Wednesday, May 22, 2019

50 Years Gone The Father We Almost Knew One Jack Kerouac Out Of Merrimack River Nights-Searching For The Father We Never Knew-Scenes In Search Of The Blue-Pink Great American West Night- “Our Homeland The Sea”


50 Years Gone The Father We Almost Knew One Jack Kerouac Out Of Merrimack River Nights-Searching For The Father We Never Knew-Scenes In Search Of The Blue-Pink Great American West Night- “Our Homeland The Sea”

By Seth Garth, known as Charles River Blackie for no other reason that he can remember at least than he slept along those banks, the Cambridge side and some raggedy ass wino who tried to cut him under the Anderson Bridge one night called him that and it stuck. Those wino-zapped bums, piss leaky tramps and poet-king hoboes all gone to some graven spot long ago from drink, drug, or their own hubris which they never understood gone and the moniker too.  

“Our Homeland The Sea”

Funny, he, call him old man of the sea, although that appellation has been done to literary death in about sixteen different ways not all of them apt, in any case let’s not, definitely not, make it some Hemingway-ish old man, some viejo, some Caribe viejo, fighting some stinking marlin, or some such fish, mano y mano, stinking, man and fish, fighting some life and death literary metaphor struggle, but that name fits as good as any, thought as he watched out over another endlessly enchanted seascape, next stop England or with a wind drift or tide drift homeland, forbear homeland Ireland, how many such scenes he had witnessed in his whitened lifetime. This time the sea-scape, god-brokered, maybe god-forsaken, with furious winds driving white-capped  waves thundering to ill-prepared but eagerly waiting to be taken like some overripe maiden beaches (better metaphor that some stinking viejo and fish combine, alright)  and already filled with flotsam and jetsam, nature’s jimson,  from a million previous rages, nature rages now co-mingled with his own benighted rages, brought another rage (rage against the dying of the light) about how much of his life had revolved around the sea, around trying to get a handles on the sea, trying to see, well, hell at this late date where he fit in, no, where he stood, okay. And after his rant subsided he thought this…

Maybe it was the sheer hard fact, hard to get around fact anyway, of the transcontinental California night calling after too long an absence, the California be-bop, be-bop, be-bop, praise saint be-bop, our lord and king be-bop, late 1960s night, summer of love night and its aftermath when all things were possible and when old Wordsworth had it right, had it poem right, to be young was very heaven.

The afternoon turned back to morning as he headed west, funny, flown, jet-flown these days, no more those old days hitchhike road, waiting alone or with some angel woman by his side on some Route 6, or 66, hailing some lonesome trucker looking for poor boy company, someone to rant to at seventy-five miles an hour to in order to relieve his own desperate life with a road son, waiting too in some forlorn Neola, Winnemucca, Boise,  Grand Island, Flagstaff, wherever, waiting a long time. Or on some just hopped flat-bed Denver & Rio Grande, Illinois Central, Southern Pacific train making time with the last of the old-time hobos and dreaming his own dreams of some Phoebe Snow left behind in sorrow or anger. Less frequently, strangely, a flat-out car run west riding Route 80, 90 to Frisco town thundering through farmlands, the plains, rockymountain high and down on to the desert before golden-gated blessed land’s end, Frisco.

The eternal California be-bop night after years of Maine solitude, of Maine grey-blue-white washed, white-crested, white-capped, foam-flecked Atlantic ocean-flotsam and jetsam strewn waters. After all not all angel oceans are created the same, just look at the fury-driven pacific ocean in front of him, no friend to man, to beast, or to god, not all oceans speak to one in the same way, speak that siren song whisper, speak hushed tones that no man (and here man means man or woman, okay) dare speak above, nature’s arbitrary law, although they are all old Father (or is it Brother now) Neptune’s thoughtful playgrounds. (Thoughtful for ten thousand thoughtful walks, ten thousand un-thoughtful walks, and eight thousand more or less, indifferent walks, twenty-eight thousand, more or less, chances anyway.

California’s, yes, white-washed, yes, white-crested, yes, white-capped, yes, foam-flecked speak to gentle, warm lapis lazuli blue wealth dreams of the quest, the long buried lifelong quest for the great blue-pink great American West night, blue-pinked skies of course. Yes maybe it was just that sheer hard fact, hard to get around still, that pushed him, old man of the sea him, out of Eastern white, white to hate the sight of white, snowed-indoors, Eastern gale winds blowing a man against the sand-pebbled seas, and into the endless starless, better, sunless night. Yes, maybe just a change of color, or to color, from the white white whiteness of the sea stretched, white-etched night. Right down to the shoreline white where the waves devoured night and left their mark, their graffiti-etched mark.

Maybe too it was the sheer fact, he would no longer speak of hard to get around facts around since that was enameled into his psyche now, of preparing, against the timetable of that Eastern white night, timetable set and etched by that shoreline outline and that fugitive lover who ravished her shoreline sands and then fled, this and that for the winter California day, and night, the ocean California that set the thoughts of the be-bop night (hell, more than be-bop, be-bop to the nth power) suddenly came brain-storming in waves like that turbulent sea over him not seen or heard from since those first summer of love days, and the quest for the blue-pink skies humming once again in the, admittedly, older-boned voyager, voyeur (some snicker “dirty old man” and save such high society words as voyeur for the professionals) of dreamed once sultry, steamy sex-ridden nights.

