Monday, June 03, 2019

Oh, Rosalita-With Marilyn Monroe, Montgomery Clift and Clark Gable’s Film Adaptation Of Arthur Miller’s “The Misfits” In Mind



Oh, Rosalita-With Marilyn Monroe, Montgomery Clift and Clark Gable’s Film Adaptation Of Arthur Miller’s “The Misfits” In Mind     




By Zack James

Maybe it was something in the drinking water but Louis Lyons was beside himself once he figured out the real reason why he spent a couple of weekend nights watching a couple of old-time flicks, films which he had gathered in from his Netflix service. Lou had been on a long term kick about watching, or rather re-watching, films, mostly black and white from his checkered seedy random youth. In those days he would have viewed such films not on his HD television or via the stream of his computer but at his local theater, The Majestic, in his hometown of Oxford out in Western Massachusetts now long since closed where he would spent many an ungodly Saturday afternoon  viewing the current fare. The “ungodly’ part for real his parents were devout Sixth Day Anabaptists whose day of worship started midday Saturday and ended at dawn Sunday morning and although they were liberal enough to see that Lou would have snuck out anyway always cast that epitaph his way when he came sheepishly through the door after being hunkered with a box of made last popcorn and some candy bars purchased at Billy’s Variety and “snuck” in under the watch-less eyes of the ushers. Later in high school, having grown out of kids’ clothing and Saturday matinees about the same time, he let those epitaphs flow off his back like water off a duck after coming in late on Saturday nights. Reason: or one of the reasons, Lottie Larson who was the first girl who accepted his invitation when he asked her the locally famous, locally high school movie date night, question-balcony or orchestra? Orchestra meant maybe one date and out but balcony meant promise of anything from a “feel” inside or out of some girl’s cashmere sweater to a tight space blow job.            

This trip, this diversion down rural hills nostalgia road, has a purpose since it was on the same track that was bothering Lou’s old mind. The eternal, infernal, ways of sex which had one way or another bothered Lou’s mind since puberty, maybe before if Doctor Freud and his acolytes were right. The association played out this way. On Friday night he had watched for the umpteenth time one of his all-time favorite films the film adaptation of Ernest Hemingway’s To Have And Have Not starring Lauren Bacall and Humphrey Bogart. One of the reasons that he favored that film is that although he did not see it when it had come out since he was only a dream in his parents’ way of life in 1941 when the film had come out when he saw it in retrospective in college at the Brattle Theater in Harvard Square he had told his date, name now long forgotten in memory, that some of the scenes in that classic were as hot, maybe hotter, between two people with their clothes fully on than half the porno being featured in the Combat Zone in downtown Boston. (Lou vaguely remembered that night was a hot date night with that unremembered young woman when they had gone back to her place on Commonwealth Avenue.) After that recent viewing though he had remarked to his wife, his third wife, Moira, that given the best of it Captain Morgan, Bogie’s role, a craggy sea salt, and Marie, the Bacall role, that he had to be at least twice her age, maybe more. (He had actually looked it up on Wikipedia and found Bogie was forty-five and Bacall nineteen at the time so the “maybe more” was definitely in play). That started a short discussion between them about younger women being attracted to older men (as a sign of some kind of distorted social norm older men being attracted to younger women never made it to the conversation table). No conclusions were drawn at the time by Lou.                   

Saturday night Moira was out attending her weekly bridge party with some of her girlfriends and Lou wound up watching the other film the film adaptation of Arthur Miller’s The Misfits starring Marilyn Monroe and Clark Gable (with serious supporting roles by Montgomery Clift, Eli Wallach, and Thelma Ritter). Once again maybe giving Clark, playing Gaye, a decided edge in the looks department over Bogie and the fact of being a real cowboy over a sea captain an older man was attractive to a younger woman, Rosalyn, played by Marilyn Monroe. Lou, a little younger than the older brothers and fathers who saw Ms. Monroe as the epitome of 1950s sexual allure and beauty, had seen the film when he was in high school, alone if he recalled.        

The question of younger women being attracted to older men would not have stuck out as much it had those nights on the first viewing of the films back in the day but since then there had been Rosalita, his second wife, the wife that Lou had left for Moira. The main reason, although not the only reason, had been the wide gap in age between them, Rosalita had been twenty-five and he almost fifty when he spied her one night in San Francisco at the City Lights Bookstore, the famous one run by Lawrence Ferlinghetti and the big “beat” hang-out back in the 1950s when being “beat” mean something socially unlike later when he tried to emulate them and got nothing but laughs for digging something, a scene so passé. He was trolling the place, literally, since he had just got divorced back in Massachusetts from his first wife, Anna, and after the acrimonious settlement decided he needed to head west and make a new start. Needed the company of a woman as well and somebody he had run into at Ginny’s Bar in North Beach had told him that if you were looking for a certain type woman, intellectually curious, maybe a little off-kilter, maybe easy too then in San Francisco you hit the bookstores and City Lights was a magnet. (That “custom” was not confined to Frisco Town he had met Moira at the Museum of Fine Arts in Boston under the same imperative).          

Lou had been looking for a copy of Allen Ginsberg’s poem Howl (in a book which came with other poems as well) since that was one of
his favorite poems, if not his most favorite then. Then this thin, brown-eyed, black-haired good-looking young women whom he at first thought was Spanish, maybe from Mexico given where he was came up behind him and started going on and on about Ginsberg who had just died a few years before. (Rosalita was not Spanish at all but Irish her mother just liked the name.) He was shocked that anybody under the age of forty would know anything about Ginsberg and the important of his poem not only as a break in the kind of poem that was acceptable in polite society but the harsh social message Ginsberg was laying down. She, not he, asked if he would like to stop at the café and have a cup of coffee. He figured why not (he did not find out until after they had a couple of subsequent dates that women, women of all ages, also trolled the bookstores looking for men, men who say would be looking at something like Howl which told them the guy could at least read unlike some of the beasts they had run across in the bars or at some off-beat party).      

That afternoon started their affair but Lou was from the start apprehensive about their differences in ages which came up often along the way, for example, when he mentioned that he had been in Washington on May Day, 1971 and had been arrested in the dragnet that the cops and military had set up that day she didn’t understand, could not get around the idea that people would try to shut down the government if it did not stop the Vietnam War. At times they could work through it like that first day with Ginsberg (she turned out to have been an English major at Berkeley) but other times, times when she tried to coax him into jogging which she was crazy about they would fight civil war worthy battles. He always had the sneaking suspicion that Rosalita was not telling the truth when she mentioned that she had had trouble with her male peers, boys she called them, and had been attracted to older men ever since her father had abandoned her family when she was twelve. She had told him repeatedly that she was looking for the maturity and security that an older man would bring. Lou could never really get that through his head and eventually his tilted his behavior toward giving dear Rosalita reason to boot him out the door. (On top of meeting Moira closer in age to him at the museum when for one last effort to reconcile they had moved to Boston).

