Ancient dreams, dreamed-The Risen People? May Day 1971- Magical Realism 101-Build The Resistance 2018

Ancient dreams, dreamed-The Risen People? May Day 1971- Magical Realism 101-Build The Resistance 2019

Endless, dusty, truck heavy, asphalt steaming hitchhike roads travelled, Route 6, 66, maybe 666 and perdition for all I know, every back road, every Connecticut highway avoiding back road from Massachusetts south to the capital for one last winner-take-all, no prisoners taken show-down to end all show-downs. And maybe, just maybe, finally some peace and a new world a-borning, a world we had been talking about for at least a decade (clueless, as all youth nations are clueless, that that road was well-travelled, very well- travelled, before us). No Jack Kerouac dharma bum easy road (although there were dharma bums, or at least faux dharma bums, aplenty on those 1971 roads south, and west too) let her rip cosmic brakeman Neal Cassady at the wheel flying through some wheat field night fantasy this trip.

No this trip was not about securing some cultural enclave in post-war (World War II so as not to confuse the reader) in break-out factory town Lowell or cold water tenement Greenwich Village/Soho New Jack City or Shangri-La West out in the Bay area, east or west, but about mucking up the works, the whole freaking governmental/societal/economic/cultural/personal/godhead world (that last one, the godhead one, not thrown in just for show, no way) and maybe, just maybe sneaking away with the prize. But a total absolute, absolutist, big karma sky fight out, no question. And we, I, am ready. On that dusty road ready.

More. See all roads head south as we, my girlfriend of the day, maybe more, maybe more than a day, Joyell, but along this time more for ease of travelling for those blessed truck driver eye rides, than lust or dream wish and my sainted wise-guy amigo (and shades of Gregory Corso, sainted, okay), Matty, who had more than a passing love or dream wish in her and if you had seen her you would not have wondered why. Not have wondered why if your “type” was Botticelli painted and thoughts of butterfly swirls just then or were all-type sleepy-eyed benny-addled teamster half-visioned out of some forlorn rear view mirror.

Ya, head south, in ones, twos, and threes (no more, too menacing even for hefty ex-crack back truckers to stop for) travelling down to D.C. for what many of us figure will be the last, finally, push back against the war, the Vietnam War, for those who have forgotten, or stopped watching television and the news, but THEY, and you knew (know) who they were, had their antennae out too, they KNEW we were coming, even high-ball fixed (or whiskey neat she had the face for them) looking out from lonely balconies Martha Mitchell knew that much. They were, especially in mad max robot-cop Connecticut, out to pick off the stray or seven who got into their mitts as a contribution to law and order, law and order one Richard Milhous Nixon-style (and in front of him, leading some off-key, off-human key chorus some banshee guy from Maryland, another watch out hitchhike trail spot, although not as bad as Ct, nothing except Arizona is). And thus those dusty, steamy, truck heavy (remind me to tell you about hitchhiking stuff, and the good guy truckers you wanted, desperately wanted, to ride with in those days, if I ever get a chance sometime).

The idea behind this hitchhiked road, or maybe, better, the why. Simple, too simple when you, I, thought about it later in lonely celled night but those were hard trying times, desperate times really, and just free, free from another set of steel-barred rooms this jailbird was ready to bring down heaven, hell, hell if it came down to it to stop that furious war (Vietnam, for the later reader) and start creating something recognizable for humans to live in. So youth nation, then somewhat long in the tooth, and long on bad karma-driven bloody defeats too, decided to risk all with the throw of the dice and bring a massive presence to D.C. on May Day 1971.

And not just any massed presence like the then familiar seasonal peace crawl that nobody paid attention too anymore except the organizers, although the May Day action was wrapped around that year’s spring peace crawl, (wrapped up, cozily wrapped up, in their utopian reformist dream that more and more passive masses, more and more suburban housewives from New Jersey, okay, okay not just Jersey, more and more high school freshman, more and more barbers, more and more truck driver stop waitresses, for that matter, would bring the b-o-u-r-g-e-o-i-s-i-e (just in case there are sensitive souls in the room) to their knees. No, we were going to stop the government, flat. Big scheme, big scheme no question and if anybody, any “real” youth nation refugee, excepting, of course, always infernal always, those cozy peace crawl organizers, tried to interject that perhaps there were wiser courses nobody mentioned them out loud in my presence and I was at every meeting, high or low. Moreover I had my ears closed, flapped shut closed, to any lesser argument. I, rightly or wrongly, silly me thought “cop.”

So onward anti-war soldiers from late night too little sleep Sunday night before Monday May Day dawn in some vagrant student apartment around DuPont Circle (I think, but it may have been further up off 14th Street, Christ after eight million marches for seven million causes who can remember that much. No question though on the student ghetto apartment locale; bed helter-skelter on the floor, telephone wire spool for a table, orange crates for book shelves, unmistakably, and the clincher, seventeen posters, mainly Che, Mao, Ho, Malcolm etc., the first name only necessary for identification pantheon just then, a smattering of Lenin and Trotsky but they were old guys from old revolutions and so, well, discounted) to early rise (or early stay up cigarette chain-smoking and coffee slurping to keep the juices flowing). Out into the streets, out into the small collectives coming out of other vagrant apartments streets (filled with other posters of Huey Newton , George Jackson, Frantz Fanon, etc. from the two names needed pantheon) joining up to make a cohorted mass (nice way to put it, right?). And then dawn darkness surrounded, coffee spilled out, cigarette bogarted, AND out of nowhere, or everywhere, bang, bang, bang of governmental steel, of baton, of chemical dust, of whatever latest technology they had come up with they came at us (pre-tested in Vietnam, naturally, as I found out later). Jesus, bedlam, mad house, insane asylum, beat, beat like gongs, defeated.

Through bloodless bloodied streets (this, after all, was not Chicago, hog butcher to the world), may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. One arrested, two, three, many, endless thousands as if there was an endless capacity to arrest, and be arrested, arrest the world, and put it all in one great big Robert F. Kennedy stadium home to autumn gladiators on Sunday and sacrificial lambs this spring maypole may day basket druid day.

And, as I was being led away by one of D.C.s finest, I turned around and saw that some early Sunday morning voice, some “cop” voice who advised caution and went on and on about getting some workers out to join us before we perished in an isolated blast of arrests and bad hubris also being led away all trussed up, metal hand-cuffs seemingly entwined around her whole slight body. She said she would stick with us even though she disagreed with the strategy that day and I had scoffed, less than twenty-four hours before, that she made it sound like she had to protect her erring children from themselves. And she, maybe, the only hero of the day. Righteous anonymous sister, forgive me. (Not so anonymous actually since I saw her many times later in Boston, almost would have traded in lust for her but I was still painted Botticelli-bewitched and so I, we, let the moment passed, and worked on about six million marches for about five millions causes with her but that was later. I saw no more of her in D.C. that week.)

