Click on the headline to link to a "YouTube" film clip of the movie trailer for "The Baader-Meinhof Complex"
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
DVD Review
The Baader-Meinhof Complex, Constantin Productions, 2008
This film, "The Baader-Meinhof Complex", is based on a novelistic treatment of the, sometimes, heroic exploits of the 1960s radical Germany group, the Baader-Meinhof Group (aka Red Army Faction, RAF), that, like a number of other such formations at that time, such as the the Weathermen in the United States, set out to form guerrilla organizations in order to fight imperialism. That of their own state, as with the Weathermen, or others, or to act as a "second front" in order to assist the Vietnamese in their struggle against American imperialism.
Just before I watched this film I watched and reviewed, "Salt Of The Earth". That latter film presented a very different view, one that involved getting working and other oppressed peoples to organize themselves in mass action in the struggle against the bosses, a view more in tune with my own understanding of political organizing for radical social change. A way that in the long haul would prove, I think, to be more effective in the fight against international capitalism that the actions of RAF-type guerrilla formations. Nothing in this film, other than a sneaking admiration for the willingness of these fighters to sacrifice their lives for the struggle, has moved me from that earlier conviction.
And that, my friends is the most graphic comparison that I can make about the fate of those, mainly, student radicals that went up against the German state in a more protracted struggle than here in the United States, and lost. Throughout the viewing of the film I kept getting the feeling that these fighters were talking to themselves in a vacuum. That the mere fact of being willing to fight, and to die, for the cause of the oppressed was enough to validate their positions and their strategies. And as the story unfolds I kept getting the feeling that I had been here before. And I had. In previous reviews of the actions of the Weathermen and of other armed struggle, substitutionist radical student-based formations that dotted the left-wing political landscape in the 1960s and the early 1970s. Off this viewing I would note though that the RAF seemed to be a much more serious and committed organization, at least before its original cadre were taken off the scene and out of day-to-day leadership, one way or another, by the West German security apparatus and their international allies.
An American communist revolutionary that I greatly admire, James P. Cannon, an old Wobblie, founder of the American Communist party and founder of the American Trotskyist movement, once noted that if you get a small group of radical political people in a room and keep them there long enough anything is bound to happen. And that is exactly what happened here. The script could have almost been something out of Dostoevsky's "The Possessed", with a few modern technological updates. And this in a country, Germany, that had a long traditional of radical action, including a not unheroic communist past, had a vibrant and wide-spread student movement in the 1960s and, most importantly, an organized working class chafing under a bureaucratic Social Democratic Party leadership that needed to be replaced.
So what does the Red Army faction do- starts an urban guerrilla campaign based on expropriations and acts of selected terror. Now, let us be clear most of the actions of the RAF, especially those aimed directly at the American military presence in Germany were defensible, as was the organization itself when confronted by the German state. The political differences over strategy, here the effectiveness of an intellectual elite-led urban guerrilla warfare not based on mass support against a modern industrial state, are what separate us, at it did with the Weathermen. However, the weakness of such a strategy got confirmed, intentionally or not, as the leaders and rank and file members got rather easily picked up, picked off, placed in jail, and placed on trial. In the end, with not way out, the isolated original leadership is forced to acts of suicide. In a sense, what we are witnessing unfold is the turn from a heroic guerrilla formation to a class war political defense organization. That scenario too is familiar from the old Black Panther days here in America.
This is a film to watch, however, whatever the intentions of the director and producers as to the lessons to be drawn. If the strategy of urban guerrilla warfare ever seriously resurfaces in the West just drag out this film to clear the air. And then have your contacts watch that "Salt Of The Earth" that I mentioned before.
Tuesday, May 18, 2010
Monday, May 17, 2010
From "Revolutionary History" -Vol.4 Nos.1 & 2-The Spanish Civil War- José Rebull -On the Slogan of ‘A UGT-CNT Government’
Click on the headline to link to "Revolutionary History" -Vol.4 Nos.1 & 2, 1992-The Spanish Civil War. The View from the Left-On the Slogan of ‘A UGT-CNT Government’
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution from a POUM leftist in the Spanish Civil War period. The UGT was the Socialist-aligned trade union federation in Spain. The CNT the Anarchist (FAI)-aligned federation. The POUM and its militants had many faults, too many to be a revolutionary organization during that war but the commentator is dead on about the slogan of a purely trade union government- and why we oppose such a slogan. Victory to the Greek workers! Workers to Power!
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution from a POUM leftist in the Spanish Civil War period. The UGT was the Socialist-aligned trade union federation in Spain. The CNT the Anarchist (FAI)-aligned federation. The POUM and its militants had many faults, too many to be a revolutionary organization during that war but the commentator is dead on about the slogan of a purely trade union government- and why we oppose such a slogan. Victory to the Greek workers! Workers to Power!
From "Revolutionary History", Vol.3 No.3, Spring 1991-Open Letter to the KKE (Communist Party Of Greece), 1927-A Guest Commentary
Click on the headline to link to "Revolutionary History, Vol.3 No.3, Spring 1991-Open Letter to the KKE (1927).
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution. Victory to the Greek workers! Workers to Power!
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution. Victory to the Greek workers! Workers to Power!
*From "Revolutionary History", Vol.3 No.3, Spring 1991-The Left Opposition in Greece (1930)- A Guest Commentary
Click on the headline to link to "Revolutionary History, Vol.3 No.3, Spring 1991-The Left Opposition in Greece (1930).
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution. Victory to the Greek workers! Workers to Power!
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution. Victory to the Greek workers! Workers to Power!
*From "Revolutionary History", Vol.3 No.3, Spring 1991-Stalinism and Trotskyism in Greece (1924-1949)- A Guest Commentary
Click on the headline to link to "Revolutionary History, Vol.3 No.3, Spring 1991-"Stalinism and Trotskyism in Greece (1924-1949)".
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution. Victory to the Greek workers! Workers to Power!
Markin comment:
Part of knowing what to do to forward the struggle in Greece today is to know some historical background of the struggle in the past. Here is a contribution. Victory to the Greek workers! Workers to Power!
Saturday, May 15, 2010
*From The "Leon Trotsky Internet Archives"- Learn To Think (1938)
Click on the headline to link to a "Leon Trotsky Internet Archives" online copy of - "Learn To Think (1938)."