That The Misfits movie night Lou had finally figured out, too late like lots things in his life, maybe Rosalita had been just like Marie and Rosalyn needing a safe harbor. Damn.       

Sunday, June 02, 2019

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-You Got That Right Brother-The Blues Ain’t Nothing But A Good Woman On Your Mind -With Arthur Alexander's Anna In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-You Got That Right Brother-The Blues Ain’t Nothing But A Good Woman On Your Mind -With Arthur Alexander's Anna In Mind  


YouTube film clip of Arthur Alexander performing his classic Anna later coveted on a cover by the Beatles.


Introduction by Allan Jackson

[Who said it, Tupac or Biggy Smalls, Tupac now that I think about it, that “Christmas kind of missed us, birthdays were the worst days” in growing up poor wherever they hailed from. That sure was the case, despite the difference in race, not an unimportant in haughty white bread America now, or then, in my growing up Acre neighborhood of North Adamsville where the wanting habits were just as hunger-driven as any community of color on the economic level. In the story below the kid is causing holy hell and damnation because she can’t get some modern gizmo to seem hip or something. I knew the kid who the story was based on and even he will say he was being weird when compared to my even poorer existence. Painful as it is to speak of even today when I have cash and credit to see me through we didn’t even have that margin to get some extra gizmo, not even close.

My mother was the world champion at “the envelopes” each weekly payday. Those enveloped neatly marked in her steady for all the various bills due each week. Of course, never, never as far as I remember did the dough match the bills, and so the envelopes were divvied up on the basic of lateness due and on giving just enough money to not be evicted, or dunned for a million bills. She had the thing down to a science about how much she could tender without ever getting straight. If things were really bad and I could always tell before I got old enough to refuse to do the dirty work anymore she would sent me hat in hand to pay let’s say the rent with my dour face hopefully I would not get yelled at by the clerk who seemed to thing we were stiffing her personally. The stoolie thing worked though since we never were evicted as close at things were at times. 

Worse, worse in growing up in the serious golden age of the automobile in America in the days when every self-respecting family had an automobile and exchanged for a new version every three years we walked, walked everywhere and on the few occasions when we did have a car the thing was a monster that I was ashamed to be seen in and so I walked, walked desperate walks of shame. So can you really be naïve enough to feign wondering why when corner boy time came and Scribe figured out ways to get dough without much risk I was in with all my hands. Allan Jackson]       
*********** 

Johnny Prescott daydreamed his way through the music that he was listening to just then on the little transistor radio that Ma Prescott, Martha to adults, and Pa too, Paul to adults, but the main battles over the gift had been with Ma, had given him for Christmas. In those days we are talking about, the post-World War II red scare Cold War 1950s in America, the days of the dreamy man in the family being the sole provider fathers didn’t get embroiled in the day to day household kids wars and remained a distant and at times foreboding presence called in only when the dust-up had gotten out of hand. And then Papa pulled the hammer down via a classic united front with Ma. Johnny had taken a fit around the first week in December in 1960 when Ma quite reasonable suggested that a new set of ties to go with his white long-sleeved shirts might be a better gift, a better Christmas gift and more practical too, for a sixteen year old boy. Reasonable since alongside Pa being that sole provider, being a distant presence, and being called in only when World War III was about to erupt in the household he also worked like a slave for low wages at the Boston Gear Works, worked for low wages since he was an unskilled laborer in a world where skills paid money (and even the skills that he did have, farm hand skills, were not very useful in the Boston labor market). So yes ties, an item that at Christmas time usually would be the product of glad-handing grandmothers or maiden aunts would in the Prescott household be relegated to the immediate family. And that holiday along with Easter was a time when the Prescott boys had in previous years had gotten their semi-annual wardrobe additions, additions provided via the Bargain Center, a low-cost, low rent forerunner of the merchandise provided at Wal-Mart.                

This year, this sixteen year old year, Johnny said no to being pieced off with thick plaid ties, or worse, wide striped ties in color combinations like gold and black or some other uncool combination, uncool that year although maybe not in say 1952 when he did not know better, uncool in any case against those thin solid colored ties all the cool guys were wearing to the weekly Friday night school dances or the twice monthly Sacred Heart Parish dances the latter held in order to keep sixteen year old boys, girls too, in check against the worst excesses of what the parish priests (and thankful parents) thought was happening among the heathen young.

No, that is not quite right, that “Johnny said no” part, no, he screamed that he wanted a radio, a transistor radio, batteries included, of his own so that he could listen to whatever he liked up in his room, or wherever he was. Could listen to what he liked against errant younger brothers who were clueless, clueless about rock and roll, clueless about what was what coming through the radio heralding a new breeze in the land, a breeze Johnny was not sure what it meant but all he knew was that he, and his buddies, knew some jail-break movement was coming to unglue all the square-ness in the over- heated night. Could listen in privacy, and didn’t have to, understand, didn’t have to listen to some Vaughn Monroe or Harry James 1940s war drum thing on the huge immobile RCA radio monster downstairs in the Prescott living room. Didn’t have to listen to, endlessly Saturday night listen, captive nation-like listen to WJDA and the smooth music, you know, Frank Sinatra, Andrews Sisters, Bing Crosby, and so on listen to the music of Ma and Pa Prescott’s youth, the music that got them through the Depression and the war. Strictly squaresville, cubed.

Something was out of joint though, something had changed since he had begun his campaign the year before to get that transistor radio, something or someone had played false with the music that he had heard when somebody played the jukebox at Freddy’s Hamburger House where he heard Elvis, Buddy, Chuck, Wanda (who was hot, hot for a girl rocker, all flowing black hair and ruby red lips from what he had seen at Big Max’s Record Shop when her Let’s Have A Party was released), the Big Bopper, Jerry Lee, Bo, and a million others who made the whole world jump to a different tune, to something he could call his own. But as he listened to this Shangra-la by The Four Coins that had just finished up a few seconds ago and as this Banana Boat song by The Tarriers was starting its dreary trip through his brain he was not sure that those ties, thick or uncool as they would be, wouldn’t have been a better Christmas deal, and more practical too.

