Tuesday, February 27, 2018

I Accuse-Unmasking The Sherlock Holmes Legend, Part V-“Bumbling Up The Moors ”-Basil Rathbone and Nigel Bruce’s “Terror In The Night ” (1946)-A Film Review

I Accuse-Unmasking The Sherlock Holmes Legend, Part V-“Bumbling Up The Moors ”-Basil Rathbone and Nigel Bruce’s “Terror In The Night ” (1946)-A Film Review





DVD Review

By Danny Moriarty

(Frankly, as I mentioned in my fourth debunking of the so-called legend of punk amateur detective Sherlock Holmes and his paramour the bumbler-in-chief Doctor “Doc” Watson in Sherlock Holmes In Washington I am tired, tired beyond endurance, of having to once again tell a candid world that Danny Moriarty is not my real name. Yes, for the skeptics and assorted evil-doers associated with the name Holmes I said paramour which I can now say freely since it had been confirmed by at least three separate and unknown to each other sources that Sherlock and Doc belonged to the Kit Kat Club, a club that had been established by the wild boys during the reign of King George III, an exclusively then called homosexual, now called gay, establishment for the private school boys once they got old enough to afford the fees, more on that new twist below. I use this Moriarty moniker to protect me against some very real threats from a bunch of dope-addled Holmes aficionados, no, worse cultists known far and wide as the Baker Street Irregulars. Not that I am not proud of the name Moriarty, the last name of the heroic professor who ran afoul of the greedy grafter Holmes and became the “fall guy” for every evil deed that bastard did to throw dirt on the good professor’s name. I will continue to defend his honor here in the review of this twaddle called Terror at Night. Another case where Holmes and company let the bodies pile up and somebody else has to lay the competition low.     

These nefarious Irregulars known to the police, to the see no evil hear no evil London peelers, the Bobby Peel guys so named after the guy who put together the first real police force in London but which has gone way downhill since then who have ignored my pleas for protection, who have dismissed the threats against me as child’s play, kid’s stuff. What passes for the law, the coppers, have gone back to their tea and crumpets as usual routine while half of the toddling town gets ransacked by these Baker Street hooligans who have sworn vengeance unto the seventh generation against me and my progeny for exposing their boyfriend hero for the fake and closet homosexual snoop that he is, was.

I stand here again today despite my need to hide my identity, my whereabouts, my voice and features and having had to send my family into private hands hiding stating I will not wilt like some silly schoolgirl under the blare of their evil deeds. This motley of criminals, junkies, and cutthroats is being protected by high society personages. The peerage I think they call it in Mother England, you know the House of Lords holy goofs with the cheapjack woolen wigs sliding all over the place and made in Bangladesh sweated labor textile factory robes who spend endless hours talking about the good old days when everything was simpler, when the mob knew its place or it better had under Charles I, monarchs like that. 

These Irregulars in case I don’t survive the onslaught to number twelve in this series of film which may be a close thing as these bastards have trolled the Internet spreading false rumors that I am homophobic, anti-same sex marriage, against sexual variety, and whatever other dirty innuendoes that can spew out to an unsuspecting social media world,  a series of blatantly propagandistic films, which has done more to create an “alternate facts” Holmes world than anything any dastardly British monarch could ever do to keep the masses at bay.  I am told this clot of degenerates and rough trade aficionados have very stylized rituals involving exotic illegal drugs, LSD being one of the milder ones, and human blood, especially of opposing tribes like the remnant of the Moriarty operation.

Yeah, these guys are the bane of the London Bobbies and maybe not so strangely corruption-infested Scotland Yard neither operation which has lifted a finger in the matter. Moreover these Irregular cretins have been connected with the disappearance of many people, high born and low, who have questioned the Sherlock myth, and not a few unsolved murders of people who have washed up on the Thames over the years. I know I am on borrowed time, I am a “dead man walking” but maybe someone will pick up the cudgels if I have to lay down my head for the cause.  

I don’t want to frighten the audience, the reader but this need for an alias, for cover, is no joke since that first review and the subsequent second and third ones I have been threatened, threatened with I won’t death, death threats, but some nasty actions edging up in that direction which necessitate my keeping very close tabs on my security apparatus as I attempt to deflate this miserable excuse for a detective, a parlor detective at that who even Agatha Christie dismissed out of hand as a rank amateur which couldn’t keep up with even one of her weakest sleuths. From my sources, serious sources under the circumstances, of ex-Irregulars who have left the organization as its attacks have become more bizarre and its blood rituals more gruesome including allegations of human sacrifice I have been told I am on their “watch list.” Told my days are numbered if I continue to “speak the truth no matter how bitter.”  

I know and can prove that I have been the subject of cyber-bullying without end including a campaign to discredit me by calling me Raymond Chandler’s “poodle” and Dashiell Hammett’s “toadie” for mentioning the undisputable fact that these hard- knock, hard-working professionals, real life detectives peeking under keyholes and into windows like Sam Spade and Phillip Marlowe were as likely to grab some wayward young woman and go under the silky sheets between exchanges of gunfire as kick ass on some bad guys and still have time for lunch. Sherlock and Doc, was much too dainty, much too worried about, literally, getting his hands dirty for that kind of heading to the danger work. I am willing to show an impartial commission my accusations with documents and affidavits. Believe me the pressure against me to stop my expose, including from site manager Greg Green who is worried about my security and that of my family, is getting worse and once I get a grip on who is who in that nefarious organization I will be taking names and numbers.  These twelve films have been nothing but propaganda vehicles for the Holmes legend so I have plenty more work cut out for me. Until done I will not be stopped by hoodlums, wild boys, rough trade artists, Homintern agents, your lordships and ladyships, and blood-splattered junkies. D.M.)
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Terror At Night, starring Basil Rathbone (I have mentioned previously my doubts that this was his real name since unlike myself he had never been transparent enough to say that he had been using an alias. I have since uncovered information that I was generally right and found at first that his real name was Lytton Strachey a known felon who spent a few years in Dartmoor Prison on weapons and drug trafficking charges. It turns out that I was either in error or the victim of a cyber-attack since then it has come out that his real name was not Strachey but Lanny Lamont, who worked the wharfs and water-side dive taverns where the rough trade mentioned by Jean Genet in his classic rough trade expose Our Lady of the Flowers did hard-edged tricks), Nigel Bruce (a name which upon further investigation has been confirmed as a British National named “Doc” Watson who also did time at Dartmoor for not having a medical license and peddling dope to minors in the 1930s and 1940s where I had assumed he and Lanny had met up. Again a cyber-attack error they had met at the Whip and Chain tavern at dockside Thames while Lanny was doing his business on the sailor boys), 1946 
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As I have mentioned previously and nothing recently has changed my view we live in an age of debunking. An age perhaps borne aloft by cynicism, hubris, sarcasm and above all “fake news,” not the fake news denying some reality that you hear so much about these days, but by the elaborate strategy of public relations cranks and flacks who will put out any swill as long as they are paid and not a minute longer. That phenomenon hardly started today but has a long pedigree, a pedigree which has included the target of today’s debunking one James Sherlock Holmes, aka Lytton Strachey, aka Lanny Lamont out of London, out of the Baker Street section of that town. From the cutesy “elementary my dear Watson” to that condescending attitude toward everybody he encounters, friend or foe, including the hapless Doctor “Doc” Watson, aka Nigel Bruce, a fellow inmate at notorious Dartmoor Prison in the early 1930s this guy Holmes, or whatever his real name is nothing but a pure creation of the public relations industrial complex, the PRIC. As I have noted above I have paid the price for exposing this chameleon, this so-called master detective, this dead end junkie, with a barrage of hate mail and threats from his insidious devotees. I have been cyber-bullied up to my eyeballs but the truth will out.

