Sunday, April 21, 2019

The Search For The Great Blue-Pink American Night-Part 32-With Western Artist Ed Ruscha In Mind



The Search For The Great Blue-Pink American Night-Part 32-With Western Artist Ed Ruscha In Mind




By Sam Lowell


Just then Bart Webber was in a California state of mind, was ready to chuck everything and go back on the road, the road to perdition to hear his wife, of thirty plus years, Betty Salmon, tell it when he went off on his tirade about the old days, and worse, the old guys, guys like Markin who had dragged him out West kicking and screaming. Now to hear him tell it Bart was the guy who propelled the sluggish Markin westward. We will get to the why of Bart’s new found interest in retracing his youthful fling in the bramble-filled West, out there where the states are square and you had better be as well on the way to the edge of the continent and the dreaded Japans sea for failure but first the what.

It seemed that Bart had jumped the gun somewhat because he found himself out in San Francisco, the place where he met up with Markin and some of the other North Adamsville corner boys in that fateful year of 1968 when he rode for a few months with the guys on Captain Crunch’s yellow brick road converted school bus come travelling caravan home, at a printing and media conference, what would be his final conference since he was putting his printing business in the capable hands of his youngest son who truth be told had been handling the day to day operations of the shop anyway and was itchy to run the operation himself. While riding on the BART into the city he noticed on a billboard that the de Young Museum in Golden Gate Park was featuring a retrospective by the Western artist Ed Ruscha, an artist that Bart had always admire ever since he had seen his series on gas stations and their role in the great post-World War II golden age of the American automobile, the wide open highways and cheap gas.             

Taking an afternoon off he went over to Golden Gate and viewed the exhibit, a show that had well over one hundred paintings, photographs, prints and petro-maps. One set of photographs taken on one of Ruscha’s trips from his native Oklahoma to Los Angeles via the southern desert-etched route drove Bart to distraction as there he saw gas stations in places like Needles, on the California-Arizona border, Kingman, Flagstaff, Gallup, and a few other places he had passed through on one of his hitchhike or car-sharing trips to California. Saw too coyotes, Native American reservations, buffalos roam. Saw a series of prints and paintings of the famous Hollywood sign that told him the first time that he had seen the sign up in the hills that he had arrived in the land of sun and fantasy. Saw a darkly troubling painting all done in dark somber colors of the death of the Joshua trees in the high desert, a place where he had performed under the influence of serious dope inhalation the “ghost” dance with Markin, Jack Callahan, Josh Breslin and Frankie Riley. Saw plenty of photographs and paintings detailing the degradation of that part of California Ruscha had travelled through on those golden age trips. He was, well-known as a man not to show much public emotion, shaken almost to tears at the vistas that he witnessed. Could not get the thoughts of his old “hippie” minute out of his mind. (That “minute” then signifying that he finally came to a realization after a few months that unlike Markin, Josh, or Sam Lowell another late arrival in California from the corner boys who stayed on the road for a few years that he was a stationary person, missed old North Adamsville and missed old ball and chain Betty Salmon.)             

Here’s how the whole thing played out back then and maybe, just maybe you will begin to understand why Bart was shaken almost to tears for visions of his long lost youth. Despite the urban legend Bart tried to create lately around his role in sending Markin westward Markin, and only Markin was the guy who led the charge west. Had been the guy of all the guys on the corner who predicted, predicted almost weekly from about 1962 on that a big sea-change was coming and they had better be ready to ride the wave. They all, Bart included blew Markin’s predictions off out of hand because frankly if the subject around Tonio’s Pizza Parlor come Friday night wasn’t about girls, cars, money, getting drunk or any combination of those subjects they didn’t give a rat’s ass as Frankie Riley would say about some seaweed change.       