Yeah, this so-called rock station, WAPX, that he and his friends had been devoted to since 1957, had listened to avidly every night when Johnny Peeper, the Midnight Creeper and Leaping Lenny Penny held forth in their respective DJ slots, had sold out to, well, sold out to somebody, because except for late at night, midnight late at night, one could not hear the likes of Jerry Lee, Carl, Little Richard, Fats, and the new rocker blasts, now that Elvis had gone who knows where. Killer rocker Chuck Berry had said it best, had touched a youth nation nerve, had proclaimed the new dispensation when he had proclaimed loud and clear that Mr. Beethoven had better move alone, and said Mr. Beethoven best tell one and all of his confederates, including Mr. Tchaikovsky, that rock ‘n’ roll was the new sheriff in town. But where was Chuck, where was that rock blaster all sexed up talk and riffs to match now that everybody was reduced to Bobby Darin, Bobby Rydell, and Bobby, hell, they were all Bobbys and Jimmys and Eddies and every other vanilla name under the sun now not a righteous name in the house. As Johnny turned the volume down a little lower (that tells the tale right there, friends) as Rainbow (where the hell do they get these creepy songs from) by Russ Hamilton he was ready to throw in the towel though. Ready to face the fact that maybe, just maybe the jail-break that he desperately had been looking forward to might have been just a blip, might have been an illusion and that the world after all belonged to Bing, Frank, Tommy and Jimmy and that he better get used to that hard reality.   

Desperate, Johnny fingered the dial looking for some other station when he heard this crazy piano riff starting to breeze through the night air, the heated night air, and all of a sudden Ike Turner’s Rocket 88 blasted the airwaves. Ike whose Rocket 88 had been the champion choice of Jimmy Jenkins, one of his friends from after school, when they would sit endlessly in Freddy’s and seriously try to figure out whose song started the road to rock and roll. Johnny had latched onto Big Joe Turner’s Shake, Rattle and Roll which Elvis did a smash cover of but who in Joe’s version you can definitely heart that dah-da-dah beat that was the calling card of his break-out generation, as well as the serious sexual innuendo which Frankie Riley explained to one and all one girl-less Friday night at the high school hop. Billy Bradley, a high school friend who had put an assortment of bands together and so knew more than the rest of them combined, had posited Elmore James’ Look Yonder Wall as his selection but nobody had ever heard the song then, or of James. Johnny later did give it some consideration after he had had heard the song when Billy’s band covered it and broke the place up.

But funny as Johnny listened that night it didn’t sound like the whinny Ike’s voice on Rocket 88 so he listened for a little longer, and as he later found out from the DJ, it had actually been a James Cotton Blues Band cover. After that band’s performance was finished fish-tailing right after that one was a huge harmonica intro and what could only be mad-hatter Junior Wells doing When My Baby Left Me splashed through. No need to turn the dial further now because what Johnny Prescott had found in the crazy night air, radio beams bouncing every which way, was direct from Chicago, and maybe right off those hard-hearted Maxwell streets was Be-Bop Benny’s Chicago Blues Radio Hour. Be-Bop Benny who everybody who read the rock and roll magazines found easier at Doc’s Drugstore over on Hancock Street knew, had started Chuck Berry, Little Richard, and Fats Domino on their careers, or helped.
Now Johnny, like every young high-schooler, every "with it" high schooler in the USA, had heard of this show, because even though everybody was crazy for rock and roll, just now the airwaves sounded like, well, sounded like music your parents would dance to, no, sit to at a dance, some kids still craved high rock. So this show was known mainly through the teenage grapevine but Johnny had never heard it before because, no way, no way in hell was his punk little Radio Shack transistor radio with two dinky batteries going to ever have enough strength to pick Be-Bop Benny’s show out in Chicago. So Johnny, and maybe rightly so, took this turn of events for a sign. When Johnny heard that distinctive tinkle of the Otis Spann piano warming up to Spann’s Stomp and jumped up with his Someday added in he was hooked. You know he started to see what Billy, Billy Bradley who had championed Elmore James way before anybody knew who he was, meant when at a school dance where he had been performing with his band, Billie and the Jets, he mentioned from the stage before introducing a song that if you wanted to get rock and roll back from the vanilla guys who had hijacked it while Jerry Lee, Chuck and Elvis had turned their backs then you had better listen to the blues. And if you wanted to listen to blues, blues that rocked then you had very definitely had better get in touch with the Chicago blues as they came north from Mississippi and places like that.

And Johnny thought, Johnny who have never been too much south of Gloversville, or west of Albany, and didn’t know too many people who had, couldn’t understand why that beat, that dah, da, dah, Chicago beat sounded like something out of the womb in his head. But when he heard Big Walter Horton wailing on that harmonica on Rockin’ My Boogie he knew it had to be in his genes. 
Here’s the funniest part of all though later, later in the 1960s after everybody had become a serious aficionado of the blues either through exposure like Johnny to the country blues that got revived during the folk minute that flashed through the urban areas of the country and got big play at places like the Newport Folk Festival or like Jimmy Jenkins through the British rock invasion the blues became the dues. It was especially ironic that a bunch of guys from England like the Stones and Beatles were grabbing every freaking 45 RPM record they could get their mitts on. So if you listened to the early work of those groups you would find thing covered like Shake, Rattle and Roll (Big Joe’s version), Arthur Alexander’s Anna, Howlin’ Wolf’s Little Red Rooster and a ton of stuff by Muddy Waters. Yeah, the drought was over.               


***Sagas Of The Irish-American Diaspora- Albany-Style- William Kennedy's "Very Old Bones"

***Sagas Of The Irish-American  Diaspora- Albany-Style- William Kennedy's "Very Old Bones"






Book Review

Very Old Bones, William Kennedy, Viking Press, New York, 1992


Recently, in reviewing an early William Kennedy Albany-cycle novel, “Ironweed” I mentioned that he was my kind of writer. I will let what I stated there stand on that score here. Here is what I said:

“William Kennedy is, at least in his Albany stories, my kind of writer. He writes about the trials and tribulations of the Irish diaspora as it penetrated the rough and tumble of American urban WASP-run society, for good or evil. I know these people, my people, their follies and foibles like the back of my hand. Check. Kennedy writes, as here with the main characters Fran Phelan and Helen Archer two down at the heels sorts, about that pervasive hold that Catholicism has even on its most debased sons and daughters, saint and sinner alike. I know those characteristics all too well. Check. He writes about that place in class society where the working class meets the lumpen-proletariat-the thieves, grifters, drifters and con men- the human dust. I know that place well, much better than I would ever let on. Check. He writes about the sorrows and dangers of the effects alcohol on working class families. I know that place too. Check. And so on. Oh, by the way, did I mention that he also, at some point, was an editor of some sort associated with the late Hunter S. Thompson down in Puerto Rico. I know that mad man’s work well. He remains something of a muse for me. Check.”