Maybe I better refresh for those who may not have read the first three reviews, may be shocked to find their paragon of a private detective has feet of clay, and an addiction problem no twelve step program could curtail in a million years. Here are some excerpts of what I said in that very first review which I stand by this day no matter the consequences:      

“Today is the day. Today is the day I have been waiting for since I was a kid. Today we tear off the veneer, tear off the mask of the reputation of one Sherlock Holmes as a master detective. Funny how things happen. Greg Green assigned me this film out of the blue, at random he said when I asked him. However this assignment after viewing this film, Sherlock Holmes Faces Death (of course he doesn’t face, hadn’t been anywhere near any danger that would put death in his way but that can wait until I finish out defanging the legend) set off many bells, many memories of my childhood when I first instinctively discovered this guy was a fraud, a con artist.

Back then my grandparents and parents hushed me up about the matter when I told them what I thought of the mighty Sherlock. They went nutty and told me never to speak of it again when I mentioned that a hard-boiled real private detective, a guy who did this kind of work for a living, a guy named Sam Spade who worked out in San Francisco and solved, really solved, the case of the missing black bird which people in the profession still talk about, which is still taught in those correspondence course private detection in ten easy lesson things you used to see advertised on matchbook covers when smoking cigarettes was okay, who could run circles around a parlor so-called detective like Mr. Holmes. 

[Even Sam Spade has come in for some debunking of late right here in this space as Phil Larkin and Kenny Jacobs have gone round and round about how little Spade deserved his “rep,” his classic rep for a guy who was picked by some bimbo out of the phone book and who couldn’t even keep his partner alive against that same femme he was skirt-addled over. Kept digging that low-shelf whiskey bottle in the bottom desk drawer out too much when the deal went down. The only guy who is safe is Phillip Marlowe since nobody can call him a “one solved murder wonder” after the string of cold as ice, maybe colder, cases he wrapped up with a bow over the years. They still talk about the Sherwood case out on the Coast even today where he rapped the knuckles of a big time gangster like Eddie Mars, and his goons, to help an old man going to the great beyond no believing that he had raised a couple of monster daughters without working up a serious sweat. Talked in hushed tones too. You notice nobody has tried to go after him, not even close. D.M.]            

That was then. Now after some serious research as a result of this film’s impact on my memory I have proof to back up my childhood smothered assertions. Sherlock Holmes (if that is his name which is doubtful since I went to the London telephone directories going back the first ones in the late 1800s and found no such name on Baker Street-ever) was nothing but a stone-cold junkie, cocaine, morphine, landudum and other exotic concoctions which is the reason that he had a doctor at his side at all times in case he needed “scripts” written up. A doctor who a guy like Sam Spade would have sat on his ass a long time before as so much dead weight.

That junkie business would not amount to much if it did not mean that high and mighty Sherlock didn’t have to run his own gang of pimps, hookers, con men, fellow junkies, drag queens, rough trade sailors and the flotsam and jetsam of London, high society and low, to keep him in dough for that nasty set of habits that kept him high as a kite. There are sworn statements (suppressed at the time) by the few felons whom the Bobbies were able to pick up that Sherlock was the guy behind half the burglaries, heists and kidnappings in London. And you wonder why the Baker Street Irregulars want to silence me, show me the silence of the grave….

Of course the Bobbies, looking to wrap up a few cold file cases which Sherlock handed them to keep them off the trail, looked the other way and/or took the graft so who really knows how extensive the whole operation was. In a great sleight of hand he gave them Doctor Moriarty who as it turned out dear Sherlock had framed when one wave of police heat was on and who only got out of prison after Holmes died and one of Holmes’ flunkies told the real story about how Holmes needed a “fall guy” and the wily Doctor took the fall.”             
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Now to a quick film review where once again Holmes/Strachey/Lamont lets the bodies pile up before areal detective grabs the bad guys and makes them cry “uncle;”  

Apparently this Sherlock, no, Lanny Lamont,  madness knows no borders, could not be contained with the four walls of England, hell, maybe even the bloody cockeyed Empire since the film under review has these two desperadoes travelling up moorish Scotland to muddy the highland waters there. This caper centers on the shell game played on Lady Somebody’s, do surnames really matter in the nobility trapped Empire, famous and valuable Star Of Rhodesia (for a long time now Zimbabwe) which is heading to Edinburg town on the midnight train (hence the “night” part of the film’s title) and the boys are along for cheap protection since Lady Somebody’s son is also a member of the notorious Kit Kat Club which they too belonged to although they barely knew him except a cheapjack attempt by Doc to seduce him right under his mother’s nose. The lad though was victim number one in the attempt to steal that damn diamond which as its own set of curses on it-and our dynamic duo’s eyes looking for the main chance and a quick turnover to grab a ton of dope and put them in opium den heaven. 

As the old bank robber Willie Sutton answered when asked why he robbed bank and replied “that was where the dough was” the same was true of another operation on the train trying to grab the diamond led by a remnant of the Moriarty organization one Colonel Moran, a friend of Doc’s from their public school days (no mention of whether they had been lovers then but probably before degenerate Lanny got his hooks into poor Doc. Moran had developed a pretty good plan to grab the diamond by sleight of hand. Had a hardened rough trade boy hide in a casket compartment and do his deeds grabbing the stone and nobody the wiser. Here’s where Lanny and Doc with a corrupt Scotland Yard agent in tail screwed up. Moran’s guy grabbed the diamond although a train guard bought it before the deal when down. Number two down. Moran and the thug had a falling out-number three. All while Lanny and Doc are hitting the bong in their railroad suite. Meanwhile that Scotland Yard detective totally out of character for such an officer wraps up the caper when a bunch of fake coppers hired by him try to take Moran away. No go. Meanwhile Lanny and Doc are chanting oms and wondering who the hell had the damn diamond and why. Another “victory” for the legend, another “victory” for the alternative facts bogus legend.      