And vivid memories of golden Butterfly Swirl (born, Cathy Callahan, corn-fed, no more from hunger okie forbears migration Carlsbad, California, circa 1950) and her sex, her seventeen different little tricks (to match her age in that 1967 summer of love night, if you need a date), learned, learned from who knows where, maybe mother ocean herself or some karma sutra book but certainly not from her former “seeking the perfect wave” surfer boyfriend- where would that fit into his timetable?  Such thoughts, such memory thoughts a different proposition, a different proposition altogether, on most days, from preparing to face fierce Maine winter mornings, unaided by the graces, speak freely of the graces please, and forms nature provides its hardier creations. No thoughts today of heavy woolen coats, double-stitched, double-plied, doubled-vested, old nor’ easter worthy, or heavy woolen pants, same chino pants of youth, same black chino pants, no cuffs, except winter weight, not the always summer weight of no knowledge youth (inside sad joke), or heavy boots, heavy clunky rubbery boots mocking against the snow-felt, ocean-edged soft sand streets, or maybe, more in tune with aged-bone recipes heavy-soled, heavy-rubber soled (or was it rubber souled?) running shoes (also known in the wide world of youth as sneakers, better Chuck’s, Chuck Taylor’s). Of scarves, and caps, full-bodied caps, better seaman’s caps, heavy, wool, dark blue, built to stand against the ocean-stormed waves crashing and thrashing against ships hulls, and gloves, gloves to keep one’s hands from frosty immobility he need not speak. Or will not speak. Of this he will speak…

A memory picture too of boyhood  friend Jimmy Leclerc, remember that name like you remember the seas, like you remember certain tales, like you remember, well, like you remember as best you can , that which somebody told you about but which you did not experience (although Jimmy experiences filled his soul, filled his sea-watching soul even this day). Blessed, sainted, sanctified, cradled, born under a certain star, lucky maybe if you believe in making your own luck or having it thrust upon you, Jimmy, young, maybe four or five, no, five, definitely five, school ready, school ready come five year old fall, mucking around the summertime shoreline mucks, low tide, shoreline white- etched ravishes well up the beach, fetid smells from seven kinds of tanker-passing oil slicks, rancid chemicals from the cross-bay industrial plant, human mucks mixed in from ten thousand , ten thousand  (thanks, Sam Coleridge) sources seeping back to shore and mephitic (thanks, Norman Mailer) seeps as well from the close by marshes that guard the approaches to the sea.

Jimmy, a tow-headed, tow-headed kid, five, portending Adonis and ladies, maybe some Butterfly Swirl and her seventeen little tricks when he gets old enough to know of such tricks, know of teaching such tricks just in case he lands a neophyte, knowing from some savior older brother himself sent to sea at fourteen, or some other worthy sea-mate, that day, that picture day, walking toward the ever-present amateur clam diggers(or maybe professional but it was hard to see how they, or anyone, could make a living out of  oil- slicked, fetid, human mucked clams),high rubber boots, high almost to the crotch (although Jimmy would not have pointed that hard fact out, no then), buckets, small buckets, portending small payloads, sea-rakes, sea-shovels, sea-backs and working against time before the relentless seas come back to cover their own.            

And just that day, that low tide and mucks days, Jimmy learned a valuable lesson from those vagrant gypsy clam-diggers (literally gypsies, Roma now, if you prefer, but just plain ordinary gypsies then, and called so, mostly seen with travelling carnivals and on city sidewalks selling cheap roses for the lady, and maybe their daughters too, selling that is, they used the clams in some special olio broth magic that kept their race alive in hard times) about only believing half (or less, but that was another lesson another time) of what you hear. He had heard a few days before,  heard from some older boys who lived up the street (the name of the street not important, not important to the lesson, but maybe, naming will act as an omen, name Taffrail Road evoking long ago wooden ships and sea-farers worthy of the name, sea-ward pirate cousins of that day’s gypsies) and who were interested in girls, as girls, as opposed to childhood boys leave girls for later pickings and moonings, and not like Jimmy, Jimmy even then girls as foils for his child-like schemes, not all evil, not at all, but not in entangling, intertwining ways like they spoke of, that the sea before them contained mythic submarines, enemy submarines out beyond the breakers. He asked one of the gypsy diggers if he had seen any submarines around while he was digging. The digger spoken to by Jimmy called to his gypsy partner repeating Jimmy’s question and they both let out with a low groan laugh, then a heartier one. The first man laughed some more and then said to Jimmy that while there were not many around anymore since the war (World War II for those who are keeping counts on wars, or just trying to keep them straight), since the bloody Germans has been defeated and good riddance (reflecting the decimation of his kindred in Europe who took a serious beating from the bloody bastard Nazis) but he said on certain moonless nights you could see objects that certainly looked like submarines so be watchful, and be careful. So for a couple of months thereafter whenever the moon was low or it was cloudy Jimmy looked out fiercely at the open sea and then after a while went on to other things. Lesson about half of what you hear learned.     

Memory fast forward.  A moonless June night, circa 1961 Jimmy Leclerc was sitting in his brother borrowed  1957 two-toned (cherry red and white) Chevy (the old man as he mulled the ancient fact knew , he knew said brother should have been shot, or worse , for letting anybody, even a brother, even a brother who spent the whole afternoon turtle-waxing the damn thing in order to borrow his chariot borrow his chariot) down at the far end of Seal Rock (name also not important except that Seal Rock says beach, says mystery and says, far end says, that this is the local lovers’ lane for the free-spirits who don’t mind the crowds of cars that dotted that  place on moonless June nights, and other times too,  or mind being seen in a spot that means only one thing, that you will be anywhere  from point one to point thirty Monday morning in Olde Saco High School (Maine, okay) before school “lav” talk, boys’ or girls’ lav accordingly, about who did, or did not, do what and with whom (or is it who) over the weekend at Seal Rock. And that week, that week just before school let out for the summer and spoiled all those Monday morning discussed points until September’s deluge, Jimmy and Lorraine, Lorraine Dubois, received a number because Jimmy, who had long since learned to believe in making his own luck, had talked his ball and chain sweetie Lorraine into searching for submarines, those mythical gypsy digger submarines. And searching for them very closely, very closely indeed, as it turned out, in the back seat of that brother’s cherry ’57 Chevy.      

* From "The Rag Blog"- In Honor Of Marilyn Buck

Click on the headline to link to a "The Rag Blog" entry on Marilyn Buck.

Markin comment:

Every young leftist militant, hell, every old leftist militant and even those who have lost their way since the 1960s and forgot what we were fighting for then, and now, should read this story. It tells two tales- if you go up against the American imperial state you better be ready to win, or else. And it also tells that there really was some very, very good human material, like Marilyn Buck, in the 1960s with which we could have built that better world we were fighting for if we could have understood the first tale better. I wish, and I wish like crazy, that we had a few more, actually quite a few more, militants like Marilyn Buck these days. Let's get moving. All honor to Marilyn Buck and the other fighters, like Mumia, still behind bars for "seeking that newer world."