Markin comment:
This article has a certain currency as its authority, and that of the great Russian revolutionary Leon Trotsky, was used by the Spartacist League/U.S. in one of their polemical defenses of the now repudiated position in justification of not immediately calling for U.S. troop withdrawal from Haiti in the wake of the earthquake there in January, 2010.
Markin comment:
This article has a certain currency as its authority, and that of the great Russian revolutionary Leon Trotsky, was used by the Spartacist League/U.S. in one of their polemical defenses of the now repudiated position in justification of not immediately calling for U.S. troop withdrawal from Haiti in the wake of the earthquake there in January, 2010.
*From The Lenin Internet Archives-Speech at the First All-Russia Congress of Working Women (1918)
Click on the headline to link to the "Lenin Internet Archives"-"Speech at the First All-Russia Congress of Working Women (1918)."
Markin comment:
These Bolsheviks, at least in the early days, really were ahead of their times on the woman question. There are many lessons to be learned from their attempts to organize the working women of the world that we should pay attention to, especially as globalization makes proletarians out of the women of the third world.
Markin comment:
These Bolsheviks, at least in the early days, really were ahead of their times on the woman question. There are many lessons to be learned from their attempts to organize the working women of the world that we should pay attention to, especially as globalization makes proletarians out of the women of the third world.
*From The James P. Cannon Archives- The Meaning Of The Great Minneapolis Teamsters Strike Victory(1934)
Click on the headline to link to a "James P. Cannon Internet Archives" online copy of his 1934 article written in the aftermath of the victory of the Minneapolis Teamsters strike.
Markin comment:
Every once in a while, especially in the last several years when there has been truly a dearth of class struggle here in America, it is good to go back and read about one of our victories written by an American revolutionary labor leader, James P. Cannon. Something by Leon Trotsky is also recommended just to keep the edge up.
Markin comment:
Every once in a while, especially in the last several years when there has been truly a dearth of class struggle here in America, it is good to go back and read about one of our victories written by an American revolutionary labor leader, James P. Cannon. Something by Leon Trotsky is also recommended just to keep the edge up.
*The Latest From "The Lynne Stewart Defense Committee" Website- Free Lynne Stewart And Her Co-Workers
Click on the headline to link to a "Lynne Stewart Defense Committee" Website posting about the next scheduled sentence hearing in her case.
Markin comment:
As always, and until she and her co-workers are freed, Lynne Stewart must not die in jail. Freedom now!
Markin comment:
As always, and until she and her co-workers are freed, Lynne Stewart must not die in jail. Freedom now!
*Books to While Away The Class Struggle- A Distant Mirror Mirrored- Barbara Tuchman’s “ A Distant Mirror”
Click on the title to link to a "Wikipedia" entry for historian Barbara Tuchman.
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin
A Distant Mirror: The Calamitous 14th Century, Barbara Tuchman, Alfred A. Knopf, New York, 1978
There was a time when I liked to read virtually anything by the self-made historian Barbara Tuchman. That was back in my very early left-liberal days of the 1960s when I was much enamored of the Kennedy boys. It had been reported that at some point during the Cuban missile crisis (for the younger set, look that up on “Wikipedia”, or some other ancient source) that Jack Kennedy had read Tuchman's “Guns Of August”. The import of that reading by him was that he, supposedly, thought through her contention that the subject matter of that book, the struggle of the various bourgeois governments of Europe to play “chicken” and win before World War I, got out of hand well before the issues could have been resolved short of war. In short, that war was entirely avoidable had cooler heads prevailed. Well, I have long given up my left-liberal past and with it a move away from a dependence on the top governmental view of social and political change like that example. I have also moved away from Tuchman’s premise that merely by acting rationally bourgeois governmental leaders could, and can, solve any problem that confronts them. Still, I like to, on occasion, read her books because, whatever our political differences might have been, I know that she massed a great deal of useful information about the subjects that interested her.
That is certainly the case here with her monumental overview of the 14th century in Western Europe, as seen through the prism of one of the premier noble families of France. A family that was central to much of the political, social, economic and religious action of the century, the Coucy family. Moreover, as her title indicates, she has a thesis here as well- that the calamitous 14th century has some important lessons to tell a late 20th century audience about how to save itself before it is too late. While, as I mentioned above, Tuchman is always a good source for interesting historical data and it s always good to “learn” the lessons of history these lessons seem to be directed, once again, toward bourgeois governmental leaders. I would draw rather different conclusions and look to a different section of the population to learn those "lessons".
Well, why pick on the poor, bedraggled 14th century? For this reviewer, who has mentioned in the past that in his old age he wanted to sit back and study the role of religion in the development of Western capitalist society, especially those early protestant movements, this is an important period where the grip of the Roman Catholic Church and its far-flung bureaucracies were being challenged on many fronts by secular forces (and being defended by other such forces). For Tuchman it is one of those decisive turning points in history as well where such concepts as the rule of law, the notion of a rational elite (as exemplified by the Coucys), the beginning of the flourishing of cities and the emergence of the bourgeois element that would drive (and still drives) Western society, and in the process create nation-states out of the patchwork of duchies, archbishopric sees, counties, and all lesser forms of governance. In short, the outline for modern society that the modern reader can recognize, for good or ill.
If you are looking to delve into the seemingly never-ending fights between various nobilities, mainly in England and France, a bewildering array of very unstable alliances, the ‘skinny’ behind the two Pope (Avignon and Rome) struggle in the Catholic Church that ran riot throughout the later part of the century, or the absurdly complicated manner of solving conflict through an occasional war then this is your first stop. If you are also looking to get a glimpse at the culture, mainly high Church and chivalrous noble culture, the way the various local nobilities lived and intermarried (another cause for bewilderment, if you are not careful), the way wars were fought and who fought them and the place of such phenomena as plagues, pilgrimages, the late Crusades, and such this is also a place to stop. If you want to know everything about the several generations of Coucys, you will get that as well. And all these fairly well-written six hundred plus pages are done with the needs of an interested, but notnecessarily knowledgeable, layperson in mind. And with some very interesting illustrations, as well.