Although “Very Old Bones” is structurally part of Kennedy’s Albany-cycle of novels it is far more ambitious than the other novels in the cycle that I have read. Those previous efforts, led by the premier example, “Ironweed” set themselves the task of telling stories about particular characters in the Phelan clan and their neighbors in particular periods of the cycle that runs from approximately the 1880s to, as in the present novel, the late 1950s. Here we get a vast view of the clan, its trials and tribulations and its cursedness as a result of the insularity of the Irish diaspora, Albany style.

I am, frankly, ambitious about the success of this endeavor. While it is very good to have a summing up of the history of the Phelan clan, it struggle for "lace curtain" respectablity, and its remarkable stretch of characters from the cursed Malachi generation through to Fran (of “Ironweed”), and here his brother Peter as well, and on to Orton, the narrator’s generation (and Billy Phelan’s) there is almost too much of this and it gets in the way of the plot line here, basically the current survivors trying to cope with the traumas brought on by those previous generations. Conversely, I ran through the book at breakneck speed. Why? Change the names and a few of the incidentals, and a few f the specific pathologies, and this could have been the story of my Irish-derived family in that other diaspora enclave, Boston. Hence the ambiguity. Moreover, there is just a little too much of that “magical realism” in the plot that was all the rage in the 1990s in telling the sub-stories here and then expecting us the sober, no nonsense reader to suspend our disbelieve. Is this effort as good as "Ironweed"? No, that is the standard by which to judge a Kennedy work and still the number one contender from this reviewer's vantage point.

The 50th Anniversary Of The Summer Of Love (1967)-In The Time Of Hunter Thompson’s Time –Hey, Rube- A Short Book Clip

The 50th Anniversary Of The Summer Of Love (1967)-In The Time Of Hunter Thompson’s Time –Hey, Rube- A Short Book Clip 



Short Book Clip

Hey, Rube, Hunter Thompson, 2004

Make no mistake the late, lamented Hunter Thompson was always something of a muse for me going way back to the early 1970’s when I first read his seminal work on the outlaw bikers The Hell’s Angels. Since then I have devoured, and re-devoured virtually everything that he has written. However the present book leaves me cold. This is a case where ‘greed’ (on whose part I do not know although the proliferating pile of remembrances of Thompson may give a hint) got the better of literary wisdom. This compilation of articles started life as commentary on the ESPN.com, part of the cable sports network. And perhaps that is where the project should have ended. Hey, this stuff has a half-life in cyberspace so nothing would have been lost.

So what is the basis for my objection? Part of Hunter’s attraction always has been a fine sense of the hypocrisy of American politics. Although we marched to different drummers politically I have always appreciated his ability to skewer the latest political heavyweight- in- chief, friend or foe. That is missing here although he does get a few whacks in on the then current child-president Bush. But this is not enough. What this screed is really about is the whys and wherefores of his lifelong addiction to sports betting and particularly professional football, the NFL. A run through the ups and downs of previous seasons’(2000-2003) gambling wins and losses, however, does not date well. Hell, I can barely remember last week’s bets.

But the real problem is that like in politics we listen to different drummers. I am a long-time fan of‘pristine and pure’ big time college football and would not sully my hands to bet on the NFL so his whining about the San Francisco 49’ers or the Denver Broncos is so much hot air. However, I will take Notre Dame and 3 points against Alabama in the2012 major college national championship game. That’s the ticket. I miss Hunter and his wild and wooly writing that made me laugh many a time when I was down and needed a boost but not here. Enough said.

The 50th Anniversary Of The Summer Of Love-Ivan Koop Kuper : Ken Kesey's Houston Acid Test

The 50th Anniversary Of The Summer Of Love-Ivan Koop Kuper : Ken Kesey's Houston Acid Test




01 December 2010

Ivan Koop Kuper : Ken Kesey's Houston Acid Test 
The original "Furthur," the magic bus of Ken Kesey and the Merry Pranksters, on the road. Photo from NoFurthur.

Paying Larry McMurtry a visit:
The Merry Pranksters' last acid test

By Ivan Koop Kuper / The Rag Blog / December 1, 2010

HOUSTON -- In the heat of a July Houston morning in 1964, residents of the quiet Southampton neighborhood woke up to find a strangely painted school bus parked in front of an unassuming two-story brick house in the middle of the block.

The vintage 1939 International Harvester with its passengers of “Merry Pranksters” drove half way across the United States and was now parked in front of the house of novelist and Rice University professor, Larry McMurtry. The Southampton neighbors would learn that the brightly painted bus whose destination plate read “FURTHUR,” with two u's, was filled with strangely acting and even stranger looking people from California.

The leader of the Merry Pranksters was author Ken Kesey, whose novel, Sometimes a Great Notion, had just been published that summer. Their cross-country road trip to New York City was in part a celebration to commemorate the publication of his second novel, as well as the fulfillment of a request by his publisher for a personal appearance and an excuse to visit the World’s Fair taking place in the borough of Queens.

Fueled by the then-legal hallucinogenic drug LSD, Kesey and the Pranksters stopped in Houston along the way to visit McMurtry, who Kesey knew from their days at Stanford.

McMurtry lived with his 2-year-old son, James, on the oak-lined street near Rice University, where he taught undergraduate English.


Larry McMurtry and son, James, 1964. Photo from The Magic Bus.

McMurtry was also experiencing success in his life during this time. His inaugural novel, Horseman, Pass By, had been adapted into a screenplay and released as the feature-length movie, Hud, staring Paul Newman and Melvyn Douglas, the previous year.

“I remember walking down Quenby Street one afternoon and seeing the school bus parked in front of the McMurtry’s house,” said Kentucky-based artist Joan Wilhoit. “It was very atypical and pretty damn psychedelic with lots of colors. The Pranksters were very accommodating and invited us on the bus. They were very different, sort of proto-hippies, and I remember they painted their sneakers with Day-Glo paint. My parents befriended them and brought old clothes and hand-me-downs to those who needed it. My parents weren’t rude like some of the other neighbors were.”

Wilhoit, who was nine at the time. remembers that not all the neighbors were as welcoming as her parents and that some made sarcastic remarks about the Pranksters.

“’Do you have a bathroom on that bus?’ I remember one our neighbors asking the Pranksters through the school bus window,” the former Houstonian recounted. “I also remember hearing about the ‘naked girl’ and I thought it was the strangest thing how the police were called and how she had to be admitted to a psych ward of some Houston hospital.”

“Stark Naked,” as she was referred to in Tom Wolfe’s Electric Kool-Aid Acid Test, the novel that chronicled the exploits of Kesey and the Pranksters in the 1960s, was a bus passenger apparently “tripping” throughout her bus ride to Houston, who discarded her clothing in favor of a blanket that she wore for the duration of the journey. Upon her arrival in Houston, she experienced an episode of “lysergically-induced” psychosis, and confused McMurtry’s toddler son with her own estranged child, “Frankie.”


