Click On Title To Link To The Rosenberg Fund For Children.
Commentary- June 2, 2009
This June marks the 56th Anniversary of the execution of Julius and Ethel Rosenberg by the American state. I have defended the Rosenbergs elsewhere in this space, including a review last year of a film documentary by Rosenberg granddaughter, Ivy Meerpol, titled "Heir To An Execution".(Check Archives). Directly below are some remarks made in additional to that review in light of a flurry of controversy around their names that surfaced in the Fall of 2008. This year I have chosen to review E.L. Doctorow's 1971 fictional treatment of some aspects of the case and the film based on the book. Needless to say I stand by my defense of this heroic radical couple. Justice still awaits in their case.
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Commentary made in addition to a September 14, 2008 review of a film documentary by Rosenberg granddaughter, Ivy Meerpol, in this space.
Honor the Heroic Soviet Spies Julius Rosenberg, Ethel Rosenberg and Morton Sobel
In the commentary above I alluded, somewhat obliquely, to the Verona Tapes-the decoded Soviet transmissions from World War II- as an earlier American governmental source for the proposition that Julius Rosenberg was providing scientific information of some sort to the Soviet Union during that period. Recent news has highlighted the possible truth of that assertion. First the release of classified grand jury testimony in the Julius and Ethel Rosenberg case mentioned above. Also the assertion by convicted Rosenberg co-conspirator Morton Sobel that he passed scientific information to the Soviets during that period. More recently, in some interviews in The New York Times, the Rosenberg children (Meeropols), after having spend their adulthoods trying to build a case for their parents’ innocence have seemingly come to the position that their father, at least, was indeed working for the Soviets.
Let’s be clear here. For those who saw military defense of the Soviet Union, Stalinist warts and all, as an internationalist socialist duty until its demise in the early 1990’s the question of honoring Julius and Ethel Rosenberg has not hinged on their guilt or innocence of the charges of aiding the Soviet Union leveled by the American government. Nor has it hinged on opposition to the death penalty, although we are opposed to that barbaric punishment. The question has always been, if not openly then otherwise, the service they were in a position to provide to the first workers state. In the interest of “muddying the waters” we have never earlier proclaimed them, as we have with Kim Philby and his Cambridge cohorts, Richard Sorge or Leopold Trepper, heroic Soviet spies. Now, apparently, we can openly acknowledge our debt at last to Julius and Morton Sobel. The case remains unclear about Ethel although we honor her as a soldier of the revolution as well. Some little piece of historic justice is finally possible in their cases.
I would add here that although I had spend a fair portion of my life as a military defender of the Soviet Union and the other workers states of East Europe while they existed that, as a practical matter, that defense never got beyond the propaganda stage. Apparently, Julius Rosenberg and Morton Sobel, in their attempts to defend the interests of the Soviet Union as they saw that duty, were in a position to do more. Although the political gap that separated us was, at times drawn in the blood of our murdered comrades at the hands of the Stalinist henchman that they defended, they acted as soldiers of the revolution here. That is the why of honoring them in this space.
Finally, I have mentioned before that I have always liked the idea of Julius organizing in the 1930’s in behalf of freedom for the jailed militant labor leader Tom Mooney while at City College of New York (CCNY). As those who follow this space know the late Professor Irving Howe, the social democratic founder/editor of Dissent also was at CCNY during this period as an anti-Stalinist socialist who was won to Trotskyism, for a moment, during this same period. He, along with a fair number of others recruited from the Socialist Party milieu at CCNY dropped out of the Socialist Workers Party (the main organized Trotskyist organization in America at the time) over the question of defense of the Soviet Union when it mattered in the late 1930’s. I pose this question- When the fight for socialism is on the line who do you want with you- Julius Rosenberg or Irving Howe? To ask the question is to give the answer. The Rosenbergs and Sobel were not our people- but they were our people.
*********************
Book/ DVD Review
This review is being used for both book and DVD versions of Doctorow's work as the central points to be made in regard to both works are similar. The film starring Timothy Hutton as Daniel and directed by the acclaimed Sidney Lumet fairly closely hems to Doctorow's story line. Hutton does an excellent job as Daniel. Obviously, such dramatic moments as the attempts to run away from the state authorities by the Rosenberg children after their parents' arrest, the touching visiting scenes by the children in the prison just prior to the executions, the executions and the tragic fate of one of the children (in the book, not real life) get more attention than in the book. But that is cinematic license, and here is not overplayed.