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin
A Distant Mirror: The Calamitous 14th Century, Barbara Tuchman, Alfred A. Knopf, New York, 1978
There was a time when I liked to read virtually anything by the self-made historian Barbara Tuchman. That was back in my very early left-liberal days of the 1960s when I was much enamored of the Kennedy boys. It had been reported that at some point during the Cuban missile crisis (for the younger set, look that up on “Wikipedia”, or some other ancient source) that Jack Kennedy had read Tuchman's “Guns Of August”. The import of that reading by him was that he, supposedly, thought through her contention that the subject matter of that book, the struggle of the various bourgeois governments of Europe to play “chicken” and win before World War I, got out of hand well before the issues could have been resolved short of war. In short, that war was entirely avoidable had cooler heads prevailed. Well, I have long given up my left-liberal past and with it a move away from a dependence on the top governmental view of social and political change like that example. I have also moved away from Tuchman’s premise that merely by acting rationally bourgeois governmental leaders could, and can, solve any problem that confronts them. Still, I like to, on occasion, read her books because, whatever our political differences might have been, I know that she massed a great deal of useful information about the subjects that interested her.
That is certainly the case here with her monumental overview of the 14th century in Western Europe, as seen through the prism of one of the premier noble families of France. A family that was central to much of the political, social, economic and religious action of the century, the Coucy family. Moreover, as her title indicates, she has a thesis here as well- that the calamitous 14th century has some important lessons to tell a late 20th century audience about how to save itself before it is too late. While, as I mentioned above, Tuchman is always a good source for interesting historical data and it s always good to “learn” the lessons of history these lessons seem to be directed, once again, toward bourgeois governmental leaders. I would draw rather different conclusions and look to a different section of the population to learn those "lessons".
Well, why pick on the poor, bedraggled 14th century? For this reviewer, who has mentioned in the past that in his old age he wanted to sit back and study the role of religion in the development of Western capitalist society, especially those early protestant movements, this is an important period where the grip of the Roman Catholic Church and its far-flung bureaucracies were being challenged on many fronts by secular forces (and being defended by other such forces). For Tuchman it is one of those decisive turning points in history as well where such concepts as the rule of law, the notion of a rational elite (as exemplified by the Coucys), the beginning of the flourishing of cities and the emergence of the bourgeois element that would drive (and still drives) Western society, and in the process create nation-states out of the patchwork of duchies, archbishopric sees, counties, and all lesser forms of governance. In short, the outline for modern society that the modern reader can recognize, for good or ill.
If you are looking to delve into the seemingly never-ending fights between various nobilities, mainly in England and France, a bewildering array of very unstable alliances, the ‘skinny’ behind the two Pope (Avignon and Rome) struggle in the Catholic Church that ran riot throughout the later part of the century, or the absurdly complicated manner of solving conflict through an occasional war then this is your first stop. If you are also looking to get a glimpse at the culture, mainly high Church and chivalrous noble culture, the way the various local nobilities lived and intermarried (another cause for bewilderment, if you are not careful), the way wars were fought and who fought them and the place of such phenomena as plagues, pilgrimages, the late Crusades, and such this is also a place to stop. If you want to know everything about the several generations of Coucys, you will get that as well. And all these fairly well-written six hundred plus pages are done with the needs of an interested, but notnecessarily knowledgeable, layperson in mind. And with some very interesting illustrations, as well.
Friday, May 14, 2010
*Songs To While Away The Class Struggle By-Bob Dylan's "Just Like Tom Thumb's Blues"
Click on the title to link a "YouTube" film clip of Nina Simone performing Bob Dylan's "Just Like Tom Thumb's Blues" (audio only, but that is just fine anyway, right?
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.
Markin- Any song that starts with "When you're lost in the rain in Juarez and it's Eastertime too..." will always get my attention. And did, along with the other key song from this album, "Desolation Row", back in the day.
Just Like Tom Thumb's Blues Lyrics
When you're lost in the rain in Juarez
And it's Eastertime too
And your gravity fails
And negativity don't pull you through
Don't put on any airs
When you're down on Rue Morgue Avenue
They got some hungry women there
And they really make a mess outa you.
Now if you see Saint Annie
Please tell her thanks a lot
I cannot move
My fingers are all in a knot
I don't have the strength
To get up and take another shot
And my best friend, my doctor
Won't even say what it is I've got.
Sweet Melinda
The peasants call her the goddess of gloom
She speaks good English
And she invites you up into her room
And you're so kind
And careful not to go to her too soon
And she takes your voice
And leaves you howling at the moon.
Up on Housing Project Hill
It's either fortune or fame
You must pick up one or the other
Though neither of them are to be what they claim
If you're lookin' to get silly
You better go back to from where you came
Because the cops don't need you
And man they expect the same.
Now all the authorities
They just stand around and boast
How they blackmailed the sergeant-at-arms
Into leaving his post
And picking up Angel who
Just arrived here from the coast
Who looked so fine at first
But left looking just like a ghost.
I started out on burgundy
But soon hit the harder stuff
Everybody said they'd stand behind me
When the game got rough
But the joke was on me
There was nobody even there to bluff
I'm going back to New York City
I do believe I've had enough.
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.
Markin- Any song that starts with "When you're lost in the rain in Juarez and it's Eastertime too..." will always get my attention. And did, along with the other key song from this album, "Desolation Row", back in the day.
Just Like Tom Thumb's Blues Lyrics
When you're lost in the rain in Juarez
And it's Eastertime too
And your gravity fails
And negativity don't pull you through
Don't put on any airs
When you're down on Rue Morgue Avenue
They got some hungry women there
And they really make a mess outa you.
Now if you see Saint Annie
Please tell her thanks a lot
I cannot move
My fingers are all in a knot
I don't have the strength
To get up and take another shot
And my best friend, my doctor
Won't even say what it is I've got.
Sweet Melinda
The peasants call her the goddess of gloom
She speaks good English
And she invites you up into her room
And you're so kind
And careful not to go to her too soon
And she takes your voice
And leaves you howling at the moon.
Up on Housing Project Hill
It's either fortune or fame
You must pick up one or the other
Though neither of them are to be what they claim
If you're lookin' to get silly
You better go back to from where you came
Because the cops don't need you
And man they expect the same.
Now all the authorities
They just stand around and boast
How they blackmailed the sergeant-at-arms
Into leaving his post
And picking up Angel who
Just arrived here from the coast
Who looked so fine at first
But left looking just like a ghost.
