The Magnificent Seven- Potshot-A
Spenser Crime Novel by Robert B. Parker-A Review
Book Review
By Sam Lowell
Potshot, Robert B. Parker, G.P. Putnam’s Sons, New York,
2001
Of late I have been on something of a Spenser crime detection
novel run, you know those sagas of the Boston-based P.I. with the big burly physique and the no nonsense grit and determination
to see a case through to the end, the bitter end if necessary, written by the late
Robert B. Parker. I started out several reviews of those books by explaining that
most of the year when I review books I review high-toned literary masterpieces
or squirrelly little historical books fit for the academy. I also said that
come summer time you never know will turn up on your summer reading list and
why. So blame this run on the summer heat if you must. I confessed that like any other heated,
roasted urban dweller I was looking for a little light reading to while away
the summer doldrums. Then I went into genesis about how I wound up running the
rack, or part of the rack, after all there were some forty Spenser books in the
series before Parker passed away in 2010. I will get to the review of his 2001 effort Potshot in a minute after I explain how
I came to read yet another Parker crime novel for crying out loud.
See, as I have mentioned elsewhere of late in reviewing some
of the other Parker-etched books every year when the doldrums come I
automatically reach for a little classic crime detection from the max daddy
masters of the genre Raymond Chandler or Dashiell Hammett from my library to
see the real deal, to see how the masters worked their magic, in order to
spruce up (and parse, if possible) my own writing. This summer when I did so I
noticed a book Poodle Spring by
Raymond Chandler and Robert B. Parker. This final Philip Marlowe series book
was never finished by Chandler before he died in 1959. Parker finished it up in
1989.
Robert B. Parker, of course, had been a name known to me as
the crime novel writer of the Spenser series of which I had read several of the
earlier ones before moving on to others interests. That loss of interest
centered on the increasingly formulistic way Parker packaged the Spenser character
with his chalk board scratching to my mind repetition of his eating habits, his
culinary likes and dislikes, his off-hand racial solidarity banter with his
black compadre Hawk, his continually touting Spenser’s physical and mental
“street cred” toughness and his so-called monogamous and almost teenage-like
love affair with Susan. They collectively did not grow as characters but became
stick figures serving increasingly less interesting plots.
Checking up on what Parker had subsequently written in the series
to see if I had been rash in my judgment I noticed and grabbed another
Chandler-Parker collaboration or sorts reviewed in this space previously Perchance
To Dream: Robert B. Parker’s Sequel To Raymond Chandler’s The Big Sleep. Since
I was on a roll, was being guided by the ghost of Raymond Chandler maybe, I
decided to check out Spenser again. And because we still have several weeks
left of summer and crime novels have the virtue of not only being easy on the
brain in the summer heat but quick reads I figured to play out my hand a little
and read a few other Parker works. Now we are all caught up on genesis.
Of course even Boston-based P.I.s have to spread their wings
and Spenser and his coterie in Potshot find themselves out in the high desert
in the West, finding themselves trying to figure out how a long-time Potshot resident,
Steve Buckman, wound up dead, very dead, after his wife Mary Ann hired Spenser
to see that rough justice was done in this wicked old world. Her speculation centered
on a group of outlaws who lived on the outskirts of town, a place called the
Dell, robbing and running rough shot over the town’s people. Got enough of them
to move out to have housing prices come crashing down.
Spenser bought, or maybe half-bought, her theory until he
started checking things out. He still was focused on the killing but as things
went along and he, as seemingly is always inevitable in this series, Spenser
was warned off the case. Warned off by the local sheriff, and more ominously by
an L.A. mobster who controlled the illegal activities east of L.A. Naturally
Spenser ignored that advise and rose to the occasion, especially after he
suspected that what was at issue, what was, and is, always at issue in the
desert-water, or as here, a possible new source of water which could make the town
expand. So scare off the townies and buy up the land cheap expecting to hit pay-dirt
when the next migration tired of the cities comes trekking through became the
central theory. Nice, right.
So Spenser now had two tasks-find the murderer that of client’s
husband and stop the hooligans out in the Dell led by a tough hombre named the
Preacher from reducing the town to a ghost town. And that is where the headline
for this review comes in. Spenser recruited six other hard-boiled hard boys,
including his old pal Hawk, to root out the forty or so hell-raisers in the
Dell. Naturally those lop-sided odds seemed right for the task at hand when Spenser
was on the case. The second half of the crime novel dealt with the how and why
the magnificent band of seven brothers tried to do their best to rid Potshot of
its scourge. This is where Spenser’s stick-to-ness comes into play. The
Preacher said he and his mob had nothing to do with the murder that started the
whole potential gang war. Spenser believed him, or half believed him on that one,
although to protect turf Preacher still took a run at the Seven. Wound up
losing, of course, against Spenser’s tougher hombres.
But that still begged the question of who killed Steve Buckman.
Now when murder is in the air, when murder and water are in the air out in the desert,
every serious investigator, public or private, has to naturally look close to
home, has to look to a wife or companion to see what crawls out. So Spenser
pressed the issue. Guess what. Yeah, a thin, very thin story line so you can see
why I weened myself off of Spenser back in the early days. What the heck though
do I do for the rest of the long hot summer, tell me that. Maybe I better reach
again for Chandler and Hammett, maybe Nelson Algren.
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