Tuesday, May 21, 2019

Out In The 1940s Crime Noir Night- Humphrey Bogart and Ida Lupino’s “High Sierra”- A Film Review

Out In The 1940s Crime Noir Night- Humphrey Bogart and Ida Lupino’s “High Sierra”- A Film Review




DVD Review

High Sierra, starring Humphrey Bogart, Ida Lupino, directed by Raoul Walsh, Warner Brothers, 1941


Okay, okay one more time- and this is for you, Roy “Mad Dog” Earle the “hero” of the film under review, High Sierra, crime does not pay. Some guys, some guys like brother Earle wind up learning that “hard knocks” lesson the hard way- lying face down at the bottom of some foreboding sierra canyon and no one , well, not no one, but hardly anyone to weep over their bones. And that, my friends, is the rough sketch lesson behind this classic Bogie gangster portrayal (and classic down-at-the heels dime-a-dance portrayal as faithful Marie, played by, well, an amazingly fetching Ida Lupino).

A little plot line is in order to show why, why, naw, skip that, we already have had our noses rubbed since childhood in the whys and why nots of crime doesn’t pay but why Brother Earle in the end took a bullet rather than be captured alive (even with his doll moll, Marie, ready to visit him every Sunday at some off the road prison locale).

See Earle is a three-time loser (or at least more than once) having been sprung from a full-book (okay, okay life) prison sentence (via an Indiana pardon) by an old-time gangster boss on his last legs. Apparently the talent pool of hard boys has dried up and an old pro that is not afraid to take heat and give some (without losing his head) is required for the caper the old don has in mind. A big jewelry heist in the Sierras (that’s in non-seaside California for the geography-challenged) at a watering hole for the well off. Easy stuff for Earle, as long as he keeps his head and the hired help don’t panic.

Now strictly as filler Roy, having had enough of the inside, and is planning to retire after he gets his cut from the heist. And for a while the film moves along with a little off-hand, oddball romance (no not Ida, not Ida yet). He befriends, on his road west, an old has-been farmer down on his uppers with a pretty crippled (oops, disabled) young granddaughter who he has ideas of marrying. Ya, I know, old Roy had been away for a while so maybe he is secretly skirt crazy, but this combination is strictly no go, no go on about seven counts, including that said granddaughter has enough sense to brush Roy the Boy off. Although not before Roy had sprung for a leg fixing operation. Roy, believe me, it never would have worked out. She would have run off with some Hollywood soda jerk or fast-talking garage mechanic and then where would you have been?

What works, and works like magic, is drop dead foxy, been around the block, been knocked around but is still taking the eight count, Marie. She had blew into town with a couple of what passed for hard boys in the hills of California night ( as boss man Big Mac said the talent ain’t like it used to be) and while they waste their time fighting over her favors she lights on our boy Roy. And after the granddaughter flame-out and some soft-soap sparring Marie wins the prize.

Naturally, yawn, the heist goes awry when some well-heeled dame screams and the bullets start to fly. And as the cops bear down through of series of narrower and narrower possibilities Roy is headed to that high sierra canyon, and death. No, Marie had it right. Like she had a lot of things right. He crashed out and was free, free as a three-time loser was ever going be.

The Fire This Time-In Honor Of James Baldwin Whose Time Has Come Again-From The Archives- ***Books To While Away The Class Struggle By- James Baldwin’s “Going To Meet The Man”- Come Ready, Brother

Click on the headline to link to a "YouTube" film clip of "James Baldwin: The Price Of The Ticket."

Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin

Book Review

Going To Meet The Man, James Baldwin, Vintage International, New York, 1995


I have been, as is my wont when I get “hooked” on some writer, on something of a James Baldwin tear of late, reading or re-reading everything I can get my hands on. At the time of this review I have already looked at “Go Tell It On The Mountain”, the play “Blues For Mr. Charlie”, “Tell Me How Long The Train’s Been Gone”, and “The Fire Next Time”. Those works, well written and powerful reminded me of why I was crazy to read everything that Baldwin wrote when I was a kid. I do not recall then having read any short stories by Baldwin, at least none that were memorable like one of the stories, “Sonny’s Blues”, in this “Going To Meet The Man” compilation.

Now great writers, and I hope at this point in our common American literary experiences no one need argue James Baldwin’s place in the canon, sometimes are capable of writing both great novels and short stories. Baldwin seems to be in that category, although off of this selection it may be a bit premature to make that judgment because most of the material appears to have been “first drafts” of later, full novelistic treatments. For example, “The Morning, The Evening, So Soon”, the subject matter of which is the fame of a expatriate black actor-singer who despite that fame is still subject to all the racial taunts and tensions of a stay-at-home performer. (I am writing this review just after the passing away of the pioneer black singer/actress/black liberation fighter, Lena Horne.) That subject gets fuller treatment in "Tell Me How Long The Train's Been Gone."

Other subjects that get a preliminary workout here are the deep religious experience of Baldwin’s fundamentalist Protestant youth, “The Outing” that will get a full-blown treatment in “Go Tell It On The Mountain.” Of course, the subject of homosexuality, and bi-sexuality, are obliquely presented in several stories, Baldwin, along with Gore Vidal being something of American literary pioneers, if not honored as such at the time, on the subject. And of course, as with all of Baldwin serious work, we are treated to various manifestations of the ever present “race” question; interracial sex and marriage; degrees of blackness; white racism; black attitudes toward white racism; and the purposeful insularity of the white world in dealing, or nor dealing, with these questions, then and now.

What you want to get this particular compilation for though, as I mentioned above, is for “Sonny’s Blues”. Now it is almost impossible to find any writer, any American writer at least, worth his or he salt who came of literary age in the 1950s who was not influenced, even if only around the edges, by “be-bop” jazz. Baldwin is no exception, although his race is not the only reason for that statement. The rhythm of the cool, abstract, high white note “be-bop jazz” that sent audiences into a frenzy of delight are a simple companion to the sparser, less lyrical literary beat of 1950’s writing. Mailer, Kerouac, and most of the New York intellectual crew feasted, and feasted well, on that inner sound. But, nobody got it righter than James Baldwin in “Sonny’s Blues.”