I started out on burgundy
But soon hit the harder stuff
Everybody said they'd stand behind me
When the game got rough
But the joke was on me
There was nobody even there to bluff
I'm going back to New York City
I do believe I've had enough.
*Songs To While Away The Class Struggle By-Woody Guthrie's "Deportee"
Click on the title to link a "YouTube" film clip of Arlo Guthrie and Emmylou Harrsi perfroming his father's song "Deportee."
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.
Deportees (Plane Wreck at Los Gatos)
Lyrics by Woody Guthrie
Music by Martin Hoffman
The crops are all in and the peaches are rotting
The oranges are piled in their cresote dumps
They're flying you back to the Mexico border
To pay all your money to wade back again
My father's own father, he wanted that river
They took all the money he made in his life
My brothers and sisters come working the fruit trees
And they rode the truck till they took down and died
CHORUS
Good-bye to my Juan, good-bye Rosalita
Adios mis amigos, Jesus y Maris
You won't have a name when you ride the big air-plane
And all they will call you will be deportees.
Some of us are illega, and others not wanted
Our work contract's out and we have to move on
But it's six hundred miles to that Mexican border
They chase us like outlaws, like rustlers, like theives.
We died in your hills, we died in your deserts
We died in your valleys and died on your plains
We died 'neath your trees and we died in your bushes
Both sides of the river, we died just the same.
CHORUS
A sky plane caught fire over Los Gatos canyon
Like a fireball of lightning, it shook all our hills
Who are all these friends, all scattered like dry leaves?
The radio says they are just deportees.
Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except deportees?
©1961 (renewed) & 1963 Ludlow Music Inc., New York,NY (TRO)
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.
Deportees (Plane Wreck at Los Gatos)
Lyrics by Woody Guthrie
Music by Martin Hoffman
The crops are all in and the peaches are rotting
The oranges are piled in their cresote dumps
They're flying you back to the Mexico border
To pay all your money to wade back again
My father's own father, he wanted that river
They took all the money he made in his life
My brothers and sisters come working the fruit trees
And they rode the truck till they took down and died
CHORUS
Good-bye to my Juan, good-bye Rosalita
Adios mis amigos, Jesus y Maris
You won't have a name when you ride the big air-plane
And all they will call you will be deportees.
Some of us are illega, and others not wanted
Our work contract's out and we have to move on
But it's six hundred miles to that Mexican border
They chase us like outlaws, like rustlers, like theives.
We died in your hills, we died in your deserts
We died in your valleys and died on your plains
We died 'neath your trees and we died in your bushes
Both sides of the river, we died just the same.
CHORUS
A sky plane caught fire over Los Gatos canyon
Like a fireball of lightning, it shook all our hills
Who are all these friends, all scattered like dry leaves?
The radio says they are just deportees.
Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except deportees?
©1961 (renewed) & 1963 Ludlow Music Inc., New York,NY (TRO)
*Films To While Away The Class Struggle By-"The Salt Of The Earth"
Click on the headline to link to a "Wikipedia" entry for "Salt Of The Earth
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
DVD Review
Salt Of The Earth, starring professional and non-professional actors and actresses, directed by Herbet Biberman,1954
Lately, with the recent coal mining disaster in West Virginia and the struggle for union recognition in the Boran mines in California the subject of unions, union safety committees, and the right to organize unions in the mines has come up, front and center. Those events, as well as the repeated instances in this space of my writing about the Kentucky coal mines and the sagas of bloody Harlan County have provided many lessons about how to proceed with this kind of struggle. So it is apt that the film under review, "Salt Of The Earth", is being reviewed at this time. This rather didactic film, by today's standards at least, with quite a political history of its own brings home in dramatic form almost all the lessons of the struggle in the mines.
A quick overview is in order here. Western zinc miners, mainly Hispanic at this site, were negotiating with the local agents of a huge mining conglomerate based elsewhere over working conditions and mine safety. The negotiations stalled, the mine conditions got worst, and eventually the impasse was resolved in a strike vote. The miners went out and stayed out for several months as the company "stonewalled" on their demands. Along the way every trick in management's book was brought into play from closing off credit to the company-owned store, harassment of various forms, bringing in the local police and goons, and going to the bosses' courts. That last trick worked, or almost worked, except that the miners' wives, who had been organized into an auxiliary, saved the day by 'manning' the picket lines. The struggle continued with more harassment, more threats, and eventually things were brought to a head by an attempt at evictions, first of the main local miners' leader. Still the lines did not break. The company seeing its position, for now, as futile agreed to negotiate in "good faith".
That, "for now", is critical for it is spoken by a senior representative of the company who has let the "cat out of the bag" here. A successful fight for a union contract is just a momentary "armed truce" in the class struggle and is recognized by the bosses as such, if not by most union leaders. It should, however, be recognized as such and etched in the mind of every labor militant. That dramatic finish to the film,however, with a hard fought "temporary" victory, thus let's one see in microcosm all the problems that went before in order to get just this momentary justice. I might add that this film, done in 1954, at a time when unions were still growing and thriving in this country, and when there was still a layer of militants in the secondary leadership of the organized trade union movement would almost seem like a "socialist's paradise" compared with he level of class struggle today.
Although some of the factual aspects of this film may be different- the locale of the mines were in New Mexico not the East, were zinc rather than coal mines, and the miners were mainly Hispanic rather than Appalachians whites this script could have been written today without much exaggeration. I am not generally a fan of the Stalinist-influenced "socialist realism" form of political propaganda, of which this film seems a prime example, but in this case it is very effective as it brings up every possible problem that any union recognition effort runs into.
For openings there are the problems of separate Hispanic mine locals and of Anglo locals and of separate local union contracts rather than a uniform national contract. This is a recurring problem, not fully resolved even during the great strike wave of the 1930s. Another is the problem, endemic to the mining industry, of the physically isolated places that the vast majority of mines are located in which makes wide-spread support more difficult, although as depicted in the film, financial and physical aid did come in during this battle. Another problem mentioned here, and a particular problem of long, drawn out strikes is that of union members going back to work, or trying to, for a whole variety of reasons, none good enough. Also the attempts by the bosses to buy off union militants with promises of advancement or "soft" jobs, or failing that to run them out of the mines, out of town, or into jail.