But let’s allow the so-called master deductive reasoning detective have his minute just for kicks although I will never tire of letting everybody know that Sherlock made his name after he beat down some poor mistreated dog who should have been reported as abused to whatever they call the humane animal treatment society in merry old England. Also that he worked overtime to keep his name in the public prints through his friendship with the editor of the London Times despite the fact that he had no gainful employment, no source of income except whatever his thug cronies delivered to him from their various escapades and that he had the goods on that editor as they used to say since he was “light on his feet,’’ gay. The minute up I hope to high heaven at least a few viewers will finally back off from this nasty legend stuff and look to Sam and Phillip for real detection works.

[This is probably as good a place as any to discuss the elephant in the room. The whole sexual preference business that was always until the last couple of decades only inferred on film, in books, in society, if at all. I wouldn’t have though much about the matter, about the “sin that dare not speak its name,” you know, sodomy, about catamites if I hadn’t noticed in the previous film Sherlock Holmes Goes To Washington that when Sherlock and the Partridge twist were being held by Hinkel he never even looked at her and she was a dish to look at.

That started bells ringing my head that there was a reason, a real reason why Sherlock couldn’t shot straight, wore a silly boy’s regular hat no self-respecting man would be seen dead in, and had no lady-friend like Spade and Marlowe the former with that gun-simple Brigid who led him a merry chase and the latter with a string of honeys starting with that Vivian Sternwood who put him through his paces before she broke with one Eddie Mars. Either of whom had who would have eaten the Partridge dame her up with their eyes in a minute, run her to ground in the sack, the billowy pillows and had time for a hearty breakfast afterward (that Lanny Lamont time also a time when explicit sexual desire and carnal knowledge among heterosexuals also was done by indirection even among married folk-who can forget those double beds with bed stand in between once the scene invaded the marital bedroom), and had stuck it out through thick and thin with giddy, bubbly Doc Watson. Yes, a Nancy, a mommy’s boy, a fag to use the old time neighborhood term from my growing days in, no I had better not say where which might give aid and comfort to the thugs at Baker Street explains a lot of things. Tells a lot about the dope to take the unmanly shame off his face for being what he was, the outwardly improbable tell-tale scorn of women and why he and Doc were an item, in the closet.

Nowadays, recently, the whole sexual preference would not even be a subject for discussion except for what I have heard from an ex-Baker Street Irregular who broke hard with the organization after having spent the better part of twenty years in the closet about  his membership in the club as well as his sexual proclivities, who told me that there was a big division in the club between those who wanted to “out” Lanny/Sherlock and claim him for the mythical Homintern and those who wanted to not attract attention to their various nefarious activities and crimes by such a scheme. Back then though when Sherlock was roaming the world pissing off that candid world with his fake fortune-teller madness the example of poor Oscar Wilde and his youthful catamite which drove him to Reading Gaol and as recently as the Durning case in the 1950s it was not safe, was criminal to “come out.”

Of course the English public schools for boys, our private schools, were hotbeds of gay activity among the young boys isolated from young girls and who knows what by male teachers so it no wonder an odd-ball like Holmes got flighty and never looked back. Here is the problem everybody knows that no way a gay guy, a gay couple if you included Watson could then juggle dealing with hardened criminals the coppers couldn’t cope with and survive if it were known they were lovers, even platonic lovers. The pair would be in Reading Gaol themselves. Just remember what they did to Wilde and Durning. The next few films should put paid to that notion of mine that Sherlock was nothing more than a parlor plotter once the sexual preference angle intruded itself into the mix.]        


Like I said the last three times, a fake, fake all the way. Unless that Irregular crowd of thugs and blood-stained aficionados get to me, especially those who will be livid for my exposing  Lanny before they could “out” him themselves, find my hideout, this is not the last you will hear about this campaign of mine to dethrone this pompous junked-up imposter. I am just getting into high gear now.      




Monday, February 26, 2018

The Search For The Great Blue-Pink American West Night-Part 32-With Western Artist Ed Ruscha In Mind

The Search For The Great Blue-Pink American West Night-Part 32-With Western Artist Ed Ruscha In Mind





By Art Critic Si Landon


Just then Bart Webber was in a California state of mind, was ready to chuck everything and go back on the road, the road to perdition to hear his wife, of thirty plus years, Betty Salmon, tell it when he went off on his tirade about the old days, and worse, the old guys, guys like Markin who had dragged him out West kicking and screaming. Now to hear him tell it Bart was the guy who propelled the sluggish Markin westward. We will get to the why of Bart’s new found interest in retracing his youthful fling in the bramble-filled West, out there where the states are square and you had better be as well on the way to the edge of the continent and the dreaded Japans sea for failure but first the what.

It seemed that Bart had jumped the gun somewhat because he found himself out in San Francisco, the place where he met up with Markin and some of the other North Adamsville corner boys in that fateful year of 1968 when he rode for a few months with the guys on Captain Crunch’s yellow brick road converted school bus come travelling caravan home, at a printing and media conference, what would be his final conference since he was putting his printing business in the capable hands of his youngest son who truth be told had been handling the day to day operations of the shop anyway and was itchy to run the operation himself. While riding on the BART into the city he noticed on a billboard that the deYoung Museum in Golden Gate Park was featuring a retrospective by the Western artist Ed Ruschua, an artist that Bart had always admire ever since he had seen his series on gas stations and their role in the great post-World War II golden age of the American automobile, the wide open highways and cheap gas.             

Taking an afternoon off he went over to Golden Gate and viewed the exhibit, a show that had well over one hundred paintings, photographs, prints and petro-maps. One set of photographs taken on one of Ruscha’s trips from his native Oklahoma to Los Angeles via the southern desert-etched route drove Bart to distraction as there he saw gas stations in places like Needles, on the California-Arizona border, Kingman, Flagstaff, Gallup, and a few other places he had passed through on one of his hitchhike or car-sharing trips to California. Saw too coyotes, Native American reservations, buffalos roam. Saw a series of prints and paintings of the famous Hollywood sign that told him the first time that he had seen the sign up in the hills that he had arrived in the land of sun and fantasy. Saw a darkly troubling painting all done in dark somber colors of the death of the Joshua trees in the high desert, a place where he had performed under the influence of serious dope inhalation the “ghost” dance with Markin, Jack Callahan, Josh Breslin and Frankie Riley. Saw plenty of photographs and paintings detailing the degradation of that part of California Ruscha had travelled through on those golden age trips. He was, well-known as a man not to show much public emotion, shaken almost to tears at the vistas that he witnessed. Could not get the thoughts of his old “hippie” minute out of his mind. (That “minute” then signifying that he finally came to a realization after a few months that unlike Markin, Josh, or Sam Lowell another late arrival in California from the corner boys who stayed on the road for a few years that he was a stationary person, missed old North Adamsville and missed old ball and chain Betty Salmon.)             

Here’s how the whole thing played out back then and maybe, just maybe you will begin to understand why Bart was shaken almost to tears for visions of his long lost youth. Despite the urban legend Bart tried to create lately around his role in sending Markin westward Markin, and only Markin was the guy who led the charge west. Had been the guy of all the guys on the corner who predicted, predicted almost weekly from about 1962 on that a big sea-change was coming and they had better be ready to ride the wave. They all, Bart included blew Markin’s predictions off out of hand because frankly if the subject around Tonio’s Pizza Parlor come Friday night wasn’t about girls, cars, money, getting drunk or any combination of those subjects they didn’t give a rat’s ass as Frankie Riley would say about some seaweed change.        