What seemingly starts out as another one of Baldwin’s epistles on, literally, brotherly love; that of two brothers, one, Sonny, several years younger than the other, who “grew up” in Harlem, grew away from each other by choice or circumstances,, reunited when now famed jazz pianist brother, Sonny, got caught up trying to reach that “high white note” via the “horse” drug connection that also has been associated with bop, turns into one of the best expositions of what jazz meant to the listener, and to the artist struggling to find his inner voice, that I have ever read.

The last several pages, in counterpoint to the first several, are truly lyrical as Baldwin puts in words on the printed page what a struggle it was for Sonny, and his fellow band members in New York cafe society, to “make the gods listen." And to make the heavens cry out for the high side of the human experience. You or I could try to write such lines for two hundred years and we could not get it right. Kudos, James.

The Fire This Time-In Honor Of James Baldwin Whose Time Has Come Again-From The Archives- Books To While Away The Class Struggle By- James Baldwin's “The Fire Next Time”-That’s Right- Not Water- The Fire Next Time

The Fire This Time-In Honor Of James Baldwin Whose Time Has Come Again-From The Archives-   Books To While Away The Class Struggle By- James Baldwin's “The Fire Next Time”-That’s Right- Not Water- The Fire Next Time

Click on the headline to link to a "Wikipedia" entry for James Baldwin's "The Fire Next Time".

That’s Right- Not Water- The Fire Next Time

Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin

Book Review

“The Fire Next Time”, James Baldwin, Vintage International, New York, 1962, 63


Now I have been, as is my wont when I get “hooked” on some writer, on something of a James Baldwin tear of late, reading or re-reading everything I can get my hands on. At the time of this review I have already looked at “Go Tell It On The Mountain”, "Tell Me How Long The Train's Been Gone", and "If Beale Street Could Talk." Frankly those works, while well written and powerful, did not altogether remind me why I was crazy to read everything that Baldwin wrote when I was a kid. The Baldwin black liberation manifesto (and, maybe, white liberation as a by-product), "The Fire Next Time", "spoke" to me then and after forty years still "speaks" to me now in so-called "post-racial" Obama time.

Back in the early 1960s I used to listen to a late night talk show on the local radio station in Boston. Many times the host would have Malcolm X on and the airwaves would light up with his take on white racism, black nationalism and the way forward for the black liberation struggle- and away from liberal integrationism. Now in those days I was nothing but a woolly-headed white, left liberal "wannabe" bourgeois politico kid who believed in black liberation but in the context of working within the prevailing American society. I was definitely, and adamantly, opposed to the notion of a separate black state on the American continent if for no other reason that it would look something like the then existing ghettos, writ large, that I was committed to getting rid of and a set up for black genocide if things got too hot. And I still am. So, on the one hand, I admired, and I really did, Malcolm X for "speaking truth to power" on the race question while on the other disagreeing with virtually every way he wanted to achieve it.

Now that scenario is the predicate for James Baldwin's assuredly more literary, but seemingly more hopeful, way of getting the thread of the Malcolm X message about white racism out while posing the possibility (or, maybe, necessity) of joint struggle to get rid of it. In my recent re-reading of "The Fire Next Time" I was struck by how much of Baldwin's own hard-fought understandings on the question of race intersected with The Nation Of Islam, Malcolm at the time, and Elijah Mohammad's. Oddly, I distinctly remember debating someone, somewhere on the question of black nationalism and using Baldwin's more rational approach as a hammer against the black nationalists. I probably overdrew his more balanced view of a multiracial American then, if not now.

Still, Jimmy was onto something back then. Something that airy-headed kids like me, who thought that once the struggle in the South was won then the struggle in the North could be dealt with merely by a little fine-tuning, were clueless about. Don't smirk. But do note this: while only a fool or political charlatan, would deny that there have been gains for the black population since those civil rights struggle days the pathology of racism and, more importantly, the hard statistics of racism (housing segregation, numbers in the penal system, unemployment and underemployment rates, education, and a whole range of other factors) tell a very different story about how far blacks really have come over the last half century. A story that makes "The Fire Next Time" read like it could have been written today. And to be read today. Thanks, Jimmy.

From The Archives- Socialist Alternative May Day Statement-Immigration Rights are Workers' Rights-STOP THE RAIDS, DEPORTATIONS AND BUDGET CUTS!

Click on the headline to link to the Socialist Alternative website.

Immigration Rights are Workers' Rights-STOP THE RAIDS, DEPORTATIONS AND 
BUDGET CUTS!

Socialist Alternative May Day Statement

Working people are under attack. Collective bargaining rights are be¬ing taken away from unions as immigrants are being terrorized with raids and deportations. Politicians of both parties are cutting budgets while they wage war and give handouts to the big banks and corporate billion¬aires that helped create this crisis in the first place.

Corporations dodge taxes, and the politicians still say there is no money to rand our schools, healthcare and countless other services. In a recent New York Times article (March 24, 2011) the multi-billion dollar company General Electric is exposed for receiving taxpayer money but not paying any taxes at all! Yet, undocumented workers and public sector workers are scapegoated for the economic devastation created by corporate domination.

Right-wing Republican politicians pass racist laws such as SB 1070 in Arizona and now Georgia's bill HB8. They try to crush public sector unions and accuse teachers of wrecking the economy while the blame should be left firmly at the doorsteps of Wall Street. Republicans are not alone; Democratic politicians across the country, from top to bottom, are shutting down schools, slashing budgets, waging war and providing tax breaks for the rich.

While big oil companies like BP destroy the environment, they also raise prices to make us pay for the problems that their system created. Enough is enough!

We need to stand up and fight back, just like the workers in Wisconsin and Egypt. Coalitions need to be built against all cuts in sendees that can bring together unions, community groups and socialists. We need to demand full legalization and citizenship rights for all workers. As a step in this direction, we need to run in¬dependent working class candidates against both parties of big business.

May Day, International Workers' Day, was founded in this country to honor the labor martyrs that fought for the 8-hour work day through strike action. Much of this struggle was led by immigrant workers. We will honor their memory by fighting against the corporate domination that is destroying the world today.

Undocumented workers have left their homes and country to find opportunities to bring a better life for there families and themselves. Many fled countries devastated by the policies of the U.S. government and the multi-national corporations that the government serves. Just as previously, immigrants can help ignite a labor movement that can defeat the attacks on all working people.