The thing that makes this one interesting, and brings a rush of solidarity to the cause, is that once the militants were committed to the strike most of them were willing to see it through to the end. They faced down the attempts by the company to bring in scabs, to jail their leaders, to use their legal system to get injunctions and other legal relief in order to break the union. There was nothing the company was not willing to do to break the strike. And they almost did, except, and this is what also makes this one so interesting, is the wives of the miners, not without a great deal of social and personal turmoil, filled the breech when the company got it's injunction. The women, who had formed, the by now classic women's auxiliary first used extensively in the great strike struggles of the 1930s, "womanned" the picket lines, and held them through thick and thin, including arrest of their leaders.
This film is certainly an advanced one for the time in dealing with the women question, especially in an isolated, company-run town where the socially conservative Hispanic male miners had a hard time coming to grips with the need to include the women, and their demands, in the negotiating struggles. Of course, in true "social realist" form, the woman narrator/star also turns out during the course of the film to be an "earth mother" and stalwart militant, or at least evolves into that position during the struggle. In that sense this script follows the tradition of Maxim Gorky's "Mother" in its depiction of the evolution of political class consciousness by the most oppressed layers of society, especially house-bound women with children.
Note: As described in the above-linked entry from "Wikipedia" those involved with the production of this film, including the director, produces and many of the actors faced the "blacklist" during the 1950s "red scare" in America. Frankly, whatever qualms I have about its literary and political deficiencies, this film is a powerful statement about working class struggles and the road forward. Watch it.
Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
DVD Review
Salt Of The Earth, starring professional and non-professional actors and actresses, directed by Herbet Biberman,1954
Lately, with the recent coal mining disaster in West Virginia and the struggle for union recognition in the Boran mines in California the subject of unions, union safety committees, and the right to organize unions in the mines has come up, front and center. Those events, as well as the repeated instances in this space of my writing about the Kentucky coal mines and the sagas of bloody Harlan County have provided many lessons about how to proceed with this kind of struggle. So it is apt that the film under review, "Salt Of The Earth", is being reviewed at this time. This rather didactic film, by today's standards at least, with quite a political history of its own brings home in dramatic form almost all the lessons of the struggle in the mines.
A quick overview is in order here. Western zinc miners, mainly Hispanic at this site, were negotiating with the local agents of a huge mining conglomerate based elsewhere over working conditions and mine safety. The negotiations stalled, the mine conditions got worst, and eventually the impasse was resolved in a strike vote. The miners went out and stayed out for several months as the company "stonewalled" on their demands. Along the way every trick in management's book was brought into play from closing off credit to the company-owned store, harassment of various forms, bringing in the local police and goons, and going to the bosses' courts. That last trick worked, or almost worked, except that the miners' wives, who had been organized into an auxiliary, saved the day by 'manning' the picket lines. The struggle continued with more harassment, more threats, and eventually things were brought to a head by an attempt at evictions, first of the main local miners' leader. Still the lines did not break. The company seeing its position, for now, as futile agreed to negotiate in "good faith".
That, "for now", is critical for it is spoken by a senior representative of the company who has let the "cat out of the bag" here. A successful fight for a union contract is just a momentary "armed truce" in the class struggle and is recognized by the bosses as such, if not by most union leaders. It should, however, be recognized as such and etched in the mind of every labor militant. That dramatic finish to the film,however, with a hard fought "temporary" victory, thus let's one see in microcosm all the problems that went before in order to get just this momentary justice. I might add that this film, done in 1954, at a time when unions were still growing and thriving in this country, and when there was still a layer of militants in the secondary leadership of the organized trade union movement would almost seem like a "socialist's paradise" compared with he level of class struggle today.
Although some of the factual aspects of this film may be different- the locale of the mines were in New Mexico not the East, were zinc rather than coal mines, and the miners were mainly Hispanic rather than Appalachians whites this script could have been written today without much exaggeration. I am not generally a fan of the Stalinist-influenced "socialist realism" form of political propaganda, of which this film seems a prime example, but in this case it is very effective as it brings up every possible problem that any union recognition effort runs into.
For openings there are the problems of separate Hispanic mine locals and of Anglo locals and of separate local union contracts rather than a uniform national contract. This is a recurring problem, not fully resolved even during the great strike wave of the 1930s. Another is the problem, endemic to the mining industry, of the physically isolated places that the vast majority of mines are located in which makes wide-spread support more difficult, although as depicted in the film, financial and physical aid did come in during this battle. Another problem mentioned here, and a particular problem of long, drawn out strikes is that of union members going back to work, or trying to, for a whole variety of reasons, none good enough. Also the attempts by the bosses to buy off union militants with promises of advancement or "soft" jobs, or failing that to run them out of the mines, out of town, or into jail.
The thing that makes this one interesting, and brings a rush of solidarity to the cause, is that once the militants were committed to the strike most of them were willing to see it through to the end. They faced down the attempts by the company to bring in scabs, to jail their leaders, to use their legal system to get injunctions and other legal relief in order to break the union. There was nothing the company was not willing to do to break the strike. And they almost did, except, and this is what also makes this one so interesting, is the wives of the miners, not without a great deal of social and personal turmoil, filled the breech when the company got it's injunction. The women, who had formed, the by now classic women's auxiliary first used extensively in the great strike struggles of the 1930s, "womanned" the picket lines, and held them through thick and thin, including arrest of their leaders.
This film is certainly an advanced one for the time in dealing with the women question, especially in an isolated, company-run town where the socially conservative Hispanic male miners had a hard time coming to grips with the need to include the women, and their demands, in the negotiating struggles. Of course, in true "social realist" form, the woman narrator/star also turns out during the course of the film to be an "earth mother" and stalwart militant, or at least evolves into that position during the struggle. In that sense this script follows the tradition of Maxim Gorky's "Mother" in its depiction of the evolution of political class consciousness by the most oppressed layers of society, especially house-bound women with children.
Note: As described in the above-linked entry from "Wikipedia" those involved with the production of this film, including the director, produces and many of the actors faced the "blacklist" during the 1950s "red scare" in America. Frankly, whatever qualms I have about its literary and political deficiencies, this film is a powerful statement about working class struggles and the road forward. Watch it.
