we had had no say in creating, weren’t even asked about. Heady stuff and Markin before he made a very bad decision to quit college in his sophomore years and “find himself,” my expression not his, spent many of his waking hours figuring out how to make his world a place where he could thrive.

That is when one night, this is when we were well out of high school, some of us corner boys had gone our separate ways and those who remained in contact with the brethren spent less time hanging out at Tonio’s, Markin once again pulled out On The Road, pulled out Jack’s exotic travelogue. The difference is we were all ears then and some of us after that night brought our own copies or went to the Thomas Murphy Public Library and took out the book. This was the spring of the historic year 1967 when the first buds of the Summer of Love which wracked San Francisco and the Bay Area to its core and once Markin started working on us, started to make us see his vision of what he would later called, culling from Tennyson if I am not mistaken a “newer world.” Pulling us all in his train, even as with Bart Webber and if I recall Si Lannon a little, he had to pull out all the stops to have them, us, join him in the Summer of Love experience. Maybe the whole thing with Jack Kerouac was a pipe dream I remember reading about him in the Literary Gazette when he was down in Florida living with his ancient mother and he was seriously critical of the “hippies,” kind of banged on his own beat roots explaining that he was talking about something almost Catholic beatitude spiritual and not personal freedom, of the road or anything else. A lot of guys and not just writing junkies looking for some way to alleviate their inner pains have repudiated their pasts but all I know is that when Jack was king of the hill, when he spoke to us those were the days all roads to Kerouac were led by Markin. Got it. Allan Jackson    

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis)

Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my oldest brother Alex who was washed clean in the Summer of Love, 1967 but must have known the edges of Jack’s time since he was in high school when real beat exploded on the scene in Jack-filled 1957, they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all Jack’s kid stuff high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the poet princely mean streets of New York, Chi town, Mecca beckoning North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps (and the fleas were real no time for metaphor down in the bowels where the cowboy junkies drowse in endless sleeps, raggedy winos toothless suck dry the dregs and hipster con men prey on whoever floats down), half stirred left on corner diners’ coffees and groundling cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when the acolytes and bandit hangers-on  came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands).

Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back which has caused more riffs and bad words than I want to yell about here).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine and so only an honorary corner boy after hitching up with the Scribe out on a Russian Hill dope-filled park), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker, what did Jack call his generation’s such, oh yeah, holy goofs,   who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before 1967 (and which nobody in the crowd paid any attention to, or dismissed out of hand, what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s travel adventure book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain, desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end down some dusty Jack-strewn road in Mexico cocaine deal blues. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law back then when the coppers were just waiting for corner boy capers to explode nay Friday or Saturday night, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also like Alex a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through the Scribe via Alex that I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

Frank Jackman comment:

Not all the entries in this space are connected to politics, although surely most of them can be boiled down into some political essence, if you try hard enough. The following is one of those instances where trying to gain any “political traction”, or as I am fond of saying drawing any “lessons” would be foolhardy. I should also note that this entry is part of a continuing, if sporadic, series of “trips down memory lane” provoked by a fellow high school classmate who has been charged with keeping tabs on old classmates and their doings, even those of old-line communists like this writer. Go figure?

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Markin comment: This one is in response to an e-mail from an old elementary school classmate. Ouch, no double ouch!


The Project Boys, And Girls-For Dennis V.

"Ain't got no time for the corner boys, down in the street making all that noise"-a line from Bruce Springsteen's classic song of working class love, "Jersey Girl".

Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and Snug Harbor School. Yes, those names and places from the old housing project down in Germantown surely evoke imagines of the sea, of long ago sailing ships, and of battles fought off some mist-driven coast by those hearty enough to seek fame and fortune. But, of course, we know that anyone with even a passing attachment to the old town has to have an instinctual love of the sea, and fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But, enough of those imaginings.

Today I look to the landward side of that troubled housing project peninsula, that isolated expanse of land jutting out of the water and filled with wreckage of another kind. No, this will not be a sociological survey of working class pathologies made inevitable by the relentless struggle to scramble for life's necessities, the culture of poverty, or the like. Nor will it be a political screed about rising against the monsters that held us down, or the need for such a rising. Nor even about the poetic license necessary to cobble pretty words together to speak of the death of dreams, dreamless dreams or, maybe, just accepting small dreams to fit a small life. Rather, I am driven by the jumble of images that passed through the thoughts of a ragamuffin of a project boy as he tried to make sense out of a world that he did not create, and that he had no say in.