Things pretty much stayed that way all through high school although that didn’t stop Markin from his predictions especially when the black down south got all uppity (signifying that the corner boys except Markin didn’t give a rat’s ass about that subject either and maybe worse) and  folk music, the urban folk revival as Markin called it, took off. All that meant and this was stretching it was cheap dates with girls who might put on. Bart was even less interested in the latter since Betty was still stuck in some Bobby Rydell crush and did not like folk music (and still didn’t so Bart only played it when she was out of the house). Stayed that way for a couple of years after high school as they went their separate ways except the Friday night reunions at Tonio’s to, well, kill time. Then the Vietnam War came on strong which they did give a rat’s ass about, wanted to see the commies bit the dust although except for Sal Russo and Jimmy Jenkins who laid down his head over there and whose name now is on black marble down in Washington and in granite in North Adamsville, they did not volunteer. (Those who were called eventually all went including Markin who lost a lot over there, had serious troubels with the “real” world coming back and in the end couldn’t shake whatever it was that took the life out of him.)

Then in the spring of 1967 Markin did two things, one, the fateful decision to drop out of Boston University after his sophomore year to go “find himself,” a characteristic of the times, of the generation, of the best part of the generation and the other, the less fateful but still fraught with danger decision to head west, to hitchhike west to California after he had read Jack Kerouac’s On The Road about six times and declared that now was the moment that he had been talking about all those Friday nighst in front of Tonio’s. So he headed west with no compulsion, wound up hooking up with a caravan out there. The Captain Crunch yellow brick road caravan that would eventually be composed of at least a half dozen North Adamsville corner boys turned “hippies” for varying lengths of time. Bart was pretty late on that “train” didn’t go out until the summer of 1968 after he found out that due to a childhood injury that left him with a pronounced limp despite a couple of surgeries was declared 4-F, unfit for military service by the friends and neighbors at his local draft board. That pretty late also meant that Markin who shortly after he got out to San Francisco received his own draft notice and was an additional reason why Bart left the road early since he knew the ropes.  

Bart, despite whatever happened later, was happy to be heading out and once he decided to go he also decided that he would hitchhike out like all the other guys except Sam Lowell who to placate anxious parents, really an anxious mother went out by bus. Even Sam after five plus days on a stinking Greyhound bus with the usual screaming kids left to wander the aisles and the inevitable overweight seatmate who snored and despite a couple of pleasant days from New York to Chicago with a chick who caught his eye and whom he flirted like crazy with said later that he would have rather hitched than go through that again (and all his later trips would be done that way. Bart figured that although the road might be slow with the many false starts and being left in some strange places where grabbing a ride was not easy that it would be interesting once he got past the stifling East and Great Plains to see what was what in the West (that stifling Ruscha could attest to since he was nothing but a child of the Great Plains, hell, an Okie so he knew he had to head west in that big old Chevy Bart had heard he went out to L.A. in that fateful 1956 year when he went to art school there.

Bart thinking about the experience, that first road out, that always served as a hallmark for every guy’s trip out remembered more or less vividly all those dusty side roads he got left on after his own trip through Oklahoma. Although the big Eisenhower-driven national security Interstate highway system made it easier in the mid-1960s to travel the hitchhike road than all the back roads and Route 66 that Bart had read about in Jack Kerouac’s travel the open road book On The Road that Markin made everybody read when they all were in high school even though he wasn’t much of a reader, didn’t think as much of the be-bop beats as Markin did who thought they were the max daddies he was waiting for even though by their time the beat thing was passe was old news, ancient history it was actually easier to get rides on the smaller roads where people could see you from down or up the road. In any case you were sure to be left off on more than one back road since that was just the way it was, nobody who was say going to Denver was going to let you off in the middle of Interstate 80 when you saw the sign for Cheyanne just ahead.  

Funny all the strange signs he saw out on the open back roads like  the mere fact of putting a sign up would draw people to your Podunk town , or your Podunk store. He had had to laugh when he saw Ruscha’s photograph of a town out in nowhere which probably had a population of less than one thousand but which had a sign documenting all the about ten church denominations that kept the good people of the town on their feet. He had seen more Jesus Save signs and the like than you could shake a stick at the further west he went until they stopped, stopped  dead the closer you got to coastal California. Saw more signs for cigarettes, beer, whiskey, dry goods (quaint), no trespassing, no loitering, no anything than he ever noticed back home. He wondered if people travelling through North Adamsville had that same feeling about his own Podunk town. He knew for sure that there were not top-heavy signs about all the religious denominations of the town at least not in the Acre where all you saw was a fistful of Catholic churches, Roman Catholic for the unknowing about differences.               

