When The Juke Joints Rocked And Nobody Cared About The Electricity-Delta Blues- And Then Some
CD Review
Southern Journey, Highway 61, Mississippi Fred McDowell and various artists, Rounder Records, 1997
I have spent a fair amount of time recently reviewing, individually and on various artist compilations, performers from the 1960’s urban folk revival. You know, Bob Dylan, Joan Baez, Dave Van Ronk, Eric Von Schmidt and the like. I have also reviewed the earlier performers who influenced them on the more traditional folk side like Woody Guthrie and Pete Seeger. There was another component of that search for roots that entailed heading south to the Mississippi Delta (or the hills of North Carolina) and getting ‘religion’ on the black country blues scene.
I mentioned in a review of the performers who influenced the 1960’s urban folk scene that it did not fall from the sky but had been transmitted by earlier performers. That, my friends, applies as well to the search for the blues. I also mentioned that we all, later when we understood things better, appreciated that John and Allan Lomax did yeomen’s service to roots music by their travels into the hinterlands in the 1930’s and 1940’s (and had Pete Seeger tag along for a year and thus serve as a little transmission belt to the latter generation) to find blues, mountain and other types of American traditional music. However, most of us got our country blues infusion second-hand through our addiction to local coffeehouses and the performers who provided us entertainment. They, in turn, learned their material from the masters who populate this CD.
This CD compilation is filled with the legends of the genre like the renowned Mississippi Fred McDowell (a major influence on and mentor of Bonnie Raitt). Moreover it contains fife and drum music from North Mississippi, which can be traced back to the African roots, and work songs that do not get nearly enough attention (including by this reviewer) as the work of the Delta artists like McDowell, Son House, John Hurt and Bukka White. Nicely done.
Devil Got My Woman lyrics
You know, I'd rather be the ol' devil
Well, I'd rather be the devil
Then to be that woman' man
You know, rather be the devil
Than to be that woman' man
You know, I'm so sorry
You know, so sorry
That I ever fell in love wit' you-ooo-hoo-oo
Because you know you don't treat me
Baby, like you used ta do-hoo
You know, I laid down last night
You know, I laid down last night
And I thought to take me some rest
But my mind got to rambling
Like a wild geese from the west
You know the woman that I love
The woman that I love
I stol't her from my best friend
But you know he done got lucky
An he done got her back, again
You know, I used to cut your kindleing
CD Review
Southern Journey, Highway 61, Mississippi Fred McDowell and various artists, Rounder Records, 1997
I have spent a fair amount of time recently reviewing, individually and on various artist compilations, performers from the 1960’s urban folk revival. You know, Bob Dylan, Joan Baez, Dave Van Ronk, Eric Von Schmidt and the like. I have also reviewed the earlier performers who influenced them on the more traditional folk side like Woody Guthrie and Pete Seeger. There was another component of that search for roots that entailed heading south to the Mississippi Delta (or the hills of North Carolina) and getting ‘religion’ on the black country blues scene.
I mentioned in a review of the performers who influenced the 1960’s urban folk scene that it did not fall from the sky but had been transmitted by earlier performers. That, my friends, applies as well to the search for the blues. I also mentioned that we all, later when we understood things better, appreciated that John and Allan Lomax did yeomen’s service to roots music by their travels into the hinterlands in the 1930’s and 1940’s (and had Pete Seeger tag along for a year and thus serve as a little transmission belt to the latter generation) to find blues, mountain and other types of American traditional music. However, most of us got our country blues infusion second-hand through our addiction to local coffeehouses and the performers who provided us entertainment. They, in turn, learned their material from the masters who populate this CD.
This CD compilation is filled with the legends of the genre like the renowned Mississippi Fred McDowell (a major influence on and mentor of Bonnie Raitt). Moreover it contains fife and drum music from North Mississippi, which can be traced back to the African roots, and work songs that do not get nearly enough attention (including by this reviewer) as the work of the Delta artists like McDowell, Son House, John Hurt and Bukka White. Nicely done.
Devil Got My Woman lyrics
You know, I'd rather be the ol' devil
Well, I'd rather be the devil
Then to be that woman' man
You know, rather be the devil
Than to be that woman' man
You know, I'm so sorry
You know, so sorry
That I ever fell in love wit' you-ooo-hoo-oo
Because you know you don't treat me
Baby, like you used ta do-hoo
You know, I laid down last night
You know, I laid down last night
And I thought to take me some rest
But my mind got to rambling
Like a wild geese from the west
You know the woman that I love
The woman that I love
I stol't her from my best friend
But you know he done got lucky
An he done got her back, again
You know, I used to cut your kindleing
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