Stop. Brain start. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove, these were not such times even with all our unforced errors, and no flame-flecked phoenix raising but a bird, maybe the owl of Minerva came a better sense that this new world a-bornin’ would take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart road tramp acting in god’s place could even dream of. But that was later. Just then, just that screwed-up martyr moment, I was longing for the hot, dusty, truck driver stop meat loaf special, dishwater coffee on the side, road back home even ready to chance Connecticut highway dragnets to get there.

The Ghost Of Lawrence Landon-With Hank Williams’ “Cold, Cold Heart” In Mind

The Ghost Of Lawrence Landon-With Hank Williams’ “Cold, Cold Heart” In Mind   

By Zack James

[The Pete Markin mentioned in the sketch below and in a previous one about Delores Landon, Lawrence Landon’s wife and Si’s mother, is the late Peter Paul Markin who despite a lot of serious work as a journalist back in the early 1970s fell off the edge of the world down south of the border and fell down shot dead with a couple of slugs in some desolate back alley in Sonora after a busted drug deal as far as anybody in America was able to find out (after being seriously warned off the case by the Federales and some guys who looked like they ate gorillas for breakfast). The Peter Markin who moderates this site is a pseudonym for a guy, Frank Jackman, who along with Si Landon, Jack Callahan, Frankie Riley, Josh Breslin and a bunch of other guys knew Markin in the old growing up days and has taken the pseudonym in honor of his fallen comrade who before his untimely end had taught him a lot about the world and its ways, quite a lot. “Peter Paul Markin”]         

Memory floods. Memory flows unstaunched down to the endless sea of time. Some people shut off that memory flow to preserve their sanity others, others like Si Landon from the old corner boy Acre neighborhood in North Adamsville make it their business, go a long way out of their way to make it their business to remember, to be known among their circle as great rememberers. Si Landon had recently had occasion to test that theory out in a sort of roundabout way. He had been driven to remember one set of memories and that exploded another set in his face almost by happenstance.    

The whole episode had started when due to irreconcilable differences with his third wife, Maria, he had been given “the boot,” had been given his walking papers by her after almost a decade together. We will not get bogged down with the particulars of the causes for the separation except to say that Maria’s complaints were centered on Si’s increased moodiness and distance (that was Maria’s polite way, as was her way, of putting the matter) as well as her own need to “find herself”. The long and short of the situation was that both had agreed that “rolling stone” Si would leave the house they had shared for the previous decade. He wound up for several months staying at various friends’ places and in a sublet from a friend’s daughter before he realized that he needed some rootedness, some familiar surroundings now that he was alone again with only his thoughts and memories.

One tough “exiled” day, that was the way Si described his various experiences since the breakup with Maria he had an epiphany which led to his decision to head back to the old neighborhood after an almost fifty year absence. After a certain amount of searching he was able to find a condo for rent (he was not ready to seek a permanent condo-type situation or quite sure that he was up for that experience since he had spent the previous forty or so years in single family housing so a rental was testing the waters). The condo was located a couple of blocks from his growing up family tumbled down shack of a house in a school which had been closed when the demographics in the area changed and converted to the condo complex. Although he had not gone to school there since his family had moved from “the projects” back into his mother’s old neighborhood when he was in junior high school three of his four younger brothers (no sisters to his mother’s dismay) had gone there and that memory had helped determine his move to location.                     

He had strong recollections of his brothers’ time there and that was a source of some solace once he got settled in. Then a couple of days after that moving in he noticed in the front foyer that the developers of the place had kept some of the historic aspects of the place by keeping a series of graduating class photographs on one wall. On another was the 1907 announcement in the North Adamsville Gazette of the opening of the school. That hard fact triggered a sudden re-emergent long suppressed fear in Si once he realized that that 1925 date meant that his mother had also gone to school there something that he probably know way back when but had forgotten about. Sure enough looking at those old graduating class photos there was Delores Landon (nee Riley) sitting in the front row. All the battles from early childhood until just a few years before her death came rushing back into his head.

[Their relationship as described in a previous sketch had consisted of longer and longer periods of withdrawal after recrimination until there was a point of no turning back reflected in the fact that Si had not even attended his mother’s funeral for a lot of reasons but that one primarily.-Markin]

One late night when he could not get to sleep a couple of weeks after he had moved in Si thought he heard his mother’s voice calling out to him from the foyer that he would never amount to anything her favorite taunting mantra for him whenever he got in trouble.  Si freaked out over the idea that he would have to re-fight all the old memory battles. Damn. (Si by the way turned out to have been a better than average lawyer so he put paid to that eternal standard Delores notion.)              

No question the dominant force in the Landon household, the five surly boys household, was one Delores Landon. That sad fact was no accident, or if it was accident it was so by virtue of the circumstances which befell Delores Riley and Si’s father, Lawrence Landon. Delores and Lawrence had met through the contingencies of World War II when Lawrence Landon had been stationed before being discharged from the Marines at the famous Riverdale Naval Depot, a place which had earned its fame then for producing something like one troop transport vessel per day on those manic twenty-four-even shifts throughout the war. Delores had worked in an office in the complex doing her bit for the war effort. They had met at a USO dance one Friday night and the rest was history for the next forty or so years until he passed away at 65. Part of that history was the production of a crop of five boys, five hungry boys as it turned out led by Si. The other part was that Lawrence had originally come from the south, had been born and raised in coal country, in Harlan County down in Kentucky in the heart of “white trash” poor Appalachia. Before the Marines broke the string he had been the latest in about five generations of Landons to work the coal mines.

Coming and staying in the Boston area with nothing but a tenth grade education and useless coalmining skills meant that Lawrence was always scrabbling for last hired, first fired work. It also meant that scrambling to do his best as a father to provide for his own that he was a very distant figure in the day to day Landon household which in practice meant that Si was from an early age the “surrogate” father a fate which almost destroyed him before he finally left the family house. It also meant that beyond the distant figure of his father he also knew next to nothing about him. Except, and this was a big except, Lawrence Landon never ever sided with Si against his mother whether she was right or wrong in whatever accusations she made against him. Tough work, tough work indeed although he never was as bitter against his father as he had been against Delores. (A lot of what Si would learn about his father would only come after Lawrence had passed on from his youngest brother Kenneth who made serious effort to try and understand what his father had gone through. So Kenneth had known, which will become important in a minute, that his father had been called “the Sheik” by his fellow Marines for his abilities with the women what with his soft Southern accent and black hair and eyes. Kenny had known as well that beyond a young coal-miner’s skills his father had some talent as a musician, as a better than average guitar player and singer who was locally known in the Saturday night “red barn” circuit throughout Appalachian Kentucky for his prowess in song and with the girls along with his band The Hills and Hollows Boys.)