Ah, the scenes. Warm, sticky, humid summer nights, the air filled with the pungent, overpowering soapy fragrance from the Proctor and Gamble factory across the channel that never quite left one's nostrils. Waking up each morning to face the now vanished Fore River Shipyard superstructure; hearing the distant clang of metals being worked to shape; and, the sight of flickering welding torches binding metals together. The endless rust-encrusted, low-riding oil tankers coming through the channel guided to port by ear-shattering, whistle-blowing tugs. The interminable wait for the lifeline, seemingly never on time, Eastern Mass bus that took one and all in and out through that single Palmer Street escape route. Or that then imposing central housing authority building where I was sent by my mother, too proud to go herself, with the monthly rent, usually short. Oh, did I mention Carter's Variety Store, the sole store for us all the way to Sea Street, another lifeline. Many a time I reached in Ma's pocketbook to steal money, or committed other small larcenies, in order to hike down and get my sugar-drenched stash.

And the kids. Well, the idea in those days was that the projects were a way-station to better things, or at least that was the hope. So there was plenty of turnover of friends but there was a core of kids, like me and my brothers, who stayed long enough to learn the ropes. Every guy had to prove himself, tough or not, by hanging with guys that were "really" tough. That was the ethos, and thems were the rules. I took my fair share of nicks but also, for a moment, well for more than a moment as it turned out, I was swayed by the gangster lifestyle. Hell, it looked easy. With classmate Rickie B. (who, later, served twenty years for a series of armed robberies) I worked my first "clip" in some downtown jewelry store. Moving on, I was the "holder" for more expansive enterprises with George H. (who, later, got killed when a drug deal he was promoting went south on him). But that was then, right?

Oh, the different things that came up. Oddball things like Christmas tree bonfires, and annual Halloween hooliganism... Hey, all this is so much eyewash because what, at least in memory's eye, is the driving "projects" image is the "great awakening". Girls. And being ill at ease around them, and being a moonstruck kid, and the shoe leather-wearing out marathon walking, thinking about what to do about them, especially when the intelligence-gatherers told you about a girl who liked you. And the innocent, mostly dreaded, little petting parties, in dank little basements that served as 'family rooms' for each apartment, trying to be picked by the one you want to pick you and, well, you get the drift. Now a lot of this is stuff any kid goes through, except just not in "the projects". And some of it is truly "projects" stuff - which way will he go, good or bad? But this next thing kind of ties it together. Just about the time when I seriously committed to a petty criminal lifestyle I found the Thomas Crane Library branch that was then in the Snug Harbor School. And one summer I just started to read every biography they had in the Children's section. While looking, longingly, over at the forbidden Adult section on the other side of the room for the good stuff. And I dreamed. Yes, I am a "projects" boy, and I survived to tell the tale.

When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind 

By Lance Lawrence  

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Allan Jackson (aka Peter Paul Markin in the blogosphere) was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[Although I am a much younger writer I today stand in agreement with Bart Webber and Si Lannon, older writers who I admire and whom I have learned a lot from about how to keep it short and sweet but in any case short on these on-line sites. Originally I had agreed with both men as far as Phil Larkin’s, what did Si call them, yes, rantings about heads rolling, about purges and would have what seems like something out of Stalin’s Russia from what I have read about that regime were  dubious at best. Now I am not sure as I have heard other younger writers rather gleefully speaking around the shop water cooler about moving certain unnamed writers out to pasture-“finally” in the words of one of them.

In any case the gripe the former two writers had about the appropriateness of this disclaimer above or whatever it purports to be by the "victorious" new regime headed by Greg Green and his so- called Editorial Board is what I support. As Bart first mentioned, I think, if nothing else this disclaimer has once again pointed told one and all, interested or not, that he, they have been “demoted.”  That I too, as Si pointed out, chafed as an Associate Book Critic and didn’t like it am now just another Everyman and don’t like it. This is the second time I have had the disclaimer above my article so I plead again once should be enough, more than enough.

