When History
Collides With Cinematic License-The Strange Saga Of “Green Book” (2018)-A Film
Review
DVD Review
By Frank Jackman,
The genesis of this film
review of the Oscar-winning Best Picture Green
Room at this publication is indeed a strange saga. The review was
originally assigned to younger writer Sarah Lemoyne who after viewing it told the
assignment editor that she did not feel that she could do an adequate review
because she was totally clueless about the social and racial reality, North and
South in 1962 the period which anchors the film. She did not know, could not
believe that in those days black people, then called Negroes mostly (or worse “n”
worse in redneck society and not just there) could not find public
accommodation in the South (housing, dining, going to the restroom for
Chrissake). Had to depend on the prior experience Green Book to navigate the Jim Crow South, and not just there when
travelling below the Mason-Dixon line. Sarah although she was aware of the
historic black civil rights movement had no idea that it was a fight for the
ability not only to vote, but to eat (many Woolworth 5&10 sit-ins for
example), sleep (separate but not equal hotels) or piss (very visible signs at
toilets saying where “colored” could do so) wherever you landed in this great
country. Having told her story to the assignment editor he decided that one of
the older writers, me, should do the review to have someone do the piece who at
least have some connection with those uproarious times.
(In Sarah’s defense she
did a recent article on the Frida Kahlo-Toulouse-Lautrec using her art classes background to pick up some
very interesting information about this pair and their troubled relationship
something I don’t know anything about so things have worked out okay in that
regard although I will admit I still wonder how a true Latina beauty life Frida
ever got her claws into the ugly debauched Toulouse, and why.)
Frankly, and this only
adds to the strangeness of the saga around putting this review out, I had my
own personal hard time trying to figure out a “hook” to latch onto here. This
centrally is a story in post-Black Lives Matter terms about “travelling while
black” down in the South in the days when that was at best an iffy proposition
and one had better have an updated copy of the Green Book at the ready. Obviously, any cinematic story, fiction or
as here based on a true story, can be worked any way the director and producers
want to with the story.1962, 1963, 1964 and 1965 were the heart of the black
civil rights movement, the time especially in the North when people started to
hear about alarming stuff going on against black people in the South in their
movement to vote and get rid of Jim Crow which had started to build up steam in
the mid-1950s.
Probably the most
dramatic event that appeared on the black and white television most of us
looked those days was when the cops down in Birmingham, Alabama (a city where
the main characters here finished their trip at before heading North)
fire-hosing and putting the rabid dogs on young black children protesting the
Jim Crow conditions. The film while dealing with some individual manifestations
of what was faced by the lead character Don Shirley as he tried to navigate the
rigid routine racism rules of the South pretty much ignored the social
turbulence that drove him to make his own racial statements. I will give
examples below as I dissect the story line.
Adding to this conundrum
is what had been called elsewhere by other commentators the “white savior” or
buddy aspects of the film. The lowly driver saving the boss’ ass in reverse. Those
points probably would make more sense if I gave a run at the storyline which in
the end as far as worthwhile entertainment went was well worth the couple of
hours of viewing. Tony Lip, not Tony the Lip by the way, is an Italian, well
let’s call him a handyman, in the old days and enforcer, who keeps order when
the crazies get their liquor highs and weed-infested higher up at the Copa,
Copacabana the now long- gone bright light night club in New York City run by
very “connected” guys. Apparently there was no union to force concessions or
concern for employees’ fortunes by management when the joint was closed for
repairs for a couple of months (and it really was a joint with over-the-top
prices for cheapjack liquor, some say watered down to just above apple juice
level and so-so surf and turf entrees featuring music by otherwise unemployable
singers like Bobby Rydell (nee Rizzo, maybe Ratso’s spawn) after he had his moment
of fame on the rock charts when rock and roll was in one of its periods of
decline). See though Tony Lip was from hunger, had a wife a couple of kids to
support and therefore needed some kind of work. A guy in Lip’s line of work
though is pretty limited into what he can take on although the guys in the
neighborhood, the capos as it turned out would have provided him with plenty of
work helping guys sleep with the fishes. (courtesy of some beautiful
Godfather’s okay).
Word gets around though
when you have a guy like Lip who can handle himself and keep standing and so he
gets a referral for a driver’s job, you know, a chauffeur. That may seem
beneath a guy like Lip’s abilities but there was a hitch. Two really, no three.
First the guy he was supposed to drive for, the famous pianist Don Shirley, was
in a memorable term for black people among Italians then although I had heard
the “n” word used more among the Italian guys I knew who hung around Tonio’s
Pizza Parlor in North Adamsville when I was in high school which I will use, an
eggplant. Secondly Lip made it very obvious that he did not like eggplants (a
dramatic scene when a couple of black guys were working in his house and given
water in glasses by his wife caused Lip to seize up and throw the damn things
in the trash barrel). Thirdly, this so-called high-toned piano player planned a
concert tour of the South in 1962 when all hell was breaking out down there
with the explosion of the black civil rights movement to prove, well, to prove
that with a certain personal dignity that he was ready in his private way to
break Jim Crow. (By the way down in deep Jim Crow territory they had only
slightly less love for Italians, Roman Catholic Italians, than eggplants,
blacks so Lip will have to be ready not only to enforce for Din but keep his
own ass dry).
This Don Shirley,
trained in Leningrad by the best they had (now Saint Petersburg so remember we
are also talking about deep in the Cold War) who learned some manners and some,
well, airs too. Don would be what Harold Cruse called using the respectful term
of the time, the “new Negro” or W.E.B. Dubois “the talented tenth” who would
lead the struggle to break Jim Crow and attain some level of racial equality.
The problem, the 1962 problem for Don is that his aloofness from his people
left him with some serious identity problems “solved” by many bottles of Cutty
Sawk. He stated his case pretty well one Lip confrontational night when he in
anguish said he was not black enough, white enough, or man enough (finding out
he was gay via police lock-up gay interlude) for anybody. His alienation hit
home (and also made me mad) when Lip had stopped the car for some reason when
they were in the Deep South and some woe begotten share- croppers were tending
the fields across the way. They and Don might have been on two different planets.
The mad on my part was at the film’s director/producers for it was exactly
people like those sharecroppers, working people in those Birmingham steel mills
and along the waterfronts who were the backbone, the infrastructure of the
movement. Some short-change there.
I mentioned earlier that
there is continuing controversy around the themes of this film, the Lip “white
savior” aspect. No question that the unworldly Don Shirley would have never
gotten out of the South then, Green Book guidance or not, without an enforcer
like Lip. For example, one night Don decided to go for a drink in some redneck
bar in Kentucky and would have been beaten to death without the timely
intervention of Lip. There were many other situations like that as well
especially when Don decided to go cruising for some gay love (and wound up in
the jailhouse). This saving his ass by Lip time after time is the genesis of
the “white savior” criticism.
As is well know there
have been a million versions of the budding buddy story (and in post-Thelma and Louise times on the distaff side
as well.) This pairing is as improbable as it gets as the upscale (hell he has
an apartment over Carnegie Hall) black man meets street smart and street
surviving (as important) Lip. They also may have been on different planets
starting out but through the two months they are together they become, I guess,
friends, although on the historical record and despite captions at the end
stating they were friends until they died there is some question about that.
Sometimes though you can like a film despite sensing something is out of kilter.
That is the case here and although other films were Oscar-worthy this one
doesn’t have anything to apologize for in that regard.
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