Thursday, May 13, 2010
*From "The Rag Blog" -Amy Goodman : In Praise of Lena Horne
Click on the headline to link to a "The Rag Blog" entry-Amy Goodman : In Praise of Lena Horne.
Markin comment:
I have made my own comments about Lena Horne elsewhere in this space. But the point that Lena made about the studios cutting her out of films shown in the South makes me want to scream one more time- Mississippi Goddam.
Markin comment:
I have made my own comments about Lena Horne elsewhere in this space. But the point that Lena made about the studios cutting her out of films shown in the South makes me want to scream one more time- Mississippi Goddam.
*From The Renegade Eye Blog-Iran: We Will Take Revenge for Farzad and His Comrades!
Click on the headline to link to a "Renegade Eye" Blog entry-Iran: We Will Take Revenge for Farzad and His Comrades!
Markin comment:
Every militant leftist fighter stands behind this commentary, whatever our other poltical differences.
Markin comment:
Every militant leftist fighter stands behind this commentary, whatever our other poltical differences.
Wednesday, May 12, 2010
*Brother, Can You Spare A Dime? - The Real Story Of Homelessness In Song
Click on the headline to link to a "YouTube" film clip of a performance of "Hobo's Lullaby"
CD Review
Give Us Your Poor, various artists, Appleseed Recordings, 2007
Sure, I have been homeless. Oh, not the desperate, day in, day out, year in, year out homelessness that drives the stories in this compilation of musical and storytelling artistic efforts to get people who are not homeless, have never been homeless, and hope never to be homeless to pay attention. And to not just walk away, around, or over the problem. I have been homeless enough though , and in dire enough straits at times to have a pretty good sense that the streets are not for dreaming, or for living in, and are definitely to be avoided at all costs. Those are mean streets out there, brothers and sisters. And asking for the occasional spare change, spare cigarette, spare anything is just the tip of the iceberg.
But, hell, let some real folks tell the story. And that is what they do here, interspersed with some celebrity performances, by some people that Appleseed Records (and U/Mass-Boston) has been fortunate enough to garner in and who, in their own ways, give a damn. Especially give a listen to “Land of 10,000 Homeless” –Minnesota” and the story that brother has to tell and Danny Glover’s recitation of “My Name Is Not “Those People”’. For those who are moved by celebrity, listen to Bonnie Raitt and Weepin' Willie Robinson on “Walking The Dog” and Sweet Honey In The Rock on “Stranger Blues”. And for those who want to get misty-eyed about the romance of the road- hobo style, at least vicariously, give a listen to Bruce Springsteen and Pete Seeger on a song made famous (although not written by) Woody Guthrie, “Hobo’s Lullaby”.
Let me finish with this little thought. I grew up dirt-poor and it was a long time before I knew, for real, that there was some other condition. One of the virtues, and maybe the only one, of being poor is that the vicissitudes, the ups and downs, of the world economy kind of pass me by, personally. However, I have elected, and rightly so, to fight so that poor is a word that is placed in the archives of human history through the struggle for our communist future where being homeless will be merely a relic of a barbaric age. But just in case, I will keep myself in shape. Brother (sister), can you spare a dime?
Hobo's Lullaby
by Goebel Reeves
Go to sleep you weary hobo
Let the towns drift slowly by
Can't you hear the steel rail humming
That's a hobo's lullaby
Do not think about tomorrow
Let tomorrow come and go
Tonight you're in a nice warm boxcar
Safe from all the wind and snow
I know the police cause you trouble
They cause trouble everywhere
But when you die and go to heaven
You won't find no policemen there
I know your clothes are torn and ragged
And your hair is turning grey
Lift your head and smile at trouble
You'll find happiness some day
So go to sleep you weary hobo
Let the towns drift slowly by
Don't you feel the steel rail humming
That's a hobo's lullaby
©1961,1962 (Renewed) Fall River Music, Inc. (BMI)
All Rights Reserved.
CD Review
Give Us Your Poor, various artists, Appleseed Recordings, 2007
Sure, I have been homeless. Oh, not the desperate, day in, day out, year in, year out homelessness that drives the stories in this compilation of musical and storytelling artistic efforts to get people who are not homeless, have never been homeless, and hope never to be homeless to pay attention. And to not just walk away, around, or over the problem. I have been homeless enough though , and in dire enough straits at times to have a pretty good sense that the streets are not for dreaming, or for living in, and are definitely to be avoided at all costs. Those are mean streets out there, brothers and sisters. And asking for the occasional spare change, spare cigarette, spare anything is just the tip of the iceberg.
But, hell, let some real folks tell the story. And that is what they do here, interspersed with some celebrity performances, by some people that Appleseed Records (and U/Mass-Boston) has been fortunate enough to garner in and who, in their own ways, give a damn. Especially give a listen to “Land of 10,000 Homeless” –Minnesota” and the story that brother has to tell and Danny Glover’s recitation of “My Name Is Not “Those People”’. For those who are moved by celebrity, listen to Bonnie Raitt and Weepin' Willie Robinson on “Walking The Dog” and Sweet Honey In The Rock on “Stranger Blues”. And for those who want to get misty-eyed about the romance of the road- hobo style, at least vicariously, give a listen to Bruce Springsteen and Pete Seeger on a song made famous (although not written by) Woody Guthrie, “Hobo’s Lullaby”.
Let me finish with this little thought. I grew up dirt-poor and it was a long time before I knew, for real, that there was some other condition. One of the virtues, and maybe the only one, of being poor is that the vicissitudes, the ups and downs, of the world economy kind of pass me by, personally. However, I have elected, and rightly so, to fight so that poor is a word that is placed in the archives of human history through the struggle for our communist future where being homeless will be merely a relic of a barbaric age. But just in case, I will keep myself in shape. Brother (sister), can you spare a dime?
Hobo's Lullaby
by Goebel Reeves
Go to sleep you weary hobo
Let the towns drift slowly by
Can't you hear the steel rail humming
That's a hobo's lullaby
Do not think about tomorrow
Let tomorrow come and go
Tonight you're in a nice warm boxcar
Safe from all the wind and snow
I know the police cause you trouble
They cause trouble everywhere
But when you die and go to heaven
You won't find no policemen there
I know your clothes are torn and ragged
And your hair is turning grey
Lift your head and smile at trouble
You'll find happiness some day
So go to sleep you weary hobo
Let the towns drift slowly by
Don't you feel the steel rail humming
That's a hobo's lullaby
©1961,1962 (Renewed) Fall River Music, Inc. (BMI)
All Rights Reserved.