In the interest of transparency I was among the leaders, among the most vociferous leaders, of what has now started to come down in the shop as urban legend “Young Turks” who fought tooth and nail both while Alan Jackson (aka Peter Paul Markin as blog moniker for reasons never made clear, at least to me) was in charge and essentially stopping young writers from developing their talents and when we decided that Allan had to go, had to “retire.” (I am sure Phil Larkin will take those innocent quotation marks as definite proof that Allan was purged although maybe I should reevaluate everything he has said in a new light.) But I agree with Bart and Si’s sentiment that those on the “losing” end in the fierce no-holds barred internal struggle had taken their "beating" and have moved on as far as I can tell. That fact should signal the end of these embarrassing and rather provocative disclaimers. Done. Lance Lawrence]

“The Unknown Soldier”    

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Comp'nee, halt
Present, arms
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby

Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Frank Jackman

There was no seamless thread that wrapped the 1960s up tightly. A thousand things, or it seemed like a thousand things, came together in pretty rapid succession to draw down in flames, for a while anyway although none of us though it would on be for only a while just as we thought that we would live forever, or at least fast, the dread red scare Cold War freezes of our childhood. But you could traces things a little, make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like with the heat of the black struggle for some semblance of civil liberties down south (and some sense for equality up north), the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly mixed all stirred up), the “discovery” of teen alienation and angst exemplified by movie star James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. An odd-ball mix right there. Then start to throw in the struggles against the old authority, the old certitudes that had calmed our parents’ lives in places like Frisco town where they practically ran the red-baiters in the HUAC out of town, but of course the biggest event that opened the doors for liberals, radicals, hell even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy.  

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the dead penalty, nuclear proliferation, the unevenness of life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of the generation. There were more things, cultural things and experimentations with new lifestyles that all got a fair workout during this period as well.   

Plenty of us in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of us have our specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that we still live with for not taking the omens more seriously.

And then we have the photograph that graces this short screed. This photograph is almost impossible to imagine without some combination of that hell broth mix stirred up in the 1960s. Three self-assured women comfortable with the loose and individualistic fashion statements of the day from floppy hats to bare legs, bare legs that would have shocked a mother. Uncomfortable about the damn Vietnam war that was eating up boyfriends, brothers, just friends at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times when one group of women demanded that their men come home on their shields if they had to rather than speak of defeat and others providing a distant echo for these three women pictured here who refused their soldier boys any favors if they went off to war. More, much more of the latter, please.                     

Elegy Upon Hearing Of The Death Of Superman-“With Batman vs. Superman: Dawn Of Justice” (2016) In Mind

Elegy Upon Hearing Of The Death Of Superman-“With Batman vs. Superman: Dawn Of Justice” (2016) In Mind  

By Seth Garth

[Perhaps only a person, a man in this case, like Seth Garth who can trace his forebears gaggle of poets, bandits, stone-cold junkies, whores, whoremongers, whoremongers’ wives, midwives, witches, odd-ball aficionados, troubadours, minstrel singers, blackguards going back to medieval times in ancient France, going back on his mother’s side it is said and which explains a lot of things to the bandit/troubadour/poet exiled in his own land François Villon. Back to France when it was all cut up into pieces with little castles and moats and the world too. Only a guy like that could write a prosaic elegy without tears for a legendary figure like Superman, a super-hero whose time had passed. Site manager Greg Green]

                                                                               t

Signpost: December 7, 1941 for those who squeaked by the Great Depression hunger and cold that provoked and pervaded the land and who still charged forward slogging through the muddy beaches and forests of World War II, or waited breathlessly at home. Signpost: November 22, 1963 where every schoolboy and schoolgirl knew exactly where he or she was when the news came through the PA systems of a million schools portending I have a dream Martin death and seek a newer world Robert one too to end Camelot children dreams and Summer of Love drugs, sex and rock and roll. Signpost: 9/11 no year needed yet when everybody learned that in this wicked old world that there were people, there were unchecked forces who sought end time, sought the garden without regard. Signpost: March 26, 2016 the day when a candid world first heard that super-hero for the ages, an other-worldly guy, an alien of a different sort, Superman, had finally cashed his check.         

