As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Poets’ Corner  
 

In say 1912 in the time of the supposedly big deal Basle Socialist Conference which got reflected in more circles than just workingmen, small shopkeepers and small farmers, or 1913 for that matter when the big deal European powers were waging "proxy" war, making ominous moves, but most importantly working three shifts in the munitions plants, oh hell, even in the beginning of 1914 before the war clouds got a full head of steam that summer they all profusely professed their undying devotion to peace, to wage no war for any reason. Reasons: artists who saw the disjointedness of modern industrial society, freaked out at what humankind had produced, was producing to place everybody in an inescapable box and hence their cubic fascinations from which to run, put the pieces to paint; sculptors who put twisted pieces of scrape metal juxtaposed to each other  to get that same effect, an effect which would be replicated on all those foreboding trenched fronts; writers, not all of them socialists either, some were conservatives that saw empire, their particular empire, in grave danger once the blood started flowing  who saw the v   of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy; writers of not so serious novels drenched in platitudes and hidden gabezo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do to denigrate themselves by crying the warrior’s cry and for the sweet nothing maidens to spent their waking hours strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they with all their creative brethren would go to the hells, literary Dante's rings, before touching the hair of another human, that come the war drums they all would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist, world and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels.

And then the war drums intensified and they, they made of ordinary human clay as it turned out, they who could not resist the call, could not resist those maidens now busy all day strewing flowers on the bloodlust streets for their soldier boys, those poets, artists, sculptors, writers, serious and not, musicians went sheepishly to the trenches with the rest of the flower of European youth to die deathless deaths in their thousands for, well, for ….  

TO AN OLD LADY SEEN AT A GUESTHOUSE FOR SOLDIERS

Quiet thou didst stand at thine appointed place, There was no press to purchase--younger grace Attracts the youth of valour. Thou didst not know, Like the old, kindly Martha, to and fro To haste. Yet one could say, "In thine I prize The strength of calm that held in Mary's eyes." And when they came, thy gracious smile so wrought They knew that they were given, not that they bought. Thou didst not tempt to vauntings, and pretence Was dumb before thy perfect woman's sense. Blest who have seen, for they shall ever see The radiance of thy benignity. _Alexander Robertson_


THE CASUALTY CLEARING STATION

A bowl of daffodils, A crimson-quilted bed, Sheets and pillows white as snow-- White and gold and red-- And sisters moving to and fro, With soft and silent tread. So all my spirit fills With pleasure infinite, And all the feathered wings of rest Seem flocking from the radiant West To bear me thro' the night. See, how they close me in. They, and the sisters' arms. One eye is closed, the other lid Is watching how my spirit slid Toward some red-roofed farms, And having crept beneath them slept Secure from war's alarms. _Gilbert Waterhouse_