• Stop the Budget Cuts -
Close the Corporate Tax
Loopholes

• For a Massive Public
Works Program to Cre¬
ate Jobs

• Full Legalization and
Citizenship Rights for all
Undocumented Workers

• For Independent Can¬
didates Against Budget
Cuts and Attacks on
Unions

• For a Workers' Party and
a Democratic Socialist
Society


socialistworld.net

Tel. (774) 454-9060 boston@SocialistAlternative.org boston.socialistalternative.org
********
Derechos'de Inmigrantes Son Derechos de Trabajadores

iALTO ALASREDADAS,DEPORTACIONES Y LOS RECORTES!

Declaration del Dia International de los Trabajadores de Socialist Alternative

Los trabajadores estan bajo ataque. Se estan quitando los derechos de negotiation del convenio de los sindicatos a partida que se estan aterrorizando a los inmigrantes con las redadas y deportaciones. Los politicos de ambos partidos estan recortando los presupuestos mientras que hacen la guerra y dan limosnas a los grandes bancos y multimillonarios corporativos que ayudaron a crear esta crisis economica en primer lugar.

Las corporaciones evaden impuestos, y los politicos todavia dicen que no hay dinero para financiar nuestras escuela-sel seguro medico y un sinnumero de otros servicios. iEn un articulo reciente del New York Times (24 de marzo de 2011), se expone la rnultimillonaria em-presa de General Electric a recibir dinero de los contribuyentes, pero ella siquiera paga los impuestos! Sin embargo, los trabajadores indocumentados y los tra¬bajadores del sector publico son chivos expiatorios de la devastation economica creada por la domination corporativa.

Los politicos republicanos de derecha aprobaron las leyes racistas como SB1070o en Arizona y ahora el proyecto de ley HB8 de Georgia. Ellos tratan de aplastar a los sindicatos del sector pu¬blico y echar la culpa a los profesores y otros trabajadores del sector publico cuando la culpa pertenece a las puertas de Wall Street. Los republicanos no estan solos; los politicos democratas de todo el pais, de arriba a abajo, estan cerrando las escuelas, reduciendo los presupuestos, haciendo la guerra y ofreciendo incentives fiscales para los ricos.

Mientras que las grandes petroleras como BP destruyen el medio ambiente, tambien aumentan los precios de gaso-lina para hacernos pagar por los prob-lemas que su sistema haya creado. iBasta ya!

Tenemos que resistir y luchar, al igual que a los trabajadores en Wisconsin y Egipto. Las coaliciones deben construirse contra todos los recortes en los ser¬vicios que pueden reunir a los sindicatos, los grupos comunitarios y los socialistas. Tenemos que exigir la plena legalization y derechos de ciudadania para todos los trabajadores. Como un paso en esa direction, tenemos que postular candidates independientes y de clase trabajadora contra ambos partidos del Gran Negocio.

El Primero de Mayo, Dia Internacional de los Trabajadores, fue fundado en este pais para honrar a los martires de la clase trabajadora que lucharon por la Jornada de 8 horas a traves de la huelga. Gran parte de esta lucha fue dirigida por los trabajadores inmigrantes. Vamos a honrar su memoria mediante la lucha contra la domination corporativa que esta destruyendo el mundo de hoy.

Los trabajadores indocumentados han dejado sus casas y su pais para eneontrar oportunidades de llevar una vida mejor para sus familias y para si mismos. Muchos huyeron de paises devastados por las politicas del gobierno de EE.UU. y las corporaciones multi-nacionales que el gobierno sirve. Al igual que anterior-mente, los inmigrantes pueden ayudar a encender un movimiento obrero que puede derr-otar los ataques a todos los trabajadores.

•Alto a los recortes pre-supuestarios — Pare las evitaciones de pagar impuestos de las Corporaciones

• Para un programa de ob-
ras publico y masivo para
crear empleos

• Plena legalizacion y dere¬
chos de ciudadania para
todos los trabajadores
indocumentados

• Para candidates indepen¬
dientes contra los re¬
cortes presvupuestfirios y
ataques a los sindicatos

• Por un partido obrero y
una sociedad socialista
democratica


SocilistAlternative.org socialistworld.net

Tel. (774) 454-9060 boston@SocialistAlternative.org boston.socialistalternative.org

LET EVERY DAY BE MAY DAY!-A STATEMENT BY THE UNITED NATIONAL ANTIWAR COMMITTEE

Click on the headline to link to the United National Antiwar Committee homepage.

LET EVERY DAY BE MAY DAY!-A STATEMENT BY THE UNITED NATIONAL ANTIWAR COMMITTEE

On May Day, we celebrate the struggles of the international working class - and the oppressed and exploited everywhere - for peace and justice.
LET EVERY DAY BE MAY DAY!

On May Day, we pledge to renew our commitment to end all wars of plunder and conquest abroad and all the wars against working people at home. Bring all the war dollars, war contractors, mercenaries and troops home now!
LET EVERY DAY BE MAY DAY!

On May Day, we fight for a world without walls and borders, a world where every human being is welcome - where our sisters and brothers of every nationality, race and creed join to win humanity's dream for freedom and equality. Full legalization now! End all deportations now!
LET EVERY DAY BE MAY DAY!

On May Day, we rededicate ourselves to working class solidarity' against the boss class offensive - to strengthening and expanding our unions - to accepting nothing less than quality Single Payer health care for all, guaranteed pensions, a ban on foreclosures, a sustainable environment and jobs for all at top union wages.
LET EVERY DAY BE MAY DAY!

On May Day, we stand together against all attacks on civil liberties and democratic rights. We say "No to the attacks on Muslim communities! No to FBI subpoenas and witchhunts! No to racist attacks on our Black and Brown brothers and sisters! Free Bradley Manning/Hero not criminal! End all attacks on WikiLeaks! No to renditions and torture!"
LET EVERY DAY BE MAY DAY!

And on May Day, we stand in solidarity with the people's struggles against tyrants, dictators and bosses here and everywhere. No to U.S. intervention! The masses will liberate themselves! No to U.S.-imposed "regime change!" No to U.S. Aid to Israel! Self-determination for all oppressed people everywhere! U.S. out of Iraq, Afghanistan, Pakistan and Libya now!
LET THIS DAY AND EVERY DAY BE MAY DAY!