Things pretty much stayed that way all through high school although that didn’t stop Markin from his predictions especially when the blacks down south got all uppity (signifying that the corner boys except Markin didn’t give a rat’s ass about that subject either and maybe worse-around use of the common “n” word) and folk music, the urban folk revival minute as Markin called it, took off. All that meant and this was stretching it was cheap dates with girls who might “put out.” Bart was even less interested in the latter since Betty was still stuck in some Bobby Rydell crush and did not like folk music (and still didn’t so Bart only played it when she was out of the house). Stayed that way for a couple of years after high school as they went their separate ways except the Friday night reunions at Tonio’s to, well, kill time. Then the Vietnam War came on strong which they did give a rat’s ass about, wanted to see the commies bite the dust although except for Sal Russo and Jimmy Jenkins who laid down his head over there and whose name now is on black granite down in Washington and in granite in North Adamsville, they did not volunteer. (Those who were called eventually all went including Markin who lost a lot over there, had serious troubles with the “real” world coming back and in the end couldn’t shake whatever it was that took the life out of him.)

Then in the spring of 1967 Markin did two things, one, the fateful decision to drop out of Boston University after his sophomore year to go “find himself,” a characteristic of the times, of the generation, of the best part of the generation and the other, the less fateful but still fraught with danger decision to head west, to hitchhike west to California after he had read Jack Kerouac’s On The Road about six times and declared that now was the moment that he had been talking about all those Friday nights in front of Tonio’s. So he headed west with no compulsion, wound up hooking up with a caravan out there. The Captain Crunch yellow brick road caravan that would eventually be composed of at least a half dozen North Adamsville corner boys turned “hippies” for varying lengths of time. Bart was pretty late on that “train” didn’t go out until the summer of 1968 after he found out that due to a childhood injury that left him with a pronounced limp despite a couple of surgeries was declared 4-F, unfit for military service by the friends and neighbors at his local draft board. That pretty late also meant that Markin who shortly after he got out to San Francisco received his own draft notice and was an additional reason why Bart left the road early since he knew the ropes.  

Bart, despite whatever happened later, was happy to be heading out and once he decided to go he also decided that he would hitchhike out like all the other guys except Sam Lowell who to placate anxious parents, really an anxious mother went out by bus. Even Sam after five plus days on a stinking Greyhound bus with the usual screaming kids left to wander the aisles and the inevitable overweight seatmate who snored and despite a couple of pleasant days from New York to Chicago with a chick who caught his eye and whom he flirted like crazy with said later that he would have rather hitched than go through that again (and all his later trips would be done that way). Bart figured that although the road might be slow with the many false starts and being left in some strange places where grabbing a ride was not easy that it would be interesting once he got past the stifling East and Great Plains to see what was what in the West (that stifling Ruscha could attest to since he was nothing but a child of the Great Plains, hell, an Okie so he knew he had to head west in that big old Chevy Bart had heard he went out to L.A. in that fateful 1956 year when he entered art school out there).

Bart thinking about the experience, that first road out, that always served as a hallmark for every guy’s trip out remembered more or less vividly all those dusty side roads he got left on after his own trip through Oklahoma. Although the big Eisenhower-driven national security Interstate highway system made it easier in the mid-1960s to travel the hitchhike road than all the back roads and Route 66 that Bart had read about in Jack Kerouac’s travel the open road book On The Road that Markin made everybody read when they all were in high school even though he wasn’t much of a reader, didn’t think as much of the be-bop beats as Markin did who thought they were the max daddies he was waiting for even though by their time the “beat” thing was passe was old news, ancient history it was actually easier to get rides on the smaller roads where people could see you from down or up the road. In any case you were sure to be left off on more than one back road since that was just the way it was, nobody who was say going to Denver was going to let you off in the middle of Interstate 80 when you saw the sign for Cheyenne just ahead.  

Funny all the strange signs he saw out on the open back roads like  the mere fact of putting a sign up would draw people to your Podunk town , or your Podunk store. He had had to laugh when he saw Ruscha’s photograph of a town out in nowhere which probably had a population of less than one thousand but which had a sign documenting all the about ten church denominations that kept the good people of the town on their feet. He had seen more Jesus Save signs and the like than you could shake a stick at the further west he went until they stopped, stopped  dead the closer you got to coastal California. Saw more signs for cigarettes, beer, whiskey, dry goods (quaint), no trespassing, no loitering, no anything than he ever noticed back home. He wondered if people travelling through North Adamsville had that same feeling about his own Podunk town. He knew for sure that there were not top-heavy signs about all the religious denominations of the town at least not in the Acre where all you saw was a fistful of Catholic churches, Roman Catholic for the unknowing about differences.               

Had seen above all the signs that directed you to the nearest gas stations, almost a ritualistic sign that you were still in the golden age of the automobile, of the superhighway and of cheap gas. Hell even in North Adamsville right across from the high school he remembered the service station owners who had business right next to each other would have “gas wars,” would have signs out with prices like 30 cents per gallon versus say 29 cents. Yeah, cheap gas, and plenty of service too. Lots of guys, guys who needed to support their “boss” car habits worked as gas jockeys filling up tanks, checking oil and tires and wiping off windshields. Saw every kind of gas station from the one franchised out by Esso and Texaco to little fly-by-night operations with no name gas, a rundown coke machine that barely worked and bathrooms with stained sinks and broken plumbing and had not been cleaned since Hector was a pup. You had to use your own handkerchief to wipe your hands. Even some of the diners, diners like Jimmy Jack’s back home where all the guys hung out after leaving off their dates if they didn’t get lucky and wind up down at the far end of Squaw Road on Adamsville Beach fogging up some “boss” car into the wee hours of the morning had gas stations or at least pumps out on those long stretch deserted roads so nobody would get stranded on in the hot sun (and the owners probably figured that while stopping for gas the little family might as well have something to eat at the high carbohydrate steamed everything counters and booths).

Saw plenty of weird natural formations along the way getting twenty mile rides here from ranchers or farmers going up the road, fifty miles there from high-rollers taking the high side to Vegas, a few miles from high school kids joy-riding to while away the afternoon to avoid the dreaded chores that awaited them at home. Saw every kind dusty dried out tree seeking nourishment from the waterless ground. Saw rock formations hounded by the winds and sheered to perfection. Saw every color of brown, of beige, of grey. Saw too in Joshua Tree of a thousand tears, tears for the creeping civilization that was choking them away and tears one high doped up night when Markin and a few others channeled the shamans of the past in a ghost dance off the flickering canyon walls, hah, walls of brown, of beige, of grey. Bart never got over that experience, never saw what the white man, what his people had done so clearly even if he wasn’t about to do anything about it except load up on peyote buttons and ancient dreams of mock revenge.  
Saw above all as he grabbed that last one hundred, maybe one hundred and fifty mile stretch to Frisco town the refuge of the high speed road, the broken glass, the road kill, the busted fences where some fool had gone off the highway drunk or doped up so he didn’t feel a thing, saw stripped off bare truck tires blocking easy passage on the road ahead. Saw the bramble, the flotsam and jetsam of modern day life. Saw too though as he got closer to Frisco, as he could almost smell the ocean, the land’s end, the Japan seas or back home that the West was very different, that those who had make the trek, maybe were forced to make the trek were very different from the East that he knew. But maybe too they would have to run from a thing which they had built.