"Stark Naked" (aka "The Beauty Witch") wore nothing but a blanket. Photo from The Magic Bus.

Three years later, the brightly painted bus was parked once again in front of McMurtry’s house on the oak-lined street near Rice Village. Kesey and the Pranksters returned to Houston in March 1967 to visit their old friend and to conduct what is purported to have been the last “acid test.” The social experiment was staged in the dining room of Brown College, a residential facility on the campus of Rice University, with McMurtry acting as faculty sponsor.

“I would have been 14 years old when they returned,” said Pricilla Boston (nee Ebersole), an employee of the department of state health services in Austin and the mother of two teen-aged sons.
I remember getting off the school bus from junior high one afternoon and seeing that the painted bus was parked in front of Mr. McMurtry’s house again. It was immensely colorful and there was no missing it, that’s for sure. All the kids in the neighborhood used to play street games at night a lot and it was almost like there was another set of kids in the neighborhood.

They had a youthful, fun vibe about them. I remember this one skinny guy in particular who would interact with us; he was younger than the others and he showed us the inside of the bus. He once asked us to go home and look in our parents’ medicine cabinet to see if they had any bottles of pills and bring them to him. I was asking myself "Why would he want those?"
Boston recounted following the skinny Prankster’s instructions and looking in her parent’s cabinet. “I don’t remember whether I brought him anything or not,” she said, “I just remember having a sense of what I was doing as being a little bit naughty.”

Although Kesey’s arrival and the ensuing acid test were promoted as a “concert” in the March 9 issue of the Rice Thresher, the campus student newspaper, this non-event turned out to be an acid test in name only. The promise of a reenactment of the “tests” conducted in California between 1965 and 1966 never materialized. Absent was the liquid light show, the live, amplified rock music, the pulsating strobe lights and movie projector images on the walls.

Also conspicuously absent was the mass dispensation and ingestion of psychotropic drugs by the Rice student body and other “assorted weirdos” in attendance. Instead, the Pranksters indulged the more than 200 attendees with a “madcap improvisation” of toy dart-gun fights, human dog piles, deep breathing demonstrations by Kesey himself, and rides on the “magic bus” around the Rice campus.

“The great Kesey affair was an absolute dud,” reported the Houston Post on March 21. “Some of the kids hissed while he [Kesey] read some kind of incantation, and others just left talking about what a drag it was.”

[Ivan Koop Kuper is a graduate student at the University of St. Thomas, Houston, Texas, and maintains a healthy diet of music, media, and popular culture. He can be reached at kuperi@stthom.edu.]



Merry Pranksters in the news, 1964. Top, in Houston, and below, in Springfield, Ohio.


Prankster Hermit and the original bus. Photo from Lysergic Pranksters in Texas.


Top, Ken Kesey with restored bus, by then renamed "Further" with an "e". Below, the 1939 International Harvester, before restoration, at the Kesey family farm in Pleasant Hill, Oregon, after being stored in the swamp for 15 years. Photo by Jeff Barnard / AP

The Rag Blog

Posted by thorne dreyer at 10:50 AM
Labels: American History, Drug Culture, Houston, Ivan Koop Kooper, Ken Kesey, Larry McMurtry, LSD, Merry Prankstes, Psychedelics, Rag Bloggers, Rice University, Sixties, Tom Wolfe

June Is Class-War Prisoners Month-Free The Jericho Movement Prisoners-Free All The Class-War Prisoners!

June Is Class-War Prisoners Month-Free The Jericho Movement Prisoners-Free All The Class-War Prisoners!  


Chelsea Manning, Albert Woodfox and Oscar Lopez Rivera are out let's get the rest out as well  




Ancient dreams, dreamed-The Risen People? May Day 1971- Magical Realism 101-Build The Resistance 2018

Ancient dreams, dreamed-The Risen People? May Day 1971- Magical Realism 101-Build The Resistance 2019




Endless, dusty, truck heavy, asphalt steaming hitchhike roads travelled, Route 6, 66, maybe 666 and perdition for all I know, every back road, every Connecticut highway avoiding back road from Massachusetts south to the capital for one last winner-take-all, no prisoners taken show-down to end all show-downs. And maybe, just maybe, finally some peace and a new world a-borning, a world we had been talking about for at least a decade (clueless, as all youth nations are clueless, that that road was well-travelled, very well- travelled, before us). No Jack Kerouac dharma bum easy road (although there were dharma bums, or at least faux dharma bums, aplenty on those 1971 roads south, and west too) let her rip cosmic brakeman Neal Cassady at the wheel flying through some wheat field night fantasy this trip.

No this trip was not about securing some cultural enclave in post-war (World War II so as not to confuse the reader) in break-out factory town Lowell or cold water tenement Greenwich Village/Soho New Jack City or Shangri-La West out in the Bay area, east or west, but about mucking up the works, the whole freaking governmental/societal/economic/cultural/personal/godhead world (that last one, the godhead one, not thrown in just for show, no way) and maybe, just maybe sneaking away with the prize. But a total absolute, absolutist, big karma sky fight out, no question. And we, I, am ready. On that dusty road ready.

More. See all roads head south as we, my girlfriend of the day, maybe more, maybe more than a day, Joyell, but along this time more for ease of travelling for those blessed truck driver eye rides, than lust or dream wish and my sainted wise-guy amigo (and shades of Gregory Corso, sainted, okay), Matty, who had more than a passing love or dream wish in her and if you had seen her you would not have wondered why. Not have wondered why if your “type” was Botticelli painted and thoughts of butterfly swirls just then or were all-type sleepy-eyed benny-addled teamster half-visioned out of some forlorn rear view mirror.

Ya, head south, in ones, twos, and threes (no more, too menacing even for hefty ex-crack back truckers to stop for) travelling down to D.C. for what many of us figure will be the last, finally, push back against the war, the Vietnam War, for those who have forgotten, or stopped watching television and the news, but THEY, and you knew (know) who they were, had their antennae out too, they KNEW we were coming, even high-ball fixed (or whiskey neat she had the face for them) looking out from lonely balconies Martha Mitchell knew that much. They were, especially in mad max robot-cop Connecticut, out to pick off the stray or seven who got into their mitts as a contribution to law and order, law and order one Richard Milhous Nixon-style (and in front of him, leading some off-key, off-human key chorus some banshee guy from Maryland, another watch out hitchhike trail spot, although not as bad as Ct, nothing except Arizona is). And thus those dusty, steamy, truck heavy (remind me to tell you about hitchhiking stuff, and the good guy truckers you wanted, desperately wanted, to ride with in those days, if I ever get a chance sometime).