That is perhaps why when Si was old enough and thoughtful enough to know better he recognized that Lawrence had done the best he could with what he had to offer. It had been a hard lesson to learn even with some leeway. So it was no accident that a few weeks after Si’s strange nocturnal “encounter” with his mother (being a man of science he had eventually dismissed, or half dismissed that “voice” as just some gusts of wind coming from outside his windows) he had an “encounter” with the ghost of his father. Si had for many years, going back to his college days been something of a folk music aficionado. Had breathed in the folk minute that passed through the world starting in the very early 1960s.

For some thirty years previously well after the folk minute had burst and the remnants were to be seen playing before small crowds in church basement monthly coffeehouses Si had dilly-dallied with playing the guitar and singing along some folk songs which he had picked up through a famous folk music book which had the imprimatur of the late folksinger extraordinaire Pete Seeger (and lately had picked up songs from another source-the Internet- which moreover provided the chordal arrangements for many of the songs requested). His attention to the guitar and to practice had always been a hit or miss thing through three marriages and an assortment of children and lots of work to keep them in clover (and alimony and child support when those times came). Still Si never completely abandoned either singing or playing. (For lots of reasons but mainly to keep out of the family’s hair during the Maria marriage he had done his sporadic efforts on the third floor of their house far away from other distractions. But also to be able to say when serious folksingers, including Maria, asked about his abilities that he was a “third floor” folksinger, meaning third-rate which seemed about right. That would draw a laugh from those, again including Maria, whom he considered “first floor” folksingers.)            

While he was in “exile” Si had had a fair amount of time on his hands not having to attend to family matters or the million and one other things that are required in a relationship. (Si had had to laugh, a  bitter laugh, one night when he was thinking about those million and one things that he had been about nine hundred thousand, maybe closer to a  million short on keeping the Maria relationship going.) He began one of the most consistent sustained efforts at playing and singing that he had ever done. He continued those efforts when he moved back to his hometown.

What he had begun to notice in exile was that the new material that he was picking up from the Internet or from song books were a lot of old time Hank Williams ballads. Now Si was a city boy, always made it clear when younger that he hated country music, the music of the Grand Ole Opry being his standard for what passed for country music except for one very brief period in the early 1980s when he was attracted to the music of “outlaw” country singers and songwriters like Willie Nelson and Townes Van Zandt. But he always had had something of a soft spot for the anguished Williams. Had done so ever since not knowing that it was country music at the time he would pester Lawrence to play Williams’ Cold, Cold Heart for him when he was a kid. (Lawrence always had a guitar around the house and always like Si would sporadically play when he had a few minutes from the never-ending toil of providing for the five hungry boys and the one overwhelmed wife.)                       

One night in his condo in North Adamsville he began to practice on the guitar when he suddenly thought about his father’s playing of that Williams’ song. He went on the Internet to get the lyrics and chords and began to play. As he played a few times he got a very strong feeling that something was pushing him to play that song far better than he played most songs. On a final attempt Si felt that he had played the song almost like he had heard his father cover the classic. That night he began to realize that the ghosts of his youth weren’t always going to haunt his dreams. That present in that old neighborhood former schoolhouse were lots of things that would surface. Mostly though that night he shed a tear as he finished up knowing that he had cursed his father more than he should have and he once again called out to the winds “Pa, you did the best you could, you really did.”      

When The Thin Man Was Fat -With The Original Film Adaptation of Dashiell Hammett’s The Thin Man In Mind

When The Thin Man Was Fat -With The Original Film Adaptation of Dashiell Hammett’s The Thin Man In Mind   

By Josh Breslin

Recently in a review of the fourth in the famous Myrna Loy-William Powell seemingly never-ending 1930s-1940s The Thin Man series, Shadow Of The Thin Man, I mentioned that a long time ago, or it now seems a long time ago, I had a running argument with the late film critic Henry Dowd about the alleged decline in manly film detectives after the time of Dashiell Hammett’s Sam Spade and Raymond Chandler’s Phillip Marlowe in the 1940s. By that Henry meant tough guy, no holds barred, non-filter cigarette smoking, Luckies or Camels, bottom of the desk drawer hard shell whiskey neat drinking, who didn’t mind taking or giving a punch, or taking or giving a  random slug for the cause detectives. He had based his opinion strictly on viewing the films of the famous detective couple Nick and Nora Charles.           

Henry Dowd believed that with the rise of The Thin Man series that previous characterization of a model detective, his previous characterization Henry was given to the imperative tone, switched from the hard whiskey drinking guy to a soft martini swigging suave guy with a soft manner and an aversion to taking risks, certainly to taking punches or slugs. Hell, in that film under review at the time not only had Nick been married to Nora but they had a kid, not to mention that damn dog Asta, a regular entourage to weigh a guy down. Back in the day what had surprised Henry in our public prints argument had been when I told him that the same guy, Dashiell Hammett, who had written the heroic tough guy detective Sam Spade had also written the dapper Nick and charming Nora characters. Henry did not believe me until I produced my tattered copy of Hammett’s The Thin Man which had started the whole film series. Thereafter he kept up the same argument except placing The Thin Man as an aberration probably do to Hammett’s known heavy drinking or that he was trying to soften his own Stalinist-etched persona with such an obvious bourgeois couple. Jesus.       

My objection to Henry’s “decline of the manly” detective theory back then had not been so much about the social manners or the social class of the couple in the series, a reversion to the parlor detective genre before Hammett and Chandler brought the genre out of the closet and onto the streets, as the thinness of the plots as they rolled out each new product. I continue to tout the original film in series The Thin Man as the one everybody should view and take in the rest if you have restless hour and one half or so to whittle away.  

I had held my viewing of Shadow up as a case in point. I mentioned above all that the affable Nick and Nora would get involved in the murder case of a jockey who allegedly threw a horse race. The very notion that anybody, much less a private eye, would give more than a passing glance to the demise an allegedly corrupt jockey was beyond me. After all the indignities those curs have thrown my way whenever I have had a “sure thing” has given me a very cynical view of these professionals. Has left me teary-eyed at my bad luck-or ready to shoot one myself. Of course if you are talking about throwing horse races then you have to deal with the question of the mob and all the connections to that organization from law enforcement to track officials. And in a roundabout way this is how Nick with a little timely intervention by Nora solved that one thereby exonerating that fallen jockey (and a newspaper guy too). Bringing a high-born connected guy down to boot. Enough said.