Had seen above all the signs that directed you to the nearest gas stations, almost a ritualistic sign that you were still in the golden age of the automobile, of the superhighway and of cheap gas. Hell even in North Adamsville right across from the high school he remembered the service station owners who had business right next to each other would have “gas wars,” would have signs out with prices like 30 cents per gallon versus say 29 cents. Yeah, cheap gas, and plenty of service too. Lots of guys, guys who needed to support their “boss” car habits worked as gas jockeys filling up tanks, checking oil and tires and wiping off windshields. Saw every kind of gas station from the one franchised out by Esso and Texaco to little fly-by-night operations with no name gas, a rundown coke machine that barely worked and bathrooms with stained sinks and broken plumbing and had been cleaned since Hector was a pup. You had to use your own handkerchief to wipe your hands. Even some of the diners, diners like Jimmy Jack’s back home where all the guys hung out after leaving off their dates if they didn’t get lucky and wind up down at the far end of Squaw Road on Adamsville Beach fogging up some “boss” car into the wee hours of the morning had gas stations or at least pumps out on those long stretch deserted roads so nobody would get stranded on in the hot sun (and the owners probably figured that while stopping for gas the little family might as well have something to eat at the high carbohydrate steamed everything counters and booths.

Saw plenty of weird natural formations along the way getting twenty mile rides here from ranchers or farmers going up the road, fifty miles there from high-rollers taking the high side to Vegas, a few miles from high school kids joy-riding to while away the afternoon to avoid the dreaded chores that awaited them at home. Saw every kind dusty dried out tree seeking nourishment from the waterless ground. Saw rock formations hounded by the winds and sheered to perfection. Saw every color of brown, of beige, of grey. Saw too in Joshua Tree of a thousand tears, tears for the creeping civilization that was choking them away and tears one high doped up night when Markin and a few others channeled the shamans of the past in a ghost dance off the flickering canyon walls, hah, walls of brown, of beige, of grey. Bart never got over that experience, never saw what the white man, what his people had done so clearly even if he wasn’t about to do anything about it except load up on peyote buttons and ancient dreams of mock revenge.  

Saw above all as he grabbed that last one hundred, maybe one hundred and fifty mile stretch to Frisco town the refuge of the high speed road, the broken glass, the road kill, the busted fences where some fool had gone off the highway drunk or doped up so he didn’t feel a thing, saw stripped off bare truck tires blocking easy passage on the road ahead. Saw the bramble, the flotsam and jetsam of modern day life. Saw too though as he got closer to Frisco, as he could almost smell the ocean, the land’s end, the Japan seas or back home that the West was very different, that those who had make the trek, maybe were forced to make the trek were very different from the East that he knew. But maybe too they would have to run from a thing which they had built.

Later. after he arrived in San Francisco, met Markin, Josh and Frankie on Russian and then joined them on the journey south for a few months (with a couple of trips back home in between) he would see Ruscha L.A. would see those luscious Hollywood signs, and would like any tourist from Podunk image that he had the wherewithal to make it as a star, or    something like that name in lights. Got to know L.A. too well, couldn’t handle the freeway craziness, couldn’t handle the sameness of the endless strip malls, the endless rows of tickey-tack houses, couldn’t handle the sprawl that was turning a small town into a nega-town. Yeah he knew exactly what Ruscha was driving at, was trying to chronicle. But still he missed the opportunity to see if he did have what it took to survive in California, to have drunken in the scenes.     

And you wonder why Bart just then as he approached retirement, as he approached his seventh decade he was in a frenzy to repeat his past.    







*Poets Corner-Once Again, Walt Whitman's "Oh Captain, My Captain" and "When Lilacs.." In Honor Of Civil War Leader Abraham Lincoln

Click on title to link to a film clip of Walt Whitman on YouTube lip-synching (for lack of a better term) his "Oh Captain, My Captain".