Issued by UNAC, May 1, 2011
www. U NACpeace.org

The Desert Flower Blooms-Joan Allen’s “Georgia O’Keeffe” (2009)-A Film Review


The Desert Flower Blooms-Joan Allen’s “Georgia O’Keeffe” (2009)-A Film Review 



DVD Review

By Si Lannon

Georgia O’Keeffe, starring Joan Allan, Jeremy Irons, 2009

[When I was a kid I hated art, art as it was presented in art class where Mr. Jones-Henry held forth from freshman to senior in high school. Worse unlike some of the other guys I hung around in high school like Sam Lowell who loved art, was Mr. Jones-Henry’s star pupil I had not gone to North Adamsville Junior High School and had Jones-Henry for seventh and eighth grade at Snug Harbor Junior High before he transferred over to the high school.* So maybe I double-hated art especially after the time he took the whole eight grade class up to the famous Museum of Fine Arts in Boston. The idea was to grab some culture I guess in his eyes by viewing some masterpieces they had there, especially a guy named Monet who did haystacks and churches that Jones-Henry was crazy for (guy is what I would have called him or any artist then).

[Funny how what goes around comes around on stuff. In a recent conversation with fellow writer here Laura Perkins who is doing an on-going series on 20th art she mentioned that on a visit to the MFA she noticed that Monet, his hazy haystacks and churches and a few other bits, including a huge painting of his sly and salacious wife in full symbolic Japanese geisha girl regalia now have pride of place on the second floor. Jones-Henry, rest his soul, would have been crazy to know that he had moved up in the art world since when we went to the old building they were in some dark corner room with a million other Impressionists. Monet has moved up in the pecking order although I would say that Cezanne still has pride of place in my pecking order for Impressionist-era artists. Laura said she was totally startled by the Monet geisha girl wife painting since she had heard about it but never seen it in person and wondered to me what kind of devilish sexual relationship they had, or she had, although Laura couldn’t find any scandal around her name.]   

The big reason that I hated art from that museum experience on was that I was pretty naïve, naïve naturally if anybody is talking about budding teenagers and sex. I was sweet on a girl from the neighborhood named Laurie Kelly who I thought liked me (and actually did before the museum disaster) and we were paired together to view the works of art. I had never seen a woman, any woman naked so when we got to a painting by Renoir of a chubby woman bathing outdoors I turned bright red, maybe crimson red.  Laurie who was just beginning to bud out herself started laughing at me, started pointing out how red in the face I was to other students. After that she didn’t want anything to do with me according to my friend Ben Lewis who knew her older sister who told him that I was “square,” meaning social death in those days. After that horrible episode I hated Jones-Henry with a passion and I went crazy trying to get out of art class when he went over to the high school, No such luck and it is a good thing that Sam Lowell, almost a fellow writer and long-time old corner boy friend, did a lot of my art projects or I might still be in that class. (The villain of the piece Renoir by the way who Sam and Laura in line with their theory recently claimed had a fetish for painting nudes with womanly bodies and girlish faces and have wondered out loud why the authorities didn’t catch on to his perversions. So maybe in my naïve way I was on to something, although I would not stake my life on it.)    

[Mr. Jones-Henry was an Englishman in a heavily Irish school where almost everybody had some Irish blood and some family bad blood against the English for the 800 years of troubles, but nobody faulted him on that score, no me as I have mentioned above with other hatreds stirring. We all found it odd that he had that hyphenated name though and one day he explained it along with his art heritage. He was from some branch of the Burne-Jones family, I asked Sam recently, but he does not remember how that family tree went. One forbear was Edward Burne-Jones of the second wave of the Pre-Raphaelite Brotherhood which had been started by the poet-artist Dante Gabriel Rossetti back in the mid-19th century.

More importantly Jones-Henry’s family had come to America due to his father’s work in Boston for some English firm and when it came time for him to go to college he went to the famous Massachusetts School of Art. From there he got jobs in North Adamsville. Why all of this was important was that he encouraged Sam to go to his alma mater and had worked to get Sam, a poor working-class family guy, a scholarship to the school. In the end Sam’s mother talked him out of it on economic grounds that she didn’t want him to become some starving artist in some cold-water garret.]           
After high school and after the Army, after Vietnam which changed a lot of ways I looked at stuff as it did to everybody from the old corner boy neighborhood I took up with a young woman, Kathie, my first wife and you should know that every corner boy from our corner wound up having at least two wives and two divorces which tells you something although not necessarily something good, who was an art student at the Museum School associated with that MFA that I hated from eighth grade. She gradually nurtured my interest in art, into going back to that tomb MFA since she got in free. When we got to that Renoir which had broken my heart indirectly when I was a kid I told her the story of the last time I had seen that painting. She laughed. The funny thing was that having grown up, having seen the adult world and women this time I looked at the masterly way he had painted and how he had used the space to almost make it seem like some Garden of Eden that his nude was entwined in. All taught to me by Kathie who would go on even after we were married to do her art work and after we divorced she went I think to the Village in New York or maybe San Francisco and then the Village and had a middling career (and two more husbands) as a regional artist. Me, I would eventually devour art every chance I got later on and hence this review which was assigned to me after I had told Greg Green, the site manager my hoary childhood tale. Si Lannon] 

 *Sam Lowell who like I mentioned loved art although turning down that scholarship opportunity as if to grab a second chance at the brass ring is now helping “ghost” an on-going series entitled Traipsing Through The Arts by Laura Perkins on self-selected works of art that interest her under the theory for 20th century art, serious art anyway from what I understand, that it is driven hard by sex and eroticism. I can understand how Sam, the old corner boy part of Sam half of our time spent grabbing at straws for girls and dates and back seats of hopped up cars, came by that theory but hearing prim and proper Laura was a proponent came as a shock to me.      