Enough said except that I also mentioned that if one had just one film in the series then you had to opt for the original one based far more closely on that tattered copy of Hammett’s crime novel. Those were the days when Nick, still besotted by Nora, but not knocked over by her could work up the energy to do more than mix martinis. (Or to revive the old Dowd argument before Hammett let the bottle get to him or while working under the umbrella of Popular Front days directed from red Moscow).     

Of course even then Nick had been softened up a little by some time out in gentle, gentile Frisco town but once he hit New York he put on his stern working face when the daughter of an ex-client attempted to find out where her father had taken off too. Taken off after a couple of murders fouled up the scene. See that old man, that thin man, had been running around with a dizzy dame who was two-timing him and so all eyes pointed in his absent direction. Only got more heated when a guy who saw the murderer got wasted by same.  Looked like the old man would take the big step-off, take a last breathe that he would not like.

Except in those days although Nick was allegedly “retired” he kicked out the jams long enough to find out that the whole thing was a scam, was all smoke and mirrors by somebody, not the thin man. Along the way Nick outsmarts the public coppers, not so hard to do when they put their two and two together and it came up five. Two murders and a missing boyfriend, the old man, and they had him all wrapped up and tied with a ribbon. One little problem: the old man, the thin man, this Wynant to give him a name was dead, very dead and had been so of a couple of months after Nick figured out where the body was buried (okay, okay with a little sniffing help from Asta) so the public coppers had egg all over their faces. You might be surprised by who actually did the deed, did the three murders and would surely take the big step-off, be gasping for breath at the end, but you can watch the film to see that worked out. What is important is that Nick, drunk or sober, dapper or not, seemingly lazy or not, too laid back or not grabbed the right person, solved the damn mystery without working up serious sweat. And without getting bopped on the head, or taking some slugs. Enough said.    

The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Songs To While Away The Class Struggle By-Pete Seeger's "Oh, Had I A Golden Thread"

*Songs To While Away The Class Struggle By-Pete Seeger's "Oh, Had I  A Golden Thread"

Click on the title to link a "YouTube" film clip of Pete Seeger (with Judy Collins) performing "Oh, Had I A Golden Thread."


In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

*************

Oh, Had I A Golden Thread(Pete Seeger)


Oh, had I a golden thread
And needle so fine
I'd weave a tapestry
Of rainbow design
Of rainbow design

Far over the water
I'd weave my magic strand
To every city
Through every single land
Through every land

And in it I would weave the bravery
Of women giving birth
In it I would weave the innocence
Of children over all the earth
Children of all earth

Show my brothers and my sisters
My rainbow design
And bind up this sorry world
With hand and heart and mind
Hand and heart and mind

O had I a golden thread
And needle so fine
I'd weave a tapestry
Of rainbow design
Of rainbow design

Ruth’s Remembrances-With The Film Adaptation Of Larry McMurtry’s “The Last Picture Show” In Mind

Ruth’s Remembrances-With The Film Adaptation Of Larry McMurtry’s “The Last Picture Show” In Mind

By Josh Breslin

Ruth Snyder had all the prejudices of any West Texas girl growing up in the hard-scrabble Great Depression of the 1930s when money had been scarcer, maybe more so, than hen’s teeth. Had all the so-called secrets of such girls as well. She had been Anchor City born and raised out in the places where the oilfields out-numbered the number of residents. As part of that Anchor City (silly nautical name for a town out in the middle of Blue Norther country but there you have it. Legend had it that some restless Yankee sea captain who had had enough of the sea had founded the place and in a fit of nostalgia named the town that rather than after himself like half the foolish towns in the state). Prejudice number one, aside from not allowing the “colored” to get a toehold in the town but that was usual all over the South and not Anchor City-bound, was drilled into her by her hard-shell Pentecostal parents who had gotten religion when West Texas was burned over in the Third Awakening, third Texas Awakening and that was marriage was forever. Forever meaning until one or the other of the two contracted parties kick-off. Not before.      

So Ruth Snyder, not the prettiest girl in town, not by a long shot, in fact rather plain like some Grant Wood painting, pure prairie plain which was in man-short West Texas (marrying man-short West Texas the other kind as everywhere were plentiful enough) good enough with proper household training to get a man. But get this Ruth Snyder, Plain Jane Ruth Snyder snagged herself a football player, Tom Snyder, who starred for the Anchor City Hawks before heading to Texas A&M and a short career made shorter by a crippling knee injury. Who would have figured that Tom in those brave football days would court Ruth Snyder. Ruth would come to try to figure that one out herself. Tried to figure out that all Tom wanted from a woman, no, a wife, was to just keep his house clean, his socks darned and his rifles well-oiled. While Tom in very West Texas good old boys fashion would head out with his fellow good old boys and proceed to get well-oiled in another way or too.     

Married at just short of twenty years of age Ruth was now reaching that funny quirky time, forty. Things had only gotten worse as time went by and after several serious campaigns by alumni Tom had cornered himself into being both the football and basketball coach at old Anchor City High. Thus not only did Ruth suffer the pangs of loneliness during his weekly hunting and fishing trips but for well over half the year he would be too busy with his coaching to pay even minimal attention to Ruth. Not a good thing, not a good thing at all for somebody who was entering funny quirky time.  

One of the things that was required of a coach’s wife in those days, those early 1950s days when all the way from kid sandlot football to University of Texas University all Texas was aflutter in football was to attend the Friday night games. Ruth unlike other mothers and wives rather enjoyed watching the game which had been part of the reason that she had grabbed onto Tom with both hands when he first asked her out those many years before. Of late, this season, this season of her reaching forty she found herself looking rather longingly at the young men on the field and thinking of those days when her own heart had been all aflutter when she spied Tom Snyder doing his pre-game warm-ups. In particular this year, this 1951 year when the team was pretty poor even by Anchor City standards she was drawn to two players, Duane, Duane Wilson, and Sonny, Sonny Burgess. Not because they were any great shakes as football players, they seemed to be in way over their heads when matched up against any decent teams but because they had similar physiques to her Tom’s when he was a star (the years of good old boy-dom had not been kind to Tom and he was now a certified member of the pot-bellied, sloughing forty something guys who could not have gotten out of their own ways if something had come up to startle them). Here’ the point though our Ruth started to have certain “improper” fantasies about those two young men. Yeah, that funny quirky forty thing.     