Commentary

This is Walt Whitman's well-known homage to the fallen Civil War President Abraham Lincoln. It deserves space in any left history blog. For an excellent musical rendition of this poem (and the inspiration for placing the poem here) listen to Carolyn Hester's "Carolyn Hester At Town Hall" recording from 1965.


O Captain! My Captain!

Walt Whitman


1

O CAPTAIN! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart! 5
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

2

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills; 10
For you bouquets and ribbon’d wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck, 15
You’ve fallen cold and dead.

3

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won; 20
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.



Walt Whitman (1819–1892). Leaves of Grass. 1900.

When Lilacs Last in the Door-yard Bloom’d

1

WHEN lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west, 5
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me! 10
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle......and from this bush in the door-yard, 15
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush, 20
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.) 25

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards; 30
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black, 35
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn; 40
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac. 45

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies; 50
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven! 55
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;) 60
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb, 65
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me; 70
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west, 75
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls, 80
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific; 85
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land! 90
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes; 95
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird! 100
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender! 105
O wild and loose to my soul! O wondrous singer!
You only I hear......yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops, 110
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor, 115
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death. 120

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness, 125
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses, 130
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird. 135

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe, 140
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome? 145

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee, 150
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night. 155

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song! 160
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird, 165
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed, 170
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and bloody; 175
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war; 180
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d. 185

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night, 190
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring, 195
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird, 200
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well; 205
For the sweetest, wisest soul of all my days and lands...and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.

Eyewitness Reports from Venezuela


The flyer below and attached describes Boston-area events coming up. 
------ 
Eyewitness Reports from Venezuela 
U.S. peace & justice movements have sent delegations to Venezuela. Their experience and observations countered the false narrative generated by corporate U.S. media. Returning delegates are on tour speaking out to help prevent U.S. military intervention. Hear……
Bahman Azad:  an Iranian-American peace and justice activist and retired Professor of Economics and Sociology. He was a former acting director of the Center for Middle Eastern Studies at Rutgers University. He’s a member of the National Board of the U.S. Peace Council. He is currently Chair of Veterans For Peace Iran Working Group, Organizational Secretary of the U.S. Peace Council, Coordinator of the Coalition Against U.S. Foreign Military Bases, and the Global Campaign Against US/NATO Military Bases. He is Co-Chair of Iran Pledge of Resistance, and an NGO representative of the World Peace Council at the United Nations.

Jose Aleman is a high school teacher in Massachusetts and was formerly the consul general of the Salvadoran Consulate in Boston.  He visited Venezuela in Nov. 2018 with the delegation sponsored by the Venezuela Solidarity Committee of Boston.  Jose is also a member of the FMLN political party in El Salvador.

May 2nd Encuentro 5 - 7:00 PM; 9A Hamilton Place, Boston
May 3rd First Unitarian Universalist Society of Newton
7PM 1326 Washington St., Newton
In Natick
May 4th Common Street Spiritual Center
7P.M. 13 Common Street

This Tour is sponsored by: United for Justice with Peace, the Social Action Committee of the First Unitarian Universalist Society of Newton, The State Green Rainbow Party, the Common Street Spiritual Center of Natick, Metro West Peace Action, Women's International League for Peace and Freedom - Boston Branch, Venezuelan Solidarity Committee, Mass Peace Action. The Natick Meeting is wheelchair accessible. For further information call 508 820-2724

Help Chelsea Win Her Legal Appeal With the Fourth Circuit Chelsea Resists Legal Fund via ActionNetwork.org