Later. after he arrived in San Francisco, met Markin, Josh and Frankie on Russian Hill and then joined them on the journey south for a few months (with a couple of trips back home in between) he would see Ruscha’s L.A. would see those luscious Hollywood signs, and would like any tourist from Podunk image that he had the wherewithal to make it as a star, or something like that name in lights. Got to know L.A. too well, couldn’t handle the freeway craziness, couldn’t handle the sameness of the endless strip malls, the endless rows of tickey-tack houses, couldn’t handle the sprawl that was turning a small town into a mega-town. Yeah he knew exactly what Ruscha was driving at, was trying to chronicle. Bot still he missed the opportunity to see if he did have what it took to survive in California, to have drunk in the scenes.     


And you wonder why Bart just then as he approached retirement as he approached his seventh decade was in a frenzy to repeat his past.    

From The Gals And Guys Who Know The Face Of War Up Close And Personal-The Iraq And Afghan War Veterans

From The Gals And Guys Who Know The Face Of War Up Close And Personal-The Iraq And Afghan War Veterans


Frank Jackman comment:



In America there is an overweening respect for the military, for military officers mainly, the guys and gals who lead the bloody endless wars of this century. They look good on camera, all austere and all business as they lead the general population by the nose into the next ambush. But starting back in Vietnam, starting back in the war of my generation soldiers, sailors, air personnel, regular rank and file guys (almost all guys then) started balking at their fate. Started to talk back, to say stop the madness. And if they could not do it, or would not, since the choice or the stockade and/or opprobrium back home was a hard fact of life for most working class guys, when they were service-bound they certainly did after they got out. Formed an organization Vietnam Veterans Against the War (VVAW) that did a hell of a lot to bring the anti-war message home. See they had “street cred”,’ they had been in the hellholes and beyond, had come back to the “real world” a lot wiser than the kids who went in with dreams of glory and fistfuls of medals. The guys and gals who fought, and continue to fight don’t forget, the damn Iraq and Afghan wars have that same “street cred.” Listen up, please.   

Once Again, All That Glitters Is Not Gold-Claude Rains And Kay Francis’s “Stolen Holiday” (1937)-A Film Review

Once Again, All That Glitters Is Not Gold-Claude Rains And Kay Francis’s “Stolen Holiday” (1937)-A Film Review




DVD Review

By Leslie Dumont    

Stolen Holiday, starring Kay Francis, Claude Rains, Ian Hunter, directed by Michael Curtiz, 1937     

Sometimes going public with some private hurt, private gripe might be a  better way to put it in this case, gets you what you need, or at least a hearing. In my last film review Fred Astaire and Ginger Rogers’ classic dance musical production Swing Time I complained out loud that that was my fifth consecutive “women’s film,” meaning of course the tried and true Hollywood girl meets boy formula that forms the plotlines of half the films ever produced playing to the hard demographic that the majority of movie goers have historically been women, and younger women to boot.

UntiI recently I had a by-line at Women Today where I only occasionally did film reviews and those few I did do usually having some political point, some such hook. I have also noted that in the distant past I have been a stringer at this publication in the days of its hard copy version when Allan Jackson was publisher and that I had left when it was clear to me that he, and his cohort of old comrades including my then companion Josh Breslin, were slowly drifting in some kind of “good old boys” 1960s coming of age nostalgia trip. After a recent internal fight over that very question and the departure of Allan as site manager (the on-line name for publisher-editor here) the new site manager Greg Green “lured” me away to come over and do some pieces with the idea that I would be able to do whatever struck my fancy. I knew that would include film reviews since that is one of the several staples that drives this publication. What I did not know and which formed the basis for going public was that I would be a de facto “women’s films, women’s issues” fixture. Even at Women Today I didn’t fill any such role. When some readers complained after I went public Greg and I had another candid talk and made our respective positions clear. Hence this not women’s film review as my “prize.” We shall see how this new understanding works out.             

I mentioned a minute ago that half the films from Hollywood have been a work-out of the tried and true girl meets boy formula. And that factor is in play here but that is not what drives the film, this Stolen Holiday.  Such things as duplicity, fraud, social over-reaching, status, loyalty, cowardice and fidelity give this one a very decided broader scope. It almost had to since the plotline was based on the notorious Stavisky Affair which roiled through Third Republic France in the 1930’s and exposed the corruption and rot of that society just prior to World War II. Maybe helped bring down the Republic and bring on the German Occupation when the French Army proved unequal to the task of defending the country due to faulty leadership and outdated theories of war.      
The action starts out in 1931 in Paris with upstart con man Orlov, played by durable Claude Rains, he of the beautiful friendship with Rick of Rick’s Cafe Americain after Rick gave up his love for the good of the cause in Casablanca another film directed by Michael Curtiz, cons high fashion model Nicole, played by elegant Kay Francis although wobbly as a model, but with serious ambitions to run her own fashion operation into playing the straight role in a small con he wanted to play to get the initial capital to run the table on the French financial markets. Forward to 1936 after the success of that initial encounter with Orlov, now a captain of French finance with the place and position that brought, and Nicole the rage of the high fashion also in the chips. Their romantic relationship though hovering between non-existent and sputtering since every action of Orlov, other than jealousy, is connected with his trying to corner yet another market. Corner some respectably in French high society as well.

That conniving of Orlov would be his undoing since he was basically running a Ponzi scheme, was issuing watered stock, and the like. Once the authorities saw what was happening in the markets, and who was manipulating what, they started zeroing in on Orlov. His duplicity would number his days quickly despite his ever conniving actions. Eventually when in another corner he asked Nicole to marry him to cover up his dealings, or try to. Nicole agrees out of loyalty for what he had done for her once she became aware of his dire situation. In the meantime she had met and fallen in love with a British diplomat, played by Ian Hunter, who had swept her off her feet. So Nicole was doubly loyal and true to the scheming Orlov. Here’s where the Hollywood tried and true came to the rescue though. Orlov was finally cornered and shot by the French authorities who chalked it up as a suicide to avoid more scandal and maybe topple a few more people in high places which left Nicole free to marry the still pursuing British diplomat. Nice twist right. 