The idea behind this hitchhiked road, or maybe, better, the why. Simple, too simple when you, I, thought about it later in lonely celled night but those were hard trying times, desperate times really, and just free, free from another set of steel-barred rooms this jailbird was ready to bring down heaven, hell, hell if it came down to it to stop that furious war (Vietnam, for the later reader) and start creating something recognizable for humans to live in. So youth nation, then somewhat long in the tooth, and long on bad karma-driven bloody defeats too, decided to risk all with the throw of the dice and bring a massive presence to D.C. on May Day 1971.

And not just any massed presence like the then familiar seasonal peace crawl that nobody paid attention too anymore except the organizers, although the May Day action was wrapped around that year’s spring peace crawl, (wrapped up, cozily wrapped up, in their utopian reformist dream that more and more passive masses, more and more suburban housewives from New Jersey, okay, okay not just Jersey, more and more high school freshman, more and more barbers, more and more truck driver stop waitresses, for that matter, would bring the b-o-u-r-g-e-o-i-s-i-e (just in case there are sensitive souls in the room) to their knees. No, we were going to stop the government, flat. Big scheme, big scheme no question and if anybody, any “real” youth nation refugee, excepting, of course, always infernal always, those cozy peace crawl organizers, tried to interject that perhaps there were wiser courses nobody mentioned them out loud in my presence and I was at every meeting, high or low. Moreover I had my ears closed, flapped shut closed, to any lesser argument. I, rightly or wrongly, silly me thought “cop.”

So onward anti-war soldiers from late night too little sleep Sunday night before Monday May Day dawn in some vagrant student apartment around DuPont Circle (I think, but it may have been further up off 14th Street, Christ after eight million marches for seven million causes who can remember that much. No question though on the student ghetto apartment locale; bed helter-skelter on the floor, telephone wire spool for a table, orange crates for book shelves, unmistakably, and the clincher, seventeen posters, mainly Che, Mao, Ho, Malcolm etc., the first name only necessary for identification pantheon just then, a smattering of Lenin and Trotsky but they were old guys from old revolutions and so, well, discounted) to early rise (or early stay up cigarette chain-smoking and coffee slurping to keep the juices flowing). Out into the streets, out into the small collectives coming out of other vagrant apartments streets (filled with other posters of Huey Newton , George Jackson, Frantz Fanon, etc. from the two names needed pantheon) joining up to make a cohorted mass (nice way to put it, right?). And then dawn darkness surrounded, coffee spilled out, cigarette bogarted, AND out of nowhere, or everywhere, bang, bang, bang of governmental steel, of baton, of chemical dust, of whatever latest technology they had come up with they came at us (pre-tested in Vietnam, naturally, as I found out later). Jesus, bedlam, mad house, insane asylum, beat, beat like gongs, defeated.

Through bloodless bloodied streets (this, after all, was not Chicago, hog butcher to the world), may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. One arrested, two, three, many, endless thousands as if there was an endless capacity to arrest, and be arrested, arrest the world, and put it all in one great big Robert F. Kennedy stadium home to autumn gladiators on Sunday and sacrificial lambs this spring maypole may day basket druid day.

And, as I was being led away by one of D.C.s finest, I turned around and saw that some early Sunday morning voice, some “cop” voice who advised caution and went on and on about getting some workers out to join us before we perished in an isolated blast of arrests and bad hubris also being led away all trussed up, metal hand-cuffs seemingly entwined around her whole slight body. She said she would stick with us even though she disagreed with the strategy that day and I had scoffed, less than twenty-four hours before, that she made it sound like she had to protect her erring children from themselves. And she, maybe, the only hero of the day. Righteous anonymous sister, forgive me. (Not so anonymous actually since I saw her many times later in Boston, almost would have traded in lust for her but I was still painted Botticelli-bewitched and so I, we, let the moment passed, and worked on about six million marches for about five millions causes with her but that was later. I saw no more of her in D.C. that week.)

Stop. Brain start. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove, these were not such times even with all our unforced errors, and no flame-flecked phoenix raising but a bird, maybe the owl of Minerva came a better sense that this new world a-bornin’ would take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart road tramp acting in god’s place could even dream of. But that was later. Just then, just that screwed-up martyr moment, I was longing for the hot, dusty, truck driver stop meat loaf special, dishwater coffee on the side, road back home even ready to chance Connecticut highway dragnets to get there.

The Ghost Of Lawrence Landon-With Hank Williams’ “Cold, Cold Heart” In Mind

The Ghost Of Lawrence Landon-With Hank Williams’ “Cold, Cold Heart” In Mind   




By Zack James


[The Pete Markin mentioned in the sketch below and in a previous one about Delores Landon, Lawrence Landon’s wife and Si’s mother, is the late Peter Paul Markin who despite a lot of serious work as a journalist back in the early 1970s fell off the edge of the world down south of the border and fell down shot dead with a couple of slugs in some desolate back alley in Sonora after a busted drug deal as far as anybody in America was able to find out (after being seriously warned off the case by the Federales and some guys who looked like they ate gorillas for breakfast). The Peter Markin who moderates this site is a pseudonym for a guy, Frank Jackman, who along with Si Landon, Jack Callahan, Frankie Riley, Josh Breslin and a bunch of other guys knew Markin in the old growing up days and has taken the pseudonym in honor of his fallen comrade who before his untimely end had taught him a lot about the world and its ways, quite a lot. “Peter Paul Markin”]         

Memory floods. Memory flows unstaunched down to the endless sea of time. Some people shut off that memory flow to preserve their sanity others, others like Si Landon from the old corner boy Acre neighborhood in North Adamsville make it their business, go a long way out of their way to make it their business to remember, to be known among their circle as great rememberers. Si Landon had recently had occasion to test that theory out in a sort of roundabout way. He had been driven to remember one set of memories and that exploded another set in his face almost by happenstance.    

The whole episode had started when due to irreconcilable differences with his third wife, Maria, he had been given “the boot,” had been given his walking papers by her after almost a decade together. We will not get bogged down with the particulars of the causes for the separation except to say that Maria’s complaints were centered on Si’s increased moodiness and distance (that was Maria’s polite way, as was her way, of putting the matter) as well as her own need to “find herself”. The long and short of the situation was that both had agreed that “rolling stone” Si would leave the house they had shared for the previous decade. He wound up for several months staying at various friends’ places and in a sublet from a friend’s daughter before he realized that he needed some rootedness, some familiar surroundings now that he was alone again with only his thoughts and memories.

