******The Young Women With Long-Ironed Hair- With Joan Baez, Mimi Farina, And Judy Collins In Mind

******The Young Women With Long-Ironed Hair- With Joan Baez, Mimi Farina, And Judy Collins In Mind

 

The Young Women With Long-Ironed Hair- With Joan Baez, Mimi Farina, And Judy Collins In Mind

Laura Perkins was talking to her daughter, Emily Andrews one afternoon in April when she went to visit her and the grandkids up in Londonderry that is in New Hampshire, after returning from Florida, down Naples way. Laura had spent the winter there, a pilgrimage she had been doing the past five years or so since she, New England born and bred had tired, wearily tired of the winters provided by that section of the country and joined the “snow bird” trek south. Been doing more of the winter since she retired as a computer whizz free-lance consultant a couple of years ago. Emily the first born girl from the first of her three marriages who now had a couple of kids of her own although she has retained as is the “new style,” post-‘60s new style anyway, of women retaining their maiden name, or went hyphenated, kept Andrews in the bargain although Laura had given that name up minute one after the divorce which was messy and still a source of hatred when Emily’s father’s name is mentioned and thereafter kept her maiden name through the subsequent two marriages and divorces. During the conversation Laura commented to Emily, having not seen her for a while, on how long and straight she was keeping her hair these days which reminded her of the old days back in the romantic early 1960s when she used to hang around the Village in New York at the coffeehouses and folk clubs listening to lots of women folksingers like Carolyn Hester, Jean Redpath, Thelma Gordon, Joan Baez, Sissy Dubois and a bunch of others whose names she could just then not remember but whose hair was done in the same style including her own hair then.

Laura looked wistfully away just then touching her own now much shortened hair and colored a gentle brown with highlights, how much and for how long only her hairdresser knew and she, the well-tipped hair-dresser, was sworn to a secret Omerta oath even the CIA and Mafia could admire in the interest of not giving into age too much, especially once the computer whizz kids started showing up younger and younger either looking for work or as competitors. Meanwhile Emily explained how she came to let her hair grow longer and straighter (and her own efforts to keep it straighter) against all good reason what with two kids, a part-time accounting job and six thousand other young motherhood things demanded of her that would dictate that one needed a hair-do that one could just run a comb through, run through quickly.       

“Ma, you know how when you get all misty-eyed for your lost youth as you call it you are always talking about the old folk days, about the days in the Village and later in Harvard Square after you moved up here to go to graduate school at BU, minus Dad’s part in that time which I know you don’t like to talk about for obvious reasons. You also know, and we damn made it plain enough although you two never took it seriously, back when we were kids all of us, Melinda and Peter too, hated the very sound of folk music, stuff that sounded like something out of the Middle Ages and would run to our rooms when you guys played the stuff in you constant nostalgia moments. [That Middle Ages heritage, some of it, at least the rudiments, actually was on the mark if you look at the genesis of say half of the Child ballads which a folk enthusiast by that name in the 1850s over on Brattle Street in Cambridge collected, a number of ballads which ironically got picked up by the likes of Joan Baez in the late 1950s and played at the coffeehouses like the Club 47 and Café Nana just down from that Brahmin haven street. Or if you look to the more modern musicologists like the Seegers and Lomaxes who went down South, down Appalachia way, looking for roots music you will find some forbears brought over from the old country, the British Isles, that can be traced back to those times without doing injury to the truth.]

“Well one day I was in Whole Foods and I hear this song over their PA system or whatever they call it, you know those CDs they play to get you through the hard-ass shopping you need to do to keep the renegade kids from starvation’s door. The song seemed slightly familiar, folkie familiar, so I asked at the customer service desk who was singing the song and its name which I couldn’t quite remember. Of course the young clerk knew from nothing but a grey-haired guy, an old Cambridge radical type, a professor-type now that I think about what he looked like probably teaching English Lit, a guy you see in droves when you are in Harvard Square these days doddering along looking down at the ground like they have been doing for fifty years, standing in the same line as me, probably to return something that he bought by mistake and his wife probably ran his ass ragged until he returned the damn thing and got what she wanted, said it was Judy Collins doing Both Sides Now.  

That information from the professor, and that tune stuck in my head, got me thinking about checking out the song on YouTube which I did after I got home, unpacked the groceries, unpacked the kids and gave them their lunches. The version I caught was one of her on a Pete Seeger’s Rainbow Quest series from the 1960s in black and white that was on television back then which I am sure you and Dad knew about and she had this great looking long straight hair. I was envious. Then I kind of got the bug, wanted to check out some other folkie women whose names I know by heart, thank you, and noticed that Joan Baez in one clip taken at the Newport Folk Festival along with Bob Dylan singing With God On Our Side, God-awful if you remember me saying that every time you put it on the record-player, had even longer and straighter hair than Judy Collins.