The Book Of Daniel, E.L. Doctorow, Random House, New York, 1971
Daniel, starring Timothy Hutton, directed by Sidney Lumet, DVD release 2008
At first blush the Rosenberg Cold War Soviet espionage case of the 1950's, that ended in the execution of both Julius and Ethel Rosenberg by the American state despite a worldwide campaign to save their lives, would not appear to be a natural subject for fictional treatment. Unlike, let us say, Kim Philby and the various Cambridge spies the Rosenbergs' biographies and political profiles do not have the stuff of larger than life drama. Moreover, whatever their efforts were on behalf of the defense of the Soviet Union, as they saw it, the details do not jump out as the makings of a spy thriller. And the well-known historical novelist (`Ragtime", Loon Lake", etc.), E.L. Doctorow, does not go into any of that material. What Doctorow has attempted to mine, and I think within the parameters that he has set himself successfully so, is the effect that the political actions of the Rosenbergs had on their children at the time, on their children's futures (in state custody and later adopted privately) and on the trauma of being the "heirs to an execution" in adulthood. Add to that the biblical implications ("The Book Of Daniel") that Doctorow weaves into his story and that is more than enough material for one novel.
Naturally, the question of the fate of the children of famous (or infamous, as the case may be) is a fair subject for treatment, fictional or otherwise. There is a whole flourishing body of literature concerning this topic. What makes the Rosenberg children distinct (a boy and girl, rather than the real two boys, fictionally named Daniel and Susan Issacson here) is that they were son and daughter to parents who in the eyes of the American state and significant parts of the American population were traitors. Not a good way for young kids to develop their self-esteem. That struggle, placed in the context of the traumas over personal identification which were rift as they grew to adulthood and that helped define the 1960's the time of the action of this story, drive the main themes of the story. The interlocked questions of life in the academy (Daniel is something of a professional graduate student), life on the political streets (Susan has chosen a psychologically dangerous way to cope with her heritage by going full-bore into the left-wing political activity of the period) and coming to grips, successfully or not, with their legacies give the plot substance.
Aside from Doctorow's main themes of exploring the thorny question of the responsibility that parents have for their children, either as parents or as political people, the last part of the book where Daniel, as a coping mechanism if nothing else, begins to get "political" provides some interesting (for the time) theories about what happened in the Rosenberg case. The themes of "good Jew, bad Jew" (as shown by the large cast of Jewish characters in the trial process), the alleged inadequacies of the defense, the scarcity of government evidence (the Rosenbergs were convicted of that old stand-by "conspiracy"), the nature of the early Cold War period and the personal and political limitations of the Rosenbergs themselves get a full workout here. In the end though, as I mentioned in a commentary reviewing Rosenberg granddaughter Ivy Meerpol's film, "Heir To An Execution", concerning the personal characters of the Rosenbergs they did their duty as communists, as they saw it. For that they deserve all honor. And someday some real justice to clear their names.
Commentary- June 2, 2009
This June marks the 56th Anniversary of the execution of Julius and Ethel Rosenberg by the American state. I have defended the Rosenbergs elsewhere in this space, including a review last year of a film documentary by Rosenberg granddaughter, Ivy Meerpol, titled "Heir To An Execution".(Check Archives). Directly below are some remarks made in additional to that review in light of a flurry of controversy around their names that surfaced in the Fall of 2008. This year I have chosen to review E.L. Doctorow's 1971 fictional treatment of some aspects of the case and the film based on the book. Needless to say I stand by my defense of this heroic radical couple. Justice still awaits in their case.
*****************
Commentary made in addition to a September 14, 2008 review of a film documentary by Rosenberg granddaughter, Ivy Meerpol, in this space.
Honor the Heroic Soviet Spies Julius Rosenberg, Ethel Rosenberg and Morton Sobel
In the commentary above I alluded, somewhat obliquely, to the Verona Tapes-the decoded Soviet transmissions from World War II- as an earlier American governmental source for the proposition that Julius Rosenberg was providing scientific information of some sort to the Soviet Union during that period. Recent news has highlighted the possible truth of that assertion. First the release of classified grand jury testimony in the Julius and Ethel Rosenberg case mentioned above. Also the assertion by convicted Rosenberg co-conspirator Morton Sobel that he passed scientific information to the Soviets during that period. More recently, in some interviews in The New York Times, the Rosenberg children (Meeropols), after having spend their adulthoods trying to build a case for their parents’ innocence have seemingly come to the position that their father, at least, was indeed working for the Soviets.
Let’s be clear here. For those who saw military defense of the Soviet Union, Stalinist warts and all, as an internationalist socialist duty until its demise in the early 1990’s the question of honoring Julius and Ethel Rosenberg has not hinged on their guilt or innocence of the charges of aiding the Soviet Union leveled by the American government. Nor has it hinged on opposition to the death penalty, although we are opposed to that barbaric punishment. The question has always been, if not openly then otherwise, the service they were in a position to provide to the first workers state. In the interest of “muddying the waters” we have never earlier proclaimed them, as we have with Kim Philby and his Cambridge cohorts, Richard Sorge or Leopold Trepper, heroic Soviet spies. Now, apparently, we can openly acknowledge our debt at last to Julius and Morton Sobel. The case remains unclear about Ethel although we honor her as a soldier of the revolution as well. Some little piece of historic justice is finally possible in their cases.