Ruth also knew that Duane had this thing, this crush on Jackie, Jackie Germaine, the head cheer leader who in that day, in her day when she was younger, and to her now even was nothing but a cock-teaser, a femme or whatever they called such “come hither” to be sliced and diced girls. She would lead him a merry chase, make him cry “Uncle,” literally since in the end he volunteered like a good West Texas young man back then to join the Army to get the taste of Jackie out of his system (as he told Sonny in one of his more candid and reflective moments was that he would never totally short of the grave get her out of his system and years later would say the same thing even when by that time she had been married three times, had a parcel of kids and even at the high side of forty was making guys make sophomoric fools out of themselves). As he also told Sonny he would rather just then face the red hordes in Korea than to see her with another man. That “another man” in the space of a few short months between the end of high school and going off to college entail screwing Duane, screwing rich boy Randy, his friend Tom, who wanted to marry her, Adonis one of her father’s wild-call oil riggers, hell, even Sonny which is where Duane and Sonny’s friendship since elementary school was sorely tested. Yeah, thought Ruth who would get her information about the younger set, older set, every set from Jennie who ran the Last Chance Café one of the few reasons to stop in the pass through town. 

      

So Ruth almost by default kept her eye of Sonny Burgess, looking for a way to get to him in a proper manner, at least for public consumption. As it turned out Tom, her no bullshit husband who was the vehicle for bringing Ruth and Sonny together. Out of pure laziness or cussedness, take your pick. One day Tom asked Sonny to take Ruth to the nearest hospital in Waverly some fifty miles away in order for her to check up on some “female” problem she was having. Tom’s reason for not taking her himself was that he was too busy with basketball practice to do so. The lure for Sonny was that Coach would get him out of classes for the remainder of the day. The trip started out uneventfully enough with Sonny doing chauffer duty-and acting that way. After getting Ruth home safe and sound though she asked him if he would like something to eat. Sure, like any growing kid, and teenage kid. Noting happened that day but between whatever mother hunger mother-less Sonny had and whatever real man hunger Ruth had a few weeks later they would met at the annual town Christmas Party (the same party where the perfidious Jackie blew Duane off for some party with Randy) and gave each other such looks that when Ruth asked Sonny if he would take her to her doctor’s appointment the next time he answered with yes without hesitation. And so Ruth and Sonny would start an affair, an affair of the heart which would last on and off again for several years. That open secret would keep the customers at the Last Chance Café going for many months once Jennie retailed the story. Funny nobody took umbrage that Ruth was bedding a young man half her age. But here is where we get into Ruth’s knowledge of the West Texas girl-woman prejudices. The reason that the Ruth-Sonny affair was the hot topic for only a few months was that Ellie, Jackie’s mother had started an affair with a young oil well driller employed by her husband. So Ruth was just following West Texas girl prejudice. What do think about that.       

From The Archives- The 50th Anniversary Of The Summer Of Love- Botticelli’s 115th Dream-With Botticelli’s “Venus” In Mind

From The Archives- The 50^th Anniversary Of The Summer Of Love- Botticelli’s 115^th Dream-With Botticelli’s “Venus” In Mind

By Special Guest Alex James

[Frankly my oldest brother Alex, who after all is over ten years older than I am, and I have never been all that close. Maybe that is natural due our age differences and of his decided and vocally not wanting to have an unruly younger brother tagging along while he and his vaunted corner boys did their thing. Later the gap widened as his lawyerly pursues were far removed as a rule from my own social and cultural concerns. A few weeks ago though, knowing that I write for a number of blogs, including here at American Left History, and in various smaller print journals he approached me on behalf of he and his “corner boys,” at least the ones still standing some fifty years later, to help organize and write a small tribute booklet in honor of their fallen comrade and fellow corner boy, Peter Paul Markin, who led them west in the great Summer of Love, San Francisco, 1967 explosion. I took on the tasks after Alex explained to me that he had been smitten with a nostalgia bug when he had gone to a legal conference out there by an exhibit at the deYoung Museum out in Frisco town, The Summer of Love Experience, being presented to honor the 50^th anniversary of the events of that summer.

Fair enough. I was glad to help out since I only knew the events second-hand and have always been interested in writing about and have written extensively about that period. As a result I had thought that the experience of putting out a small publication where we had to maybe for the first time in our lives work closely together “bonded” Alex and me somewhat. Fair enough again. Now though the guy is all hopped up, maybe showing signs of senility for all I know, about an exhibition he had seen at the Boston Museum of Fine Arts where they have Botticelli’s Venus on display. As far as I know Alex could have given a rat’s ass about art, about the Renaissance back in the day or anything since not connected with his law practice. But the other day he asked me for some space here to talk about how that Botticelli painting at the exhibition reminded him about some love interest he had had during that summer of love period. What can I say. He is after all my brother.  Zack James]       

   

[I had written the basics of the small piece I wished to present here about a young girl that I had met out in San Francisco, Jewel Night Star, when I was out there after the Scribe [Peter Paul Markin] got a bunch of us to head out west in late summer 1967. (I will explain that whole moniker business, that serious need to “reinvent” ourselves below but just know now that I was always known out there as Cowboy, or Cowboy Angel, depending on my mood, the day, hell maybe the drug intake) That was before I read my youngest brother Zack’s introduction. I felt compelled to add a note here to announce to what he always likes to call a “candid world” that I am neither senile nor have I been in the past, a past Zack, tied up with his various writing projects about times that he has only lived through vicariously totally oblivious to the call of culture, to the call of art and artifact. What more can I say though as he is my host here. Oh, yes, he is also after all my brother. Alex James.]

I would be the last person in the world to deny that memories, good and bad, creep up on a person sometimes in unusual ways. (Of course in my law practice I have had to pay short shrift in general to anything to do with memory on behalf of my clients but that is out of professional necessity to keep the buggers from huge jail time or cash outlays.) Recently this came home to me in a very odd way. I had been out in San Francisco to attend a law conference which I do periodically to confer with other lawyers in my special areas of concern when as I was entering the BART transit station on Powell Street I noticed on a passing bus an advertisement for an exhibition called The Summer of Love Experience being put on at the deYoung Museum in Golden Gate Park to commemorate the 50^th anniversary of that wild west experiment. That set off the first series of memory bells which forced me to take some time out to go see what they had produced about those long ago times.                    

See, strange as it may seem given my subsequent total emergence into my law practice (at times just to keep afloat with three unhappy ex-wives and a parcel of kids, some happy some not, to support which almost killed me about ten years ago with a crush of college tuitions) I had been one of those tens of thousands of young people who drifted west to see what the whole thing was all about in San Francisco in the summer of love, 1967. Zack has probably told you that when I came back from this recent Frisco trip I gathered those of my old hometown corner boys from the Acre section of North Adamsville who as Zack stated were “still standing” to put together a small tribute book in honor of the event dedicated to the memory of the late Peter Paul Markin, the guiding spirit who led us out West like some latter day prophet.  