Who knows how it happened, how it could possibly happen when all the world figured he was invincible, was always to be with us. The world became far shorter than by a head when he laid down that beautiful head of his. (Now laid out in white cross National Cemetery to be wreathed at Christmas time, flagged on Memorial Day and Armistice Day after boom-boom salutes). 

Man of steel, man of steel, man of steel, man of maximum steel.

Not born of woman, a stranger in our midst, churning cornfields into flapjacks, odd duckling in a hero-less world in desperate need of heroes. Nameless except silly earthling name horn-rimmed glasses wimpy goof Clark Kent, a dweeb, nerd, and every other foul name tyrant editor Perry White could lay on him when he came up with some of the lamest stories in newspaper history to cover his tracks, running ruses around who he was and who had deposited him pod-like in Middle America corn-fed fields of dreams.       

Mild-mannered, mild mannered, maximum mild-mannered

Caped crusader in a world filling up with vermin, with the dregs, with oceans full of flotsam and jetsam robbers and robber-barons. Filling up too with a crowd of would-bes, would be super-heroes like they could come off the assembly line ready for action. Ready to fight the creeps, the crooks, the fixer men, the gay guys who worshipped him in silent vigil rooms. Junkie-fixer men crying hero, hero worship me unto the end days, unto the return to the garden. Every sullen batman, ironman, wonder woman, black widow, hulk, thor, and a million other hucksters and hustlers, con artists claiming king or queen-ship. Looking for the man chance.      

Able to leap tall buildings, able to leap tall buildings, able to leap maximum tall buildings.

Made young boys weep for their inadequacies, cowering in corners waiting to be saved, to be born again. Made grown women wet with his bulging muscles and his devilish ways. Little did they know that timeless he was winding down, had lost a step or two, told that he was losing some of his brain power by respected John Hopkins doctors and Walter Reed medics like many aliens do when they hit the American shore and try to turn to vanilla.    

Faster than a speeding bullet, faster than a speeding bullet, faster than a speeding maximum bullet. 

I, I who hear the great world moan death attendant, I who speak for the unwashed masses, I who sing the great Whitman America we are your sons song, got caught off guard, didn’t know that he had had more than a few run-ins with the law, was selling high grade ammo to nefarious parties, was getting a few more people angry every time he took to the cape for a caper. Worried and angry since the collateral damage, a new term unfamiliar to him that he told Lois Lane one pillowy night, he didn’t give a damn about as long as he got one bad guy less to the notched world wasn’t over-shadowing the ratio. Was getting so people were calling for his arrest and exile back to Pluto or wherever they thought he was from (so hungry for a savior in a Daily Planet survey inspired by that brute Perry White only one in ten could name his planet of origin-sad)

Kryptonite, kryptonite, maximum kryptonite. 

Had missed in my plainsong that Superman had turned junkie and was selling himself to the highest bidder, toying with a holy goof named Lux Luthor who had more than one screw loose, who had a stable of poor boy super-heroes to unload on an unsuspecting world. Had a guy named batman wound up so tight that he was ready to take the caped crusader on one on one for cheap money and a shot at Lois Lane if Wonder Woman was already spoken for. Beat the bejesus out of Superman on the quiet one night and Clark Kent was AWOL for days around the Daily Planet nobody thinking it odd.

More powerful than a locomotive, more powerful than a locomotive, more powerful than a maximum locomotive.

The way the story went around, went after the coppers fucked around with the truth and the media bought the damn thing hook, line and sinker, was he was an orphan bastard of some Krypton mutant seeking revenge, seeking his death, since his mother shipped him off to joyride Earth. Ceremonial bitch father had a kryptonite-edged blade and rammed the thing straight through the kid, gone in a minute, done, cooked shamrock green from what they told on the 6 o’clock news.      

It’s a bird, it’s a plane, its Superman, it’s a bird, it’s a plane, it’s Superman, it’s a bird, it’s a plane, it’s maximum Superman.  

Yeah, it was a sad world day the day that guy laid down his head, the day we heard Superman had finally cashed his check.