From The Pen Of Joshua Lawrence Breslin- When Woody Allen Ruled The Social Satire (And Adult Angst) Night

[In a recent introduction to this new series, a series based on short film reviews for films that deserve short reviews if not just a thumb’s up or down I noted that Allan Jackson, the deposed previous site manager, required his film reviewers to write endlessly about the film giving the material an almost cinema studies academic journal take on it. That caused a serious decline in the number of reviews over the years which I hope to make up with a flurry of snap reviews for busy people. To see in full why check the archives for November 28, 2018- Not Ready For Prime Time But Ready For Some Freaking Kind Of Review Film Reviews To Keep The Writers Busy And Not Plotting Cabals Against The Site Manager-Introduction To The New Series Greg Green]

Short Film Clips

From an American Left History blog review of Woody Allen’s Annie Hall-

… Hey, haven’t I already reviewed this movie. No, sorry that was Manhattan another in the line of very witty Woody Allen movies. But the point is this it is the same subject that Woody addressed there even though chronologically Annie Hall came first by a couple of years and received the lion’s share of kudos and awards. As virtually always Allen is intent upon commenting on New York life and its intellectual trends and the ups and downs of relationships, mainly with women. Here he adds a flourish by contrasting old New York (in the 1970’s) to up and coming California as the cultural mecca of the American empire. And, as should be the case, New York wins.

Add to that the perennial issue of Woody’s struggle with ‘interpersonal’ relationships and his angst-driven desire to understand the modern world and you have a very fine social commentary of the times. Needless to say Woody’s love interest Annie Hall (as played by his then paramour Diane Keaton) keeps him hopping. As does an ensemble cast that works well together as foils for his ironic and savage humor. The only surprise in revisiting this film recently is how well Keaton plays her role as an up and coming torch singer. Of course, I have always been a sucker for torch singers but that is another matter. Some of the humor may seem dated and very 1970’s New Yorkish. Some of Woody’s mannerism and use of sight gags may seem like old news. But this is a film to watch or re-watch if you have seen it before.

And hence…

Bullets Over Broadway

Apparently, as long as it involves a New York City scenario Woody Allen is more than happy to take a run at a plot that involves that locale in some way. Here it is the Great White Way- Broadway during its heyday in the Prohibition Era 1920’s that gets his attention (as it has before in the classic Broadway Danny Rose). What really makes this plot line very, very funny and makes the film work however is the twist of interspersing production of a play with nefarious gangster activity.

Here a struggling (weren’t we all and still are) Greenwich Village writer has a play in search of a backer and in the process a gangster ‘ghostwriter’. Up comes one backer-with a problem- his ‘doll’ wants in on the play and he needs to stay one or two steps ahead of his rivals. These antics drive the play nicely as does a brilliant performance by Diane Wierst doing a fantastic send up of Gloria Swanson as the has been actress searching for a comeback in Billy Wilder’s classic Hollywood Boulevard. This one is definitely the five star without the hype.