Dear Supporter,
Thank you so much for your generous donation to Chelsea Manning's legal fund.
As you know, Chelsea is still incarcerated for refusing to testify before a federal grand jury. Today, it will have been 43 consecutive days (as of April 19, 2019).
For the first 28 days, Chelsea was held in "Administrative Segregation." More than 15 days of isolation has been defined as "prolonged solitary confinement," and is considered "torture or other cruel, inhuman or degrading treatment or punishment" by the UN General Assembly (http://solitaryconfinement.org/mandela-rules).
Chelsea's legal team has been working around the clock on her defense, and have submitted an appeal and a bail motion for her release pending appeal to the 4th Circuit Court of Appeals. Should these efforts prove unsuccessful, the legal team will work to secure other post-contempt relief to win Chelsea's release.
As we all await the court's response, it is our hope that you might be able to make another small contribution to Chelsea's legal fund, to help ensure that her legal team has the resources they need.
Your donations will enable Chelsea's legal team to continue with their tireless efforts, so that Chelsea can once again be free.
Thank you,
The Chelsea Resists Support Committee
P.S. If possibile, please select 'Recurring Donation' to maximize your support.

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From The Bob Feldman Blog-Bobby Sands 'Last Cry'- In Honor Of Bobby Sands, MP, And The Ten Irish Hunger Strikers of 1981

From The Bob Feldman Blog-Music To While Away The Class Struggle BY-Bobby Sands 'Last Cry'- In Honor Of Bobby Sands, MP, And The Ten Irish Hunger Strikers of 1981

From the American Left History blog

Tuesday, March 28, 2006

*The 25th Anniversary Of The Irish Republican Hunger Strikers-ALL HONOR TO THE MEMORY OF BOBBY SANDS, MP- The Struggle Continues

Click on title to link to YouTube film clip on Bobby Sands and the Ten Irish Hunger Strikers of 1981

COMMENTARY

ALL HONOR TO THE MEMORY OF BOBBY SANDS, MP


This year marks the 25th Anniversary of the deaths of Bobby Sands and the 10 Irish Republican Freedom Fighters as a result of their hunger strikes against the British Occupation. Hunger strikes are a way, and justifiably so, of gaining the world’s attention to an injustice done to downtrodden and unequally matched people struggling against occupation. That was certainly the situation in the North at that time. Unfortunately there still is no peace in the North nor can there be until the bloody British Army gets out. That is the primary condition necessary before real peace will come. Nationalists, Republicans and Socialists may disagree on the political configurations of the future governments in Ireland but all can, and should, demand the end of the occupation. To really honor these heroes raise the demand- ALL BRITISH TROOPS OUT OF IRELAND (and get the hell out of Iraq while we are at it). And to honor James Connolly, Commandant, Irish Citizens Army, an earlier Irish martyr, let us fight for socialist solutions to the “Troubles”. Chocky Ar la (Our Day Will Come).


"Easter, 1916"-William Butler Yeats

I HAVE met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

The Children of Easter, 1916- A Moment In History…For M.M, Class of 1964

Click on the headline to link to a YouTube film clip of William Butler Yeats', Easter, 1916.

Peter Paul Markin, North Adamsville Class Of 1964, comment:

“A Terrible Beauty Is Born”, a recurring line from the great Anglo-Irish poet William Butler Yeats, Easter, 1916.

At the corner of Hancock Street and East Main Street, forming a wedge in front of our old beige-bricked high school, ancient North Adamsville High School now of blessed memory although that hard fact was not always the case after passing through its portals but that for another day, stands against all weathers a poled plaque, sometimes, perhaps, garlanded with a flower of flag. From that vantage point, upon a recent walk-by, I have noticed that it gives the old school building a majestic “mighty fortress is our home” look. The plaque atop the pole, as you have probably already figured since such plaques are not uncommon in our casualty-filled, war-weary world, commemorates a fallen soldier, here of World War I, and is officially known as the Frank O’Brien Square. The corners and squares of most cities and towns in most countries of the world have such memorials to their war dead, needless to say far too many.

That plaque furthermore now, as it did not back in the 1960s, competes, unsuccessfully, with a huge Raider red billboard telling one and all of the latest doings; a football game here, a soccer game there, or upcoming events; a Ms. Something pageant, a cheer-leading contest, a locally produced play; or honoring somebody who gathered some grand academic achievement, won some accolade for a well-performed act and so forth. In due course that billboard too will be relegated to the “vaults" of the history of our town as well. This entry, however, is not about that possible scenario or about the follies of war, or even about why it is that young men (and now women) wind up doing the dangerous work of war that is decided by old men (and now old women), although that would be a worthy subject. No, the focus here is the name of the soldier, or rather the last name, O’Brien, and the Irish-ness of it.