Mad monk Markin (and he really was we all called him the Scribe after our leader Frankie Riley gave him that moniker  in junior high school after Markin once had written some total bullshit homage to him and it hit the school newspaper and ever after the Scribe was his “flak” writing some stuff that was totally unbelievable about the real Frankie Riley whom we knew was seven kinds of a bastard even then) had gone out in the spring of 1967 after dropping out of Boston University in his sophomore year and had come back in late summer telling us the “newer world” he was always yakking about (and which we previously had given a rat’s ass about) was “happening” out there. He conned, connived, and begged but six of us beside him (and ever after also including Josh Breslin from up in Olde Sacco, Maine whom the Scribe met out in Frisco who was not a North Adamsville corner boy but whom we made one since he was clearly a kindred spirit)   went out and stayed for various lengths of time. I had gone back out with Markin after his “conversion” plea and stayed for about a year, mostly, as with all of us one way or another riding Captain Crunch’s “merry prankster” converted yellow brick road bus (the latter Markin’s term).     

While out there I had many good sexual and social experiences but the best was with a young gal whom I stuck with most of the time who went by the name Jewel Night Star as I went by the names Cowboy or Cowboy Angel depending on my mood. I make no pretense to know all of the psychological and sociological reasons at the time or thereafter but these monikers we hung on ourselves were an attempt to “reinvent” ourselves. Break out of the then conventional nine to five, beat the commies, and buy lots of stuff world our parents tried to drive a nail in our hearts about. Some people changed their monikers, their personas every other week but I stuck with my based on the simple love that I had had for Westerns growing up and since we were in the West it seemed right. Markin’s Be-Bop Kid was an overlay from his hearty interest in the “beats” who by 1967 were passe, who were being superseded by what was beginning to be called the “hippies.” Such were the times. The Jewel Night Star moniker when she told me about it one night was based on her eyes which in a certain light looked like diamonds, like twinkling stars. As long as I knew her she stuck with that moniker as well.            

Funny when I was out in Frisco for the conference and went to the museum I didn’t think anything about her. Had been through a small succession of women after she left the bus and as I have mentioned have had a whole raft of women since then, married and unmarried. I just mainly “dug” the scene at the museum and thought about the great music we heard (when they played White Bird by It’s a Beautiful Day I freaked out since I had not heard that song in ages), about the plentiful and mostly safe dope we did (we had an unwritten pact among the North Adamsville corner boys not to do LSD, “acid” after Markin explained his “bad trip” on the substance and after we had seen more than a few people going crazy at concerts and need medical attention), and about how we could “outrage” bourgeois society by our dress, our free spirits and, well, our goofiness if it came right down to it. (Tweaking those who were trying to drive those nails into our hearts.)

Then last week, or the week before, I got this postcard advertisement from the Museum of Fine Arts in Boston asking me to join their membership. (I assume somehow that having paid my admission to the deYoung on-line I had become a prime target for every museum from Portland East to Portland West). The ‘hook” on the other side of the postcard was that with a paid up membership I could see Botticelli’s Venus up close and personal. A view of that image on that postcard lead me directly, I say straight line directly, to my first memories of Jewel Night Star in maybe the fifty years since that summer of 1967 time.         

In the early fall of 1967 Markin and I had hitchhiked out across the whole country to Frisco. (I can see every mother grimace at that idea now, or then for that matter.) I won’t go into the details about how we got out there which I have written about in that tribute book the guys and I put together and Zack edited. Besides this is about Jewel not about some Jack Kerouac On The Road -influenced fling on our parts. Markin had had some contact with this guy, this wild man, Captain Crunch, who had somehow, most people who knew anything about it agreed that it was through a dope deal, gotten a yellow brick road converted school bus which he was travelling on up and down the West Coast picking up kindred spirits and letting them stay in and around the bus. (The attrition rate was pretty high most people staying a few weeks and then getting off or told to find another way to travel by Mustang Sally, the Captain’s sort of girlfriend, I never did figure out their actual relationship in all the time I was on the bus, if they stole stuff, didn’t keep fairly decent personal hygiene or let the drugs make them too weird and in need of some medical help.) When we got out West the Captain’s bus was stationed in Golden Gate Park and after the Scribe (then going under the moniker the Be-Bop kid-no more Scribe okay) introduced us and the Captain thought I was cool (and I thought he was as well) I was “on the bus.”              

A couple of weeks later the Captain was talking about taking a slow trip south to a place in La Jolla for the winter where he had a friend. The idea was that we would “house-sit” what turned out to be a mansion since that friend was one of the first serious high distribution drug dealers getting his product directly from south of the border only thirty or forty miles away in Tijuana.  We were all for it (me since every place was a new place for me in California and I was curious). It was on that trip as we headed toward Big Sur down the Pacific Coast Highway, a place called Todo el Mundo that I met Gail Harrington, Jewel Night Star.

We had stopped at a campsite where there was a party that was still going after about the six days before we got there so everybody was, using a term of art from those days “wasted.” I was grabbing a joint from somebody when this young woman came up to me and asked for a hit, for a “toke” for some grass. Her look. Well just check out the Botticelli Venus above that accompanies this piece and you get an idea. Tall, thin, hair braided, as was the style when a lot of young woman were on the road and didn’t want to, or couldn’t hassle with that daily chore to look beautiful stuff. Just as we guys grew our hair long and grew beards to avoid having the hassle of shaving. She had on a diaphanous kind of granny dress that showed her shape in detail. Nice. The granny dresses also a question of convenience and an expression that a woman’s shape was not as important as whether she was “cool” or not. But the best thing about her beyond being a Botticelli vision, a dream, what did I call it in the title to this piece. Yes, his 115^th dream, was that she was very friendly, and a little flirty, in a nice way unlike all the girls from North Adamsville that I knew who might be nice but who thought sex was a mortal sin before marriage, maybe ever.

At first I was a little disoriented when we hit Frisco and joined up with the bus since the girls were really without much guile friendly in a way that it was easier talking to them than the Bible between the knees girls I was used to. By the time we got to Todo el Mundo I had had a few dalliances, a few what we called back in the neighborhood, “one night stands” which didn’t go anywhere and nobody worried about it but I was still unsure about what to expect from the young women who were travelling that same “road” we were travelling. So I was kind of shy a little around Jewel at first since she struck me as something out of the Renaissance, something out a painting by Botticelli who before he “got religion” later in his life under the influence of Savonarola which I had seen in an art book when I was taking an art course in high school (and have been unable to find in recent Internet searches looking for that exact painting). They were mostly young countesses and merchants’ daughters who had time on their hands and whom Botticelli was interested in painting for profit and for a different look than the inevitable Holy Family, Jesus, religious paintings that were becoming overdone and passe. (I thought it was funny how many of his young women looked like Northern European women since I had a fixed idea of dark-eyed, dark haired, dark complexion Italian women who I saw at school or in the Little Italy neighborhood that started about ten blocks from the Irish-dominated Acre.)              