On the subject of Georgia O’Keeffe this pair should have a field day with their exotic erotic theory of serious art. While they would be hard pressed to get much sexual mileage out of the barns up in Lake George, the hills and desert fauna and flora out in New Mexico or the skyscrapers in New York (except Sam in a wild frantic moment might see them as some phallic totem but he can figure that out for himself) when it comes to her famous series of lush and symbolic flowers magnified many times larger than life and with a sensual feel they may get some mileage. At least one art critic has noted that almost vaginal depth and swirl that clearly suggests erotic possibilities anyway.
********
Now nostalgia, heartache and hatreds out of the way the film review:  

No question from early on once that first wife Kathie straightened out my head about art and art’s value as a cultural signpost I loved to look at the great 20th century artist Georgia O’Keefe’s works where possible including a visit to the Ghost Ranch out in New Mexico to get a first-hand view of what was driving her-especially her use of color. Hell, I even usually buy some kind of Georgia O’Keeffe calendar each year and if that isn’t love what is. Speaking of love the film under review simply but properly titled Georgia O’Keeffe (as opposed to say O’Keeffe and her husband-lover and pioneer photography as art organizer in New York City at various galleries Stieglitz or some variation on that idea) has one of its important strands beside a look at what drove her to her art was the seminal relationship for good or evil between her and Alfred Stieglitz –her most serious promotor and a great creative force as a photographer and exhibitor of modern art in his own right.    

Almost from the first frame of the film we are entwined in the obvious attraction that this pair, Alfred and Georgia had for each other sexually as well as artistically (although they called each other Miss O’Keeffe and Mister Stieglitz more often than one would think proper given that they were married but maybe the formalities were more carefully observed then). That attraction in the end would provide many emotional distraught moments for Ms. O’Keeffe as her Alfred proved to be another of those rascals who couldn’t keep away from the woman.

The relationship beyond Steiglitz’s overwhelming desire to see Georgia take her place as a great artist of the 20th century was a roller coaster ride from the beginning since Alfred was very much married, although clearly unhappily. And also, via the great modern art promotor Mabel Dodge, she of the much-mentioned 1913 New York City Armory show that brought the European vanguard to the new shore heathens, we know that women fell in love with him-and he responded for a while. That looked to be Georgia’s fate-another protégé of the great creative force. At some moments in the film it looked like she would never break from his spell (and whatever else he thought of her as an artist he wanted her under that spell) and break out to be her own artistic force creating some of the most primordially beautiful paintings ever produced.       

But break she did to signal a very important assertive streak that was not apparent at the start. Of course the painful cause that broke the camel’s back was Stieglitz’s infidelity with an heiress to the Sears fortune. That and his unwillingness to have a child with her (allegedly to avoid distracting her from her life-force art) tore her apart for a while-a long while. Heading to the rough and ready West, heading to the sullen beauty of New Mexico saved her sanity-and drove her art to another level. The great question posed by the film and posed by O’Keeffe herself was how much her art was driven by Stieglitz’s ambitions and her own. My guess is in the end it was her own. See the film and figure that one out for yourself.       


BlackRock: Divest from Raytheon and all War Profiteers May 23 @ 12:00 pm - 1:00 pm BlackRock Boston offices 60 State Street, downtown

BlackRock: Divest from Raytheon and all War Profiteers
May 23 @ 12:00 pm  - 1:00 pm
BlackRock Boston offices
60 State Street, downtown
 
BlackRock has billions of dollars invested in weapons companies such as Lockheed Martin, Raytheon, Northrop Grumman, Elbit, and General Dynamics. BlackRock even has an iShares fund that exclusively profits off of weapons of war.  These companies and their weapons will be right at the forefront of any war with Iran, Venezuela or North Korea – as they already are in Yemen.
On May 23 we will say NO to these impending wars and NO to the companies that will make a killing off of them.
BlackRock also invest in civilian gun manufacturers.  They position themselves as a company that is socially responsible, yet they continue to invest in weapons.
So join us on May 23 at the BlackRock offices in downtown Boston . We will stand in solidarity with protesters at the  BlackRock shareholders meeting in New York City  and call for BlackRock to divest from the war profiteers!
 
 
Sponsored by the Raytheon anti-war campaign 617-354-2169
 
 
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CNN: Roe v. Wade is gone Roe v. Wade Alert (via MoveOn)