Once Again, All That Glitters Is Not Gold-Claude Rains And Kay Francis’s “Stolen Holiday” (1937)-A Film Review

Once Again, All That Glitters Is Not Gold-Claude Rains And Kay Francis’s “Stolen Holiday” (1937)-A Film Review




DVD Review

By Leslie Dumont    

Stolen Holiday, starring Kay Francis, Claude Rains, Ian Hunter, directed by Michael Curtiz, 1937     

Sometimes going public with some private hurt, private gripe might be a  better way to put it in this case, gets you what you need, or at least a hearing. In my last film review Fred Astaire and Ginger Rogers’ classic dance musical production Swing Time I complained out loud that that was my fifth consecutive “women’s film,” meaning of course the tried and true Hollywood girl meets boy formula that forms the plotlines of half the films ever produced playing to the hard demographic that the majority of movie goers have historically been women, and younger women to boot.

UntiI recently I had a by-line at Women Today where I only occasionally did film reviews and those few I did do usually having some political point, some such hook. I have also noted that in the distant past I have been a stringer at this publication in the days of its hard copy version when Allan Jackson was publisher and that I had left when it was clear to me that he, and his cohort of old comrades including my then companion Josh Breslin, were slowly drifting in some kind of “good old boys” 1960s coming of age nostalgia trip. After a recent internal fight over that very question and the departure of Allan as site manager (the on-line name for publisher-editor here) the new site manager Greg Green “lured” me away to come over and do some pieces with the idea that I would be able to do whatever struck my fancy. I knew that would include film reviews since that is one of the several staples that drives this publication. What I did not know and which formed the basis for going public was that I would be a de facto “women’s films, women’s issues” fixture. Even at Women Today I didn’t fill any such role. When some readers complained after I went public Greg and I had another candid talk and made our respective positions clear. Hence this not women’s film review as my “prize.” We shall see how this new understanding works out.             

I mentioned a minute ago that half the films from Hollywood have been a work-out of the tried and true girl meets boy formula. And that factor is in play here but that is not what drives the film, this Stolen Holiday.  Such things as duplicity, fraud, social over-reaching, status, loyalty, cowardice and fidelity give this one a very decided broader scope. It almost had to since the plotline was based on the notorious Stavisky Affair which roiled through Third Republic France in the 1930’s and exposed the corruption and rot of that society just prior to World War II. Maybe helped bring down the Republic and bring on the German Occupation when the French Army proved unequal to the task of defending the country due to faulty leadership and outdated theories of war.      
The action starts out in 1931 in Paris with upstart con man Orlov, played by durable Claude Rains, he of the beautiful friendship with Rick of Rick’s Cafe Americain after Rick gave up his love for the good of the cause in Casablanca another film directed by Michael Curtiz, cons high fashion model Nicole, played by elegant Kay Francis although wobbly as a model, but with serious ambitions to run her own fashion operation into playing the straight role in a small con he wanted to play to get the initial capital to run the table on the French financial markets. Forward to 1936 after the success of that initial encounter with Orlov, now a captain of French finance with the place and position that brought, and Nicole the rage of the high fashion also in the chips. Their romantic relationship though hovering between non-existent and sputtering since every action of Orlov, other than jealousy, is connected with his trying to corner yet another market. Corner some respectably in French high society as well.

That conniving of Orlov would be his undoing since he was basically running a Ponzi scheme, was issuing watered stock, and the like. Once the authorities saw what was happening in the markets, and who was manipulating what, they started zeroing in on Orlov. His duplicity would number his days quickly despite his ever conniving actions. Eventually when in another corner he asked Nicole to marry him to cover up his dealings, or try to. Nicole agrees out of loyalty for what he had done for her once she became aware of his dire situation. In the meantime she had met and fallen in love with a British diplomat, played by Ian Hunter, who had swept her off her feet. So Nicole was doubly loyal and true to the scheming Orlov. Here’s where the Hollywood tried and true came to the rescue though. Orlov was finally cornered and shot by the French authorities who chalked it up as a suicide to avoid more scandal and maybe topple a few more people in high places which left Nicole free to marry the still pursuing British diplomat. Nice twist right. 

Remember Attica Blood in the Water The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson (Pantheon, 2016) A Review

Remember Attica Blood in the Water The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson (Pantheon, 2016) A Review