Well Jewel was not from Renaissance Italy but from Grand Rapids in Michigan. Had come west when she finished her first year at Michigan after she had heard one night on a date what the folk singer at the club she was attending talked about the music explosion going on out there. She had been out for several months and had headed south to Todo el Mundo when she thought things had gotten too weird in San Francisco. She had hitchhiked down with a guy who was heading further south to Los Angles but she was just then content to stay along the rugged rural coast for a while. Which she would have done for longer she said except when I asked to travel south on the bus she agreed. But that was a few weeks later.           

I suppose I have been somewhat beaten down in the women department because I had forgotten how easy to be with. Jewel was, I guess, thinking back she was one of those “flower children” that we kept hearing about. Meaning nothing more than she was whimsical, was relatively hassle-free and liked nothing better than to roam the hills around Todo el Mundo and the hardscrabble beaches in the area. With me in tow.  All of this may sound kind of simple-minded, kind of what is the big deal about his woman. But look at the look of Venus above, look at that faraway look and that twisting of her braids and you will get an idea of what Jewel was like. Look at Botticelli’s Venus eyes and you will see the same night star that I finally saw in Jewel’s.     

Like I said we stayed together more or less for most of that year I was out there until in the spring of 1968 Jewel said she was getting tired of the road and wanted to either settle down out in the desert, out in Joshua Tree where several communal groups were being formed or head back home to school. I didn’t like either idea although a few months later I would head back east to finish college. We agreed that our paths were going in different directions and one day she told me that she had purchased a bus ticket to Joshua Tree (actually when I went out there many years later Twenty-nine Palms the nearest bus stop then). The next day was the last day I saw her. Although we had agreed to keep in touch that like a lot of things in those days it never happened.  I wonder if she is still alive wherever she is if those eyes of hers still sparkle in a certain angle like a night star. I hope so.  

From The Marxist Archives- Labor and Capital Have No Common Interests

From The Marxist Archives- Labor and Capital Have No Common Interests Workers Vanguard No. 1133	4 May 2018

TROTSKY

LENIN

Labor and Capital Have No Common Interests

(Quote of the Week)

The trade unions are the mass defensive organizations of the working class. The trade-union bureaucracy undermines the power of the unions by its allegiance to the U.S. capitalist order, particularly expressed through support to the Democratic Party. In a 1942 lecture, James P. Cannon emphasized that the Trotskyists who led the successful 1934 Minneapolis Teamsters strikes fought against illusions in the politicians and government agencies of the capitalist class enemy. The understanding that the interests of the workers and bosses are counterposed is vital to reviving the unions as battalions of class struggle and to the fight to forge a new leadership of labor.

All modern strikes require political direction. The strikes of that period brought the government, its agencies and its institutions into the very center of every situation. A strike leader without some conception of a political line was very much out of date already by 1934. The old fashioned trade union movement, which used to deal with the bosses without governmental interference, belongs in the museum. The modern labor movement must be politically directed because it is confronted by the government at every turn. Our people were prepared for that since they were political people, inspired by political conceptions. The policy of the class struggle guided our comrades; they couldn’t be deceived and outmaneuvered, as so many strike leaders of that period were, by this mechanism of sabotage and destruction known as the National Labor Board and all its auxiliary setups. They put no reliance whatever in Roosevelt’s Labor Board; they weren’t fooled by any idea that Roosevelt, the liberal “friend of labor” president, was going to help the truck drivers in Minneapolis win a few cents more an hour. They weren’t deluded even by the fact that there was at that time in Minnesota a Farmer-Labor Governor, presumed to be on the side of the workers.

Our people didn’t believe in anybody or anything but the policy of the class struggle and the ability of the workers to prevail by their mass strength and solidarity. Consequently, they expected from the start that the union would have to fight for its right to exist; that the bosses would not yield any recognition to the union, would not yield any increase of wages or reduction of the scandalous hours without some pressure being brought to bear. Therefore they prepared everything from the point of view of class war. They knew that power, not diplomacy, would decide the issue. Bluffs don’t work in fundamental things, only in incidental ones. In such things as the conflict of class interests one must be prepared to fight.

—James P. Cannon, The History of American Trotskyism (1944)

June Is Class-War Prisoners Month-Free The Jericho Movement Prisoners-Free All The Class-War Prisoners!

June Is Class-War Prisoners Month-Free The Jericho Movement Prisoners-Free All The Class-War Prisoners!  

Chelsea Manning, Albert Woodfox and Oscar Lopez Rivera are out let's get the rest out as well  

How The West Was Won-Again-The Film Adaptation Of Cormac McCarthy’s “All The Pretty Horses” (2000)-A Review

How The West Was Won-Again-The Film Adaptation Of Cormac McCarthy’s “All The Pretty Horses” (2000)-A Review

[When I, we, were kids in the old 1950s growing up poor black and white television neighborhood we were always looking for that cowboy angel Adonis that we kept seeing flickering on the screen. Now we were far from being able to articulate our dreams, too say cowboy angel Adonis, maybe our hurts too since we were pretty hard scrabble kids but we kept wondering about the times when serious cowboy angels roamed the earth, roamed the West chasing bad guys and saving towns, and later damsels. Mainly we were looking for somebody, some adult who was not relative or one of the seemingly bland working- class stuffs outside of the old neighborhood to look up to. Funny that quest lasted far longer than we, I would have thought which is something that that film under review made me think about, think about the bad boys, the golden-haired Adonis.

That figure ultimately had a name, the name Dean Moriarty who went under many aliases mostly usually Neal Cassady or Cassidy you would see it both ways depending on the scam he was running. John Carter, Bill Cadger, Reed Wade and a few other names come back from memory depending on time and place, but he was the real deal back when I came of age and was looking for the father I never knew, literally. Dean, let’s use that since a novelist, a “beat” novelist Jack Kerouac used it for his mad daddy character in a few of his travelogues was born in the West, born of woman it was said on the Denver and Rio Grande which may tell something about that wild boy streak we all put up with just to be around the guy, or be around guys who had been around him later after he fell down, after he was no longer on the bus as the expression went. Hoboes call it “catching the Westbound” but anyway you call it still means going under the cold, cold ground. Before your time.            