Roe v. Wade Alert (via MoveOn)<moveon-help@list.moveon.org>
To  Alfred F Johnson  
Dear MoveOn member,
The final battle to save abortion rights is on.
Less than two weeks ago, Georgia joined Kentucky, Mississippi, Ohio, Iowa, Louisiana, Utah, and North Dakota in banning abortion at six weeks or earlier, before most women know they are pregnant.1
Then last week, Alabama banned all abortion from the moment of conception—with no exceptions, even for child rape victims, punishable with 99 years in prison.2
And on Friday, the Missouri legislature voted to ban abortion at just eight weeks, with one Republican claiming that most sexual assaults are "consensual rapes."3 Meanwhile, abortion bans have been introduced in at least 28 states, and the Senate is holding hearings on a nationwide, 20-week ban.4,5
This is not a drill. There are no more backstops or second chances. Abortion WILL be banned if the right-wing has its way—which is why it's imperative we fight back NOW.
MoveOn is teaming up with abortion rights advocates to organize a rapid-response, 50-state protest at state capitols and other gathering places across the country. Will you chip in to help pull off these actions and save Roe v. Wade?
The minute Brett Kavanaugh was confirmed for the Supreme Court, anti-choice politicians jumped into action, introducing a wave of abortion bans more radical than anything we've ever seen before.
Under the Alabama ban, doctors face 99 years in jail for even attempting to provide an abortion. That's more jail time than a rapist would receive in cases where the pregnancy was the result of rape.6
In Georgia, women could be criminally charged for miscarriages and jailed even if they travel to another state to access a legal abortion.7
Texas even has a bill that would make abortion punishable with the death penalty.8
Their explicit goal is to take these laws to the Supreme Court and get Roe v. Wade overturned.9 And if you think you're safe because you live in a blue state, think again. Senate Judiciary Committee Chairman Lindsey Graham has already started holding hearings on his nationwide, 20-week abortion ban.
Donald Trump and the radical right won't stop until all abortion is banned—or until they pay such a political price they don't dare continue. That's why we must get out in the streets now to put anti-choice politicians on notice that they will NOT get away with this.
Remember when Kavanaugh and Neil Gorsuch testified about how much they respect "precedent"? They lied through their teeth, just like Trump does every day.
Just this week, the Republican majority threw out a 40-year precedent on states' rights. Last year, they threw out a 42-year-old precedent, gutting the power of public workers' unions.10
Kavanaugh and Gorsuch wanted us to believe that they would never consider overruling decisions that have been on the books as long as Roe v. Wade or Casey v. Planned Parenthood, the 1992 decision that reaffirmed and scaled back the protections of Roe.
Senators like Susan Collins were fools to ever believe these empty promises, and now our backs are against the wall, with abortion rights hanging by a thread.
This Tuesday's actions are just the beginning of this final, last-ditch fight to save abortion rights. We will continue protesting, keep fighting bans in state legislatures and in Congress, oppose any further right-wing judicial nominations—and, most importantly, do everything humanly possible to put this issue front and center in the 2020 presidential election. Will you chip in $3?
Thanks for all you do.
–Emma, Ilya, Emily, Michael, and the rest of the team
Sources:
1. "A Surge in Bans on Abortion as Early as Six Weeks, Before Most People Know They Are Pregnant," Guttmacher Institute, March 22, 2019
https://act.moveon.org/go/65638?t=6&akid=234701%2E38417624%2EYOwRjA
2. "Abortion Bans: 8 States Have Passed Bills to Limit the Procedure This Year," The New York Times, May 17, 2019
https://act.moveon.org/go/65639?t=8&akid=234701%2E38417624%2EYOwRjA
3. "Ahead of abortion-ban vote, Republican references 'consensual rape,'" The Maddow Blog, May 17, 2019
http://act.moveon.org/go/65640?t=10&akid=234701%2E38417624%2EYOwRjA
4. "This map of abortion ban proposals and laws shows where rights are under fire in 2019," Fast Company, May 15, 2019
https://act.moveon.org/go/65641?t=12&akid=234701%2E38417624%2EYOwRjA
5. "'Designed to Manufacture Outrage': Senate Judiciary Holds Hearing on 20-Week Abortion Ban," Rewire.News, April 9, 2019
https://act.moveon.org/go/65642?t=14&akid=234701%2E38417624%2EYOwRjA
6. "Lawmakers Vote to Effectively Ban Abortion in Alabama," The New York Times, May 14, 2019
https://act.moveon.org/go/65643?t=16&akid=234701%2E38417624%2EYOwRjA
7. "Georgia Just Criminalized Abortion. Women Who Terminate Their Pregnancies Would Receive Life in Prison." Slate, May 7, 2019
https://act.moveon.org/go/65644?t=18&akid=234701%2E38417624%2EYOwRjA
8. "A Texas bill would allow the death penalty for patients who get abortions," Vox, April 11, 2019
https://act.moveon.org/go/65645?t=20&akid=234701%2E38417624%2EYOwRjA
9. "What the Alabama abortion bill really aims to do," CNN, May 15, 2019
https://act.moveon.org/go/65646?t=22&akid=234701%2E38417624%2EYOwRjA
10. "The Supreme Court is smashing precedents. But Roe v. Wade might still be saved." NBC News, May 15, 2019
https://act.moveon.org/go/65647?t=24&akid=234701%2E38417624%2EYOwRjA 
Want to support our work? The MoveOn community will work every moment, day by day and year by year, to resist Trump's agenda, contain the damage, defeat hate with love, and begin the process of swinging the nation's pendulum back toward sanity, decency, and the kind of future that we must never give up on. And to do it we need your support, now more than ever. Will you stand with us?
Contributions to MoveOn.org Civic Action are not tax deductible as charitable contributions for federal income tax purposes. This email was sent to Alfred Johnson on May 20th, 2019. To change your email address or update your contact info, click here. To remove yourself from this list, click here.

Judge Orders Manning Jailed, Imposes Daily $500 Fine After 30 Days Behind Bars


Jake Johnson
May 17, 2019
Common Dreams
"The U.S. government's harassment of whistleblower and activist Chelsea Manning is intensifying."

Former U.S. Army intelligence analyst Chelsea Manning addresses reporters outside the Albert V. Bryan federal courthouse with attorney Moira Meltzer-Cohen on May 16, 2019, in Alexandria, Virginia. , Win McNamee/Getty Images

In a move press freedom advocates and progressive critics decried as an "outrageous" and "unprecedented" escalation of a prolonged government harassment campaign, a federal judge on Thursday ordered U.S. Army whistleblower Chelsea Manning back to jail for refusing to testify before a secretive grand jury and imposed a $500 fine for every day she is in custody after 30 days.
"It is a point of pride for this administration to be publicly hostile to the press. It is up to the press to stand up for themselves, to stand up for the practice of journalism, and to stand up for Chelsea."
—Moira Meltzer-Cohen, attorney for Chelsea Manning
If Manning refuses to comply with the grand jury subpoena after 60 days, the fine will increase to $1,000 per day.
During a court hearing on Thursday, Manning told Judge Anthony Trenga that she has no intention of giving in to government pressure.
"I would rather starve to death than to change my opinion in this regard," said Manning. "And when I say that, I mean that quite literally."
Manning's imprisonment Thursday came exactly one week after she was released following a 62-day stint in jail—including a month in solitary confinement—for refusing to testify before a grand jury that, as the Guardian reported, "is presumed to relate to the criminal prosecution" of WikiLeaks founder and publisher Julian Assange, who is currently fighting the Trump administration's attempt to extradite him to the United States.
"This is unprecedented," read a tweet from Manning's official Twitter account.
Moira Meltzer-Cohen, an attorney for Manning, said in a statement Thursday that while she is "disappointed" with the judge's decision, she expects "it will be exactly as coercive as the previous sanction—which is to say not at all."
"In 2010 Chelsea made a principled decision to let the world see the true nature modern asymmetric warfare," said Meltzer-Cohen. "It is telling that the United States has always been more concerned with the disclosure of those documents than with the damning substance of the disclosures."
"The American government relies on the informed consent of the governed, and the free press is the vigorous mechanism to keep us informed. It is a point of pride for this administration to be publicly hostile to the press," she added. "It is up to the press to stand up for themselves, to stand up for the practice of journalism, and to stand up for Chelsea in the same manner she has consistently stood up for the press."
Jake Johnson is a staff writer for Common Dreams. Follow him on Twitter: @johnsonjakep


 
 

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