Workers Vanguard No. 1103





13 January 2017
Remember Attica
Blood in the Water
The Attica Prison Uprising of 1971 and Its Legacy
by Heather Ann Thompson
(Pantheon, 2016)
A Review
On the morning of 9 September 1971, nearly 1,300 inmates—predominantly black and Puerto Rican—took over the state prison at Attica, New York. Four days later 29 of them lay dead, cut down in a hail of bullets fired by New York State Police, sheriffs and corrections officers. Governor Nelson Rockefeller gave the order. President Richard Nixon cheered them on. In the aftermath, the surviving prisoners were subjected to hideous torture and later charged with a total of 1,300 crimes. Among these were kidnapping and, most obscenely, unlawful imprisonment based on taking prison guards hostage, ten of whom were gunned down by Rockefeller’s stormtroopers when they retook the prison.
For many years, Democratic and Republican administrations in Albany, along with the courts, have covered up much of the truth of what took place at Attica, assisted by the same capitalist press that peddled the lie that the prisoners shot the guards. A significant part of that shroud has been peeled back by Heather Ann Thompson in her recent book, Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy. Thompson’s book brings to life the dignity and humanity of the prisoners who were treated as little more than dirt by Rockefeller and his ilk. She describes in vivid detail the dehumanizing conditions that gave rise to the rebellion and the racist venom that ran from the governor’s mansion down to the cops and prison guards who hunted down the uprising’s leaders. Thompson got her own sampling of that venom for naming the prison guards who carried out assassinations and torture.
Thompson’s comprehensive history is a result of her many years of diligent archival research and a bit of good fortune in uncovering key sources that had been suppressed. As she notes, “The most important details of this story have been deliberately kept from the public. Literally thousands of boxes of documents relating to these events are sealed or next to impossible to access.” Regarding the most explosive documents she uncovered, Thompson says, “All of the Attica files that I saw in that dark room of the Erie County courthouse have now vanished.”
For millions around the world, Attica became a potent symbol of rebellion against brutal repression—and a stark emblem of racist state murder. To this day it continues to inspire struggles against the racist degradation of black people inside and outside of prison walls. The first issue of Workers Vanguard (October 1971) led with the headline “Massacre at Attica.” We stated bluntly: “The brutal, bloody murderers of Attica are none other than the ruling class of this society,” saying further:
“Rockefeller cut down the Attica prisoners in the manner of his father and grandfather before him—ruthlessly and to protect the system from which his profits spring. From the murder of the Ludlow miners to the present, this family has carried the policies of the armed fist over the entire globe.... The Rockefeller name and the Rockefeller practice symbolize, more than any other, the American capitalist class—a class that will stop at nothing to extend and protect its profitable holdings.”
Attica was an explosion waiting to happen. The 2,200 men warehoused in a facility built for 1,600 were routinely beaten by guards, locked in cells 16 hours a day, rationed one sheet of toilet paper daily, one bar of soap a month and one shower per week—even in the heat of summer. Among the main grievances was censorship of reading materials—no newspapers, very few books, and nothing at all to read in Spanish. It wasn’t an absolute ban—the prison authorities mocked the prisoners by supplying magazines such as Outdoor LifeField and StreamAmerican Home and House Beautiful.
Hours after the revolt began, L.D. Barkley, a 21-year-old Black Panther Party member imprisoned for violating parole by driving without a license, read out the prisoners’ powerful declaration: “We are men! We are not beasts and we do not intend to be beaten or driven as such.”
The prisoners called for the minimum wage for prison work (they were paid slave wages of between 20 cents and one dollar per day), accompanied by an end to censorship and restrictions on political activity, religious freedom, rehabilitation, education and decent medical care. They expressed solidarity with the Vietnamese workers and peasants as well as others fighting U.S. imperialism. The main demand was amnesty for participating in the rebellion, along with “speedy and safe transportation out of confinement, to a Non-Imperialist country.” Most likely in mind were Cuba, where the capitalist rulers had been overthrown and a bureaucratically deformed workers state led by Fidel Castro established, or Algeria, a capitalist state governed by left nationalists that had given refuge to Black Panthers in exile.
As Thompson points out, many of the prisoners at Attica were veterans of eruptions over similar conditions at Manhattan’s Tombs detention center and the prison in Auburn, New York, the prior year. The bitter anger that was about to explode at Attica was displayed 19 days earlier when word spread through the cells that prison authorities at California’s San Quentin prison had assassinated Black Panther Party member George Jackson on 21 August 1971. The next day, over 800 Attica inmates marched silently into breakfast wearing black armbands and held a fast in protest. California prison officials had targeted Jackson, along with W.L. Nolen and Hugo Pinell, for forging solidarity of black, Latino and white prisoners. New York officials were no less alarmed by the interracial unity growing among Attica’s inmates.
The prison revolt reflected the growing ferment and struggles taking place outside prison walls, not least the “black power” movement and radical protests against the war in Vietnam. Many of the black inmates identified with the Black Panther Party for Self-Defense (BPP) and Puerto Ricans looked to the Young Lords, which was inspired by the Panthers. Playing a leading role in the rebellion was Sam Melville, a white member of the Weather Underground who was serving 18 years for placing explosives in government buildings in protest against the war in Vietnam. As Thompson observes, the presence of such activists “offered Attica’s otherwise apolitical men—like [Frank] Big Black Smith—a new understanding of their discontents and a new language for articulating them.” Smith ended up leading the prisoners’ security force, made up largely of Black Muslims. His group treated the prison guards taken hostage with a humanity that the prisoners had been denied.
For a long time before Blood in the Water, the biggest window into what took place at Attica came from Tom Wicker’s A Time to Die. Wicker, a New York Times reporter, along with radical attorney William Kunstler, was among the outside observers whom the prisoners demanded to negotiate through rather than directly with prison and state authorities. Prison officials granted this one demand, intending to use the observers to convince the prisoners to release the hostages and surrender without amnesty. To his credit, BPP leader Bobby Seale, whom the prisoners also sought as an observer, uniquely refused to be involved in attempts to nudge the inmates toward surrender. Seale made clear the BPP position that “all political prisoners who want to be released to go to non-imperialistic countries should be complied with.”
The retaking of Attica began in the morning of September 13 with a cloud of CN and CS gas dropped from a helicopter that covered every prisoner with a nauseating, incapacitating powder and it ended with a bloodbath. The rebellion’s leadership paid dearly. Barkley, Melville and others were assassinated in the prison yard. Surviving prisoners, including the wounded, were stripped naked, made to crawl through the mud and the blood, then lined up to run a gantlet over broken glass and be beaten by cops and guards wielding what they called their “n----r sticks.” After being threatened with castration, Big Black Smith was forced to lie on a table for five hours with a football tucked under his chin, under threat of being shot if it rolled loose.
For the capitalist ruling class, Attica had to be crushed with particular vengeance because the rebels had begun to see their struggle in political and even revolutionary terms. One of Thompson’s discoveries is Nixon’s celebration of the bloodbath: “I think this is going to have a hell of a salutary effect on future prison riots.... Just like Kent State had a hell of a salutary effect” (referring to the 4 May 1970 National Guard killing of four students protesting the invasion of Cambodia—an extension of U.S. imperialism’s dirty war against the heroic Vietnamese workers and peasants). Nixon added, “They can talk all they want about force, but that is the purpose of force.”
Attica Nation
Thompson, a historian at the University of Michigan and expert on mass incarceration, is particularly motivated by prison reform. She notes that the immediate aftermath of the Attica revolt saw some improvements in food, medical care, clothing, mail censorship and number of showers permitted. However, as she points out, this was followed by an “unprecedented backlash against all efforts to humanize prison conditions in America.”
Inmates today continue to be used as slave labor, face censorship of political literature and conditions at least as dehumanizing and sadistic, including the increasing use of solitary confinement—universally recognized as a form of torture. Brutality by prison guards is a daily fact of life, especially for the black and Latino victims disproportionately singled out for discipline.
The backlash to which Thompson refers is one expression of the bipartisan rollback of the limited democratic gains for black people attained by the liberal-led civil rights movement. Its most glaring manifestation for the past three decades has been the mass incarceration of black people, largely a consequence of the “war on drugs.” This overt war on black people was accompanied by escalating cop terror against the ghettos and barrios.
Today’s plethora of drug laws is an outgrowth of the state repression under the “war on crime” kicked off by Democratic president Lyndon Johnson’s 1968 “Safe Streets Act” and Nixon’s 1970 “Drug Abuse Prevention and Control Act” and carried on by Democratic and Republican administrations since. The number of people languishing in U.S. prisons and jails, 2.2 million, is six times what it was in 1971. The costs of maintaining this vast prison complex have led to calls for easing up on the war on drugs.
Prisons are the concentrated expression of the depravity of this society. They are a key instrument in coercing, torturing and brutalizing those who have been cast off as the useless residue of a system rooted in exploitation and racial oppression. The deindustrialization of much of the U.S. that began in the late 1960s drove millions of black people out of the workforce and into the ranks of the permanently outcast. In the calculations of the American bourgeoisie, a substantial part of the black population, who used to provide labor for the auto plants and steel mills, is simply written off as an expendable population. Having condemned black as well as Latino youth to desperate poverty, the rulers whipped up hysteria painting the ghettoized poor as criminal “superpredators,” whom cops can gun down with impunity, and for whom no sentence is too long, no prison conditions too harsh. This demonization of the black population has served to deepen the wedge between white and black workers in a period of virtually no class struggle.
Marxists support the struggle for any demand that meets the immediate needs of prisoners. But under capitalism no reforms can fundamentally alter the repressive nature of the prisons. Along with the cops, military and courts, prisons are a pillar of the capitalist state, whose basic function is to maintain, through force or threat of force, the rule of the capitalist class and its economic exploitation of the working class. In the U.S., where racial oppression is at the core of the capitalist system, any alleviation of prison conditions must be linked to the fight against black oppression in general. We fight to abolish the prison system, which will be done only when the capitalist order—with its barbaric state institutions—is shattered by a proletarian socialist revolution that establishes a planned, collectivized economy with jobs and quality, integrated housing and education for all.
Thompson’s sympathies clearly lie with the Attica prisoners. Yet she evinces a soft spot for the prison guards, whom she sees as victims as well. Her poster boy for humanizing the guards is Mike Smith, a 22-year-old former machinist apparently liked by the prisoners and sympathetic to their demands. Smith, after being taken hostage by the prisoners, was shot by the cops and grievously wounded. Thompson writes, “Like so many other small town boys who had grown up in rural New York Mike needed to make a living, and prisons were the going industry.” Thompson also gives voice to the guards taken hostage and the families of the ten of them whom Rockefeller’s assassins gunned down, who resent the fact that the surviving Attica prisoners won a paltry monetary settlement from the state after nearly three decades.
As Bolshevik leader Leon Trotsky pointed out 85 years ago, the worker who becomes a policeman in the service of the capitalist state is a bourgeois cop, not a worker, an admonition no less applicable to prison guards. As we noted at the time of the Attica massacre, “These despicable racist guards are despised even by the ruling class that cynically uses them. The governor not only served notice on the prisoners that rebellion does not pay, and rebellion linked with revolutionary ideas means certain death, but he had a message for the guards too: Keep the upper hand or else!”
The basic function of the prisons is lost on the liberal academic Thompson, whose call for prison reform envisions a commonality of interests between inmates and prison guards—a relationship akin to that of slave and overseer. In a 2011 paper, “Rethinking Working-Class Struggle Through the Lens of the Carceral State: Toward a Labor History of Inmates and Guards,” she declares, “It is time once again for the American working class to pay attention to penal facilities as sites of productive labor and wage competition and to recognize that its destiny is tied in subtle but important ways to the ability of inmates as well as prison guards to demand fair pay and safe working conditions.” Thompson lauds the return of prison guards to municipal unions, such as the American Federation of State, County and Municipal Employees (AFSCME).
What, then, are “safe working conditions” for prison guards? In our 1971 article, we sharply criticized Jerry Wurf, the AFSCME president, as he threatened a “slowdown” by union guards after the Attica massacre:
“Wurf demanded more and better riot equipment—helmets, tear gas and masks, to be borrowed from police departments if necessary, and hiring of more guards. Yet he had the effrontery to maintain, ‘We’re not at war with the inmates; the state of New York is at war with them.’ What forces does the state of New York employ to make war on the inmates if not the cops and guards Wurf is happy to represent?... No union can represent both workers and the sworn servants of the capitalist class, the police and prison guards.”
The increasing prominence of cops and prison guards—workers’ class enemies—in the shrinking union movement underscores the need for ousting the pro-capitalist bureaucrats and forging a class-struggle leadership in the basic organs of workers struggle.
Three years before L.D. Barkley read out the Attica Brothers’ powerful declaration, striking black sanitation workers in Memphis, Tennessee, famously walked picket lines with signs declaring, “I am a man.” Today, the racist capitalist ruling class continues to treat black people as if they were less than human and their lives don’t matter. But there is a reservoir of social power in the organized working class, in which black workers, who make up the unions’ most loyal and militant sector, remain disproportionately represented. Under revolutionary leadership, black workers, who form an organic link to the anger of the oppressed ghetto poor, will play a vanguard role in the struggles of the entire U.S. working class. It is the purpose of the Spartacist League to build a workers party that links the fight for black freedom to the struggle for proletarian state power. Workers rule on a world scale will open the road to a communist future in which the modern instruments of incarceration and death will be discarded as relics of a decaying social order that deserved only to perish.