I met Dean on Larimer Street in Denver as he was hustling some young woman who looked like a college student, far from a person you would expect from his demeanor and looks to be bothered with.    

Beyond that she seemed far too young for him, although I later learned he was only in his late 20s but already the drugs and booze were showing some early signs of dissipation. He had been coming out of the Cattlemen’s Hotel which back in the 19^th century was the place where all serious cattle deals were flushed out. Now it was a place for cheapjack winos, con men, failed at something guys, a few house hookers and guys on the lam like Dean. But that later. He came out all dressed in cowboy hat, blonde if dirty hair, dungarees, a well-worn work shirt and rounded heels cowboy boots of no distinction. So naturally being a naïve Easterner who cowboy ideas were grafted from television once Dean got the brush-off from that co-ed I went up to him and asked him if he was a cowboy. (By the way that so-called brush-off was just that he was to meet her later in the day after she finished classes, yeah, Dean had his ways with women that is for sure).

That was how I met Dean. Here is how he became a friend, although not always a purebred one from his end that is for sure (“that is for sure” a good expression whenever you mention his name to me):

Dean said “yep” to the cowboy question and started giving a whole line of ragtime about how he had just gotten in from Wyoming (which he had) bringing in a heard of cows and all that kind of cowboy thin talk. As I kept asking more questions, how it was to run cattle, ride a horse, sleep in the cold outdoors overnight with just a bedroll, city-slicker stuff like that he got more pronounced in what his cowboy career was about. Before long though we were sitting in Larimer Lou’s Bar with him sucking down whiskies straight-at my expense. (That endless “no dinero” his constant expression even when he had money meant me, with “poco dinero” paid and after a while I didn’t even bother to ask him to pay and even if I had no money I would just put the bite on the next guy with some kale). That went on for a few hours until he popped up with the idea of “hot-wiring” a car so we could go up to Boulder to meet a couple of gals he knew there (he had apparently, at least this was his line, already had his way with that co-ed) and did I want to come along.

Sure. Dean eyed some car, a fast one, maybe a souped-up Mustang I am not that good even now on model identification and within about two seconds he was done. I wondered that night, maybe still do, how a lonesome trail cowboy knew how to do such an urban kind of trick. As I recall we went to Boulder, fast, always fast, met the girls, did our thing with them, and headed back to Denver. I stayed in Dean’s room at the Cattlemen for a few days, he was in and out like a bird of prey. One afternoon he said he was heading for California to get some dope, to make a score in Santa Rosa and be on something like easy street for a while. Did I want to go. Sure. I had done more than my share of dope at that time so that was no problem but I was surprised that cowboy angel Dean who had previously given no indication he was even interested in dope was up to this. Some kind of what would be called later a drugstore cowboy, things like that.              

Some time I will go into various trips to the coast, up and down the coast, maybe Mexico too although I still feel I need to be cautious telling those latter tales. There are too many of them to fit in what is essentially an introduction to a film about modern day cowboys and cowboy angels. Once we hit Santa Rosa, once we made score and Dean made some money (remember never shared with me-ever) one night when he, maybe me too, was high he let out a great big roar of a laugh that his cowboy angel talk was all bullshit, all an act. The only truthful part was that he was born on the Denver & Rio Grande by a woman who would abandon him to a drunken father who put him into an orphanage. He knew nothing about horses, never ridden one, or any of the other tall tales he had laid on me that first night and later. What he was and had served various terms in reform school in different states for stealing cars, “the greatest car driver in the world,” his term and mechanic too. That was probably closer to the truth, but you never knew with Dean when he was being straight with you, or blasting your brain. Sam Lowell]    

DVD Review

By Film Critic Sam Lowell

All The Pretty Horses, starring Matt Damon, Henry Thomas, Penelope Cruz, directed by Billy Bob Thornton, based on the novel of the same name by Cormac McCarthy   

Unlike another tale, a coming of age tale if you like, of the modern American West, of the Texas west,  The Last Picture Show, where I read the novel by Larry McMurtry first then viewed the film I have seen the film under review the adaptation of Cormac Mc Carthy’s All The Pretty Horses without having read the novel. But after watching the film I will make it my business to read the novel which deals with a different aspect of the West, the cowboy West when ranch life goes south on its main characters and they are left to fend for themselves. A task which in true Western fashion has them groping to stay alive, although that was a close thing.   

John Grady Cole (hey that is the way he introduced himself to one and all), played by Matt Damon, was career-less, cowboy career-less after his grandfather died and his mother decided to sell the ranch leaving this young cowboy with horses in his blood with no place to go. No place but to go looking for work south of the Rio Grande, south of the border down  Mexico way with his longtime fellow cowboy Lacey played by Henry Thomas.     

Whatever adventure, whatever expectations they had about making a living as ranch hands down in Mexico were disturbed along the way when they met a vagabond Blevens who was strange to say the least.  Along the way Blevens losed his horse and then finds it again at a ranch. This brings in the factor of horse-stealing which will drive a lot of the action in the film, and which is as heinous a crime in modern day Mexico (and Texas too) as in the old days when horse thieves were strung up in an age when to take a man’s horse was to take away his livelihood, his means of travel and his manhood. Along the way because John Grady and Lacey are tarred with the same brush as Blevens they will see just what that meant. They were able to get work at a huge ranchero where John Grady got special recognition by the owner for his keen eye for horse flesh. Along the way as well they wind up because of Bleven’s actions in custody and eventually in the “you don’t want to go there” penitentiary after a corrupt Mexican cop wasted the unfortunate Blevens while John Grady and Lacey watched helplessly. They survive the prison ordeal somehow and Lacey decides to head home. John Grady decided he had some unfinished business and was staying to pursue that.       

That unfinished business was as to be expected getting his girlfriend to go back to Texas with him. This girlfriend Alejandra, played by fetching Penelope Cruz, a firebrand and well worth taking some grief for was unfortunately for John Grady the daughter of the ranchero owner and so they were fated to part, fated in part because the price of getting John Grady and Lacey out of that “you don’t want to go there” prison was that she would not see him again, certainly would not go away with him. That was that.

On his way back home across the border with his horse, Lacey’s and the late Bleven’s in tow as some sort of symbol of the experiences he had down south of the border he is stopped in Texas and essentially accused of that same horse-stealing charge. He got out of trouble once he told his story to a judge and then meandered back to Lacey’s place with those three damn horses. Yeah, the modern West is a tough dollar for a cowboy loving man just like in the Old West. See this one for the pretty horses, pretty scenery and pretty Cruz.