“There she was all young, beautiful and dark-skinned Spanish exotic, something out of a Cervantes dream with that great hair. So I let mine grow and unlike what I heard Joan Baez, and about six zillion other young women did, including I think you, to keep it straight using an iron I went to Delores over at Flip Cuts in the mall and she does this thing to it every couple of months. And no I don’t want you to give me your folk albums, as valuable as they are, and as likely as I am to get them as family heirlooms when as you say you pass to the great beyond, please, to complete the picture because the stuff still sounds like it was from the Middle Ages although Dylan sounded better then than I remember, better than that croaking voice he has now that I heard you play one time on your car radio when we were heading up to Maine with you to go to Kittery to get the kids some back to school clothes.”        

Laura laughed a little at that remark as Emily went out the door to do some inevitable pressing shopping. After dutifully playing with Nick and Nana for a couple of hours while Emily went to get some chores done at the mall sans the kids who really are a drag on those kinds of tasks and after having stayed for supper when Sean got home from work she headed to her own home down in Cambridge (a condo really shared with her partner, Sam Lowell, whom she knew in college, lost track of and then reunited with after many years and three husbands at a college class reunion).

When she got home Sam, making her chuckle about what Emily said about that guy in the line at Whole Foods looked like and tarring Sam with that same brush, working on some paper of his, something about once again saving the world from the endless wars of the American government (other governments too but since as he said, quoting “Che” Guevara, always Che, about living in the heart of the beast the American government), the climate, nuclear disarmament, social inequality at home and in the world, or the plight of forgotten political prisoners, which was his holy mantra these days now that he was semi-retired from his law practice was waiting, waiting to hear the latest Nick and Nana stories instead she told him Emily’s story. Then they started talking about those old days in the 1960s when both she and he (he in Harvard Square having grown up in Carver about thirty miles south of Boston and her in the hotbed Village growing up in Manhattan and later at NYU where they went to school as undergraduates) imbibed in that now historic folk minute which promised, along with a few other things, to change the world a bit.

Laura, as Sam was talking, walked to a closet and brought out a black and white photograph from some folk festival in 1963 which featured Joan Baez, whom the clueless media always looking for a single hook to hang an idea on dubbed her the “queen of folk (and Dylan the king),” her sister Mimi Farina, who had married Richard Farina, the folk-singer/song-writer most poignantly Birmingham Sunday later killed in a motorcycle crash and Judy Collins on stage at the same time. All three competing with each other for the long straight hair championship. Here’s part of what was said about the picture that night, here’s how Laura put it:    

“Funny how trends get started, how one person, or a few start something and it seems like the whole world follows, or the part of the world that hears about the new dispensation anyway, the part you want to connect with. Remember Sam how we all called folk the “new dispensation” for our generation which had begun back in the late 1950s, early 1960s, slightly before our times when we caught up with it in college in 1964. So maybe it started in reaction to the trend when older guys started to lock-step in gray flannel suits. That funny Mad Men, retro-cool today look, which is okay if you pay attention to who was watching the show. In the days before Jack and Bobby Kennedy put the whammy on that fashion and broke many a haberdasher’s heart topped off by not wearing a soft felt hat like Uncle Ike and the older guys.”

“Funny too it would be deep into the 1960s before open-necks and colors other than white for shirts could be worked in but by then a lot of us were strictly denims and flannel shirts or some such non-suit or dress combination. Remember even earlier when the hula-hoop fad went crazy when one kid goofing off threw a hard plastic circle thing around his or her waist and every kid from Portland, Maine to Portland, Oregon had to have one, to be tossed aside in some dank corner of the garage after a few weeks when everybody got into yo-yos or Davey Crockett coonskin caps. Or maybe, and this might be closer to the herd instinct truth, it was after Elvis exploded onto the scene and every guy from twelve to two hundred in the world had to, whether they looked right with it or not, wear their sideburns just a little longer, even if they were kind of wispy and girls laughed at you for trying to out-king the “king” who they were waiting for not you. I know I did with Jasper James King who tried like hell to imitate Elvis and I just stepped on his toes all dance when he asked me to dance with him on It’s Alright, Mama.”  

“But maybe it was, and this is a truth which we can testify to when some girls, probably college girls like me, now called young women but then still girls no matter how old except mothers or grandmothers, having seen Joan Baez on the cover of Time (or perhaps her sister Mimi on some Mimi and Richard Farina folk album cover)got out the ironing board at home or in her dorm and tried to iron their own hair whatever condition it was in, curly, twisty, or flippy like mine, whatever  don’t hold me to all the different hairstyles to long and straight strands. Surely as strong as the folk minute was just then say 1962, 63, 64, they did not see the photo of Joan on some grainy Arise and Sing folk magazine cover, the folk scene was too young and small back in the early days to cause such a sea-change.”