*Of Cowboys and Cowgirls- The Music Of Carol Noonan
Click on the headline link to a "YouTube" film clip of Carol Noonan performing "Danny Boy". Yes, I know that is not a classic of the Old West (of America, at least) but I couldn't find anything from the "Big Iro"n CD.
CD Review
Big Iron, Carol Noonan, Noonan Music, 2001
I spent some little time a couple of years ago going over the transformation of the American Old West of cowboys, wild boys, fast guns and faster reputations into the New West populated by characters like Duane, in the series of novels written by Texas writer/bibliophile and flea marketeer, Larry McMurtry. Apparently, the myth of the Old West dies hard though, and for this review I am glad of it.
Why? For singer/songwriter and 'wannabe' cowgirl Carol Noonan (and friends) from ….Maine has given us a potpourri of very nice renditions of some of the old classic Western songs that people of a certain age, my age, grew up with as we absorbed our version of the Old West, via 1950s black and white television, of the likes of Hopalong Cassidy, the Cisco Kid and the Lone Ranger and his sidekick, Tonto.
Of course it helps if one has a beautiful voice, some good instruments and some good friends to harmonize with on this self-produced (I believe) CD. All that is left is to pick a few numbers that stand out in an album that is filled with them. “Red River Valley”, “High Noon”, “Streets Of Laredo”, and “Wayward Wind” readily come to mind. That list is "high" Old West, indeed.
The Streets of Laredo
arranged & adapted by Arlo Guthrie
As I walked out in the streets of Laredo
As I walked out in Laredo one day
I spied a poor cowboy wrapped up in white linen
All wrapped in white linen as cold as the clay
"I see by your outfit that you are a cowboy"
These words he did say as I proudly stepped by
"Come sit down beside me and hear my sad story
I'm shot in the breast and I know I must die
"'Twas once in the saddle I used to go ridin'
Once in the saddle I used to go gay
First lead to drinkin', and then to card-playing
I'm shot in the breast and I'm dying today
"Let six jolly cowboys come carry my coffin
Let six pretty gals come to carry my pall
Throw bunches of roses all over my coffin
Throw roses to deaden the clods as they fall
"Oh, beat the drum slowly, and play the fife lowly
And play the dead march as you carry me along
Take me to the green valley and lay the earth o'er me
For I'm a poor cowboy and I know I've done wrong"
We beat the drum slowly and played the fife lowly
And bitterly wept as we carried him along
For we all loved our comrade, so brave, young and handsome
We all loved our comrade although he done wrong
©1991 Arloco Music Inc
All Rights Reserved.
CD Review
Big Iron, Carol Noonan, Noonan Music, 2001
I spent some little time a couple of years ago going over the transformation of the American Old West of cowboys, wild boys, fast guns and faster reputations into the New West populated by characters like Duane, in the series of novels written by Texas writer/bibliophile and flea marketeer, Larry McMurtry. Apparently, the myth of the Old West dies hard though, and for this review I am glad of it.
Why? For singer/songwriter and 'wannabe' cowgirl Carol Noonan (and friends) from ….Maine has given us a potpourri of very nice renditions of some of the old classic Western songs that people of a certain age, my age, grew up with as we absorbed our version of the Old West, via 1950s black and white television, of the likes of Hopalong Cassidy, the Cisco Kid and the Lone Ranger and his sidekick, Tonto.
Of course it helps if one has a beautiful voice, some good instruments and some good friends to harmonize with on this self-produced (I believe) CD. All that is left is to pick a few numbers that stand out in an album that is filled with them. “Red River Valley”, “High Noon”, “Streets Of Laredo”, and “Wayward Wind” readily come to mind. That list is "high" Old West, indeed.
The Streets of Laredo
arranged & adapted by Arlo Guthrie
As I walked out in the streets of Laredo
As I walked out in Laredo one day
I spied a poor cowboy wrapped up in white linen
All wrapped in white linen as cold as the clay
"I see by your outfit that you are a cowboy"
These words he did say as I proudly stepped by
"Come sit down beside me and hear my sad story
I'm shot in the breast and I know I must die
"'Twas once in the saddle I used to go ridin'
Once in the saddle I used to go gay
First lead to drinkin', and then to card-playing
I'm shot in the breast and I'm dying today
"Let six jolly cowboys come carry my coffin
Let six pretty gals come to carry my pall
Throw bunches of roses all over my coffin
Throw roses to deaden the clods as they fall
"Oh, beat the drum slowly, and play the fife lowly
And play the dead march as you carry me along
Take me to the green valley and lay the earth o'er me
For I'm a poor cowboy and I know I've done wrong"
We beat the drum slowly and played the fife lowly
And bitterly wept as we carried him along
For we all loved our comrade, so brave, young and handsome
We all loved our comrade although he done wrong
©1991 Arloco Music Inc
All Rights Reserved.
Tuesday, May 11, 2010
*Be Still My Heart- On Calling For The Greek Communist Parties And Trade Unions To Take Power
Click on the headline to link ot a "Wikipedia" thumbnail sketch entry for the Greek Communist Party (KKE). Use this entry solely as a start to learn about the KKE. Then push on from there.
Markin comment:
On May 10, 2010 I posted an entry on the situation in Greece in response to a post from the International Marxist Tendency’s Greek section’s analysis of the tasks that confront revolutionaries today. I agreed with the comment in the post that general strikes were of limited value if they did not, at some point, pose the question of who shall rule- working people or the capitalists. I went further and proposed two propaganda points that revolutionaries in Greece, and their supporters internationally, should be fighting for. Right now.
The first point revolved around the fight to create workers councils, committees of action or factory committees in order to fight for a revolutionary perspective. That program, the specifics which are better to left to those on the ground, needs to include refusal to pay the capitalists debts, under whatever guise, defense of the hard fought social welfare gains of the past, the struggle against the current government’s austerity program, the fight against any taint of popular frontism (opposition to alliances, at this critical juncture, with non-working class forces where the working class is the donkey and the small capitalist parties are the riders), and prepare to pose the question of who shall rule. Thus there is plenty of work that needs to be started now while the working masses are mobilized and in a furor over the current situation.
