From The Pen Of Joshua Lawrence Breslin- When Woody Allen Ruled The Social Satire (And Adult Angst) Night

Short Film Clips

From an American Left History blog review of Woody Allen’s Annie Hall-

… Hey, haven’t I already reviewed this movie. No, sorry that was Manhattan another in the line of very witty Woody Allen movies. But the point is this it is the same subject that Woody addressed there even though chronologically Annie Hall came first by a couple of years and received the lion’s share of kudos and awards. As virtually always Allen is intent upon commenting on New York life and its intellectual trends and the ups and downs of relationships, mainly with women. Here he adds a flourish by contrasting old New York (in the 1970’s) to up and coming California as the cultural mecca of the American empire. And, as should be the case, New York wins.

Add to that the perennial issue of Woody’s struggle with ‘interpersonal’ relationships and his angst-driven desire to understand the modern world and you have a very fine social commentary of the times. Needless to say Woody’s love interest Annie Hall (as played by his then paramour Diane Keaton) keeps him hopping. As does an ensemble cast that works well together as foils for his ironic and savage humor. The only surprise in revisiting this film recently is how well Keaton plays her role as an up and coming torch singer. Of course, I have always been a sucker for torch singers but that is another matter. Some of the humor may seem dated and very 1970’s New Yorkish. Some of Woody’s mannerism and use of sight gags may seem like old news. But this is a film to watch or re-watch if you have seen it before.

And hence…

Small Time Crooks

Everyone I hope recognizes that, if one lives long enough, that one is bound to start recycling ideas. That is the case here with Woody Allen’s partial revival of his early film classic Take the Money and Run, with a class twist. Here Roy (Allen’s character) is just as dimwitted as old Virgil of Take the Money but as an older and wiser man he knows when to quit (for a while anyway). So when Roy and his associates’ attempted bank robbery is foiled by his bugling his wife’s successful cookie shop cover operation sees them through the rough spots, again for a while. After a trip through the wilds of bourgeois New York the couple, after some disasters personal and financial, goes back to the old tricks of the trade. I am not altogether sure what this says about class mobility in a democratic society but Roy please do not call me for your next caper. Funny, in Allen’s way, in spots but not his best in this genre.