One tough “exiled” day, that was the way Si described his various experiences since the breakup with Maria he had an epiphany which led to his decision to head back to the old neighborhood after an almost fifty year absence. After a certain amount of searching he was able to find a condo for rent (he was not ready to seek a permanent condo-type situation or quite sure that he was up for that experience since he had spent the previous forty or so years in single family housing so a rental was testing the waters). The condo was located a couple of blocks from his growing up family tumbled down shack of a house in a school which had been closed when the demographics in the area changed and converted to the condo complex. Although he had not gone to school there since his family had moved from “the projects” back into his mother’s old neighborhood when he was in junior high school three of his four younger brothers (no sisters to his mother’s dismay) had gone there and that memory had helped determine his move to location.                     

He had strong recollections of his brothers’ time there and that was a source of some solace once he got settled in. Then a couple of days after that moving in he noticed in the front foyer that the developers of the place had kept some of the historic aspects of the place by keeping a series of graduating class photographs on one wall. On another was the 1907 announcement in the North Adamsville Gazette of the opening of the school. That hard fact triggered a sudden re-emergent long suppressed fear in Si once he realized that that 1925 date meant that his mother had also gone to school there something that he probably know way back when but had forgotten about. Sure enough looking at those old graduating class photos there was Delores Landon (nee Riley) sitting in the front row. All the battles from early childhood until just a few years before her death came rushing back into his head.

[Their relationship as described in a previous sketch had consisted of longer and longer periods of withdrawal after recrimination until there was a point of no turning back reflected in the fact that Si had not even attended his mother’s funeral for a lot of reasons but that one primarily.-Markin]

One late night when he could not get to sleep a couple of weeks after he had moved in Si thought he heard his mother’s voice calling out to him from the foyer that he would never amount to anything her favorite taunting mantra for him whenever he got in trouble.  Si freaked out over the idea that he would have to re-fight all the old memory battles. Damn. (Si by the way turned out to have been a better than average lawyer so he put paid to that eternal standard Delores notion.)              

No question the dominant force in the Landon household, the five surly boys household, was one Delores Landon. That sad fact was no accident, or if it was accident it was so by virtue of the circumstances which befell Delores Riley and Si’s father, Lawrence Landon. Delores and Lawrence had met through the contingencies of World War II when Lawrence Landon had been stationed before being discharged from the Marines at the famous Riverdale Naval Depot, a place which had earned its fame then for producing something like one troop transport vessel per day on those manic twenty-four-even shifts throughout the war. Delores had worked in an office in the complex doing her bit for the war effort. They had met at a USO dance one Friday night and the rest was history for the next forty or so years until he passed away at 65. Part of that history was the production of a crop of five boys, five hungry boys as it turned out led by Si. The other part was that Lawrence had originally come from the south, had been born and raised in coal country, in Harlan County down in Kentucky in the heart of “white trash” poor Appalachia. Before the Marines broke the string he had been the latest in about five generations of Landons to work the coal mines.

Coming and staying in the Boston area with nothing but a tenth grade education and useless coalmining skills meant that Lawrence was always scrabbling for last hired, first fired work. It also meant that scrambling to do his best as a father to provide for his own that he was a very distant figure in the day to day Landon household which in practice meant that Si was from an early age the “surrogate” father a fate which almost destroyed him before he finally left the family house. It also meant that beyond the distant figure of his father he also knew next to nothing about him. Except, and this was a big except, Lawrence Landon never ever sided with Si against his mother whether she was right or wrong in whatever accusations she made against him. Tough work, tough work indeed although he never was as bitter against his father as he had been against Delores. (A lot of what Si would learn about his father would only come after Lawrence had passed on from his youngest brother Kenneth who made serious effort to try and understand what his father had gone through. So Kenneth had known, which will become important in a minute, that his father had been called “the Sheik” by his fellow Marines for his abilities with the women what with his soft Southern accent and black hair and eyes. Kenny had known as well that beyond a young coal-miner’s skills his father had some talent as a musician, as a better than average guitar player and singer who was locally known in the Saturday night “red barn” circuit throughout Appalachian Kentucky for his prowess in song and with the girls along with his band The Hills and Hollows Boys.)

That is perhaps why when Si was old enough and thoughtful enough to know better he recognized that Lawrence had done the best he could with what he had to offer. It had been a hard lesson to learn even with some leeway. So it was no accident that a few weeks after Si’s strange nocturnal “encounter” with his mother (being a man of science he had eventually dismissed, or half dismissed that “voice” as just some gusts of wind coming from outside his windows) he had an “encounter” with the ghost of his father. Si had for many years, going back to his college days been something of a folk music aficionado. Had breathed in the folk minute that passed through the world starting in the very early 1960s.

For some thirty years previously well after the folk minute had burst and the remnants were to be seen playing before small crowds in church basement monthly coffeehouses Si had dilly-dallied with playing the guitar and singing along some folk songs which he had picked up through a famous folk music book which had the imprimatur of the late folksinger extraordinaire Pete Seeger (and lately had picked up songs from another source-the Internet- which moreover provided the chordal arrangements for many of the songs requested). His attention to the guitar and to practice had always been a hit or miss thing through three marriages and an assortment of children and lots of work to keep them in clover (and alimony and child support when those times came). Still Si never completely abandoned either singing or playing. (For lots of reasons but mainly to keep out of the family’s hair during the Maria marriage he had done his sporadic efforts on the third floor of their house far away from other distractions. But also to be able to say when serious folksingers, including Maria, asked about his abilities that he was a “third floor” folksinger, meaning third-rate which seemed about right. That would draw a laugh from those, again including Maria, whom he considered “first floor” folksingers.)            

While he was in “exile” Si had had a fair amount of time on his hands not having to attend to family matters or the million and one other things that are required in a relationship. (Si had had to laugh, a  bitter laugh, one night when he was thinking about those million and one things that he had been about nine hundred thousand, maybe closer to a  million short on keeping the Maria relationship going.) He began one of the most consistent sustained efforts at playing and singing that he had ever done. He continued those efforts when he moved back to his hometown.

What he had begun to notice in exile was that the new material that he was picking up from the Internet or from song books were a lot of old time Hank Williams ballads. Now Si was a city boy, always made it clear when younger that he hated country music, the music of the Grand Ole Opry being his standard for what passed for country music except for one very brief period in the early 1980s when he was attracted to the music of “outlaw” country singers and songwriters like Willie Nelson and Townes Van Zandt. But he always had had something of a soft spot for the anguished Williams. Had done so ever since not knowing that it was country music at the time he would pester Lawrence to play Williams’ Cold, Cold Heart for him when he was a kid. (Lawrence always had a guitar around the house and always like Si would sporadically play when he had a few minutes from the never-ending toil of providing for the five hungry boys and the one overwhelmed wife.)                       