The second point, which flows out of the first, is the call for the Communist parties and trade unions to take power in their own right and in the interest of the working class. Now, clearly, and this is where some confusion has entered the picture, this is TODAY a propaganda call but is a concrete way to pose the question of who shall rule. Of course, we revolutionaries should have no illusions in the Stalinists and ex-Stalinists who run those parties and who, in previous times, have lived very comfortably with their various popular front, anti-monopolist strategies that preserve capitalism. However, today those organizations call for anti-governmental action and are listened to by the masses in the streets.
The point is to call their political bluff, carefully, but insistently. In that sense we are talking over the heads of the leaders to their social bases. Now that tactic is always proper for revolutionaries to gain authority but today we have to have a more concrete way to do so. In short, call on the Greek labor militants to call on their parties and unions to take power. And if not, then follow us. This is not some exotic formula from nowhere but reflects the sometimes painful experience, at least since the European revolutions of 1848.
Note: I headed today’s headline with the expression “be still my heart” for a reason. It has been a very long time since we have been able to, even propagandistically, call for workers parties on the European continent to take power. Especially, after the demise of the Soviet Union, for Stalinist (reformed or otherwise) parties to do so. Frankly, I did not think, as a practical matter, that I would be making such a call in Europe again in my lifetime. All proportions guarded, this may be the first wave of a new revolutionary upsurge on that continent. But, hell, its nice just to be able to, rationally, make that political call. In any case, the old utopian dream of a serious capitalist United States of Europe is getting ready to go into the dustbin of history. Let’s replace it with a Socialist Federation of Europe- and Greece today is the “epicenter”. SYRIZA-KKE to power!
Markin comment:
On May 10, 2010 I posted an entry on the situation in Greece in response to a post from the International Marxist Tendency’s Greek section’s analysis of the tasks that confront revolutionaries today. I agreed with the comment in the post that general strikes were of limited value if they did not, at some point, pose the question of who shall rule- working people or the capitalists. I went further and proposed two propaganda points that revolutionaries in Greece, and their supporters internationally, should be fighting for. Right now.
The first point revolved around the fight to create workers councils, committees of action or factory committees in order to fight for a revolutionary perspective. That program, the specifics which are better to left to those on the ground, needs to include refusal to pay the capitalists debts, under whatever guise, defense of the hard fought social welfare gains of the past, the struggle against the current government’s austerity program, the fight against any taint of popular frontism (opposition to alliances, at this critical juncture, with non-working class forces where the working class is the donkey and the small capitalist parties are the riders), and prepare to pose the question of who shall rule. Thus there is plenty of work that needs to be started now while the working masses are mobilized and in a furor over the current situation.
The second point, which flows out of the first, is the call for the Communist parties and trade unions to take power in their own right and in the interest of the working class. Now, clearly, and this is where some confusion has entered the picture, this is TODAY a propaganda call but is a concrete way to pose the question of who shall rule. Of course, we revolutionaries should have no illusions in the Stalinists and ex-Stalinists who run those parties and who, in previous times, have lived very comfortably with their various popular front, anti-monopolist strategies that preserve capitalism. However, today those organizations call for anti-governmental action and are listened to by the masses in the streets.
The point is to call their political bluff, carefully, but insistently. In that sense we are talking over the heads of the leaders to their social bases. Now that tactic is always proper for revolutionaries to gain authority but today we have to have a more concrete way to do so. In short, call on the Greek labor militants to call on their parties and unions to take power. And if not, then follow us. This is not some exotic formula from nowhere but reflects the sometimes painful experience, at least since the European revolutions of 1848.
Note: I headed today’s headline with the expression “be still my heart” for a reason. It has been a very long time since we have been able to, even propagandistically, call for workers parties on the European continent to take power. Especially, after the demise of the Soviet Union, for Stalinist (reformed or otherwise) parties to do so. Frankly, I did not think, as a practical matter, that I would be making such a call in Europe again in my lifetime. All proportions guarded, this may be the first wave of a new revolutionary upsurge on that continent. But, hell, its nice just to be able to, rationally, make that political call. In any case, the old utopian dream of a serious capitalist United States of Europe is getting ready to go into the dustbin of history. Let’s replace it with a Socialist Federation of Europe- and Greece today is the “epicenter”. SYRIZA-KKE to power!
*From The Leon Trotsky Archives- With Greece In Mind Today- A Program Of Action In France (1934)
Click on the headline to link to an "Leon Trotsky Internet Archive" online copy of his "Program of Action for France" in 1934.
Markin comment:
Yes, I know France in 1934 was a long time ago. Yes, I know the conditions then with the very ominous rise of fascism in Europe were somewhat different that today's "democratic" international capitalist globalization. And yes, I know the Soviet Union is gone as a factor in world politics. To our disadvantage. But read some of these points and see if you don't agree that they apply in Greece today. Leon Trotsky is speaking our revolutionary language, wherever he is.
Markin comment:
Yes, I know France in 1934 was a long time ago. Yes, I know the conditions then with the very ominous rise of fascism in Europe were somewhat different that today's "democratic" international capitalist globalization. And yes, I know the Soviet Union is gone as a factor in world politics. To our disadvantage. But read some of these points and see if you don't agree that they apply in Greece today. Leon Trotsky is speaking our revolutionary language, wherever he is.
*From The Leon Trotsky Internet Archives- With Greece In Mind- The Lessons of History- "The French Revolution Has Begun " (1936)
Click on the headline to link to a "Leon Trotsky Internet archive" online copy of "The French Revolution Has Begun" from his 1936 pamphlet, "Whither France?".
Markin comment:
Every Greek militant, and every supporter of the working class struggles in Greece today, can benefit, and benefit greatly, from reading Leon Trotsky's works, especially those from the mid-1930s when another period of class struggle was heating up and the struggle for power- working class power- was posed. This time we had better learn our lessons early- and win
Markin comment:
Every Greek militant, and every supporter of the working class struggles in Greece today, can benefit, and benefit greatly, from reading Leon Trotsky's works, especially those from the mid-1930s when another period of class struggle was heating up and the struggle for power- working class power- was posed. This time we had better learn our lessons early- and win
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