I would add here that although I had spend a fair portion of my life as a military defender of the Soviet Union and the other workers states of East Europe while they existed that, as a practical matter, that defense never got beyond the propaganda stage. Apparently, Julius Rosenberg and Morton Sobel, in their attempts to defend the interests of the Soviet Union as they saw that duty, were in a position to do more. Although the political gap that separated us was, at times drawn in the blood of our murdered comrades at the hands of the Stalinist henchman that they defended, they acted as soldiers of the revolution here. That is the why of honoring them in this space.
Finally, I have mentioned before that I have always liked the idea of Julius organizing in the 1930’s in behalf of freedom for the jailed militant labor leader Tom Mooney while at City College of New York (CCNY). As those who follow this space know the late Professor Irving Howe, the social democratic founder/editor of Dissent also was at CCNY during this period as an anti-Stalinist socialist who was won to Trotskyism, for a moment, during this same period. He, along with a fair number of others recruited from the Socialist Party milieu at CCNY dropped out of the Socialist Workers Party (the main organized Trotskyist organization in America at the time) over the question of defense of the Soviet Union when it mattered in the late 1930’s. I pose this question- When the fight for socialism is on the line who do you want with you- Julius Rosenberg or Irving Howe? To ask the question is to give the answer. The Rosenbergs and Sobel were not our people- but they were our people.
*********************
Book/ DVD Review
This review is being used for both book and DVD versions of Doctorow's work as the central points to be made in regard to both works are similar. The film starring Timothy Hutton as Daniel and directed by the acclaimed Sidney Lumet fairly closely hems to Doctorow's story line. Hutton does an excellent job as Daniel. Obviously, such dramatic moments as the attempts to run away from the state authorities by the Rosenberg children after their parents' arrest, the touching visiting scenes by the children in the prison just prior to the executions, the executions and the tragic fate of one of the children (in the book, not real life) get more attention than in the book. But that is cinematic license, and here is not overplayed.
The Book Of Daniel, E.L. Doctorow, Random House, New York, 1971
Daniel, starring Timothy Hutton, directed by Sidney Lumet, DVD release 2008
At first blush the Rosenberg Cold War Soviet espionage case of the 1950's, that ended in the execution of both Julius and Ethel Rosenberg by the American state despite a worldwide campaign to save their lives, would not appear to be a natural subject for fictional treatment. Unlike, let us say, Kim Philby and the various Cambridge spies the Rosenbergs' biographies and political profiles do not have the stuff of larger than life drama. Moreover, whatever their efforts were on behalf of the defense of the Soviet Union, as they saw it, the details do not jump out as the makings of a spy thriller. And the well-known historical novelist (`Ragtime", Loon Lake", etc.), E.L. Doctorow, does not go into any of that material. What Doctorow has attempted to mine, and I think within the parameters that he has set himself successfully so, is the effect that the political actions of the Rosenbergs had on their children at the time, on their children's futures (in state custody and later adopted privately) and on the trauma of being the "heirs to an execution" in adulthood. Add to that the biblical implications ("The Book Of Daniel") that Doctorow weaves into his story and that is more than enough material for one novel.
Naturally, the question of the fate of the children of famous (or infamous, as the case may be) is a fair subject for treatment, fictional or otherwise. There is a whole flourishing body of literature concerning this topic. What makes the Rosenberg children distinct (a boy and girl, rather than the real two boys, fictionally named Daniel and Susan Issacson here) is that they were son and daughter to parents who in the eyes of the American state and significant parts of the American population were traitors. Not a good way for young kids to develop their self-esteem. That struggle, placed in the context of the traumas over personal identification which were rift as they grew to adulthood and that helped define the 1960's the time of the action of this story, drive the main themes of the story. The interlocked questions of life in the academy (Daniel is something of a professional graduate student), life on the political streets (Susan has chosen a psychologically dangerous way to cope with her heritage by going full-bore into the left-wing political activity of the period) and coming to grips, successfully or not, with their legacies give the plot substance.
Aside from Doctorow's main themes of exploring the thorny question of the responsibility that parents have for their children, either as parents or as political people, the last part of the book where Daniel, as a coping mechanism if nothing else, begins to get "political" provides some interesting (for the time) theories about what happened in the Rosenberg case. The themes of "good Jew, bad Jew" (as shown by the large cast of Jewish characters in the trial process), the alleged inadequacies of the defense, the scarcity of government evidence (the Rosenbergs were convicted of that old stand-by "conspiracy"), the nature of the early Cold War period and the personal and political limitations of the Rosenbergs themselves get a full workout here. In the end though, as I mentioned in a commentary reviewing Rosenberg granddaughter Ivy Meerpol's film, "Heir To An Execution", concerning the personal characters of the Rosenbergs they did their duty as communists, as they saw it. For that they deserve all honor. And someday some real justice to clear their names.
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