One night in his condo in North Adamsville he began to practice on the guitar when he suddenly thought about his father’s playing of that Williams’ song. He went on the Internet to get the lyrics and chords and began to play. As he played a few times he got a very strong feeling that something was pushing him to play that song far better than he played most songs. On a final attempt Si felt that he had played the song almost like he had heard his father cover the classic. That night he began to realize that the ghosts of his youth weren’t always going to haunt his dreams. That present in that old neighborhood former schoolhouse were lots of things that would surface. Mostly though that night he shed a tear as he finished up knowing that he had cursed his father more than he should have and he once again called out to the winds “Pa, you did the best you could, you really did.”      

When The Thin Man Was Fat -With The Original Film Adaptation of Dashiell Hammett’s The Thin Man In Mind


When The Thin Man Was Fat -With The Original Film Adaptation of Dashiell Hammett’s The Thin Man In Mind   





By Josh Breslin


Recently in a review of the fourth in the famous Myrna Loy-William Powell seemingly never-ending 1930s-1940s The Thin Man series, Shadow Of The Thin Man, I mentioned that a long time ago, or it now seems a long time ago, I had a running argument with the late film critic Henry Dowd about the alleged decline in manly film detectives after the time of Dashiell Hammett’s Sam Spade and Raymond Chandler’s Phillip Marlowe in the 1940s. By that Henry meant tough guy, no holds barred, non-filter cigarette smoking, Luckies or Camels, bottom of the desk drawer hard shell whiskey neat drinking, who didn’t mind taking or giving a punch, or taking or giving a  random slug for the cause detectives. He had based his opinion strictly on viewing the films of the famous detective couple Nick and Nora Charles.           

Henry Dowd believed that with the rise of The Thin Man series that previous characterization of a model detective, his previous characterization Henry was given to the imperative tone, switched from the hard whiskey drinking guy to a soft martini swigging suave guy with a soft manner and an aversion to taking risks, certainly to taking punches or slugs. Hell, in that film under review at the time not only had Nick been married to Nora but they had a kid, not to mention that damn dog Asta, a regular entourage to weigh a guy down. Back in the day what had surprised Henry in our public prints argument had been when I told him that the same guy, Dashiell Hammett, who had written the heroic tough guy detective Sam Spade had also written the dapper Nick and charming Nora characters. Henry did not believe me until I produced my tattered copy of Hammett’s The Thin Man which had started the whole film series. Thereafter he kept up the same argument except placing The Thin Man as an aberration probably do to Hammett’s known heavy drinking or that he was trying to soften his own Stalinist-etched persona with such an obvious bourgeois couple. Jesus.       

My objection to Henry’s “decline of the manly” detective theory back then had not been so much about the social manners or the social class of the couple in the series, a reversion to the parlor detective genre before Hammett and Chandler brought the genre out of the closet and onto the streets, as the thinness of the plots as they rolled out each new product. I continue to tout the original film in series The Thin Man as the one everybody should view and take in the rest if you have restless hour and one half or so to whittle away.  

I had held my viewing of Shadow up as a case in point. I mentioned above all that the affable Nick and Nora would get involved in the murder case of a jockey who allegedly threw a horse race. The very notion that anybody, much less a private eye, would give more than a passing glance to the demise an allegedly corrupt jockey was beyond me. After all the indignities those curs have thrown my way whenever I have had a “sure thing” has given me a very cynical view of these professionals. Has left me teary-eyed at my bad luck-or ready to shoot one myself. Of course if you are talking about throwing horse races then you have to deal with the question of the mob and all the connections to that organization from law enforcement to track officials. And in a roundabout way this is how Nick with a little timely intervention by Nora solved that one thereby exonerating that fallen jockey (and a newspaper guy too). Bringing a high-born connected guy down to boot. Enough said.

Enough said except that I also mentioned that if one had just one film in the series then you had to opt for the original one based far more closely on that tattered copy of Hammett’s crime novel. Those were the days when Nick, still besotted by Nora, but not knocked over by her could work up the energy to do more than mix martinis. (Or to revive the old Dowd argument before Hammett let the bottle get to him or while working under the umbrella of Popular Front days directed from red Moscow).     

Of course even then Nick had been softened up a little by some time out in gentle, gentile Frisco town but once he hit New York he put on his stern working face when the daughter of an ex-client attempted to find out where her father had taken off too. Taken off after a couple of murders fouled up the scene. See that old man, that thin man, had been running around with a dizzy dame who was two-timing him and so all eyes pointed in his absent direction. Only got more heated when a guy who saw the murderer got wasted by same.  Looked like the old man would take the big step-off, take a last breathe that he would not like.

Except in those days although Nick was allegedly “retired” he kicked out the jams long enough to find out that the whole thing was a scam, was all smoke and mirrors by somebody, not the thin man. Along the way Nick outsmarts the public coppers, not so hard to do when they put their two and two together and it came up five. Two murders and a missing boyfriend, the old man, and they had him all wrapped up and tied with a ribbon. One little problem: the old man, the thin man, this Wynant to give him a name was dead, very dead and had been so of a couple of months after Nick figured out where the body was buried (okay, okay with a little sniffing help from Asta) so the public coppers had egg all over their faces. You might be surprised by who actually did the deed, did the three murders and would surely take the big step-off, be gasping for breath at the end, but you can watch the film to see that worked out. What is important is that Nick, drunk or sober, dapper or not, seemingly lazy or not, too laid back or not grabbed the right person, solved the damn mystery without working up serious sweat. And without getting bopped on the head, or taking some slugs. Enough said.    


The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Songs To While Away The Class Struggle By-Pete Seeger's "Oh, Had I A Golden Thread"

*Songs To While Away The Class Struggle By-Pete Seeger's "Oh, Had I  A Golden Thread"







Click on the title to link a "YouTube" film clip of Pete Seeger (with Judy Collins) performing "Oh, Had I A Golden Thread."


In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

*************

Oh, Had I A Golden Thread(Pete Seeger)


Oh, had I a golden thread
And needle so fine
I'd weave a tapestry
Of rainbow design
Of rainbow design

Far over the water
I'd weave my magic strand
To every city
Through every single land
Through every land

And in it I would weave the bravery
Of women giving birth
In it I would weave the innocence
Of children over all the earth
Children of all earth

Show my brothers and my sisters
My rainbow design
And bind up this sorry world
With hand and heart and mind
Hand and heart and mind

O had I a golden thread
And needle so fine
I'd weave a tapestry
Of rainbow design
Of rainbow design