*Writer’s Corner – Ernest Hemingway’s Last Hurrah- “The Garden Of Eden”

Click on the headline to link to a "Wikipedia" entry for the great American writer, Ernest Hemingway.

Book Review

The Garden Of Eden, Ernest Hemingway, Collier Books, New York, 1986


Recently, in a review of F. Scott Fitzgerald’s first published novel, “This Side of Paradise” (1920), I mentioned that I thought his contemporary, friend, expatriate and fellow writer Ernest Hemingway had definitively won the battle for “number one” writer of their generation, variously named the post -World War I, “lost”, or “Jazz Age” generation. Paying due respect to the greater literary merit of Fitzgerald ‘s “The Great Gatsby” as, perhaps, the best of the individual novels (or short stories) each produced the respective collective bodies of work of each gave the nod to the “Old Man”. That conclusion, however, was premised on such Hemingway masterpieces as “Farewell To Arms”, “The Sun Also Rises”, and “For Whom The Bell Tolls”, and his sparse, knife-like skill with descriptive language. It did not, could not and, unfortunately, does not, include the present book under review, “The Garden Of Eden”.

Of course, as the Publisher’s Note makes clear, this post-mortem find (Hemingway committed suicide in 1961), brought forth in a shopping bag (along with other manuscripts) to the publisher’s office by Hemingway’s widow, Mary, is certainly the stuff of legend, and a compelling reason for publication. However, beyond the seemingly modern trend to publish every bit of paper that a famous writer every put to pen, the hoopla seems entirely misplaced. I will chalk this one up to mere publishing “trade-puffing”.

Why? Well, this is material, basically another tale from the vaults of that “lost” generation mentioned above, that was covered by Hemingway brilliantly at the time in such works as “The Sun Also Rises”, his masterly effort to define that generation and it malaise (and perhaps, incidentally, his own). This book, or rather rolling “travelogue” from one European “hot spot” to another (in the off-season no less), complete with descriptions of an enormous amount of drinking, early and late, eating in that same condition, and going for the occasional swim should make bells ring in the heads of Hemingway aficionados that something very familiar is being reworked here.

Oh, the plot. Newlyweds, David and Catherine, he a writer and she a… well, whatever she is, are off on a seemingly endless trip around Europe after his recent completion of a successfully received book. After endless bouts of lovemaking, and the aforementioned eating and drinking, David itches to get back in harness and write again. Catherine, formally, at least, encourages that desire, and moves on to other pursuits in the sexual field, a girlfriend (Marita) for herself… and for David. The story line pushes along from there around this central entanglement and stalwart David’s pressing need to write some tales of his youth in Africa as well as another novel. Needless to say, the wheels come off the cart in a somewhat unexpected way.

Despite various reviews of this book upon publication commenting on Hemingway's character development of Catherine to the contrary, he never really got his woman characters to be anything more than objects, beautiful, crazy or smart. That is certainly the case with the shallow, demonic Catherine, whatever charms she possessed for David, and Marita as well. As I read along I kept on saying Catherine why don't you go write a novel yourself. But apparently this sensible notion is too modern a conceit for those times. Still there is more than enough good, strong use of language that first attracted me to Hemingway to keep him up in that valued number one position. Just not off of this work though.