 Sam piped up and after giving the photograph a closer look said, “Looking at that photograph you just pulled out of the closet now, culled I think from a calendar put out by the New England Folk Archive Society, made me think back to the time when I believe that I would not go out with a girl (young woman, okay) if she did not have the appropriate “hair,” in other words no bee-hive or flip thing that was the high school rage among the not folk set, actually the rage among the social butterfly, cheerleader, motorcycle mama cliques. Which may now explain why I had so few dates in high school and none from Carver High. But no question you could almost smell the singed hair at times, and every guy I knew liked the style, liked the style if they liked Joan Baez, maybe had some dreamy sexual desire thing about hopping in the hay, and that was that.”                   

“My old friend Bart Webber, a guy I met out in San Francisco  when I went out West with my old friend  Josh Breslin in our hitchhike days with whom if you remember I re-connected with via the “magic” of the Internet a few years ago, told me a funny story when we met at the Sunnyville Grille in Boston one time about our friend Julie Peters who shared our love of folk music back then (and later too as we joined a few others in the folk aficionado world after the heyday of the folk minute got lost in the storm of the British Beatles/Stones  invasion).”

“He had first met her in Harvard Square one night at the Café Blanc when the place had their weekly folk night (before every night was folk night when Eric Von Schmidt put the place on the map by writing Joshua Gone Barbados which he sang and which Tom Rush went big with) and they had a coffee together. That night she had her hair kind of, oh he didn’t know what they called it but he thought something like beehive or flip or something which highlighted and enhanced her long face. Bart thought she looked fine. Bart, like myself, was not then hip to the long straight hair thing and so he kind of let it pass without any comment.”

“Then one night a few weeks later after they had had a couple of dates she startled him when he picked her up at her dorm at Boston University to go over the Club Blue in the Square to see Dave Van Ronk hold forth in his folk historian gravelly-voiced way. She met him at the door with the mandatory straight hair although it was not much longer than when he first met her which he said frankly made her face even longer. When Bart asked her why the change Julie declared that she could not possibly go to Harvard Square looking like somebody from some suburban high school not after seeing her idol Joan Baez (and later Judy Collins too) with that great long hair which seemed very exotic, very Spanish.”

“Of course he compounded his troubles by making the serious mistake of asking if she had her hair done at the beauty parlor or something and she looked at him with burning hate eyes since no self-respecting folkie college girl would go to such a place where her mother would go. So she joined the crowd, Bart got used to it and after a while she did begin to look like a folkie girl, and started wearing the inevitable peasant blouses instead of those cashmere sweaters or starched Catholic school shirt things she used to wear.”     

“By the way Laura let’s be clear on that Julie thing with Bart back in the early 1960s since his Emma goes crazy every time anybody, me, you, Bart, Frankie Riley, Jack Callahan mentions any girl that Bart might have even looked at in those days. Yeah, even after almost forty years of marriage so keep this between us. She and Bart went “Dutch treat” to see Dave Van Ronk at the Club Blue. They were thus by definition not on a heavy date, neither had been intrigued by the other enough to be more than very good friends after the first few dates but folk music was their bond. Just friends despite persistent Julie BU dorm roommate rumors what with Bart hanging around all the time listening to her albums on the record player they had never been lovers.

“Many years later she mentioned that Club Blue night to me since I had gone with them with my date, Joyell Danforth, as we waited to see Pete Seeger and Arlo Guthrie with us to see if I remembered Van Ronk’s performance and while I thought I remembered I was not sure.

I asked Julie, “Was that the night he played that haunting version of Fair and Tender Ladies with Eric Von Schmidt backing him up on the banjo?” Julie had replied yes and that she too had never forgotten that song and how the house which usually had a certain amount of chatter going on even when someone was performing had been dead silent once he started singing.”

As for the long-ironed haired women in the photograph their work in that folk minute and later speaks for itself. Joan Baez worked the Bob Dylan anointed “king and queen” of the folkies routine for a while for the time the folk minute lasted. Mimi (now passed on) teamed up with her husband, Richard Farina, who as mentioned before was tragically killed in a motorcycle crash in the mid-1960s, to write and sing some of the most haunting ballads of those new folk times (think Pack Up Your Sorrows). Julie Collins, now coiffured like that mother Julie was beauty parlor running away from and that is okay, still produces beautiful sounds on her concert tours. But everyone should remember, every woman from that time anyway, should remember that burnt hair, and other sorrows, and know exactly who to blame. Yeah, we have the photo as proof.