A quick run through of the names of the students listed in, our yearbook, the Magnet for the Class of 1964, will illustrate my point. If Irish surnames are not in the majority, then they are predominant, and that does not even take into consideration the half or quarter Irish heritage that is hidden behind other names. My own family history is representative of that social mixing with a set of Irish and English-derived grandparents. And that is exactly the point.

If North Adamsville in the old days was not exactly “Little Dublin”, the heritage of the Irish diaspora certainly was nevertheless apparent for all to see, and to hear. More than one brogue-dripped man or woman, reflecting newness to the country and to the town, could be heard by an attentive listener at Harry’s Variety Store on Sagamore Street seeking that vagrant bottle of milk (or making that bet with Harry’s book on the sure-fire winner in the sixth at Aqueduct but we will keep that hush since, who knows, the statute of limitations may still not have run out yet on that “crime,” although the horse certainly did, run out that is). Or at Doc Andrews’ Drugstore, ya, good old Doc over on the corner of Young Street and Newberry seeking, holy grail-seeking that vagrant bottle of whiskey, strictly for medicinal purposes of course. And one did not have to be the slightest bit attentive but only within a couple of blocks of the locally famous, or infamous as the case may be, Dublin Grille to know through the mixes of brogue and rough-hewn strange language English that the newcomers had “assimilated.” And, to be fair, those same mixes could be heard coming piously out of Sunday morning Mass at Sacred Heart or at any hour on those gas-guzzling, smoked-fumed Eastern Mass buses that got one hither and fro in the old town. That North Quincy was merely a way-station away from the self-contained Irish ghettos of Dorchester and South Boston to the Irish Rivieras, like Marshfield and heathen Cohasset and Duxbury, of the area was, or rather is, also apparent as anyone who has been in the old town of late will note.

And that too is the point. Today Asian-Americans, particularly the Chinese and Vietnamese, and other minorities have followed that well-trodden path to North Adamsville from way-station Boston. And they have made, and will make, their mark on the ethos of this hard-working working-class part of town. So while the faint aroma of corn beef and cabbage (and colorful, red-drenched pasta dishes, from the other main ethnic group of old North Adamsville, the Italians) has been replaced by the pungent smells of moo shi and poi and the bucolic brogue by some sweet sing-song Mandarin dialect the life of the town moves on.

Yet, I can still feel, when I haphazardly walk certain streets, the Irish-ness of the diaspora “old sod” deep in my bones. To be sure, as a broken amber liquor bottle spotted on the ground reminded me, there were many, too many, father whiskey-sodden nights (complete with the obligatory beer chaser) that many a man spent his pay on to keep his “demons” from the door. And to be sure, as well, the grandmother passed-down ubiquitous, much dented, one-size-fits all pot on the old iron stove for the potato-ladened boiled dinner (that’s the corn beef and cabbage mentioned above for the unknowing heathens) that stretched an already tight food budget just a little longer when the ever present hard times cast their shadow at that same door.

And, of course, there was the great secret cultural relic; the relentless, never-ending struggle to keep the family “dirty linen” from the public eye, from those “shawlie” eyes ready to pounce at the mere hint of some secret scandal. But also this: the passed down heroic tales of our forbears, the sons and daughters of Roisin, in their heart-rending eight hundred year struggle against the crushing of the “harp beneath the crown” (and even heathens know whose crown that was); of the whispered homages to the ghosts of our Fenian dead; of great General Post Office uprisings, large and small; and, of the continuing struggle in the North. Yes, as that soldier’s plaque symbolizes, an Irish presence will never completely leave the old town, nor will the willingness to sacrifice.

Oh, by the way, that Frank O'Brien for whom the square in front of the old school was named, would have been my grand uncle, the brother of my Grandmother Markin (nee O'Brien) from over on Young Street across from the Welcome Young Field.

Easter, 1916-William Butler Yeats

I HAVE met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road.
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse -
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.